20 CENTURY

th
VISUAL
ART MOVEMENTS

WALK THROUGH ON THE

GRADE 10 ARTS
(First Quarter)

10. 06. 2022

 IMPRESSIONISM

Impression, Sunrise Starry Night

Claude Monet Vincent Van Gogh
 EXPRESSIONISM

Persistence of Memory Guernica

Salvador Dali Pablo Picasso
 ABSTRACTIONISM

Three Musicians The City

Pablo Picasso Fernand Leger
 ABSTRACT EXPRESSIONISM

Autumn Rhythm Abstract No. 2

Jackson Pollock Lee Krasner
 CONTEMPORARY ARTFORMS

Cordillera Labyrinth Go To Room 117

Roberto Villanueva Sid Gomez Hildawa
 IMPRESSIONISM

Color and Light Painting Outdoors

- Short broken strokes Previously, still life, por-
- Pure unmixed colors side by traits, and landscapes were
side painted inside the studio.
- Freely brushed colors (convey The impressionists found
visual effect) that they could best capture
the ever-changing effects of
Everyday Subjects light on color by painting
- Scenes of life outdoors in natural light.
- Household objects
Open Composition
- Landscapes and Seascapes Impressionist painting also
- Houses, Cafes, Buildings moved away from the for-
mal, structured approach to
placing and positioning their
subjects
EDOUARD MANET
One of the first 19th century artists to depict modern-
life subjects. He was a key figure in the transition
from realism to impressionism, with a number of his
works considered as marking the birth of modern art.
 WORKS OF EDOUARD MANET

The Bar at the Folies -

Argenteuil
Edouard Manet, 1874
Bergere
Edouard Manet, 1882
CLAUDE MONET
- One of the founders of the impressionist movement along
with his friends Auguste Renoir, Alfred Sisley, and
Frédéric Bazille.

- He was the most prominent of the group; and is consid-

ered the most influential figure in the movement. Monet is
best known for his landscape paintings, particularly
those depicting his beloved flower gardens and water lily
ponds at his home in Giverny.
 WORKS OF CLAUDE MONET

La Promenade Bridge Over a Pond of Wa-

Claude Monet, 1875 ter Lilies
Claude Monet, 1899
AUGUST RENOIR
He is along with Claude Monet, was one of the centralfig-
ures of the impressionist movement.
His early works were snapshots of real life, full of
sparkling color and light.
By the mid-1880s, however, Renoir broke away from the
impressionist movement to apply a more disciplined, for-
mal technique to portraits of actual people and figure paint-
ings.
 WORKS OF AUGUST RENOIR

Dancer A Girl with a Watering Can

Auguste Renoir, 1874
Auguste Renoir, 1876
POST IMPRES-
SIONISM
After the brief yet highly influential period of im-
pressionism, an outgrowth movement known as post-
impressionism emerged.

Continuous using the basic qualities of the im-

pressionists before them the vivid colors,
heavy brush strokes, and true-to-life subjects.

It uses a geometric approach, fragmenting ob-

jects and distorting peoples faces and body
parts, and applying colors that were not neces-
sarily realistic or natural
PAUL CEZANNE
He was a French artist and post-impressionist painter.

His work exemplified the transition from late 19th-century

impressionism to a new and radically different world of art
in the 20th century paving the way for the next revolution-
ary art movement known as expressionism.
 WORKS OF PAUL CEZANNE

Harlequin Boy in a Red Vest

Paul Cezanne, 1888-1890 Paul Cezanne, 1890
Oil on canvas
VINCENT VAN GOGH
A Dutch Post-Impressionist painter, his
works were remarkable for their
strong, heavy brush strokes, intense
emotions, and colors that appeared
to almost pulsate with energy.

His striking style was to have a far-

reaching influence on 20th century art,
with his works becoming among the
most recognized in the world.
 WORKS OF VINCENT VAN GOGH

Bedroom at Arles Starry Night

Vincent van Gogh, 1888 Vincent Van Gogh
Oil on canvas
 EXPRESSIONISM
A BOLD NEW MOVEMENT

FAUVISM SURREALISM
Uses bold, vibrant Depicts an illogical
subconscious dream
colors and visual world beyond the log-
distortions ical, conscious, phys-
DADAISM ical one.

Characterized by SOCIAL REALISM

dream fantasies,
memory images, and Expresses the
visual tricks and fan- artist’s role in social
tasies reform.
 EXPRESSIONISM

Blue Window Woman with a Hat

Fauvism, Henri Matisse, 1911 Fauvism, Henri Matisse, 1905
 EXPRESSIONISM

Melancholy and Mystery of a Persistence of Memory

Street
Dadaism, Giorgio de Chrico, 1914 Surrealism, Salvador Dali, 1931
 ABSTRACTIONISM

CUBISM MECHANICAL STYLE

Artworks were a The result of the futur-
play of planes and ist movement. Basic
forms such as planes,
angles on a flat
cones, spheres, and
surface. FUTURISM cylinders all fit to-
Arts were created gether precisely and NON-OBJECTIVISM
for a fast-paced, neatly in their ap-
machine-propelled pointed places. Do not use fig-
age ures
 ABSTRACTIONISM

Girl Before A Mirror Armored Train

Cubism, Pablo Picasso, 1931 Futurism, Gino Severini, 1915
 ABSTRACTIONISM

Komposition 4 The City

Non-objectivism, Wassily Kandinsky, 1911 Mechanical Style, Fernand Leger, 1919
 ABSTRACT EXPRESSIONISM
Autumn Rhythm, Jackson Pollock, 1950 Forgotten Dream, Adolph Gottlieb, 1946

ACTION PAINTING COLORFIELD PAINTING

The techniques could be splattering, squirting,
Uses different color saturations to create de-
and dribbling paint with no pre-planned design.
sired effects.
 OPTICAL ART
CHARACTERISTICS

The elements (shapes, As the eye moved over a diff. A form of action paint-
color, line) are carefully segments of the image, perfectly ing with the action tak-
chosen to fit the design stable components appeared to ing place in the
shift back and forth. viewer’s eye
VICTOR VASARELY
Victor Vasarely, was a Hungarian-
French artist, who is widely ac-
cepted as a "grandfather" and
leader of the Op art movement.
His work entitled Zebra, created in
1937, is considered by some to be
one of the earliest examples of Op
art.
 Zebra, 1937
Art historians credit Vasarely
with painting some of the earli-
est examples of Op Art. In fact,
one of his most famous works,
Zebras, was painted in 1937,
decades before the establish-
ment of the movement
 POPULAR ART
It is an art movement that emerged in the
1950s and flourished in the 1960s in
America and Britain, drawing inspiration
from sources in popular and commercial
culture. Different cultures and countries
contributed to the movement during the
1960s and 70s. Roy Lichtenstein.
Whaam!

Whaam! is a 1963 diptych paint- The Marilyn Diptych (1962) is a

ing by the American artist Roy silkscreen painting by American
Lichtenstein. pop artist Andy Warhol depicting
Marilyn Monroe.
 TIMELINE OF TWENTIETH CENTURY
ART MOVEMENTS
Early 20th
1820 Century 1907 1950

IMPRESSIONISM EXPRESSIONISM ABSTRACTIONISM POPULAR ART

(CUBISM)
COUNTRY OF ORIGIN: TWENTIETH CENTURY ART

EXPRESSIONISM
Germany and Austria

IMPRESSIONISM
Paris, France
POPULAR ART
United States of Amer-
ica and Britain
ABSTRACTIONISM
Paris, France
 Love many things, for therein lies the true strength, and
whosoever loves much performs much, and can accomplish
much, and what is done in love is done well. – Vincent Van
Gogh
Thanks !