951100 ชีวิตสมัยใหม่กับแอนนิเมชัน

ดร.ศุภรดา ประภาวงศ์
ประวัติศาสตร์
Animation
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ภาพวาดบนผนังถ้า (Cave Paintings) 18,000 BC
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กล้องทาบเงา
(Camera Obscura)
ศตวรรษที่ 17-18
กล้องทาบเงา (Camera Obscura) ศตวรรษที่ 17-18
กล้องทาบเงา (Camera Obscura) ศตวรรษที่ 17-18
กล้องทาบเงา (Camera Obscura) ศตวรรษที่ 17-18
เปรียบเทียบกล้องกับดวงตา
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 Dr.William Henry Fitton

Dr.John Ayrton Paris John Herschel

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ฟีนาคิสโตสโคป (Phenakistoscope) 1832
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โซโทรป (Zoetrope) 1866
โซโทรป (Zoetrope) 1866
Louise-Jacques-Mande Dagyerre

Joseph-Nicephore Niepce
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Eadweard Muybridge

Leland Stanford
The Horse in Motion by Eadweard Muybridge
The Horse in Motion by Eadweard Muybridge
Kinetograph-Kinetoscope 1891

Thomas Alva Edison

William Kennedy Dickson
Kinetograph-Kinetoscope 1891
Kinetograph-Kinetoscope 1891
Cinematograph 1895

Auguste & Louis Lumiere

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Flowers and Trees 1932
Rainbow Dance (Rotoscope) 1936
Rainbow Dance (Rotoscope) 1936
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Dots 1940
After WWII 1939-1945

+
Ukiyo-e Western

= Manga
After WWII 1939-1945

= Manga
After WWII 1939-1945
Small companies publish cheap comics
called ‘Red Book’.
One of these artists happens to be
a certain medical student
we now know as Osamu Tezuka,
owner of Tezuka Productions
and Father of Manga.
1950-1954
1946-2002
1946-2002
อาจารย์ปยุต เงากระจ่าง 1955-1979 (พ.ศ.2498-2522)
อาจารย์ปยุต เงากระจ่าง 1955-1979 (พ.ศ.2498-2522)

มหัศจรรย์ (2498)
หนุมานเผชิญภัย (2501)

สุดสาคร (2522)

เด็กกับหมี (2503)
Scooby Doo/Flintstone/Disney’s Golden Era 1957
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Yellow Submarine (The Beatles) 1968
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Alice/Studio Ghibli’s Animation 1988
Wallace and Gromit 1993
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A Scanner Darkly (Rotoshop) 2006
A Scanner Darkly (Rotoshop) 2006
Ref.: https://history-of-animation.webflow.io/
Bob’s Burgers (TV Show/ToonBoom) 2015
Feels Like We Only Go Backwards (Tame Impala) 2015
Heartless (Kanye West/Rotoscope) 2015
Angry Birds (Digitally Drawn and Painted) 2015
Advertising (Stop Motion) 2015
Advertising (Traditional+Computer) 2015
ประวัติศาสตร์
Animation
ฝั่งเอเชีย
In 1834, William Horner created the Zoetrope
however was founded by Ding Huan around
the time 180 AD.

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
ภาพอูกิโยะ 浮世絵 Ukiyo-e
มังงะ 漫画 Manga
Japanese Old Animation (1929)
One thing for sure about early animation
in Asia was the prevalence of a western
(meaning Disney for the most part)
influence.

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
Thus, in China, The Smiling Monkey was termed
a copy of Mickey Mouse,
and India’s The Pea Brothers (1934), considered by
some as that country’s first released animated film,
was said to be “very much in the tradition of
Disney and other foreign animators”.

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
In some cases, pioneer animators such as James
Wang of Taiwan, Payut Ngaokrachang of Thailand,
Tezuka of Japan, and Shin Dong Hun of Korea
proudly accepted the title “the Disney” of their
respective countries, handed out by journalists
and adoring fans.

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
 James Wang of Taiwan & Fire Ball

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
 Payut Ngaokrachang of Thailand

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
 Payut Ngaokrachang of Thailand

เหตุมหัศจรรย์ (2498)

(2500)

สุดสาคร (2522) ชัยชนะของสาวน้อย (2535)

เด็กกับหมี (2503)

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
 Payut Ngaokrachang of Thailand

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
 Osamu Tezuka of Japan

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
 Shin Dong Hun of Korea

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
Besides the Wans and Tezuka, other animators
told of being enamoured with Disney and other
U.S. works: Wang with Bambi which he saw in
China in 1946; Payut with Snow White, Felix the
Cat, and others, which he said were the sources
of his dreams, and China’s A Da with Snow White.

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
The Chinese added more local stories to their animation repertoire
after Mao ascended to full power in 1949. In the 1950s, considered China’s
golden age of animation, indigenous styles and techniques such as
paper-cut, ink and wash (shuimo dong huapian), and folded paper
were applied to what became classic works.

John A. Lent, 2000 (Animation in Asia: appropriation, reinterpretation, and adoption or adaptation)
 Asian Popular Animation

Monkey King – Sun Wukong

 Asian Popular Animation

LoFuZi (Old Master Q)