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Chapter 02 - Healthful Nutrition for Fitness and Sport: The Consumer Athlete
Chapter 02
Healthful Nutrition for Fitness and Sport: The Consumer Athlete
1. The three key words to a healthful diet are balance, variety, and
A. availability.
B. moderation.
C. quality.
D. complementarity.
2. Nutrients that the body needs, but cannot produce in adequate quantities are called
A. essential nutrients.
B. dispensable nutrients.
C. nonessential nutrients.
D. nondispensable nutrients.
3. Macronutrients
A. may provide energy but do not support growth and development of body tissues.
B. have a daily requirement that is less than a few grams.
C. include carbohydrates, fats, and proteins, as well as water.
D. contain no Calories.
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Chapter 02 - Healthful Nutrition for Fitness and Sport: The Consumer Athlete
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Another random document
un-related content on Scribd:
But still must be seen,
In my Volunteer Green,
Whene’er in State functions I share;
A fact I think well to disclose,
To those who my purpose oppose.
Another parody of this song appeared in The Wheel World for June,
1882.
T C ’ S .
If you want a receipt for that popular mystery,
Known to the world as a Heavy Dragoon,
Take all the remarkable people in history,
Rattle them off to a popular tune.
The pluck of Lord Nelson on board of the Victory—
Genius of Bismarck devising a plan;
The humour of Fielding (which sounds contradictory,)
Coolness of Paget, about to trepan.
Take of these elements all that is fusible,
Melt them all down in a pipkin or crucible,
Set them to simmer and take off the scum,
And a heavy Dragoon is the residuum!
Chorus—Yes! yes! yes! yes!
A Heavy Dragoon is the residuum!
* * * * *
A S J .
I.
If you want a resiet for a novel stenografy,
a paragon sistem, fonetik and true,
and which in a trise shal extinguish Phonography,
list, and I’l tel you just what you shud do.
Note what inventions old authorz hav hit upon,
boldly appropriate all that you kan;
take the quintessens ov all that you’v lit upon,
arranje it anew on a different plan;
shuffel the strokes til you’v got a new alfabet;
skatter the dots here and there for the vowelz:
the serkelz and kurvz you must mix up yourself a bit;
abbreviate words by ejekting their bowelz;
lengthen your outlinez to make an addition;
shorten them now to show an omission;
kompile a whole pajeful ov neat intersektionz;
ov rulez and exseptionz make bulky kollektionz;
ov frazez and grammalogz next ad a few;
turn on some digrafs and poligrafs too.
Take ov theze elements all that’s most horribel;
stir them together in fashion deplorribel;
set them to simmer, and take of the skum;
and a new shorthand sistem’z the re-sid-u-um.
Yes, yes, yes, yes!
A new shorthand sistem’z the re-sid-u-um!
II.
If you want a resiet for th’ advertisement part ov it,
don’t let dul modesty stand in the way.
Write a tall prefase, extolling the art ov it;
’gainst every rival most loudly inveigh:
announs that none other dezervz popularity;
state that ther’z everything exsellent in it,
that its writerz’ attain an astounding selerity—
nine hundred and ninety-nine wordz in a minit!
Next kritisize Pitman in languaje sensorious;
deklare that hiz sistem’z playd out and effete,
that your own method’z quickly bekuming viktorious,
and wil soon make Phonography take a back seat.
What tho your outlinez be shocking monstrositiz,
useles, exsept az sublime kuriositiz;
what tho your sistem abound with absurditiz
so that when a sign’z written you kan’t tel what word it iz:
pen pamflets, and posterz, and frendly reviewz;
hand-billz and serkularz widely diffuze.
If singly theze elements don’t seem respektabel,
mix them together in fashion delektabel,
set them to simmer, and take of the scum,
and a short span ov fame iz the resid-u-um.
Yes, yes, yes, yes!
A short span ov fame is the re-sid-u-um.
From The Phonetic Journal, 1886.
B ’ S .
If you’re anxious for to shine in the high æsthetic line
As a man of culture rare,
You must get up all the germs of the transcendental terms,
And plant them everywhere.
You must lie upon the daisies and discourse in novel phrases
Of your complicated state of mind.
The meaning doesn’t matter if it’s only idle chatter
Of a transcendental kind.
And everyone will say,
As you walk your mystic way,
“If this young man expresses himself in terms too deep for me,
Why, what a very singularly deep young man this deep young man must
be!”
* * * * *
T C A .
If you want to cut a shine in Professor Attfield’s line
Of high-class pharmacy,
You must get up all the germs and the new-notation terms
Of everything you see.
You must learn about the daisies, and cram botanic phrases
On every flower you find.
If you’ve only got a smattering, be everlasting chattering
To expose your “cultured mind.”
And every one shall say, as you walk your mystic way,
“If this young man converses in terms that are far too deep for me,
Why, what a pharmaceutically-deep young man, then, this young man
must be.”
You must study sight and sound, for these, it has been found,
Are required in making pills;
And in keeping up your stock, the philosophy of Locke
A wond’rous power instills.
And mind you never drop a word about the “shop”
For it’s plain as plain can be,
You bid farewell to trade, when acquaintance has been made
With high-class pharmacy;
Though employers oft may say, as you walk your “cultured” way,
“If he’s content with scientific lore, he’ll certainly not suit me,
For a money-making, practical, and business man my kind of man must
be.”
P .B .
From a Chemical Journal.
——:o:——
D .
Patience and Grosvenor.
Grosvenor—
Prithee, pretty maiden—prithee tell me true,
(Hey, but I’m doleful, willow willow waly!)
Have you e’er a lover a dangling after you?
Hey, willow waly O!
I would fain discover
If you have a lover?
Hey, willow waly O!
Patience—
Gentle Sir, my heart is frolicsome and free—
(Hey, but he’s doleful, willow willow waly!)
Nobody I care for comes a courting me—
Hey, willow waly O!
Nobody I care for
Comes a courting—therefore,
Hey, willow waly O!
* * * * *
* * * * *
When The Times had some pretensions to the title of the leading English
newspaper, it was known as “The Thunderer of Printing House Square,” but
it has recently been re-christened The Blunderer; or, the Political
Weathercock, a name which recalls the subsidiary titles Mr. Gilbert gives to
all his operas. The silly misprints, and other errors, which are to be found
daily in The Times show the careless manner in which it is edited, whilst
several disgraceful hoaxes practised upon it by the compositors on its staff,
prove how unpopular the management must have been, and that a chronic
state of mutiny existed in Printing House Square. One of these practical
jokes was perpetrated on The Times by an audacious compositor, who
altered an advertisement which appeared on Tuesday, February 21, 1882, so
that it read:—On the 20th instant, at — Park Lane, W., the wife of A
E , of a son.” Whilst a still worse hoax appeared in The Times of
Monday, June 12, 1882, in an advertisement of a book entitled Every-Day
Life in our Public Schools, which title was amplified in a manner never
contemplated by the editor.
But the grossest case of all was that contained in the report of a speech
delivered at Burton-on-Trent by Sir William Vernon Harcourt, then Home
Secretary. This speech was reported at length in The Times of Monday,
January 23, 1882, and thousands of copies were sold before the infallible
authorities found out that the pompous Sir W. V. Harcourt’s speech had
been adorned, by their compositors, with flowers of speech of a very
unclassical nature. Every effort was then made to call in the unsold copies,
but the mischief was done, and for weeks The Times was the laughing stock
of London, and fabulous prices were given for copies containing the
objectionable paragraph.
D .
Mr. Gladstone, and Sir W. Vernon Harcourt.
Mr. Gladstone—
Prithee, Vernon Harcourt, prithee tell me true
(Hey, but it’s shocking, willow, willow waly!)
Did you speak the words attributed to you?
Hey, willow, waly, oh!
I should like to know, sir,
How far did you go, sir?
Hey, willow, waly, oh!
Mr. Gladstone—
Prithee, Vernon Harcourt, will you sell to me
(Hey, but I’m anxious, willow, willow, waly!),
The paper, where reported, I your speech shall see?
Hey, willow, waly, oh!
Anything, I’ll pay you;
What’s your price? Come, say you;
Hey, willow, waly, oh!
Mr. Gladstone—
(Hey, but it’s shameful, willow, willow, waly!)
Printed in The Times, they’d most amusing be!
Sir W. V. Harcourt—
Hey, willow, waly, oh!
I shall get a chaffing,
All the world is laughing;
Hey, willow, waly, oh!
The Sporting Times. January 28, 1882.
AD D .
(In consequence of the numerous applications which have been made at
the Home Office for an appointment to the place of public executioner, the
Secretary of State has published a statement that it is neither his right, nor
his duty, to make such appointment, as the selection in reality rests with the
Sheriffs.)
Candidate—
Prithee, Secretary, what’s the latest news?
(Hey, but I’m eager, willow, willow waly!)
Has another Marwood stepped into his shoes?
Hey, willow waly, O!
Never mind the pang, man—
Have they got a hangman?
Hey, willow waly, O!
Secretary of State—
Gentle sir, the post unoccupied you see—
(Hey, but he’s eager, willow, willow waly!)
But you’ll p’raps explain now why you’re teasing me—
Hey, willow waly, O!
Kindly, please, inform one
Why you come and storm one,
Hey, willow waly, O!
Candidate—
Prithee, Secretary, give the place to me—
(Hey, but I’m hopeful, willow willow waly!)
I may say, at once, I shall scrag ’em properlee—
Hey, willow waly, O!
Only deign to try me,
Come, you can’t deny me,
Hey, willow waly, O!
Secretary of State—
Gentle sir, although I honour your design—
(Hey, but he’s hopeful, willow, willow waly!)
I’ve not the appointment, and so I must decline,
Hey, willow waly, O!
To sheriffs straightway go you—
Observe the door I show you.
Hey, willow waly, O!
Funny Folks. September 22, 1883.
AN D “P .”
Salisbury—
Prithee, gentle working-man, once my bugaboo,
(Hey, but he’s civil, isn’t he now, rale-y?)
Are there any Radicals dangling after you,
Hey, willow waly, O!
I would fain climb over your shoulder into clover,
Hey, willow waly, O!
Working-Man—
Noble lord, my vote is quite unpledged and free,
(Hey, but he’s civil, isn’t he now, rale-y?)
The Rads don’t seem to care for to take the stump for me,
Hey, willow waly, O!
And what you are there for—oh, well I know the wherefore,
Hey, willow waly, O!
Salisbury—
Prithee, gentle working-man, won’t you vote for me?
(Hey, but I’m hopeful, willow waly),
And leave the Grand Old Man at home to chop his tree,
Hey, willow waly, O?
Truth. November 15, 1883.
T “P .”
(Duke, Colonel, and Major.)
It’s clear that Mediæval art alone retains its zest,
To charm and please its devotees we’ve done our little best.
We’re not quite sure if all we do has the Early English ring;
But, as far as we can judge, it’s something like this sort of thing;
You hold yourself like this,
You hold yourself like that,
By hook and crook you try to look both angular and flat.
We venture to expect
That what we recollect,
Though but a part of true High Art will have its due effect.
——:o:——
“T St. J ’ G ” M .J C 1885.
When first I went to Parliament I gazed with mock humility,
On Gladstone and on Hartington, on Derby and on Bright;
I followed their directions with unquestioning docility,
And said that what they bid me do must certainly be right.
I flattered all and each of them,
And daily did beseech of them
Some counsel or advice, which I accepted with civility.
I hastened to defer to them;
When talking, I said “Sir” to them;
And all my early conduct was remarkably polite,
I bowed to them,
Kowtowed to them,
Each day from morn till night:
I laughed with them,
And chaffed with them,
And played the parasite.
——:o:——
“W T ?”
A very long-nosed young man,
An evil-disposed young man,
An oily-tongued, empty pate,
Down with the Church and State—
Brother to Dilke young man.