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REVOLUTION
HISTORY OF ARCHITECTURE 2
ACENA
BALDANO
CASTILLO
IBARRA
LAZO
MONDRAGON
A52
Background
•
2
The Industrial Revolution marked a period of development
in the latter half of the 18th century in Britain that
transformed largely rural, agrarian societies in Europe and
America into industrialized, urban ones.
• By the end of the 19th century, with the so-called Second Industrial
Revolution underway, the United States would also transition from a largely agrarian
society to an increasingly urbanized one.
• By the mid-19th century, industrialization was well-established throughout the western
part of Europe and America’s northeastern region.
• By the early 20th century, the U.S. had become the world’s leading industrial nation.
.
• Though many people in Britain had begun moving to the cities from
rural areas before the Industrial Revolution, this process accelerated
dramatically with industrialization, as the rise of large factories
turned smaller towns into major cities over the span of decades. This
rapid urbanization brought significant challenges, as overcrowded
cities suffered from pollution, inadequate sanitation and a lack of
clean drinking water.
NOT
EVOLUTION
• Industrial revolution changed everything and including architecture as well.
• The growth of heavy industry brought a flood of new building materials—such as cast iron, steel,
and glass—with which architects and engineers devised structures hitherto undreamed of in
function, size, and form.
• There was no need of fancy architecture anymore. People started design more industrial type,
which is more useful rather than Gothic buildings.
• Steel has tremendous strength to weight and allowed to engineers to design increasingly bigger,
lighter, more open spaces even while architecturally the traditional style was informed by the
limitations of brick and masonry, as found in curious case of the popular Gothic Revival, with its
claustrophobic feel.
• They introduced a design of lightweight and low-cost buildings. This was the step when
architecture of industrial period marked the beginning of new kind of architecture.
ARCHITECTURAL
INFLUENCES
• Due to the rapid growth in England’s
population between 1801 and 1841 (9.3
million to 15.9 million), and the exponential
growth of urban cities, buildings were
erect to facilitate this mass migration.
• Cheap housing systems were then
developed to host a suddenly larger
population, and thus the evolution of
tenants. As a result of the lack of most
modern day building regulations and the
motivation of easy profit, builders were at
liberty to design and build as they pleased.
• The landscape of the architecture
changed to accommodate the urban
fabric, unlike the days of old, where the
cities were placed closest to the streams
for fortification; factories were placed
closest to streams for hydro electricity.
• Cast iron and steel production had a
great influence in the “Modern
Architecture”. England was able to
achieve a purer, lighter, and less
expensive metal.
• France had taken on the challenge
soon after realizing Great Britain’s lead
in technology. Through this influence,
‘La Familistere’ or ‘The Social Palace’
was built.
• After the Baroque faded slowly away, eighteenth-century
architecture consisted primarily of revivals of previous periods.
Industrial Revolution changed everything about the world as it was
then, including architecture.
• Previously, building materials had been restricted to a few manmade
materials along with those available in nature. Metals were not
ARCHITECTURAL available in sufficient quantity to be used as anything more than
CHARACTER ornamentation. Structures was limited to natural materials.
• During the industrial revolution, worldwide production of iron came in
full swing. There were three forms of iron available—cast iron,
wrought iron, and steel.
• Prior to the introduction of bulk iron, architecture relied on
compressive strength to hold buildings up. Architects were
accustomed to thinking of certain ways of creating structure using
the possibilities of the new materials, the first applications were made
using the old ideas.
• Prior to the late 19th century, the weight of a multistory building had
to be supported principally by the strength of its walls; the taller the
building, the more strain this placed on the lower sections.
• Forged iron and milled steel began to replace wood, brick and
stone as primary materials for large buildings.
• The Industrial Revolution provided more than just ferrous building
ARCHITECTURAL materials. A stronger, more durable and fire resistant type of cement
CHARACTER called Portland Cement was developed in 1824 and later on came
up with the idea of reinforced concrete. Steel framing was set into
foundations of reinforced concrete, concrete poured around a grid
of steel rods (re-bar) or other matrices to increase tensile strength in
foundations, columns and vertical slabs.
• The result was a strong, economical, easily produced structural
member that could take almost any form imaginable, including
columns, beams, arches, vaults, and decorative elements. It is still
one of the most common building materials used today.
• The rest of the building's elements — the walls, floors, ceilings, and windows were suspended from the
load-bearing steel. This new way of constructing buildings, so-called "column-frame" construction,
pushed them up rather than out.
• The steel weight-bearing frame allowed not just for taller buildings, but much larger windows, which
meant more daylight reaching interior spaces.
• Interior walls became thinner creating more usable floor space.
Development in Transportation System
Railway lead to the construction of stations,
bridges, and tunnels
Brooklyn Bridge
(1869-1883)
• Brooklyn, New York
• John Augustus Roebling
• Suspension Bridge
• Bristol, England
The Iron Bridges
Tower Bridge
(1886-1894)
• Sir Horace Jones
The Iron Rail Road Station
Covered Market
(1865-1868)
• Berlin
• Friedrich Hitzig
The Iron Market Place
Galleria Vittoro
Emmanuel II
(1865-1867)
• Milan
• Guiseppe Megoni
The Iron Commercial Buildings
Menier Factory
Noisel-sur-marne, France
Jules Saulnier
(1871-1872)
Commodities Exchange
1897-1909
• Amsterdam, Netherlands
• Hendrik Petrus Berlage
The Iron Cultural and Religious Buildings
Paris Opera
(1857-1874)
• Charles Garnier
• Theater opera house
The Iron Cultural and Religious Buildings
Museum of Natural
History (1860-1880)
• England
• Alfred Waterhouse
The Iron Cultural and Religious Buildings
Corn Exchange
(1860-1864)
• Leeds, West Yorkshire, England
• Cuthbert Brodick