Professional Documents
Culture Documents
Elements of communication
and
their characteristics
{communicator,
message,
channel,
treatment,
audience,
audience response and
Feedback}
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A good message must be: 9. Supported by factual material covering both sides of the
argument;
1. In line with the objective to be attained;
2. Clear – understandable by the audience 10. Appropriate to the channel selected
3. In line with the mental, social, economic and physical 11. Appealing and attractive to the audience – having utility,
capabilities of the audience. immediate use.
4. Significant – economically, socially or aesthetically to 12. Applicable – audience can apply recommendation;
the needs, interests and values of the audience 13. Adequate – Combining principle and practice in effective
5. Specific – no irrelevant material; proportion;
6. Simply stated covering only one point at a time. 14. Manageable – can be handled by the communicator with
high professional skill and within the limits imposed by
7. Accurate – Scientifically sound, factual and current; time.
8. Timely – especially when seasonal factors are
15. Compatible: The message must be according to the
important and issues current
traditions, needs and desires of the audience.
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NOISE
Many obstructions can enter channels. These are often
referred to as ‘noise’ - that is some obstruction that
prevents the message from being heard by or carried
over clearly to the audience.
‘Noise’ emerges from a wide range of sources and causes
which are as follows;
1. Failure of a channel to reach the intended audience:
2. Failure on the part of a communicator to handle
channels skillfully:
3. Failure to select channels appropriate to the
objective of a communicator:
4. Failure to use channels in accordance with the abilities of the To overcome the problems, one should take the following account:
audience:
1. The specific objective of the message.
2. The nature of the message - degree of directness versus
5. Failure to avoid physical distraction:
abstractness, level of difficulty, scope, timing etc.
6. Failure of an audience to listen or look carefully: 3. The audience - size, need, interest, knowledge of the subject etc.
4. Channels available that will reach the audience or parts of it
7. Failure to use enough channels in parallel: 5. How channels can be combined and used in parallel.
6. How channels that must be used in a series can be reduced to the
8. Use of too many channels in a series:
minimum, and those used made effective without fail
7. Relative cost of channels in relation to anticipated effectiveness
8. Time available to communicator and audience
9. Extent of seeing, hearing or doing that is necessary to get the
message through
10. Cumulative effect or impact on the audience to promote action
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For e.g. Senior Extension officer originates a message he The following two important principles emerge from this
wishes to communicate to a sizeable number of local example:
cultivators. The series of channels could be about as follows :
(1) The more steps by which the communicator is removed
Senior officer communicates the message to the District from his intended receiver, the greater are his chances of
Level Officer, who in turn communicates it to the Village level losing the proper message
Agriculture Extension Officer, who in turn communicates it to
a village leader, who in turn is asked to communicate it to a (2) When lines of communication get too long for assured
number of local cultivators. communication they can be improved in two primary ways
The use of such a series of channels raises two grave (a) by using additional channels in parallel and
questions
(b) by eliminating some of the channels in the series.
(a) Did the message ever really reach the intended destination?
Successful communicators prevent the blockage or
(b)Did it reach with the same content and intent as the `noise` affecting channels of communication that emerge
original? from one or more of the foregoing conditions.
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B. Matters of speaking and acting: 7. Decide on the dramatic effect desired. In addition to
1. Limit the scope of presentation to a few basic ideas and the content of messages, a communicator should be
to the time allotted. Too many ideas at one time are concerned with ‘showmanship’. Effective treatment
confusing. requires sincerity, smoothness, enthusiasm, warmth,
2. Be yourself. You can’t be anyone else. Strive to be clear, flexibility and appropriateness of voice, gestures,
not clever. movements and tempo.
3. Know the facts. Fuzziness means sure death to a 8. Use alternative communicators when appropriate, as
message. in Group discussions, panels, interviews, etc.
4. Don’t read your speech. People have more respect for a
communicator who is sure of his subject. 9. Remember that audience appeal is a psychological
bridge to getting a message delivered.
5. Know the audience. Each audience has its own
personality. Be responsive to it. 10. Quit on time. Communicators who stop when they are
6. Avoid being condescending (arrogant). “finished” are rewarded by audience goodwill.
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In good communication, the audience aimed at is In addition to knowing the identity of an audience and
already identified by the communicator. some of its general characteristics, there are other
somewhat more specified aspects that help to clarify
Two Types of Audiences: the exact nature of an audience and how to reach it.
Specialists The following are some of these:
The general audience
1. Communication channels established by the social
The ‘pay of’ in communication is dependent on what the organization.
audience does in response to messages.
2. The system of values held by the audience - what
The more homogeneous an audience, the greater the they think is important.
chances of successful communication.
3. Forces influencing group conformity-custom,
Likewise, the more a communicator knows about his
tradition etc.
audience and can pinpoint its characteristics the more
likely he is to make an impact. 4. Individual personality factors susceptibility to
change etc.
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