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Start using
Stop-Motion Animation
across the curriculum
the Classroom
2) enhanced instructional methods
3) increased productivity
4) acquisition of technical skills
The use of technology in the classroom offers tremendous
potential to positively impact both teaching and learning.
The Stop-Motion Animation website supports the above
However, using technology without a clearly defined pur-
objectives as follows:
pose will not be helpful in attaining these desired goals.
Technology and related pedagogy must be integrated
properly to produce effective results. Technology use sup-
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EDUCATOR’S STRATEGY
GUIDE Stop-Motion Animation Workshop
students’ attention;
Stop-motion animation is not an activity restricted to art or
o Helps students see relevance of subject matter technology classes. We advocate that any classroom can Subject Ideas for Stop-Motion Animation Integration
by applying abstract theory and skills to real-world integrate this technology, as long as there is a topic that
practice; supports a good idea for a story or lesson. Stop-motion
animation can be incorporated into classrooms from cross- Creating stop-motion animation can promote:
1. English
o Promotes active application of materials;
curricular and interdisciplinary perspectives, as stop-mo-
• The expression of English-language concepts and topics—a visual
o Provides incentive for students to produce optimal tion animation activities can be easily shared between dif-
ferent but complementary classroom subjects. Common way of storytelling using symbols and movement to promote
works through electronic publishing to websites.
themes may overlap. meaning.
opportunities;
Target subject areas include:
Edward Scissorhands in Claymation (1 min 7 s)
]
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EDUCATOR’S STRATEGY
GUIDE Stop-Motion Animation Workshop
Subject Ideas for Stop-Motion Animation Integration Subject Ideas for Stop-Motion Animation Integration
3. Science
• Visualization of math concepts to make abstract ideas more • Provide a means of rendering a scientific concept in a visual format,
concrete and help students visualize solutions to problems; thus helping to make it more easily understood;
• Connections between abstract geometry and objects in the real • Help students visualize complex scientific concepts in
world; motion, to show how these concepts actually work
(e.g., movement of atoms).
• A better understanding of the nature and properties of transforma-
tions and symmetry through the creation of artistic objects.
• Visually exemplifies how math can be used to solve real-world • Help them visualize a molecular structure or growth of plants or
problems, e.g. take measurements, make conversions, work with animals, e.g., butterfly metamorphoses, how fertilization occurs, bees
fractions, decimals, percentages, estimation, volumes, measure pollinating flowers;
mass, motion, weight, balance;
• Help them visualize how levers, pistons or pulleys work;
• Visually exemplifies mathematic principles such as the isosceles
• Simulate chemical reactions;
triangle, pi, or Pythagorean theorem;
• Help them visualize molecular concepts, electrons, protons or micro-
• Demonstrates the transformation of objects;
scopic work.
• Illustrates a strategy.
Examples
Examples ]
Runaway (9 min 10 s)
]
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EDUCATOR’S STRATEGY
GUIDE Stop-Motion Animation Workshop
Subject Ideas for Stop-Motion Animation Integration Subject Ideas for Stop-Motion Animation Integration
Creating stop-motion animation can promote: Creating stop-motion animation can promote:
4. Social Studies
5. Health
• Visual representation of complex and abstract historical or • Visual aids as a powerful means of displaying health-related
geographical concepts; information;
• The study and depiction of cultural and historical roots; • Empowerment of students to make improved health choices;
• The exploration of social issues and problems to promote change; • Students seeing connections between ideas about health and real-life
practices;
• The exploration of events from different perspectives;
• Students advocating for good health practices;
• The representation of different peoples, places and environments.
• Self-reflection and increased motivation for students to lead healthier
lifestyles.
Students may create animation that:
• Tells stories about lives, events, places, environments or eras;
Students may create animation that:
• Visually depicts world discoveries or significant historical events;
• Depicts a healthy activity or lifestyle;
• Represents a certain time period in relation to a famous historical
• Addresses a social or self-esteem issue;
figure;
• Presents a health promotion topic;
• Depicts controversial topics such as world disasters or wars;
• Addresses unhealthy behaviours—such as bullying, smoking,
• Depicts geographical concepts.
addiction, eating disorders, peer pressure;
Examples
Black Soul (9 min 47 s)
]
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EDUCATOR’S STRATEGY
GUIDE Stop-Motion Animation Workshop
Subject Ideas for Stop-Motion Animation Integration Subject Ideas for Stop-Motion Animation Integration
7. Technology
• Exposure to new and exciting modes of communication and artistic • Provides students with exposure to alternate types of technology;
expression;
• Provides students access to infinite amounts of information;
• Unique and innovative opportunities for students to share artistic
• Helps generate creative solutions to problems;
skills;
• Encourages critical thinking, creativity and self-expression;
• The expression of unique capabilities and creativity in the production
• Encourages perseverance, patience and problem-solving strategies;
of artworks;
• Provides support for other areas of the curriculum;
• Unique aesthetic emotional responses to problem-solving;
• Encourages interdisciplinary and cross-curricular work;
• The exploration of different art perspectives;
• Encourages unique abilities and technological expertise that will
• The association of the arts to related cultures and traditions.
enable students to compete in a global society.
Examples
Drip Clay Animation (2 min 3 s)
]
Boogie-Doodle (3 min 28 s)
]
Empreintes/Imprints (6 min 3 s)
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EDUCATOR’S STRATEGY
GUIDE Stop-Motion Animation Workshop
Written by Lisa St. Croix, Senior Instructional Designer of Distance Education, Learning and Teaching Support (DELTS),
Memorial University of Newfoundland, and Nancy Beaton, Assistant to Instructional Designer of DELTS.
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