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IMPRESSIONISM

- 1860 – Paris, France


- Monet, Renoir, Manet
LOCATION PREFERENCE OF
- 1863 – not allowed to participate in
IMPRESSIONISM
salon
o Salon – exhibition / museum - the impressionist preferred to paint
outside than in their typical art studio,
- In 1874, when a group of artists known and this made them different from the
as the anonymous society, organized an conventional painters. In the past
art exhibition on Paris, France. paintings in still life, portraits and
- Movement – “impressionism” landscapes were usually done indoors.
- Commended their innovative style as However, they found out that they could
revolution in painting best capture the ever-changing effects of
light on color of they paint outside in a
- They used pure unmixed color side by natural light setting-doing such, their
side using short broken strokes for more works showed newness and certain
visual effect on the subject. they started distinction.
on something new like capturing scenes
of life like household objects, seascapes,
houses, and ordinary people. They OPEN COMPOSITION
preferred working outdoor in a natural
- impressionist used structured approach
light incorporating unusual visual
in placing and positioning their subject.
angles, out of proportion object, subject
placed off-centered, and empty spaces ex:
on the canvas.
1. Dancers in Blue (1890) – Edgar Degas
2. Boating (1874) – Edquaed Manet
CHARACTERISTICS: 3. The Bark of Dante (1822) – Eugene
Delacroix
- Colors & brushstrokes
o Original colors, unmixed colors
o Broken lines
POST-IMPRESSIONISM
- Subject
o Everyday scenarios - geometric approach, fragmenting object,
- Outdoor making people’s faces and body parts
vague and applying colors that were not
necessarily realistic or natural
SUBJECT OF IMPRESSIONISM

- impressionist exhibited “everyday” PAUL CEZANNE (1839-1906)


scenarios as subjects. They move away
from the usually formal portraits and - French artist
splendid portrayals of literary, historical, - Art ideas includes:
religious and mythical subjects. They o Regard color, lines and form
preferred capturing common life creating an artwork.
scenarios, household objects, landscapes o Practice new kind of analytical
and seascapes, structures like buildings, discipline. The artist must be
cafes and common houses. They also logical and systematic.
show people doing everyday tasks, at o Brushstrokes as constructing
work or leisure or even doing nothing at pictures than a painting
all. Impressionist is not made to look
beautiful or lifelike. The body parts can
somehow be vague and the presentation VINCENT VAN GOGH (1853-1890)
of the subject’s face can be expressed
using few brush strokes. - Post-impressionist in Netherlands.
- environment, community & still life
- Strong, heavy brush strokes, intense
emotions, and colors that radiate energy.
- Great painter – master drawing.
- PAINTINGS: potato eater & starry
nights

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