ARTIST AND ARTISAN
knowledge or technical know-how in
 Artist – are creative individuals who use
imagination and skills to communicate in art
form.
 Artisan – basically a physical worker who
makes object with his or her hands.
KEY COMPONENTS OF THE ART MARKET
 Curator – a manager or overseer, and
usually a curator or keeper of a cultural
heritage institutions.
 Art buyer – is a professional who is
knowledgeable in art
 Art dealer – a person or a company that
buys and sells works of art.
 Private collection – is a privately owned
collection of works, usually a collection of
art.
THE CREATIVE PROCESS
 Conceive of the result you want to create
 Know what currently exists
 Take actions
 Develop your creativity
 Learn the rhythms of the creative process
THREE STAGES IN THE CREATIVE PROCESS
1. Germination (idea) – it is the initial moment
when you conceive a new project a new
project in your life.
2. Assimilation – you will internalize and
assimilate or incorporate the idea you want
to create
3. Completion – this is the time to finish your
project
THREE STAGES IN ART MAKING
1. Pre-production or subject development –
this ends when planning is concluded
2. Production or medium manipulation –
this is a method of joining diverse material
inputs and unimportant inputs
3. Post production – it will display, circulated
and performed for the audience and public
to see, watch and appreciate.
MEDIUM AND TECHNIQUE
 Medium – it refers to the materials that are
used by and artist to create a work of art.
 Technique – refers to the artists ability and
manipulating medium.
GRAPHIC ORGANIZER
 This is a visual and graphic display that
depicts the relationship between facts.
Terms and or ideas within a learning task
GRAPHIC ORGANIZER OF APONG WHANG-OD
OGGAY
 A Filipina tattoo artist from Buscalan,
Tinglayan, Kalinga.
 She us often described as the “last” and
oldest mambabatok and is part of the Butbut
people of the larger kalinga ethnic group.
RECOGNITION AND AWARD FOR ARTISAN AND
ARTIST
1. Gawad sa Manlilikhang Bayan
(GAMABA) National Living Treasures
Award
 The award was institutionalized in
1992 through Republic Act No. 7335
 The highest policy-making and
coordinating body of the Philippines
for culture and the arts, was tasked
with the implementation.
HOW DOES ONE BECOME a Manlilikha ng Bayan
a. He/she is an inhabitant of an
indigenous/traditional culture community
anywhere in the Philippines.
b. He/she must have engaged in a folk-art
tradition.
c. He/she must have consistently produced or
performed over a significant period.
d. He/ she must possess a mastery of tools
and materials needed by the art
e. He/she must have passed on and/or will
pass on to the other members of the
community.
RECOGNIZED OF a Manlilikha ng Bayan
a. He/she had created a significant body of
works and/or has consistently displayed
excellence in the practice his/her art
b. He/she has been instrumental in the
revitalization of his/her community’s artistic
tradition.
 c. He/she passed on the other members of the
community
d. His/her has recognized him/her as master
and teacher of his/her craft.
DUTIES AND RESPONSIBILITIES OF AWARDEES
a. To transfer the skills of his/her traditional
folk art to the younger generation through
apprenticeship and such other training
methods as are found to be effective
b. To cooperate with the implementing agency,
ELEMENTS AND PRINCIPLES OF ART
as provided for in Section 7 of this Act
c. To donate to the National Museum a sample
or copy of his/her work,
2. National Artist
 The order of the National artists is
considered to be the highest national
recognition for individuals who
contributed to the development of
the Philippine arts.
THE NATIONAL COMMISSION FOR CULTURE
AND THE ARTS AND THE CULTURAL CENTER
OF THE PHILIPPINES
1. Living artist who are Filipino citizens at the
time of nomination
2. Artist who, through the content and form of
their works, have contributed in building a
Filipino sense of nationhood
3. Artist who pioneered in a mode of creative
expression or style
4. Artist who created a substantial and
significant body of work and/or consistently
displayed excellence in the practice of their
art form
5. Artist who enjoy broad acceptance through
 Prestigious national and/or
international recognition, such as the
Gawad CCP Para sa sining, CCP
Thirteen Artists Award, and NCCA
Alab ng Haraya
 Critical acclaim and/or reviews of
their workers;
 Respect and esteem from peers
ART EXHIBITS
 An exhibition is a planned arrangement and
display of a collection of items
 The word “exhibitions” is usually, but not
always, the word used for collection of items
made available to an audience
 Term “exhibit” generally refers to a single
item being shown within the exhibition
 Exhibitions range from an extraordinary
large event, such as a World’s fair
exposition to small one-artist solo shows or
a display of just one item.
 Lines – we see lines everywhere
 Horizontal Lines – These are parallel to the
horizon. They do not slant
 Vertical Lines – They start from the bottom
going up or vice versa. They do not lean at
all.
 Diagonal Lines – These lines are between
a vertical and horizontal lines. They are
either rising or falling
 Zigzag Lines – Indicate chaos, conflict and
confusion as can be perceived.
 Curved Lines – These are more technically
curvilinear; they are organic and natural and
adjust direction regularly.
 Actual Lines – the artist intentionally shows
the lines in the artwork, to give the viewer
an interesting aspect of the composition
 Implied Lines – are used by the artist to
make the viewer feel their involvement in
interpreting the composition by seeing and
connecting the lines where none actually
exists.
 Color – Is the most expressive element of
art
 Hue – is determined the wavelength of light
physically given by the color
 Value – refers to the lightness and darkness
of a color
 When white is added to a hue, the result is
called tint
 When black is mixed with a hue, the result
is called a shade
 Intensity or Saturation – refers how pure the
color is.
 Colors high in saturation (high intensity)
tend to be bright.
 Colors low in saturation (low intensity) tend
to be dull.
 Colors of light are additive
 Colors of pigments are subtractive
 Primary colors – because these colors
cannot be produced by the mixture of any
other colors
 Secondary colors – the combination of two
primary colors in equal amounts
 Intermediate colors – combination of a
primary and secondary colors
 Tertiary colors – intermediate colors and
tertiary colors are considered to be one and
the same
 Neutrals – they show no color quality
 Warm colors – red, orange and yellow
considered as warm colors
 Cool colors – blue, green, violet, blue-
green are considered as cool colors.
 Warm, bright colors make us happy and
excite
 Cool colors relax us and encourage us to
take it slow.
 Biomorphic shapes manifest some
qualities of biological organisms
 Amorphous shape Exist without any basis
from either nature of geometry
 Circles may suggest confinement and self-
reliance
 Ovals suggest creativity
 Stars may mean reaching out
 Space is a tricky element of the visual arts.
 Psychological aspect two processes
should be understood
 Stereoscopic vision gives the viewer a
perception of depth because of the distance
between the two eyes.
 Retinal disparity gives the viewer two
images of the object physiologically merges
them into one image thus giving the viewer
a perception of depth or distance.
 Kinesthetic vision involves the movement
of the eyes when looking at or viewing the
object
 Overlapping when objects are grouped, not
all parts of some object will be seen.
 Relative size is supported by the concept of
linear perspective
 Atmospheric Perspective the illusion of
depth is created by techniques known as
gradient
 Light makes viewing any artwork possible,
and it is sad to say that without light this
cannot be done.
 Achromatic value refers to changes in the
moment of reflected light from black to grey
to white.
 Actual texture refers to the real feel and
look of the surface of the object
 Simulated texture refers to a surface
character that looks real but it not
 Abstract texture would focus on one
aspect of the real texture and emphasize it
thus modifying the texture of the whole
composition.
 Invented texture is a product of the artists
imagination
 Motion occurs through time
 Actual movement the artist incorporates
actual movement in art known as kinetic art
 Implied movement a variety of lines may
be used together with some degree of
repetition, changes in the position, scale
and size of the objects and varying
proportions that can create the perception of
movement or passing time in a two-
dimensional piece of static art
 Semiotic this is like a credit line, which lists
important facts about a work of art
 Iconic how the artist described the subject
 Contextual meaning of the works, symbols,
ideas, concepts
 Kind of subject the stolen kiss shows
image of people with two lovers caught in
the process of sneaking a kiss when no one
else is looking
 Source of subject the subject matter is
taken from the erotic themes popular of the
day, with a young maiden lured away for a
quick tryst in the hall during a society
gathering
 Balance it refers to how the different visual
elements were distributed in relationship to
each other and are classified into three;
 Symmetrical also known as formal balance
 Asymmetrical also known as informal
balance
 Radial symmetry balance where all
elements radiate out from a center point
 Harmony this can be described as
sameness, the belonging of one thing with
another
 Proportion refers to values such as
amounts or number of elements or objects
in the composition
 Dominance/Emphasis the composition that
is visually dominant and commands the
viewer attention
 Variety a way of combining visual elements
to achieve intricate and complex
relationships
 Movement using the elements of art such
that they move the viewer’s eye around and
within the image.
 Rhythm this is a continuance, a flow, or a
feeling of movement achieved by the
repetition of regulated visual information
 Music is considered to be the least tangible
of the arts.
 Popular music this often involves the use
of electric instruments to enhance
instrumental and vocal sounds
 Classical music involves of human voice
such as opera.
 Rhythm has something to do with patterns
in time
 Melody refers to a succession of
consecutive notes or tones changing in
pitch and duration
 Harmony refers to a combination of
different tones or pitches played or sung
together
 Texture refers to the relationship of melodic
and harmonic lines in music
 Dynamics refers to the degree of softness
and loudness of music
 Timbre also known as tone color
 Idiophones sound is produced when the
body of the instrument itself vibrates
 Membranophones produced by
membranes that are tightly stretched over a
part of the instrument
 Chordophones involve the use of stretched
strings to produce sound
 Aerophones produced when air vibrates
inside a column
 Electrophones generate sound through
materials or source that produced electrical
signals that are transmitted to a
loudspeaker to release the sound
 Form refers to the arrangement of musical
event or themes throughout the composition
 Strophic (A-A-A-A) the most popular
musical form, the theme is repeated over
and over
 Binary (A-B) a new melody is played after
one melody
 Ternary (A-B-A) a new melody is played
after one melody, but the first melody is
repeated after the second melody
 Rondo (A-B-A-C-A, A-B-A-C-A-B-A, A-B-
A-C-A-D-A) the first theme alternates with
two or more different themes
 Theme and Variation (A-A1-A2-A3-A4)
The melody is initially presented or played
 Sonata-allegro this typically fast musical
form is almost similar to ternary from
because it is also divided into three parts
 Baroque Music had melodic pattern that
were specifically written for certain musical
instruments
 Classical Period Music refers to musical
compositions written from 1750-1820
 Romantic Music we already know by now
that Romanticism is associated with love,
idealism, nature, and expressiveness,
Composers during the Romantic period
 Impressions involves the use of dabs of
unmixed colors and applying it using quick
strokes to portray the effect of natural light
on the subject matter
 Modern Music know by now that modern
music is technically music created from
1900 to the present day
 Postmodern Music is considered as art
that has gone beyond tradition and
modernism