Professional Documents
Culture Documents
165.
• 16 Sunil Kumar , ‘capital and kingship’,p-129.
TRANSFORMATION OF
KILOKHRI INTO SHAHR-I-NAU.
Jalaluddin Firuz Khilji’s eventual of sovereignity in
June 1290,signified more than a dynastic change. His reign
(1290-96) served to bridge the gap between the improvised
government of early sultan (turks) and planned imperialist
economy of Alauddin Khilji. Under sultan Jalaluddin Khalji
a, new city called Shahr-i-nau developed around walled
palace called Qasr. He ordered his nobles, commanders and
great men of the city to built houses in Kilokhari and bring
in certain merchants from Shahr. Large market established
here and Kilokhari was named Shahr-i-nau
mangols(Mughals) are said to settle in Kilokhri, Ghayaspur
and Indapat, Bakula. There settlement were known as
Mughalpur. 17
• 17
M. Athar Ali, “capital of the sultans Delhi during 13th and 14th centuary in Delhi through the
ages, essay in urban history, culture and social. Ed. By RE Frykenberg p-34.
66,61
• 19 Barani p-175-78
ECONOMIC CONDITIONS 20XX
• 21
Muhammad Ghausi Shattari,Gulzar-I Abrar.,ed. Muhammad Zaki, Patna, 1994, p-
32
• 22
Najaf Haider, “A lost city of Delhi through Persian histories” dec 3, 2014.
FESTIVITIES OF NAU
ROZ IN KILOKHRI.
Nau Roz was a festival celebrated to mark the beginning of the
Iranian solar year. The first day of the year was the day of vernal
eyuinox (21 march) when the sun entered aries (burj I hand). We
have in the pages of long poem composed by Amir Khusrau in 1289,
an accont of celebration of nau roz at Kilokhri in that very year. The
palace (Qasr I nau), a lofty building of brick walls, gypsum (Gach)
and stone dome ( sang-i-safed), was brilliantly illuminated. The nine
arched doors of palace were covered with curtains of silk broaded with
gold and silver thread (zarbaft). The main venue was decorated with
five large canopies (chhatri) 23
NAU ROZ.
The black canopy was laced with white pearl as if raindrops were falling
from a dark cloud. The Sultan sat underneath it like the shadow of god
on earth. The white canopy hadgold stands studded with pearls. The red
one had sapphires. The green canopy , sign of prosperity, had tree and
leaves of diamond and pearls. The fifth canopy was made of flowers to
give the impression of large garden. On the both sides of the river
Yamuna red and black royal standards stood with 1000 caparisoned
horses studded with jewel. There was an array of elephants. A floating
garden was in the middle of river ornamented with gems and pearls. The
court was decorated and scented with Chinese musk (Nafa-i-Chini). 24
• 23
Amir Khusrau, Qiranu’s sa ‘dayn, ed. Qudrat Ahmad, p-56-66.
• 24
Sunil kumar ‘capital and kingship’ p-129.
KILOKHRI AS A LOST CITY.
Delhi is known for its proverbial seven cities albeit it lacks precision. The ruins of the city
of kilokhri , however, have not survived the wrath of time. 25 The use of saivaged materials
for construction of buildings was also commonduring this period. The practice of reusing
building materials is evident from the complete physical disappearance of Kilokhri , use of
bricks from seven forts built by seven kings (from Iltutmish to Balban) at Rai-pithora in the
construction of Firuzabad abd demolition and reuse of materials from Siri’s surviving
structures in Dinpanah. 26
• Anjali Sharma, Manoj kumar, M. P. Singh, H. K. Mazhari- “ Medieval (islamic) cities in india (1206-1764): An
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