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    Ramandeep Kaur
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    Ace Lehner discussed Richard Avedon's photography style, noting that his images hint at more below the surface and are from an elevated perspective. While surfaces can reveal much about a subject, they can also be confusing at times. Lehner adds that the more closely we examine Avedon's portraits, the more we understand them, as we must use conscious thought to draw conclusions when knowledge of the subject is limited. The text further addresses the interaction between photographer and subject that enhances understanding.

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    Ace Lehner discussed Richard Avedon's photography style, noting that his images hint at more below the surface and are from an elevated perspective. While surfaces can reveal much about a subject, they can also be confusing at times. Lehner adds that the more closely we examine Avedon's portraits, the more we understand them, as we must use conscious thought to draw conclusions when knowledge of the subject is limited. The text further addresses the interaction between photographer and subject that enhances understanding.

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    7 views1 page

    Untitled

    Uploaded by

    Ramandeep Kaur
    Ace Lehner discussed Richard Avedon's photography style, noting that his images hint at more below the surface and are from an elevated perspective. While surfaces can reveal much about a subject, they can also be confusing at times. Lehner adds that the more closely we examine Avedon's portraits, the more we understand them, as we must use conscious thought to draw conclusions when knowledge of the subject is limited. The text further addresses the interaction between photographer and subject that enhances understanding.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    Armaanveer singh

    Ace Lehner explained the Richard Avedon shot in this passage. His
    image is always above the surfaces and is replete with hints. He also
    added that although people's surfaces often reveal more about
    something, it can occasionally be confusing. Since we are merely
    observers and cannot evaluate any image objectively, avedon portrait
    holds that the more we examine a photograph, the more we come to
    understand it. Sometimes we don't know too much about a picture, so
    we have to utilise our conscious minds to draw any conclusions about
    the person or thing in the picture. The interaction between the
    photographer and the subjects of any photograph that strengthens our
    understanding is further addressed in this text.

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