Jeune Chilly Chill uses wordplay and references from pop culture, religion, violence, race, and hip hop artists to distinguish himself from his opponent Jam and connect with the Québécois audience. His word techniques aim to position himself as more knowledgeable about rap and culture while also attacking Jam by accusing him of passiveness during student riots and using racial angles against other rappers.
Jeune Chilly Chill uses wordplay and references from pop culture, religion, violence, race, and hip hop artists to distinguish himself from his opponent Jam and connect with the Québécois audience. His word techniques aim to position himself as more knowledgeable about rap and culture while also attacking Jam by accusing him of passiveness during student riots and using racial angles against other rappers.
Jeune Chilly Chill uses wordplay and references from pop culture, religion, violence, race, and hip hop artists to distinguish himself from his opponent Jam and connect with the Québécois audience. His word techniques aim to position himself as more knowledgeable about rap and culture while also attacking Jam by accusing him of passiveness during student riots and using racial angles against other rappers.
Quebec/Pop Culture references Inserting references the average Québécois R1: Méo dans Elvis Graton, '' Dave c'tune audience member will recognize. This helps terreur! Dave c'tin tueur! Dave y'é magané!'' Jeune Chilly Chill connect with them even (Slapshot) though he also has more complex vocabulary R2: Cyril Rictus (Cyril Sneer), maire de and obscure references. Laval (mayor of Laval), Richard Martineau, Francs-Tireurs, Jacques Brel R3: Gatineau, Martineau Fruits In pair with the Hebraic references, the fruit R2: Lines 37 to 43 wordplay uses Jam’s name to transform him into a vulnerable object he can creatively dismantle. Hebraic Jam’s name is David Beaudin-Kerr, and he uses R1: Hassidiques, casher, l'étoile de David that fact at the end of this line. As JCC says, he has done the Hebraic/religious wordplay in the past. Violence To distinguish himself from Jam, JCC brings a R1: Neuf millimètres (9mm), Violent, more violent character (he admits it in the choquant pis rude, sa mère s'tune pute (his interview before the contest). He also uses it to mom’s a...), fif (f..) attack Jam, accusing him of passiveness during R2: munitions, fif the student riots that happened during the R3: Tu t'battais pas avec la police (weren’t previous spring. you fighting the police)
Race Jam has used his position as part-Jamaican (his
R1: father) to allow the use of racial angles against R2: faux noir, blancs de mémoire (fake Freddy Gruesum (who happens to be a black black, blank spot in memory) MC) and Jeune Chilly Chill’s response to this is R3: Un Étrange (strange), Marley, Tosh, to remind Jam that the community remembers. Harrison His tactic backfires when he also uses an offensive term (strange) as wordplay (a rapper has this name) and tries to save it by employing the same scheme Jam used against Freddy, comparing him to other racialized personalities. Canadian/Queb Rappers Part of this group is identified as Jam’s crew R1: ton fuckin' frère (Snail Kid), Oxmo, Le and dissed: the collective K6A, Snail, P-Dox, Casse Croûte for example. JCC got negative feedback from R2: Detox, P-Dox, FiligraNn, being the opening act in one of Oxmo’s R3: K6, Smiley, Mononcle Rock, impossible concerts (he got booed), which he was (Imposs), dramatique (Dramatik), Sans reminded of during the infamous battle against Pression, ôter MC (OTMC), Un Étrange Syme (a member of the Casse Croûte collective). For the others, it demonstrates Jeune Chilly Chill’s knowledge of pioneers in Quebec Rap.
American/International Rappers Continuing the trend of references, Jeune Chilly
R1: Chill names French and American rappers. This R2: furthers his display of knowledge and associates R3: Sir Menelik, Cam'ron, Two Chainz, Wu- him with the larger world of hip-hop. Tang, U-God, TNT, Suspek-T