ART OF EMERGING

EUROPE
 ANCIENT GREEK
• EMPHASIZED HUMAN ACCOMPLISHMENTS
• HONOR GODS, IMAGE OF HUMANS
• GOVERNMENT SPONSORED
• ACROPOLIS- TEMPLES AND PALACES
• POPULAR GREEK ART ARE POTTERY AND COLUMNS
• HAS 4 PERIOD
• DARK AGE
 GEOMETRIC PERIOD
• GETTING BACK FROM THE ONSLAUGHT
• PATTERNS HAVE TAKEN THE SPOTLIGHT OF
THE ARTWORKS
 ARCHAIC PERIOD
• IMPORTANCE OF HUMAN FIGURES
• TRADING ACTIVITIES
 CLASSICAL PERIOD
• SCULPTURE AND ARCHITECTURE
 HELLENESTIC PERIOD
• ALEXANDER THE GREAT
• SHOWCASE EMOTIONS AND DEPICTING
REALITY
 LACOON AND HIS SONS
• CLASSICAL MYTHOLOGY
• LACOON, 2 SONS (ANTIPHANTES
AND THYMBRAEUS
• HORSE TRICK
• SERPENT
 DIPYLON AMPHORA
• GEOMETRIC PERIOD
• SERIES OF VASES
• FIFTY OF THESE HAVE BEEN
ATTRIBUTED TO DIPYLON
MASTER
• GRAVE MARKERS, FUNERAL
SCENES
 DIONYSUS CUP EXEKIAS
• MYTH, GOD OF WINE
• CAPTURED BY PIRATES
• GRAPEVINES TO GROW ALL OVER
THE SHIPS
• TURNED INTO DOLPHINS
• RECLINING IN BOAT WHEN HE
RETURNED
• ACCOMPANIED BY 7 DOLPHINS AND 7
BRANCHES OF GRAPES
CHORAGIC MONUMENT OF LYSICRATES
• CLOSE TO ACROPOLIS MUSEUM AND THEATRE OF
DIONYSUS
• TALL AND ELEGANT MONUMENT, CONRINTHIAN
COLUMNS
• DITHYRAMB COMPETITION AT THEATER DIONYSUS,
CHOREGO
• WINNING PLAY- BRONSE TROPHY
• FUND BUILDING MONUMENT ALONG THEATER OF
DIONYSUS
 ANCIENT ROME
• EUROPE MIGHTIEST EMPIRE
• ROMAN CIVILIZATION- HELLENESTIC PERIOD
• FUSION OF GREEK CULTURES
• MASTER BUILDERS, GRAND MONUMENT AND
ARCHITECTURAL INFRASTRUCTURES
 COLOSSEUM
• LOCATED AT EAST ROMAN FORUM
• MASSIVE STONE AMPHITEATER
• EMPEROR VESPASIAN- FLAVIAN
DYNASTY
• OFFICIALLY KNOWN AS FLAVIAN
AMPHITEATER
• GAMES
• NEGLECT, 18 CENTURY
• 2/3 HAVE BEEN DESTROYED, TOURIST
 POSEIDON AND MEDUSA
• POPULAR BEING OF MYTHOLOGY, NOT GOD OR
MONSTER
• CURSED WOMAN AND VICTIM OF HORRENDOUS CRIME
• “GURDIAN”AND “PROTECTRESS”
• CRUELTY OF GODS
• PRIESTESS OF ATHENA
• POSEIDON- GOD OF SEA
• SENT TO FARAWAY ISLAND
• PERSUES- CUT OFF MEDUSA’S HEAD
 GLADIATOR MOSAIC
• SLAVES DURING ROMAN EMPIRE
• ENTERTAIN AUDIENCE THROUGH
FIGHTING
• SOME FAMOUS GLADIATORS
 MIDDLE AGES
• BETWEEN THE DECLINE OF ROMAN AND
RENAISSANCE
• CHARACTERIZED BY IGNORANCE AND DARKNESS
• CHURCH WAS THE CENTRAL FIGURE AND
AUTHORITY
• CHRISTIAN SCRIPTURES
 CHARTERS CATHEDRAL
• LOCATED AT CENTER-VAL-DE-LOIRE
• AUTHENTIC AND COMPLETE
WORKS OF RELIGIOUS
ARCHITECTURE
• IMMENSE INFLUENCE OF ART
-STAINED GLASSES
-MONUMENTAL STATUARY
-PAINTED DECORATIONS
• PRESERVED GOTHIC ART
 RENAISSANCE ART
• INDIVIDUAL AS SUBJECT OF ART
• INFLUENCE OF HUMANISM
• THREE-DIMENSIONAL TECHNIQUES
-DAVID
-MONA LISA
-VITRUVIAN MAN
-THE LAST SUPPER
-THE CREATION OF ADAM
 MADONNAL DEL PRATO
• FIGURE OF VIRGIN MARY WITH
INFANT JESUS AND JOHN THE
BAPTIST
 MANNERISM
• PRODUCT OF RENAISSANCE PERIOD
• OBSERVE NATURE AND EMULATE IT
• COPY SUBJECTS FROM EXISTING WORKS
• DISTORTED IMAGES, TWO-DIMENSIONAL, LACK OF
FOCAL POINT
 MADONNA WITH THE LONG NECK STORY

• ENLOGATED FIGURES
• MADONNA AND CHILD WITH
ANGELS
• MADONNA’S SWAN LIKE NECK
• CONTROVERSIAL WORK
• LIMBS
 BAROQUE AND THE ROCOCO
• ROME IS THE BIRTHPLACE
• FOLLOW RENAISSANCE
• COLORFUL PALLETES AND ORNAMENTATION
• MUSIC ALSO FLOURISHED, MANY COMPOSERS IN
ITALY
• INCORPOTATE MUSIC IN CHURCHES
 ASSUMPTION OF HEAVEN
• COMMEMORATE THE BELIEF THAT
MARY WAS NOT SUBJECTED TO
PHYSICAL DECAY
• ASSUMED INTO HEAVEN
 APOLLO AND DAPHNE
• APOLLO- SON OF LIGHT
• ORACULAR GOD
• DAPHNE- FAMOUS FOR BEING
BEAUTIFUL AND CATCHING THE
EYE OF APOLLO, DETERMINED TO
REMAIN UNMARRIED AND
UNTOUCHED
• EROS- GOD OF LOVE, GOLD ARROW
AND LEAD ARROW
 NEOCLASSICISM
• MODERN ART, DEBATE AMONG HISTORIANS
• FRENCH REVOLUTION, BAROQUE PERIOD
• REVIVE INFLUENCY OF GREEKS AND ROMANS INTO
ART
 THE DEATH OF MARAT
• JEAN PAUL MARAT
• FRIEND OF THE PEOPLE
• SPREAD POLITICAL AND PHILOSOPHICAL IDEAS
TO COMMON PEOPLE, THIRD STATE
• TROUBLE, PARIS SEWERS
• NATIONAL CONVENTION- JACOBINS, GIRODINS
• SKIN DISEASE, ECZEMA AND LESIONS
• CHARLOTTE CORDAY
• INSPIRED RAGE AND VIOLENCE AMONG
REVOLUTIONARIES
 ROMANTICISM
• THEMES OF NEOCLASSICIST WERE THE
SPRINGBOARD
• REVOLUTIONARY MOVEMENT- FOCAL POINT
• PROMOTED JUSTICE, EQUALITY AND SOCIAL ORDER
 RAFT OF MEDUSA
• INSPIRATION OF THE TWO
SURVIVORS OF MEDUSA
• FRENCH ROYAL NAVY, SENEGAL
• CAPTAIN, SANK
• SHORTAGE OF LIFEBOATS, RAFT
 REALISM
• DEPICTS OR MIRRORS REALITY
• NO ROOM FOR IMAGINATION
• INFLUENCED BY HELLENESTIC PERIOD
• WORKED WITHIN THE CONTEXT OF REVOLUTIONS
AND SOCIAL CHANGE
 BURIAL AT ORNANS
• COURBET FIRST MONUMENTAL
PAINTING
• HUMAN FIGURES
• DECRIED “THE UGLINESS”
 IMPRESIONISM
• STARTED IN FRANCE
• INCORPORATED SCIENTIFIC PRINCIPLES
• IMMEDIATE IMPRESSION IN EVENT OR SCENE
• SMALL THIN BRUSH STROKES
-IMPRESSION SUNRISE
 HARBOR AT LORIENT
• MORISOT VISITED EDMA
PONTILLON
• EXPERIMENTING HER PAINTING
• PASSY, NERVOUSNESS GONE
 POST-IMPRESIONISM
• RESULT BOTH THE INFLUENCE AND REJECTION OF
IMPRESSIONISM
• ARTISTS STARTED OFF AS IMPRESSIONIST
• LIMITATION AND FLAWS OF IMPRESSIONISM
• DEVELOPMENT OF INDIVIDUAL STYLE
-STARRY NIGHT
 CAFÉ TERRACE AT NIGHT
• ARLES, FRANCE
• SERIES OF NOCTURNAL
BACKGROUND
• RECREATED SETTING DIRECTLY
FROM HIS OBSERVATION
• IMBUED SPRITUAL AND
PSYCHOLOGICAL TONE
 NEO-IMPRESSIONISM
• INFLUENCE OF IMPRESSIONISM
• TOOK THE COLOR AND THEMES BUT NOT THE
SUBJECT
• BEREAKING DOWN FUNDAMENTALS
SUNDAY AFTERNOON ON THE ISLAND OF LA GRANDE JATTE

• GEORGE SEURAT
• DEPICTS PEOPLE RELAXING IN
SURBAN PARK ON AN ISLAND IN
SEINE RIVER, POPULAR RETREAT
• UNIQUE
• AMBITIOUS YOUNG MAN-
SCIENTIFIC THEORY TO RPOVE
 ART NOVEAU
• FLOURISHING NEW ART STYLE
• BREAK CONSERVATIVE HOSTORICISM
• DOMINANT THEME OF WESTERN ARTWORKS
 THE KISS
• KLIMT
• VIENNA SECESSION- PRESIDENT
-”PAINTED WHAT THEY SHOULDN’T
HAVE PAINTED”
• RELEASE TO PUBLIC, RECEIVE
FIERCE CRITICISMS AND FINANCIAL
DISASTER
• VIENESSE GOVERNMENT
 FAUVISM
• USED PURE AND VIBRANT COLORS
• PRODUCE SENSE OF EXPLOSION OF COLORS IN THE
CANVAS
• PAINTED DIRECTLY FROM NATURE, STRONG AND
EXPRESSIVE REACTION
 WOMAN WITH HAT
• HENRI MATISSE
• AMELIE
• USE OF NON-NATURAL COLORS
• OFFENSIVE
• CRITICIZED THE MULTIPLE USED OF
NON-NATURAL COLORS- MASKS
 CUBISM
• EMPLOYS GEOMETRIC SHAPES IN THE DEPICTIONS
OF HUMAN AND OTHER FORMS
-GUERNICA
-FIVE LADIES OF AVIGNON
 FUTURISM
• THEMES ARE RESTLESNESS AND FAST-PACE OF
MODERN LIFE
• POETRY AND VISUAL ARTS
• EMBRACE CHANGE, INNOVATION, CREATIVITY AND
ORIGINALITY
 PRIMAVERA UMBRA
• HONORED HIS LOVE FOR UMBRIA
THROUGH LANDSCAPE PAINTING
THANK YOU