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Hammer, J. (1931) - Some Leonine Summaries of Geoffrey of Monmouth's Historia Regum Britanniae and Other Poems
Hammer, J. (1931) - Some Leonine Summaries of Geoffrey of Monmouth's Historia Regum Britanniae and Other Poems
De Accidentibus Anime
Accidencia anime maximam habent ut ira tristicia et amor mulierum timor nimia
solli(ci)tudo, de quibus omnibus nil amplius dico nisi quod vites omnes passiones
anime tibi nocivas et leteris et gaudeas cum amicis et bonis et (fol. 76V) diligas
honestatem et pacienciam que magis afferunt animo delicias et maxime si deum
toto corde diligas.
De Tussi
Si tussis infestat te caveas ab omnibus frigidis et acetosis, a salsis et frixis. Et si
sit causa tussis reuma frigida, tune fiat saculus de milli(?) sale calamenti ana missis
ter in simul, et fiat saculus cadratus qui calidus ponatur supra summitatem capitis
aut supra comissuram. Et in ore teneatur unum parvum frustum liquiris rase qui
masticetur inter dentes aut dregeta facta de liquiricia. Similiter confert sirupus de
capillis veneris, sirupus de ysopo, sirupus borraginis, si sumatur cum aqua scabiose
aqua lilii aqua sambucis aqua betonice aqua anthos ana vel fiat gargarismum tepidi
in ore. Similiter confert dyera yeris Salamonis diapenidion dyagragantum frigidum
conditum penidiarum grana pini et similia. Item si tucis sit cum reumate calido
de quo sunt signa perfecta calor ardor in gula et salsedo magna sitis, in hoc sumatur
diagragrantis frigidi aut diapenidii sine speciebus cum sirupo violato vel sirupo de
papavere. et hoc sumatur lanbendo non subito transgluciendo, et hoc fiat sine
quacumque comestione mane et sero. Post ea immediate recipe pannum lineum sub-
tile et in oleo rose tepido extingatur et tepidus supra comissuram capitis aplicetur
et hoc fiat bis in die.
Item in reumate (fol. 77r) frigido caveat ab omni brodio et offis quantum possi-
bile est et a potu superfluo. Sed comedat omnia assa non in aqua lixata et comedat
omnia cibaria spissa ut risum et fabba fracta a cortice mundata et similia cum
carnibus conditis.
Item in reumate calido comedat ordeatum amidum avenatum conditis cum lacte
amigdalorum et zucarria pira et poma cocta cum zuccaria que etiam valent in reu-
mate frigido. Item potetur vinum citrinum clarum et bene linphatum. Item simili-
ter valet in hoc casu diagragantum frigidum diapenidion sine speciebus zuccarum
violatum conditum penidiarum et similia. et hoc sufficiat quantum est de reuma.
EXPLICIT DEO GBATIS AMEN AMEN.
LYNN THORNDIKE,
Columbia University, New York
While the poem which begins with these lines reveals the name of the
scribe, the other one, on fol. l r , which opens this MS. and precedes the
first work in it, i.e. the Historia Troianorum of [Pseudo]-Dares (fol. l v -13 r ),
is also of importance. Since the same scribe wrote not only the Historia
Troianorum and that of Geoffrey, but also the first and last poems, it must
follow that these two leonine poems and all the other poems contained in
this MS., which will be quoted below, are all due to the pen of Bernardus.
Inasmuch then as the first piece of D throws some light on the personality
of Bernardus and gives the reasons why he devoted his time and leisure
to scribbling leonine verses (which are found in this MS. in greater number
than is stated in the Catalogue), it will not be amiss to give a transcript
of it. In this article I shall use the following signa:/totidem litterae erasae;
{) e coniectura addita; [] ex Di addita; mi manus librarii; m^ manus cor-
rectoris; ss. suprascript.; ras. in rasura.
The 'premiere piece' of Bernardus (D, fol. l r ) consists of three columns,
the third of which is mutilated because the margin has been cut off. But
luckily here and there a part of a letter has been left, a fact that enabled
me to supply or to conjecture the necessary endings. Here is the trans-
script :
COLUMN I
Qui pater es meus, Haec nova lectio,
o sator, o Deus, quam lego vel scio,
haec tibi libo: nuper adepta, 15
Dum quasi saxeus, Ut modo sentio,
et miser et reus, clamat ut actio,
haec nova scribo. pellit inepta.
Ergo, caro licet Hac gula praeterit,
improba dimicet, et mea deserit 20
hiis ego pello, optio curas,
Quod mihi non licet, 10 Quas caro suggerit,
et tibi displicet, illecebras terit
haut sine bello. haec nocituras.
116 Notes
COLUMN II COLUMN III
II
But illecebrae of all sorts are not always silenced at once and for ever.
No wonder then that Bernardus availed himself of every opportunity
to compose fresh lines, whose quality must make one doubt whether
Clio inspired them. In D, in the part containing Geoffrey's Historia,
nine leonine pieces are to be found, which I shall give in numerical order.
Their contents give us a brief outline of Geoffrey's Historia. Before quot-
Notes 117
ing them, however, a short description of that part of D containing the
Historia of Geoffrey must be given, because it is with this part that we
are chiefly concerned.
This part of D is written in minuscule script and is, on the whole, well
preserved. At the same time, however, it lacks finishing touches; this
may be classified under three headings. (1) Some chapters have painted
initials (red and green), or initials sometimes completed, at other times
merely sketched, in the same ink in which the MS. was written. (2) Some
lack them entirely. (3) Some lack them in the space left for that purpose,
but have them indicated in the margin. The same classification applies
to the nine leonine summaries. Of these only the first has, in addition
to painted capitals (red and green) for every line, a set of small letters
on the margin for the purpose of indicating what letter was to be placed
at the beginning of each line. Numbers 2, 4, 5, 6, have no capitals, but
only small letters indicated on the margin. Numbers 3, 7, 8, lack even
small letters, while number 9 has a double set of them.
In supplying the missing capitals for numbers 7 and 8 in D, Di was of
great assistance because it contains 3 pieces corresponding to 7, 8, and 9
in D. D\ was written by different scribes. The reason, however, for the
presence of numbers 7, 8, and 9 only in Di can, in my opinion, be explained
by the fact that fol. 181r of Di, on which number 7 appears, was started
by a new scribe. He completed this MS. including in it numbers 8 and 9,
and likewise the 'derniere piece' occurring in D (fol. 88r). To this 'derniere
piece' in Di, the following reference is made in the Catalogue of the Li-
brary of Douai (p. 643): ' . . . A la fin se trouve une piece en vers leonins,
commengant, comme celle du n° 8801,' par: "Haec Bernardus ego, qui sub
domini cruce dego. . ." ' The presence then in D\ of numbers 7, 8, and 9
and the 'derniere piece' allows no other conclusion than that the new scribe
who began fol. 181r of D\ must either have been acquainted with D or
had it before him. Let us now proceed to the leonine summaries, use being
made once more of the signa given above.
III
I give now the transcript of the 'derniere piece:'
Haec Bernardus ego, Hue oculos adhibe,
qui sub domini cruce dego, capta, gusta, lege, scribe,
scriptis allego Bernardi scribae, 15
scriptaque saepe lego. musta iocosa bibe!
Hactenus ignota, 5 Si dictata notes
quae nescit plebs idiota, Arturi gesta, nepotes,
Nunc facio nota regna, sacerdotes,
qualibet absque nota. cetera nosse potes: 20
Lector quem fovi Nosse genus Britonum,
scriptis quae scribere vovi, 10 fines, urbes regionum
scribae qui vovi, et cuiusque thronum,
scripta memento novi. bellaque credo bonum.
120 Notes
Si mihi parueris,
o lector, qui nova quaeris, Curia dissidet, 50
haec lege, quae sequeris, ut mala praevidet[?],
sicque peritus eris. ire iubentur.
The poor taste of these lines does not call for any comment, and, if a
modern parallel is in place, the term 'doggerel' will best characterize
Bernardus' poetical accomplishment.
Notes 123
IV
Having put a finishing touch to his Threni de excidio Troiae, Bernardus
found that before commencing Geoffrey's Historia (fol. 14V), he still had
some space left for new lines. This space he devoted to polemics in verse,
as will be seen from the two small poems that follow:
Versus contra Daretem
Scribens ista Dares, qui claro carmine clares, D, fol. 14V.
Non ea dictares forsan, nisi vera probares.
Non ita quam ponis valeat nota prodicionis,
Sensibus ut pronis reprobentur scripta Maronis.
Versus contra fidem Britonum
Arturi gesta, Clyo, mihi scribere praesta,
Quae non incesta nee falsa puto, sed honesta.
Id tamen impurum reor errorem subiturum
Quod putat Arturum Britto fatuus rediturum.
Post vitae cursum prohibet mors cuique recursum:
Si redit hie rursum, Britto vertetur in ursum.
Incipit prologus in sequenti opere.
With this latter poem may be compared two lines by a later hand found in
A (fol. 192 r ):
Scripsimus Arturum quern Brito putat rediturum.
Si redit Arturus homo, capra fit vel caper urus.
JACOB HAMMER,
Hunter College