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Lesson 3: Evaluating Messages and Images of Different Text Types

Learning Outcomes
At the end of the lesson, you are expected to achieve the following:
1. Evaluate multimodal texts critically to enhance receptive skills (i.e. listening, reading, viewing).
2. Convey ideas through oral, audio-visual and/or web-based presentations for different target audiences
in local and global settings using appropriate registers.
3. Adopt awareness of audience and context in presenting ideas.

EVALUATING MESSAGES AND/OR IMAGES OF DIFFERENT TYPES OF TEXTS REFLECTING


DIFFERENT CULTURES

As discussed in Lesson 1, the advancements in digital technology paved the way to innovative
modes and platforms of communication. The massive and rapid developments in digital communications
ushered in a new era of communication that does not simply rely on words, but also on images and other
semiotics of the channel used to convey the message.

The effects of cultural and global issues to communication were highlighted in previous discussions,
as well as the impact of effective communication to society and the world. This has highlighted the
importance of exploring the concept of World Englishes, or as defined by CelceMurcia (2014), the
regionally distinct varieties of English that have arisen in parts of the world where there is a long and
often colonial history of English being used in education, commerce and government.

There is no debate that the English language has become the most widely used language for most
purposes of communication in international diplomacy, business, science, education and entertainment.
Over time, this widespread use of English – spoken side by side with local languages – has given rise to
local varieties of English with their own standards. Examples of World Englishes are Indian English,
West African English, Singapore English, and Filipino English.
One major issue that has been raised with respect to these established varieties is that they are
often not fully intelligible to users of other varieties of English. For example, a Filipino ordering food in a
restaurant in Singapore for the first time would be confused when he is asked, “Having here, or take
away?” because in the Philippines, they are more accustomed to “Dine in, or take out?” Kirkpatrick (2007)
proposes a scale with two extremes that characterize this problem:

Extreme 1: The goal of national or regional identity. People use a regional variety of English with
its specific grammar, structure and vocabulary to affirm their own national or ethnic identity (e.g.
Only Filipinos use the terms “senatoriable”, “congressman”, “chancing”, and “bedspacer”, among
others, and use these when communicating with other Filipinos).

Extreme 2: The goal of intelligibility. Users of a regional variety should ideally still be readily
understood by users of English everywhere else in the world to fully participate in the use of
English as an international language (e.g. Users of Filipino English have to understand that they
have to use “bin” instead of “trash can” or “lift” instead of “elevator” when in a country using
British English).

The challenge is to find a good balance between the identity-intelligibility extremes. Hence,
speakers of the English language may resort to code-switching (i.e., using English and another language
in the same statement). For example, Filipinos may use a strongly local version of Filipino English to
communicate with fellow Filipinos using English as medium, but they should use a weaker and more
formal version when communicating with users of other varieties of English, especially when
international intelligibility is necessary.

The Power of Words and Images


Look at the illustration on international arrivals below. Answer the five key questions that follow.

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Five Key Questions:
1. What is the message?
2. What is the purpose of the message?
3. How is the message conveyed (by the text and/or image)?
4. Who is the target audience of the message?
5. What other ways of presenting the message are there?

Before effectively engaging in multicultural communication, people have to be ready and


knowledgeable for situations such as the one demonstrated in the illustration. If anything unplanned or
unanticipated comes up, there must be alternative ways of communicating the same message without
being offensive.

The illustration above sends a relatively vivid and powerful message not just through the use of a
careful juxtaposition of text and illustration, but also because of the other semiotics or elements such as
color combinations. This is called a multimodal presentation.

Multimodality
Multimodality is a fairly new concept in the general academic setting, but can be a very powerful
tool in light of digital and multicultural communication. A text or output is considered multimodal if it
uses two or more communication modes to make meaning. It shows different ways of knowledge
representations and meaning-making, and investigates contributions of semiotic resources (language,
gestures, images) that are co-deployed across various modalities (visual, aural, somatic, etc.). Most
importantly, multimodality highlights the significance of interaction and integration in constructing a
coherent text

A multimodal text can either be one of the following:

 Paper (books, comics, posters, brochures)


 Digital (slide presentations, blogs, web pages, social media, animation, film, video games
 Live (performance or an event)
 Transmedia (A story is told using multiple delivery channels through a combination of platforms, such
as comics, film, and video games all working as part of the same story with the same message.)

The creation of multimodal texts and outputs requires a creative design concept that orchestrates
the purposive combination of text, color, photo, sound, spatial design, language, gestures, animations and
other semiotics, all with the unitary goal of bringing meaning to life.

The following are examples of posters that showcase good multimodality.

This is a poster entitled “Run for Rio”, a run-for-a-cause event organized for the benefit of the
Philippine International Volunteers for the 2013 World Youth Day which was held in Rio de Janeiro
Brazil.

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The inclusion of the multi-colored bird, the official mascot of that year’s World Youth Day, is
crucial in juxtaposing it with the actual text on top of the photo. Since Blue is used as the poster’s
dominant color, the multi-colored symbol is highlighted that even if the onlooker fails to read the text, the
purpose of the event will still be obvious.

The same reason goes with the use of the silhouette of a man running (suggestive of the nature of
the event) and the Christ the Redeemer statue on top of mountain (the symbolic representation of Rio de
Janeiro.)
The use of Red in the text for the amount and the running distance puts attention to the event
details without overshadowing the other details. The inclusion of the biblical quote and the cross also add
to the religious motive of the event, thus making it coherent.
https://runforrio.wordpress.com/

The poster is titled “Concert for Kids”, which is fund-raising concert for the New Jersey (NJ) Kids
Foundation in the U.S.

The dominant photo is that of a guitar, suggesting the music-inclined nature of the event. The use
of candies is suggestive of the concert’s beneficiaries, who are kids with special needs. The use of various
colors adds to the notion on the playful nature of kids.

The font used is also playful rather than sharp, and the dominant color of light blue is light on the
eyes, as well as the other color palettes used in the poster.

Both posters, Run for Rio and Concert for Kids, demonstrate purposive use of semiotics to forward
a specific message. These are successful in meaning making through the interplay of various elements.

http://do512.com/events/2016/10/8/hush-hush-music-bash
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In creating a multimodal text, the Purpose, Audience, Context must all be considered.

 As to purpose, the creator of the text must be clear on the message and the reason(s) why the message
has to be delivered.

 As to audience, the nature, interests and sensitivities of the target audience must be considered so the
text will not be offensive and hurt people’s sensibilities.

 As to context, the message should be clearly delivered through various semiotic resources, and in
consideration of the various situations where and how the text will be read by different people having
different cultural backgrounds.

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