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PDF Basics Fashion Design Knitwear Second Revised Edition Juliana Sissons Ebook Full Chapter
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9781474251730_txt_app.indb 1 2/26/18 11:35 AM
BLOOMSBURY VISUAL ARTS
Bloomsbury Publishing Plc
50 Bedford Square, London, WC1B 3DP, UK
Juliana Sissons has asserted her right under the Copyright, Designs and
Patents Act, 1988, to be identified as Author of this work.
Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-
party websites referred to or in this book. All internet addresses given in this book were
correct at the time of going to press. The author and publisher regret any inconvenience
caused if addresses have changed or sites have ceased to exist, but can accept no
responsibility for any such changes.
A catalogue record for this book is available from the British Library.
Typeset by Lachina
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1
Approach to knit 1
3
Construction through pattern and
texture 55
Reinventing traditional knitting 2
Yarns and fibres 7 The tension swatch 56
Construction of knit 15 Basic techniques 60
Developments in design and Lace 67
technology 23 Surface texture 70
Interview: Freddie Robins, senior tutor, Patterned knits 80
knitted textiles, the Royal College of Interview: Sophie Steller, designer and
Art, London 24 director of the Sophie Steller studio 83
2
Creative development 29
4
Construction through shape 91
iv
6
Practitioners in context: menswear 149
Historical contexts 150
Androgynous contexts 150
Interview: Cozette McCreery 152
Designer case study: Pa Byrne 158
Designer case study: Ella Nisbett 162
Designer case study: Ben McKernan 165
Designer case study: Latasha
Hammond 169
Designer case study: Matilda Draper 171
Designer case study: Kendall Baker 174
Designer case study: Carlo Volpi 177
Block patterns for menswear 179
Pattern construction for easy fitting
dropped shoulder block with V-neck
shape 181
Knitting pattern for easy fitting dropped
shoulder block with sleeves 183
Pattern construction for sleeve
development 184
0.2
Menswear made from silk, wool and
monofilament yarns. Extreme scale of
proportions were achieved through weaving
yarns into knit on the domestic knitting machine.
Abigail Coop, runner up of Graduate Fashion
Week, Knitwear and Gold Award 2017.
vi
ix
1.2
Visit of the Angel, known more commonly as 1.3
the Knitting Madonna, by Master Bertram of The framework knitting machine was invented
Minden, 1400–10. by William Lee in 1589.
trade. Initially created for use with the textures between the bands. Thanks to
short, fine sheep’s wool from Sherwood the opening up of trade routes in the
Forest, this first machine produced seventeenth century, these garments
coarse knitting for peasant hose. Lee soon became the fisherman’s staple
was unsuccessful in promoting the around the UK, where they were adapted
frame; Queen Elizabeth refused the with new patterns and textures (and are
patent because she feared that it would often referred to elsewhere as ‘ganseys’).
jeopardize the hand-knitting industry. Lee Stitches were passed down from
then developed the frame to be used generation to generation. The wealth of
with silk: the original machines had eight pattern in the stitches gave great scope
needles per inch; this new machine was for individual design. These garments
thought to have twenty needles per inch, were cherished, looked after, mended
and it was perfect for making expensive, and often handed down. It is thought
fancy stockings. The English were still that a fisherman who died at sea could
not interested, and Lee took the frame be identified by the handiwork of his
to France, where the machine eventually guernsey.
proved to be successful. By the end
of the seventeenth century, it was in
increasingly extensive use across Europe.
Knitting had become faster, because now,
instead of knitting one stitch at a time,
whole rows could be knitted at once. The
machine was gradually refined further,
and by the eighteenth century, the idea
of knitting holes opened up new scope
for design. By the late nineteenth century,
the knitwear industry was huge; new
innovations in technology paved the way
for the straight bar, flat frame.
1.5
Knitwear design by Graduate Fashion Week
Winner 2016, Kendall Baker. Knitwear collection
explored a variety of cable designs for
menswear.
Aran
The Aran Islands are located off the west
coast of Ireland. Most historians agree
that the Aran jumper is a relatively recent
invention. The Irish government set up an
initiative in the 1890s to encourage poorer
families to weave and knit garments to sell.
The garments were originally knitted in
thick, untreated wool, which retained
its natural oils; they were mostly cream, 1.6
but sometimes black, in colour. An Aran Modern interpretation of the traditional Aran knit
knit is heavily patterned with closely by Alexander McQueen, A/W 2006.
Fair Isle
Fair Isle knitwear is known for its
multicoloured, specialized patterns. Fair
Isle, a tiny island south of the Shetlands,
was a frequently visited trading centre for
fleets coming from the north and Baltic
seas. Influences from places such as
Scandinavia and Spain can be seen in the
Fair Isle knit.
Cottage industries flourished and
continued to thrive until a decline in the
early 1800s. By 1910 Fair Isle knitting had
become popular again; knitters continued
to experiment with patterns and colours,
and by the 1920s, the style had become a
distinctive fashion for the wealthy and the
middle classes.
While Aran knitting combines textured
effects, Fair Isle knitting concentrates on
pattern and colour. Fair Isle knitting is a
combination of design repeats and motifs,
which tend to be broken up into vertical
or horizontal bands or blocks. Knitting
instructions are taken from charts, which
give a visual impression of how the
design will look when finished. There is
great design potential with the different
combinations of border patterns and
motifs. See more about Fair Isle patterns
on page 80.
1.7
Fair Isle knit by Hannah Taylor.
Argyle-patterned hose
Originating in Scotland, argyle stockings
were traditionally worn with kilts,
particularly by military regiments. The
pattern was worked either in a large check
– showing light, dark and a half-toned area
between – or check-like tartan. Rather
than being knitted in the round with four
needles, these stockings were knitted on
two needles with separate lengths of yarn
for each colour.
1.8
Modern interpretation of argyle stockings by
Vivienne Westwood, A/W07.
1.9–1.10
Modern take on traditional tartan, knitted swatch
from Catherine Brown at the University of
Brighton, from a project set by the Liberation Kilt
Company and Ethical Fashion Forum, to draw
awareness to human trafficking.
1.11–1.12
Rachel Wells’ knitted swatches designed for the
Rebel Tartan Project, in collaboration with the
Liberation Kilt Company (Blue-Heart Tartan) and
Ethical Fashion Forum, to draw awareness to
human trafficking.
Lace knitting
The Shetland Islands are also famous for machine knitters and try to unravel some
their lace patterns, knitted in very fine, soft of the confusion over yarn thickness, the
yarns. Lace shawls were worked from the spinning process and the different types
outside edges in. Designs varied from quite of fibre content.
simple mesh patterns, based on garter
All yarns are made from natural or
stitch, to intricate lace patterns, based on
man-made fibres, which come in various
stocking stitch. Different lace patterns were
lengths known as filament and staple.
given names to describe the stitch. Some
Filaments are very long fibres, which are
had meanings, such as ‘Old Shale’, which
made in one continuous length. Synthetic
depicted waves on the beach. Others were
fibres are produced in a filament form.
more descriptive, such as ‘Feather and
They are often then cut into shorter staple
fan’, ‘Crest of the wave’, ‘Cat’s paw’ and
lengths before being spun into yarn.
‘Horseshoe’. Lace patterns were capable of
The only natural filament fibre is silk.
numerous modifications and combinations.
Staple fibres are much shorter in length:
This enabled the production of lace pieces
lots of separate pieces are twisted and
that were luxurious to wear and individual
spun together to make a staple yarn.
in design. Lace knitting has never died out
Sometimes, for reasons of strength,
completely; many crafts people are still
design or economy, yarns can be made
enjoying the challenge today. See page 67
from a blend of staple and filament fibres.
for more on lace.
1.13 1.14
Shetland women knitting lace (left) and Fair Isle Cassie Green’s richly ornate garments made
(right), early twentieth century. with luxurious materials: fine wool and silk.
Spinning
Spinning involves the twisting together Hand-spun yarns can be machine knitted
of staple fibres to form lengths of yarn. but are usually best suited to a chunky
A process called carding is first used to machine due to the uneven texture of
separate the entangled fibres. Carding the yarn. Single strand or ‘ply’ yarns are
machines, which consist of large rollers produced through the spinning process.
covered with sharp wires, create a thin These strands can be twisted together
blanket of fibres, and these are divided with other strands to produce thicker
into narrow strips, known as slubbings. yarns. These yarns are known as two-ply,
The slubbings are then drawn out and three-ply and so on. Plying also prevents
spun. Yarn may be twisted in a clockwise yarn from twisting back on itself and
or anticlockwise direction, resulting in makes the final knitting lie straighter.
an s or z twist. The yarn may be tightly According to the number of single ends
twisted, producing a hard, strong yarn; it that have been combined, and the way
can also be lightly twisted, giving a bulky, the yarns are doubled, many different
soft yarn with less strength, but good effects can be achieved. Fancy yarns have
insulating properties. a variety of textures and colour blends
applied at the spinning stage.
1.15
Selection of hand-spun yarns by Jennifer Dalby.
Natural yarns
Natural yarns may be derived from animal
or vegetable sources. The main three
animal-based yarns are wool, hair and silk.
The most common vegetable-based yarns
are linen and cotton.
1.16
Alison Tsai’s oversized organic garment in luxury yarns combines techniques
of macramé, beading and crochet stitches with knit. Her sketchbook displays
sketches of monochrome knitwear development with beads, fringes and tassels
to create organic shapes. A strong mathematical approach to complex designs is
seen in pattern construction.
Wool Linen
Taken from the fleece of a sheep, wool Linen’s long staple fibres are taken from
is by far the most common type of yarn the stem of the flax plant. This strong yarn
used in knitting. It has a natural elasticity, is lacking in elasticity and is often blended
which makes it easy to work with. It can with other fibres, such as cotton, to make
be chunky or fine, depending on the it easier to work with. Yarns are usually
way it is spun, and the quality can vary slubbed.
depending on the type of sheep. Some
wool has a longer and thinner staple Cotton
length; for example, merino wool, from Cotton is made from staple fibres of
the merino sheep, has a finer fibre than the cotton plant. This is also a strong,
other wools. Shetland yarn has a shorter non-elastic yarn with a soft finish.
staple length; it is sometimes itchy Untreated cottons are more difficult to
because the shorter, thicker fibres poke knit than mercerized cottons, which have
out of the spun yarn. Worsted wool is a treatment added at the production
spun with a mix of varying length fibres, stage.
making it smoother, stronger and more
lustrous than Shetland wool. Man-made yarns
The development of manufactured
Hair
fibres and their texturing processes have
Hair is taken from the coats of animals inspired the knitting industry, and they
other than sheep, although hair fibres have been beneficial in many ways: they
are often blended with sheep’s wool. are easy and inexpensive to produce and
Examples include mohair, which comes can be blended with natural fibres that
from the angora goat. This is a luxury yarn are too fragile to use alone. However,
with a unique hairy surface; when blended there are environmental drawbacks as the
with wool or silk, the appearance becomes entire production of these yarns involves
more refined. Angora, which comes from the chemical treatment of raw materials
the angora rabbit, is a soft, fluffy yarn. and the use of coal and oil. Definitions
It is usually blended with wool to give it between natural and man-made fibres
strength. Cashmere is another luxury yarn. are becoming blurred as many natural
Taken from the cashmere goat, this is a fibres, such as cotton, wool and flax,
soft, warm and lightweight yarn. are regularly subjected to chemical
treatments.
Silk
Manufactured fibres fall into one of two
Harvested from silkworms, silk is the
categories: regenerated and synthetic.
only natural filament fibre, and it is
Regenerated fibres are derived from
expensive. It is strong, with a smooth,
natural substances, such as wood pulp
shiny appearance and is often blended
cellulose or milk. Rayon, the best known
with other fibres to make it more versatile.
of these, is usually characterized by its
Spun silk is cheaper, as it is made from
sheen and often used as a substitute
the broken pieces of waste filament spun
for silk. Viscose and acetate are both
together. Wild silk, which is harvested
products of the rayon family and are all
from undomesticated silkworms, is
coarse and uneven.
liable to melt under a hot iron. Synthetic from aluminium and coated in plastic.
fibres, such as acrylic, are made from Manufacturing of man-made yarns
petroleum-based chemicals, plastic and/ continues to evolve, and a great number
or coal. Acrylic crimped fibre yarn is often of refined, sophisticated yarns are
used as a wool substitute, but it is less available today. There are now extremely
durable, not as warm and has a tendency fine microfibres, which have opened up
to stretch. Nylon is another synthetic yarn: new possibilities in the design of yarns;
it is very strong, non-absorbent and best stretch yarns are increasingly being
blended with wool. Polyester is similar to used in seamless garments, and new
nylon but with less shine. blends and textures are continually being
developed.
Other man-made yarns include metallic
threads, such as Lurex, which are made
1.17–1.20
Selection of swatches by Victoria Hill,
constructed using unusual, man-made yarns,
such as rubber, acrylic and wire.
Space dyes
Space-dyed yarns are made up of a range these yarns in stripes and patterns creates
of colours in one strand. This partial unusual rainbow effects. Multicoloured
dyeing technique involves one skein being Fair Isle patterns can also be created
dipped in separate coloured dyes. Knitting without having to change yarns.
1.25
Jacket and mini-dress by Jessica Gaydon, dress (underneath) by Orla Savage.
Construction of knit
The basic structure of knit is a series length; the wales are perpendicular to the
of loops created using one of two very courses (see Figure 1.28). Warp knitting
different techniques: weft knitting and requires different machinery and involves
warp knitting. Weft knitting, the more lots of different yarns, one yarn per wale.
common of the two, is the formation This fabric has less stretch and is more
of loops using one continuous yarn, difficult to unravel than weft knitting.
over successive courses throughout the
1.26
The simple wooden knitting wheel has
provided many children with a basic knitting
frame and an introduction to knit. Known
as French knitting, the technique involves
wrapping a narrow circular cord around the
nails, to make a row, then passing the yarn
behind the nails, forming two rows. By lifting
the first row over the top of the second,
a stitch is formed, leaving one row on the
nails. The knitting begins to form a tube
through the centre of the reel.
1.27
A domestic knitting machine showing a knitted piece in progress.
1.28
The diagram illustrates the structure of knit,
showing the course (row) and the wale (stitch).
butt latch
hook
1.29
Machine needles feature a latch,
a hook and a butt.
1.30
Series of diagrams showing how stitches are formed on a knitting machine.
Machine basics
Domestic knitting machines fall into two The double bed can be used to produce
categories: single bed, with one set of a double knit or rib fabric, and there
needles, and double bed, with two sets are a huge number of stitch variations.
of opposing needles. Most beginners buy Most manufacturers supply ribbers as
a standard-gauge, single-bed machine, accessories for their different models.
which produces a basic, stocking-stitch
single fabric. It is simpler to start with Tension
a single-bed machine, as the needle The yarn flow is controlled by a mast,
positions are easier to understand, and as tension spring and tension disc. As the
the knitting is visible, it is easier to repair tension is controlled mechanically the
mistakes. Single beds can also be used fabric quantity becomes more regular.
to produce mock ribs, but these are not
as professional as ribs made on a double Machine bed
bed. Most domestic machines have a
The bed holds the machine needles;
punch-card facility for patterning. Once
these are latch hook needles, which
you have got used to the single bed, you
enable the machine to swiftly pick up new
can use a ribber attachment to convert
stitches and drop off old ones.
it into a double-bed machine. Having
two needle beds offers more flexibility.
1.31
A standard-gauge, single-bed knitting machine,
such as this one, is best for beginners.
The carriage
The carriage is moved across the bed be used depending on the gauge of
and simply slides the needles forward machine. Fine-gauge machines (7 g) hold
in order to knit. Levers on top of the 250 needles and are suitable for knitting
carriage control cams and can be used fine- to medium-weight yarns. Standard-
to select needles for a variety of stitches, gauge (5 g) machines hold 200 needles
such as tuck and slip. Stitch size can be and are suitable for medium-weight yarns.
fine-tuned by adjusting the yarn tension Chunky-gauge (3 g) machines hold 100
in combination with the stitch size dial on needles and can accommodate thick,
the carriage. chunky yarns. It is possible to explore
different yarn thicknesses on each of
Needle size/stitch gauge these gauges by knitting on every other
The stitch gauge refers to the number needle (half-gauging the machine).
of needles per inch across the needle
bed. Different thicknesses of yarn can
1.32
A standard carriage for the Knitmaster knitting machine. A different carriage is needed for a double
bed and is provided with the ribber. There are also many special carriages available for making lace and
intarsia.
1.33
Brother double-bed, punch-card, domestic knitting machine.
1.34
Brother electronic domestic knitting machine.