Octave Displacement

Octave Dispersion Octave Displacement

Motivic Development
Break


C Harmonic Minor Scale (C, D, Eb, F, G, Ab,
B) () 2 2
Octave 1
Octave () 3

"Tune Up" - Mile Davis

Scale Study with Guide Tones.

 Clip Andreas Oberg Youtube

..
Andreas Oberg Bebop Scale
Extended Bebop Chromaticism
C7 Andreas Oberg
270 bpm

 Guide Tone Lines Autumn Leaves

Shell Voicings Three Notes Voicing

Voice R+3rd+7th omitted 5th

 3
Tensions, Alterations (
)

Freddie Green
Big Band Jazz ^^

Trick:
Minor ii-V Chord Progression, (
Resolve I Minor
Stella by Starlight Dm
ii-V Bb )
Melodic
Minor Scale
ii-7b5, Melodic Minor scale Minor Third
Up Root
E-7b5 = G melodic minor (G A Bb C D E F# G, G
Major Scale with a Minor Third Basically)

 V7 Melodic Minor Scale Half-Step Up

Root
A7#5 = Bb Melodic Minor (Bb C Db Eb F G A Bb
Bb Major Scale with a b3)
^^ F Mixolydian Scale
F Mixolydian Bebop Scale Chromatic
Passing Tone () *** II V, V
II ^o^
Concept 20
Lines

Modern Jazz Lines (Octave Dispersion)

 Melodic Minor Minor II-V-I

IIm7b5 Melodic Minor 3rd Root E(G)
V7 Melodic Minor Up1/2 Step Root A(Bb)

 I Tonic Melodic Minor (D)

Blue Bossa Solo Example #1

Key C minor , Progression iim7b5 - v7b9 im7 Bar 5-8, Bar 13-15 Line work
Progression "" "" ""
Lines

Bar 9-12 iim7 - v7 - iMaj7 Progression (Key Db

Major) ..

Chord Scale Possibilities.

Chord Types & Solo Choices Scott Henderson

The Woodshed 2

Symmetrical Scales
Symmetrical Scales 2
Diminished Whole-tone Scale


Modes

Diminished Scale 2 Mode
1. Whole-Half Step Diminished Scale

2. Half-Whole Step Dominant Diminished

Scale Whole-Tone Scale
Mode 1
Step
Altered
Sound

Dominant 7th
Dominant 7th Chord = R 3rd 5th b7th
Dominant Diminished Scale = R b9 #9 3rd b5 6th b7th
Dominant Diminished Scale Altered Tone
#5 b13 Whole Tone
Scale
Whole Tone Scale = R 2nd 3rd b5 #5 b7th
Whole Tone Scale #5

Dominant Diminished Scale

Fingerings
DDS
4 Note Per String

15

: Solo Maj7 Minor Sound

?
: ? m7 Maj7
m7 Arpeggio 3rd
Maj7 9th Sound Maj7
Em7 Arpeggio Cmaj7
Cmaj7add9
Secondary Dominant chord
Chord Progression Active
Dominant7 Tri-tone
C / Am / D7 / G7 / C //
D7 C major scale V7 V7
G7 I D7 V7 G7



Secondary Dominant Chord
Secondary Dominant Related Secondary
Dominant Extended Secondary Dominant
Related Secondary Dominant
IIm-V-I I
major minor

C Gm7 / C7 F / D7 / G7 / C //
C I G7
V7 C D7 V7 G7 D7
V of V
F IV C7 V7 F V of IV
Gm7 IIm F Gm7-C7-F
Related Secondary Dominant IIminor-V of IV

C Em / A7 Dm / G7 / C //
G7 V7 C Dm IIminor A7 V7
Dm A7 V7 of IIminor Em
IIIminor C IIminor Dm
Dual function

Ebm7 / Ebm7 / Gm7 (b5) / C7 / Fm7 (b5) / Fm7 (b5) / F7

(b9) / Bb7 / Ebm7 //
Ebm7 I Bb7 V7 F7 (b9)
V Bb7 V of V Fm7 (b5)
IIm C7 V7 IIm (Fm7 (b5))

 V of IIm Gm7 (b5) IIm

Fm7 (b5) Related Secondary
Dominant IIminor-V of IIminor
Extended Secondary Dominant
V-V-I
C / A7 / D7 / G7 / C //
G7 V7 D7 V7 V7(G7)
A7 V7 D7 A7 V-V of V7
Extended Secondary
Dominant
Cmaj7 / C#7 / F#7 / B7 / E7 / A7 / D7 / G7 / C //
Secondary Dominant
C / D7 Dm / G7 / C //
Dm D7 G7 D7
Secondary Dominant G7