HISTORY OF ARCHITECTURE

EGYPTIAN ARCHRE 3rd MIL. BC. - THE ARCHITECTURE OF EGYPT FROM THE 3rd. MILLENIUM B.C. TO THE ROMAN PERIOD. ITS MOST OUTSTANDING ACHIEVEMENTS ARE ITS MASSIVE FUNERARY MONUMENTS & TEMPLES BUILT OF STONE FOR PERMANENCE, FEATURING ONLY POST-AND-LINTEL CONSTRUCTION & CORBEL VAULTS W/ OUT ARCHES & VAULTING. WEST ASIATIC ARCHRE 1. ASSYRIAN . BABYLONIAN 3. PERSIAN ANCIENT NEAR EAST ARCHRE 1. EARLY MESOPOTAMIAN - !"# - $d MIL. B.C. . ASSYRIAN & BABYLONIAN - 1%!&-!3& B.C. CLASSICAL ARCHIRE - THE ARCH'RE OF HELLENIC GREECE & IMPERIAL ROME ON W/C THE ITALIAN RENAISSANCE & SUBSE(UENT STYLES SUCH AS THE BARO(UE & THE CLASSICAL REVIVAL BASED THEIR DEV'T. - THE ARCH'RE ORIGINATING IN ANCIENT GREECE OR ROME, THE RULES & FORMS OF W/C WERE REVIVED BASED TO ESTABLISH THE RENAISSANCE IN EUROPE IN THE 1!"# & 1)T# CENTURIES. 1. *. AEGEN - 3,+++-1,1++ B.C. ,. GREE- )!+ .3+ B.C. . *. ETRUSCAN - /!+-1++ B.C. ,. ROMAN - 3++ B.C.-3++ A.D. EARLY CHRISTIAN ARCHRE - 313-%++ A.D. - THE FINAL PHASE OF ROMAN ARCH'RE FROM THE 0"# TO THE )"# CENT., PRIMARILY IN CHURCH BUILDING. COEVAL W/ & RELATED TO THE RISE OF BY1ANTINE ARCH'RE. BYZANTINE ARCHRE - 33+-10!3 - THE ARCH'RE OF THE BY1ANTINE OF EASTERN ROMAN EMPIRE W/C DEV'P FROM EARLY CHRISTIAN & LATE ROMAN ANTECEDENTS IN THE 0T# CENT. , FLOURISHED PRINCIPALLY IN GREECE, BUT SPREAD WIDELY & LASTED THRU-OUT THE MIDDLE AGES UNTIL THE FALL OF CONSTANTINOPLE TO THE TUR-S 210!33. - IT IS CHARACTERI1ED BY LARGE PENDENTIVE-SUPPORTED DOMES, ROUND ARCHES & ELABORATE COLUMNS, RICHNESS IN DECORATIVE ELEMENTS, & COLOR. ISLAMIC ARCHRE /"# CENT. ROMANESQUE . &"# . 1 "# CENT. - THE STYLE EMERGING IN WESTERN EUROPE, BASED ON ROMAN & BY1ANTINE ELEMENTS, CHARACTERI1ED BY CLEAR PLANS, MASSIVE ARTICULATED WALL STRUCTURES, ROUND ARCHES, & POWERFUL VAULTS, & LASTING UNTIL THE ADVENT OF GOTHIC ARCH'RE IN THE MIDDLE OF THE 1 "# CENT.

GOTHIC ARCHRE 1 "#. . 1!"#. CENT. - THE ARCH'L STYLE OF THE HIGH MIDDLE AGES IN WESTERN EUROPE, W/C EMERGED FROM ROMANES(UE & BY1ANTINE FORMS IN FRANCE DURING THE LATER 1 "# CENT. ITS GREAT WOR-S ARE CATHEDRALS, - CHARACTERI1ED BY POINTED ARCH, THE GRADUAL REDUCTION OF THE WALLS TO A SYSTEM OF RICHLY DECORATED FENESTRATION. GOTHIC LASTED UNTIL THE 1)"# CENT. , WHEN IT SUCCEEDED BY THE CLASSICAL FORMS OF THE RENAISSANCE. 1. FRANCE *. EARLY PHASE - 1 "# CENT. ,. NIDDLE PHASE 2RAYONNANT . 13"# . 10"# CENT. 4. LATE PHASE 2FLAMBOYANT3 - LATE 1!"# CENT. RAYONANNT . CHARACTERI1ED BY RADIATING LINES OF TRACERY. FL AMBOYANT . CHARATERI1ED BYFLOWING A FLAME-LI-E TRACERY. 2. GERMANY *. EARLY GOTHIC ,. HIGH GOTHIC 4. LATEN GOTHIC RENNAISANCE ARCHRE - 1!"# . 1&"# CENT. - REFERS DIRECTLY TO THE RESTORATION OF ANCIENT ROMAN STANDARDS AND MOTIFS IN ITALY DURING THWE 1!"# & 1)"# CENT. IN ARCH'RE, THE TERM DESCRIBES THE REVIVAL OF CLASSICAL FORMS & THEIR INERPRETATIONS W/C SPREAD THRU-OUT WESTERN EUROPE & BEYOND IN SUBSE(UENT CENTURIES.2REBIRTH3 - CHARACTERI1ED BY THE USE OF THE CLASSICAL ORDERS, ROUND ARCHES, & SYMMETRICAL COMPOSITION. 1. ITALY *. EARLY RENNAISANCE - 1!"# CENT. ,. HIGH RENNAISANCE & PHOTO BARO(UE - 1)"# CENT. 2PALLADISM3 2MANNERISM3 4. BARO(UE - 1/!+-1%3+ 21/"# CENT3 PALLADISM . A MODE OF BLDG FOLLOWING THE STRICT ROMAN FORMS, A SET FORTH IN THE PUBLICATIONS OF THE ITALIAN REN. ARCH'T. ANDREA PALLADIO 21!+%-1!%+3. STYLE BASED ON A CLOSED STUDY OF ANTI(UITY. MANNERISM - TRANSITIONAL STYLE IN ARCH'RE & THE ARTS IN THE LATE 1)"#. CENT, CHARATERI1ED IN ARCH'RE BY UNCOVENTIONAL USE OF CLASSICAL ELEMENTS. BAROQUE IS CHARACTERI1ED BY INTERPRETATION OF OVAL SPACES, CURVED SURFACES, & CONSPICUOUS USE DECORATION, ACULPTURE, & COLOR. ITS LAST PHASE IS CALLED 5ROCOCO6. BOLD, OPULENT & IMPRESSIVE TYPE OF ARCH'RE. ARTIQUARIAN . THE PHASE IN WESTERN EUROPIAN RENASSAINCE ARCH'RE 1/!+-1%3+, WHEN RENED INSPIRATION WAS SOUGHT FROM ANCIENT GREE- & ROMAN ARCH'RE 2 NEO CLASSICAL3 ROCOCO . 2 FR. ROCALLE . ROC-WOR-) A TERM APPLIED TO TYPE OF RENAISSANCE ORNAMENT IN W/C ROC--LI-E FORMS, FANTASTIC SCROLLS, & CRIMPED SHELLS ARE WOR- UP TOGETHER IN A PROFUSION & COMFUSION OF DETAIL OFTEN W/ OUT ORGANIC COHERENCE BUT PRESENTING A LAVISH DISPLAY OF DECORATION.

2.

FRANCE *. EARLY PERIOD ,. CLASSICAL PERIOD 4. LATE PERIOD SPAIN *. EARLY PERIOD PLATERS(UE ,. CLASSICAL PERIOD 4. LATE PERIOD 1. BARO(UE . ANTI(UARIAN

- 1!"# 210&0-1!%&3 - 1)"# 21!%&-1/1!3 - 1%"# 21/1!-1%3+3 - 10& -1!!) - 1!"#-1)"# CENT. - 1!!)-1)&+ - 1)!+-1%3+ - 1)!+-1/!+ - 1/!+-1%3+

3.

BRITAIN ! ENGLAND *. EARLY RENAISSANCE - 1!"# CENT. 1. ELI1ABETH - 1!!%-1)+3 . 7ACOBEAN - 1)+3-1) ! ,. LATE RENAISSANCE - 1)"#-1%"# CENT. 1. STUART - 1) !-1/+ 21)"#3 . GEORGIAN - 1/+ -1%3+21/"#3

PLATERESQUE ARCHRE 5SIVERSMITH-LI-E68 THE RICHLY DECORATIVE STYLE OF THE SPANISH RENAISSANCE. ELIZABETHAN ARCHRE THE TRANSITIONAL STYLE BETWEEN GOTHIC & RENAISSANCE IN ENGLAND, NAMED AFTER ELI1ABETH I8 MAINLY COUNTRY HOUSES, CHARATERI1ED BY LARGED MILLIONED WINDOWS & STRAPWOR- ORNAMENTATION. "ACOBEAN ARCHRE ENGLISH ARCH'L & DECORATIVE STYLE OF THE EARLY 1/"# CENT. , ADAPTING THE ELI1ABETHAN STYLE TO CONTI NENATL RENAISSANCE INLUENCES8 NAMED AFTER 7AMES I GEROGIAN ARCHRE . THE PREVAILING STYLE OF THE 1%"# CENT. IN GREAT BRITAIN & THE NORTH AMERICAN COLONIES, SO NAMED AFTER GEORGE I, II, III, BUT NOT INCLUDE GEORGE IV. DERIVED FROM CLASSICAL, RENAISSANCE, & BARO(UE FORMS. PICTURESQUE . TERM IN A SPECIALI1ED SENSE TO DESCRIBE ONE OF THE ATTITUDES OF TASTE TOWARDDS ARCH'RE & LANDSCAPE GARDENING IN THE LATE 1%"# & EARLY 1&"# CENT. BLDG'S & LANDSCAPE WERE TO HAVE THE CONTROLLED INFORMALITY OF A PICTURE.

FILIPINO ARCHTS # THEIR WOR$S

"UAN N AP$IL 1. (.I HOSPITAL . (UIAPO CHURCH . RECONSTRUCTION 3. MABINI SHRINE, BATANGAS 0. RI1AL'S HOME . RESTORATION !. BONIFACIO MONUMENT W/ GUILLERMO TOLENTINO ). SSS & SN. MIGUEL CHURCH /. UP ADMI BLDG & CONSERV. OF MUSIC FEDERICO ILUSTRE 1. (UE1ON MEMORIAL CIRCLE . OLD M.I.A. 3. G.S.I.S. 0. VETERANS MEMORIAL BLDG.2BPW3 !. ASIAN INST. OF TECH, BANG-OCECAR CONCIO 1. BACLARAL CHURCH . US PROTESTANT CHURCH 3. PERPETUAL HELP CHURCH 0. UP ENGR'G & LIBERAL ARTS BLDG. !. CHILDRENS HOSPITAL WILLIAM PARSONS 1. MALACANANG . MANILA HOTEL 3. P.G.H. . 2 TOMAS MAPUA3 0. PHIL. NORMAL COLLEGE "UAN ARELLANO 1. CITY HALL MLA. W/ TOLEDO . METROPOLITAN THEATER, RENOV BY O. ARELLANO 3. RI1AL MEMORIAL 2BPW3 0. POST OFFICE W/ TOMAS MAPUA !. AGRICULTURE BLDG.W/ ANTONIO TOLEDO ). LEGISLATIVE BLDG. /. SUPREME COURT ANTONIO TOLEDO 1. CITY HALL MLA. W/ 7. ARELLANO . LEGISLATIVE BLDG. W/ 7. ARELLANO 3. AGRICULTURE BLDG. W/ 7. ARELLANO 0. FINANCE BLDG CARLOS ARGUELLLES 1. ABS-CBN, (C. . DEV'T BAN- OF THE PHIL., MA-ATI 3. MANILA HILTON 0. UP LOS BANOS,MASTER PLAN !. UP SOCIAL SCIENCE & HUMANITIES CENTER FERNANDO OCAMPO 1. MANILA CATHEDRAL, REHABILITATION . UST CHAPEL 3. ANTIPOLO CHURCH 0. AMBASSADOR HOTEL 2 19". S-YCRAPER3

DANIEL BURNHAM PABLO ANTONIO 1. BAGUIO 1. MANILA POLO CLUB . LUNETA PAR. F.E.U. MAIN BLDG. 3. OLD CONGRESS BLDG. 2LEGISLATIVE BLDG.3 3. LYRIC IDEAL THEATER 0. 7AI ALAI GABRIEL FORMOSO 1. CENTRAL BAN- OF THE PHILS. . ASIAN INST. OF MGT. , MA-ATI ANTONIO HERRERA 1. SAN AGUSTIN CHURCH, INTRAMUROS

"OSE MARIA ZARAGOSA 1. STO. DOMINGO CHURCH . (UIAPO CHURCH, 1&%! RESTORATION CARLOS SANTOS %IOLA 1. IGLESIA NI -RISTO . NEW ERA 3. RUSTAN'S (.C. 0. SULO HOTEL, RECONSTRUCTION GENARO PALACIOS 1. SN SEBASTIAN CHURCH LEANDRO LOCSIN 1. U.P. CATHOLIC CHAPEL . ST. ANDREW'S CHURCH , MA-ATI 3. N.A.I.A. , NEW AIRPORT 0. MLA. HOTEL, NEW !. CCP, PICC, FAT , PHILCITE, ETC. ). 1&/) . MOST BEAUTIFUL HOTEL IN THE WORLD /. 1&%/ . LI-HA AWARDEE 2UAP HIGHEST3 %. 1&&+ . NATIONAL ARTIST FRANCISCO MANOSA 1. EDSA SHRINE . COCONUT PALACE 3. LAS PINAS CHURCH, RESTORATION 0. SANMIGUEL OFFICE BLDG. ORTIGAS ROGELIO %ILLAROSA 1. TE-TITE TOWER . NATIONAL BOO-STORES 3. -ING'S COURT I & II 0. SILAHIS 2GRAND BLDG3 HOTEL !. SHANGRILA EDSA PLA1A ). SHANGRILA HOTEL, MA-ATI HEZAGON ARCHTS . NAT'L LIBRARY 1. 1ARAGOSA, 7OSE MARIA . ARGUELLES, CARLOS 3. LUCERO, EDMUNDO 0. FA7ARDO, FRANCISCO !. DE LEON, GAVINO ). DE DIOS CE1AR, VERGEL

FR. ROQUE ROANO 1. U.S.T. MAIN BLDG. RUFINO ANTONIO 1. ARANETA COLISEUM RICHARD $ISSLING &SWITZERLAND3 1. RI1AL MONUMENT LOUIS CROFT 1. (UE1ON CITY, MASTER PLAN C.C. DE CASTRO 1. ATOMIC REACTION, (.C. . SHOEMART SM, PABLO ANTONIO "R. 1. FREEDOM CENTER, 2EDSA COR. WHT. PLAINS3 RENATO PUNZALAN 1. VISTA DE LORO, 2PUERTO . 1&&! . UAP DESIGN AWARD FOR ARCH'RE. ANDRES LUNA DE SAN PEDRO 1. SAN BEDA CHAPEL . MALACANANG RESIDENCE

ANTONIO SIDIONG 1. ANTONIO PACIFIC . PACIFIC PLA1A 3. ALI-MALL 0. CHINA BAN-, PASEO DE RO:AS !. SM LUIS ARANETA 1. STELLA MARIS COLLEGE . MA-ATI MEDICAL CENTER PRC AWARDEE FOR 1''(-3( OUTSTANDING 1. ANTONIO TURALBA . ARCH'RE . CE1AR CONCIO .ENVIRONMENTAL PLANNER RUPERTO GAITE 1. (UE1ON CITY HALL

CONSTRUCTION TERMS &%ERNACULAR)

-ING POST - PENDULON (UEEN POST - PRASES TRUSS - -ILO TOP CHORD - TAHILAN B OTTOM CHORD . BARA-ILAN , TIRANTE COLLAR PLATE - SINTURON RAFTER - -ILO PURLIN - REOSTRA FASCIA BOARD - SENEPA CEILING 7OIST - -OSTILYAHE FLOOR 7OIST - SOLERAS GIRT - SEPO GIRDER - GUILILIAN . SEPO FLOOR - SUELO SILL - GUILILAN-SEPO STAIR - HAGDAN TRED - BAYTANG RISER - TA-IP SILIPAN HANDRAIL - GABAY STRINGER 2OPEN3 . HARDINERA STRINGER 2CLOSE3 . MADRE 2 DE ESCALERA3 LANDING - MESA, MESITA GABLE ROOF - DOS AGUAS HIP ROOF - (UATRO AGUAS RIDGE ROLL - CABALLETE DOWNSPOUT - TUBO BAHADA CONDUCTOR - ALULOD GUTTER /GROOVE - -ANAL G.I.SHEET STRAP . LINGUETA G.I.SHEET CORR - HIERO -ANALADO G.I SHEET PLAIN - HIERO LISO W.I STRAP - PLANCHUEL SIDING 2E:T3 - TABI-E PARTITION - DINGDING STUD 2VERTICAL3 - PILARETE HORI1ONTAL STU - PABALAGBAG BASEBOARD - RODAPIS POST - POSTE / HALIGI FOOTING - BASE FUNDACION DIAGONAL BRACE - PIE DE GALLO NEIL SETTER - PUNSOL MOULDING - MULDURA TRELLIS - PERGOLA 2-APATAS3 FOREMAN - MAESTRO DE OBRA LABORER - PIYON MASON - -ANTERO TINSMITH - LATERO DOOR/WINDOW 7AMB . HAMBA DOOR/WINDOW HEAD- SUMBRERO DOOR FILLET OR ASTRAGAL - BATIDORA PANELED DOOR - DE BANDE7A WINDOW STILL - PASAMANO RABBET/REBATE - BASIADOR WATER CLOSET BATH TUB LAVATORY -ITCHEN SINSHOWERHEAD SEPTIC VAULT CALI-UM CAUL- COTTON CAST IRON PIPE G.I. PIPE - INODORO - BANYERA - LABABO - PRIGADERO - DUCHA - POSO NEGRO - O-UM - ESTOPA - TUBO PUNDIDO - TUBO GALBANISADO

CONSTRUCTION TERMS & %ERNACULAR)

FRAME WOR- - BALANG-AS SCAFFOLDING - PLANCHA, ANDAMIYO RAMP - ANDAMIO SLOPE - BAHADA PATTERN, SCHED. . PLANTILYA STA-E - ESTA-A PLUMBLINE - HULOG AL%IGNMENT - ASINTADA SPACING/GAP - BIENTO CANOPY - MEDIA AGUA PLASTTER/STUCCO - PALITADA PLASTERED COURSE - -USTURADA PIC- WOR- PI-ETA SCATCH COAT - REBUEDA VARNISH - MONYE-A CEMENT BRIC- - LANDRILYO CEMENT TILE - BALDOSA WAINSCOTING TILE - ASOLE7OS COCRETE SLAB - LARGA MASA

EAVE - BIBE, ALERO OVERHUNG - BOLADA PRO7ECTION - BOLADA ALTERNATE - UNO-SIN-OTRA BOLT - PIERNO MACHINE BOLT - PIERNO PASANTE RIVET - REMACHE SREW NUT - TUER-A SREW THREAD - ROS-AS CABINET HINGE - ESPOLON BUTT HINGE - BISAGRA SOLDER - HINANG NICOLITE BAR - ESTANYO PUTTY - MASILYA ADOBE ANCHOR - LLAVE WIRING/SPLIT -NOB METAL WOR-, TEMPER - SUBAN, SU WASHER 2LEAD3 - PITCHA WASHER 2IRON3 - CHAPA

MANSORY - -ANTERIALASTILYAS MANSORY FILL + LASTILYAS EARTH FILL - ESCOMBRO SCRAPPED FILLER - BATADRESSED LUMBER - SEPILLADO WOOD GRAIN - HASPE MITTER 7OINT - -ANTO MESA MORTAR 7OINT -USTURA FLUSH - ALAHADO FEET - PIYE/PIE