The document provides instructions for painting the wings of a miniature figure by locating light reflections and adding layered glazes of different paint mixtures. It begins by priming the miniature in black paint and taking a reference photo of the wings under light. Subsequent steps involve glazing the upper half of the wings with a mix of basecoat and ratskin flesh paint, then the lower quarter with added rhinox hide paint. Further layers and washes are added to shade areas and highlight wing edges before finishing with a glaze of cavalry brown paint and rhinox hide veins.
The document provides instructions for painting the wings of a miniature figure by locating light reflections and adding layered glazes of different paint mixtures. It begins by priming the miniature in black paint and taking a reference photo of the wings under light. Subsequent steps involve glazing the upper half of the wings with a mix of basecoat and ratskin flesh paint, then the lower quarter with added rhinox hide paint. Further layers and washes are added to shade areas and highlight wing edges before finishing with a glaze of cavalry brown paint and rhinox hide veins.
The document provides instructions for painting the wings of a miniature figure by locating light reflections and adding layered glazes of different paint mixtures. It begins by priming the miniature in black paint and taking a reference photo of the wings under light. Subsequent steps involve glazing the upper half of the wings with a mix of basecoat and ratskin flesh paint, then the lower quarter with added rhinox hide paint. Further layers and washes are added to shade areas and highlight wing edges before finishing with a glaze of cavalry brown paint and rhinox hide veins.
reflections on the wings, by taking a picture of it under our desklamp. I have primed the miniature in Chaos Black as it has a great shine to it, wich makes it easier to locate the different light reflections. I have added a guide for how to locate light reflections in the post description. I used this photo, as a reference for how i wanted the wings to look – i really like how the moonlight makes the wings see through’ish on some areas. Lets go! We now glaze the upper half of the wings & the light reflections (see reference photo from page 2), by adding 1 part more of ratskin flesh to the basecoat mix – add 2-3 parts of water. From here on we add bit by bit, ratskin flesh to the previous mix & move further towards the very upper area of the wings. The sand coloured arrow is where the glazing start, & black arrow is where we end. We now add 1 part more of We now once again add bit by bit more rhinox hide to rhinox hide to the basecoat the previous mix, moving further towards the edges of mix & glaze the lower quarter the wings – we furthermore shade the holes in the wings of the wings & the naturally with pure rhinox hide. Add 2-3 parts of water. Finally shaded areas (see reference highlight the edges & holes, with a 2:1 mix of ratskin flesh photo on page 3) – add 2-3 & rhinox hide. Add 1-2 parts of water. parts of water. We now glaze the whole wings with thinned down cavalry brown – add 4 parts of water. We furthermore add veins, with a 3:1 mix of cavalry brown & rhinox hide. Finished ☺ !