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ACOUSTICS
Architectural acoustics (also known as building
acoustics) is the science and engineering of achieving a
good sound within a building and is a branch of acoustical
engineering. The first application of modern scientific
methods to architectural acoustics was carried out by the
American physicist Wallace Sabine in the Fogg
Museum lecture room. He applied his newfound
knowledge to the design of Symphony Hall, Boston.
ACOUSTICS
U.S. physicist who founded the science of architectural acoustics.
After graduating from Ohio State University in 1886, Sabine did
graduate work at Harvard University, where he later joined
the faculty. A brilliant researcher, he enjoyed teaching and never
bothered to get his doctorate; his papers were modest in number but
exceptional in content. When Harvard opened the Fogg Art
Museum in 1895, its auditorium revealed seriously
defective acoustics caused by excessive reverberation. Sabine was
asked to find a remedy. His discovery that the product of the
reverberation time multiplied by the total absorptivity of the room is
proportional to the volume of the room is known as Sabine’s law, and
a unit of sound-absorbing power, the sabin, was named after him. The
first building designed in accordance with principles laid down by
Sabine was the Boston Symphony Hall, which opened in 1900 and
proved a great acoustical success.
Wallace Clement Sabine
ACOUSTICS
SYMPHONY HALL, BOSTON Symphony Hall interior (empty) Symphony Hall interior (in concert)
ACOUSTICS
Architectural acoustics can be about:
- achieving good speech intelligibility in a theatre,
restaurant or railway station
- enhancing the quality of music in a concert hall or
recording studio
- or suppressing noise to make offices and homes more
productive and pleasant places to work and live in.
Architectural acoustic design is usually done by acoustic
consultants.
ACOUSTICS
The word acoustics comes from a Greek
word akoustikos which means “of or for hearing”.
Architectural acoustics may be defined as the technology
of designing spaces, structures, and mechanical systems
to meet hearing needs.
With proper design, "wanted" sounds can be heard
properly and "unwanted" sounds or "noise", can be
attenuated to the point where it does not cause
annoyance.
ACOUSTICS
However, achieving good acoustics has increasingly
more difficult for a variety of reasons.
To cut costs. The weight of construction materials used
in many of today's buildings is reduced. Since light
structures generally transmit more sound than heavy
ones. this practice poses major acoustical problems.
Forty percent or more of a building budget may be
allocated for mechanical systems-most of which makes
noise.
ACOUSTICS
Outside noise sources such as cars, trucks, trains, and
airplanes present problems in isolating interior spaces
from exterior sound.
All acoustics situations have three common elements-
source, transmission path, and receiver. The source
can be made louder or quieter and the path can be
made to transmit more or less sound. The listener's
reception of sound also may be influenced.
ACOUSTICS
Building skin envelope
This science analyzes noise transmission from building exterior
envelope to interior and vice versa. The main noise paths
are roofs, eaves, walls, windows, door and penetrations.
Sufficient control ensures space functionality and is often
required based on building use and local municipal codes. An
example would be providing a suitable design for a home
which is to be constructed close to a high volume roadway, or
under the flight path of a major airport, or of the airport itself.
Inter-space noise control ACOUSTICS
The science of limiting and/or controlling noise transmission from
one building space to another to ensure space functionality and
speech privacy. The typical sound paths are ceilings, room
partitions, acoustic ceiling panels (such as wood dropped
ceiling panels), doors, windows, flanking, ducting and other
penetrations. Technical solutions depend on the source of the noise
and the path of acoustic transmission, for example noise by steps or
noise by (air, water) flow vibrations. An example would be providing
suitable party wall design in an apartment complex to minimize the
mutual disturbance due to noise by residents in adjacent
apartments.
ACOUSTICS
Interior space acoustics
In other words.
Acoustics is a discipline of great importance for a sustainable
development.
Role of Acoustics ACOUSTICS
Anechoic Chamber – a sealed room in which all the surfaces are designed to completely absorb all sound
produced in the room.
Attenuation – a reduction in sound level. Sound attenuation in air-conditioning is specified in terms of dB per
meter.
Break-in Noise – transfer of noise from a space surrounding the duct into the duct through duct walls.
Break-out Noise – transfer of noise from the interior of a duct through duct walls into a space outside the duct.
Decibel (dB) – a unit of measurement for sound pressure level, sound intensity level or sound power level.
ACOUSTICS
Definition of Terms
Diffraction – a change in the direction of propagation of sound as a result of bending caused by a barrier in the
path of a sound wave.
Diffuse Sound (field) – a sound field in which the sound comes in equal intensity from all directions.
Direct Sound – the sound that arrives at a receiver along a direct line from the source without reflection from any
surface.
Echo – a sound that has been reflected with sufficient time delay.
Flutter Echo – a rapid but repetitive succession of sound from a sound source usually occurring as a result of
multiple reflections in a space with hard, flat and parallel walls.
Infrasonic – a sound that is below the human audible frequency, below 20 Hz.
Intermittent sound – a sound which is discontinuous or fluctuates to such an extent that at times its sound
pressure level falls below a measurable level.
Inverse square law – a law which states that the sound intensity in a free field varies inversely with the square
of the distance from the source.
Leak – a small opening in a barrier that allows airborne sound to pass through.
Masking – the increase in the threshold of audibility of a sound that is required so that the sound can be
heard in the presence of another sound.
Noise Isolation Class (NIC) – a single number rating derived from the measured value of noise reduction
between two rooms.
Noise Reduction Coefficient (NRC) – a single number rating derived from measured values of sound
absorption coefficients of a material at 250, 500, 1000 and 2000 Hz.
Outdoor-Indoor Transmission Class (OITC) – a weighted single number rating of the sound reduction
effectiveness of a partition that separates an indoor space from the outside.
Resonance – the relatively large amplitude of vibration produced when the frequency of the source of sound is
equal to the natural frequency of a room.
Reverberant Sound Field – a sound field created by repeated reflections of sound from the boundaries in an
enclosed space.
Reverberation – the continuation of sound in an enclosed space after the initial source has been terminated.
Reverberation Time (RT) – the time it takes for sound intensity to decay by 1 millionth of its steady state value
after the sound source has been terminated.
Sound Insulation – the ability of a barrier to prevent sound from reaching a receiver.
Sound Intensity (SI) – the average rate of sound energy flow through a unit area in a given direction.
Sound Lock – a small space that works as a buffer between a source room and a receiving room.
Sound Pressure – fluctuating pressure of sound superimposed on the static air pressure.
Sound Transmission Class (STC) – a single number rating of the sound insulation rating of a partition.
White Noise – a noise whose energy is uniform over a wide range of frequencies. This is analogous to the
term “white light”, which consists of almost equal amount of light of different wavelength (colors). A white noise
sounds hissy.
REFERENCES
WIKIPEDIA
BIGRENTZ
GEOFF MARTIN
GEORGE SALVAN
OTHER MATERIALS
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