The Oath of the Horatii depicts three brothers swearing an oath to their father to fight their cousins in a dispute between Rome and Alba Longa. Painted by Jacques-Louis David in 1786, it shows the brothers making a tense pledge while the women mourn their impending battle. The painting was commissioned by Louis XVI and a smaller replica was later produced for a courtier with assistance from David's pupil Girodet.
The Oath of the Horatii depicts three brothers swearing an oath to their father to fight their cousins in a dispute between Rome and Alba Longa. Painted by Jacques-Louis David in 1786, it shows the brothers making a tense pledge while the women mourn their impending battle. The painting was commissioned by Louis XVI and a smaller replica was later produced for a courtier with assistance from David's pupil Girodet.
The Oath of the Horatii depicts three brothers swearing an oath to their father to fight their cousins in a dispute between Rome and Alba Longa. Painted by Jacques-Louis David in 1786, it shows the brothers making a tense pledge while the women mourn their impending battle. The painting was commissioned by Louis XVI and a smaller replica was later produced for a courtier with assistance from David's pupil Girodet.
Physical Location: Toledo Museum of Art, Toledo Ohio
Physical Dimensions : 51 ¼ in. x 65 5/8 in. (130.2 x 166.7 cm)
In 1784 Louis XVI commissioned from Jacques-Louis David a life-size depiction of
the ancient Roman story of the Horatii family pledging to fight the Curiatii. That famous painting is now in the Musée du Louvre , Paris. Toledo’s canvas is a reduced replica ordered from David by the high-ranking courtier Comte de Vaudreuil . It is close to the original, except that it includes a distaff with spun thread near the women’s feet. David’s pupil Anne-Louis Girodet (1767–1824) reportedly assisted in making this version. In a composition inspired by classical relief sculpture, the three Horatii brothers of Rome swear an oath before their father. They vow to fight to the death against their three cousins, the Curiatii of Alba Longa, in order to settle a dispute between the two cities with minimum bloodshed. Their tense stances contrast with the fluid contours of the women, slumped in grief and resignation. Complicating the situation, the young men were married or betrothed to each other’s sisters. In the unrest leading up to the French Revolution of 1789, David’s powerful image exhorted restrained emotion, order, and the sacrifice of the individual for the good of the state.
Oedipus and the Sphinx
Title: Oedipus and the Sphinx
Artist: Gustave Moreau (French, Paris 1826–
1898 Paris) Date: 1864 Oedipus and the Sphinx is an 1864 oil on canvas painting by Gustave Moreau that was first exhibited at the French Salon of 1864 where it was an immediate success. It is now in the Metropolitan Museum of Art. The painting depicts Oedipus meeting the Sphinx at the crossroads on his journey between Thebes and Delphi. Oedipus must answer the Sphinx's riddle correctly in order to pass. Failure means his own death and that of the besieged Thebans. The riddle was: "What walks on four feet in the morning, two in the afternoon and three at night?". Oedipus answered: "Man: as an infant, he crawls on all fours; as an adult, he walks on two legs and; in old age, he uses a walking stick". Oedipus was the first to answer the riddle correctly and, having heard Oedipus' answer, the Sphinx was astounded and inexplicably killed herself by throwing herself into the sea. Oedipus thereby won the freedom of the Thebans, the kingdom of that city, and as his wife, Jocasta, who was later revealed to be his mother.