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ARTISTS AND THE

ARTISANSGROUP-4. GROUP 3 PRESENTOR


OBJECTIVES:

1. Define an artist’s or artisan’s medium and technique;


2. Define the role of managers, curators, buyers, collectors,
and art dealers in the art world;
3. Differentiate between artist and artisan’s approach/
technique toward a particular medium;
4. Identify National and GAMABA artist’s notable works
and their contribution to society;
5. Explain the three stages in the creative process.
ARTIST—who produces or creates indirectly
functional arts with aesthetic value using
imagination.

(Insert pic A Painter in Session Image by Agatha Brenica Ilagan)


ARTISAN —who produces directly function
and/or decorative arts.

(Artisans from Bassey, Samar weaving and completing handmade baskets)


KEY COMPONENT OF THE ART MARKET
—The art market is an economic ecosystem that relies
not only on supply and demand but also
on the fabrication of a work’s predicted future
monetary and /or cultural value.
THE FOLLOWING ARE THE
IMPORTANT PLAYERS IN THE ART
MARKET:
1.Curator
A curator, who is a
manager or overseer,
and usually a keeper of
a cultural heritage
institution (e,g, gallery,
museum, library, or
archive)
2.Art Buyer
is a professional who is
knowledgeable in art

(A display of artworks for sale to the public)


3.Art Dealer
is a person or a
company that buys and
sells works of art.To
determine the
artwork’s value, dealers
inspect the objects or
paintings closely and
compare
the fine details with
similar pieces.
4.Private
Collections
This is personal owned
collection of works, usually
a collection of art.
THE CREATIVE PROCESS
Robert Fritz, enumerated
the steps in the creative
process, and said that
creating is a skill that can be
learned and developed.
1. Conceive the result you want to create.
2. Know what currently exists.
3. Take actions
4. Develop your creativity.
5. Learn the rhythms of the creative process.
There are, however, some steps we can
follow to guide our action, Fritz enumerated
three stages in the creative process:
1. Germination (Idea) — In the
germination stage, you are planting
the seeds of your creation.
2. Assimilation —you will plan, analyze
it, and cultivate it
with all the available resources.
3. Completion — the time to finish your
project, to give it to the final shape
before you present it to
the audience.
Three Stages in Art making. In the creative process, the
artist undergoes three stage of experience,
which are popularly known as:
1. PRE-PRODUCTION OR SUBJECT
DEVELOPMENT —this ends when the planning ends,
and
2. PRODUCTION ORthe content starts being produced
MEDIUM
MANIPULATION
—It is the
act of creating output, a good or service that has
significance and contributes to the utility of
individuals.

3. POST PRODUCTION (COMPLETION)—once its finished, it will


OR EXHIBITION be displayed, circulated, and
performed for the audience and
public to see or watch.
Medium and Technique

Medium- refers to the materials that


are used by an artist to create a work
of art.

Technique - refers to the artist’s


ability and knowledge or technical
know-how in manipulating the
medium.
GRAPHIC ORGANIZER (Story Map)
RECOGNITION AND AWARD FOR
ARTIST AND ARTISAN
1. Gawad sa Manlilikhang Bayan (GAMABA) National Living
Treasure Award

Republic Act No. 7335. The Award was


institutionalized in 1992

The National Commission for Culture and the


Arts (NCCA). The highest policy-making and
coordinating body of the Philippines for culture
and the arts
HOW DOES ONE BECOME A MANLILIKHA NG BAYAN?
✓Possess a mastery of tools and materials needed for the traditional, folk
art and be a maker of works of extraordinary technical quality;

1. Have consistently produced works of superior quality over


significant period;
2. Have engaged in a traditional and folk art which has been in
existence and documented for atleast fifty (50) years;
3. Command respect and inspire admiration of the country with his
character and integrity;
4. Must have transferred and/or willing to transfer to other members
of the community the skills in the traditional and folk arts for which
the community has become nationally known.
5. However, a candidate who, due to age or infirmity, has left
him/her/them incapable of teaching further his/her/their craft, may
still be recognized provided that he/she/they must possess the
qualifications as enumerated above.
Duties and Responsibilities of Awardees
(a) to transfer the skills of his/her traditional folk art to the
younger generation through apprenticeship and such other
training methods as are found to be effective;

(b) to cooperate with the implementing agency, as provided


for in Sec. 7 of this Act in the promotion and propagation of
his/her traditional folk arts; and

(c) to donate to the National Museum a sample or copy of


his/her work.
THE RECIPIENTS OF THE GAMABA AWARD:
1. Ginaw Bilog(d. 2003), artist and poet, Mansalay, Oriental Mindoro Poetry
(Ambahan), 1993

2. Masino Intaray (d. 2013), musician and epic chanter, Brookes Point, Palawan,
Poetry (Kulilal and Bagit)Music (Basal/ Gong), 1993
3. Samaon Sulaiman (d. 2011), Musician, Mama sa Pano,Maguindanao Music
(kudyapi), 1993

4. Lang Dulay (d.2015) textile waiver, Lake Sebu, South Cotabato, waeving
(T’nalak),1998
5. Salinta Monon (d. 2009), weaver, Bansalan, Davao del Sur,
waeving(abaca-ikat/Inabal), 1998
Mabal Tabih (Ikat Weaving)

6. Alonzo Saclag, musician and dancer,Lubugan, Kalinga Province,


Musician and Dance (Kalinga), 2000
7. Federico Caballero, epic chanter, Sulid- Bukidnon, Iloilo, Poetry/ Epic
Chant(Sugidanon), 2000

8. Uwang Ahadas, musician, Lamitan, Basilan, music, (Yakan


specially Kulintang, Kwitangan Kayu, gabbang agung, and
tuntungan), 2000
9. Darhata Sawabi, (d. 2005), weaver, Parang Sulu, weaving (pis
Syabit),2004

10. Eduardo Mutuc, metalsmith/metal sculptor, Apalit Pampanga,


Meatalwork (Bronze and Silver),2004
11. Haja Amina Appi (d. 2013), weaver, Tandubas, Tawi-Tawi, weaving
(mat), 2004
Sama mat weaving

12. Teofilo Garcia, casque maker, San Quintin, Abra, Casque making
(Tabungaw),2012
13. Magdalena Gamayo, master weaver, pinili, Ilocos Norte, Weaving
(inabel), 2012

14. Ambalang Ausalin, master weaver, Lamitan, Basilan, Weaving (Yakan


tennun), 2016
15. Estelita Tumandan Bantilan, master weaver, Malapatan Sangani,
Weaving (B’laan igem),2016

16. Yabing Masalon Dulo, master weaver, Polomolok, South Cotabato,


Weaving (Ikat), 2016
2. National Artist
National Artist of the Philippines
—The highest national recognition for individuals who
contributed to the development of Philippine arts.

—The NCCA and the Cultural Center of the


Philippines (CCP) together administer this award.
—This began in 1972 when Presidential
Proclamation no. 1001, s. 1972 was enacted to
recognize Filipino who made exceptional
contributions to Philippine arts and letters.
—Painter Fernando Amorsolo was awarded the
same year, making him the first National Artist.
The National Commission for Culture and the Arts
and the Cultural Center of the Philippines have set
criteria for the order of national artists. These
criteria are as follows:
1. Living artists who are Filipino citizens at the time of nomination, as well as
those who died after the establishment of the award in 1972 but were Filipino
citizens at the time of their death;

2. Artists who, through the content and form of their works, have contributed
in building a Filipino sense of nationhood;

3. Artists who have pioneered in a mode of creative expression or style, thus


earning distinction and making an impact on succeeding generations of
artists;

4. Artists who have created a substantial and significant body of work and/or
consistently displayed excellence in the practice of their art form thus
enriching artistic expression or style; and
5. Artists who enjoy broad ace through:

• prestigious national and/or international


recognition, such as the Gawad CCP Para sa Sining,
CCP Thirteen Artists Award and NCCA Alab ng
Haraya;

• Critical acclaim and/or reviews of their works;

• Respect and esteem from peers.


The word “exhibition” is usually, but
not always, the word used for a
collection of items made available to
an audience.
The term “exhibit” generally refers to
a single item being shown within an
exhibition.
THANKS FOR LISTENING I
HOPE NAKASABOT ANG
ALL
4PICS 1WORD
(1.)
ARTIS
T
(2.)
ARTISA
N
(3.)
CURATO
R
(4.)
MEDIU
M
(5.)
TECHNIQU
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