Introduction:-

Introduction:-
•The traditions, qualities and culture of a country that
have existed for a long time and that have great
importance for the country.
•Interpretation is the act of explaining, or otherwise
showing your own understanding of something.
•Heritage interpretation refers to all the ways in which
information is communicated to visitors to an
educational, natural or recreational site, such as a
museum, park or science centre.
Aim:-
.To design heritage interpretation centre to revive the historical and
cultural heritage of the region.
Objective:-
•To investigate social and cultural aspects which would functional and
spatial arrangements.
•To explore, study and apply the experiences in architecture, will be studied
to understand the relation of man and his cultural and heritage
environment.
•To develop the landscaping elements, geometry, proportion, symbolism,
and aesthetical aspects, to investigate and understand the factors
and character of spaces created for human use.
Need of project-
Kolhapur city has a potential in its heritage. The city has around 10
to 15 lakhs tourist visiting major tourist destinations of Kolhapur,
but there are a major number of tourist destinations which are
undiscovered by the tourist due to unawareness about heritage and
culture. Tourist usually spend one day or one and a half day in
Kolhapur. This may be because of unawareness about all the
heritage and culture of the city.

Introduction to case studies:-

VIRASAT-E-KHALSA,PUNJAB TRIBAL MUSEUM, BHOPAL JAYAPRAKASH NARAYAN MAPUNGUBWE
INTERPRETATION CENTER INTERPRETATION CENTER

Live case study Live case study Literature case study Literature case study
Objective:- Objective:- Objective:- Objective:-
To understand built and unbuilt spaces To understand the interaction spaces, the To understand the zoning and circulation To understand built form and structure in
interrelation. Such as outdoor spaces used of circulation pattern, and easy flow of indoor through design of different spaces . relation with surrounding.
water body materials, landscape, built form, galleries, outdoor exhibition areas etc.
scale etc. which makes the structure live. Typology:- Museum. Typology:- Museum.
Typology:- Museum.
Typology:- Museum. Location:- Vipin Khand, Gomti Nagar,
Location:- Limpopo and Shashe Rivers, South
Location:- Madhya Pradesh tribal museum Lucknow, Uttar Pradesh 226010.
Africa.
Location:- Near Qila Anandgarh, Khalsa Heritage Shyamala hills, Bhopal 462002, Madhya
MemorialComplex,AnandpurSahib, Punjab. Pradesh, India. Architect:- Sourabh Gupta. Architect:- Peter rich architects.
Architect:- Moshe Safdie. Architect:- Kamath design studio Site Area-18.6acres. Site Area-12 acres.
Site Area-100 acres. Site Area- 7 acres.
PARAMETERS VIRASAT-E- TRIBAL JAYAPRAKASH NARAYAN MAPUNGUBWE INFERENCE
KHALSA,PUNJAB MUSEUM,BHOPAL INTERPRETATION CENTER INTERPRETATION CENTER

1.AIM To celebrate 500 years of Sikh To enrich the cultural diversity Museum of Socialism in Spread awareness of the To enrich the culture and
Religion through a center. of Bhopal & Chhattisgarh. Lucknow has been conceived to degrading condition of the heritage of Kolhapur.
galvanize broader civic and National Park.
cultural exchange through its
public architecture.
2.LOCATION (w.r.t to city) Near Qila Anandgarh, Khalsa Madhya Pradesh tribal museum Vipin Khand, Gomti Nagar, Limpopo and Shashe Rivers, Near any heritage or cultural
Heritage Memorial Complex, Shyamala hills, Bhopal 462002, Lucknow, Uttar Pradesh 226010 South Africa. place or area near by it.
Anandpur Sahib, Punjab Madhya Pradesh, India. .

3. SITE AREA 100 acres 7 acres 18.6 acres 12 acres 10-15 acres

4.NO. OF VISITORS 1000-1500 400-500 in weekdays 200-250 500-600

1000-1200 on weekends

5.DESIGN CONCEPT Concept is to create a shaped Concept is to create a built The vision, concept, and design The complex landscape was Satisfy the physical
like hands, ascending in a form for tribal communities collectively endow a both the inspiration for the requirements of the
subliminal act of offering a which could identify with, contemporary value to past design and the source of the site using the new
prayer. extend, and evolve, to
events, but stand their ground materials for the construction techniques considering
represent them and express in enabling a ‘new-found’ of the new interpretation the heritage, climate, etc.
their own ideas and way of life
institutional identity that
centre.
with ease and spontaneity. reflects the polarized views of
civic authorities, curators,
historians and the general
public
6. TOPOGRAPHY Contoured site with level Contoured site with level Contoured site with level Contoured site with level Dramatic sections gives good
difference difference difference difference elevations and also serve the
sudden surprise effects for the
visitors.
PARAMETERS VIRASAT-E- TRIBAL JAYAPRAKASH NARAYAN MAPUNGUBWE INFERENCE
KHALSA,PUNJAB MUSEUM,BHOPAL INTERPRETATION INTERPRETATION
CENTER CENTER
6. SITE PLANNING • Divided into two sections, • The staff and visitors area • The interpretation centre is • Centre is approached • Proper zoning of public,
joined pedestrian bridge has been segregated and inserted as an anchor point through a valley from semi-public and private
over a network of the main entry was on one of the principal where the out drop of new areas.
reflecting pools. designed at first floor. nodes of the city so that it buildings merges naturally
takes on the responsibility into the southern slope of
of becoming a a rocky plateau .
contemporary landmark.

7. PARKING • Provided in front of the • Provided in front of the • Provided in front of the • Provided before entering • Provide sufficient
western complex which is museum in site which is museum in site which is the headquarters of the and well designed
sufficient. sufficient. sufficient. park. parking space.

8.SITE CIRCULATION • Through the 540ft long • Through two different • Spaces are distributed in • Through built and natural • Sequence of activities,
pedestrian bridge. passages. the horizontal and vertical unbuilt spaces. proper flow which will
plan in cohesion. itself guide the visitors.
• Pedestrian circulation shall
be according to the built
form as an extension of it to
the relation with the
unbuilt spaces. and
vehicular circulation shall
lead to parking and
respective spaces
separately.
PARAMETERS VIRASAT-E- TRIBAL JAYAPRAKASH NARAYAN MAPUNGUBWE INFERENCE
KHALSA,PUNJAB MUSEUM,BHOPAL INTERPRETATION INTERPRETATION
CENTER CENTER
12. ACTIVITIES ON SITE. •Permanent •Permanent •Exhibition •Exhibition •Permanent museums,
museums. museums. spaces. spaces. temporary museums, admin
•Art galleries. • Art galleries. Walkways. •Open air area, 3D theatre, art
•Auditorium •Auditorium •Restaurant. theatre. galleries, auditorium, OAT,
. library. •Library. •Viewing •Viewing library, workshops,
•Reading room. •Dormitory. gallery. Etc. gallery. Etc. restaurant, exhibition
•Cafeteria. •Reading room. spaces, reading room, smart
•Open air theatre. Etc. •Cafeteria. Etc . class, seminar hall,
cottages, commercial block
13.BUILT AND UNBUILT Built spaces 32% Built spaces 22% Built spaces 42% Built spaces 38% Built and unbuilt space will be
SPACES Unbuilt spaces 68% Unbuilt spaces 78% Unbuilt spaces 58% Un-built spaces 62% in 1:3
Built
Built space space Built up
Un-built Built up
32% 22% 38%
Un-built spaces area 42% Un-built
Un-built 62%
space 58%
space
68%
78%

14. DESIGN CHARACTER • Water body use for • Water body • Water body use as center of • Play of levels Water body
reflection • Play of levels attraction • Play of natural lights. Use of proper llights
• Bridge • Use of artificial lights in • Play of levels
• Use natural lights by using galleries • Use of natural lights in form
roof form. of verticality by creating
entry points.

11.MATERIALS •sandstone. •Steels tubes, • Brick walls, with aluminum •Terracotta cladding, Material should be climate
•Stainless steel •Steel rods, window glazing •Granite. Etc responsive and durable.
•Glass •Trusses, • Recycled plastic sheets
•Local available stone. Etc • Concrete structure and slabs
• Sandstone walls
• Stabilized-earth bricks.