ASPECTS OF PRODUCTION

FOR PERFORMING ARTS

GRADE 12 CONTEMPORARY ARTS
COMMON ASPECTS OF
PRODUCTION IN PERFORMING ARTS
AUDIENCE, TIME AND SPACE
- AUDIENCES HAVE BEEN PRESENTED IN
VARIOUS AUDIENCES AT DIFFERENT VENUES
AND DIFFERENT OCCASSIONS
- IN URBANIZED AREAS, MUSIC, DANCE AND
THEATERS ARE PERFORMED IN BOTH PRIVATE
AND PUBLIC PLACES.
COMMON ASPECTS OF
PRODUCTION IN PERFORMING ARTS
AWARDS
- GIVEN TO PERFORMING ARTIST AS
RECOGNITION FOR THEIR ACHIEVEMENTS IN
A COMPETITION OR IN THEIR CUMMULATIVE
CAREER.
- AWARDS CAN BE IN FORM OF TROPHIES,
MEDALS, CERTIFICATES, CASH
COMMON ASPECTS OF
PRODUCTION IN PERFORMING ARTS
GRANTS
- GIVEN TO FINANCE DIFFERENT ASPECTS IN
THE PRODUCTION OF A PERFORMANCE.
- IT CAN BE IN FORM OF A STUDY GRANTTO
AID THEM IN DEVELOPING THEIR CRAFT.
COMMON ASPECTS OF
PRODUCTION IN PERFORMING ARTS
CRITICISM
- PERTAINS TO THE EVALUATION AND
EXAMINATION OF THE CREATION, EXPRESSION
AND MEANING OF THE PARTICULAR PIECE OR
PERFORMANCE.
- CRITIC – THE ONE WHO REVIEW THE DIFFERENT
ASPECTS OF THE PERFORMANCE AND GIVE
HIS/HER INSIGHTS AND EVALUATION.
- THEY CAN PUBLISH THEIR APPRAISAL IN
NEWSPAPERS, MAGAZINES, JOURNAL, WEBSIES
AND BLOGS.
COMMON ASPECTS OF
PRODUCTION IN PERFORMING ARTS
ORGANIZATION
- PERFORMING ART ORGANIZATION ARE
FORMAL AND INFORMAL GROUPINGS OF
ARTISTS OF ENTHUSIASTS CREATED IN
ORDER TO SUPPORT AND APPRECIATE THEIR
CHOSEN CRAFT.
COMMON ASPECTS OF
PRODUCTION IN PERFORMING ARTS
ORGANIZATION
- EXAMPLES
- UP MADRIGAL SINGERS
- DAGYAW THEATER DANCE AND COMPANY
(ILOILO)
- INTEGRATED PERFORMING ARTS OF MSU –
ILIGAN
COMMON ASPECTS OF
PRODUCTION IN PERFORMING ARTS
EDUCATION
- CONCERNED WITH THE TRANSFER OF
KNOWLEDGE, THE TECHNIQUES AND STYLES
BASED ON THE DISCUSSED ASPECTS OF
PRODUCTION IN THE PERFORMING ARTS,USE
YOUR COMMUNITY AS YOUR BASIS
1. WHAT ARE THE MOST POPULAR
VENUES FOR PERFORMING ARTS IN
THE COMMUNITY?
2. WHAT ARE SOME PLAYS, DANCES,
CONCERTS STAGED IN THE SAID
VENUE?
3. WHAT ARE THE MOST POPULAR
PERFORMING ARTS ORGANIZATIONS
IN YOUR COMMUNITY?
PARTICULAR ASPECTS OF PRODUCTION
TO A PERFORMING ART.
A. MUSIC
COMPOSITION – IS THE ARTISTIC PROCESS IN THE
CREATION OF MUSIC.
_ THE PRACTICE OF CREATING NOTATED SCORE
AND ITS COMPLETION THROUGH THE
INTERPRETATION BY MUSIC ARTISTS
FILIPINO COMPOSERS:
B. RYAN CAYABYAB
C. JOSE MARI CHAN

D. LITO CAMO

E. ELY BUENDIA, GARY V., OGIE ALCASId

PARTICULAR ASPECTS OF PRODUCTION
TO A PERFORMING ART.
COMPOSITION – IS THE PROCESS OF CREATING
MULTIPLE COPIES OF MUSIC TO DISTRIBUTED
TO THE PUBLIC.

STEPS:
PREPRODUCTION – THE PROCESS IN WHICH
PRODUCERS AND THEIR PEOPLE WOULD DECIDE
UPON A CONCEPT Of MUSIC PERFORMANCE.
STEPS
PRODUCTION – ACTUAL MUSIC IS
CREATED. THIS IS WHERE MUSICAL
ARRANGEMENTS ARE MADE, REHEARSALS, THE
ACTUAL PERFORMANCE, RECORDING, EDITING
AND MIXING ARE DONE.

POSTPRODUCTION – DEVOTED TO
THE PROMOTION, MARKETING AND
SELLING OF FINISHED PRODUCT.
MUSIC INDUSTRY
IS THE BUSINESS OF SELLING RECORDED MUSIC.
THIS IS A COLLABORATIVE WORK THAT
ENTAILS DIFFERENT PERSONALITIES SUCH AS
PRODUCER, THE SINGER OR SOMETIMES
CALLED THE RECORDING ARTIST, THE
COMPOSER, ARRANGER, THE RECORDING
COMPANY, MANAGERS, MUSICIANS,
TECHNICIANS, RECORD DUPLICATORS, DISK
JOCKEYS
ACTIVITY: ADVERSE EFFECTS OF
PIRACY
WHAT ARE THE NEGATIVE
EFFECTS DOES THE PIRACY
HAVE ON THE MUSIC
INDUSTRY?LIST DOWN AND
SHARE IT TO THE CLASS.
DANCE
CHOREOGRAPHY – IS A PART OF
DANCE THAT ARRANGES AND
MANIPULATES MOVEMENTS,
FORMATIONS, WORDS, MUSIC,
SETS, PROPS, LIGHTS AND
DANCERS TO EXPRESS AN IDEA OR
NARRATION.
DANCE STEPS
 SUBSTANTIAL PART OF
CHOREOGRAPHY
 ARE COMBINATIONS OF HUMAN

ACTIONS AND MOVEMENTS SUCH

AS WALKING, SLIDING, RUNNING,
LEAPING, HOPPING, SKIPPING AND
JUMPING.
DESIGN
 FOR THE DANCE ARE THE
VISUAL MATERIALS USED TO
SUGGEST, ALLUDE SYMBOLISM
AND ILLUSIONS. THESE
MATERIALS INCLUDES SETS
PROPS, COSTUMES, AND
LIGHTING.
SETS
 ARE BACKGROUND THAT ARE
SOMETIMES CONSTRUCTED OR
PAINTED.

PROPS AND COSTUMES – HELP

IDENTIFY CHARACTERS AND EVENTS
AND ENHANCE THE MOVEMENTS ON
STAGE.
LIGHTING
 PROVIDESAPPROPRIATE MOOD
OR A SENSE OF TIME
THEATER
 ACTING – THE HEART OF
EMBODYING A CHARACTER.
 DIRECTING – IS THE COMPLETE

SUPERVISION AND MANAGEMENT

OF ALL DIFFERENT ELEMENTS IN
THEATER PRODUCTION.
SCRIPT
 IS THE LITERAL TRANSCRIPTION OF THE PLAY.
 IT INCLUDES STAGE DIRECTIONS,

PRODUCTION NOTES AND CAST LIST

PLAYWRIGHT – THE PERSON WHO WRITE SCRIPT

FOR PLAY
SETS
REFER TO THE SCENE AND PROPS OF THE
PHYSICAL REPRESENTATION OF THE SETTING,
PERIOD AND TIME.
COSTUME – THEATRICAL PRODUCTION
ASPECTS DEALS WITH THE DISTINCT ATTIRE,
CHARACTER WEARS DURING THE
PERFORMANCE.
LIGHTING
 USE OF LIGHT IN THEATER PRODUCTION

TRANSLATION – THE CONVERSION OF A

FOREIGN PLAY TO A VERNACULAR

ADAPTION – THE REINTERPRETATION OF THE

PLAY ACCORDING TO THE LOCAL CULTURES
AND TRADITIONS TO MAKE IT MORE
RELATABLE TO THE AUDIENCE.