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Vinod Thomas
Risk and Resilience in the Era of Climate Change
Vinod Thomas
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To my sister, Malini
Foreword
vii
viii FOREWORD
xi
xii PREFACE
xv
Praise for Risk and Resilience
in the Era of Climate Change
xvii
xviii PRAISE FOR RISK AND RESILIENCE …
“With the sharp rise in climate risks, various discussions of policy and
technical solutions are at center stage. However, for these deliberations
to have meaningful traction, they need to be supported by a sea change
in people’s mindsets and policymakers’ priorities for action. This book
makes a significant contribution in calling for transformational change in
values, education, and behavior that will underpin the sustainability of
development. A must-read for policymakers and academics alike.”
—Jikyeong Kang, President, Dean and MVP Professor of Marketing,
Asian Institute of Management
“This timely work on risk and resilience in the world of climate change
is an important one. In addressing climate change, we would do well to
construct better models of resilience, understanding types and degrees
of risk estimates, and not be bogged down with just economic efficiency
arguments, and neither should it be based on only socio-economic consid-
erations. Professor Vinod Thomas, with his relevant and wide background
in economics and public policy, both in the academia and in the real policy
front is in a very good position to combine these important elements to
push further our understanding of climate change issues. I fully endorse
this book.”
—Euston Quah, Albert Winsemius Chair Professor and Head of
Economics, Nanyang Technological University, and Editor, Singapore
Economic Review
“As crises hammer our world with increased intensity and frequency, it
is urgent that leaders and policymakers read this book. Professor Vinod
Thomas brilliantly demonstrates, with abundant data and evidence, that
addressing the climate change crisis urgently and holistically makes good
economic sense and that this will be best done by strengthening resilience
at the local, national, regional, and global levels. As the house burns,
this book can convince even the most skeptical that there will be no
future if the risk posed by climate change is not better understood and
addressed, and if resilience is not placed at the very center of development
strategies.”
—Veronique Salze-Lozac’h, Chief Evaluator, European Bank for
Reconstruction and Development
mitigate and adapt, the strategies and best practices, and how we can
transform the trajectory. Amongst other important concluding recom-
mendations, Dr. Thomas issues a clarion call for moving away from our
overuse of GDP to design public policy objectives that prioritize growth
over societal impacts. To paraphrase Dr. Thomas – it is time to start
measuring quality over quantity and make our personal, professional, and
political decisions based on improving the quality of life for all.”
—Tensie Whelan, Professor and Founding Director NYU Stern Center for
Sustainable Business
“This book shows with great clarity and by drawing upon recent publi-
cations, that there is an urgent need to recognize the increasing risk
posed by climate change, to alter mindsets, and to fundamentally rethink
economic strategies. If growth is to remain a priority, it must be rendered
sustainable through the avoidance of diseconomies and by measures that
build resilience in the face of shocks to come. This compact and incisive
volume is a welcome addition to the literature on a vital topic. It could
nudge the undecided to recognize the enormity of the challenge that is
upon us.”
—Shahid Yusuf, Chief Economist, Growth Dialogue and Non-Resident
Fellow, Center for Global Development
Contents
1 Opening Summary 1
Bibliography 7
xxi
xxii CONTENTS
Index 197
Abbreviations
xxv
xxvi ABBREVIATIONS
xxvii
xxviii LIST OF FIGURES
xxix
List of Boxes
xxxi
CHAPTER 1
Opening Summary
Knowledge is a free good. The biggest cost in its transmission is not in the
production or distribution of knowledge, but in its assimilation. Kenneth
Arrow
Aggregate risks in the early 2020s are extremely high. That makes it
a crucial time to assess risk and resilience and to do so from three
perspectives—the environment, society, and the economy. The confluence
and cumulative effects of the COVID-19 pandemic, Russia’s invasion
of Ukraine in February 2022, climate catastrophes, and the economic
shocks and food shortages that they unleashed, are sharp reminders of the
vulnerabilities to risks and the urgent need to build and scale up resilience.
The essential question is whether these events are short-term or
whether they are an indication of worse things to come, especially if they
are the tip of the iceberg. How risks are viewed makes a difference to
mindsets and policies on resilience, i.e., the ability to bounce back from
setbacks. In the policy context, risk is the eventuality of a worse outcome
compared with what is expected. If the risk trajectory is high and rising,
resilience building is not only about recovering but also about investing
in readiness. It calls for serious and meaningful change.
Many of the principles and lessons of risk and resilience apply to disas-
ters in general, including natural hazards, pandemics, cyber threats, food
shortages, and financial crises. The special focus of this book is resilience
against climatic extremes. The spotlight on climate change leads to a
This book is about the constituents of risk and resilience in their multiple
facets but is driven by fundamental qualifications that emerge from its
primary focus on human-made climate change (Kolbert 2022). It is
informed by a distillation of the lessons of experience from independent
evaluations of thousands of development projects in all regions of the
world over the past decades. The lessons remind policymakers and practi-
tioners of the value of deriving findings even as projects and programmes
are ongoing, and not just waiting until all the results are in. They also
suggest that past lessons may not be a sufficient guide for the future in
the presence of rapidly changing circumstances.
1 OPENING SUMMARY 5
Note
1. Global warming is mentioned with reference to rising temperatures, the
centrepiece of climate change, which also manifests itself in melting glaciers,
heavier rainstorms, longer droughts—and extreme cold weather. Climate
refers to changes in the atmosphere over a period of time, while weather
relates to short time periods. Climatic refers to climate and its patterns.
Bibliography
Kolbert, Elizabeth. 2022. “A Vast Experiment.” The New Yorker, November 28.
Manyena, S.B., Geoff O’Brien, Phil o’Keefe, and Jo Rose. 2011. “Editorial.
Disaster Resilience: a Bounce Back or Bounce Forward Ability?”. Local Envi-
ronment 16 (6): 1–8. May. https://www.researchgate.net/publication/283
681542_Editorial_Disaster_resilience_a_bounce_back_or_bounce_forward_a
bility.
Mundle, Sudipto. 2022. “Here’s the “Steam Engine” of the Twenty-First
Century.” Livemint, October 21. https://www.livemint.com/opinion/onl
ine-views/does-a-bright-future-lie-beyond-the-gloomy-economic-horizon-
11666286368601.html.
OECD. 2022. “Climate Finance and the USD 100 Billion Goal—OECD.”
https://www.oecd.org/climate-change/finance-usd-100-billion-goal/.
Wilkes, Tommy, and Ritvik Carvalho. 2020. “$15 Trillion and Counting:
Global Stimulus so Far.” Reuters, May 12, 2020, sec. Business
News. https://www.reuters.com/article/uk-health-coronavirus-cenbank-gra
phic-idUKKBN22N2EP.
PART I
Troubled Times
Risks to lives and livelihoods are headline news in every corner of the
world, captured most dramatically by images of heatwaves, forest fires,
and droughts. The top hottest ten years in recorded history have all
been since 2010 (Levitan 2022), as climate change worsens the risk
profiles of countries and raises an urgent need to step up resilience efforts.
Dangers in this century include pandemics, food insecurity, and Russia’s
war in Ukraine. While the range of country problems is broad, a growing
number of them are increasingly connected to climate change. Although
it is debatable whether these types of risks have been rising systemati-
cally over the span of centuries, the confluence of more intense shocks in
the twenty-first century is striking.
Despite mounting scientific evidence of the risks, the causal relation
between carbon emissions, global warming, and hazards still appears
intangible to many, as well as being distant in time and space. Remark-
ably, there is an alarming gulf between the scientific knowledge on climate
change and the policies for economic growth needed to arrest global
warming. Historical experience could not possibly have prepared society
for ever deadlier climate events, like Hurricane Ian on the Atlantic coast,
the fiercest to strike the state of Florida since 1935, and the epic floods in
hit record highs, with the warmest eight years in recorded history being
all from 2015. The hottest years were 2016, 2019 and 2020, and July
2021 was the hottest month ever. Unusually extreme cold and snow-
storms in winter are also associated with climate change that is making
the polar vortex stretch south (Chapters 5 and 6). Studies from National
Aeronautics and Space Administration (NASA) show that accelerated
warming is significantly attributable to human causes, with the IPCC’s
Fifth Assessment Report attributing over half of observed global temper-
ature increase to carbon emissions resulting from human activity from
1951 to 2010 (Wiedmann et al. 2022). Differing analytical views, even
if a small minority, are pinned inter alia on the dominance and uncer-
tainty of natural climate variability rather than anthropogenic changes (for
example, Curry 2023).
Since 1960, the world has seen a tenfold increase in extreme hazards
of nature, with the impacts proving to be deadliest in low-lying coastlines,
such as those in southeast US, and in regions that are highly exposed to
heatwaves, such as the European Union (EU) (Institute for Economics
and Peace 2020; IPCC 2022; Iberdrola 2019). Between 1970 and 2000,
reports of medium- and large-scale disasters averaged 90–100 a year, but
from 2001 to 2020, the reported number of these events increased to
350–500 a year. Annually reported disasters have increased significantly
in the last two decades (UNDRR 2022a). At current trends, the number
of disasters per year globally may increase from about 400 in 2015 to 560
by 2030—a projected increase of 40% (UNDRR 2022b).
Regardless of the source of the information in various reports, there
has been a rise in the frequency of climate-related extremes, including
floods and landslides (hydrological), storms and fogs (meteorological), or
the two combined (hydro-meteorological) as well as drought and wild-
fires (climatological). But this increase is not evident for earthquakes and
volcanoes (geophysical), an indication that the increase could be climate
related (Fig. 2.1). This difference in the trends of hydro-meteorological
and climatic events on the one side and geophysical ones on the other, in
the sources used here, is a powerful and intuitive signal of the nature of
climate change.
An analysis of the period since 1900 shows an increase in record-
breaking rainfall events since around 1980. While the number of extreme
rainfall events prior to 1980 was associated with natural multi-decadal
variability, the spike in extreme events after 1980 is consistent with rising
temperatures. Cyclones form when warm ocean waters, brought about
14 V. THOMAS
700
600
500
400
300
200
100
0
1980 1990 2000 2010 2019
Year
Fig. 2.1 Hazards of nature on the rise (Source Buchholz 2020; Munich RE
2022)
by global warming, create warm moist air. Each degree Celsius rise in
sea surface temperatures is likely to double the frequencies of hurri-
canes (Chapter 6). The sea surface temperature of the Pacific Warm
Pool region was at its highest when Typhoon Haiyan was formed in the
Philippines in 2013.
As surface temperatures are fast exceeding previous records, 2022 was
on track for seeing the deadliest heatwaves, droughts, and forest fires. The
world’s rivers are drying up at a fast clip (Croker et al. 2022). Along with
the warming, sea levels have registered a steady rise worldwide. Atmo-
spheric thermodynamics explain that warmer atmospheres have larger
saturation vapour content, and increases in near-surface temperatures raise
precipitation. Warming air also raises sea levels to dangerous levels and
flooding lowers the ground level through underground inundation. One
such case is Miami which is less than 2 metres above sea level (Lemonick
2012).
The summer of 2022 featured “off the chart” events to the point that
once-in-100-year disasters seemed part of everyday life (Lopez 2022).
Among disasters that fell into this category are the floods that submerged
2 TROUBLED TIMES 15
more than a third of Pakistan, killing more than 1,700 people, and costing
an estimated US$30 billion in damages and economic losses according
to the World Bank; heatwaves and wildfires that scorched the US and
Europe; floods that hammered parts of the US; a heatwave and drought
that dried up China’s rivers; and epic rainfall just before summer, causing
floods and mudslides in South Africa, killing at least 450 people.
The link between GHG emissions in the air, warming of the seas, and
more intense natural disasters is powerful (see Chapter 6 also), and yet
this connection is not recognised widely (Thomas 2017). The warming
of the seas contributes to greater energy that adds force to the winds
and greater moisture that makes for heavier rainfall. The airflows change
as well. Warmer air also melts ice caps and glaciers while warmer waters
raise sea levels, constituting conditions for perfect storms. Scientists have
made clear these links in excruciating detail, and the policy implications
for the urgency to slash discharges are crystal clear, but either for their
inconvenience or for their complexity, the emissions-warming-disaster link
is not being acted upon. Because weather catastrophes are in the natural
world, it is easy to attribute them as acts of God—to use that insurance
industry term—even though the source of their increasing intensity and
frequency is human-made climate change.
Responding to climate change is unquestionably slowed by certain
governments, glaringly, for example, the US under former President
Donald Trump, and Brazil under former President Jair Bolsonaro denying
the role of human-induced climate change, and worse, taking measures
that aggravate the problem. The views of climate deniers may have clev-
erly evolved, from raising doubts on the presence of climate change to
questioning whether it is natural or human-induced, to a more sophis-
ticated argument on the extent of the impact and the effectiveness of
remedies. For example, they call for lifecycle analysis of biofuels, whereas
no such lifecycle analysis is demanded for the oil and gas industry.
It is sometimes argued that deaths from disasters have fallen and that is
an indication that the gravity of the problem is lessening. Weather-related
disasters show the biggest increase in incidence over the past 50 years.
They are unmistakably causing more dislocation and greater damage,
while causing fewer deaths (WMO 2021). Most of the deaths are taking
place in developing countries. Just as life expectancy is up in general, the
decline in mortality from these disasters reflects improvements in income,
16 V. THOMAS
Role of Policy
Natural disasters have long been considered intermittent and uncontrol-
lable shockwaves. But because extreme weather events are becoming more
frequent, they are no longer one-off events. Climate change is the result
of actions taken over time, and the emerging scenarios depend on what
has already been done, while efforts need to be made to change the trajec-
tory over the next years. Scientific evidence points to human causes of
global warming (IPCC 2021). This connection between climate change
and the extremity of hazards of nature is at the centre stage of global
events, potentially providing the most tangible and proximate rationale
for the urgency of anti-pollution policies (Thomas 2017).
In this context, carbon emission is a common unit used to express the
different types of GHGs that contribute to climate change (see Box 2.1).
Carbon dioxide is also the most understood link, through the greenhouse
effect, that raises sea level temperatures—one that might first have been
measured by Swedish scientist Svante Arrhenius in 1896.
Carbon discharges come at a heavy cost to society, and there have been
various efforts to put a price on them. A recent estimate finds that an
additional ton of carbon dioxide in the air costs society US$185, which
is more than three times the figure of US$51 the US government has
used (Rennert et al. 2022). In 2020, New York state adopted a price
of US$79–US$125 for its programmes. The figure of US$185 is the
result of accounting for climate-related mortality, damages from weather
disasters, and the value of crop failure.
Figure 2.2 shows, as do other data sources, that carbon emissions and
temperature changes are highly and positively correlated, and this rela-
tion spans a lengthy period. This positive correlation between temperature
change and emissions became stronger post-1970. Note that the temper-
ature change in this figure is obtained by subtracting the first data point in
the chart (−0.16 °C) from the latest data point (0.85 °C). The July 2022
temperature was 1.15 °C higher than the 1880–1920 average. What is
more, the underlying CO2 concentration in the atmosphere is still headed
20 V. THOMAS
the wrong way. The August 2022 number was 417.19 parts per million
by volume (ppmv) compared to 414.47 ppmv a year before (Earth’s CO2
Homepage; see Chapter 5).
There have been efforts to predict the occurrence and intensity of
shocks, creating more time for preparation and mitigation measures
(Webster and Jian 2011). This can reduce the eventual severity of
economic, societal, and life costs. Regions and localities that face more
frequent risks of weather events, such as South Asia and East Asia and
their states, provinces and localities, will benefit from efforts to predict
extreme events. Recurring systematic risks can be reduced with calcu-
lated anticipation of the time and severity of the adverse event (Courtnell
2020).
Webster and Jian (2011) found that forecasts in the Brahmaputra
and Brahmaputra–Ganges areas helped reduce damage risks, based on
criteria including economic savings, drought risk index, and freshwater
availability. The impact of floods on the global population is significant,
as the Brahmaputra–Ganges areas house 14% of the global population.
Flood forecasts were able to provide communities with information on
the timing, duration, and intensity of floods, hence buying time to make
40 1.2
1
Annual CO2 Emissions (Billion tonnes)
35
0.8
Temperature Change °C
30
0.6
25
0.4
20
0.2
15
0
10
-0.2
5 -0.4
0 -0.6
1880
1885
1890
1895
1900
1905
1910
1915
1920
1925
1930
1935
1940
1945
1950
1955
1960
1965
1970
1975
1980
1985
1990
1995
2000
2005
2010
2015
2020
Fig. 2.2 Carbon emissions and temperatures (Source Andrew and Peters 2021;
Global Carbon Project 2021; NASA 2022; NOAA 2022)
2 TROUBLED TIMES 21
VIEWS.
1. Old Belsize House. A view on a Belsize House advertisement,
circ. 1721? and a view by Maurer, 1750; cp. Howitt’s Northern Heights
and C. Knight’s Old England, ii. fig. 2404.
2. Belsize House in 1800 (Walford, v. 492).
KILBURN WELLS
VIEWS.
1. The Bell Inn, Kilburn, 1750 (Walford, v. 246).
2. The Bell Inn, Kilburn, from a mezzotint, 1789, reproduced in
Baines’s Hampstead.
3. View of the Old Bell Inn at Kilburn on the Edgware Road.
Rathbone del. Prestal sculp. 1789. Crace, Cat. p. 670, No. 76.
4. An engraved handbill, describing the waters, at the top of which
is a print of the Long Room, by F. Vivares; mentioned in Park’s
Hampstead, p. xxxi*, additions.
V
CHELSEA GROUP
RANELAGH HOUSE AND GARDENS
§ 1. Origin of Ranelagh
About the year 1690 Richard, Viscount (afterwards Earl of)
Ranelagh, Paymaster-General of the Forces, built for himself on the
east side of Chelsea Hospital a private residence known as
Ranelagh House, and laid out a garden. In 1691[208] the house is
described as “very fine within, all the rooms being wainscotted with
Norway oak,” and the garden plats and walks were “curiously kept
and elegantly designed.” Bowack in 1705 says that the gardens were
“esteemed to be the best in England, the size considered.” Here
Lord Ranelagh lived till his death in 1712.
In 1733 the property was sold, and at that time Lacy, patentee of
Drury Lane Theatre, made arrangements for forming Ranelagh into a
place of public amusement. Nothing decisive was done till 1741,
when a large circular building, the famous Rotunda (at first generally
called the Amphitheatre), was erected in the Ranelagh grounds by
William Jones, architect to the East India Company.[209]
The capital for the undertaking was furnished by a few
shareholders, and was divided into thirty-six shares of £1,000 each.
The principal shareholder and manager was Sir Thomas Robinson,
Bart., M.P., whose gigantic form was for many years familiar to all
frequenters of the Rotunda: a writer of 1774 calls him its Maypole
and Garland of Delights.[210]
The Rotunda and Gardens were first opened on 5 April, 1742,
with a public breakfast, and a visit to Ranelagh became the vogue.
Of the early fortunes of the place the best chronicler is Horace
Walpole. On April 22, 1742, he writes to Mann:—“I have been
breakfasting this morning at Ranelagh Garden: they have built an
immense amphitheatre, with balconies full of little ale-houses: it is in
rivalry to Vauxhall and costs above twelve thousand pounds.”[211]
On May 26[212] he again describes the “vast amphitheatre, finely
gilt, painted and illuminated; into which everybody that loves eating,
drinking, staring, or crowding, is admitted for twelvepence.” In 1744,
[213] Mr. Walpole goes “every night constantly” to Ranelagh, “which
has totally beat Vauxhall.” “Nobody goes anywhere else; everybody
goes there. My Lord Chesterfield is so fond of it, that he says he has
ordered all his letters to be directed thither.” “The floor is all of beaten
princes”; “you can’t set your foot without treading on a Prince or
Duke of Cumberland.” In 1748,[214] “Ranelagh is so crowded, that
going there t’other night in a string of coaches, we had a stop of six
and thirty minutes.”
In 1745 Mr. Thomas Gray had written to a friend[215] that he had
no intention of following the stream to Ranelagh, and he touched a
weak spot in the delights of the London Pleasure Gardens—the
uncertainty of the London weather. “I have never been at Ranelagh
Gardens since they were opened.... They do not succeed: people
see it once, or twice, and so they go to Vauxhall. Well, but is it not a
very great design, very new, finely lighted? Well, yes, aye, very fine
truly, so they yawn and go to Vauxhall, and then it’s too hot, and then
it’s too cold, and here’s a wind and there’s a damp.” But in August
1746 we find Gray declaring[216] that his evenings lately have been
chiefly spent at Ranelagh and Vauxhall.
Other literary people, at least as interesting, as Walpole’s Dukes
and Princes, frequented Ranelagh. The learned Mrs. Carter was
there in 1748, and found the gardens very pleasant on a June
evening, though she did not relish such “tumultary torchlight
entertainments.” Goldsmith and Reynolds used to go there together
about 1771, and Dr. Johnson “often went to Ranelagh,” which he
deemed, as the Rev. Dr. Maxwell apologetically observes, “a place of
innocent recreation.”
§ 2. The Rotunda
The guide-books abound with architectural details of the
Ranelagh Rotunda.[217] A sufficient idea of its general appearance
may be gained by glancing at some of the contemporary prints and
by noticing a few salient features. Writers of the time compare it to
“the Pantheon at Rome”: the Londoner of to-day will think rather of
the British Museum Reading Room which it resembled in size and, to
some extent, in general appearance. The circumference was 555
feet and the internal diameter 150 feet. It was entered by four Doric
porticoes opposite one another, and the interior architecture
corresponded with the exterior.
On the exterior was an arcade encircling the building, and above
this arcade was a gallery reached by steps placed at the porticoes.
In the interior was a circle of fifty-two[218] boxes, separated by
wainscotting. Each box had its “droll painting” and its bell-lamp with
candles; and in each seven or eight people could be accommodated
with refreshments. Benches covered with red baize were dispersed
about the area, and the plaster floor was covered with matting.
Above the circle of boxes was a gallery containing a similar range
of boxes which were entered by folding-doors from the gallery
outside the building. The Rotunda was lighted by sixty windows, and
the chief material used in its construction was wood.
The ceiling was painted an olive colour, with a rainbow round the
extremity, and there hung from it numerous chandeliers, each
ornamented with a gilt crown and containing crystal bell-lamps of
candles. When all the candles were lighted, the sight, we are told,
was “very glorious.”
In the centre of the building was a remarkable square erection
supporting the roof, and made up of pillars and arches elaborately
decorated. This “grand and elegant structure” was nothing more or
less than a fireplace containing a chimney and an open fire. On cold
days in February and March the best place was “one of the hot
blazing red-cloth benches” by the fire. This fireplace structure had
originally contained the orchestra, but after a few years the orchestra
was, for acoustic reasons, moved to the side of the Rotunda. Behind
the orchestra was an organ by Byfield, set up in 1746.[219]
The Inside View of the Rotunda in Renelagh Gardens with the
Company at Breakfast.
Vue de la Compagnie à Dejeuner dans la Rotonde au Mellieux des
Jardines de Renelagh.
THE ROTUNDA AT RENELAGH, circ. 1751.
Johnson declared that “the coup d’œil” of Ranelagh was “the
finest thing he had ever seen.”[220] When Johnson first entered
Ranelagh and its brilliant circle, it gave, as he told Boswell,[221] “an
expansion and gay sensation” to his mind, such as he had never
experienced anywhere else. Miss Lydia Melford, in Humphry Clinker,
wrote about Ranelagh to her ‘dear Willis’ with an enthusiasm less
restrained, and without Dr. Johnson’s moralising comment:—“Alas,
Sir, these are only struggles for happiness.” “Ranelagh (she writes)
looks like the enchanted palace of a genio, adorned with the most
exquisite performances of painting, carving, and gilding, enlightened
with a thousand golden lamps that emulate the noonday sun;
crowded with the great, the rich, the gay, the happy and the fair;
glittering with cloth of gold and silver, lace, embroidery, and precious
stones. While these exulting sons and daughters of felicity tread this
round of pleasure, or regale in different parties, and separate lodges,
with fine imperial tea and other delicious refreshments, their ears are
entertained with the most ravishing delights of music, both
instrumental and vocal.”
From this time (1775) till about 1790 the concerts continued as
usual, but Ranelagh seems during the period to have suffered a
certain eclipse. In May 1788 the shares are said to have fallen from
their par value (£1,000) to £900. Ranelagh was “voted a bore with
the fashionable circles,” and its distance from town began to be
considered an obstacle.
About 1791, however, its fortunes revived, and numerous
masquerades, sometimes lasting till six or eight in the morning, and
firework displays (chiefly by Caillot and by Rossi and Tessier)
remained a feature of Ranelagh till its close.
Henry Angelo (Reminiscences, ii. p. 3 f.), speaking of its later
days, declares that it was frequented by “the élite of fashion.” The
gentlemen wore powder, frills and ruffles, and had gold-headed
canes. “Cropped heads, trousers or shoe-strings” were not to be
seen there. The men used to buy in the ante-room myrtles, hyacinths
and roses, not to wear themselves, but for presentation to the ladies.
A masquerade of 1792 (14 February) was attended by Mrs.
Jordan, “supported” (as the newspapers said) “between the friendly
arms of the Prince of Wales and the Duke of Clarence.” Mr. Petit was
good as a man walking in his sleep with a candle, and amid the
usual crowd of harlequins, sailors and flower-girls, “a monkey of the
largest size was offensively dexterous.”[237] At another masquerade
this year (16 May) a Guy Faux, a ‘Bath Maccarony,’ an African
Princess, and three or four Romps attracted attention.
On May 7th, 1792, the exhibition called Mount Etna was
introduced and remained popular at Ranelagh for several years. A
special building with a scene designed by G. Marinari, ‘painter to the
Opera,’ was prepared for it in the gardens. The idea was evidently
borrowed from Torré’s Forge of Vulcan, the great attraction at the
Marylebone Gardens some twenty years earlier. The scene
represented Mount Etna and the Cavern of Vulcan with the ‘Cyclops’
forging the armour of Mars, “as described (the advertisements add)
in the Aeneid of Virgil.” To an accompaniment of music “compiled
from Gluck, Haydn, Giardini, and Handel,” we see the ‘Cyclops’
going to work. “The smoke thickens, the crater on the top of Etna
vomits forth flames, and the lava rolls dreadful along the side of the
mountain. This continues with increasing violence till there is a
prodigious eruption, which finishes with a tremendous explosion.”
On June 27th, 1793, the Chevalier D’Eon fenced in the Rotunda
with M. Sainville, and received the congratulations of the Prince of
Wales and Mrs. Fitzherbert.[238]
In 1797 (April) there was an enjoyable masquerade, at which
there reigned (we are told) “good nature and pleasant hilarity, without
riot”: all this, in spite of a crowd of imaginary Dutch skippers,
lunatics, coachmen, quack doctors and watercress girls.
At a concert in 1798 (June) Incledon and Madame Mara sang. In
1799 a January masquerade was diversified by a drawing for fifty
twelfth cakes as prizes for the masks.
The Directors now began to offer prizes for regattas and volunteer
shooting-matches, and a few splendid entertainments mark the
closing years of Ranelagh.
On 2 June, 1802, Boodle’s Club gave an elegant dance at which
the ladies “wore white and silver, ornamented with laurel”—and
diamonds, and amused themselves by drawing prizes of trinkets in a
Lottery Booth. On the 28 June (1802) the Picnic Society gave an
“afternoon breakfast,” and at five o’clock Garnerin, the French
aeronaut, and Captain Sowden ascended in a balloon from the
gardens.[239]
On 23 September (1802) Mr. Thomas Todd descended into a
reservoir of water twenty-five feet deep, prepared for him in the
gardens. His awkward diving-tub, and his dress of leather and metal
excited the laughter of spectators born too early to know the diver of
the Polytechnic. Nor is this praiseworthy experiment to be counted
among the splendid entertainments of Ranelagh, for Mr. Todd was
“misfitted by his coppersmith,” forgot to take down his lamp, and did
not remain under water more than five minutes.[240]
On 1 June, 1803, a ball in commemoration of the Installation of
the Knights of the Bath took place and proved one of the finest of the
entertainments. Yet these were only ‘struggles for happiness,’ and
attempts to galvanise a nearly lifeless Ranelagh. The unending
promenade, with its sentimental songs and elegant regale of tea and
coffee, had ceased to attract, and the lamp-hung trees, the Chinese
House and the music on the Canal had lost their ancient charm. On
8 July, 1803, the Rotunda of Ranelagh was opened for the last time
as a place of amusement.
On 30 September, 1805, the proprietors gave directions for the
demolition of Ranelagh House and the Rotunda; the furniture was
sold by auction shortly afterwards, and the buildings were removed.
The organ was bought for Tetbury Church, Gloucestershire, where it
remained till 1863, when it was purchased by a builder.
The Ranelagh grounds had extended from the old Burial Ground
(east of Chelsea Hospital) to the rivermarshes on the south, and the
Chelsea Bridge Road now crosses their eastern boundary. When the
buildings were removed the grounds were, by degrees, purchased of
the shareholders by General Richard R. Wilford to add to his
property adjoining. A poet of the Gentleman’s Magazine in June
1807 laments the Fall of Ranelagh, and the site already overgrown
with weeds. The foundation walls of the Rotunda and the arches of
some of the cellars could, however, be traced as late as 1813, and
part of the site was a favourite playground for Chelsea children. By
1826, the Ranelagh grounds had become by purchase the property
of Chelsea Hospital and were parcelled out into allotments. The
ground is, at the present time, once more a ‘Ranelagh Garden,’ in
which the public are admitted, as the old advertisements would say,
“to walk gratis.”
All traces of Ranelagh have been thus obliterated, and a London
historian (Jesse, London, iii, 420) on visiting the site in 1871, could
find as its memorial only a single avenue of trees with one or two of
the old lamp-irons—the ‘firetrees’ of the early advertisements—still
attached.
[From the numerous authorities, the following may be selected:—
Gent. Mag. 1742, 418, ff.; Ranelagh House: a Satire in prose, London,
1747 (W. Coll.); Dodsley’s London, 1761; Sir John Fielding’s Brief
Description of London, 1776; Burney’s Hist. of Music, iv. 668, ff.;
Kearsley’s Strangers’ Guide (1793?); Lysons’s Environs, Supplement,
p. 120; Faulkner’s Chelsea, ii. 299, ff.; Blanchard in The Era
Almanack, 1870; Grove’s Dict. of Music, art. “Ranelagh House,” by W.
H. Husk; L’Estrange’s Village of Palaces, ii. 296; Walford, v. 76, ff.;
Austin Dobson’s Eighteenth Century Vignettes, 2nd ser. p. 263, ff.;
collections relating to Ranelagh in British Museum and Guildhall
libraries, and a large series of cuttings from newspapers, magazines,
&c., W. Coll.]
VIEWS.
A good representative series of the principal early views of
Ranelagh is in the Crace Collection (Catal. p. 164; pp. 312–314). The
site is well marked in Horwood’s Plan A, 1794.
STROMBOLO HOUSE AND GARDENS, CHELSEA
In the grounds attached to the Star and Garter Tavern in the Five
Fields between Chelsea and Pimlico,[244] displays of fireworks and
horsemanship took place in 1762 (July-September) to celebrate the
birth of the Prince of Wales, and the visit of the chiefs of the
Cherokee Indians[245] who were duly exploited by the proprietor.
Carlo Genovini, an Italian artificer, exhibited stars and moving suns,
a guilloche of a varied coloured rose, reprises of water cascades and
many pyrotechnic devices, together with the Temple of Liberty, a
machine thirty-two feet long and forty high “painted in a theatrical
manner” with Britannia triumphant over the portico. The fireworks
began at eight or nine and the tickets were usually half-a-crown.
On other evenings at seven o’clock Thomas Johnson, the well-
known equestrian, performed feats with two and three horses similar
to those undertaken by him at the Three Hats, Islington. The
admission was one shilling. The proprietor of the Star and Garter
also kept the neighbouring Dwarf’s Tavern, with Coan, “the jovial
Pigmy,” as Major Domo,[246] and to this place visitors were invited to
adjourn after the fireworks, there to sup on “a most excellent ham,
some collared eels, potted beef, etc., with plenty of sound old bright
wine and punch like nectar.”[247]
[Faulkner’s Chelsea, ii. 354–356, where further details of the
fireworks and horsemanship may be found; Davis’s Knightsbridge, p.
264.]
JENNY’S WHIM, PIMLICO