Professional Documents
Culture Documents
Fig. 5.—Stanhope.
The “Stanhope” takes its name from being first built to the order
and under the superintendence of the Hon. Fitzroy Stanhope, by
Tilbury, the builder of the vehicle bearing that name. It was shaped
like the old ribbed gig, but was hung upon four springs, two of which
were bolted between the shaft and axle, and the other two
crossways, parallel to the axle at either end of the body, and
shackled to the side springs. Stanhopes are an easy kind of vehicle,
and do not rock so much as other gigs behind a rough-trotting horse.
At the same time they are rather heavy, owing to the large amount of
iron plating used to strengthen the shafts, &c.
Fig. 6.—Tilbury.
The “Tilbury” was very much like the Stanhope, but had no boot,
and like it was heavily plated with iron. It was hung by two elbow
springs in front, with leather braces to the shafts or front cross bar,
and behind by two elbow springs passing from beneath the seat to a
cross spring raised to the level of the back rail of the body by three
straight irons from the hind part of the cross bar. Later, two more
springs were added between the axletree and the shafts, by scroll
irons. The Tilbury was a very good-looking and durable vehicle, but
its weight took away the public favour, and it went out of fashion
about 1850. It was, however, adopted with great success by Italy and
other continental countries, where the roads are bad, and solidity of
construction is the first consideration.
Dog-carts and Tandem-carts are too well known to need
description. The former were so called from their being used for the
conveyance of sporting dogs, such as greyhounds or pointers, and
the slats or louvre arrangement of the sides was for the purpose of
admitting air to the animals; though scarcely ever used for this
purpose now, the original plan has been pretty closely adhered to,
except that the boot is considerably reduced and made to harmonise
more with the other parts.
Some of the greatest improvements in the shape and style of
various vehicles were effected by a celebrated maker named
Samuel Hobson, who remodelled and improved pretty nearly every
vehicle which came under his hands. He particularly directed his
attention to the true proportion of parts, and artistic form of carriages.
He lowered the bodies, and lengthened the under or “carriage” part.
The curves and sweeps also received due attention. In fact, he
carefully studied those “trifles” (as Michael Angelo’s friend would
have termed them) on which depended the success of the
production as a work of art. Imitation being the sincerest form of
flattery, the other coachmakers soon showed their sense by copying
his best ideas, though, to give these other coachmakers their due,
they greatly assisted Mr. Hobson with suggestions for improvements,
and as a reward availed themselves of his superior talent for working
on these ideas.
As our interior trade and manufactures increased, the custom
arose of sending commercial travellers throughout England to call
attention to the various goods, and it was found very convenient to
send these travellers in light vehicles which could convey samples of
the various articles. This led to a very great increase in the number
of gigs; and about 1830 one coach factory of London supplied
several hundreds of these vehicles to travellers at annual rentals.
And though on the introduction of the railway system long journeys
by road were unnecessary, these gigs were found of great use in
town and suburban journeys, and in London they may be seen by
hundreds daily, and they are scarcely used by any one else but
commercial travellers. They are too familiar to need detailed
description.
In 1810 a duty was levied by Government upon vehicles for sale. It
was repealed in 1825, but the returns give the number of vehicles
built for private use in 1814 as 3,636, and in 1824 as 5,143, whilst
the number of carriages in use in 1824 had grown to 25,000 four-
wheeled, and 36,000 two-wheeled, besides 15,000 tax-carts; an
increase since 1814 of 20,000 vehicles.
In 1824 there was built for George IV. a low phaeton, called a pony
phaeton, which has since become very common, and has undergone
but very little change from the original. It was a cab shape, half-
caned, with a skeleton bottom side hung upon four elliptical springs,
with crane ironwork back and front. It was drawn by two ponies; the
wheels were only 21 and 33 inches high.
A carriage had been introduced from Germany, called a droitska or
droskey—an open carriage with a hood, on a perch, and suspended
from C springs. The peculiarity was, that the body was hung very
near the perch, so that the seat was only 12 inches above the hind
axletree, and the place for the legs was on either side of the perch.
The chief merits of this vehicle consisted in its lightness as
compared with barouches and briskas, and its shortness.
The cab phaeton was invented by Mr. Davies, of Albany Street,
about 1835; it consisted of a cab body with a hood, hung upon four
elliptic springs, and a low driving seat and dasher, for one horse. It
met with great success and was soon in general use. It was
introduced on the continent, where it became known under the name
of “Milord,” and became the common hack carriage, after which it
went out of fashion with the upper circles. It has, however, been
recently revived under the name of “Victoria.” The Prince of Wales
and Baron Rothschild set the fashion by using Victorias about 1869,
and it really is a very elegant and useful vehicle.
In 1839 the first Brougham was built by Mr. Robinson, of Mount
Street, for Lord Brougham, since when this has become the most
common and the most fashionable vehicle in use. The size of the
first brougham was in its chief dimensions similar to those now
manufactured; it was hung on elliptic springs in front, and five
springs behind. Coachmakers seemed to have lavished the greatest
care and attention on these vehicles, in order to turn out the lightest,
and at the same time the most artistic contrivance, and great
success has attended their efforts.
The foregoing is a brief history of vehicular conveyances from the
earliest times to the present. During the last ten or fifteen years
many further improvements have been added, tending to produce
more perfect vehicles in every respect; but these improvements have
been more in matters of detail than those at the commencement of
the century, and hence are more likely to escape ordinary
observation; but the critical eye will soon discover these changes,
and marvel at the short space of time in which the real work has
been done.
A glance at public carriages may not be out of place. Hackney
coaches were first used in England in 1605. These were similar to
the coaches used by fashionable people, but they did not ply for hire
in the streets, but remained at the hiring yards until they were
wanted. Their number soon increased, owing to there being a
greater number of persons who wished to hire than could afford to
keep a conveyance of their own. In 1635 the number was limited to
fifty, but in spite of the opposition of the King they continued to
increase in number, and in 1640 there were 300 in London. In Paris
they were introduced by Nicholas Sauvage, who lived in a street at
the sign of St. Fiacre, and from this circumstance hackney carriages
are called “fiacres” in France. In 1772 the hire of a fiacre in Paris was
one shilling for the first hour and tenpence for the second. There
were 400 hackney coaches in London in 1662, and the Government
then levied a yearly duty of £5 each upon them. In spite of this their
number had in 1694 increased to 700, a substantial proof of their
usefulness.
In 1703 a stage coach performed the journey from London to
Portsmouth, when the roads were good, in fourteen hours. From this
time there was a gradual increase in the number and destinations of
stage coaches.
In 1755 stage coaches are described as being covered with dull
black leather, studded with broad-headed nails by way of ornament,
and oval windows in the quarters, with the frames painted red. On
the panels the destination of the coach was displayed in bold
characters. The roof rose in a high curve with a rail round it. The
coachman and guard sat in front upon a high narrow boot,
sometimes garnished with a hammercloth ornamented with a deep
fringe. Behind was an immense basket supported by iron bars, in
which passengers were carried at a cheaper rate than in other parts
of the vehicle. The wheels were painted red. The coach was usually
drawn by three horses, on the first of which a postillion rode, dressed
in green and gold, and with a cocked hat. This machine groaned and
creaked as it went along, with every tug the horses gave, though the
ordinary speed was somewhere about four miles an hour.
One hundred years ago news and letters travelled very slowly, the
post-boys to whom the letter bags were intrusted progressing at the
rate of three and a half miles an hour! In 1784 a proposal was laid
before Government by Mr. John Palmer, the originator of mail
coaches, to run quicker vehicles, though at much dearer rates of
postage. This scheme was at first opposed by Parliament, but after a
struggle of some two years, Palmer’s coaches were adopted for the
conveyance of the mails, though the rate at which these travelled
was only six miles an hour for a long time after their introduction.
A great impetus was given to the production of better forms of
stage coaches by gentlemen taking to drive them as an amusement,
and two clubs were soon formed of noblemen and gentlemen who
took an interest in four-in-hand driving and in vehicles in general.
Several clubs of this kind are now flourishing to encourage manly
sport, and with the capacity to promote improvements in the form of
the “drag,” as it is now called.
It is to an architect that we owe the invention of the Hansom cab.
The safety consisted in the arrangement of the framework at the
nearest part to the ground, so as to prevent an upset if the cab tilted
up or down. The inventor was Mr. Hansom, the architect of the
Birmingham Town Hall. Numberless improvements have been made
on this idea, but the leading principles are the same.
In 1829 the first omnibus was started in London by Mr. Shillibeer,
who some time previously had been a coachmaker in Paris. It was
drawn by three horses, and carried twenty-two passengers, all
inside. The fare was a shilling from the “Yorkshire Stingo,” in
Marylebone Road, to the Bank. This vehicle was found too large for
the streets of London, so a smaller one was started, drawn by two
horses and carrying twelve passengers inside. In 1849 an outside
seat was added along the centre of the roof, and by 1857 the
omnibus had become pretty nearly the same form as we now know
it. Our present omnibus is probably the lightest vehicle of its kind for
carrying such a large number of passengers. Its average weight is
about 25 cwt. The London General Omnibus Company have, on an
average, 626 omnibuses running on week-days, and 6,935 horses to
work them. They build their own vehicles, and each runs about sixty
miles a day, at a speed of about six miles an hour, and nearly all are
supplied with brake retarders, worked by the foot, which effect a
great saving in the strain put upon the horses in stopping.
CHAPTER II.