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MODERN

ART
Presenter Name
MOST ESSENTIAL LEARNING
COMPETENCIES
• Analyzes art elements and principles in the
production of work following a specific art style from
the various art movements.
• Identifies distinct characteristics of arts from the
various art movements
• Identifies representative artists and Filipino
counterparts from the various art movement.
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ELEMENTS OF ART

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CLASSICAL AND
ROMATIC MODERN ART
PERIOD
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IMPRESSIONISM

An art movement that emerged in the second half of the 19th century among a
group of Paris-based artists. The duration of the impressionist movement itself
was quite short, less than 20 years from 1872 to the mid-1880s. But it had a
tremendous impact and influence on the painting styles that followed, such as
neoimpressionism, post- impressionism, fauvism, and cubism—and even the
artistic styles and movements of today
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➢ Color and Light – They used short “broken” strokes
that were intentionally made visible to the viewer.
They also often placed pure unmixed colors side by
side, rather than blended smoothly or shaded.
➢ “Everyday” Subjects - They presented ordinary
people seemingly caught off-guard doing everyday
tasks, at work or at leisure, or doing nothing at all.
➢ Painting Outdoors -the impressionists found that
they could best capture the ever- changing effects of
light on color by painting outdoors in natural light.
➢ Open Composition - They experimented with
unusual visual angles, sizes of objects that appeared out
of proportion, off-center placement, and empty spaces
on the canvas.
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PAINTERS

• CLAUDE MONET
• EDOUARD MANET
• AUGUSTE RENOIR

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POST-
IMPRESSIONISM

The European artists who were at the forefront of this movement continued using
the basic qualities of the impressionists before them—the vivid colors, heavy
brush strokes, and true-to-life subjects. However, they expanded and
experimented with these in bold new ways, like using a geometric approach
fragmenting objects and distorting people’s face and body parts and applying colors
that were not necessarily realistic or natura
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PAINTERS

• Paul Cézanne
• Vincent van Gogh

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EXPRESSIONISM

Expressionist artists created works with more emotional force, rather than
with realistic or natural images. To achieve this, they distorted outlines,
applied strong colors, and exaggerated forms. They worked more with their
imagination and feelings, rather than with what their eyes saw in the physical
world.

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EXPRESSIONISM STYLES

NEO FAUVISM DADAISM SURREALISM SOCIAL


PRIMITIVISM REALISM
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➢ Neo primitivism - was
an art style that
incorporated elements
from the native arts of
the South Sea Islanders
and the wood carvings
of African tribes which
suddenly became
popular at that time. Yellow
Head
Sweater
Amedeo Modigliani, 1913
1919
Oil on
Stone
canvas 13
➢ Fauvism - was a style
that used bold, vibrant
colors and visual
distortions. Its name was
derived from
les fauves (“wild beasts”),
referring to the group of
French expressionist
painters who painted in this The
Woman
Bluewith
Window
Hat
style. Henri Matisse,
1905
1913
Oil on canvas 14
➢ Dadaism - was a style
characterized by dream
fantasies, memory images,
and visual tricks and
surprises

I and
Melancholy andThe Villageof a Street
Mystery
Markde
Giorgio Chagal,, 1911
Chirico,, 1914
Oil on canvas
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➢ Surrealism - was a style that
depicted an illogical,
subconscious dream world
beyond the logical,
conscious, physical one. Its
name came from the term
“super realism” with its
artworks clearly
expressing a departure from
reality—as though the artists
were dreaming, seeing
illusions, or Persistence
Persistence
Diana
of of
Memory
Memory
experiencing an altered mental Salvador
Paul
Salvador
Klee,
Dali,
1932
Dali,
1931
1931
Oil
OilOil
on
onon
wood
canvas
canvas
state 16
➢ Social Realism -,
artists used their works
to protest against the
injustices, inequalities,
immorality, and ugliness
of the human condition
Guernica
Miner’s Wives
Pablo Picaso,1945
Ben Shann 1937
Egg
Oil Tempera
in CanvasOn
Board
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ACTIVITIES AND
PERFORMANCET
ASKS

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Thank You

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