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PDF International Immigration Integration and Sustainability in Small Towns and Villages Socio Territorial Challenges in Rural and Semi Rural Europe Ricard Moren Alegret Ebook Full Chapter
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MIGRATION,
DIASPORAS AND
CITIZENSHIP
International Immigration,
Integration and
Sustainability in Small
Towns and Villages
Socio-Territorial Challenges
in Rural and Semi-Rural Europe
Ricard Morén-Alegret
Dawid Wladyka
Migration, Diasporas and Citizenship
Series Editor
Olga Jubany
Department of Social Anthropology
Universitat de Barcelona
Barcelona, Spain
For over twenty years, the Migration, Diasporas and Citizenship series
has contributed to cross-disciplinary empirical and theoretical debates on
migration processes, serving as a critical forum for and problematising
the main issues around the global movement and circulation of people.
Grounded in both local and global accounts, the Series firstly focuses on
the conceptualisation and dynamics of complex contemporary national
and transnational drivers behind movements and forced displacements.
Secondly, it explores the nexus of migration, diversity and identity,
incorporating considerations of intersectionality, super-diversity, social
polarization and identification processes to examine migration through
the various intersections of racialized identities, ethnicity, class, gender,
age, disability and other oppressions. Thirdly, the Series critically engages
the emerging challenges presented by reconfigured borders and
boundaries: state politicization of migration, sovereignty, security, trans-
border regulations, human trade and ecology, and other imperatives that
transgress geopolitical territorial borders to raise dilemmas about con-
temporary movements and social drivers.
International
Immigration,
Integration
and Sustainability
in Small Towns
and Villages
Socio-Territorial Challenges in Rural
and Semi-Rural Europe
Ricard Morén-Alegret Dawid Wladyka
Autonomous University of Barcelona University of Texas Rio Grande Valley
Bellaterra (Barcelona), Spain Brownsville, TX, USA
This Palgrave Macmillan imprint is published by the registered company Springer Nature Limited
The registered company address is: The Campus, 4 Crinan Street, London, N1 9XW, United Kingdom
Acknowledgements
v
vi Acknowledgements
very grateful to Kasia for her patience and support. On the other hand,
Ricard Morén is very grateful to Roser C. for her general support, to
Magda and Aina for her patience and joy, and, at last but not least, to
William Shakespeare for his deep human touch, poetic truth and sense
of humour.
This book is dedicated to Carlos Morén-Alegret (1973–2017), with
brotherhood and love. After a long and tough struggle for life, he passed
away. He made a difference. Rest in peace.
Contents
ix
x Contents
Appendix A: L
ist of Interviewees in Portugal, Spain, France
and the UK 319
Bibliography 339
Index 373
List of Figures
xiii
xiv List of Figures
xvii
xviii List of Tables
Penninx et al. 2004; Kilkey et al. 2013; Lundström 2014; Lee 2015)
and, in more recent years, at the urban neighbourhood level too (e.g.
Fonseca and McGarrigle 2012; Pastore and Ponzo 2016).
Cities have been praised by some authors as the triumphant ‘greatest
invention’ on earth that makes people richer, smarter, greener, health-
ier and happier (Glaeser 2012), while others place cities at the heart of
worldwide key sociopolitical and geographical conflicts as well as capi-
tal and class struggles (Harvey 2012) or, in contrast, as the cradles for
crucial artistic visions and aesthetically innovative viewpoints (Gualdoni
2014). In addition, cities are explicitly mentioned first in one of the
United Nations Sustainable Development Goals, concretely in Goal 11,
titled ‘Make cities and human settlements inclusive, safe, resilient and
sustainable’ (UN 2015). However, since ancestral times and in a wide
variety of places, it is possible to hear pros and cons in debates about
sizes regarding human life, organisations and settlements. In addition,
as Eleanor Roosevelt (1958) indicated in her famous speech titled On
Our Hands,1 human rights begin in small places ‘so small that they can-
not be seen on any maps of the world’.
1From “In Our Hands”, speech delivered on the 10th anniversary of the Universal Declaration
of Human Rights. See: http://www.un.org/en/globalissues/briefingpapers/humanrights/quotes.
shtml.
2For instance, in English, the idiom ‘look/feel small’ means to look or feel stupid, embarrassed
or ridiculous (see appendix on methodological elements), while in Catalan language one can find
also an equivalent with opposite meaning: ‘Al pot petit hi ha la bona confitura’, literally meaning
that the good marmalade is in the small pot.
1 Introduction: Small Can Be More Than Beautiful
3
3This report is one of the publications that paved the way to the seventeen Sustainable
Development Goals (SDGs) that should be achieved by year 2030. See: https://sustainabledevel-
opment.un.org.
1 Introduction: Small Can Be More Than Beautiful
5
Map 1.1 Approximate Location of Case Studies. The dimensions of study areas
are not representative (This map includes Intellectual Property from European
National Mapping and Cadastral Authorities and is licenced on behalf of these
by EuroGeographics. Original product is available for free at www.eurogeo-
graphics.org. Terms of the licence available: https://eurogeographics.org/services/
open-data/topographic-data/. Elaborated by: Dawid Wladyka)
6
R. Morén-Alegret and D. Wladyka
4For instance, in this sense, see Milazzo (2015, 2018) for reflections on the case of Cadaqués
(Catalonia, Spain), a coastal village with various international connections and a semi-rural
background.
5However, internal immigration in rural areas was studied earlier (e.g. Halfacree and Boyle 1998).
1 Introduction: Small Can Be More Than Beautiful
7
Not only are traditional rural industries such as farming and meat-
processing dependent in some regions on international migrant work-
ers, but international migrants can also occupy traditional positions of
authority in rural communities such as doctors and dentists. (Woods
2016, p. 583)
6The William Shakespeare’s texts are public domain and some quotes were selected thanks to the
Open Source Shakespeare, published by George Mason University. In addition, the fundamental
volume William Shakespeare Complete Works (Bate and Rasmusen 2007) was helpful along the
writing up process of this book.
7 See: https://blog.shakespearesglobe.com/post/176992141418/staging-race-and-diversity-
workshop-summary.
1 Introduction: Small Can Be More Than Beautiful
11
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The Project Gutenberg eBook of Dante
This ebook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
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Title: Dante
Language: English
NEW YORK
E. P. DUTTON & COMPANY
681 Fifth Avenue
Copyright, 1923
By E. P. Dutton & Company
This lady was, perhaps, one of these two sisters; and it is tempting to
infer from Dante’s words that a tender affection existed between him
and her. It was from Dante’s nephew, Andrea Poggi, that Boccaccio
obtained some of his information concerning the poet, and it would
be pleasant to think that Andrea’s mother is the heroine of this
canzone (V. N. xxiii.); but there are chronological difficulties in the
identification.
Sources.—Our sources for Dante’s biography, in addition to his
own works, are primarily a short chapter in the Chronicle of his
neighbour Giovanni Villani, the epoch-making work of Boccaccio,
Filippo Villani’s unimportant sketch at the end of the fourteenth and
the brief but reliable life by Leonardo Bruni at the beginning of the
fifteenth century. In addition we have some scanty hints given by the
early commentators on the Divina Commedia, and a few documents,
including the consulte or reports of the deliberations of the various
councils of the Florentine Republic. Boccaccio’s work has come
down to us in two forms: the Vita di Dante (or Trattatello in laude di
Dante) and the so-called Compendio (itself in two redactions, the
Primo and Secondo Compendio); the researches of Michele Barbi
have finally established that both are authentic, the Compendio
being the author’s own later revision. The tendency of recent
scholarship has in a considerable measure rehabilitated the once
discredited authority of Boccaccio, and rejected the excessive
scepticism represented in the nineteenth century by Bartoli and
Scartazzini.
Beatrice.—Although Leonardo Bruni rebukes Boccaccio, “our
Boccaccio that most sweet and pleasant man,” for having lingered so
long over Dante’s love affairs, still the story of the poet’s first love
remains the one salient fact of his youth and early manhood. We
may surmise from the Vita Nuova that at the end of his eighteenth
year, presumably in May 1283, Dante became enamoured of the
glorious lady of his mind, Beatrice, who had first appeared to him as
a child in her ninth year, nine years before. It is not quite certain
whether Beatrice was her real name or one beneath which Dante
conceals her identity; assuredly she was “Beatrice,” the giver of
blessing, to him and through him to all lovers of the noblest and
fairest things in literature. Tradition, following Boccaccio, has
identified her with Bice, the daughter of Folco Portinari, a wealthy
Florentine who founded the hospital of S. Maria Nuova, and died in
1289 (cf. V. N. xxii.). Folco’s daughter is shown by her father’s will to
have been the wife of Simone dei Bardi, a rich and noble banker.
This has been confirmed by the discovery that, while the printed
commentary of Dante’s son Pietro upon the Commedia hardly
suggests that Beatrice was a real woman at all, there exists a fuller
and later recension by Pietro of his own work which contains a
distinct statement that the lady raised to fame in his father’s poem
was in very fact Bice Portinari. Nevertheless, there are still found
critics who see in Beatrice not a real woman, but a mystically exalted
ideal of womanhood or a merely allegorical figure; while Scartazzini
at one time maintained that the woman Dante loved was an
unknown Florentine maiden, who would have been his wife but for
her untimely death. This can hardly be deduced from the Vita Nuova;
in its noblest passages the woman of Dante’s worship is scarcely
regarded as an object that can be possessed; death has not robbed
him of an expected beatitude, but all the world of an earthly miracle.
But, although it was in the fullest correspondence with mediaeval
ideals and fashions that chivalrous love and devotion should be
directed by preference to a married woman, the love of Dante for
Beatrice was something at once more real and more exalted than
the artificial passion of the troubadours; a true romantic love that
linked heaven to earth, and was a revelation for the whole course of
life.
Poetry, Friendship, Study.—Already, at the age of eighteen,
Dante was a poet: “I had already seen for myself the art of saying
words in rhyme” (V. N. iii.). It was on the occasion of what we take as
the real beginning of his love that he wrote the opening sonnet of the
Vita Nuova, in which he demands an explanation of a dream from
“all the faithful of Love.” The new poet was at once recognised.
Among the many answers came a sonnet from the most famous
Italian lyrist then living, Guido Cavalcanti, henceforth to be the first of
Dante’s friends: “And this was, as it were, the beginning of the
friendship between him and me, when he knew that I was he who
had sent that sonnet to him” (cf. Inf. x. 60). In the same year, 1283,
Dante’s name first occurs in a document concerning some business
transactions as his late father’s heir.
There are no external events recorded in Dante’s life between
1283 and 1289. Boccaccio represents him as devoted to study. He
certainly owed much to the paternal advice of the old rhetorician and
statesman, Brunetto Latini, who had been secretary of the commune
and, until his death in 1294, was one of the most influential citizens
in the state: “For in my memory is fixed, and now goes to my heart,
the dear, kind, paternal image of you, when in the world, from time to
time, you taught me how man makes himself eternal” (Inf. xv. 82). Of
his growing maturity in art, the lyrics of the Vita Nuova bear witness;
the prose narrative shows that he had studied the Latin poets as well
as the new singers of Provence and Italy, had already dipped into
scholastic philosophy, and was not unacquainted with Aristotle. At
the same time, Leonardo Bruni was obviously right in describing
Dante as not severing himself from the world, but excelling in every
youthful exercise; and it would seem from the Vita Nuova that, in
spite of his supreme devotion for Beatrice, there were other
Florentine damsels who moved his heart for a time. Dante speaks of
“one who, according to the degrees of friendship, is my friend
immediately after the first,” and than whom there was no one nearer
in kinship to Beatrice (V. N. xxxiii.). Those who identify Dante’s
Beatrice with the daughter of Messer Folco suppose that this second