Professional Documents
Culture Documents
Department of Education
Region III Central Luzon
SCHOOLS DIVISION OF TARLAC PROVINCE
SAN ROQUE NATIONAL HIGH SCHOOL
Bamban, Tarlac
Prepared by:
Noted:
Approved:
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English 10 Q3- Module 1
Learning Competency: Compose an Argumentative essay.
Learning Objectives:
After going through this module, you are expected to:
1. get familiar with terms used in argumentation/debate;
2. identify the parts and features of argumentative essay.
II. What’s In
When we hear the word “argument,” we know this as a heated conversation. However,
academically speaking, it is an attempt to persuade someone by presenting evidence to the reader
for why it is a more favorable choice regarding a particular issue. We persuade people to agree
with our claim using facts. This is called argumentation.
An argumentative essay presents evidences for a claim in order to let the reader know why
it is more favorable. It also shows why the other side of an issue is unfavorable or less favorable. It
also includes, like any other essay, an introduction and conclusion.
IV. What’s It
Elements of an Argumentative Essay
1. CLAIM- is the position or assertion in relation to the issue. A claim must be defended.
2. ARGUMENT- the statements that support the claim.
3. EVIDENCE – the facts or reasons that support the arguments.
4. COUNTER ARGUMENT- an opposing argument or assertion.
5. REBUTTAL- logical arguments for rejecting the argument
6. CONCLUSION- the conclusion restates the claim, summarizes arguments, restates the
counterclaim and rebuttal and makes any recommendation.
Example:
Issue: Should people be encouraged to travel by bicycle rather than by car?
Claim: People should be encouraged to travel by bicycle rather than by car.
Argument: Maintaining a bicycle is less expensive than a car.
Evidence: 1. The parts of a bicycle are much cheaper than the parts of a car.
2. Fixing a car may require the services of a mechanic who would charge an expensive
amount for labor. On the other hand, many bicycles can be fixed by the owners
themselves.
3. Cars require expensive yearly registration.
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Counterargument: Some say that riding a bicycle would increase travel time and decrease
productivity.
Rebuttal: Traveling by bicycle would actually mean avoiding rush hour traffic jams.
Conclusion: So, we encourage people to travel by bicycle rather than by car to avoid traffic jams
during rush hours to keep and it does not make people from being late to their
appointments.
NOTE: Evidence can be FACTS, STATISTICS, and EXAMPLES
V. What’s More
ACTIVITY 3: Directions: Identify whether the sentence provided is a CLAIM or a STATEMENT.
Write your answer on the space provided.
1. The first two novels of The Hunger Games trilogy have become New York Times bestsellers, while
the third novel, Mockingjay, upon its release ranked #1 on all US bestseller list.
Answer: _______________________________________________________
2. The lead character in Cinderella is a young girl living in miserable circumstances that abruptly
became extraordinary after a night at a ball.
Answer: _______________________________________________________
3. The Hunger Games trilogy has more well-developed characters than the Harry Potter series.
Answer: __________________________________________________________________
4. If Cinderella’s fairy godmother had not arrived to help her get ready for the ball, she never would
have married her Prince Charming. Answer:
__________________________________________________________________
5. The San Francisco Giants baseball team achieved the dynasty status when they secured the
World Series in 2010, 2012, and 2014.
Answer: __________________________________________________________________
1. Advertisers target young people when marketing cigarettes, alcohol, and adult movies. This
makes most of the young adult are addicted to vices.
2. As of May 29, 2014 desalinated water already costs about $2,000 an acre foot - roughly the
amount of water a family of five uses in a year. The cost is about double that of water obtained
from building a new reservoir or recycling wastewater, making water an expensive necessity for
the people.
3. Computer shops makes a lot of money from kids when they play computer games, watch
YouTube and even use social media. Regardless of how much they earn, kids become addicted to
playing computer games and watching videos in YouTube.
4. Selling too much unhealthy foods make kids and adults sick. Junk food manufacturers are
poisoning people with their preservatives, additives and artificial flavorings.
5. Video games makes kids violent. Counter Strike, PUBG, GTA5 are games that are war games.
I. What’s In
Components of Argumentative Writing
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INTRODUCTION – it is an introductory paragraph; it is in the start of the essay.
- this is called the “gateway” of an essay.
- it is because it attracts the attention of readers to the essay and gives the
readers background information about the topic.
- it also introduces the thesis statement of the essay, which is the heart of
an essay, and tells what to be discussed in the body paragraphs.
Example: Why should we ditch our fancy, high priced, gas guzzling sports car and pick up a low tech
bicycle? Well, we should all choose to take the old fashion route because there are money benefits to
riding a bike round town. Although it may be more work, a bicycle’s benefits will outweigh a car’s
dangerous fumes any day. People should be encouraged to commute by bicycle rather than by car.
BODY – it is the body paragraph where facts of the given thesis statements of the essay are
written.
- it is where the arguments are written to support the statements.
Example:
(1st Argument) Financial commuting costs for a bicycle are considerably less than for a car. A brand
new car costs a million pesos and it uses expensive fuel to let it run and move, while a bicycle will
only cost more than one thousand pesos but does not need any fuel, and it uses body energy to
pedal and move.
CONCLUSION – it is rephrasing the thesis statement, major points, call attention, or just
having the concluding remarks. It even has some recommendations.
Example:
We should choose riding a bicycle. This will not only be less expensive and fuel-free but it gives
us a healthy body. Finally, it brings us to destination on time or even earlier avoiding traffic
jams.
ARGUMENTS
Give statements that support your claim.
EVIDENCE
For each evidence, give facts, statistics,
or concrete examples that support the
argument.
COUNTER-ARGUMENT
What might someone say if they disagreed
with you?
REBUTTAL
What would you say to the person who
disagreed with you to change their mind?
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III. What Have I Learned
ACTIVITY 6: ARGUE WITH ME!
Direction: Read the sentences and identify if they are a claim or a statement. Encircle the correct answer.
1. All mammals are warm-blooded. [ Statement , Claim ]
2. The Harry Potter Novel is the number 1 best-selling book of all time. [ Statement, Claim ]
3. Paper is made from trees. [ Statement , Claim ]
4. Water plants can filter pollution. [ Statement , Claim ]
5. China is the best country in the world. [ Statement , Claim ]
IV. Assessment. Directions: Encircle the letter of the correct answer.
1. What does an argumentative essay presents in order to let the reader know why
it is more favorable?
a. The main idea of an essay. b. Evidences for a claim
c. A sentence that gets the reader's attention. d. All of the above
2. What is a counterargument?
a. Agreeing with your opponent's claim. b. The response to an argument.
c. An idea given by the opposing side against the claim given. d. All of the above
3. These are the elements of an argumentative essay.
a. Claim, Argument b. Evidence, claim and conclusion
c. Claim, Counterargument, Rebuttal. d. All of the above
4.In which paragraph is the thesis found?
a. Body b. Introduction c. Conclusion d. None of the above
5. How many paragraphs should your essay possess?
a. at least four b. at least two c. at least three d. at least five
6.Your thesis statement must include the points you will discuss. At least how many should you
have in your essay?
a. Three b. One c. Four d. Two
7. This are the components of an argumentative essay.
a. Introduction and Body. c. Introduction, Body and Conclusion
b. Refutation and Conclusion d. All of the above
8. It is the body paragraph where facts of the given thesis statements of the essay are written?
a. Introduction b. Refutation c. Body d. Conclusion
9.What is a Conclusion?
a. This is rephrasing the thesis statement only.
b. This is rephrasing the introduction.
c. It is rephrasing the thesis statement, major points and call attention.
d. None of the above
15. It is also called the gateway of an essay?
a. Introduction b. Body c. Refutation d. Conclusion
VI. Reflection
What significant learning have I gained in my study of this module? How can I apply what I
have learned in my day-to-day life?
Answer:
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
PERFORMANCE TASK
Directions: Write an argumentative essay on the following topics. Choose only one. Remember to
support your arguments with facts and observe unity and coherence in your writing.
a. Can video/online games be educational?
b. Is physical distancing an effective measure to avoid COVID-19?/ Physical distancing is an
effective measure to avoid COVID-19.
c. Does my role create impact to environmental protection?
Content - 50
Organization - 30
Mechanics - 20
TOTAL - 100
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English 10 Q3- Module 2A
Learning Competency: Using Informative Writing Techniques
Learning Objectives:
While going through this module, you are expected to have:
1. identified the structure and features of informative writing; and
2. written an informative text.
II. What’s In
Writing is the most complex of the four macro skills in communication. It takes years and a
lot of practice to master this skill. However, since writing is part of life, you need to hone your
writing skills to prepare you for academic and professional demands.
In the previous modules, argumentative writing was already discussed. Where the
writer needs to take a stand on a certain issue, the writer’s stand must be supported
with evidence. The same is true with informative writing, which we encounter daily from reading
instructions, writing a grocery list, and reading books and announcements among other things.
An informative text educates readers about a topic or subject. It is meant to inform others
using credible sources as evidence – facts, statistics, and other research data. Informative texts
usually answer the five Ws: who, where, when, what, and why. Sometimes, they also describe
“how” to do or accomplish something. When choosing a topic for informative writing, focus on a
specific topic. Consider the topic that is not too broad or too narrow.
Just like any type of writing, informative texts follow a structure – the introduction, body,
and conclusion.
The Introduction
Grabbing the attention of readers is part of the beginning - formally known as introduction. It
is where the thesis statement is found. The thesis statement is considered the most essential
part of informative writing. According to Kristina Barroso in her article “Informative Writing
Techniques”, the thesis statement is known as the road map of an informative text because the
whole essay is built around it. The thesis sentence is a sentence that summarizes the entire essay.
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The Body
The body or the middle part is where the thesis statement is fully explained. Evidence such
as facts, statistics, statements from experts, and other supporting details are found in this section.
This section requires citing sources of information. The evidence presented will be the basis if the
information is reliable, accurate, and unbiased.
The Conclusion
The conclusion reiterates the thesis statement and summarizes the main points of the
informative text. No new evidence must be presented at this point because all ideas must have
already been discussed in the body.
Aside from the structure, other features and techniques of informative writing need to be
considered.
1. Tone or attitude of the author toward the topic. The attitude of the author toward the topic
should always be formal, objective, and neutral. As mentioned above, informative writing is fact-
based - biased information is unacceptable. The writer’s opinion and beliefs do not have a place in
informative writing.
2. Clarity. Be specific always. Provide clear answers to the five W’s and one H of the topic you are
writing about. Employ language that is clear, formal, and unbiased.
3. Transitional words. Do not forget to use transitional words for organized and smooth flow of
ideas.
Informative essays vary in length, but all good informative pieces are a product of an
application of several writing techniques. Below are some of the best tips/techniques to help you
write an excellent informative text.
1. Open with an attention grabber and conclude with a summary of the main points of the essay.
2. Use appropriate transitional words to ensure the logical flow of ideas.
3. Observe formal tone.
4. Utilize proper language and applicable vocabulary to the topic. Similarly, avoid biased language.
5. Make use of formatting, nonlinear texts such as flowcharts, graphs, graphic organizers, and
digital texts with hyperlinks when needed
Check out this example of an informative essay, and try to analyze if the aforementioned
techniques were used in this writing.
The new normal has limited face-to-face interactions, which is why people shifted to sending
emails and chats to transact business. This also has become the set-up even in the educational
setting; teachers, learners, and parents communicate with one another through chat or email.
However, while this medium is more efficient, this could disrupt the communication process
especially if the message is not clearly and coherently. The learner may not be aware that emails
and chats are also formal correspondence and ends up sending friendly and informal messages to
his teachers. The result? Seen-zoned messages, without reply. To avoid miscommunication, follow
these email tips, rules, and examples outlined by educator Katie Azevedo.
First, enter a subject line (for email). This tells the receiver if the message is important, urgent,
work-related and whatnot. Secondly, use a proper greeting or salutation just like you do in business
letters. Next, introduce yourself by stating your name and your class or section. This is necessary
since teachers have hundreds of students to attend to.
After these preliminaries state your concern, preferably by starting with an overview sentence.
Keep it short and simple, and remind yourself to use appropriate language; jokes, sarcasm, and
emojis are not necessary. Lastly, thank your teacher and close out the email or chat. Remember
not to demand an immediate reply. These tips and rules send a message that you only mean
business; hence you are likely to get the answers you are seeking. This is not just a school-skill; this
will be applicable even when you will be applying for a job or when you are emailing or sending
chats to your boss.
Does it comply to the prescribed structure and conventions in informative writing? Does it comply
to the guidelines and techniques?
• It started with a relatable scenario and ended with a repeat of the thesis statement.
• It utilized transitional words such as ‘however, first, second, next, after, lastly.’
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• The tone is generally formal, but it becomes conversational in parts where the essay shifts to
a second person point of view.
• The language used is simple and appropriate for the target audience – students.
• There aren’t any graphics or visuals, but they are not really necessary considering the length
of the essay and the topic. However, in online platforms, this essay could be presented in a
bullet list with and with other nonlinear texts.
V. Assessment
ACTIVITY 5: A. Multiple Choice
Directions: Answer each question by writing the letter of the best answer on your answer sheet.
1. It is the most complex skill in communication.
A. Listening B. Reading C. Speaking D. Writing
2. This writing technique gives information and straightforward facts regarding a topic.
A. Analytical B. Informative C. Opinion D. Persuasive
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3. This is where facts, statistics, statements, and other supporting details are included.
A. body B. conclusion C. Introduction D. thesis statement
4. It is the purpose of an informative text.
A. to entertain B. to educate C. to narrative D. to persuade
5. In choosing a topic, it must be ______________.
A. broad B. extensive C. narrow D. specific
6. It is considered as the road map in an informative text.
A. Body B. Conclusion C. Introduction D. Thesis Statement
7. In informative writing, the following are considered evidence except for:
A. data B. facts C. opinion D. statistics
8. The road map is usually found in the ______________ part in any type of writing.
A. body B. conclusion C. Introduction D. topic sentence
9. Informative writing is sometimes called _____________ writing.
A. argumentative B. explanatory C. narrative D. persuasive
10. This part summarizes and reiterates the thesis statement of an informative text.
A. body B. conclusion C. Introduction D. thesis statement
B. True or False
On your answer sheet, write T if the statement is true and F if otherwise.
11. Adverb phrases are used in informative writing for smooth flow of information.
12. Unbiased information is needed in informative writing.
13. The conclusion is the most significant component of an informative text.
14. In explaining a topic, reliable and credible sources are needed.
15. Accurate and essential data are included in an informative text.
VI. Reflection
What significant learning have I gained in my study of this module? How can I apply what I
have learned in my day-to-day life?
Answer:
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
PERFORMANCE TASK
Directions: Compose a three-paragraph informative essay about any of the topics listed below. Use
the rubric to guide you in writing and evaluating your essay.
A. Philippines’ Covid -19 Response
B. Filipino Traditions
C. Topic of your choice
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English 10 Q3- Module 3
Learning Competency: Compose an Independent Critique
Learning Objectives:
While going through this module, you are expected to:
1. identify the common elements of a narrative;
2. evaluate sample critiques about works of fiction; and
3. write an in-depth evaluation of a story in the form of a critique.
II. What’s In
ACTIVITY 2: REMEMBER ME?
Read the following sentences taken from Anton Chekhov’s “A Day in the Country,” and
identify what narrative elements are described. Write your answers on a separate sheet of paper.
CHARACTERIZATION THEME PLOT SETTING CONFLICT DIALOGUE
1. Every act of kindness is an expression of love.
2. A dark leaden-colored mass is creeping over the sky towards the sun. In a minute there will be a
spurt of May rain and a real storm will begin.
3. Terenty is a tall old man with a thin, pock-marked face, very long legs, and bare feet, dressed in
a woman’s tattered jacket, looking with drowsy eyes.
4. Terenty and Fyokla’s feet are covered with lumps of heavy, wet clay. It is slippery and difficult to
walk, but Terenty strides on more and more rapidly. The weak little beggar-girl is breathless and
ready to stop.
5. “It’s terrible how it is thundering,” the boy says again, rubbing his hand.
III. What Is It
A critique is an in-depth evaluation of a story, novel, film, or other reading/viewing materials
for the purpose of giving the public an insight into the text. Although a critique shares the same
root with the word “criticize,” it does not mean that the write-up merely points out the faults or
flaws in a story or film. Instead, a critique seeks to shed light on the content of a “text” (the story,
novel, song, movie etc.) in order to help future readers or viewers understand better the material
that they are reading or viewing.
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Critiques contain a careful evaluation mainly on the following elements of a narrative:
characterization, setting, conflict, plot, dialogue, theme, and style. These aspects, as well as the
manner that they were presented in the material, are studied so that the critic can come up with a
valid evaluation on whether or not the material is good, beautiful, or significant especially for the
readers or viewers.
In assessing the said elements, there are certain questions that the critic should ask. David
Farland (2017) and other critics enumerated some questions one might use to judge a story or
other narratives:
Setting: How well was the setting developed? Does it appeal to more than one of the senses?
Does it inform or connect to other aspects of the story such as character development and
narrative style?
Characterization: How well-drawn are the characters in the story? Do we know enough about
them (life, attitudes, some type of history, etc.) to make them interesting and relatable?
Are there unnecessary characters?
Conflict and Plot: Is there a conflict in the story? Is the plot interesting, original and well-
developed? Are there unnecessary and confusing subplots?
Theme: How well does the story speak to the readers? Does it raise questions about life, or
provide profound insights?
Style: How distinctive or unique is the writing style? Are there literary devices or techniques
used? Is it purposeful? Does the style remind you of any other authors you have read?
Having the answer to all these questions does not mean that the critique is complete. There are
other minor yet necessary details to include, and everything must be properly organized into a
cohesive essay. Structure is equally important. Now, try organizing the following steps to develop
a coherent and cohesive critique.
ACTIVITY 3: Copy the statements and write them in the correct box.
1. State your overall assessment of the story’s value, worth, and significance (both positive and
negative).
2. Mention the name of the author and the title of the work.
3. Give a systematic and detailed assessment of the different elements of the work, but make sure
that your discussion and judgement will be supported by specific details such as quotes or
examples from the work itself. (This is the main bulk of the critical essay, and it may run for
more than three paragraphs.)
4. Give recommendations for improvement if necessary.
5. Give a brief summary, including a description, background or context of the work.
6. Indicate the elements you want to examine and state the purpose of your critique.
Are you confident with your answers? To check, refer to the following: Introduction (2,5,6),
Body (3), and Conclusion (1,4).
Finally, here are some additional reminders that budding critics need to take note of when
writing a critique:
Avoid introducing your ideas by stating “I think” or “In my opinion” because this weakens
the analysis.
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Always introduce the work. Do not assume that the readers know what you are writing
about and that you don’t need to mention some details anymore.
To be able to write a good critique and help readers understand the story, you yourself
should know well what you are writing about.
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2. Which statement is not true about a critique?
A. It is a purely opinionated piece of writing about a story, novel, film, etc.
B. It is usually done by experts or people with considerable knowledge about the work.
C. It does not place emphasis on giving recommendations to possible readers or viewers.
D. It is an in-depth evaluation or assessment of a piece of work such as a short story or film.
6. Which of these questions should be asked when analyzing the characters in a narrative?
A. How are the characters developed and what makes them interesting and relatable?
B. Are there equal number of male and female characters?
C. Who among the characters is likeable and who is not?
D. Why is the protagonist not a superhero material?
7. What detail can a critic use best to support his/her evaluation of a story?
A. Opinions of those who read the story
B. Quotes from the story itself
C. Statements of the author
D. Reviews of other critique
For numbers 8-11, write TRUE if the statement is correct, and FALSE if not.
________ 8. Critiques may follow different formats but they generally have the same content or foci.
________ 9. A critique is intended primarily to point out the faults or
flaws in work.
________ 10. It is alright to not give a summary of the story critiqued because the readers are most
likely familiar with it already.
________ 11. A critic is encouraged to write “I think…” or “In my opinion…” in his/her critical essay.
For numbers 12-15, identify the correct order of these steps in writing a critique by assigning
the numbers 1 to 4.
_____ 12. Give recommendations as needed.
_____ 13. Give a short summary of the story.
_____ 14. Give an overall evaluation of the story.
_____ 15. State your analysis of the setting, characterization, plot, etc.
VII. Reflection
What part of the lesson proves very challenging on my part? What can I do to address this
challenge?
Answer:______________________________________________________________________________________
______________________________________________________________________________________________
______________________________________________________________________________________________
PERFORMANCE TASK
Critic’s Circle
Read the short story “Clothes Make the Man” on the last page of this module, and then do a critical
analysis of it. Follow the format presented in the discussion. Your critique will be rated based on
the given rubric.
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CLOTHES MAKE THE MAN
Henri Duvernois
“I don’t like it,” Tango complained again. “I won’t feel right, walking up and down in that.”
“Shut up and put it on!” Mireault told him, and so, of course, Tango obeyed. Mireault was half the
size but he was clever. “If they had given Tango a tail, he would have put it between his legs when
Mireault spoke.
“Now, see?” Mireault said. “What did I tell you?” Looks goof, doesn’t it? See, you’ve even got a
whistle.”
“Not bad,” Tango had to admit, surveying himself in the mirror. He pushed out his mighty chest and
threw back his broad shoulders. Even the Eel, the quick silent one who was Mireault’s working
partner and who rarely opened his mouth, was stirred to speech. “Boy, ain’t he handsome!” he said.
No doubt about it. Tango made a noble sight. The policeman’s uniform might have been cut to his
measure by the best tailor in Paris. His eyes looked brighter beneath the visor of the jaunty cap;
they almost looked intelligent.
“Stop gawking at yourself and wipe that dumb grin off your face,” Mireault said impatiently, “and
listen. This is so simple a half-wit could do it, so maybe if you try hard you can, too.”
With regret Tango turned away from the mirror. His broad forehead wrinkled in the painful
expression that meant he was concentrating.
“All you do is walk up and down the street,” Mireault said. “Easy and slow, like a real cop on his
beat. Then if everyone hears us working in the house they won’t get suspicious, seeing you. Keep
walking until we come out, then hang around a few minutes covering us. That’s all there is to it.
We’ll meet back here. Now you understand?”
“Sure,” Tango said, his eyes straying to the mirror.
“Then get going!” Mireault snapped.
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Tango was a little nervous walking to the street Mireault and the Eel had picked out, but nothing
happened. It was a prosperous section, and in the dim glow of the shaded corner light Tango could
see what handsome houses they were – sober, solid, well cared for. The house where the job was to
be pulled was in the middle of the nlock, behind a garden wall. Mireault and the Eel had cased it
thoroughly; there was a tin-can wall safe upstairs with a very comfortable load inside. Apparently
the old-fashioned family didn’t believe in banks. Maybe they would, Mireault had said, after tonight.
Tango wondered what it would be like to live in so fine a house, but the effort of imagination was
beyond him. He had seldom ever seen a street such as this. He worked int the shabby quarters of
Paris – a little purse-snatching, a little shoplifting; he even panhandled. Yes, he was good at
panhandling. Timid businessmen usually came right across when Tango’s huge shoulders towered
over them; they looked fearfully at the massive hands and dug for whatever change they had. He
sauntered down the pavement, turned at the corner and came back. Halfway, he saw the two
shadowy figures slip over the garden wall and disappear. Mireault and the Eel were at work.
Tanglo fell to thinking how he had looked in the mirror. With the impressive image vivid in his
mind, he straightened his shoulders and threw out his chest again. Standing erect, he tried a
salute. It felt good. He grinned, oddly pleased, and walked on. It was while he was turning at the
other corner that he saw the police lieutenant. Such a sight was usually enough to send him
traveling as rapidly as his feet would move. He stared in horror. He fancied that the lieutenant,
approaching, was gazing at him curiously. Tango ‘s body was rigid; his palms were sweating. With a
tremendous effort he restrained the wild impulse to plunge away. He shuddered.
Then, stiffly, with the lieutenant no more than a few feet from him, he raised his arm and saluted.
The lieutenant casually acknowledged the salute and passed by. Tango stood peering after him.
After a moment, he felt a peculiar gratification. “Say!” he said to himself. “Say, you see that? I
salute, and he salutes right back. Say that – that’s pretty fine!” It was extraordinary the pleasure it
gave him. He almost wanted to run up to the lieutenant and salute again. He threw back his
shoulders straighter than ever and, erect and proud, walked down the pavement. At the corner he
paused and rocked on his heels a moment as all policemen do. “I guess I looked good to him,” he
told himself. “I guess he don’t see many cops looking so good.”
After a few more trips, he found an old lady hesitating on the corner. He saw her make two or three
false starts and each time nervously come back. Tango did not even notice the plum-looking purse
in her hand. He poised in front of her, saluted, and offered his arm. She looked at him with a sweet
smile. “Oh, thank you, officer!” she said. There was no traffic visible but Tango held up his other
arm majestically, as if halting the horde of roaring trucks. With infinite dignity they crossed to the
other side. It was a pretty picture indeed.
“Thank you so much, officer!” she said.
“Please, madam,” Tango said, “don’t mention it.” He paused. “That’s what we’re here for, you know,”
he added. And, gallantly, he saluted again. He stood proudly watching her retreating figure. Before
she had quite disappeared, she glanced back to regard him with another smile.
Tango continued going down the block, saluting at intervals. An indefinable emotion was stirring in
him. However, moments later, a rowdy drunk approached and shouted insults against Tango being
a cop. “I spit on you,” the drunk declared scornfully. “Bah! There!” And he suited the action to the
words. Furious, Tango seized him, shook him ferociously and dragged him off down the street. At
that same moment, two figures came skimming over the garden wall and landed on the pavement
near him, but he was in no mood to stop.
“You, fool, what are you doing?” Mireault said in a furious whisper. “You want to ruin the whole
job? Let go of him, Blockhead!” And he struck Tango across the cheek. Indescribable emotions
swirled in Tango’s head. He remembered the lieutenant answering his salute; he remembered the
old lady’s look of gratitude and admiration; he remembered the splendid figure of himself in the
mirror. And he remembered what the drunk had said.
He arose to the full pitch of a mighty furor. While Mireault and the Eel stared at him in sheer
paralyzed horror, he stuffed the shiny whistle in his mouth and blew a salvo of blasts loud enough
to bring all the police in Paris.
“Crooks, robbers!” he bellowed. “I arrest you. I arrest you in the name of the law!”
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English 10 Q3- Module 4
Learning Competency: Critiquing a Literary Selection:
Formalist Approach
Learning Objectives:
After going through this module, you are expected to:
1. explain the principles of formalist criticism;
2. critique a selection using the formalist approach; and
3. show appreciation of the value of critiquing a literary piece.
II. What’s In
In your previous lessons in literature, you have learned the elements of a short story (setting,
character, plot, theme, and point of view) and the different literary devices such as imagery,
symbolism, and the different figure of speech among others. All of these are very important in
understanding, critiquing, or analyzing various literary texts. They also help you develop a deeper
appreciation of literature in general.
Welcome Future Literary Critics!
There are various approaches or styles in analyzing a literary piece. In this module you’re going
to learn one of them which is the FORMALIST APPROACH.
This approach analyzes the structure or form of each individual element of a story. It provides
readers with a way to understand and enjoy a work for its own inherent value as a literary art. It
uses close reading of the text to analyze the deeper meaning of the words individually and
collectively. It also focuses only on the text itself.
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III. What’s New
In using the formalist approach, what literary elements and devices are you going to analyze?
Figure them out!
ACTIVITY 2: I Finally Found You!
Directions: Search for the 10 literary devices and elements analyzed in a short story based on the
formalist approach. Write them on your answer sheet. Clue: The words were formed horizontally,
vertically, and diagonally.
IV. What Is It
Vocabulary Development
• Etymology: The word ‘formalism’ derived from the word ‘form’ or structure. The ‘ism’ is a
belief or an approach of looking at things.
• Literary Criticism is the evaluation, analysis, description, or interpretation of literary works.
• Critique (verb) means to critically evaluate, analyze or give careful judgment in which you
give your opinion about a literary work.
• Critique (noun) is a detailed evaluation or analysis of a literary piece.
• Critic is a person who judges, evaluates, or analyzes a literary piece.
Learn more about Formalism or Formalist Approach through the following diagram
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V. What I Have Learned
ACTIVITY 3: I’m the One!
Directions: Draw a happy face ( ) if the statement describes a formalist critic. Otherwise, draw a
sad face ( ).
A formalist critic…
____1. must be a close or careful reader who examines all the elements of a text
individually to discover how they form an organic unity.
____2. questions how they come together to create a work of art.
____3. looks beyond the work by reading the author’s life, or literary style.
____4. examines the work’s historical background and condition of the society.
____5. allows the text to reveal itself.
____6. analyzes how the elements work together to form the unity of structure and to give meaning
to the text.
____7. achieves understanding of the text by looking inside it, not outside nor beyond.
____8. studies how the text’s influences or figures out similarity with other works.
____9. takes the elements distinct and separate from each other.
____10. scrutinizes the point of view, structure, symbols, tone, theme and other elements or literary
devices.
Trivia:
Did you know that Benguet is a native term which refers to a lake where water does
not drain?
The name “Benguet” was once limited to the area of what is now the La Trinidad Valley,
which was well-cultivated with rice, sweet potatoes, gabi, and sugar cane by its original
settlers. The natives there were generally Ibaloys.
Source: http://latrinidad.gov.ph/wp-content/uploads/2015/08/Brief-History.pdf
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Directions: Read the story from Benguet and discover the origin of rice and small streams.
Once upon a time, there were two blind women. They were kindhearted, but they were very
poor. In order to eat, they had to beg from their neighbors and sometimes they were driven away or
given nothing. Nevertheless, they did not complain but went on living each day as best as they
could.
Once when they had no food for some time, they decided to walk to the next village to try their
luck there. They walked slowly, feeling footholds among the hilly paths. When they had walked some
distance, they bumped into a large rock. The impact sent their bodies reeling. Dazed, they held on
to each other and tried to get back on their feet. But they had gone too long without food, and now
they could not even stand.
The rock opened magically, and out of its granite depths a young woman emerged. She took the two
blind women by the hand and let them inside. An old woman seated them at a stone table and gave
them food to eat. “Now tell what you need,” said the old woman to them when they had finished
their meal.
One of the blind women said, “I am always hungry. I need food, but I am too blind and I cannot
work for a living in the fields.”
The other replied, “I am always thirsty. I always need something to drink, but I, too, am blind
and I cannot find my way even to the smallest spring.”
The old woman gave the first woman a sack of rice that would never be empty. To the other
she gave a bottle of water that would never be drained dry. They both thanked the old woman
profusely and they felt their way back home. They lived together happily, never wanting any more
than what they already had.
After some time, though, they told each other that it was not right to keep to themselves the good
fortune that they had been given. So, the one who owned the magic sack of rice took a handful of
grain and sowed it; when the grain was harvested she gave it to the people in the village. The one
who owned the magic bottle poured some of the water out onto the land where it changed into many
small brooks and streams. On their banks flowers soon grew, and to the streams people came to
fetch water for their various needs.
Source: The Origin of Tapuy and Other Cordillera Tales, Rosella Camte-Banhi,et.al pp.42-43
A. Directions: Write 5 words/phrases that appeal to your senses (sight, smell, hearing, taste, touch).
1. _____________________________________
2. _____________________________________
3. _____________________________________
4. _____________________________________
5. _____________________________________
B. Directions: Use the table below to analyze the selection “The Origin of Rice and Streams.” Use
the guide questions provided in answering.
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VII. Assessment
ACTIVITY 5: Read and answer the questions below. Write the letter that
corresponds to your
answer. Use a separate sheet of paper for your answers.
VIII. Reflection
Share what you have learned from the lesson. Complete the following phrases.
My journey through this lesson enabled me to learn
_______________________________________________________________________________
_______________________________________________________________________________
_______________________________________________________________________________
PERFORMANCE TASK
Directions: Read and analyze the poem given below and then write a critique. Use a
separate sheet of paper. Please be guided by the criteria for the activity.
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Introduction
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
Body
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
Conclusion
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
_______________________________________________________________
___________________________________________________________
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SAN ROQUE NATIONAL HIGH SCHOOL
Bamban, Tarlac
WEEKLY HOME LEARNING PLAN-ENGLISH 10
Date: February 21- 25, 2022
S.Y.2021-2022
Noted: Approved:
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SAN ROQUE NATIONAL HIGH SCHOOL
Bamban, Tarlac
S.Y.2021-2022
Noted: Approved:
25
SAN ROQUE NATIONAL HIGH SCHOOL
Bamban, Tarlac
S.Y.2021-2022
S.Y.2021-2022
27
SAN ROQUE NATIONAL HIGH SCHOOL
Bamban, Tarlac
S.Y.2021-2022
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