This kind of harmonies make use of two colors beside each other in the color wheel. *
0/1
Monochromatic harmonies
Complementary harmonies
Analogous harmonies

 
An Example of this kind of harmony is Claude Monet "Houses Of Parliament". *
0/1
Monochromatic harmonies
Complementary harmonies
Analogous harmonies

 
It is usually identified with the white space. *
0/1
Positive Space
Negative Space
Three- dimensional space

 
This kind of line convey movement and instability , although the progression can be
seen. *
0/1
horizontal and vertical lines
diagonal and crooked lines
curved lines

 
Surface texture refers to the texture of the three-dimensional art object. *
0/1
True
False

 
Complementary harmonies involve two colors opposite each other in the color wheel. *
0/1
True
False

 
Organic shapes are those readily occurring in nature. it can be irregular and
asymmetrical. *
0/1
True
False

 
The primary colors include: red, yellow, and green. *
0/1
True
False

 
The Last Supper” was painted by__________ . *
1/1
Leonardo da Vinci
 
Michael Angelo
Picasso
Vincent Van Gogh

 
“ Head of a Woman, Mourgins” was painted by __________. *
1/1
Picasso
 
Michaelangelo
Leonardo da Vinci
Francisco de Goya

 
“Mona Lisa” was painted by______________ . *
1/1
Leonardo da Vinci
 
Vincent Van Gogh
Claude Monet
Picasso

 
"Young Women in the Rice-field" was painted by __________. *
1/1
Claude Monet
Picasso
Fabian de la Rosa
 
Jan van Kessel

 
A Cockchafer, Beetle, Woodlice and Other Insect, with a Sprig of Auricula was painted
by __________. *
1/1
Fabian de la Rosa
Jan van Kessel
 
Vincent van Gogh
Picasso

 
Fruit Pickers Under the Mango Tree was painted by ____________ *
1/1
Fernando Amorsolo
 
Vincent van Gogh
Michelangelo
Jan van Kessel

 
Sistine Chapel was painted by ___________. *
1/1
Fernando Amorsolo
Vincent van Gogh
Michelangelo
 
Jan van Kessel

 
It refers to the visual focus or the image that may be extracted from examining the
artwork. *
1/1
content
form
subject
 
 
Pertains to the acknowledged interpretation of the artwork using motifs, signs, and
symbols and other cyphers as bases of its meaning. *
1/1
factual meaning
conventional meaning
 
subjective meaning

 
These meanings stem from the viewer’s or audience’s circumstances that come into
play when engaging with art (what we know, what we learned, what we experienced;
what values we stand for) *
1/1
factual meaning
conventional
subjective
 
 
It refers to the development and figuration of the artwork- how the elements and and
the medium or material put together *
1/1
content
form
 
subject

 
For non-representational art, a higher, level of perceptiveness and insight might be
required to fully grasped the feeling, emotion, or concept behind the work. *
1/1
TRUE
 
False

 
Non representational art does not make a reference to the real world *
1/1
TRUE
 
False
Other:

 
For non -representational art, it is easier to infer the subject matter because from the
figures depicted in the artwork, there is already a suggestion as to its implication. *
1/1
TRUE
False
 
 
It is an example of non representational art. *
1/1
Mona Lisa
A Cockchafer, Beettle, Woodlice and other Insects
Sistine Chapel
Head of a Woman, Mougins
 

IDENTIFICATION:
ALL THE LETTER OF YOUR ANSWERS MUST BE CAPITALIZE. . IF YOU HAVE SOME CLARIFICATIONS
AFTER THE GOOGLE CHECKED IT JUST LEAVE YOUR MESSAGE IN A PRIVATE COMMENT.

 
These shapes find origin in mathematical propositions. These includes such as
squares, triangles, cubes, circles, spheres and cones. *
···/1

 
 
This is the color's brightness or dullness. it is identified as the strength of color,
whether it is vivid or muted. *
···/1

 
 
It enhances the appeal of an artwork. Its effect has range, allowing the viewers to
make responses based on memory, emotion and instinct. *
···/1
 
 
This refers to the brightness or darkness of color. *
···/1

 
 
The use of different lines, shapes, and colors in a piece of work. *
···/1

 
 
The feel, real or implied, on an object or its surface. *
···/1

 
 
Area enclosed when both sides of a line meet. It can be geometric or organic. *
···/1

 
 
It refers to the three dimensional of an object: height, width, and depth. *
···/1

 
 
The motion created in a work of art. Often uses the principle of rhythm to achieve
this. *
···/1

 
 
The repetition of lines, shapes, or colors to create a feeling of movement. *
···/1

 
 
A difference created when elements are placed next to each other in a work of art. *
···/1

 
 
Colors made by mixing primary colors. *
···/1

ENUMERATION:
ALL THE LETTER OF YOUR ANSWERS MUST BE CAPITALIZE. . IF YOU HAVE SOME CLARIFICATIONS
AFTER THE GOOGLE CHECKED IT JUST LEAVE YOUR MESSAGE IN A PRIVATE COMMENT.

 
1-3.Three dimensions of form *
···/3

 
 
4-6.Secondary Colors. *
···/3

 
 
7-13. Principles of Art *
···/7

 
 
14-15. Give at-least two sources of subject. *
···/2