- Monet, Renoir, Manet LOCATION PREFERENCE OF - 1863 – not allowed to participate in IMPRESSIONISM salon o Salon – exhibition / museum - the impressionist preferred to paint outside than in their typical art studio, - In 1874, when a group of artists known and this made them different from the as the anonymous society, organized an conventional painters. In the past art exhibition on Paris, France. paintings in still life, portraits and - Movement – “impressionism” landscapes were usually done indoors. - Commended their innovative style as However, they found out that they could revolution in painting best capture the ever-changing effects of light on color of they paint outside in a - They used pure unmixed color side by natural light setting-doing such, their side using short broken strokes for more works showed newness and certain visual effect on the subject. they started distinction. on something new like capturing scenes of life like household objects, seascapes, houses, and ordinary people. They OPEN COMPOSITION preferred working outdoor in a natural - impressionist used structured approach light incorporating unusual visual in placing and positioning their subject. angles, out of proportion object, subject placed off-centered, and empty spaces ex: on the canvas. 1. Dancers in Blue (1890) – Edgar Degas 2. Boating (1874) – Edquaed Manet CHARACTERISTICS: 3. The Bark of Dante (1822) – Eugene Delacroix - Colors & brushstrokes o Original colors, unmixed colors o Broken lines POST-IMPRESSIONISM - Subject o Everyday scenarios - geometric approach, fragmenting object, - Outdoor making people’s faces and body parts vague and applying colors that were not necessarily realistic or natural SUBJECT OF IMPRESSIONISM
- impressionist exhibited “everyday” PAUL CEZANNE (1839-1906)
scenarios as subjects. They move away from the usually formal portraits and - French artist splendid portrayals of literary, historical, - Art ideas includes: religious and mythical subjects. They o Regard color, lines and form preferred capturing common life creating an artwork. scenarios, household objects, landscapes o Practice new kind of analytical and seascapes, structures like buildings, discipline. The artist must be cafes and common houses. They also logical and systematic. show people doing everyday tasks, at o Brushstrokes as constructing work or leisure or even doing nothing at pictures than a painting all. Impressionist is not made to look beautiful or lifelike. The body parts can somehow be vague and the presentation VINCENT VAN GOGH (1853-1890) of the subject’s face can be expressed using few brush strokes. - Post-impressionist in Netherlands. - environment, community & still life - Strong, heavy brush strokes, intense emotions, and colors that radiate energy. - Great painter – master drawing. - PAINTINGS: potato eater & starry nights