Readers View: An Analysis of Cultural Practices of Haruki

Murakamis Readers in Taiwan

Readers View: An Analysis of Cultural Practices of Haruki

Murakamis Readers in Taiwan

Student
Tsu-Chen Lo

Advisor
Der-Liang Chiou

A Thesis
Submitted to Graduate Institute for Social Research and
Cultural Studies
College of Humanity and Social Science
National Chiao Tung University
in partial Fulfillment of the Requirements
for the Degree of Master
in
Arts
July 2009
Hsinchu, Taiwan, Republic of China

point of view

90

Haruki Murakami
Field of Cultural ProductionPracticeHabitusCultural CapitalPreference

Miranda

.i
...iii

...001

....001
................................................002
1 ......002
2 ..........................................008
3 reception...014
....018
....022

...028

1986 100%...028
1989 ..034
1 ....036
2 ....039
3 ...045
4 ...047
.053


...054

......057
......059
.063
..068

...072

.072
.077
1 Nakao
.078
2 Nikita
..081
3 Y
.....083
4 ...089
.091

.092

.098
.102

1...102
2....103
3113
ii

1-1
1-2
1-3
1-4
1-5
1-6
4-1

10 36 .....004
1979-2009..006
...007
.009
...023
38 .026
2008 ...088

4-1

38

...073

iii

80

80 90
20

1989
50

 20 30

point of
view
Bourdieu199687

1949 40

199610
30
2

 1979
60 10

1973

90
1986-1995 10

GQ

1982

1994-1995
1995

1985

1986-1989 1990

1993 Knopt
The Elephant Vanishes

Philip GabrielJay Rubin

1989

2004285

 62
2000

1-1 10 36

27

24

18

10

6
200628-29

2002
2005
10
Kalima

2006
4

concept
album

[]
200458-59
2007

http://www.kalima.ae/
2007 Ladbrokes
Philip RothAmos Oz
3

1968 1994

2000

1985 2000

2001
Thompson2001/5/26
20042005

2007/10/14

2000

 1-2 1979-2009

(1979)

*1958 **

33 (1982)

* 70 1979 **

36 (1985)

* 80 1965 **
//////

47 (1996)

*1949 **
/////
50 (1999)
II
*1998
57 (2006)
Franz Kafka Prize
*2001 **
//
World Fantasy Awards
*1975 **
////
Blind Willow, Sleeping Woman Frank O'Connor
International Short Story Award *2005
58 (2007)
30

* 50 1929
**/
/////////
///

* 125 2007
60 (2009)
Jerusalem Prize[]

1971

*1963
**//////

1-3

10


9

8

4

3

1
* 10 10 1-1
200628-29
( )

(1989)

(1989)

(1991)

(1991)

(1989)

(1990)

(1990)

(2002)

(1992)

(1993)

(2000)

(1995)

(1996)

(1991)

(2003)

(1991)

(2002)

(2001)

(2003)

(1992)

(2005)

(2005)

(2004)

(1998)

10

1987 1990

1985

1986 100%

1987

Pierre Bourdieu1993
The Rules of Art: Genesis and Structure of the Literary Field
Bourdieu 19
genre
relative autonomy
Bourdieu

Bourdieu

1969

2011
2008/11/26

1996216-218
1-4

1.
2.

Bourdieu1996142-146

2008294

1986 100%1988
1991

1987 9

1989
16
1990
10

1982-84

1998/11/21985

1973
100%
1988 9
1991

430 2009a

10

10

11

12

13

14

15

200

Trendy

1989

1989
NHK
12 999

1986

42 A
1986 100% 1988

11

12

13

14

15

11

16

17

18

19

20

1988
100%1986 1988

100%1986

16

17
18

19

20

12

 20

1995

50

21

22

23

90

24

25

1986
199394-98

1996-2000
1999

1973
100% 1973

19955

100%

2007 1989 1993

1996 10 GQ

21

22

23

24

25

13

10

80

1986

20

3 reception

1991

2006 3 17

2006

14


2001
2002

2006

2008

1998 2001

60

15

2005
2004

2008

1998

1995-2000 90

1998
9 2002

2005
1999 9
231

20-30
26

2002 416
1,815 396

26

16

200462

17

18

Watt

Ian P. Watt Richard Altick1957

Ian P. Watt 1987

18

Watt Richard Altick

18

18

Hobsbawn2002

Hobsbawn 1920

Hobsbawn

Hobsbawn
1950

1920

30
50
60-70

Hobsbawn

19

 1987

27

15

Febvre and Martin2005

Robert Darnton200212

2008

Carlo Ginzburg
1980

Ginzburg

1960

1993

27

20

Ginzburg Bakhtin

Ginzburg

Chartier
1994
installing an order

Chartier

21

2006 8 12 1-4

3
18
2
1
23
4

22

28

1-5

/ 66
2005/11/14
34
/
2005/11/27
15
11

/ 65
2005/12/09
23
/
6
6
2006/2/08

/ in89 39
2006/2/25
22
/ 29
2006/3/15,22,29
18

220
114

220 172
60 112
48

1.

2006 3

28

23

15-25

15 8% 36 4%
2.

3.

33
28 100%23
100%
3 20
3
4.

5.

80

24

29

Pierre Bourdieu

2008

22008
113 5.2 2.3
2.9 2009b

29

25

1-6 38
()
Art (32)
G (28)
K (24)
Kate (24)
May (29)
mo. (26)
Nakao (32)

Nikita (32)
Roy (35)
S (30)
Stacy (33)
X (28)
Y (27)

(29)
(24)
(30)
(30)
(35)
B (45)
M (37)

(26)
(24)
(21)
(44)

(25)

()

1995 (24)
1995 (17)
1995 (13)
1999 (15)
1998 (19)
1995 (15)
1989 (15)

1994 (20)
1989 (18)
1998 (22)
1994 (21)
1996 (18)
1997 (18)
1995 (18)
2000 (18)
1994 (18)
1995 (19)
1991 (18)
1996 (36)
1988 (18)
1997 (17)
2002 (20)
2001 (16)
1986 (24)
1999 (18)

18

26

(,
, )
16 (5,3,8)
12 (6,3,3)
38 (11,9,18)
3 (2,1,0)
7 (4,3,0)
7 (4,1,2)
17 (9,6,2)

9 (8,1,0)
3 (3,0,0)
6 (5,0,1)
6 (4,2,0)
8 (3,4,1)
6 (5,1,0)
10 (5,3,2)
12 (7,3,2)
11 (6,1,4)
7 (4,0,3)
3 (2,0,1)
12 (1,0,11)
38 (11,9,18)
20 (11,7,2)
5 (1,1,3)
18 (9,4,5)
33 (10,8,15)
32 (11,9,12)

 (31)
(27)
(40)

(29)

(34)
(27)
A (42)
B (35)
(29)

N (27)
A (42)
(35)
A (44)

1995 (20)
1999 (20)
1990 (24)
1994 (17)
1995 (23)
1999 (18)
1992 (27)
1989 (18)
1996 (19)
1996 (17)
1986 (22)
1993 (22)
1986 (24)

27

31 (10,6,15)
30 (11,9,10)
27 (8,9,10)
38 (11,9,18)
4 (1,3,0)
10 (5,4,1)
11 (6,2,3)
35 (11,8,16)
9 (6,2,1)
15 (6,4,5)
38 (11,9,18)
10 (7,3,0)
38 (11,9,18)

80 90

90

1986
100%

1989

1986 100%

1986

1979
28

1985
1973
1985

30

31

32

80
A

Impact 378
67

[]

33

1982-84

1998/11/2
non-noananMore
anannon-no 19701971 More 1977

[...]
[...]

A 1949 1986
A

30

31

32

33

29

[...]
[...]
A
A
[...]

A
Pass

37 A

[...]

100% A

34

1986-1988
35

100%
100%[] fashion
3000 A Maybe

34

35

30

1986 100%

[]1989 1 30

1995 BBS

22
A 24 A
1986 A A

A
A

20

[][...]
31

cultural baggage
36

37

20 A

The Girl From Ipanema 100%

1963/1982

1995
6
1988

1988 6 5 non-no
A
"Norwegian Wood (The Bird Has Flown)" 1965 2
A 2

Cool1988 6 30

A
A

caf au laitEspresso

[]2003

[]
[]
[]2004XXIV

36

37

32

38

39

A A

A A
1986
1988
80 1994
3 80 A

76
69
1988 7 31 A
1976 69
1987 1996 A 8
69

[] A

38

39

33

 78

1991 10 8
Alfred Birnbaum A Wild Sheep
ChaseHear the Wind Sing Pinball, 1973

1993 4
25

40

41

42

1989
1989

1979 8
2000/04/10
http://www.readingtimes.com.tw/authors/murakami/chatroom/chat0040.htm#1
A
A
A

40

41

42

34

80

1995

89 [...]
A 1992

43

90

2000

24
[][]
[]

43

35

1995

2000

1995 20

1973
Y

Y
2002
20
44

45

60
[]

44

45

36

1989 Roy35
18

Roy

[]

Roy

Roy
78000
Roy
500
Roy

37

 Roy
A42 1992
27
A Roy A

2030
A

A
38

Popular

Roy A

Roy A Popular

90

Roy A

Nakao32
39

 1415
[]

Nakao

[]

90
Nakao

Nakao

[...]
Calvino
yeah

46

1988
1993
1997

46

40

[]

198864-65
47

48

2009 1988

1989a64-65

47

48

41

[]
[]

198964-65

Nakao
[...][...]

A 1986
Roy
A
Nakao

Popular

A A
[]
Nakao

42

 A Nakao

49

50

51

E-mail

Nakao

52

90

37 A

80

Bourdieu1984264 A Nakao

right-bank

49

50

51

52

43

 Nakao

K13 1995

[]
17 1997

[]
[]

16 2001

53

Roy
A

[...]

20
11

2008267

53

44

1989 18
B35

[]

[...][...]
[...]
B

60 80

A
A B

B
CSI

45

 B
B

[...]
[...]

B
B

100% 580
60

B B

Fans
B

[...]
Popular B
[...][...]
[...][...]

B B
B

B B B
46

50

1986-1988

88 1989 3
15

100%

47

1993 22 35

100%
1994 20 Nikita32

1992 2 100%

54

100%
19921995
100%
1979

100%
30
100%

1994 8 2000-3000
16,000-24,000 100%
25 1995 2 2005
10 43 8-13
100%

54

48

[...]

[...]
[...]

[]

[...][...]
maybe

55

A
[...]
Dance Dance Dance [...][...]
[...][...][...]
[...][...]

[...] [...] Tempo

[...][] Spaghetti
maybe OK

...

55

49

Nikita
Art
CD

CD

56

MTV

57

Nikita
[]

56

57

50

 90

90

E-mail

30
19 1995

[...]

58

19

500

1994 9 500 40
10

58

51

()

100%

59

Pierre Bourdieu
Bourdieu

Bourdieu1984328Bourdieu

Nikita 100%

59

52

2007

90

53

54

[]
35
40
PK
[] sample
Y27

B45

55


Bourdieu1990137

60

194 34%
137 47%

60

56

10
5-10

E-mail

57


1-4

58

Roy

59

Simple

or Simple, minimal

60

10%

N
27

or

61

5-10 11, 7, 9

Philosophy of Boredom

modest

62

mo.26
Yo Yo TV

63

A42
A

B 5-10

35 A

A 1 10 300 300

64

B
A
A

5-10

65

5-10

5-10

A
66

5-10
A 13

K24

E-mail 340
20

Nakao 32

5-10 Nakao
Russel Watson
Coldplay
67


[]

Russel WatsonColdplay

History of Science

Bourdieu et al.1999608Bourdieu

Bourdieu
intrusion

Bourdieu et al.1999609
Pierre Bourdieu

68

Bourdieu et al.1999612

Pierre Bourdieu1984

2000
550 I
27

69

a middle-brow art
cannons

2000169

70

71

1-6 38
1-6

18 4-1
1-6
4-1
4-1
4-1 Pierrre Bourdieu
1984262340
4-1 Pierre Bourdieu

4-1
4-1

4-1 1-6
4-1
4-1 1-6 4-1

Pierre Bourdieu
72

1-2
35-45

(4)

(11)

500

(/)
200

A (44)
# CD/LD/DVD/ (1)

(/)

(35)

A (42)

(6)

(34)
Stacy (33)
//

(2)
(7)

B (35)
(////)

(2)

(3)

Roy (35)

(3)

71-100

A (42)
B (45)
(4) (5)
(6) (6)

M (37)

(40)
(4)
(3)

(8)
(8)
(8)

(4)

Nakao (32)
/

(11)

(44)

(15)

N (27) /

/IKEA

Y (27)

(30)

(6)

(20)

30-70

10%
(29)

Bill Evans (3)

(4)
(2)
K (24)
X (28) (26)
Simple
(29) mo. (26)
(24) (27)

(27)

(13)

(9)

Art (32)
S (30)
G (28)

Kate (24)
(1)
(2)

(6)
(6)

(7)
(6)

(30)
(2) (1)

(35)

(31) (2)

(3)

(21)
(2)

(29) May (29)

(1)
(1)
(1)
(1)

(25)

Nikita (32)
(1)

(24)

//

100%

/
18

30

35

(27)

(29)

4-138

73

 4-1
4-1
social space

35 35 45
30-70 71-100
30 200
35-45
70
3 1 2

2 1
1
35
30-70

1 3
1 1
74


4-1 1-6

3 4-1 1-6
4-1
4-1

70
11 200 101-200
71-100

38 9 8

4
1 1
1 1
3 1
4
2
11 3 2 5
1
75

3-6
80 90

20
30 450 33

[]
35

27 30-70
35 29

Nikita
Nakao

A 28
24

76

 4-1
30
30

4-1
Nakao Nikita
30 Nakao

Nakao

Y
77

1 Nakao

[...]

4-1 Nakao

[]

Nakao

MIT STS

30-40

Nakao 32

Nakao
2000

78

Novel 5
10

Nakao

NatureScience

DiscoveryNGCHBOCinemaxCNN
[]

[]

[]
12

79


Nikita

[]

Nakao

...

...
[]

Nakao

...

[]

[]

80

[]

[]

2 Nikita

Nakao Nikita
5
15 20
100%

Nikita Nikita

Nikita

Nikita

32

Nikita 8 Nikita
100%

Perfect

20

81


24 1998

[]

Nikita

1973

Nikita

[]

Nikita

[]
Sun Movie[]

82


2,000 c.c.

[]
Nikita


Nikita

3 Y

Y
30 Y

1997 Y

[]
[]

Y 27

83

Y
...

451 Vivre
sa vie Pierre le fou

[]

84

Y Jeux Denfants

YOui.
Y

61

Why
comfortingor
or Y

[] K
B
M
N
Y

Y
4-1
61

85

12

12

[...]

[...]
[...]
86

2008/8/5

[...]

10
[...]

2008/8/8

87

 4-1 2008

1.
1.

2.

2.

3.

3.

4.

4.

5.

5.

6.

6.

7.
7.
8.
8.

9.

9.

10.
10.
11.

11.

12.
12.
13. Animals in Danger, Andy Hopkins & 13.
Joc Potter

14.
50

88

30

30-40
100%

[]

62

24

1973

62

89

[]

[]

[][]

THE WALL

5-6 actually

3 4
DVD

5-10
PK Top 10

63

64

10

[]

5 10
10 1 5
6 10 10

63

64

90

91

92

93

15

90

Buruma1996

2004
94

15-16

90

35-45

95

35

96

90

97

Altick, Richard, 1957, The English Common Reader: A Social History of the Mass Reading
Public, 1800-1900. Chicago: Univ. of Chicago Press.
Bourdieu, Pierre et al., 1999, The Weight of the World: Social Suffering in Contemporary
Society. Stanford, Calif.: Stanford University Press.
Bourdieu, Pierre, 1984, Distinction: A Social Critique of the Judgement of Taste. Cambridge,
Mass.: Harvard University Press.

, 1990, The Logic of Practice. Stanford: Stanford University Press.

, 1996, The Rules of Art: Genesis and Structure of the Literary Field. Cambridge: Polity
Press.

, 1997, The Forms of Capital. Pp.46-58 in Education: Cultures, Economy, Society,

edited by A. H Halsey, H. Lauder, P. Brown, and A. Stuart Wells. Oxford: Oxford
University Press.
Buruma, Ian, 1996, "Becoming Japanese," The New Yorker, p. 60.
Chartier, Roger, 1994, The Order of Books: Readers, Authors and Libraries in Europe
between the Fourteenth and Eighteenth Centuries. Cambridge: Polity Press.
Darnton, Robert, 2002, What is the History of Books? Pp. 9-25 in The Book History Reader.
London: Routledge.

20051958
L'Apparition du livre

Febvre, Lucien and Henri-Jean Martin.

Ginzburg, Carlo, 1992, The Cheese and the Worms: The Cosmos of a Sixteenth-Century
Miller. Baltimore: Johns Hopkins University Press.

2002
Uncommon People: Resistance, Rebellion and Jazz 265-273

Hobsbawn, Eric J.

Thompson, Matt, 2001/5/26 , Nobel Prize Winner in Waiting? Guardian.

http://www.guardian.co.uk/books/2001/may/26/fiction.harukimurakami 2008/12/24

Watt, Ian P, 1987, The Rise of the Novel: Studies in Defoe, Richardson, and Fielding. London:
Hogarth Press.

98

2008
2http://cape7.pixnet.net/blog/post/217460042009/1/5
20072006

2006
12 28-29
19951981-1994

2000
145-178
1989/11/16-17
19891986
19901990TV
1986/5/24-251991

1993/3/4
1993/3/24
1994/4/23#241#242
1995/8/14-17 84

19891987

198619801973

19861983 100%
19881979
19911985
199519801973 1973
19961988
2007
99

2008/11/26 30
A10
2004
XXI-XXXVII
2006
2008
41 257-314
2002

20045 37-71
200582
43-87
2006
88 1-42
2002

198626 191
2008/8/5 C3

2005
2000-20042005 281-302
2006

2001

2007/10/14 E4
2009a
http://ja.wikipedia.org/w/index.php?title=%E6%9D%91%E4%B8%8A%E6%98%A5%

2009/7/25
2009b
E6%A8%B9&oldid=27029934

http://zh.wikipedia.org/w/index.php?title=%E6%B5%B7%E8%A7%92%E4%B8%83%

2009/1/5
1998 100%
E8%99%9F&oldid=8981599

100

199399 94-98
Rubin, Jay20042002 100%Haruki Murakami
and the Music of Words

1997 130 156-161

1993

1998/11/2 vs.
http://www.readingtimes.com.tw/authors/murakami/lai001.htm2007/11/6
1993 11-68
2008/8/8 C3

2003
20082007

200330
http://hermes.hrc.ntu.edu.tw/csa/journal/30/journal_book_31.htm2009/1/6

http://www.kalima.ae/

http://www.readingtimes.com.tw/TimesHtml/authors/murakami_haruki/

101

tsuchen@gmail.com

2.
3.

4.

5. _____
6. __________________________
__________________________
7.
BBS
8.

14 15-20 21-25 26-30 31-35 36-40
41-45 46-50 51
_________________

1.

e-mail

102

______________________________

_______________

______________________

2. ________________________________________

1. __________________

______________
______________________________
18 ______________________________

1-6 7
18 60
____________________
103

30 30 70
70 100 100 120
120 150 150 200 200

50 50 80 80 100
100 130 130 150
150 170 170 200
200 240 240 350 350

Part. 1
1.1

1973

104

100%

Sydney!

II
I
II

Happy End

1980

105

1.2

1.2

1.3

100%

1968-1997

106

 100%

Recipe

Portrait in JazzSONYBMG

Naxos

100%

1.4
1.5

1.6

____________________

____________________________
________________________________________

1. _________________________________
2. _________________________________
3. _________________________________

_______________________________
1.7

107

Part. 2

2.2

2.1

1. _________________________________
2. __________________________________
3. __________________________________

2.3

1. __________________________________
2. __________________________________
3. __________________________________

2.4

2.
3.
4.
5.
6.
7.
8.
9.
10.

11.
12.

13.
14.

1. Do It Yourself

Part. 3
3.1

5-10

108

3.2

3.3

50 51-100 101-300
301-500 501-1000 1000

3.4

3.5

3.6

1. _____________________________
2. _____________________________
3. _____________________________

3.7

3.8

1. _____________________________
2. _____________________________
3. _____________________________

109

Part. 4
4.1

4.2

5-10

4.3

4.4

MTV

Part. 5
5.1

5-10

110

5.2

CD

5.3

5.4

1. _____________________________
2. _____________________________
3. _____________________________

5.5

5.6

5.7

1. _____________________________
2. _____________________________
3. _____________________________

5.8

111

Part. 6
6.1

_________ _________

6.2

__________________ ____________________
____________________ ________________________

6.3

6.4

6.5

6.6

6.7

112

A3-1
N=147

109
1

A3-2
N=83

13

11

48
1

15

113

A3-3
N=137

The Beatles

Coldplay

Bill Evans
FELTTizzy Bac
3
Bee Gees
Do May Say ThinkEaglesGalaxie
2
500 500
1976Glenn GouldLeonard Cohen
Love Psychedelico
LowMogwaiRadioheadYo La
Tengo

106
1

114