COVER SLIDE SLIDE 5

MINDANAO’S BOUNTY INTENSITY

- Rich in color
SLIDE 1 - Variation in saturation

SLIDE 6
BASIC DOCUMENTARY COLOR HARMONY
INFORMATION - Monochromatic
COLOR SCHEME
TITLE: Mindanao’s Bounty
- Warm Colors
NAME OF THE ARTIST: Abraham A.
Garcia, Jr.
SLIDE 7
MEDIUM AND TECHNIQUE: Acrylic on
Canvas
LINES
DIMENSIONS AND MEASUREMENTS: 1.5
x 7.5 meters ACTUAL LINES
DATE OF WORK: 2002 - Curved lines
PROVENANCE: Matina Town Square, - Straight lines
Davao City - Vertical, horizontal, diagonal
IMPLIED LINES
SLIDE 2 - Numerous patterns

SLIDE 8
BASIC SEMIOTIC PLANE PERSPECTIVAL LINES
- 1 point perspective
SLIDE 3 - Hands are at the foreground
- Mountains are in the background
KINDS OF LINES OBSERVED
VISUAL ELEMENTS - Lines create texture with patterns
- Lines have varying weights
COLOR - Lines create movement and direct
HUE focus across the painting and
- Warm colors towards the center
- Yellow
- Orange SLIDE 9
- Brown
- Neutral colors SHAPES
- Black TYPES OF SHAPES
- White GEOMETRIC
- Triangular
SLIDE 4 - Rectangular
VALUE - Circular
- Contrasting values between very SLIDE 10
light and very dark (applicable for all ORGANIC
colors)
 - Several organic shapes to create SLIDE 14
intrigue and represent different
figures
ABSTRACT
- Represent things from the natural
world

SLIDE 11

FORM
SIMULATED/VIRTUAL
- 2D Painting (Please create a graph)

SLIDE 12 SLIDE 15

SPACE DESIGN PRINCIPLES

PLANAR
- 2D Painting BALANCE
POSITIVE SPACE SYMMETRICAL
- Occupies most of the painting’s - The spread hands resemble an
space indigenous person’s palms
NEGATIVE SPACE ASYMMETRICAL
- Makes up the background - Similar but not congruent
RADIAL
SLIDE 13 - Radial curvilinear lines and figures
- The focus is directed towards the
TEXTURE sun
IMAGINARY/ILLUSORY
- Highlights and shadows (hands) SLIDE 16
ACTUAL
- Smooth Texture PROPORTION
- Brushwork NATURAL
OTHER MATERIAL FEATURES - Some figures have a natural
- Bamboo framing proportion
- Acrylic Paint - Plants and Animals
- Canvas EXAGGERATED
- Enlarged Figures
- Hands, Sun, Moon
- Downsized Figures
- Trees, Carabaos
SLIDE 17 SLIDE 21

EMPHASIS AND CONTRAST

THE ICONIC PLANE
- Colors
- Line Weights
SLIDE 22

UNITY AND VARIETY THE CHOICE OF SUBJECT AND

- Variety of colors, shapes, and lines THEME
SUBJECT CLASSIFICATION: Landscape
SLIDE 18 Painting
ABOUT: Treasures and Resources of
HARMONY Mindanao
- Colors THEME:
- Curvilinear Lines Nature/World/Environment/Ecology

SLIDE 23
MOVEMENT
- The lines direct your eyes across the Is the Subject Meaningful in terms of
painting sociocultural context?
- Yes.
SLIDE 19 - Mindanao is rich with resources an
landscapes that are treasured by the
RHYTHM people.
Does it reflect or have bearing [relevance]
REGULAR
on the values and ideologies arising in a
- Curved lines
particular place and time?
ALTERNATING
- These contribute greatly to the
- Black curved lines with spaces in
economy of Mindanao.
between
- We have a variety of vibrant
ECCENTRIC
cultures, practices, and beliefs that
- Dissimilar pattern of curvilinear lines
distinguish us from each other but
also connects our societies.
SLIDE 20
SLIDE 24
REPETITION AND PATTERN
- Lines THE SUBJECT-VIEWER
- Shape
- Color
RELATIONSHIP
The subject is not a human figure
SLIDE 25

THE POSITIONING OF FIGURES

- Radial Arrangement
- Centralized Focus
- The landscape and beauty of
our land is highlighted in the
center of the painting
- The two hands cradle the
landscape and hold seeds
that could represent the
continuous growth of our
lands an how we must care
for it.
- Casual Air
- Some figures are abstract
with a comical aspect
- Exaggerated Proportions
- Natural Setting

SLIDE 26

THE RELATIONSHIP OF THE

FIGURES TO ONE ANOTHER
- Massed Composition
- The figuration is Informal that
reflects the art style of the artist