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Acebuche, Angeline Z.

Sinaguinan, Leira

BSA

A. Classical Film vs. Contemporary Film

Classic Conte
al Film mporar
- Lin - No
ear n-
- A casual relation - No biological
between scenes between scene
- Requires attention to
- Easy to understand
understand

- Ends with resolution - It may have an open


ending

- Plot- driven story - Character- driven


story
B. Classical Movie vs. Contemporary Movie

Classic Conte
al mporar
- Story centered movies - normally use digital
media
- use some logical plot to
explain their storyline - No longer concentrate
and engaging stories or on their main plots and
narrative to their have too much side
audiences plot inside their movies

- Creates strong and - highly commercial


originality character in because they need
their movie budget to shoot
their movies.
C. Classical Painting vs. Contemporary Painting

Classic Contemporary Painting


al
both styles
- was revered for its sober use vibrant - was rebellious,
and aesthetically colors or paradoxical, and often
pleasing stories. complex misunderstood.
compositions
- Is relatable, containing with many - Focuses more on
beautiful elements that shapes and expressing idea or
please the eye. lines to make feeling.
eye- catching
artwork - Is not necessary for a
wide audience.

The aesthetic response is simpler to understand in classical art. It is not necessary for
classic paintings to have a message or goal; their visual appeal is just greater. In contrast,
the drive to arouse aesthetic feelings is utilitarian and insane in contemporary art.
Contemporary art focuses more on expressing an idea or feeling than on presenting a
subject or notion that is beautiful or realistic. Because of this, contemporary art is more
sophisticated and difficult to understand, and its audience is smaller.
D. Classical play vs. Contemporary Play

Classic Contemporary Play


al Play
- plays were performed - The main objective is
in broad light. to get the public to
- follows a very precise react, often by
pattern (units of time, opening a debate
- the spectator is an
place, and action integral part of the
presentation
- The objective is mainly
to tell a beautiful story - No stage rules

- 17th Century - 20th Century

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