Conf Proc 2010

Pergolesi, Chopin, Schumann, Barber
, 26 & 27 2010
:

PERGOLESI, CHOPIN, SCHUMANN, BARBER

, 26 & 27 2010
, ,

-, -,
2011
(.), :
Pergolesi, Chopin, Schumann, Barber ( , , 26 & 27
2010), ...., 2011.
: 2011
:
ISBN 978-960-466-103-9
....
http://www.music.uoa.gr

...................................................................................................................................................... 7
-
(1710-1736):
................................................... 11

intermezzi Giovanni Battista Pergolesi:
La serva padrona (1733) Livietta e Tracollo (1734) ............................................................. 20

Pergolesi:
.................................................... 39
-
Chopin, Delacroix ................................................................................................................... 55

Fryderyk Chopin. ..................... 66

Chopin, Beethoven ........................................................................... 74

Frdric Chopin, , 28.
19 ; ......................................... 94

:
. 1 2
op. 28 Frdric Chopin ................................................................................................... 100

;
Frdric Chopin, , opus 28 . 4 .................................................... 117

(opus 23)
(opus 38) Chopin ............................................................. 126

Chopin :
....................... 138

Chopin. . 3 ........ 155

Rococo , Robert Schumann ................................................................ 180

Schumann ................. 203

Robert Schumann Davidsbund: ,

1830 .......................................................... 215
-
Album fr die Jugend,
p. 68, Robert Schumann
............................................................................................................ 228

Schumann, , op. 54:
19 ,
....................................................................................... 237

Nikolaus Joseph von Schumann: ...................................................................... 252

Liederkreis op. 39: Zwielicht ( , 39: ) ................... 260

. ........................... 271

op. 26 (1949) Samuel Barber
....................................................................................... 280

: ....................... 297
.............................................................................................................. 303

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, 26 27 2010.
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2010. Gian Battista Pergolesi, o
Frederic Chopin, o Robert Schumann Samuel Barber.
Giovanni Battista Pergolesi,
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1
Piero Weiss Julian Budden, Opera buffa, : Stanley Sadie (.), The New Grove Dictionary of
Opera, Grove Music Online Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/
article/grove/music/O004644 (2 2010).
. Silke Leopold Michael Zimmermann, Opernfehden und Opernreformen, : Irene
Brandenburg (.), Christoph Willibald Gluck und seine Zeit, Laaber-Verlag, Laaber 2010, . 39-46.
. Daniel Brandenburg, Die komische italienische Oper, . IV, : Herbert Schneider Reinhard
Wiesend (.), Die Oper im 18. Jahrhundert, Laaber-Verlag (Handbuch der musikalischen Gattungen,
Band 12), Laaber 2001, . 98.
12

. ,
, scene buffe, ,

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4 , ,
(1660-1725), -
(1670-1747) (1668-1727),

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1700 Giovanni Battista Cavana
(1684-1732),5
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Cavana, -
intermezzo.
opera seria
,

Silvio Stampiglia (1664-1725)6 . , ,
,
, 1699, ,
Intramezzi ,
,
intermezzo.
intermezzi

Nuovi Intermedii per musica7 Sant Angelo
, 1706.
, ,
intermezzi.
. 1710
,
San Cassiano,
, intermezzo
( 1714), ( 1717) .
, (1671-1750),
(1667-1740) (1668-1727),
Pietro Pariati, 1706-1710 intermezzi
Giovanni Battista
4
5
. Brandenburg, .., . 107.

Franco Piperno, Cavana, Giovanni Battista, : Grove Music Online Oxford Music Online,
http://www.oxfordmusiconline.com/subscriber/article/grove/music/40867 (15 2010).
Lowell Lindgren, Stampiglia, Silvio, : Grove Music Online Oxford Music Online, http://www.oxford
musiconline.com/subscriber/article/grove/music/26537 (15 2010).
Brandenburg, .., . 108.
13
Cavana. 1709 Cavana

scene buffe.
Santa Marchesini, ,
, Filippo Laschi, Pietro Petrici Antonio Ristorini.8
intermezzo, ,

,
,
. 1720,
intermezzo,
,
intermezzo Brunetta e Burlotto Domenico Sarro (1679-1744),9
intermezzo opera seria
Ginevra, principessa di Scozia San Bartolomeo 1720.
, intermezzo L impresario delle Canarie
1724
Didone abbandonata,
.
, Johann Adolph Hasse10
1726-1730 intermezzi .
Francesco Saverio Quadrio (1695-1756)

Della storia e della ragione di ogni poesia (Bologna, 17391752).
, , 1720 Benedetto Marcello11
Il Teatro alla
moda, , ,
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opera seria , , ,
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) .
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, duetti (),
8
9
10
11
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Michael F. Robinson Dale E. Monson, Sarro, Domenico Natale, : Stanley Sadie (.), The New
Grove Dictionary of Opera, Grove Music Online Oxford Music Online, http://www.oxfordmusiconline.
com/subscriber/article/grove/music/O904590 (18 2010).
David J. Nichols Sven Hansell, Hasse, : Grove Music Online Oxford Music Online,
http://www.oxfordmusiconline.com/subscriber/article/grove/music/40232pg3 (18 2010).
Eleanor Selfridge-Field, Marcello, Benedetto Giacomo, : Grove Music Online Oxford Music Online,
14
-

,
.12
, 1733 Giovanni Battista Pergolesi13

, Serva padrona ( )
Il prigioner superbo
(O / ) San Bartolomeo
, ,

.
28 1733,
.
,
,
: Serpina,
,
,
Uberto. Vespone,
2 intermezzo.
, Pergolesi
, intermezzi

. A ,
intermezzi opera seria:
(settenari
endecasillabi), (versi
sciolti), (ottonatio)
, da capo .
intermezzi
opera seria,

. ,
opera seria
,
. ,
,
, commedia
dell arte.14 Serva padrona, Gennaro Antonio Federico,
drammi per musica
intermezzi,
, commedie per musica.
12
13
14
Benedetto Marcello, , , . ,
2007, . 119-120.
Helmut Hucke Dale E. Monson, Pergolesi, Giovanni Battista, : Grove Music Online Oxford Music
Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/21325 (14
2010). . Reinhard Strohm, Die italienische Oper im 18. Jahrhundert, Heinrichshofens Verlag,
Wilhelmshaven 1979, . 113-140.
Brandenburg, .., . 110.
15
,
Pier Jacopo Nelli (1732). ,
Federico Pietro Pariati
(1665-1733), Antonio Salvi (1664-1724) Bernardo Saddumene,15
,

.

18
.
o Horst Weber,16
Serva padrona
intermezzo.
, ,
, commedia
dell arte, ,
(Soubrette) . ,
Serva padrona
:
,
lazzi, , ,
, intreccio.
Pergolesi
, ,
Pergolesi
Serva padrona.
(Aus der Musiksprache des Mozart-Theaters, 1950), 17
Serva padrona,
Uberto, Aspettare e non venire,
,
,
Pergolesi , ,

, Affektenlehre . ,

,

commedia dell arte.
15
16
17
1721-1734
. Graham Hardie, Saddumene, Bernardo, : Stanley
Sadie (.), The New Grove Dictionary of Opera, Grove Music Online Oxford Music Online,
http://www.oxfordmusiconline.com/subscriber/article/grove/music/O007159 (21 2010).
Horst Weber, Der Serva-padrona-Topos in der Oper. Komik als Spiel mit musikalischen und sozialen
Normen, Archiv fr Musikwissenschaft 45/2, 1988, . 87-110.
Thrasybulos Georgiades, Aus der Musiksprache des Mozart-Theaters (1950), Kleine Schriften, Tutzing
Verlag (Mnchener Verffentlichungen zur Musikgeschichte, Bd. 26), Tutzing 1977, . 10-13.
16
, Serva padrona -
. ,

, , , Pergolesi,
Serva padrona -
, 18

intermezzo. -
.
,
, Lesbina
Il filosofo di campagna (1754)
Baldassare Galuppi (1706-1785),19 Carlo Goldoni (1707-1793),
Paoluccia La Cecchina, ossia La buona
figliuola (1760) Niccol Piccinni (1728-1800),20
Carlo Goldoni,
,
.
Pergolesi Piccini
Mozart, dramma giocoso La finta giardiniera (1775, Nardo, . 5)
dramma giocoso Cos fan tutte, ossia la scuola degli amanti (1790),
Despina
Una donna a quindici anni,21

- 22 Serpina
Pergolesi.
, Serva padrona
,

.
:
1736, ,
1752, ,
,
, -

.
, intermezzo La serva padrona 23
1 1752
Weber, .., . 93.
Dale E. Monson, Galuppi, Baldassare, : Grove Music Online Oxford Music Online, http://www.oxford
musiconline.com/subscriber/article/grove/music/50020 (24 2010).
20 Mary Hunter .., Piccinni, : Grove Music Online Oxford Music Online, http://www.oxfordmusic
online.com/subscriber/article/grove/music/42863pg1 (24 2010).
21 Weber, .., . 105.
22 -
(Polymetrik, Polyrhythmik),
(. Georgiades, .., . 22-25).
23 . Strohm, .., . 129-130.
18
19
17
(Guerre des Buffons),24 ,

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:

opera buffa, ,
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, opra comique
, ,
intermezzo .
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Friedrich Melchior Grimm (1723-1807)28
24
25
26
27
28
Elisabeth Cook, Querelle des Bouffons, : Grove Music Online Oxford Music Online,
- , , :
- (.), , ,
1993, . 33.
Catherine Kintzler, Rousseau, Jean-Jacques, : Grove Music Online Oxford Music Online,
. , , . ;, 6,
2002, . 77-86.
Eberhard Otto, Eine Oberpflzer in Paris, am 26. Dezember vor 260 Jahren wurde Friedrich Melchior
Grimm geboren, : Musik in Bayern 27 (Halbjahresschrift der Gesellschaft fr Bayerische
Musikgeschichte), 1983, . 75-79. : Daniel Heartz, Grimm, Friedrich Melchior, Baron von, :
Grove Music Online Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/
grove/music/11787 (24 2010).
18
Heinrich Paul Holbach (1723-1789),29

(Der kleine Prophet aus Bhmisch-Broda)
(Lettre une dame dun certain ge, 1752),

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,

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30 .
Pergolesi, o
(1752),31 18 1752 Fontainebleau,

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,
Divertissements, .
,

18 ,
opera buffa intermezzo.
,
Serva padrona,32 ,
18
,
,
, opra comique, 18 .
29
30
31
32
Eeva-Taina Forsius, Der Got Franais in den Darstellungen des Coin du Roi. Versuch zur Rekonstruktion
einer Laiensthetik whrend des Pariser Buffonistensteites, 1752-1754, Hans Schneider (Frankfurter
Beitrge zur Musikwissenschaft), Tutzing 1985, . 84-92.
Carl Dahlhaus, Die Musik des 18. Jahrhunderts, Laaber-Verlag (Neues Handbuch der Musikwissenschaft,
Bd. 5), Laaber 1985, . 8-13.
Philip E. J. Robinson, Devin du village, Le, : Stanley Sadie (.), The New Grove Dictionary of
Opera, Grove Music Online Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/
article/grove/music/O004634 (18 2010).
Strohm, .., . 136-137.
19
Giovanni Battista Pergolesi (1710-1736)33
Salustia
opera seria, 3
? S. Morelli, after A. Zeno: , San Bartolomeo,

Alessandro Severo
. 1732
[Nibbio e Nerina]
intermezzo, 2
? D. Caracajus
, San Bartolomeo,
. 1732
Lo frate nnamorato
commedia
musicale, 3
Gennaro Antonio
Federico
, Fiorentini,
27 . 1732
. 1734
[Capet Cola,
Spaviento e Giulietta]
introduction,
balli

, Fiorentini,
Lo frate nnamorato
27 . 1732

Il prigioniero superbo
opera seria, 3
F.
Silvani: La fede tradita e
vendicata
, San Bartolomeo,
. 1733
La serva padrona
intermezzo, 2
Gennaro Antonio
Federico
, San Bartolomeo,
5 . 1733
Adriano in Siria
opera seria, 3
Pietro Metastasio
, San Bartolomeo,
25 . 1734
[Livietta e Tracollo /
La contadina astuta]
intermezzo, 2
T. Mariani
, San Bartolomeo,
25 . 1734
Lolimpiade
opera seria, 3
Pietro Metastasio
, . 1735
Il Flaminio
commedia
musicale, 3
Gennaro Antonio
Federico
, Teatro Nuovo,
1735
33
. Hucke Monson, ..
intermezzi Giovanni Battista Pergolesi:

La serva padrona (1733) Livietta e Tracollo (1734)

Pergolesi. , 4
1710 Jesi, Ancona.
26 . ,
5 , Pergolesi
. ,
Pergolesi ,
,
.1
Pergolesi,

, ,
, 18 ,
. 18 ,
,
Pergolesi ,
. Benedetto
Marcello Il teatro alla
moda (, 1720)
18 : (
)
.2
, 9 - , 1/3
Pergolesi,
.3

La conversione di
San Guglielmo
Dramma sacro
2
3
1731
: t. S. Angello
Fr. Cafarelli, Opera Omnia di Giovanni

Battista Pergolesi, Gli Amici della Musica da Camera, Roma 1941. 1/5
Pergolesi.
. Fr. Walker, Two Centuries of Pergolesi Forgeries and Misattributions, Music & Letters 30, 1949, .
297-320.
Benedetto Marcello, , . , , 2007, . 129.
. B. S. Brook, Pergolesi: Research, Publication and Performance: A Perspective on their Present
Status (November 1983), : Studi Pergolesiani 1, Scandicci, Florence 1986, . 6, M. Paymer,
Pergolesi Authenticity: An Interim Report, , . 196-217.
INTERMEZZI GIOVANNI BATTISTA PERGOLESI
21
La Salustia
Opera seria, 3
S. Morelli
1732
:
t. S. Bartolomeo
Lo frate nnamorato
Commedia musicale, 3
G. A. Federico
27.09.1732
: t. Fiorentini
Il prigionier superbo
Opera seria, 3
Fr. Silvani
28.08.1733
:
t. S. Bartolomeo
La serva padrona
Intermezzo, 2
G. A. Federico
28.08.1733
:
t. S. Bartolomeo
Adriano in Siria
Opera seria, 3
P. Metastasio
25.10.1734
:
t. S. Bartolomeo
Livietta e Tracollo
Intermezzo, 2
T. Mariani
25.10.1734
:
t. S. Bartolomeo
LOlimpiade
Opera seria, 3
P. Metastasio
02.01.1735
: t. Tordinona
Il Flaminio
Commedia musicale, 3
G. A. Federico
1735
: t. Nuovo
1: -
Giovanni Battista Pergolesi
Pergolesi, La Salustia,4 Il
prigioner superbo5 Adriano in Siria6 ,
.
LOlimpiade, ,
,7
4
Pergolesi castrato Nicolini,

primo uomo. , , ,
( 01.01.1732), castrato Gioacchino Conti
, Ghizziello,
, . La Salustia,
S. Morelli, Alessandro Severo Apostolo Zeno,
( 1732)
, Alessandro nellIndie Mancini, 2 . . D. Libby, The
Singers of Pergolesis Salustia, : Studi Pergolesiani 3, Scandicci, Florence 1999, . 173-181.
, Fr. Silvani La fede tradita e vendicata,
,
(28.08.1733).
,

(1732). . M. Armellini, Il prigionier superbo di
Pergolesi e le sue fonti librettistiche, : Studi Pergolesiani 4, Fondazione Pergolesi Spontini, Jesi
2000, . 253-272.
Pergolesi ,
(Turcotti
Caffarelli), Metastasio. 10 27
Metastasio Pergolesi, 10
. . D. Heartz, Music in European Capitals,
The Galant Style, 1720-1780, Norton, New York 2003, . 103-125, D. E. Monson (.), Giovanni
Battista Pergolesi: Adriano in Siria, Pergolesi Complete Works 1, New York 1986.
Grtry, Egidio Duni,
LOlimpiade .
22
.8 ,
Lo frate nnamorato9 Il Flaminio,10

. ,

,
.11
Pergolesi
Guglielmo dAquitania La conversione di San Guglielmo,
,12
(scene buffe), Capitano13 ,
.
Capitano,
,
.14 ,
,
,
Pergolesi .
Pergolesi
,
, intermezzi, La serva padrona
Livietta e Tracollo.
intermezzi 18
10
11
12
13
14
, Pergolesi , ,
. . Heartz, Music in European Capitals, .., . 115.
Donald Grout LOlimpiade Pergolesi
18 . . D. J. Grout, A Short History of Opera, New York 1965, . 205.
1732 1733. ,
1734, Pergolesi . 1748
Nuovo
,
20 . . G. Lazarevich, Lo frate nnamorato, : The New Grove Dictionary of Opera, 2, Oxford
University Press, Oxford 1997, . 290, B. D. Mackenzie, Neapolitan Comic Opera in Naples and in
Rome: Pergolesis Lo frate nnamorato and Latillas La finta camariera, : Studi Pergolesiani 3,
Scandicci, Florence 1999, . 183-199.
,
(1737 1749). ,
Per te ho io nel core (III, 10)
, La serva padrona. . G. Lazarevich, Flaminio, : The
New Grove Dictionary of Opera, 2, .., . 223-224, D. E. Monson, Evidence for Pergolesis
compositional method for the stage: the Flaminio autograph, : Studi Pergolesiani 2, Scandicci,
Florence 1988, . 49-66.
. C. Jori, Plurilinguismo e parodia nella commedia per musica napoletana (1730-1750): G. A. Federico
e P. Trinchera, : Studi Pergolesiani 5, Fondazione Pergolesi Spontini, Milano Jesi 2006, . 55-69,
Mackenzie, Neapolitan Comic Opera in Naples and in Rome, .., . 183-187.
Conservatorio dei Poveri ,
San Angello,
, .
L. Leo , Fr. Durante. . Heartz,
Music in European Capitals, .., . 104.
, commedia dellarte.
. Hl. Hucke, Pergolesi in der Musikgeschichte, : Studi Pergolesiani 2, Scandicci, Florence 1988, .
7-19.
23
, .15 intermezzi Pergolesi

, .
,
, : )
intermezzo ()
.
, , , intermezzo
:16 ) ,
(scene buffe) :
1685-1710 ) ,
, () ,
:
1710-175017 ) ,

: 1750-1790.
Pergolesi
intermezzo (1730 )
,
,
intermezzi

18 .18
1730,

,
, ,
.
Laura Monti Gioacchino Corrado,
intermezzi Pergolesi,
, San
15
16
17
18
intermezzi 18 (
) Pergolesi, La serva padrona Livietta e
Tracollo, Giuseppe Sellitti Drusilla e Strabone ( La vedova ingegnosa)
Adolf Hasse La contadina ( La serva scaltra) Il tutore. . R. Mellace,
Gli intermezzi di Pergolesi e di Hasse: due produzioni a confronto, : Studi Pergolesiani 5,
Fondazione Pergolesi Spontini, Milano Jesi 2006, . 187-210.
. G. Lazarevich, The Neapolitan Intermezzo and Its Influence on the Symphonic Idiom, Musical
Quarterly 57, 1971, . 294-313, G. Lazarevich, The role of the Neapolitan intermezzo in the evolution
of musical style (1685-1735), , Columbia University, 1970, . 73-74.
, intermezzo
, ,
. 2 3 , ,
. ,
recitativi secchi, , , , recitativi
accompagnati, ( , recitativo accompagnato
). . C. E. Troy, The Comic Intermezzo: A Study in the History of 18th
Century Italian Opera, Ann Arbor 1979, J. Pulver, The intermezzi of Opera, Proceedings of the
Musical Association, 1916-1917, . 149-150.
. Fr. Piperno, Gli interpreti buffi di Pergolesi. Note sulla diffusione de La serva padrona, : Studi
Pergolesiani 1, Scandicci, Florence 1986, . 166-177.
24
Bartolomeo.19
: ) ,
San Bartolomeo ) ,
.20
Monti Corrado
intermezzi Pergolesi 1733 1734
, ,
.
intermezzi ,
, 1738,
.
1730,
, ,
,

,
. ,
,
,21
intermezzi
,
1730 .

, intermezzo,

,
La serva padrona
,

, intermezzo Livietta e Tracollo,
pasticcio ,
.
19
20
21
. Fr. Piperno, Buffe e buffi. Considerazioni sulla professionalit degli interpreti di scene buffe e
dintermezzi, Rivista di Musicologia 28, 1982, . 264-267.
, Corrado
. . Fr. Piperno, Lintermezzo comico a Napoli negli anni di
Pergolesi: Gioacchino Corrado e Celeste Resse, : Studi Pergolesiani 3, Scandicci, Florence 1999, .
157-165.
intermezzo La serva padrona Domenico Cricchi
Francesca Fabiani, , La serva
padrona,
1738,
.
: Cricchi
Fabiani ,
Uberto, Anna Castelli Giverna
Magagnoli Serpina. ,
Uberti: Fabiani Antonio Lottini (Lucca, 1740), Castelli
Costantino Compassi (, 1748) Matteo Bevilacqua (Livorno, 1751), Magagnoli
Alessandro Catani (, 1743 1744). . Fr. Piperno, Gli interpreti
buffi di Pergolesi, .., . 166-171.
25
La serva padrona
Contento tu sarai
Per te ho io nel core22 Il Flaminio (, 10), Pergolesi.
, ,
, intermezzi Pergolesi 14
18
(1752-1754).
01.08.1752
22.08.1752
19.09.1752
30.11.1752
19.12.1752
01.03.1753
23.03.1753
01.05.1753
19.06.1753
19.06.1753
23.09.1753
23.09.1753
09.11.1753
12.02.1754
La serva padrona23
Il giocatore
Il maestro di musica
La finta cameriera
La donna superba
Il geloso schernito (Le jaloux corrig)
La scaltra governatrice
Tracollo, medico ignorante24
Il cinese rimpartito
La zingara
Gli artigiani arricchiti
Il paratajo
Bertoldo in corte
I viaggiatori
2:
Bambini, 1752-1754
Pergolesi, (4)
Bambini,
.25
Il giocatore, Il maestro di musica, La finta cameriera Il geloso schernito.
, Pergolesi
, ,
,
Pergolesi, pasticcio
22
23
24
25

(1738). . Fr. Piperno, Gli interpreti buffi di Pergolesi,
.., . 170.
1752 , La serva padrona
Lully Acis et Galate, Per te ho io nel core.
La serva padrona,
Charles de Brosses .
1746 Uberto Riccoboni, intermezzo
, . . G. Lazarevich,
Pergolesi and the Guerre des Bouffons, : Studi Pergolesiani 2, Scandicci, Florence 1988, . 196.
Tracollo, medico ignorante Livietta e
Tracollo,
. , pasticcio,
Mariani:
) Livietta e Tracollo (Pergolesi: 1734),
) Drusilla e Strabone (Sellitti: 1735). . Lazarevich, Pergolesi and the
Guerre des Bouffons, .., . 199.
. Lazarevich, Pergolesi and the Guerre des Bouffons, .., . 200.
26
.26
La serva padrona
intermezzo La serva padrona
. ,
, , .
La serva padrona G. A. Federico, Jacopo Angelo Nelli27 1731
Lucca . Nelli, 3 ,
11 , commedia dellarte,
28
Pasquina (pasquinata = , ), Arnolfo
Sciapiti (sciapo = ),
.
Pasquina .
Nelli, , ,
Serpina Federico.
,
18 ,
intermezzi: ) intermezzo Vespetta e Pimpinone
La serva astuta, P. Pariati . Albinoni (1708)29 )
intermezzo La finta tedesca Carlotta e Pantaleone, J. A.
26
27
28
29
1750, Pergolesi .
, Pergolesi
. Pergolesi
(F. W. Grimm, Le petit prophte de Boemischbroda: Et tu (Manelli) leur porteras la musique de mon
serviteur Pergolse, quon appelle divin jusqu ce jour),
: Orlandini , Hasse
, ,
Pergolesi (
Grimm, Rousseau: rallement a beaucoup de mrit, de talent, et une fecondit
prodigieuse, quoique trs loign [] dtre lgal de Pergolse). : D.
Launay, La Querelle des Bouffons, 1, Geneva 1973, . 365.
Jacopo Angelo Nelli , Siena, 1673,
Strozzi,
Accademia dei Rozzi Siena. 18 ,
.
Siena 1767, . , , 15
5 1731-1758.
, 1762 5
. , Nelli
commedia dellarte,
, .
: . . B. Toscani, La
serva padrona: variations on a theme, : Studi Pergolesiani 2, Scandicci, Florence 1988, . 185.

17 .
. Lazarevich, The role of the Neapolitan intermezzo, .., . 120-137.
, Vespetta
Pimpinone,
.
intermezzo, , Vespetta . . M. Talbot
(.), T. Albinoni: Pimpinone, intermezzi comici musicali, Madison 1983, Toscani, La serva
padrona: variations on a theme, .., . 190-191.
27
Hasse B. Saddumene (, San Bartolomeo 1728)30 )

intermezzo Il vedovo Sempronio e Arrighetta, Fr. Feo
(, San Bartolomeo 1729).31
intermezzo La serva padrona Federico,
intermezzi,
, ,
. Serpina
-,
Serpina .32
(Vespetta, Carlotta Arrighetta), Serpina
Uberto , .
La serva padrona , Serpina
Uberto ,
.
Serpina Uberto, ,
.
Federico
, , ,
Serpina (-) ,
, Uberto
.
intermezzo La serva padrona ,

intermezzi . , Uberto,
intermezzi (Pimpinone, Pantaleone
Sempronio), ,
. Serpina ,
, .
Son imbrogliato gi, Uberto
.
Serpina, .33
30
31
32
33
, Carlotta Bologna ,
Pantaleone. ,
(), Carlotta Pantaleone,
, , Pantaleone.
, Pantaleone Carlotta .
. . M. Scherillo, Lopera
buffa napoletana durante il 700, Napoli 1916, . 172-173.
Feo, Arrighetta ,
Hasse, (), , Sempronio,
, .
, Arrighetta , ,
Sempronio . Arrighetta
( ), . . Lazarevich,
The role of the Neapolitan intermezzo, .., . 228.
. Toscani, La serva padrona: variations on a theme, .., . 185-194.
Pergolesi
. Uberto ,
, , Serpina,
. , Serpina
(. , ).
28
intermezzo Livietta e Tracollo

intermezzo Livietta e Tracollo
23
. , ,
Pergolesi (, 1734),
pasticci.34

.35
, intermezzo
Livietta e Tracollo :
, , , , ,
Bologna. 1744 ,
Livietta e Tracollo , ,
, , , , .
, intermezzo ,
, , ,
(Livietta Tracollo). ,
: La contadina astuta (, 1744), Il ladro finto pazzo, Il
Tracollo (Bologna, 1746), La finta polacca (, 1748), Il ladro convertito per amore
(, 1750), Tracollo medico ignorante, Intermezzo del Tracollo Le charlattan.36
La serva padrona, intermezzo Livietta e Tracollo
pasticcio.

1734,
.37 Tommaso Mariani38
intermezzo 1734.
intermezzo 18 ,
(lazzi)
commedia dellarte.39 La serva padrona,
34
35
36
37
38
39
intermezzo, .
G. Lazarevich, From Naples to Paris: Transformations of Pergolesis intermezzo Livietta e
Tracollo by contemporary buffo singers, : Studi Pergolesiani 1, Scandicci, Florence 1986, . 149-165.
18 intermezzi
pasticcio. . Lazarevich, The role of the
Neapolitan intermezzo, .., . 103 228-230.
. Walker, Two Centuries of Pergolesi Forgeries and Misattributions, .., . 297-320.
. G. Lazarevich (.), Giovanni Battista Pergolesi: Livietta e Tracollo (La Contadina astuta), Opere
complete 6, Ricordi, Milano 1991, . ix-xii.
Livietta e Tracollo Mariani Fr.
Florimo, La scuola musicale di Napoli ed i suoi conservatorii, 4, Napoli 1880-1882, . 25 112, .
Scherillo, Lopera buffa napoletana, durante il settecento: storia letteraria, Milano 1917, . 198.
Mariani intermezzo 4 ,
1734-1735 San Bartolomeo: Nerina e Don Chisciote (Fr. Feo,
1734), La franchenza delle donne , , Lesbina e Don Sempronio (G. Sellitti, 1734), La contadina
astuta Livietta e Tracollo (Pergolesi, 1734) La vedova ingegnosa , , Drusilla e Strabone
(G. Sellitti, 1734). intermezzi ,
potpourris ,
. . Lazarevich, From Naples to Paris, .., . 149-151.
, Livietta racollo,
, Fulvia Facenda, . : Livietta,
, Tracollo, ,
29
Livietta e Tracollo
,
.
, Livietta e Tracollo,
,

.
Livietta e Tracollo Bologna (1746).
Mariani ,
-
, .
Gordana Lazarevich,40 Livietta e Tracollo
Bologna ,
,
.
1734, Tracollo
, ,
(. 4: . 2). 1734
(non
permettete che sia contaminata dalle mani dindiscreti villani la mia virginit)
Bologna.41 ,
,
Tracollo , ,
.
intermezzi La serva padrona Livietta e
Tracollo
intermezzi La
serva padrona Livietta e Tracollo ,

Pergolesi ,
, . Pergolesi
, ,
, ,
,
.
,
, 12
40
41
. Livietta,
(Fulvia),
. Livietta,
Tracollo . :
Livietta, Tracollo, .
, , Livietta ,
Tracollo.
, Tracollo , .
. Lazarevich, Giovanni Battista Pergolesi: Livietta e Tracollo, .., . ix-xii.
,
:
Tracollo (basso buffo).
30
14 . , ,
,
Pergolesi. ,
intermezzo La serva padrona ,
intermezzo 18 ,
intermezzo Livietta e Tracollo .
, ,
intermezzo ,
, , , ,
. , Livietta e Tracollo
, , ( ),
.
La serva padrona
Livietta e Tracollo
: Serpina, Uberto
Livietta,
Uberto,
Tracollo,
Vespone, Uberto
Fulvia, Livietta
Facendo, Tracollo
intermezzo
: .
intermezzi , ,
. Livietta e Tracollo, Pergolesi
. La serva padrona
(7) , intermezzi
, Livietta e Tracollo (9),
, (scene),
.
intermezzo .
/
1.
Arietta
48
2.
Aria da capo
112
3.
Aria da capo
205
Allegro 2/4
Stizzoso mio
Serpina
4.
Duetto
115
Allegro 4/4
Lo conosco
a2
5.
Aria
76
Largo 4/4
A Serpina
penserete
Serpina
6.
Recitativo
accompagnato
24
4/4
A poveretta
Uberto
6.
Aria da capo
171
Allegro 4/4
Son
imbrogliato gi
Uberto
7.
Duetto
204
Allegro
spiritoso 4/4
Contento tu
sarai
a2
Aspettar e non
venir
Sempre in
Allegro assai
contrasti
4/4
Allegro 4/4
3: intermezzo La serva padrona
Uberto
Uberto
31
A/A
1.
Arietta
28
Allegro 4/4
Livietta
2.
Scena
136
Larghetto 3/8
3.
Aria da capo
87
Allegro 4/4
4.
Recitativo
accompagnato
22
4/4
67
Sostenuto 4/4
Vi sto ben
A una povera
polacca
E voi perch
venite
Misero! A chi
mi volger?
Ecco il povero
Tracollo
Vado, vado
Vedo laria che
simbruna
Caro
perdonami
4.
Aria da capo
5.
Duetto
64
Allegro 4/4
6.
Aria
38
Andante 4/4
129
Andante 2/4
7.
Aria da capo
Tracollo
Livietta
Tracollo
Tracollo
a2
Tracollo
Livietta
8.
Scena
73
Larghetto 4/4
Allegro 3/8
La credo
Tracollo
9.
Duetto
222
Presto 3/8
Sempre
attorno
a2
4: intermezzo Livietta e Tracollo
H (. 2 . 8),
()
() ( ,

), Pergolesi.
La serva padrona ,
.
, Pergolesi
) ,
, )
, 7 8, , )
, )
, ) )
( ), ,
.
1:
Tracollo Ecco il povero Tracollo
32
Pergolesi
( , da capo),
. da capo
Pergolesi, Hasse Vinci
,42
. Pergolesi
,
,
, .
,
, ,
,
.
,
,
La serva padrona (. 5, A Serpina penserete),

, Uberto.
, Pergolesi
, ,
penserete.
,
direte, ( ,
). ,
5
ah poverina, 6
43 (. 2).
42
43
da capo
da capo , . ,
(ritornelli),
: R A R A R B R A R A R. ,
( ) ,
. .
da capo Londa
dal mar Artaserse Vinci (1730). . M. McClymonds, Aria: 18th
century, : The New Grove Dictionary of Opera, 1, .., . 171-173.
Daniel Heartz, , ,
18 ,
, , Barbarina, (
) . ,
, Barbarina, Serpina ,
. . D. Heartz, Music in European Capitals, .., . 111.
33
2: Serpina, A Serpina penserete
, Serpina
Uberto . ,
: Serpina
Uberto,
, . , ,
Uberto
,

. Serpina
( ),
intermezzi 18 (. 5).
Pergolesi : ,
, .
/
Rit.
Rit.
Rit.
1-4
4-11
12-26
26-31
31-37
38-53
53-61
61-68
69-78
Larghetto
4/4
Allegro 3/8
B

Larghetto
4/4
Allegro 3/8
A
V

Larghetto Allegro
4/4
3/8
vi
5: A Serpina penserete
intermezzi 18 ,
,
.
, Serpina :
34
, Uberto.
,
Serpina. ,
, ,
,
: Uberto .
Serpina recitativo
accompagnato ,
intermezzo, : )
( Uberto ) )
. , Pergolesi
,
Uberto ( Serpina,
44)
. , ,
,
Uberto ,

Son imbrogliato gi, ,
, , .45
Livietta e Tracollo, Pergolesi
recitativo accompagnato,

. recitativo accompagnato
intermezzo, Misero! A chi mi volger? (. 4),
recitativo accompagnato
18 Didone
abbandonata Vinci (1726). , recitativo
accompagnato (. 8)
, ,
,

, .

Pergolesi,
.
La serva padrona, o Pergolesi
. ,
,
,46 . ,
Uberto,
44
45
46
, intermezzi
: Pimpinone, Pantaleone Sempronio.
, 3 Il prigioner
superbo (scena dombra) M ,
Uberto.
, ,
, , ,
, .
35
, ,
Serpina.

(. 3). , Serpina
A Serpina penserete,
Uberto, . ,
, ,
(
). , Uberto
,
:
) , Lo conosco (. 4), Serpina
Uberto,
.
Serpina : Serpina Uberto.
) , Contento tu sarai (. 7),
. ,
Serpina
Stizzoso mio, stizzoso (. 3) intermezzo,
, Uberto,
(Arcipadrona). Pergolesi

.
Per te ho io nel core, (1738
),
.
La serva padrona, Livietta e Tracollo

. Pergolesi
,
. ,
, , Livietta, ,
, Tracollo (. 4). ,

.
, Tracollo , ,
: ) Vedo laria che simbruna (. 6)
) La credo o non la credo (. 8). ,
,

Livietta Caro perdonami (. 7),
Tracollo. ,
,
6, 7 8,
Pergolesi

.
36
intermezzo, , Livietta
Tracollo.
, Vedo laria che simbruna, Tracollo
Livietta, . , ,

, .
Tracollo , ,47

.
Tracollo,
,
. Tracollo ,
Livietta, . ,
.
, , ,
Livietta Tracollo ,
. Pergolesi
. , Livietta
Caro perdonami (. 7),48
. ,
Livietta Tracollo. Pergolesi
: ,
, ,
, ,
.
Livietta
Tracollo (. 8) .
, ,
(scena).
(
), ,
. Livietta
Tracollo ,
.
, , duetti, Pergolesi
( ,
),
, ,
47
48
, Pergolesi
, tromba
da caccia.
, aria daffetto,
18 , .
,
, .
. 18 , aria
daffetto ,
,
.
37
ensembles 18 .

, Contento tu sarai Sempre attorno,
, , 204 222
, .
Rit.
1-21 22-34 35-53 54-62

A1
109-120
A1
63-68
69-76
77-88

A2
B1
B2
121-131
132-142
B2
Rit.
89-104
104-108

B4
143-155

B1
B3
156-175
176-192
Rit.
192-204

B2
6:
Contento tu sarai
,
, La serva padrona
intermezzo 18 ,

,
intermezzo 18 .
1733-1752, La serva padrona 61
.49

( ),
. , ,
,
. ,

Gennaro Antonio Federico. La
serva padrona
intermezzo .
49
, (1740), (1740 1747),

(1743), (1744), (1746 1752), (1746), (1748),
(1749 1752), (1750), (1750), (1752)
(1752). Evans Owens,
- 18 . . . Owens, La serva padrona in
London, 1750-1783, : Studi Pergolesiani 2, Scandicci, Florence 1988, . 204-221.
38
, intermezzo Livietta e Tracollo

(1734),
,
. Livietta e Tracollo, ,
recitativi accompagnati ,
,
. ,
50 Tommaso
Mariani,

,
.
intermezzi Pergolesi
- ,
,
intermezzo.
, Pergolesi

intermezzo ,
.
50
Pergolesi:

Giovanni Battista Pergolesi
.
(1710-1736)
,
, ,
.
, , , ,
, Pergolesi ,
,
. ,
,
, Pergolesi , ,
. , , Igor
Stravinsky, Pulcinella
Pergolesi.1 , ,
Pergolesi,

. , ,
,
, .
1919 Ernest Ansermet Stravinsky

Sergey Pavlovich Dyagilev
18 Pergolesi. Stravinsky ,
Dyagilev ,
. , ,
Pergolesi Pergolesi
. Barry S. Brook, Stravinskys Pulcinella: the Pergolesi Sources, : Jol-Marie Fauquet
(.), Musiques, signes, images: liber amicorum Franois Lesure (: Minkoff, 1988), . 41-66.
40
1: 18
Giovanni Battista Pergolesi Jesi 4 1710

( 1). Draghi,
Pergolesi Pergola .2
Giovanni Battista .
1727, 1732,
, .
( ) ,
Pier Leone Ghezzi ( 2).3
Helmut Hucke & Dale E. Monson, Pergolesi, Giovanni Battista, : Stanley Sadie (.), The New
Grove Dictionary of Music and Musicians, . 19 (: Macmillan Publishers Limited, 2001), . 389397: 389-390. Pergolesi :
Giuseppe Radiciotti, Giovanni Battista Pergolesi: vita, opere ed influenza su larte (: Edizione
Musica, 1910 2 , : Treves, 1935).
1734. , Ghezzi
.
HH PERGOLESI:
41
2: Pergolesi Pier Leone Ghezzi (. 1734)

( , Cod. Otto lat. 3116, . 139v)
Jesi, o Pergolesi 1722

1723 , Conservatorio dei Poveri di Ges Cristo.
, Gaetano Greco,
Leonardo Vinci Francesco Durante. 1731,
: Salustia,
. ,

. 1736,
, San Luigi di Palazzo Puzzuoli, ,
16 1736, , ,
Stabat mater.
Pergolesi
. ,
L Olimpiade . ,
,
. Egidio Duni (
Nerone )
,
[ intermezzi],
.4
, , Pergolesi
( ),
intermezzi Serva
padrona. Serva padrona 1752,
, ,
4
Pascal Boy, Notices sur la vie et les ouvrages de Pergolse, Mercure de France ( 1772), . 185192 Frank Walker, Two Centuries of Pergolesi Forgeries and Misattributions,
Music & Letters 30 (1949), . 297-320: 297. Boyer Duni.
42
Jean-Philippe Rameau Jean-Baptiste Lully,

.5 Pergolesi

. 1755, Serva padrona 100
Opra 96 Comdie-Italienne, , ,
Stabat mater .6 ,
,
,
.7
,
. ,
Pergolesi ,
.
, , 18 .

. Pergolesi

.
,
,
Pergolesi .8

Pergolesi 18 .
John Hawkins,
[] ,
,9 Charles Burney, (
) .10 ,

Pergolesi , 20
. ,
,
,
Pergolesi .11

Pergolesi
1752 Serva padrona ,

, , 1746.
6 Walker, Two Centuries, .., . 298.
7 Francesco Degrada, Le messe di Giovanni Battista Pergolesi: Problemi di cronologia e dattribuzione,
Analecta Musicologica 3 (1965), . 65-79: 65-66.
8 C[harles]. L. Cudworth, Notes on the Instrumental Works Attributed to Pergolesi, Music & Letters 30
(1949), . 321-328: 328.
9 John Hawkins, A General History of the Science and Practice of Music, . 5 (: T. Payne, 1776), .
375.
10 Charles Burney, A General History of Music, . 4 (, 1789), . 557.
11 ., , Hugo Riemann, Handbuch der Musikgeschichte, . 2, 3 (: Breitkopf &
Hrtel, 1920-1922), . 120 Georges de Saint-Foix, Pergolesi (1710-36), Rivista Musicale Italiana 41
(1937), . 24-30 Alfred Einstein, A Short History of Music ( : Knopf, 1937), . 151.
5
HH PERGOLESI:
43
.12 , (, , ) ,
Filippo Caffarelli, , ,

. , Frank Walker, Charles Cudworth,
Helmut Hucke Helmut Hell,
Pergolesi, ,
Caffarelli,
.13 ,
, , Marvin Paymer,
Pergolesi,
.14
52
Caffarelli, Paymer
(27%). , Paymer 27
Caffarelli, 14. 79
, , 27 Pergolesi.
27, .15 79
Paymer, 33
34 .16 ,
(P/H ), , Johann Adolf
Hasse, Pergolesi.
, Caffarelli, Paymer.
(33 1)

Pergolesi. 1768
.
(Spiritoso Adagio Allegro Spiritoso)
, . Pergolesi
(Concerto per il Flauto [] da Pergolese),
. Breitkopf
1762-1787,17
33. Cherbuliez Stover,
, ,
12
13
14
15
16
17
Filippo Caffarelli (.), Giovanni Battista Pergolesi: Opera omnia, 26 (: Gli amici della
musica da camera, 1940-1942).
., , Walker, Two Centuries, .. , Pergolesiana, Music & Letters 32 (1951),
. 295-296 Cudworth, Instumental, .. Helmut Hucke, Pergolesi, : Friedrich Blume (.), Die
Music in Geschichte und Gegenwart, . 10 (Kassel: Brenreiter, 1962), . 1047-1063 ,
Pergolesi: Probleme eines Werkverzeichnisses, Acta Musicologica 52 (1980), . 195-225 Helmut Hell,
Die neapolitanische Opernsinfonie in der ersten Hlfte des 18. Jahrhunderts: N. Porpora, L. Vinci, G. B.
Pergolesi, L. Leo, N. Jommelli (Tutzing: Hans Schneider, 1971).
Marvin E. Paymer, The Instrumental Music Attributed to Giovanni Battista Pergolesi: A Study in
Authenticity ( , The City University of New York, 1977).
Pergolesi, ,
Marvin E. Paymer (.), G. . Pergolesi: The Complete Works
/ Instrumental Music ( : Pendragon Press, 1993).
: Marvin E. Paymer, Giovanni Battista Pergolesi: A
Thematic Catalogue of the Opera omnia with an Appendix Listing Omitted Compositions ( :
Pendragon Press, 1977).
Barry S. Brook, The Breitkopf Thematic Catalogue: The Six Parts and Sixteen Supplements 1762-87 (
: Dover, 1966), (1763) . 100.
44
a priori .18 Hucke ,

,
,19 Paymer ,
.
1: (33)
18
19
Giuseppe Radiciotti, Giovanni Battista Pergolesi: Leben und Werke, . Antoine Cherbuliez
(: Pan Verlag, 1954) Edwin L. Stover, The Instrumental Chamber Music of Giovanni Battista
Pergolesi ( , Florida State University, 1964).
Hucke, Pergolesi, .., . 1058.
HH PERGOLESI:
45

(34 2).
( ),
, ,
,
. (
Pergolesi), ,
( ).
18 . (Amoroso Allegro Grave Presto)
, .
( Caffarelli), Herbert Klbel
Pergolesi,
[] Breitkopf &
Hrtel.20 ,

Breitkopf,
.
20
Giovanni Battista Pergolesi, Concerto per il flauto solo, 2 violini e basso continuo (D-dur)
(Wilhelmshaven: Peters, 1975).
46
2: (34)

(/ 3) Hasse.
Hasse (
), Maurizio Machella Mario Puerini
Pergolesi .21
.
,
Pergolesi,
( 3),
Pergolesi.
Hasse, International Music Score Library Project
(IMSLP)22 , ,
, . ,
[Allegro Largo Allegro ( ) / Presto (
)], ,
( )
.
21
22
Giovanni Battista Pergolesi, Concerto per flauto in Sol maggiore, con due violini e basso continuo
(: Armelin Musica, 2001).
http://imslp.org/wiki/Flute_Concerto_in_G_major_(Pergolesi,_Giovanni_Battista) (25 2010).
HH PERGOLESI:
47
3: (/)
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Hasse .
1741 ,
.23 ,
,
, .24
23
24
Johann Adolf Hasse, Twelve Concertos in Six Parts for the German Flute, Two Violins, a Tenor, with a
Thorough Bass for the Harpsichord, Op. 3 (: John Walsh, 1741).
Pippa Drummond, The Concertos of Johann Adolf Hasse, Proceedings of the Royal Musical Association
99 (1972-1973), . 91-103: 93.
48
,
Concerto con Mandolino obligato. Del Sig. Sassone ( il Sassone
Hasse).
.
3:
(/)
( Aalholm-samlingen I, 5 AccNr. mu9709.2965)

Pergolesi
1762-1787 Breitkopf.
Pergolesi, Pippa
Drummond, ,
Breitkopf.25 Paymer
25
Pippa Drummond, The German Concerto: Five Eighteenth-Century Studies (: Clarendon Press,
1980) . 251.
HH PERGOLESI:
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,
.
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.
,
Paymer .
Pergolesi
Paymer sinfonie ,
.
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, :
:
( 50-100% Pergolesi )
:
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:
( Pergolesi )
,
(corellation method) ,
Jan LaRue, 26
. ,
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50
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1),
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( 55% 57%, 75%),
33 : 72% 76%

(D)
(C). / 22 29 (76%)
.
(Paymer)
( :
50-100% Pergolesi
)
Concerto
G major
P33-D
(Paymer)
Concerto
G major
P33
(.)
Concerto
D major
P34-D
(Paymer)
Concerto
D major
P34
(.)
Concerto
G major
H/P
4 4

4 3

50%

10-45%
:27 36-74

:
ii, iv, IV, i, bvii, V, VI, bVI, bvii

:
ii, IV, I, v, III, VII, VI
10
: 6-36
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13
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: 34-99
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16
17
18
19
20
21
22
23
24
25
26
27
29

-V-

30
()
21/29
(72%)
22/29
(76%)
16/29
(55%)
17/29
(57%)
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(76%)
(75-100%)

,
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28
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),
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. ,
. , ,
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), (25%) Paymer.
52
(Paymer)
( : 125% Pergolesi )
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G major
P33-D
(Paymer)
Concerto
G major
P33
(.)
Concerto
D major
P34-D
(Paymer)
Concerto
D major
P34
(.)
Concerto
G major
H/P
Alberti
10
11
12
Unisono
13
14
15
16
17
18
()
8/16
(50%)
4/15
(27%)
6/16
(38%)
4/15
(27%)
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/.
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, 10
.

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HH PERGOLESI:
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53
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G major
P33
(.)
Concerto
D major
P34-D
(Paymer)
Concerto
D major
P34
(.)
Concerto
G major
H/P
75%
Caesuras
10
2/4 3/8
()
3/11
(27%)
2/10
(20%)
2/11
(18%)
2/10
(20%)
0/10
(0%)
(0%)
11
12
3: ( 3)
Concerto G major
P33-D (Paymer)
:
11% (+11)
Concerto D major
P34-D (Paymer)
:
20% (+20)
: 20 (-20)
: 32% (+16, -16)
:
V:
71% (+43, -28)
Concerto G major H/P

:
50% (+27, -23)
32% (+16, -16)
40% (+20, -20)
: 45% (+27, -18)
4: , .
Pergolesi 37-62% ( 4)
, :
33 C ( ),
34 D ( )
/ , ,
( ).
, Pergolesi
,
,
, . ,
, :
54
(/) .
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, .

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, .

,
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Chopin, Delacroix
-

Poetisches bei Chopin, Chopin
19 .1 ,
,
, Hector Berlioz, Robert Schumann,
Franz Liszt Richard Wagner. Schumann, Chopin
, Heinrich Heine
. , Chopin (. 1)

.
, ,
J. S. Bach.
Christian Wessel ,

.2
1. Chopin Ary Scheffer, 1847.

Stanislaw Stattler, 1858 (online)
Chopin.
, ,
. Schumann, Chopin
1
2
Constantin Floros, Poetisches bei Chopin, Das Orchester, Heft 5, 2001, . 16-20.
. , . , , , , 1999, .
229 Tadeusz A. Zieliski, Chopin. Sein Leben, sein Werk, seine Zeit, Schott, Mainz 32008 ( . 1993,
), . 442.
56

Adam Mickiewicz.3
Chopin nocturnes,
. ,
, , ,
, James
Macpherson (Ossian-Gesnge, 1760) Novalis (Hymnen an die Nacht, 1797),
19 .
, ,
, ,
Lieder. ,
(. sotto voce
).
(Lieder ohne Worte) Felix Mendelssohn-Bartholdy, Chopin,
Mendelssohn,

, .4
, Chopin
.
, Nocturne ,
op. 15 . 3 ( 2), 1833.5

, nocturne (. 2).
, , ,
.
. Hugo Leichtentritt, ,
Lied, .6
, (. 1-50)
Lento, languido (= ) e rubato. (. 51-88),
, .
C (. 89-120), religioso, choral D (.
121-152), , , .
nocturne
Chopin
. ,
.7
, ,
, C .8
3
4
5
6
Floros, .., . 17, . 10 (= Robert Schumann, Gesammelte Schriften ber Musik und Musiker, . V.
Martin Kreisig, Leipzig 51914, Bd. II, . 32).
Matthias Corvin, (Solistenkonzert Kissin), Salzburger Festspiele, 2.8.2010 , .., . 617-618.
Zieliski, .., . 408, 894.
Floros, .., . 18, . 17 (= Hugo Leichtentritt, Analyse der Chopinschen Klavierwerke, Berlin
1921/1922, Bd. I, . 15-19).
Floros, .., . 20, . 19 (= Krystyna Kobylaska, Frdric Chopin. Thematisch-bibliographisches
Werkverzeichnis, Mnchen 1979, . 35).
1830, , , ,
Alphonse de Lamartine, Harmonies potiques et rligieuses,
Franz Liszt. Floros, .., . 19.
CHOPIN, DELACROIX
57
2. octurne op. 15 . 39
Zieliski, nocturne (
, ),
, ( 69),
choral, ,
(,
).
.10
Schumann,
Chopin, Ludwig Rellstab, Iris,
.11
Chopin , 1837-1838,
Nocturne , Nocturne op. 37
. 1,12 1840.
James Huneker, .13 ,
. . ,
, ,
choral, , , .
9
10
11
12
13
Floros, ..
Zieliski, .., . 408.
, .., . 230-232 Floros, .., . 20, . 23.
Zieliski, .., . 622, 894 Floros, .., . 20.
James Huneker, Chopin. The Man and his Music, New York 21966, . 144: This nocturne contains in
solution all that Chopin developed later in a nocturne of the same key (= Floros, .., . 20, . 24).
. Maurice J. E. Brown & Kenneth L. Hamilton, Nocturne, Grove Music Online.
58
19 ,
Chopin 1831. , ,
, ,
, ..
. Chopin : ,
,
.14
Chopin, 1831,
, ,
.
,
, , , ,

.15
, 1832, ,
Nocturne , op. 15 . 3,
opus 1833, Ferdinand
Hiller. 1830
: 1832 Chopin. :
.16
, ,
1827, Chopin . 11
1827, John Philip Kemble, ,
, Odon , 15
1827, .17
Harriet Smithson,
(. 3). ,
, Alfred de Vigny, Alfred de Musset, Prault, Louis Boulanger,
Devria, Eugne Delacroix, Thophile Gautier, Alexandre Dumas, Victor Hugo ..
Alexandre Dumas
.
, ,
.18 Devria Delacroix ,
, Souvenir du
Thtre Anglais Paris. , Delacroix
(. ).19 , , Gautier
Giselle, . Hugo
Cromwell lexandre Dumas Christine,
14
15
16
17
18
19
, .., . 198-199 Zieliski, .., . 350.

Jim Samson & Kornel Michaowski, Chopin, Fryderyk Franciszek, Grove Music Online , ..,
. 208 Zieliski, .., . 430-432.
Berlioz: La Tempte (Fantasie), 1830 Llio (Symphonie), 1831 Romeo et Juliette (Symphonie), 1839.
Mendelssohn, Sommernachtstraum, 1826/1831 ..
Alan R. Young, Hamlet and the Visual Arts, 1709-1900, University of Delaware Press, Newark (NJ) 2002
online: leoyan.com/global-language.com/ENFOLDED/YOUNG/Index.html.
Katharine Lochnan, Delacroix in scena, : Guy Cogeval & Beatrice Avanzi (.), Dalla scena al
dipinto. La magia del teatro nella pittura dell Ottocento. Da David a Delacroix, da Fssli a Degas,
Rovereto, Skira, 2010, . 178-185: 182.
1835 , 1839, 1838
1853. . , . 31 45.
CHOPIN, DELACROIX
59
.20
;
Daniel Maclise (1806-1870, ),21
(Tate Gallery),
Maclise 1842 Royal Academy (. 4).22
Eugne Devria
(1805-1865) Louis Boulanger (1806-1867),
Charles Kemble 1827.23
3. Harriet Smithson 1827.

(online)
20
21
22
23
Young, .., online.

Forbes Magazine Collection. Charles Dickens (Letters, 1938, vol. I, . 469) William
Makepeace Thackeray (The Paris Sketchbook and Art Criticisms, The Oxford Thackeray, vol. II, . 576)
, .
Gallerie zu Shakespeareschen Werken, 1828 (Outlines to Shakespeare)
Moritz Retzsch (1779-1857) (George P. Landow).
Christopher Forbes, The Royal Academy Revisited, 1837-1901, Forbes Magazine, New York 1975, no.
43 Frank Nicolas Clary, Maclise Macready, Collaborating Illustrators of Hamlet, Shakespeare
Bulletin, March 22, 2007.
oung, .., online.
60
4. Daniel Maclise, . , 1842. , Royal Academy (online)

1827 , ,
, :
Hector Berlioz.24 :
Harriet Smithson (. 5) . Berlioz
Smithson.
, 1830. 5
1830 ,
Conservatoire, rue du Faubourg-Poissonire, Habeneck.25
. , Berlioz
, . 1831,
, ,
. , Memoires ,
, , ,
Camille Moke,
. , .
Llio ou le Retour la vie.26
, ,
,
Conservatoire 1832,
Habeneck.27 , , Chopin,
Liszt, Hiller, Hugo Heine, Paganini, Georges Sand, Dumas, Thophile Gautier
. Harriet
Smithson . ,
24
25
26
27
Jrg Handstein, (Orchesterkonzert, Llio), Salzburger Festspiele, 15.8.2007, . 6-11.

, .., . 196-197.
erbert Glass, Scenes and more Scenes from the Life of an Artist (rchesterkonzert, Llio), Salzburger
Festspiele, 15.8.2007, . 14-17.
CHOPIN, DELACROIX
61
Berlioz. 1833 .28
5. Harriet Smithson Ed. Dubuf, 19 (online)
1831 1840 65 .29

Chopin 1832, Smithson,
Berlioz , Llio 1832.
Nocturne , op. 15 . 3 (
). 1833, Smithson
. Chopin, 2 ,
, (Smithson
Berlioz).30 Berlioz. , Liszt
Chopin George Onslow.
. Berlioz, Chopin ,
Alfred de Vigny. 15 1833, o Chopin Liszt
Hiller (. Nocturne )
Conservatoire J. S. Bach.
Chopin Hiller
Bach. ,
Berlioz.31
1836, Chopin Aurore
Dudevant, George Sand,
. 1838 . Delacroix,
28
29
30
31
, .., . 244-245 Zieliski, .., . 427, 440.

Young, .., online.
Zieliski, .., . 427-428 , .., . 246.
, .., . 241-242.
62
.32 1835, Delacroix

( ) ,
(. 6).33 1827,

, , .
, 1839.34 Delacroix
. 1821,
, (. 7).35 1825,
, Delacroix
, Charles Kean,
.36 , , , 1827
,
, , , .37
6. E. Delacroix, , . , 1835.
, Stdelgallerie38
Zieliski, .., . 535, 552 , .., . 289, 298-299.
Lee Johnson, The Paintings of Eugne Delacroix. A Critical Catalogue, 1816-1831, 6 vols., Clarendon Press,
Oxford 1981, vol. III, . 71-72, . 258, 73 Lochnan, .., . 184. ,
Stdelgallerie.
34 Johnson, .., vol. III, . 87-88, . 277, 85. .
35 Ravenswood . Sir Walter Scott,
La Sposa di Lamermoor, 1819
1823. Lochnan, .., . 179.
36 Delacroix 1825 , Edmund Kean
. . Johnson, .., vol. III, . 64 : Lochnan, .., . 182-184.
37 4-5 ( 1835), 16 (1834-1843)
. Lochnan, .., . 184 . . 45.
38 Cogeval & Avanzi (.), Dalla scena al dipinto, .., . 192.
32
33
CHOPIN, DELACROIX
63
7. E. Delacroix, . 1821. 39
Delacroix Chopin ,
Mozart. Chopin, ,
Delacroix Ingres. ,
.40
1837, Chopin Berlioz Harriet Smithson (
).41 1837-1838
Chopin . 1838 ,
. 1838 Delacroix
Chopin ( , .
. 8), .42 1839
Nohant.43 Delacroix,

, 1839 (. 9).44
Zieliski Nocturne , op. 37 . 1,
39
40
41
42
43
44
Cogeval & Avanzi (.), Dalla scena al dipinto, .., . 188.

H Coustine, . , .., . 316 Zieliski,
.., . 531.
Delacroix. Dutilleux
1873 , . Chopin
, , Ordrupgaard. Johnson, .., vol.
III, . 49-53, 64, . 232, 233, 293 298.
, .., . 417-421 Zieliski, .., . 561, 619.
Johnson, .., vol. III, . 87-88, . 267, 85. 1843.
, 1838 .
64
Chopin 1839.
1840.45 Chopin 1840
Nohant Delacroix,
.46
16
, Delacroix 1834
1843. o 80 ,
( 1875) Paul Meurice (1820-1905) 200 ( 1834,
1835, 1838 1843).47
, 1854-1856
1835 (. 10). , ,
Harriet Smithson. ,
(..)
(..). , 1853
1843,
1838.48
8. , , Delacroix, Chopin G. Sand
Delacroix Chopin .
.49
.
45
46
47
48
49
Zieliski, .., . 622, 658, 894.

, .., . 419-421, 441, 448, 486 Zieliski, .., . 704-705.
Johnson, .., vol. , . 380 Eugne Delacroix, , , 1981, . 20 Anne
Srullaz & Yves Bonnefoy, Delacroix & Hamlet, d. de la Runion des Muses Nationaux, Paris 1993
Young, .., online Alan R. Young, Visual Representations of the Graveyard Scene in Hamlet, :
Hardin L. Aasand (.), Stage Directions in Hamlet, Fairleigh Dickinson University Press, Madison
2003, . 189-213.
Lochnan, .., . 184, 191.
, .., . 623 Zieliski, .., . 860.
CHOPIN, DELACROIX
65
9. [] E. Delacroix, , . , 1939. , .
[] 50
10. [] E. Delacroix, , 18541856, Reims, Muse des Beaux-Arts. [] 183551

50
51
Srullaz & Bonnefoy, Delacroix & Hamlet, ..

Cogeval & Avanzi (.), Dalla scena al dipinto, .., . 190, Srullaz & Bonnefoy, Delacroix &
Hamlet, ..
Fryderyk Chopin.

, Chopin
.
, ,
,
,
: Chopin
Rubinstein.

, . ,
(
,
,
,

).
, ,
Chopin , ,
,
, 20 .
,
,
. ,
. ,

80 , 2049,
Chopin, 200 ,
, ,
,
.
Ostinato
O Chopin
(op. 6 . 2 . 3, op. 7 . 1 . 2a, op. 17 . 4, op.
56 . 2, op. 67 . 1, op. 68 . 3).1 ,

1
, (.. op. 41 . 2).
FRYDERYK CHOPIN.
67
, ,

,2 (op. 6 . 2
op. 56 . 2) (
).
, ,
(op. 6 . 2)
(op. 7 .
2a).
, (op. 6 . 3),
.
,
Chopin
,
.3 O Chopin
, Mazovia,
. Duda,
,
op. 7 . 2a,
1829, Chopin
, Ferdinand Hoesick, 1901,
Chopin, Josef Elsner. O Hoesick
1902,
,
Breitkopf & Hrtel .4 H
,
1 2 ,5
(
)
( )
,
.6 ,
12 , ,
pedal op. 68 . 3 1829
2
3
5
6
Stephen Downes, Mazurka, Grove Music Online, www.oxfordmusiconline.com, 18193, 16/9/2010.

1) Stephen Downes, Mazurka, .. 2) Peter J. Burkholder Claude V. Palisca, Norton Anthology of
Western Music, Vol. 2: Classic to Twentieth Century, W. W. Norton & Company, 52006, . 338.
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Chopins influence on the fin de sicle and beyond, : Jim Samson (.), The Cambridge
Companion to Chopin, Cambridge University Press, Cambridge 1994, . 264-265. 5) Kornel Michaowski
Jim Samson, Chopin, Fryderyk Franciszek [Frdric Franois], 6. Formative influences, Grove
Music Online, www.oxfordmusiconline.com, 51099, 16/9/2010.
. Maurice J. E. Brown, The Posthumous Publication of Chopins Songs, The Musical Quarterly, Vol.
42, No. 1, Oxford University Press, 1/1956, . 62-63, Frdric Chopin, Mazurken, . Ewald
Zimmermann, G. Henle Verlag, Duisburg 1975, . 168, 184, 1900
Hoesick.
Chopin, Mazurken, .., . 16.
Jan Stszewski, Poland [Polish Republic], II. Traditional music, 5. Instruments, Grove Music Online,
www.oxfordmusiconline.com, 22001, 16/9/2010, Stephen Downes, Mazurka, ..,
Samson, The music of Chopin, .., . 113: The Lydian mode is by far the most common in Polish folk
music.
68

,
.7
, Chopin
4 8 (.. op.
6 . 2 . 3, op. 7 . 2a, op. 67 . 1 op. 56 . 2,
),
(op. 7 . 1, op. 17 . 4, op. 68 . 1).
, bassi
ostinati , ,
pedal,
, , op. 27 . 1
(. 1-3)8 op. 47 (. 165-172, 183-188, 194-196 202-208).9
, ,
. ,

, ,
. ,
.
pedal, o
, ,
.
, ostinati
(. 157-212),

b ( 1).

Barcarolle op. 60 (1845-1846),
ostinati,

() , .10
#-
MI+
b+
V
. V
. V
. V
. V
. 157
. 183
. 194
. 202
. 205
. 213
1: (. 157-212)
op. 47

10 b
op. 38 (1836-1839).

7
8
10
. Burkholder .., Norton Anthology of Western Music, .., . 339.

1835. . Frdric Chopin, Nocturnes, . Ewald Zimmermann, G. Henle Verlag,
1980, . 36.
1841. . Frdric Chopin, Balladen, . Ewald Zimmermann, G. Henle Verlag,
1976, . 30, 39-40. . Roy Howat, .., . 259-264.
. Frdric Chopin, Klavierstcke, . Ernst Herttrich, G. Henle Verlag, 1978, . 86-97.
FRYDERYK CHOPIN.
69
, ostinato V (. 70)
diminuendo .
, (. 78)
.11
ostinati Chopin
op. 53 (1842),
16
42 ,
.12
ostinato13 Chopin
Berceuse op. 57 (1843),
,
,
.14
Chopin
ostinato , , . 66 (
),
,
. , Urtext
, Chopin
b
ostinato . 68, (. 68) b (. 69)
b (. 70) .15
(Choral)
Chopin
.
Rondo-Sonata
op. 4 (1827-1828, . 84-95). choral
, (. 293-304).
op. 35
(1839), (. 41-56) (. 169-184).16 To
, choral, Scherzo op. 39 (. 156-183),17

Chopin: ,
.18
11
12
13
14
15
16
17
18
. Jonathan D. Bellman, Chopins Polish Ballade Op. 38 as Narrative of National Martyrdom, Oxford
University Press, 2010, . 86, Edgar Stillman Kelley, Chopin the composer, Cooper Square
Publishers, Inc., 1969, . 137.
. Samson, The music of Chopin, .., . 109.
. Laure Schnapper, Ostinato. 2. Ostinato variations. Grove Music Online, www.oxfordmusiconline.com,
20547, 16/9/2010.
. Willi Kahl, IV. Romantic Piano Music: 1830-1850, : Gerald Abraham (.), The New Oxford
History of Music, Vol. IX: Romanticism, 1830-1890, Oxford University Press, 2006, . 250.
. Jonas Oswald, On the study of Chopins Manuscripts, : Franz Zagiba (.), Chopin: Jahrbuch
1956, Internationale Chopin-Gesellschaft, Amalthea, Wien 1956, . 147, 154.
. Frdric Chopin, Complete Works, VI. Sonatas, . Ignacy J. Paderewski, The Fryderyk Chopin
Institute, Polish Music Publications, 1991, . 32, 41-42, 47-48 53.
Frdric Chopin, Scherzi, . Ewald Zimmermann, G. Henle Verlag, 1973, . 49-50.
. Michaowski .., Chopin Fryderyk Franziszek, 7. Piano writing, Grove Music Online, ..
70
choral . ,
,
, ,
.
,
, , .
op. 15 . 3 (1833), ,
Lento piano .
(. 69-76: cresc., accel., ,
, ),
(a tempo, piano,
),
religioso.
op. 37 . 1 (1838),
, choral (. 4148) Mb .
,
op. 48 . 1 (1841), (. 25-48)
choral,

, .
,
Chopin ,
, . ,
- op. 61 (1846),
4 choral (. 148-151),
.19 op. 52
(1842), choral (. 203-210)
, , ,

.20 , Impromptu op. 29 (1837),
, op. 51 (1842), , choral,

, , .21
,

. Wilhelm von Lenz,22 Liszt, Chopin
. 53-60 op. 24 . 4 (1834-1835) .
4 unisono ,
4 choral .23
19
20
21
22
23
Frdric Chopin, Polacche, . Guido Agosti, Edizioni Curci, 1951, . 107 119.
Frdric Chopin, Balladen, .., . 57.
Frdric Chopin, Ballades, Impromptus, . Raoul Pugno, Universal Edition, 1966, . 59, 75.
. Elliot Forbes Edward Garden, Lenz, Wilhelm von, Grove Music Online, .., 16413, 16/9/2010.
Jean-Jacques Eigeldinger, Chopin: pianist and teacher as seen by his pupils, . Naomi Shohet Krysia
Osostowicz Roy Howat, Cambrigde University Press, Cambridge 1986, . 74-75.
FRYDERYK CHOPIN.
71

Chopin.

, .
. ,
,24
; Rachmaninoff,
op. 35 . 72
,
, rallentando
,
Chopin.25
op. 39 ,
.26
,
Glenn Gould
Invention.27
Horowitz,
p. 53 Chopin staccato
pedal 1983,
, 1987, Musikverein
,

V I, .28 ,

.

Chopin,
. ostinato
, .
(choral), ,
,
.
,
,

.
24
25
26
27
28
. ( ), , ,
1997, . 178.
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, 1997.
FRYDERYK CHOPIN.
73
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1995.
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2, 1992.
Vladimir Horowitz: Favorite Encores, CBS Inc., CD MK 42305, 1986.
Chopin, Beethoven

.

,
,
(Rosen 1980).
Charles Rosen, ,

, []
[], [ ]
,
(Rosen 1994: 92).
,
,
, []
(Knapp 1997: 134).
,
, ,
.

, .

,
,
. ,
, (Derrida 1979: 83-84)
,
, ,
.1
Frdric Chopin ,
Ludwig van Beethoven.

Chopin Beethoven
.2
1

, . Klein (2005).
Beethoven
Chopin .
CHOPIN, BEETHOVEN
75
Chopin,
Beethoven,3
.4
,
-
(Renza 1989: 187).
,

/ ,
, .
,

, op. 27 . 1, Chopin
, op. 27 . 2, Beethoven.5 ,
,
opus.6
( 1 2): Beethoven
, , Timothy Jones (1999),
,7 Chopin
,
. , ,
,
Beethoven
Chopin, .

(anxiety of influence) Harold Bloom (Bloom 1975 1976
1977 1982a 1982b 1983 1997), ,
3
4
, . Petty (1999: 282-283).

Gerald Abraham (1939),
Bach, Bellini, Elsner, Field, Hummel, Kalkbrenner, Moscheles, Mozart, Rossini, Schubert,
Spohr Weber, Beethoven
Chopin. Bach Mozart
Chopin , Samson (1996), Rosen (1995)
Michaowski.
Anatole Leikin (2003) ,
.
Chopin
opus
.
(Kallberg 1996c),
(, . Chopin 1931: 196, 253, 263-265, 313, 331).
opus
(Reynolds 2003: 144-145).
Jones (1999: 80-81)
(. 1-23: , . 23-41: , . 42-60: , . 60-69: coda)

. Peter Benary (1987)
(. 1-5: , . 6-27: , . 28-42:
/ , . 43-60: , . 60-69: coda),
.
Jones ,
.
76

, ,
, (Korsyn 1991: 13).
1
.
3
1
4
1-5
5 -10
c-E-e
2
4
10 -15
15 -23
e-b
B(=V/e)-f
2
4 . V 1
1
3
4
Coda
23-28
28-41
42-46
46 -51
51 -60
60-69
14
10
f-V/c
V/c
c-E
E-c
C-c
1: op. 27 . 2
Beethoven (Jones 1999: 82-84)
A
(. V)
A
3
Coda
1-2
3-10
11-18
19-28
29-52
52-64
65-83
84-85
86-94
94-101
10
23
13
19
c-E-c
c-E-c
c-E-A
A(=V/D)
c-E-c
2: op. 27 . 1 Chopin
Bloom,

- (Bloom 1976: 3). Bloom,
, ,
.

(Bloom 1983: 121). Bloom,
o
. (misreading)
(misprision) ,
,

(Straus 1990: 14).8 O Bloom
(revisionary ratios),
( 3).
(rhetorical trope)
(psychic defense).9
,

, Bloom
.
Bloom (1997)
(1989).
Bloom
, (Bloom 1997: 14-16).
CHOPIN, BEETHOVEN
77
, ,
3: Bloom (1975: 84)
Bloom

(de Man 1983 1989)
(Taruskin 1993 Scherzinger 1994 Whitesell 1994 Reynolds
2003 Klein 2005).
,
.10

, , ,
, ,
(Hollander 1988 Straus 1990 Korsyn 1991 1993
1996).

Beethoven Chopin

. ,
Bloom

,
.
Beethoven
Chopin,

.
, Bloom,

,

(Bloom 1997: 14).
( 1, . 1-5, 2, . 1-2),
10
,

Bloom ,
.
78

,
.11
1: op. 27 . 2
Beethoven, . 1-7 (Beethoven 1862-90c: 15)
2: op. 27 . 1 Chopin, . 1-4 (Chopin 1894: 32)
,
( 3, .
3-6)
( 3).
( 4). ,
, ,
6.12
11
12
, op. 27 . 2.
(evaded cadence), . Caplin (1998: 254).
Edward T. Cone (1994: 150-151).
CHOPIN, BEETHOVEN
79
3: () (voiceleading) op. 27 . 1 Chopin, . 3-10

()
op. 27 . 2 Beethoven, . 1-5
4: (voiceleading) 1
op. 27 . 2 Beethoven, . 5-9

( 3) -
, 42 51 ( 5). H ,
( 4, . 9),
-
,
( 5, . 46-8).
,
,

(. 3, 21, 39 50). ,
,

:
, -.
, Bloom,

, ,

.
80
5: (voiceleading) 1 2
op. 27 . 2 Beethoven, . 42-51

,

. Bloom,

,
. Bloom, ,
,
(Bloom 1997: 14).
6: op. 27 . 1 Chopin, . 29-36

(Chopin 1894: 33)

( 6),
Chopin (Kallberg 1996b: 52).13
( 7)
( 7, . 5-41),
. ,

13
CHOPIN, BEETHOVEN
81
, ,
, Heinrich Schenker
( 7, . 5-26),
, , ( 7, . 29-48).
,
William Caplin
(standing on the dominant Caplin 1998: 257),
( 7, . 28-41),
(/ )
(/ 7, . 52-83).
, ,
3 , (
8), (Samson 1996: 162).
7: ()
(voice-leading) op. 27 . 1 Chopin, . 29-83
()
op. 27 . 2 Beethoven (Schenker 1979: Fig. 7a)
82
8: 3 op. 27 . 1
Chopin, . 65-76 (Chopin 1894: 35)

,

. Bloom, ,
,
-
(Bloom 1975: 72). 9 7,

,
( A).
9: (voiceleading) (. 29-83) (. 84-101) op. 27 . 1

Chopin, . 29-101
, Bloom,
,
, ,
. []
, (Bloom 1997: 1415).

,
( 10).
CHOPIN, BEETHOVEN
83
10: op. 27 . 1 Chopin, . 2528 (Chopin 1894: 33)
11: () op. 27 . 1 Chopin, .

77-83 (Chopin 1894: 35) ()
(voice-leading) 2 (. 52- 64) 3 (. 65-83)
op. 27 . 1 Chopin, . 29-101
Kevin Korsyn
Schoenberg (liquidation):

,
84
,
(Korsyn 1991: 49).

3,

/ ( 11).
cadenza,
( 11), cadenza
coda (Presto agitato)
Beethoven ( 12).

cadenza
cadenza

.
12:
op. 27 . 2 Beethoven, . 187-190 (Beethoven 1862-90c: 28)
Bloom, ,
,

, (Bloom 1997: 15). Korsyn
Bloom
(repression):
,

(Korsyn 1991: 50). , Bloom : ;

; (Bloom 1976: 236).
,
.
, ,
,
( 13).14 ,
( 13 7),
.
, ,
( 14).
14

,
.
CHOPIN, BEETHOVEN
85
13:
(voice-leading) op. 27 . 1
Chopin, . 11-18
14: op. 27 . 1
Chopin, . 84-94 (Chopin 1894: 36)

,
: ,

, .

86
.
, Bloom,
(sublime)
- (counter-sublime),
, con duolo
.
coda
( 15, . 94-101).

, ,
Beethoven (, . 16).
15: coda (. 87-) op. 27 . 1

Chopin, . 91-97 (Chopin 1894: 36)
16: () op. 14 . 1 Beethoven

(Beethoven 1862-90a: 137) () op. 110
Beethoven (Beethoven 1862-90d: 123)

,
, op. 27 . 1,
quasi una fantasia Beethoven, op.
CHOPIN, BEETHOVEN
87
27 . 2 ( 17). Bloom,

,
,

,

[ ]
,
(Bloom 1997: 15-16).
17: coda op. 27 . 1 Beethoven, .

266-279 (Beethoven, 1862-90b: 123)
Bloom,
, ,
[ ]
,
, (Bloom 1997:
15). Korsyn
. Hans-Georg Gadamer,
,
(Gadamer 1979: xxiii).
,
. ,
,
. ,
, Bloom, -
, [] - ,
(Bloom 1977: 386).
Chopin,
Jeffrey Kallberg (Kallberg 1996a). O
Kallberg
:
,

(Kallberg 1990: 775).
op. 15 . 3 Chopin
88
, op. 27 . 1 Kallberg
Chopin
,

. , op. 27 . 1

, ,
. , Chopin
,
, 1831,
.15
II

Chopin Beethoven
Christopher A. Reynolds (2003) (motives for
allusion) ,

. ,
,
Bloom,
,
.16 ,

Beethoven Chopin
.

Beethoven , , ,
.
, , ,
.
Jim Samson (1996), op. 27
1835, Jeffrey Kallberg
marche,
, op. 35, Marche Funbre (Kallberg 2001).17
op. 27 . 2 Beethoven
Trauermusik (Jones 1999: 78-79)18
marche Beethoven.19
15
16
17
18
19
14 1831 Josef Elsner (Sydow 1955).

Reynolds (assimilative allusions)
(contrastive allusions), (Reynolds 2003: 44-67, 68-87).
Jim Samson (1996: 210) Wilhelm von Lenz (1983: 47-48)
op. 35 op.
26 Beethoven, ,
Chopin .
O Jones , , (. 4)
(lamentatio) tonus peregrinus,
Haydn Mozart (Jones 1999: 78-79, 137 n. 10).
Petty (1999) op. 35 Chopin
op. 111 Beethoven.
CHOPIN, BEETHOVEN
89
1834, op.
27, o Chopin Fantaisie-Impromptu, op. posth. 66, ,
op. 27 . 2 Beethoven
Ernst Oster (1983).20
Chopin 1834-1835,21

Samson, ,
op. 10 , op. 9 op. 15,
Chopin
(Samson 1996: 150)
(Samson 1996: 238-240).
, Chopin
op. 27.
1834-1835 Chopin

,

, , 19 ,
Ludwig Rellstab .22
Chopin,
Beethoven
,

.23 , op. 27 . 2
Beethoven, Rellstab,
(Jones 1999: 44),24
.
,
,
:
nocturne (Kallberg
20
21
22
23
24
Oster Chopin
. 1855
, Julian Fontana, 1849
(Oster 1983: 189).
. 7-8 FantaisieImpromptu, cadenza op. 27 . 1 ( 11)
cadenza op. 27 . 2 Beethoven
( 12).
Chopin op. 27
. 2 Beethoven, . Oster (1983: 203).
Lenz, 1830,
Ludwig Rellstab
:
(Lenz 1852: 225). 19 , . Jones (1999:
18-65) Samson (1994).
Roland Barthes
(Barthes 1967: 45-46).

(Jones 1999: 132 n. 60).
90
1990 1996b Parakilas 2004), Beethoven

,
Chopin.
,
Chopin,
(Kallberg 2001: 22)
1935
, ,
(Samson 1996: 131).
,

, ,
,
Bloom, Chopin . ,

.

.
Bloom, Harold. 1989. : . ,
, . : .
, . 1989. : :
, Harold Bloom. : .
.
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_______. 1976. Poetry and repression: Revisionism from Blake to Stevens. New Haven and
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_______. 1982a. Agon: Towards a theory of revisionism. Oxford and New York: Oxford
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_______. 1982b. The breaking of the vessels. Chicago: University of Chicago Press.
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_______. 1997. The anxiety of influence: A theory of poetry. 2nd ed. Oxford and New York:
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Frdric Chopin, , 28.

19 ;

24 , 28,
.
,
, .
, ,
( ) .
,
.
(Das Wohltemperierte Klavier).1

, ,
, 1814-1815 .2
: , ,

,
. 3 Hummel
. ,
,
,
1829 (
19 )
.4
1
1722 1740-1742. . Wolfgang Schmieder,

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. 846-893 (. 499-512).
24 , 67, Hummel .
1814 1810
(Rpertoire de musique pour les dames, ouvrage priodique et progressif compose par Jean Nep.
Hummel). ,
, , ,
. , .
Hummel ,
( , , , ..). .
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Chopin 1839. ,
(Breitkopf und Hrtel), (Adolfe Catelin)
(Brown 1839 Wessel 1840).
1838 .
1831. .
FRDRIC CHOPIN, , 28
95
, ,
. ,

, , , ,
,
.5

.
,
,
24
. , ,
,
.
, , .
,
, . ..,
,

, ,

.
, ,

, : , , - ,
- ... , , ,
.
; ,
, . ,
,
,
,
, . ,

.
, , ,
, , ; ,
, , ,
Chopin: , Jsef Micha Chomiski Teresa Dalila Turo, Katalog Dzie Fryderyka Chopina A
catalogue of works of Frederick Chopin, Krakow Warsaw 1990 (. 178-186 183
), , Krystyna Kobylaska, Frdric Chopin, Thematisch bibliographisches
Werkverzeichnis, Mnchen 1979 (. 58-73 . 60 ).
1600
, . Alfred Drr, Johann Sebastian Bach. Das Wohltemperierte Klavier, Kassel .. 1998 /
22000, . 59-66.
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piano (editorial committee: I. J. Paderewski, L. Bronarski, J. Turczyski), Krakow 1986, . 8.
FRDRIC CHOPIN, , 28
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omnia [], Vol. 1 (1-2): The Instrumental Works (. Gustav Leonhardt, Alfons Annegarn, Frits Noske),
Amsterdam 1967. ,
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Dictionnaire de la musique en France aux XVIIe et XVIIIe sicles, Paris 1992, . 572.

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Agawu, Kofi (1987). Concepts of Closure and Chopin's Opus 28. Music Theory
Spectrum, Vol. 9, . 1-17.
Agawu, Kofi (1989). Schenkerian Notation in Theory and Practice. Music Analysis, Vol.
8, No. 3, . 275-301.
Eigeldinger, Jean-Jacques (1988). Twenty-four Preludes, op. 28: Genre, Structure,
Significance. : J. Samson (.), Chopin Studies. Cambridge: Cambridge
University Press, . 167-194.
Forte, Allen & Steven Gilbert (1982). Introduction to Schenkerian Analysis. New York:
Norton.
Huron, David (2006). Sweet Anticipation Music and the Psychology of Expectation.
Cambridge, Massachussets: MIT Press.
Kallberg, Jeffrey (1992). Small forms: in defense of the prelude. : J. Samson (.),
Cambridge Companion to Chopin. Cambridge: Cambridge University Press, . 124-144.
Kramer, Lawrence (1985). Romantic Meaning in Chopin's Prelude in A Minor. 19thCentury Music, Vol. 9, No. 2, . 145-155.
Lerdahl, Fred (2001). Tonal Pitch Space. New York: Oxford University Press.
Meyer, Leonard (1965). Emotion and Meaning in Music. Chicago: University of Chicago
Press.
Ledbetter, David & Howard Ferguson. Prelude. : Grove Music Online [
19-11-2010].
London, Justin & Ronald Rodman (1998). Musical Genre and Schenkerian Analysis.
Journal of Music Theory, Vol. 42, No. 1, . 101-124.
Michaowski, Kornel & Jim Samson. Chopin, Fryderyk Franciszek. : Grove Music
Online [ 19-11-2010].
Parks, Richard (1976). Voice Leading and Chromatic Harmony in the Music of Chopin.
Journal of Music Theory, Vol. 20, No. 2, . 189-214.
Rogers, Michael (1981). Chopin, Prelude in A Minor, Op. 28, No. 2. 19th-Century Music,
Vol. 4, No. 3, . 244-250.
Schachter, Carl (1987). Analysis by Key: Another Look at Modulation. Music Analysis,
Vol. 6, No. 3, . 289-318.
Schachter, Carl (1995). The Triad as Place and Action. Music Theory Spectrum, Vol. 17,
No. 2, . 149-169.
Salzer, Felix (1962). Structural Hearing. New York: Dover.
Spitzer, Michael (2003). The metaphor of musical space. Musicae Scientiae, Vol. 7, . 101120.
114
()11
11
Chopin: Complete Works for Solo Piano CD Sheet

Music (CDSM).
115
116
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(Stuttgart, 1906), : Osvald Jonas, : Elisabeth Mann Borgese,
Harmony, The University of Chicago Press, Chicago 1954, . 148.
8 .
Carl Schachter, . The Prelude in E minor Op. 28 No. 4: autograph sources
and interpretation, : Jim Samson John Rink (.), Chopin Studies 2, Cambridge University
Press, Cambridge 1994, . 161-182.
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(opus 38) Chopin

Chopin
.
. , Ballads
without words: Chopin and the Tradition of the Instrumental Ballade James Parakilas
(1992),1 The four Ballades Jim Samson (1992)2 , , Chopins Polish
Ballade, Op. 38 as Narrative of National Martyrdom, Jonathan Bellman
(2010),3 ,
, ,
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,
, . ,

The Romantic Generation Charles Rosen
(1995),4 Music in Chopins Warsaw (2008) Halina Goldberg,5
, The Form of Chopins Ballade op. 23 o Karol Berger6
Chopins Ballades and the Dialectic: Analysis in Historical Perspective John Rink7
Chopin
, .

Schumann 1841 , , opus 37,
, opus 38, , opus 42.
, Schumann : ,
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1
2
3
4
5
6
James Parakilas, Ballads without Words: Chopin and the Tradition of the Instrumental Ballade, Amadeus
Press, Portland (OR), 1992.
Jim Samson, Chopin: The Four Ballades, Cambridge University Press, Cambridge, 1992.
Jonathan D. Bellman, Chopins Polish Ballade, op. 38 as Narrative of National Martyrdom, Oxford University
Press, New York, 2010.
Charles Rosen, The Romantic Generation, Harvard University Press, Cambridge (MA), 1995.
Halina Goldberg, Music in Chopins Warsaw, Oxford University Press, New York, 2008.
Karol Berger, The Form of Chopins Ballade op. 23, Nineteenth-Century Music 20/1 (Summer 1996), .
46-71.
John S. Rink, Chopins Ballades and the Dialectic: Analysis in Historical Perspective, Music Analysis
13/1 (March 1994), . 99-115.
CHOPIN
127
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Robert Schumann, Schumann on Music, Translated and edited by Henry Pleasants, Dover Publications,
Inc., New York, 1965, . 178-179.
Bellman, .., . 3.
. Frdric Chopin, Balladen, G. Henle Verlag, Mnchen, . 20-21.
128
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CHOPIN
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Bellman,
ballad ballade,13 ,
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130
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CHOPIN
131
Charles Rosen,22 , ,
Karol Berger (1996),
The Form of Chopins Ballade op. 23.23

IIN V
II
II
III
Coda
II
IV
1 Jim Samson
(IA, IB)

IIA
IB
+
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IA
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IA
2 Charles Rosen

, I
, II
Coda
III
II
I ()
3 Karol Berger

( ) Neil David
Witten, The Chopin Ballades: n Analytical
Study,24
Jim Samson.
22
23
24
Rosen, .., . 326-327.

Berger, .., . 51-53.
Neil Witten, he Chopin Ballades: An Analytical Study, , ,
1974, . 344-346.
132
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, , opus 38 (1836-1839), :
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(47-82)
(83-140)

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..
Chopin, Balladen, .., . 20-21.
Bellman, .., . 6-14.
134
, , 1876,
Balladine, opus 38, ,
. Schumann
, ,
opus 38, ,
. Anatoly Leikin,
The Dissolution of Sonata Structure in
Romantic Piano Music (1820-1850),33 , ,
( ) ,
, (, )
, , ,
, + coda, :
( 6 + 6 ),
,
,
: ( ) coda.34 (
),
(Presto con fuoco, Andantino, sotto voce ),
, ( + ) + + (2+2 + 2
+ 2 ) + ( + ) + + (2+2 + 2 + 2 : 16 ),
V I V ,
, V I V , .
2) , ,
, siciliano ,
,
Presto con fuoco ff. ,
, ,
Rosen Romantic Generation.
3) (

)

. 62-67 ,
, ,
(. , . 156-163).35
, :
1) ,
,
8 , (. 9 . 17)
(. 25),

,
. , , 7
33
34
35
Anatoly Leikin, The Dissolution of Sonata Structure in Romantic Piano Music (1820-1850),
, , Los Angeles, 1986.
.., . 270-271.
CHOPIN
135
,
,
IV, I 64 , V . 9.36
(. 8-9) ,
, (
, . 9, 10), ,
.
(
8 + 20 ),
. 31,
, (. 3644, 45-48 49-56).37
(8 + 7 ) .
. 82 (. 8290 , Rosen), , ,
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() ,
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,

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, , ,
, ,
, ,
. ,

, Karol Berger,
36
37
38
39
40
41
.., . 5.
.., . 6-7.
.., . 8-10.
Berger, .., . 60.
.., . 12.
136

42 ( , Berger, ).
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,
, ,46 ,
, , , ,
,
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, ,
, :
42
43
44
45
46
Berger, .., . 56.

Chopin, Balladen, .., . 10.
Rosen, .., . 79.
.., . 51.
.., . 329.
CHOPIN
137
,
, ,
, ,
. ,
,
( ,
III ),
, I 64 ,
,
.
, ,
, .47

,
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.
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siciliano , ,
, , ,
,48 Bellman,
;
, ,

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,
,
, , ,

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.
47
48
, , ,
Heinrich Schenker ,

. : Berger, .., . 60-66.
Bellman, .., . 165.
Chopin :

19

:

,
,

, ,
,
, ,
,

.1

: ,

(
18
),
,
,

, (
) .
Fryderyk Chopin,
.

,
1
. Joachim Kaiser,
, Chopin und die Sonate, Musik
Konzepte 45 (Fryderyk Chopin), 1985, . 11. Ursula Dammeier-Kirpal, ,
Der Sonatensatz bei Frdric Chopin, Breitkopf & Hrtel, Wiesbaden 1973, . 1,
, :
Chopin
( )

;
CHOPIN :
139
.
. 1, -, opus 4, 1827-1828,
-, opus 8, 1828-1829, (
. 2, -, opus 21, . 1, -, opus 11)
1829 1830, ( ),
. 2,
--, opus 35, 1839, . 3, -, opus
58, 1844, Chopin,
-, opus 65, 1845-1846.
Allegro de concert,
-, opus 46, , , 1841, ,
,
Chopin 1830.2
, ,
-.3
,
Chopin
,

.
,
:
Chopin,
,
,
,
,
Allegro de concert ,

, .
, ,

. 1, -, -
-,

!4
2

John Rink, Chopin: The Piano Concertos, Cambridge University
Press, Cambridge 1997, . 89-92.
, ,
Chopin,
,
. , . ,
Mozart: , :
(.), W. A. Mozart. , ( ),
2008, . 168-202 . 180-197.
. : Edgar Stillman Kelley, Chopin the Composer: His Structural Art and its Influence on
Contemporaneous Music, Schirmer, New York 1913, . 111 Dammeier-Kirpal, .., . 56 58 Charles
Rosen, Sonata Forms, W. W. Norton & Company, New York London 1988 (revised edition), . 392 Jim
140
,
Chopin.5
. 1
-, (.
1-16), (. 17-42) (. 43-89),
.6
, (. 90-178)
,

(. 159-178) -.7 ( ,
) ( . 179-194),
- (.
. 195-206 . 17-20 & 35-42) , -
( . 207-236)
coda ( . 237-248). ,

, ,
.8
7
8
Samson, The Music of Chopin, Clarendon Press, Oxford 1985, . 55 Jim Samson, Chopin, Oxford
University Press (The Master Musicians Series), Oxford 1996, . 49 Rink, .., . 63 64 Zofia Helman,
Norms and Individuation in Chopins Sonatas, Polish Music Journal 3/1, 2000 (http://
www.usc.edu/dept/polish_music/PMJ/issue/3.1.00/helman.html), II.
,
, , Rosen (.., . 368-369)
Chopin,
Samson (Chopin, .., . 180),
Chopin.
. Anatole Leikin, The Sonatas, : Jim Samson (.), The Cambridge Companion to
Chopin, Cambridge University Press, Cambridge 1992, . 166 : Dammeier-Kirpal (.., . 56)
Helman (.., I).

Dammeier-Kirpal (.., . 23), Rudolf Klein (Chopins Sonatentechnik, sterreichische
Musikzeitschrift 22/7, 1967, . 392 393), Kaiser (.., . 10), Rosen (.., . 392), Samson (The Music
of Chopin, .., . 38, Chopin, .., . 46) Helman (.., II). Samson (The Music of Chopin, ..,
. 38-39), , ,
,
, .
, Dammeier-Kirpal (.., . 20-23) (.
1-8), (. 9-55) (. 56-90) Helman (.., II)
(. 1-16), ( . 17-24 25-30, )
. 31-43, (. 43-58),
( . 59 ..) ( )

!
. Dammeier-Kirpal, .., . 23-24.
. Dammeier-Kirpal (.., . 24), Klein (.., . 393),

. Samson (The Music of Chopin, .., . 38 40), ,
,
-,
( ) - .

- (
CHOPIN :
141

, , - (. 29-42) (.
43-52) (. 53-78)
.9 ,
( . 79-134)
,10 -
( . 117-130),
. , Chopin ( . 131-134)

,
(. 135-162). , ,
: (. 163-180),
( . 181184), -,
(. . 185-198 . 53-66),
( . 199-210) -
(. . 211-214 . 67-70) coda ( . 215-246,
) .11
,
. 2, -,
--
,
- ( )
-!12 ,

10
11
12
. 4758 . 207-218): . 69-74 , .

229-236, -,
. 75-89 ( -
)
coda .
VI . 61-66 ,

(. . 9 ..).
, .
Dammeier-Kirpal, .., . 26-30.
. : Dammeier-Kirpal, .., . 30-33 (
).
. Dammeier-Kirpal (.., . 33-35)
. , , Samson
(The Music of Chopin, .., . 40, Chopin, .., . 47) Helman (.., II)
. 53 / 57 .. . 43-52

,
(

).
. : Dammeier-Kirpal (.., . 58), Rosen (.., . 392), Helman (.., II) Rink
(.., . 46 47).
142
Chopin
,

1830:13 Allegro de concert -, ,
(
-)
, -- -, ,

,
-,
-- -,
- (
) ,
.

Chopin . Edgar
Stillman Kelley, ,
,
14 ,
,
;

John Rink,
. 1
-15 , ,
(
Chopin),
,

. ,
Chopin
, Jim Samson,16
,
,17

, Joseph Xavier Elsner, Charles Rosen,18
(
13
14
15
16
17
18
Rosen, .., . 392 . Dammeier-Kirpal (..,

. 68, 72, 102 109 & 113) Helman (.., III).
Kelley, .., . 111.
Rink, .., . 63 73.
. Samson, The Music of Chopin (.., . 40 55) Chopin (.., . 46, 47 49).
. Samson, The Music of Chopin, .., . 40, 55 136.
Dammeier-Kirpal (.., . 24-25 35), ,
. 1,
Chopin.
Rosen, .., . 392 . Samson (The Music of Chopin, .., . 40, Chopin, .., . 46 47)
Helman (.., II).
CHOPIN :
143
) Anatole Leikin.19 ,
Chopin

,20
.

Chopin.

,
( ) Beethoven. ,
,
,21

Chopin
.
19
20
21
Leikin (.., . 166-167) Elsner

, (,
Leikin
, ). ,
Chopin 1829 (
Chopin
, , opus 2)
()
Chopin
, Schubert Schumann ( , ,
, ).
Rosen, . Helman,
.., II , , Chopin

(
Antonn Reicha .
: , : 19
[], 11, , 2007, . 91-109), .
. Samson (The Music of Chopin, .., . 55, Chopin, .., . 49)
Klein (.., . 391), Rink (.., . 63) Helman (.., VI).
Chopin
Samson (The Music of Chopin, .., . 50-57, Chopin, .., . 47-49 94) Rink
(.., . 46-52, 63-71 & 73 95-98),

Mozart
. , ,
,
Mozart, Chopin.

18 20
21 . .
: James Hepokoski Warren Darcy, Elements of Sonata Theory: Norms, Types, and
Deformations in the Late-Eighteenth-Century Sonata, Oxford University Press, New York 2006, . 430602 , :
( ) 18 19 , 18, ,
2011, . 86-124 , :
( ) 20 ,
19, , 2011, . 7-49.
144
ritornelli
Chopin. ,
, ,
, .22 . 2
. 1, ( .
9 . 25, ), Allegro de concert
(
. 23 ,
, . 15-22).
, - ritornello . 2 (. 37-58)
-
. 1 (. 61-98)
ritornello Allegro de
concert (, , . 41-64).
- ritornello

18 !23 ,

, Allegro de concert
, .24
( ) ritornelli

22
23
24
ritornello, . :
Hepokoski Darcy, .., . 475-494.
ritornello
Rink, .., . 46 & 48, 64 & 65 95-96. .
Dammeier-Kirpal, .., . 41-42 & 51, 51-53 & 57 64-66 & 67.
., , ritornello
18 Heinrich Christoph Koch, : ,
( ) 18 19 , .., . 102-104.
. 1, . 99-138
,
. . 2, ,
ritornello ( . 59-70),
( ) (
. 71-74). Allegro de concert, , ritornello (. 65-76)
,
. 73-74
,
.
77-88 . 8791 (
V/IIN -).
Samson (The Music of Chopin, .., . 52 54, Chopin, .., . 48 49)
. 2
ritornello,

ritornello . 1,
. . Dammeier-Kirpal, .., . 43.
CHOPIN :
145

. ritornello
,
: ,

. 2 (. 181-204), Chopin . 1 (. 333-384)

ritornello (. . 356-359 . 13-15 / 17-19, . 377-384
. 131-138) , Allegro de concert,
ritornello
(. . 183-186 . 65-68, . 187192 . 23-28 . 193-200 . 33-40).25
ritornello . 2 (. 257-268)

, ritornello . 1
,
ritornello (. . 486-509
. 1-24).26 , ritornello

: , . 2

( . 337-348), . 1 (. 671-689)
ritornello (. . 671-682 . 111-122
. 683-686 . 131-134) Allegro de concert, ,
(. . 269-272 . 65-68 / 183-186)
coda (. 273-280),
.27 ,
ritornelli
, ,
ritornello .

.
. 2,
(. . 75-82 . 18 . 125-136 . 37-48),28 ,
,
ritornelli .
( . 83-104) , ( ,
, )29
25
26
27
28
29
. Dammeier-Kirpal (.., . 46, 54 67 & 68),

Rink (.., . 51, 69 97).
. Dammeier-Kirpal (.., . 50 56) Rink (.., . 51 70).
. Dammeier-Kirpal (.., . 50, 57 67 & 68) Rink (.., . 52, . 71, 73 & 125, . 98).
, . Samson (The Music of Chopin, .., . 53) Rink (.., . 48
49-50).
( . 137-142), ( .
143-150) (.
Dammeier-Kirpal, .., . 46 51).
, .
: Hepokoski Darcy, .., . 525-529. Samson (The Music of Chopin, ..,
146
( . 105-124),
(. 151-180)
.30 , ,
(. . 269-272 . 75-78),
,
( . 273300 301-336).31
. 1, ,
ritornelli . ,
,
:
(. . 139-140 & 147-148 . 1-2 & 9-10),

( . 141-146 & 149-154)
() ,
ritornello
(. . 155-163 . 25-33), (
) (
. 164-170 171-179a).32
30
31
32
. 53), Rink (.., . 47, 48-49 51-52)

,
, ,

( ) . , DammeierKirpal (.., . 43 51) Helman (.., II)
,
!
, Samson (The Music of Chopin, .., . 53,
Chopin, .., . 47-48),
,

, (. : Hepokoski
Darcy, .., . 542-548). . Dammeier-Kirpal (.., . 43-45, 46, 47 48-50) Rink
(.., . 49, 50 51).
. Dammeier-Kirpal (.., . 50 51), Samson (The Music of Chopin, .., . 53), Rink (.., . 5152) Helman (.., II). . 143-150
. 291-300
.
, , ,
VI
(. . 301-310 & 311-321 . 151-160 & 161-171),
,
.
Dammeier-Kirpal (.., . 51-52, 53-54 57) Rink (.., . 65-66 & 124),
. 139-154
. 155-179a ,

ritornello ( . 1-24 25-60, ),

CHOPIN :
147

( . 179-221),
(. . 222-253 . 61-92)
( . 254-283a),
( . 283-332).33
,
( . 385-407),

( . 408-473 474-485).34
, , (. . 486-509 . 124) (. . 510-534a . 155-179a)
, ritornello

. ,
(. . 534-557
. 179-202 . 562-572 . 211-221)
(. . 573-600 . 222-249),
( . 621-670)
.35
, Allegro de concert
,36
.
, ,
( ritornello),
: , (
. 92-99,
)
(
, . 2),
( . 100-105
106-124).37 ,
33
34
35
36
37

. ,
Helman (.., II)
,
. 2 (. . 29 ). , ,
, ,

, . Hepokoski Darcy, .., . 518-519.
. Dammeier-Kirpal (.., . 54 57) Rink (.., . 66-68).
. Dammeier-Kirpal (.., . 54-56), Samson (The Music of Chopin, .., . 54 55, Chopin, ..,
. 49) Rink (.., . 69-70).
. Dammeier-Kirpal (.., . 56-57) Rink (.., . 70-71).
James Gibbons Huneker (Chopin: The Man and his Music, Charles Scribners Sons, New
York 1900, . 313, The Classic Chopin, The Musical Quarterly 1/4, 1915, . 525)

. ,
Jean Louis Nicod, 1880 Chopin
(. : Dammeier-Kirpal, .., . 63, Rink,
.., . 94 95), 19
Allegro de concert .
. Dammeier-Kirpal, .., . 66 67. (
148
(. . 125-146 . 41-62),
( . 147-151a)
( . 151-182).38
( . 201 ..)

,
( . 206-229a),
,
. 229-268
(
. 1 ).39 ,
(, ,
,
)
(
, )!40
, Chopin
, ,
,41
.
Chopin ,
. 2
: ,
19
,42
,
.

Liszt, Frank dIndy,43

38
39
40
41
42
43
Samson, The Music of Chopin, .., . 57) ,

, , Rink (.., . 96)

. 2!
. Dammeier-Kirpal (.., . 66-67), Samson (The Music of Chopin, .., . 57) Rink
(.., . 96-97).
. Dammeier-Kirpal (.., . 67 68), Samson (The Music of Chopin, .., . 57)
Rink (.., . 97-98).
. Dammeier-Kirpal, .., . 68.
. Rink, .., . 92. . (.., . 99 & 130)
Chopin
-, opus 40 . 1.
, . Jonathan Isaac Oshry, Shifting Modes of
Reception: Chopins Piano Sonata in B Flat Minor, opus 35, , University of
Manchester, Manchester 2000, . 9-74.
, Dammeier-Kirpal (.., . 85-86)
Chopin
.
CHOPIN :
149

Chopin,

.
. 2
(. 9-24),
: ( . 1-4) ( . 5-8).44
( .
25-40),
( ),
, -,
.45 . 3,
16 ,

. ,
,

(. 17-40),
.46 ,
Chopin
, ,
.47
,
, Chopin
.
, , (. 1-23)

, ( . 24 ..),
, ,
( . 44 ..)
, -
44
45
46
47
. : Huneker, The Classic Chopin, .., . 523 Dammeier-Kirpal, .., . 70-73 76 Klein,
.., . 393-394 395 Charles Rosen, The First Movement of Chopins Sonata in Bb Minor, Op. 35,
19th-Century Music 14/1, 1990, . 61-62 Samson, The Music of Chopin, .., . 132 Leikin, .., . 162163 Wayne C. Petty, Chopin and the Ghost of Beethoven, 19th-Century Music 22/3, 1999, . 287-290.
. Leikin (.., . 167) Petty (.., .
290).
. : Dammeier-Kirpal, .., . 91-93 Rosen, Sonata Forms, .., . 390 392 Samson, The
Music of Chopin, .., . 134-135 Leikin, .., . 176 177 Helman, .., III.
Dammeier-Kirpal (.., . 92),
,
, , ,
, Samson (The Music
of Chopin, .., . 133 136, Chopin, .., . 224) ,
,
. 3
. 2 Chopin, Kaiser (..,
. 16) Leikin (.., . 175)

.
150
( . 61-68).48

.
. 2,
( . 41-81a)
( . 81-104).49
. 3,
(. 41-56)

( . 57-60 61-76a),
, ( . 7683, 84-87 88-91).50 ,

( . 69-92a) ,
(. 92-113) ,
,
.51

,

19 .52 20
Chopin ,

.53 ,
, Samson
Chopin
,
,
,

, ,

-.54 ,
48
49
50
51
52
53
54
.
Dammeier-Kirpal (.., . 103-107), Samson (The Music of Chopin, .., . 138 139-140,
Chopin, .., . 270) Helman (.., IV).
. : Kelley, .., . 109 Dammeier-Kirpal, .., . 73-76 Klein, .., . 394 396 Samson,
The Music of Chopin, .., . 132 Leikin, .., . 164-169.
. Dammeier-Kirpal (.., . 93-96), Klein (.., . 397-398), Samson (The Music of Chopin,
.., . 135), Leikin (.., . 176-179), . 47 .
. Dammeier-Kirpal (.., . 107-109), Samson (The Music of Chopin, .., . 138)
Helman (.., IV).
, . Hepokoski Darcy, ..,
. 364.
. : Kelley, .., . 110 Percy Goetschius, The Larger Forms of Musical Composition,
Schirmer, New York 1915, . 214 Hugo Leichtentritt, Musical Form, Harvard University Press,
Cambridge 1951, . 154 Dammeier-Kirpal, .., . 79.
19
Reicha (. : ,
19 [], .., . 97 107).
. Samson, The Music of Chopin, .., . 40, 55 132-133 : Samson, Chopin, .., . 49
CHOPIN :
151
,
, .

, , ,
, :55
, . 1 Chopin! ,

:
. 3, ,
( . 91bis-114)
( . 115-134),
(. . 135-138 . 17-20 . 140-148 . 31-35 & 3740)
.56
, Chopin

55
56
210. Helman (.., III),

Antoine lise Adolphe Cherbuliez (Fryderyk Chopin:
Leben und Werk, Albert Mller Verlag [Meister der Musik im 19. und 20. Jahrhundert], Rschlikon
Zrich 1948, . 170),
Chopin
- .
Kaiser (.., . 15) . 2,
coda .
, Leikin (.., . 170 179) ,
,

, (
. 2)
(
. 3).
Samson (The Music of Chopin,
.., . 132), Leikin (.., . 170 . 179).
Samson (The Music of Chopin, .., . 135-136)
,
(
. 149 ..)
. 3
Chopin , ,
!
, .
Dammeier-Kirpal (.., . 100-101), Leikin (.., . 179) Helman (.., III). ,
(Kelley, .., . 110 Dammeier-Kirpal, .., . 78 Rosen, The First
Movement, .., . 64-65 Leikin, .., . 169 Samson, The Music of Chopin, ..,
. 132)

. 2. ,
- (. . 114-148
165-174) (. . 149-164 175-182),

. 183-205 206-227, .
Dammeier-Kirpal (.., . 110-112)
Samson (The Music of Chopin, .., . 138-139), Leikin (.., . 184) Helman (.., IV).
152
, ,
, Leikin.57 , Chopin

, ,

. , ,
() 18
19 , ,
Heinrich Christoph Koch, Francesco Galeazzi Heinrich Birnbach.58
Chopin ,
,

. 259 (, . 1
, , ,
).
,
Chopin
,
,

,60 coda (
)
(. . 229-241 . 2, . 196-202
. 3, . 228-234 ,
),61 .
,
, Chopin
,
,
(
) (
) .62
57
58
59
60
61
62
. Leikin, .., . 170. . Rosen (The First Movement, .., . 62-63) Otto
Klauwell (Geschichte der Sonate, Kln 1899, Dammeier-Kirpal, .., . 4).
. : , :
18 (), 9, , 2006, . 71-72 85 (Koch)
, : 18 (),
10, , 2007, . 42 57 (Galeazzi) ,
19 (), .., . 116 117 (Birnbach). , Reicha
(.
. 53 )
(. , 19 [],
.., . 98 107).
. Dammeier-Kirpal (.., . 50 79),
Samson (The Music of Chopin, .., . 55).
. Samson (The Music of Chopin, .., . 132, Chopin, .., . 210), DammeierKirpal (.., . 79, 101 113) Helman (.., I, III VI).
. Dammeier-Kirpal (.., . 79 & 81, 101 113) Helman (.., III, IV VI).
- , . , :
CHOPIN :
153
-
,
, ,
( ,
).63
, ,
, ,
( )
( ),
Chopin
, ,
.64
, -
Chopin.
: - (.
1-35), ( , . 36-60), - (.
61-92) ( , . 93-116)
(. 117-151)

( . 152-170),
( . 171-214),
, - (. 215-242),
(
, . 243-270)
( . 271-281a) coda (. 281-303).
-
65 , ,

() ,
63
64
65
(-) , 17, ,
2010, . 96-131. Chopin, ,
Kaiser (.., . 4-5) Rink (..,
. 79 125) Helman (.., II V), Samson (Chopin, .., . 270)
Leikin (.., . 186-187),
(. . 64 ).
( coda) Rondo la mazur, , opus 5 (1826-1827), . 1, -, opus 4
(1827-1828), , --, opus 16 (1832-1833),
. 3, -, opus 58 (1844),
-, opus 65 (1845-1846). (
coda), , Rondo la krakowiak, -, opus
14 (1828), -, , opus 73 (1828)
. 1, -, opus 11 (1830),
. 2, -, opus 21 (1829)
( coda) , ,
.

, Leikin (.., . 186-187),
Chopin.
Samson (Chopin, .., . 52)
Chopin
.
154
, ,
, . ,
, . 1 ,

, ( )

( ), ,
(. .
199-292 . 16-83 . 1, . 98-113
. 19-34 , ).
,
,
-
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Donald Francis Tovey, Essays in Musical Analysis, III Concerts, 1936, . 103-106 (
. 2 Chopin).
Charles Rosen, Sonata Forms (Revised Edition), W. W. Norton & Company, 1988, .
392.
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, (Hut ab, ihr Herren, ein Genie) Schumann
, Chopin, Allgemeine
Musikalische Zeitung 7 1831 ( Schumann,
).
Zofia Helman, Norms and individuation in Chopins Sonatas, . : Radosaw Materka
Maja Trochimczyk, Polish Music Journal 3/1, 2000.
www.usc.edu/dept/polish_music/PMJ/issue/3.1.00/helman.html.
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John Rink, Chopin: The Piano Concertos, Cambridge University Press, 1998 ,
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Rosen, Sonata Forms, .., . 390-392.

Anatole Leikin . 3
(monotertial) (Anatole Leikin, The Sonatas, : Jim
Samson [.], The Cambridge Companion to Chopin, Cambridge University Press, 1991, .
178-179). :

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Samson, The Music of Chopin, .., . 132-133 Chopin, Oxford University Press, 1996, . 210.
Helman, ..
Leikin, .., . 179.
James Hepokoski Warren Darcy, Elements of Sonata Theory, Oxford University Press, 2006,
. 364. Hepokoski Darcy 2
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29
Chopin o , 1845. . Jeffrey

Kallberg, Chopins Last Style, Journal of the American Musicological Society 38/2, 1985, . 264.
Maurice Ravel, Les Polonaises, les Nocturnes, les Impromptus, la Barcarolle, Le Courier Musical, 1
1910, . 31-32, : Arbie Orenstein (.), A Ravel Reader, Columbia University
Press, 1990, . 336 Friedrich Nietzsche, Menschliches, Allzumenschliches (,
) Andr Gide, Notes sur Chopin, LArche, 1949.
Chopin,
Hugo Leichtentritt, Analyse der Chopinschen
Klavierwerke, , .., . 274-279, John Rink, The Barcarolle: Auskomponierung
and apotheosis, : Jim Samson (.), Chopin Studies, Cambridge University Press, 1988, .
195-219. .
Rosen, The Romantic Generation, .., . 453.
O Samson Statement Reprise (The music of Chopin, .., . 96-97).
Rink, The Barcarolle: Auskomponierung and apotheosis, .., . 197.
CHOPIN. . 3
173
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Chopin . . Edward T. Cone, Musical Form and Musical
Performance, W. W. Norton & Company, 1968, . 84.
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(The music
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CHOPIN. . 3
179

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, Chopin,
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Bonaparte, 150.000 , Zwickau,
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, Friedrich ,
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Raro
Doppelgnger, , ,
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E.T.A. Hoffmann Robert Clara.
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,
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Schumann.

14 1789, ,
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ROCOCO , ROBERT SCHUMANN
181
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Recueil des Decorations Interieures,

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Decoracion interieur,
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Malmaison Rococo, , Recueil des Decorations
Interieures, Decoration interieur.
, Jean Paul
, ( , 1829 . Early Letters, 1888: 27).
Zwickau, 1823.
183
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Schauffler, 1945: 20.
184

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Zwickau.
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Schumann,
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6
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, 1829 (Early Letters, 1888: 50).

, opus 56 Bach, opus 60 , opus 72
(1845).
Mller, 1832 (Early Letters, 1888: 184).
, 1838 (Early Letters, 1888: 185). Thaler 30 Groschen ,
, 6 Groschen.
185
. Zwickau
Moscheles, Pixis, Briot Clara.
,
;
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Leipzig
bravura, Henri Herz,
Rossini Meyerbeer , ,
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1831, Robert :10
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Clara ,

Robert
bravura .
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, Clara, 12 ,
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1825:11
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, Liszt Chopin,
Thalberg,12 Clara, ,
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10
11
12
13
, 1831 (Tagebcher, 1831: 336).

Mendelssohn, Fanny, 1825 (Mendelssohn 1872: 45).
Litzmann, I: 129. Thalberg ,
Liszt.
Robert, 21 1837 (Litzmann, I: 131).
186

Thalern .
Poppe 10 ,
,
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Laissez-faire,
1838.14
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. Thalberg
.
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.
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.
Wieck
, Clara Wieck
, 1828, ,
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, , Wieck
, opus 1, polonaises ,
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.17 Wieck, ,
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14
15
16
17
Marie dAgoult, 18 1838.

Schauffler 1945: 120.
Heinrich Herz , 1803.
Clara Wieck ,
.
187
, .
, Physharmonika,18 1818,
Clara ,19 Wieck
Clara Gewandhaus 1833 Gewandhaus,
,
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, Clara opus 2 Leipzig
, Caprices en forme de Valse, pour le Piano ( ,
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Robert. .20
1843 Leipzig Berlioz Robert
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opus 12 :22 Zwlf Gedichte aus F.
Rckerts Liebesfrhling fr Gesang und Pianoforte von Robert und Clara Schumann,
Robert, :23
,
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Robert

Clara ,
, imperium.
Clara ,
18
, .
Romanze fr Physharmonika mit Pianoforte.
20 Leipzig Hoffmeister, Peters (1882).
21 Beethoven 1818 (Sonate fr das Hammerklavier)
.
22 opus 12 Clara Schumann Clara Wieck.
23 Perrey, 2007: 23.
19
188
Rococo, , ,
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,
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, real
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Robert, style Galant Zwickau
, , ,

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Florestan Eusebius Goethe Goethe
Soires Musicales, opus 6,
Clara (1836). ,
Jean Paul,
, :24

:

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1. Davidsbndlertnze, opus 6:
24
, Lust und Leid

joy and woe ( ),
, - .
, , William Blake, Man was made for joy and
woe (Auguries of Innocence).
189
, Robert
, : Clara, Eusebius, Florestan, ,
Goethe,25 ,
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Robert, , ,
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Robert .
,
Florestan Eusebius,
, ,
, David,

Robert.
,
Robert ,
,
. Doppelgnger28
. , Clara : Robert,
,29 Robert, , :
, , ,30
1831 ,
31
: ,
. , , Clara
, 1842.
, Robert, David32
Mendelssohn .
.
, Mendelssohn
.
Clara , Robert
,
.33
25
26
27
28
29
30
31
32
33
Walther Goethe Weimar 16 , Schumann ,

18, 1836, .
Clara Soires Musicales, opus 6.
, 4 1839 (Litzmann, I: 215).
.
, 6 1841.
, 6 1841.
Tagebcher, 343.
Ferdinand David: Gewandhaus Leipzig,
Mendelssohn.
Clara, 1838 (Early Letters, 1888: 263).
190

Traumeswirren Des Abends
. In der Nacht .
Etudes . ;
. .
Robert, :
.
, ,
. ,
1837, Schumann,
, ;, ( ):
, ,
34
, Robert
.
, ,
, ,
.
[] .
, ,
, ,
.35
,
,
.
,
.
, Schumann
, Schumann Schumann
,
, . , ,
, Florestan Eusebius,
.

1837 Clara Robert
Kunst der Fuge Wohltemperiertes Klavier Johann Sebastian Bach.
, ,
[Characterstcke] , Kunst der Fuge,
, Rococo,
Herz,
, .
, (1838) 13
34
35
Robert , 1837 (Litzmann, I: 128).

191
Kinderszenen. ,
. ,
,
,
. Robert
, ,
, Schumann.36
,
Kinderszenen. ,
. Frchtenmachen, Am Kamin, Haschemann, Bittendes Kind,
Ritter vom Steckenpferd, Von fremden Lndern, Curiose Geschichte ..
Robert Clara (. 11, 8, 3, 4, 9, 1, 2)

, ,
,
. ,
,
,
.37
1
10
11
12
iv
13
1. Kinderszenen, opus 15:
Bittendes Kind (. 4)
, ,
, ,
Bittendes Kind
12. ,
,
( Kunst der Fuge
Schumann Characterstcke).
, Von fremden Lndern,
Kunst der Fuge, Robert :
2. Kinderszenen, opus 15, . 1 (Von fremden Lndern und Menschen):

B-A-C-H
36
37

(11 8), , ,
Robert Clara, .
192
Johann Sebastian Bach Kunst

der Fuge Frchtenmachen (. 11), ,
, .38
2. Kinderszenen, opus 15, . 11 (Frchtenmachen): B-A-C-H
scherzo
, opus 61, ,
, , , ,
.
2. . 2, opus 61 (scherzo): B-A-C-H

Von fremden Lndern und Menschen, ,
Bach, .
, , DNA ,
38
(H Mundi 901989, . ),
( Von fremden Lndern),
, ,
.
193
,
,
, ,
.
, ,
, :
, (a),
(b),
.39
(. 9),
,
, ,40
,
41

Rococo,

,
,
Wieck.
39
40
41
(. ).
(. ).
(. ). ( Ashkenazy
Barenboim), Brendel ,
, .
194
6. Friedrich Wieck,
, (
, []
,
),
, ,
, Clara.
, David Robert Schumann
1835 Robert Carnaval, opus 9. Pierrot (. 2) ,
, .
,
ritornello (R), Robert
Pierrot.
7. Carnaval, opus 9, . 2 (Pierrot): ritornello
ritornello ,
rondo, Robert
(||: :||: :||),
, (iii),
,
. ,
,
.
,
( ) ,
.
195
7. Carnaval, opus 9, . 2 (Pierrot): voice leading
Rococo Rameau
, Robert, ,
voice leading,
.
, , ritornello
, (V)
(iii), (vi),
, ritornello.
7. Carnaval, opus 9, . 2 (Pierrot):

(iii) (vi)
. Robert
,
Rococo ,
.
, 1848,
100 Thalern ,
Robert, Florestan
Eusebius,42 Album fr die Jugend, opus 68, .
Schumann, opera 44
47, ,43 , opus 41.
,
: ,
. , Melodie,
,
42
43
Florestan, 1842 (Jensen, 112).

, , opus 44, , opus 47.
196
. a b
(. 1 3), 4 ,
.
8. Album fr die Jugend, opus 68, . 1 (Melodie):
a,
, ,
Alberti,
:44
()
, (:||),
a, .
,
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,

.

44
, , .
197
,
,
,
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.
()
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,
.

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David, .

.
,
,
,

. David Robert Schumann,
: , ,
, ,
.
opus 9 Schumann
1831 Schumann, Jean Paul,45 Carnaval, opus
9. , Rococo,
Doppelgnger
,
45
Johann Paul Friedrich Richter (1763-1825).
198
,
, . ,
, ,
, ,
, Sans Souci. Carnaval Schumann,
, soundtrack Robert,
Jean-Paul,
.46
, ,
, .
, Robert,
, ,
opus 9 ,
- ,
, Rusalka. 1854: ,
Doppelgnger , Robert.
, Robert, 1839,
Metternich, Marseillaise47
Faschingsschwank aus Wien, opus 26,48 (
), :
9. Faschingsschwank aus Wien, opus 26, . 1: Marseillaise
, 1842, Robert,
, Metternich,
Clara,
. Robert Metternich, ,
1831 Laissez-faire :49
Hummel Weimar, , ,
. , , ,
, , ,
Hummel .
1848 , ,
, ,
46
47
48
49
Jean Paul, Vorschule der Aesthetik, 1804.

(1792), .
Metternich,
.
. Robert: Fasching Schwank
( ).
, 1831 (Early Letters, 1888: 169).
199
. 1849 Dresden:

, ,
Robert .
:
Wagner,
Mikhail Bakunin
,
,
Hoftheater,

. , Clara

,
Dresden, 1849
.50
, 14 ,

, .
,
.
Robert ,
29
, opus 79, Clara ,
.51

.
. ,
.
5 9 , ,
250 . Clara, ,
Robert ,
,
.

,
, (5
) Robert, ,
.
Robert , (
Maxen Kreischa) Dresden,
. ,52
Wagner
50
Clara, , 1849 (Litzmann, I: 450).

Clara, , 1849 (Litzmann, I: 454).
52 opera 69, 91, 93, 101 137.
51
200
53
, Friedrich Wieck
Trier :54

, ;

!55
Rococo
1855, 36 , 27
, Kopenhagen,
Saint Petersburg, Clara Leipzig opus 106
Beethoven, ( )
Joseph Joachim Johannes Brahms.

,
; Clara
Beethoven 36 ,
12;
Clara, ,
Rococo, Henri Herz
Clara Wieck, ( Schumann) Bach, Mendelssohn,
Chopin, Mozart Brahms, Liszt.
bravura Hummel, Moschelles, Herz,
Pixis, Thalberg, Henselt Liszt ,
Rococo , ,
.
, Rococo ,
, Clara ,
bravura, ,
Bach Beethoven 18 , Wieck
: Bach
.56
Clara, Rococo ,
, , 1844, Dorpat:57
53
54
55
56
57
Wagner, , Matthilde
Wesendonck, Ludwig
Binswanger . Wagner
1858. Robert 1854,
, 1856.
, 1859 (Litzmann I: 452).
bourgeois 1840 ( ),
.
, 1837 (Litzmann, I: 131).
Dorpat, Tartu, : 1193
,
19 . Clara ,
1844 (Litzmann I: 357).
201
,
. ,
Saint Petersburg
.
Clara 1837 Robert:

,
, ,
22 , 1841,
, , :
Beethoven, Becker,
Kragen .
. Bach ,
,

, .
, Henselt Thalberg Liszt ..,
.
, Schumann,
, Clara
, .
,
, . Libert Delacroix
, Lola Montez,
,
, Quadrille, lifestyle ,
, Johann Strauss II ,
,

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202
Pettler, Susskind Pamela: Clara Schumanns Recitals, 1832-50, 19th-Century Music 4/1:
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Quarterly 2/4: 507-515 (1916).
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(o )
Album fr die Jugend, opus 68
Brownridge, Angela
1989
Demus, Jrg
~1975
Weissenberg, Alexis
1973
Hyperion
Nuova Era
Emi
Kinderszenen, opus 15
Argerich, Martha
Argerich, Martha
Arrau, Claudio
Ashkenazy, Vladimir
Barenboim, Daniel
Brendel, Alfred
Demus, Jrg
Eschenbach, Christopf
Firkusny, Rudolf
Fischer, Annie
Freire, Nelson
Grinberg, Maria
Haebler, Ingrid
Haskil, Clara
Horowitz, Vladimir
Horowitz, Vladimir
Jand, Jen
Katsaris, Cyprien
Kempf, Wilhelm
Lupu, Radu
Matsuev, Denis
Moravec, Ivan
Nacamichi, Ikuyo
Schnabel, Artur
Staier, Andreas
DG
Emi
Philips
Decca
DG
Philips
Nuova Era
DG
Emi
BBC
Decca
Denon
Decca
Philips
RCA
DG
Naxos
Teldec
DG
Decca
RCA
Supraphon
RCA
Emi
H Mundi
1984
2007
1973
2002
1979
1980
~1975
1966
1959
1986
2002
1951
1999
1959
~1965
1991
1987
1986
1967
1995
2007
1977
1999
1947
2007

Schumann

, ,
Schumann,
,
,
. , ,
, (
) ,
, ,

Schumann.1 ,

Schumann .
,
. ,
, , ,
,
.

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.
,
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cross reference). Schumann
, ,
,
.

( Herder, Hegel, Goethe ..),2
,
. ,
ide fixe Berlioz,
Liszt , Leitmotiv Wagner,
Brahms,
:
Schumann
New Grove (Daverio 2001).
. 2005: 56-59.
204
(developing variation).3
Schumann, Leon Plantiga, Schumann as Critic
(O Schumann ),
, , ,
(Plantiga 1967: 114).
Plantiga Schumann
, , ,
E.T.A. Hoffmann (Plantiga 1967: 114). Abigail Chantler,
Revisiting E.T.A. Hoffmanns Musical Hermeneutics (
E.T.A. Hoffmann), Hoffmann
, ,

(Chantler 2002: 5).
Schumann.
, Impromptus op. 142 Schubert,
Schumann ( ),
.4
,

Schumann, .

, .. op. 9 Abegg op. 1,
. , 1

Papillons. papillon, ,
Edward A. Lippman The Philosophy and Aesthetics of Music,
, ,
(Lippman 1999: 146). ,
,
,
,
Schumann.5
. 41 . 10
. 7-14 . 6
. 1-8 . 8
. 7-14 . 6
. 17-24 . 10
. 10-13 . 9
. 8-10 . 10
. 1-8 . 1
. 21- . 12
1. Papillons
4
5
Berlioz, Liszt Wagner ,

, .
Brahms, . Frisch 1990.
Plantiga 1967: 224.
, .., . 19-22 Florestan .
SCHUMANN
205
Schumann,
,
, op. 72,
.

Heinrich Schenker Knpftechnik
Brahms (Schenker 1954: 1112 10).
,
, ,
.

Papillons (. . 1).
1. Schumann, Papillons, . 1: Knpftechnik

op. 72:
( ) .
, , ,
.
Schumann,
, .

op. 12. ,
,
( ,
206
). ,
, Kreisleriana op. 16 Dichterliebe op. 48
. ,

. ,

Schumann (
, , ),

. , , ,
,
.
David Neumeyer, Organic structure
and the song cycle: Another look at Schumanns Dichterliebe (
: Dichterliebe Schumann),

, Moritz
Hauptmann (Neumeyer 1982: 92).
/
,
.6
, ,
Schumann .

Schumann,

. ,
,
.

, .
Schumann .
Vincent dIndy, ,
Schumann,
,
Beethoven (dIndy 1901: 93-94, 149-155).
, Mosco Carner , 1935,
Schumann,
(Carner 1935:
885). , Carner
6
Ian Bent Anthony Pople, Analysis Grove Music Online,

How we Got into Analysis, and How to Get Out Joseph Kerman,
1980, .
,
, : Solie 1980
Montgomery 1992. Grove Music Online,
,
.
SCHUMANN
207
Schumann,
,
(Carner
1935: 885). , Joel Lester
Schumann ,
Schoenberg Charles Rosen (Lester 1992: 189-190). , Lester

Schumann ,
Schumann
(Lester 1992: 190-210),

. Linda Corel Roesner,
Schumann
. ,

1980 1990, Roesner
(parallel form)
Schumann. ,
(Roesner 1991).

: . , ,

, , Schenker Rudolph Reti,
Schumann , , ,
. , o Schenker, Das Meisterwerk
in der Musik,
, Schumann (
), Free
Composition .7
, Reti,
Schumann, The Thematic Process in Music
.8 ,
. , o Schenker
, Free Composition, Dichterliebe,

: ^
3^
2^
3^
2^
1 (Schenker 1979: 44, 72, 75 132).
4 ,
. ,
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. Schenker , ,
,
(.
7
Schenker, Schumann
.
Schumann,
Reti, Schumann
Alfred North Whitehead, Reti
.
208
22b Schenker 1979). ,

, Schenker Schumann
( ),
,
Schenker.
, , Reti. ,
,
,
(Reti 1951: 31-55).

. ..
, 42 43
, , 47
( . 2).9
2. Reti
Schumann (Reti 1951: 36, 37)
,
, ,
,
Schumann.
(tonal analogue), Eric Sams
(1970). , Sams
, ,
Schumann,
(Sams 1970: 116). ,
, Neumeyer (1982)
Peter Kaminsky (1989)
9
, . Epstein 1987
Burkhart 1990.
SCHUMANN
209
,
. , Pl Richter
dj vu
Schumann. Richter (2003)
, ,
(ambiguity),
(Richter 2003: 306). , dj vu

.
,
. ,
, , Schumann,

.
, ,
. ,

, ,

. , ,
Beate Perrey Dichterliebe,
,

(fragmentation of desire) (Perrey 2002).
, , Anthony Newcomb (1987)

Schumann. , ,
Newcomb
Schumann Jean Paul,
, (Newcomb 1987: 169-174).
John Daverio (2007) Robert Samuels (1994),

Rolland Barthes Schumann. Samuels
Schumann,
Barthes , ,
( Samuels
1994: 161). Samuels
Kreisleriana, Daverio
Schumann Barthes Schumann
Intermezz,
,
( Daverio 2007: 70).

, ,
Schumann, , ,
.

,
210
Humoreske,
, .
,
Humoreske ,
,
.
,
,
, , /
.

.
(#2 2) (2 2),
.10 , ,
,

. , ,
,
(: . 1-250, : . 251-513, : . 514-642, IV: . 643-692, V: . 693963),11 : ,
. 239-250
,
(..
Wie ausser Tempo .
37 , 36
Wie vorher
, 10
Sehr lebhaft V).
, , ,
. , b
, ,
, ()
.
, ,
b
,
,
. Rossana Dalmonte (1995: 172),
/ ,

, ,
10
11
., .., , 1 1 (. 37),
( ) ( Noch
rascher), (.. #2 2 )
( ) , 1 1
II, IV (1 b1) ...

(V: . 693-832 VI: . 833-963).
SCHUMANN
211
. , (.
4) ,
, , .

,
(
),
, ,
. , b

. 248-249
(b) . 958-963 ,
,
, b
( , , ).

/ .
, , :
.
: 37
f 40.
3+3 .
p ( . 41) ,
, , ,
,
4+4 . , . 40,
, , , , ,
, .12
, ,
( 49 )

. ,
(. .. sf , Intermezzo
, . 289).13
Wolfgang Boetticher, Humoreske
G. Henle Verlag,
, Schumann

.14 T
12
13
14
(. 195-198),
b (. 198),
(. 196-197).
,
Schumann,
(. Wolfgang Boetticher, Robert Schumann: Einfhrung
in Persnlichkeit und Werk, 1941, . 515 Dill 1989: 190).
, umoreske, op. 20
Schumann, .
E.T.A. Hoffmann Jean Paul, Schumann
212
Boetticher, , , ,
:
, , ,
,
(,
).15
,

, ,
,
. , ,
, ,
b ,
(fragmentary I), , Perrey,
(Perrey 2002: 26-32).
, Humoreske,

,
Novalis (
Perrey 2002: 29).
,
Humoreske.
,16
,
. Perrey,
(Perrey 2002: 33). ,
(Perrey 2002:
33). .
b,
( b #) ,

: b ( b IV IV)
. , ,
,
,
Heine, . Heine,
15
16
, :
, , ,
, , (Boetticher, Schumann
1989: iv).
Schumann , Clara Schumann,
, . 7 1839
, , ,
11 1839 (. Jensen 2001:
171).
Dill Novalis
, (wit) (Dill 1989: 189-190). ,
Perrey
(Perrey 2002: 32).
SCHUMANN
213
, , , .17
Humoreske,
(
).
, Schumann
/
,
. , Schumann
,
,
.
Schumann
(
), -
.
Wolfgang Rihm.
Rihm Schumann , , ,
, ,
,
: Schumann

.
( Hiekel 2007: 256).
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.
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17
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214
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, (2005), , :
.
Robert Schumann Davidsbund:

,

1830

1. Davidsbund
Robert Schumann (1810-1856),
,
,
,
1830. ,
,
1830,
,
Friedrich Wieck (1785-1873),
, ,
,
: 1840,
, , Clara Wieck (1819-1896),
.
Schumann
(Davidsbund) Neue Zeitschrift fr Musik (fM).
1833
Julius Rosalie,
Schumann ,
Friedrich Hofmeister , ,
Kaffeebaum,1
, , .
Schumann,
Ludwig Schunke (1810-1834), Davidsbund
Schumann ,2
fM Julius Knorr (1807-1861),
Johann Peter Lyser (1804-1870) 1836
Schumann Clara
1
1695,
(Gellert, Goethe, Gottsched, Lessing, Liszt,
Wagner).
Schumann, Toccata C-Dur, opus 7, hrsg. von Hans Joachim Khler, Nachwort: H. J. Khler, Leipzig 1978,
Urtext, Edition C. F. Peters, . 18.
, Schumann
[] Schunke. . Robert Schumann, Gesammelte Schriften ber Musik und
Musiker, Bd. I, Wigand, Leipzig 1854, . 193.
216
, Friedrich Wieck.3
,
,
,

,
. Bach Beethoven, Schubert Weber ,
Chopin Mendelssohn
Herz Hnten,
Thalberg Hummel.4 ,
,5 ,
, , .
, ,
,
.
,
, ,
,
.6
,

.7
Davidsbndler
:
ovalis8 (1772-1801), ,
Wilhelm Heinrich Wackenroder (1773-1798) Johann Ludwig Tieck (1773-1853),
, Schlegel, Karl
Wilhelm Friedrich (1772-1829) August Wilhelm (1767-1845),
.

Athenum,9
,
, Schumann.
Friedrich Schlegel : ,
,
.10
3
4
5
6
7
8
9
10
Davidsbndler Ernst Ortlepp (1800-1864), Louis Rakemann

Stephen Heller (1813-1888), Anton Wilhelm Florentin von Zuccalmaglio (1803-1869), J.
A. Wendt (1783-1836), Ferdinand Stegmayer (1803-1863) Carl Banck (1809-1889),
Moritz Emil Reuter o Schumann Zwickau, Moritz Rascher. . F. Gustav
Jansen, Die Davidsbndler: Aus Robert Schumanns Sturm und Drangperiode, Breitkopf und Hrtel, Leipzig
1883, . 42.
Karl H. Wrner, Robert Schumann, Atlantis Verlag, Zrich 1949, . 40-41.
..
Jansen, .., . 42.
.., . 49.
Georg Philipp Friedrich Freiherr von Hardenberg.
Schlegel 1798.
Marion Janzin Joachim Gntner, Das Buch vom Buch: 5000 Jahre Buchgeschichte, 3. Auflage,
Schltersche Verlag, Hannover 2007, . 451.
ROBERT SCHUMANN DAVIDSBUND
217
Davidsbund.

: ,
, ,
.
,11 ,
,
.12
Davidsbund :

,
.
Davidsbund
Harmonischer Verein ( ) Carl Maria
von Weber, Tunnel ber der Spree ( ),
Ludlamshhle ( ) Tunnel ber der Pleie
( ) .13
(Spree, Pleie) ,
, ,
, . ,
,
biedermeierlich14
11
12
13
14

. 73 150
. . Kenneth Barker, Donald Burdick, John Stek, Walter Wessel, Ronald
Youngblood (.), Introduction to Psalms, NIV Study Bible, Zondervan, Grand Rapids (MI, USA) 1995, .
1013.
Philistinism ()
.
, , .
19 ,
.
Harmonischer Verein 1810 Darmstadt
Carl Maria von Weber ,
,
. Tunnel ber der Spree 1827
Moritz Gottlieb Saphir, Friedrich Wilhelm
Lemm und Ludwig Schneider,
. 70 ( 1898)
. Tunnel ber der Pleie,
Davidsbndler F. Wieck, J. P. Lyser, C. F. Zllner J. R.
Benedix A. Bttger, Zills Tunnel
.
Ludlamshhle , Ignaz Franz Castelli
August von Gymnich 1819, 1826
Adam Oehlenschlger.
. Karin Bruns .., Forschungsprojekt Literarisch-kulturelle Vereine, Gruppen und Bnde im 19.
und frhen 20. Jahrhundert. Entwicklung, Aspekte, Schwerpunkte, Zeitschrift fr Germanistik 3, Lang,
Berlin 1994, . 493-505.

(Restaurationszeit),
, 1815 1848 .
, , , ,
218
Tunnel ber der Pleisse

Davidsbndler,

.
2. H Neue Zeitschrift fr Musik (NZfM)
Davidsbndler
. H

1833 1834 Der Komet, Schumann
Der Davidsbndler. ,
Schumann 1834 Neue Zeitschrift fr Musik (NZfM
),
, 1844,
.15
,
, Schumann
.
.
(1773-1826) ,
.16
, Schumann
, ,
,
Sklander,17 .18
1825
,

.
Schiller, Goethe, Herder Friedrich Schlegel,
Byron,
, ,
, , 19
. , ,
15
16
17
18
19
. ,
, (Hausmusik), ,
,
Stammtische,
, .
. : Renate Krger, Biedermeier. Eine Lebenshaltung zwischen 1815 und 1848, Wien 1979,
Helmut Bock, Aufbruch in die Brgerwelt. Lebensbilder aus Vormrz und Biedermeier, Mnster 1994.
NZfM
Schott Musik, ,
, .
18 ,
Albert Schiffner.
Bltter und Blmchen aus der goldenen
Aue.
Legaillard.
Juniusabende und Julitage, 1826, Selene
Schumann, Jean Paul.
219
. []. ,
.
( ), ,
1828 ,20
.
,
, Schumann
: . . . Hoffmann (1776-1822) Jean Paul21 (1763-1825).
Hoffmann :

,22 Lo Delibes Copelia,23 Schumann
Kreisleriana,24 25
J. Offenbach Hoffmann.
,26 5 Beethoven
,

.27 H ,
, .
Jean
Paul.
, ,
, , ,
,28
Schumann,
.
Schumann . Jean Paul
. ,
.29

, Hoffmann Paul,
. Paul, Flegeljahre
(1804),30 Vult
Walt Harnisch: , ,
, , . Hoffmann,
20
21
22
23
24
25
26
27
28
29
30
: , , 5,
DeAgostini Hellas, 2001.
Jean Paul Johann Paul Friedrich Richter.
.
M Der Sandmann Die Puppe.
1813,
Fantasiestcke in Callots Manier.
Der Sandmann (1816), Rat Krespel (1818) Das verlorene Spiegelbild
Die Abenteuer der Silvester-Nacht (1814).
Hoffmann E. T. A. Hoffmann:
Schriften zur Musik; Nachlese 1963 F. Schnapp.
Fausto Cercignani, Das Land der Sehnsucht. E. T. A. Hoffmann und Italien, Heidelberg 2002, . 191-201.
John Daverio, Robert Schumann: Herald of a ew Poetic Age, Oxford University Press, USA 1997, . 36-39.
..
Jean Paul, Titan (1800-1803),
Schumann.
220
, 31
, Johannes
Kreisler .32
Harnisch Kreisler Schumann
Davidsbndler
, alter ego ,
: Florestan
Eusebius.33
, ,
1 1831.34
Ludwig Tieck Franz Sternbalds Wanderungen (1798),
Rudolf Florestan, Beethoven Fidelio35
.36 , , , ,
Florestan Schumann
.37 , usebius , ,
.38
Schumann ,39

. Schumann,
,
,
.40 , .
,
Schumann, Davidsbndler
.
.
31
32
33
34
35
36
37
38
39
40
reisler Kreisleriana (1813), Johannes Kreisler, des

Kapellmeisters Musikalische Leiden (1815) Lebensansichten des Katers Murr nebst Fragmentarischer
Biographie des Kapellmeisters Johannes Kreisler in Zuflligen Makulaturblttern (1822).
19 (.
, , 1846, R. L. Stevenson, , 1886),

. . Peter Ostwald, The inner voices of a musical genius, Northeastern
University Press, Boston 1985, . 26.
Schumann
Hoffmann, Wunderkinder (-).
Robert Schumann, Tagebcher Band I, 1827-1838, . Georg Eismann, VEB Deutscher Verlag fr
Musik, Leipzig 1971, . 344.
H 1805 ,
1814, .
Florestan
(Heldentenor).
, 1854
(Schumann, Gesammelte Schriften ber Musik und Musiker, ..), Schumann
,
,
, .
usebius ,
, .
4 309-310.
(14
) Clara Wieck (12 ). .
Ostwald, .., . 79.
221
, .41
:
. Florestan usebius
, ,
Heinrich Dorn,42 14 1836.43
1831,
, Allgemeine Musikalische
Zeitung.44 45 Fr. Chopin
L ci darem la mano Don Giovanni, 246
7 1831,
, Gottfried Wilhelm Fink,47
, ,
!,48
Schumann .
, 1834
Davidsbndler Neue Zeitschrift fr Musik, ,

.
15
,
.49
3 1834 ,50
Hartmann,51
, .52 ,
Schumann, Wieck, Schunke Knorr. , ,
Schumann ,
, ,
Wieck , Schunke

Knorr . ,
41
42
43
44
45
46
47
48
49
50
51
52
Harold C. Schonberg, The Lives of the Great Composers, W.W. Norton, New York 1997, . 177.
Dorn NZfM, Musikdirektor.
The Letters of Robert Schumann, first published: London 1907, reprint edition by Arno Press Inc. 1979,
. 58.
Allgemeine Musikalische Zeitung ,
, 1798 1848 1866 1882.
Julius.
1827 Chopin.
Fink, Schumann,
Schumann. Ludwig
Rellstab, o Iris im Gebiete der Tonkunst (H
) . . Jansen, .., . 44.
Hut ab, Ihr Herren, ein Genie!. . Allgemeine Musikalische Zeitung 49, Breitkopf und Hrtel, Leipzig,
December 1831.
Jansen, .., . 44.
Gerald Abraham, Schumann, Robert, : Stanley Sadie (.), The New Grove Dictionary of
Music and Musicians, Macmillan Publishers Limited, London 1980, 16, . 835.
, 1835, Johann Barth , 1837,
Robert Friese, Schumann ,
, , 1844, Franz
Brendel.
Neue Leipziger Zeitschrift fr Musik 1, Hartmann, Leipzig, April 1834.
222
,
,
. ,
,
,
, , ,
Jean Paul

,
.
, Schumann, o
(J. S. Bach, W. A.
Mozart, L. v. Beethoven), .
, .53
Chopin Berlioz,54 Burgmller
Heller, Johannes Brahms
.55
,
. Florestan Eusebius Schumann,
Davidsbndler Schumann ,
, : endelssohn Felix
Meritis, o Hummel Idealer Techniker, Schunke Jonathan, Friedrich Wieck
eister Raro,56 o Dorn Musikdirektor Heller o
Jeanquirit, o Schumann Emil
Flechsig57 o Jngling Echomein.58 Louis Rakemann Walt, Carl Banck
Serpentinus, J. P. Lyser Willibald von der Lhe Fritz Friedrich Juvenalis,
, Anton von Zuccalmaglio St. Diamond.59
,
Schumann: , Clara Wieck, Chiara Zilia
Chiarina, Ernestine von Fricken F. Wieck, Schumann
1834 strella, Christel
53
54
55
56
57
58
59
Schumann, Tagebcher Band I, 1827-1838, .., . 304.

Schumann
NZfM (NZfM 3, 1835, . 1-2, 33-35, 37-38, 41-48, 49-51).
( ), 3 1853,
Neue Bahnen ( ). . Nancy B. Reich, Clara Schumann: the artist and the woman,
revised edition, Cornell University Press, New York 2001, . 118.
Schumann Meister Raro Wieck. To
: Raro
Clara Wieck
Robert Schumann,
.
O E. Flechsig (1808-1878) Lalla Rookh
Thomas Moore, Das Paradies und die Peri
( 50) Schumann. . Hans Joachim Khler, Robert Schumann: Sein Leben und Wirken in den
Leipziger Jahren, Leipzig 1986, . 75.
Flechsig Schumann:
(Jngling Echomein). ,

. . Udo Rauchfleisch, Robert Schumann. Eine phychoanalytische Annherung, Vandenhock
Ruprecht, Gttingen 2004, . 23.
Daverio, Robert Schumann: Herald of a ew Poetic Age, .., . 115.
223
Wieck Schumann Charitas, Clara Sophie Kaskel

Sara, Livia Henriette Voigt.60
- Schumann
, :
19 .
,
, 61
,
. 19 , ,
, .
, .
,
. ,
.
Schumann , o Hector Berlioz62 o
Franz Liszt La
Gazette Musicale de Paris,63
.
Schumann :
,
. Liszt o Schumann

.64
Davidsbund NZfM
:
, Davidsbndler
, .
, () . 1854
Schumann 4
,
.65 ,
60
61
62
63
64
65
(1809-1839),
, , Karl,
Davidsbndler. Schumann ,
22. ,
, . . Friedrich Schmidt, Das Musikleben der
brgerlichen Gesellschaft Leipzigs im Vormrz (1815-1848), Musikalisches Magazin 47, Langensalza
1912, . 188.
C. Ph. E. Bach (Versuch
ber die wahre Art das Clavier zu spielen), Rameau (Trait de lharmonie)
Quantz Mozart .
Berlioz Rnovateur, Journal des dbats, Monde
dramatique Gazette musicale, 1830. . David
Adam Cairns, Berlioz: Servitude and Greatness 1832-1869, Gollancz, UK 1969, . 95-96.
Maurice Schlesinger, 1835,
Revue musicale Joseph Ftis, Revue et Gazette musicale de Paris
1880.
Franz Liszt, Robert Schumann (1855), . John Michael Cooper, Christopher Anderson R. Larry
Todd, : R. Larry Todd (.), Schumann and His World, Princeton University Press, Princeton 1994,
. 338-361.
Schumann, Gesammelte Schriften ber Musik und Musiker, ..
224
Davidsbund NZfM: Davidsbund

, .
3. Davidsbndler Schumann
1830

o Schumann ,

1830,
.
-Davidsbndler,
.

Schumann Papillons (), 2, 18291831.66
(63) Flegeljahre , Jean
Paul.67 To Larventanz (O )
Florestan Eusebius,
Walt Vult
. ,
1832, Schumann
:
, Papillons
.68 ,
Schumann Jean Paul,
.
Ludwig Rellstab [ Flegeljahre]
Papillon .69
Carnaval (), 9, 1833-1835,
fM, Schumann
. Papillons
. Davidsbndler , Florestan Eusebius
Harnisch. Schumann ,
Jean Paul. 70
.71
Scnes mignonnes sur quatre notes (
), ,

: ASCH72 ( = , S =
66
67
68
69
70
71
72
1831 F. Kistner . . Schumann, Papillons, opus 2, Vorwort: Wolfgang

Btticher, Urtext, G. Henle Verlag Mnchen, Gttingen 1976.
Daverio, Robert Schumann: Herald of a New Poetic Age, .., . 493.
Barbara Siemens, Program Notes Emanuel Ax 19.2.2008, Vancouver Recital
Society Barbara Siemens 2007.
Frederick Niecks, Robert Schumann, . Christina Niecks, Dutton, New York 1925, . 193.
Karol Jzef Lipiski (1790-1861),
Schumann 1835 .
Eric Frederick Jensen, Schumann, Oxford University Press, New York 2004, . 150.
1839 Faschingschwank, 26,
A-S-C-H S-C-H-A, Faschingschwank.
225
s = , C = , = , s = , C = = ),
. Asch Schumann
,
.
, .73 Asch
,
, Ernestine von Fricken. , ,
Schumann.74
(S-C-H-A).
O Schumann, ,
21 75
(. 5: Eusebius, . 6: Florestan),
(. 11: Chiarina Clara Wieck, . 13: Estrella Ernestine von Fricken),
(. 12: Chopin,76 : Paganini),
commedia dellarte77 (Pierrot, Arlequin, Pantalon et Colombine)

(. 9: Papillons)78
Davidsbund Marche des
Davidsbndler contre les Philistins ( Davidsbndler
). , Schumann

: .
Grossvater Tanz,79
17 (Thme du XVIIme sicle)
, , ,80
, ,
: ,

73
74
75
76
77
78
79
80
Beate Julia Perrey (.), The Cambridge Companion to Schumann, Cambridge University Press,
Cambridge 2007, . 72.
A-S-C-H
(Robert Alexander Schumann), S-C-H-A (Schumann). ,
: , (
Fasching),
(Asch Ash, Ash
Wednesday, ). . Heinz J. Dill,
Romantic Irony in the Works of Robert Schumann, The Musical Quarterly 73/2, 1989, . 172-195.
20 21 , 16
Paganini. . Schumann, Klavierwerke Band III Carnaval, op. 9, . W. Btticher H. M.
Theopold, Urtext, G. Henle Verlag Mnchen.
Chopin Schumann
. .
Frederick Niecks, Frederick Chopin as a Man and Musician, vol. 2, BiblioLife, 2008, . 147.
commedia dellarte, 16
, ,
Schumann,
.

Papillons.
17 ,
.
Jensen, .., . 151.
226
.
Papillons, Finale ,
.81
Schumann, o Florestan Eusebius
. , .
(tudes Symphoniques), 1382 (1834-1837),

(Variations pathtiques und Etden im
Orchestercharakter von Florestan und Eusebius). Davidsbndler
Schumann : ,
(Eusebius) ,
(Florestan) Florestan. ,
, 11, (1832-1835),83 Schumann
Davidsbndler: Clara
Florestan usebius.84
Davidsbndlertnze
(X Davidsbndler), 6, 1837,
Goethe, Walter (Wolfgang) von Goethe (1818-1885).85
,
Clara Wieck 1837,
, , Schumann
Papillons Carnaval:

. A. R. Friese ,
1838, 18 , Schumann
F. E. ,
.86 ,
(Tnze) (Charakterstcke)
Florestan Eusebius. , Schumann
(
1836) Clara Wieck, , 6 . 5,

Davidsbund. , , ,
. ,

Clara
: / . /
81
82
83
84
85
86
Carnaval - Papillons: o
Papillons Florestan
.
Schumann, , Sir William
Sterndale Bennett (1816-1875), .
Robert
Clara Schumann. , 5 Clara, Quatre
pices caractristiques ( ), 1835.
Schumann, Pianoforte-Sonate, Clara zugeeignet von Florestan und Eusebius, op. 11, Kistner, Leipzig 1837.
Walther von Goethe zugeeignet von Florestan und Eusebius.
Schumann, Davidsbndlertnze, op. 6, . W. Btticher H. M. Theopold, Vorwort: Wolfgang Btticher,
Urtext, G. Henle Verlag Mnchen, Gttingen 1976.
227
/ .87

. (. 9),
Schumann : , Florestan
.88 ,
, : Eusebius
: .89
, Kreisleriana,90
(1838) , Schumann,
,91 Florestan Eusebius
, E. T. A. Hoffmann Johannes Kreisler,
.92 ,

Kreisler. ,
Schumann ,
: [ ]
.93
,
Schumann ,
,
,
,
,
.
87
88
89
90
91
92
93
In all und jeder Zeit / Verknpft sich Lust und Leid. / Bleibt fromm in Lust und seid / Dem Leid mit
Mut bereit. . Schumann, Davidsbndlertnze, 1. Auflage, Breitkopf & Hrtel, Leipzig 1887, . 2.
Hierauf schloss Florestan und es zuckte ihm schmerzlich um die Lippen. . Schumann,
Davidsbndlertnze, op. 6, . W. Btticher H. M. Theopold, .., . 21.
Ganz zum berfluss meinte Eusebius noch Folgendes: dabei sprach aber viel Seligkeit aus seinen
Augen. . Schumann, Davidsbndlertnze, op. 6, . W. Btticher H. M. Theopold, .., . 39.
Fr. Chopin. Clara,
, , Friedrich Wieck.
. Eva-Maria Adam-Schmidtmeier, Kreisleriana, Phantasien fr Klavier Op. 16, : Helmut Loos
(.), Robert Schumann. Interpretationen seiner Werke, Laaber Verlag, Laaber 2005, . 93.
Adam-Schmidtmeier, .., . 92.
. 24 31 .
Adam-Schmidtmeier, .., . 93.
Album
fr die Jugend, p. 68,
Robert Schumann
-
1848
(Album fr die Jugend, op. 68) 43
.
(-, 2007).
, .
, , , 1 1848,
14
, 1
1848, 1 31
(Haushaltbuch), .
,2
, []
,
.
.3
.
,
. 3, 4 5 ,
[] .4 9
[] ,5 10, 11 12
[] 19 [] 4
. 17 1848,
Breitkopf & Hrtel.
(Anderson 2001, Herttricht 2007),
(Briefbuch)
,
.

(Weichnachtsalbum fr Kinder)

1
2
3
4
5
Stckchen frs Clavier / Zu Mariechens 7tem Geburtstag / den 1sten September 1848 / gemacht vom
Papa ( : Herttrich 2007: V).
Idee des Kinderalbums Stckchen fr Marie (Herttrich 2007: ..).
Die Stcke, die die Kinder gewhnlich in den Klavierstunden lernen, sind so schlecht, da Robert auf
den Gedanken kam, ein Heft lauter Kinderstckchen zu komponieren und heraus zugeben. Bereits hat
er schon eine menge reizender Stckchen gemacht (Herttrich 2007: ..).
[] viele Kinderstckchen (Herttrich 2007: ..).
Das Album ziemlich beendigt [] (Herttrich 2007: ..).
, OP. 68, R. SCHUMANN
229
.
,
. ,
.
Julius Schuberth

. ( Palmer
2001: 2) , , : []
. []

.
.
.
.
13 ,
,
. 17
, []
(ewig und tglich).
(Herttrich 2007).

,
Ludwig Richter.
,
,
(Frhlingsgesang, . 15), (Ernteliedchen, . 24),
(Weinlesezeit, . 33),
(Winterzeit, . 38).
(Rundgesang, . 22), (Frhlicher
Landmann, . 10), (Erster Verlust, . 16),
6 (Mignon, . 35), Knecht Ruprecht (. 12)
(Wilder Reiter, . 8).
(Lebenserinnerungen) Ludwig Richter,7
, ,
,
.
40 ,
43 .
.
Zwickau .

Lndliches Lied ( ) Ernteliedchen ( ),
6
(Seiltnzermdchen)
, Wilhelm Meisters Lehrjahre (1795-1796),
.
: , ,
.
Herttrich 2007: VI.
230
.
, Ferdinand Schumann.
Peters.
1: ,
Ludwig Richter (Zwickau, Robert Schumann Haus, Archivnummer 4501 / Bd. 10 D1/A4).
Neue Zeitschrift fr Musik (26

1849) Alfred Drffel

: []
. ,
231
.
. []
[]
,
. , ,
, , .
.8
Kinderszenen,
op. 15 ( , 1839) Drffel.
, 6
1848: [] []
.
[ ]
, , .9
2: ,
(Zwickau, Robert Schumann Haus)
8
[] die kleinen Stcke thun ganz unmittelbare Wirkung und treffen sicher durch ihre Einfachheit,
sicher zugleich durch die Naturkraft, die in ihnen waltet. Sie sind fr die Jugend, denn das Verstndni
derselben reicht an sie heran, erhlt durch sie Nahrung. Die reine kindliche Freunde, [] die eigene
Betrbni der Kleinen trifft mit diesen Tnen zusammen [] ihre ganze kleine Welt ist in ihnen
niedergelegt. Und der Erwachsene verjngt sich an diesen Dichtungen wie an der Jugend selbst, er
athmet die Frische derselben ein, durchlebt unter deren unmittelbarem Einflusse eine neue Jugend.
Was in der Kinderszenen ihm weit entrckte Ferne, Vergangenheit, ist ihm hier Nhe, gegenwrtiges
Leben [] die Erinnerungen sind ihm hier zugleich Selbsterlebnisse ( Herttrich
2007: VI).
[] von den Kinderszenen unterscheiden sie sich durchaus. Diese sind Rckspiegelungen eines
lteren und fr ltere, whrend das Weihnachtsalbum mehr Vorspiegelungen, Ahnungen, zuknftige
Zustnde fr Jngere enthlt [] (Herttrich 2007: ..).
232
.
,10
Schuberth.
.
,
, ,
, ,
, , tempo, , ,
, , ,
.

.
: ,
, .
, .
(Mignon),
(Winterzeit I & II).

.11
,

4 3.
, 2/4, 4/4 6/8,
2/4 6/8
. 3/4.
, ,
,
.
(3 4),
. , ,

.

. , .
,
,
, . ,
, .
,
,
.
10
11
Robert Schumann : Album fr die Jugend, op. 68 (1848) Liederalbum

fr die Jugend, op. 79 (1849) [Breitkopf & Hrtel] Zwlf vierhndigen Klavierstcke fr kleine und groe
Kinder, op. 85 (1850) Ballszenen, op. 109 (1853) Drei Klaviersonaten fr die Jugend, op. 118 (1853)
Kinderball [ 4 ], op. 130 (1854).

Neue Zeitschrift fr Musik : Schumann on music. A
selection from the writings (. . Henry Pleasants), Dover, New York 1965).
233

. , ,
Theodor Adorno (1903-1969),
Kinderjahr (1941),
(
2007).12

, 1850. ,
,
(Musicalischen Hausund Lebensregeln).
,
1849
Neue Zeitschrift fr Musik 36 (28 1850).

Gesammelte Schriften (1854-1855), 1859,
. (1859)
(Album fr die Jugend, op. 68),
(Drei Sonaten fr die Jugend, op. 118), ,
, ( , , Hugo
Pierson Franz Liszt).
13 69
.

.
,
. :
.
.

.
.
.
.

:
,
.
.
.
12
13
,
, 2007.
, ( 2, 1, , 1986).
234

.
.
,
eue
eitschrift fr usik.

.

.
.

,
. :
passages.
.
, . .
.

.

. .

.
,
.

.
.
. , ,
.
.

[.. (inner hearing)].
.
.

. :
, .
.
,

235
(bravura).

(Palmer 2001: 3).

, .
, , .
.
.
, .
.
!
. !
.

,
op. 68.
.
,

- ,
,
. ,

,
.

,
,

.
Anderson, . (2001), :
Schumann, Album fr die Jugend, op. 68 Rico Gulda, piano. NAXOS, DDD - 8.555711.
Herttricht, E. (2007), : Schumann
Robert: Album fr die Jungend, op. 68, Urtext Edition, G. Henle Verlag.
Palmer, W. (.) (2001), Schumann: Album for the Young, opus 68 for the piano, Alfred
Publishing Co., U.S.A.
Loos, Helmut (.) (2005), Robert Schumann Interpretationen seiner Werke, 2 ,
Laaber Verlag.
Pleasants, Henry (.) (1965), Schumann on music. A selection from the writings, Dover,
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236
Schumann, Robert, Album fr die Jungend, op. 68 Kinderszenen, op. 15 Neue Ausgabe
von Emil von Sauer, Ed. Peters, Leipzig.
, . (2007), : Kinderjahr [: Theodor Wiesengrund
Adorno (1903-1969)].
, : ,
, . , 2006-2007.
-, . (2007),
, :
, , .
, 2006-2007.
, (1986), (. .
-), , 2, 1.
Schumann, , op. 54:

19
,

19 :
,
,

. ,

, ,
(cult of the
virtuoso) [Samson 2002: 67-69].
Neue Zeitschrift fr Musik, Schumann
,
, ( 19 )
-,
(Chopin, Hummel, Herz, Moscheles ...) [Lindeman 1999: 141].
,
,
[Lindeman 1999: 146].
, 19 ,
Schumann,
, .

[Dahlhaus 1989: 26-35],
,
Marx,
[Samson 2002: 425-427].
,
Schumann . 1839,
Clara Wieck, : []
, [Steinberg
1998: 415].
,
. , Schumann,

,
,
238

, , ,
[Keefe 2005:
9]. Schumann
( 19
) [Keefe 2005: 9].
, op. 54
op. 54 Schumann
(1841)

, ,
.
1845 [Lindeman 1999: 142].
,
,

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[Macdonald 2005: 229]. , ,
: ,
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op. 54
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SCHUMANN, , OP. 54
239
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1
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1: . 1-4, (International Music Score Library Project)
240

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) .
, Bach
, .
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),
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2: . 4-11, ,

SCHUMANN, , OP. 54
241
3: . 4-11 12-19,
- ( )
.
, -
, ,
, [MacDonald
2005: 232]. Haydn ,
, , opus 33 . 1,
.

,
. Lester, Robert Schumann and sonata forms,
1842
Haydn, Mozart Beethoven
[Lester 1995: 191] 1845,
Schumann.
Haydn
Schumann ,
,
1841. ,
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MacDonald [2005: 230-231].
SCHUMANN, , OP. 54
243
5: -

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, .
,
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), ,

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244
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SCHUMANN, , OP. 54
245
, 2 ( 8).
,
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[Layton 1996: 154]. ,
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246
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SCHUMANN, , OP. 54
247
(3 / 3 , solo cadenza)
,

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248

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12).
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), ( 13).
2
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Schumann, solo cadenza [Lindeman 1999: 167],
19 .
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:

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. ,
SCHUMANN, , OP. 54
249

. Schumann,
,
[Gould Keaton 2000: 144-145] .
,
,
( ). ,

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),
,

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, solo
cadenza ,
Beethoven .
13: solo cadenza coda
,
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),
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250
cadenza. ,
,
. ,
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:
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.
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,
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.
coda
solo cadenza,
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), ,
,
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op. 54 Schumann
,
,
Mozart Beethoven,
19
.
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, Schumann
.

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SCHUMANN, , OP. 54
251

.
,
,
(solo cadenza),
...
.
Schumann
19 . Grieg
,

solo cadenza .
, , ,

,
. , solo cadenza
,
( )
.
Schumann,
.
. op. 54
, , [Steinberg
1998: 415], ,
,
,
.
Dahlhaus, Carl: Nineteenth-Century Music, University of California Press, 1989.

Gould, Carol S. Keaton, Kenneth: The Essential Role of Improvisation in Musical
Performance, The Journal of Aesthetics and Art Criticism 58/2 (Improvisation in the
Arts), 2000, . 143-148.
Keefe, Simon P. (.): The Cambridge Companion to the Concerto, Cambridge University
Press, 2005.
Lester, Joel: Robert Schumann and Sonata Forms, 19th-Century Music 18/3, 1995, . 189-210.
Lindeman, Stephan D.: Structural novelty and tradition in the early romantic piano concerto,
Pendragon Press, 1999.
Macdonald, Claudia: Robert Schumann and the Piano Concerto, Taylor & Francis Group, 2005.
Rosen, Charles: Sonata Forms, Norton, 1980.
Samson, Jim (.): The Cambridge history of 19th century music, Cambridge University
Press, 2002.
Steinberg, Michael: The concerto: a listeners guide, Oxford University Press, 1998.
Stevens, Jane R.: Theme, Harmony, and Texture in Classic-Romantic Descriptions of
Concerto First-Movement Form, Journal of the American Musicological Society 27/1,
1974, . 25-60.
Nikolaus Joseph von Schumann:

1. Lieder Robert Schumann Joseph von Eichendorff
Nikolaus Lenau , ,
. H ,
,
.
, , ,
.
Friedrich Schlegel, ,
, , ,
(Reflexion), (sich selbst beurteilen)
----: den Kunstrichter
sonach aller Mhe berheben, , , Schlegel.1
, Christian Gottfried Krner
, ,
, ,
. Krner ,
.
:
, ,
status Lied
, , , - (
) Lied, , , Schumann --.
2. , ,
, , arabesque, , ..2
,
Lieder Schumann. ,
, ( Mondnacht,
opus 39 . 5), ( Auf einer Burg, opus 39
. 7) , (
Kommen und Scheiden, opus 90 . 3).
(Kommen und Scheiden)
Eichendorff, Adorno
.
1
. Friedrich Schlegel, ber Goethes Meister [1798], : Andreas Huyssen (.), Friedrich Schlegel:
Kritische und theoretische Schriften, Reclam, 1978, . 151 ( ).
. Niklas Luhmann, Schriften zur Kunst ( : Niels Werber), 2008, .
363.
NIKOLAUS JOSEPH VON SCHUMANN:
253
Adorno ,
, als, wie, als
ob, (Konjunktiv).
Eichendorff
Schumann. ,
Schumann : ..
[unheimlich] ( wie im ersten Grn
im Wald [= ] [= ] ).3 , . 17,
,
Lied: .
, :
,
( Gestalt),
, status.
, : als Lebwohl ,
als.4
(Mondnacht)
Mondnacht (Es war als)
( ).
.
, , , .
,

: , ,
,
, ( / / :
).
-
, ,
, ,
, , :
,
, , .
(
) ---
(Luhmann),
(geksst ..),
,
, , ,
.
To
, ,
,
.
: . 59 Mondnacht, 6 (
als flge sie nach Haus )
6 .
254
(Auf einer Burg)

Luhmann
:
, ,
. , ,
, ,
[Novalis].5

Schumann,
Auf einer Burg Liederkreis opus 39, ,
Joseph von Eichendorff.
( Barbarossa;),
, :
, .
: Und
die schne Braut, die weinet ( punch-line
). , , Schumann
Eichendorff: ,
, ,
-- ().
, , Lied
() (
) ,
, . ,
(auf der Lauer)
, , (.
Luhmann) , ,
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( . 17
, ). , ,
(): ,
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, ,
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Schiller,
): ( Schlegel
); Schumann, ,
. ,
. 9
. 9 () (), ,
Schumann .
9 .. , Lied ,
, , o
Reinhart Koselleck (Gleichzeitigkeit des
Ungleichzeitigen),
.
5
Luhmann, .., . 370.
255
Auf einer Burg,

( historia
magistra vitae ) , ,
, ,
, .
256
257
258
259
Liederkreis op. 39: Zwielicht

( , 39: )

Schumann Lied (Gattung)
19 .1
,2 ichendorff,
,
, .3
, o Schumann Lieder
Eichendorff.4 (
) 39, Lied
.
.
,
39 R. Schumann,
Lied Zwielicht.

Lied.
, Lieder Schumann,
39.5
Gerstmeier (1982) Schumann
. , 39, Gerstmeier
Lied . 5 Mondnacht
Lied Zwielicht, Schumann
.
1
3
4
Die Entwicklung zu beschleunigen, entfaltete sich auch eine neue deutsche Dichterschule: Rckert und
Eichendorff wurden komponiert. So entstand jede kunstvollere und tiefsinnige Art des Liedes, von der
natrlich die Frheren nichts wissen konnten, denn es war nur der neue Dichtergeist, der sich in der
Musik wiederspiegelte (Robert Schumann, Gesammelte Schriften ber Musik und Musiker, . Martin
Kreisig, Leipzig 1914 : Gregg 1969, Bd. II, . 147). ,
Schumann
. : Handbuch der musikalischen
Gattungen, Bd. 8, . 31.
Schumann sah sich von der neuen Dichtergeneration wie von Freunden und Gesinnungsgenossen
besttigt. Der Grund, weshalb er berwiegend romantische Dichter wie Heine, Eichendorff, Rckert,
Kerner, Lenau, und Byron vertonte, ist darin zu suchen, dass in der Lyrik dieser Dichter eine Welt zu
Sprache kommt, die alles Begrenzte zu bersteigen trachtet und nach Einheit strebt (Gerstmeier 1982:
13).
. Dahlhaus (1980: 74) . . . Hoffmann (1978: 34).
Lieder: 1840 ( 39/1-12, 45/1-2, 77/1) 1850 ( 83/3). : 1847 (
62/1), 1849 ( 69/1-2 & 5, 75/2-3).
Lieder Schumann
, Schumann,
.. Dieskau (1981) 39.
LIEDERKREIS OP. 39: ZWIELICHT
261
O Cooper (1952)
Lieder.
Eric Sams (1975) ,
Schumann , Lieder,
, ,
. .
, Lieder Schumann Eichendorff.
O Busse (1975) 39 Eichendorff Schumann
.
,
.
Adorno (1974)
.
,
,
.
, 39.
Knaus (1974) Schumann
Lied.

.
Brinkmann (1997) .
Lied Mondnacht. Lied wielicht
,
(Wort-Ton-Verhltnis)
.
Andraschke (1995)
.
O Mosley (1990)
Eichendorff .

. , Mosley
39.
Wikirchen (2002), ,
, Oskar Seidlin (1965),
.
Schumann Joseph Freiherr von Eichendorff
, 39 1840.
Eichendorff Ahnung und
Gegenwart, Dichter und Ihre Gesellen Viel Lrmen um Nichts.
.6 Lieder
Schumann , ,
.
6
. Busse (1975: 15).
262
Busse7 Huber,8 Schumann,

(Stimmung).9 , Schumann

Lied, Lied,
.
Eichendorff,
.
To - Lied

, .10
T :
fisAEGEH / eaEeAFis
Zwielicht (. 10)
1
Lieder . 1
3 . 10 12. (. 1
) Lied (. 12
).

fisAEGEH / eaEeAFis
Zwielicht (. 10)
2
Lied Zwielicht:
Seidlin,11
, .

7
8
9
10
11
Wir sprechen von einer Stimmungslyrik im engeren Sinn, von einer musikalischen Lyrik, wenn der
Gegenstand als representativer Gehalt fr die Wirkung sehr sekundrer Natur ist, wenn es mehr Schale
ist, in der die Stimmung uns geboten (Huber 1954: 244).
Busse (1975: 12).
ichendorff, .
.
ichendorff ( , , ..)
Schumann
Lieder.
. Handbuch der musikalischen Gattungen, Bd. 8, . 65.
Das Licht, das Medium, in dem und durch das alle Gestalten erscheinen, hat sich ent-zweit, in ihm kann
sich nichts mehr als das erklren, was es ist; noch sind die Dinge nicht in das allumfassende Dunkel der
Nacht eingetreten, aber sie stehen auch nicht mehr, ihre Kontur zusammenhaltend, im Tage, sondern
sind Doppelgnger ihrer selbst, sie und auch ein anderes (Seidlin 1965: 241).
263
, .
To Lied Zwielicht 17
Ahnung und Gegenwart (1815) .12 O
, .
:
, . Friedrich
. ,
Romana.
, -
, . ,
,
,
, ,
Schumann, .
Schumann, ,
, , ,
, .13
4 .
( )
4/4. ()
. ,
:14
A

:
, ,
: (
,
).
12
13
14
Eichendorff Ahnung und Gegenwart .

Zwielicht Wanderlieder 1837.
Schumann Clara Wieck
1837. . Brinkmann (1997: 49).
Peters Max
Frielnder, Smtliche Lieder fr eine Singstimme mit Klavierbegleitung Originalausgabe (hohe Stimme),
Leipzig, Bd. I, . 78-79.
Formal entspricht es dem Typus der Volksliedstrophe in vierfigen Trohen mit geschlossenen
Reimen und durchgehend wieblichem Ausgang (Knaus 1974: 77).
264
Dmmrung will die Flgel spreiten,

Schaurig rhren sich die Bume,
Wolken ziehn wie schwere Trume
Was will dieses Graun bedeuten?
4
.
: was
will dieses Graun bedeuten? Schumann:
.
( ),
(schaurig: , Graun: )
- (Wolken ziehn wie schwere Trume):
,
.
Wort-Ton-Verhltnis
g---------cis--d---------a

: o
gis------h----c
Die Bume rhren sich:

.
11
fis------------g--------e
H ,

ritardando
265
.
. . 8
, . 9
,
. . 16, (

, ).

15 16
.
( ) ()
Friedrich Rosa .
,
(. .. Lied . 3),
.
: . 16, ,
15
16
) . 15 ) . 16
.
: wenn du ein Reh
hast, lass es nicht allein.
266
, . H
. 17 ,
( ) . 18,
. 19
( . 18 ).
16
17
18
19

,
, , .
,
Friedrich Leontin.
, . T . 26 27
, , Lied. ,
crescendo,

. 27, .
, . 25 ,
, , crescendo, . 27
. . 28,
. .
, . 28-31 ( )
,
.
267

, , ,
. . . 32,
,

(. . 15 . 23).
(
,
). ,
.
Schumann ,
.
. 37 .
,

. Schumann
, (Manches geht in Nacht verloren). .
38, . .
39-40, .
Lied , . 40-41,
Lied.
268
32
37
33
38
34
39
35
36
40
41
To ( ) .
. 1
4/4
. . 1-4.
, Schumann
,
. (
. 1 unisono ).
10
269
( )
. 1 .
11
, . 7,
,
. . 8
( Lied,
).
( )
, .
. 8 . 11 ( )
. 1 4 :
12
Adorno, , 39,
Schumann Eichendorff, Schumann

.17 Lied Zwielicht,
, ,
Robert Schumann.
Adorno, T. W. (1974), Zum Gedchtnis Eichendorffs, Gesammelte Schriften, Bd. 11:

Noten zur Literatur, Frankfurt a. M.
Andraschke, P. (1995), Schumann und Eichendorff. Zur Rezeption von Schumanns
Liederkreis op. 39, : Schumann Forschungen 4, B. Mainz: Schotts Shne.
Brinkmann, R. (1997), Schumann und Eichendorff. Studien zum Liederkreis Opus 39,
: Musik-Konzepte 95, Mnchen.
Busse, E. (1975), Die Eichendorff-Rezeption im Kunstlied. Versuch einer Typologie anhand
von Kompositionen Schumanns, Wolf und Pfitzners, Wrzburg.
17
Mit Grund nennt man die Lieder kongenial. Das heit aber nicht, da sie den lyrischen Gehalt ihres
Vorwurfs blo wiederholten; dann wren sie, nach hchster knstlerischer konomie, berflssig.
Sondern sie bringen ein Potential der Gedichte heraus, jene Transzendenz zum Gesang, die entspringt in
der Bewegung ber alles bildhaft und begrifflich Bestimmte hinweg, im Rauschen des Wortgeflles
(Adorno 1974).
270
Cooper, M. (1952), The Songs, : Schumann. A Symposium, London.

Dahlhaus, C. (1980), Die Musik des 19. Jahrhunderts, Neues Handbuch der
Musikwissenschaft, Bd. 6, Wiesbaden.
Fischer-Dieskau, D. (1981), Robert Schumann, Wort und Musik: das Vokalwerk,
Stuttgart: Deutsche Verlags-Anstalt.
Gerstmeier, . (1982), Die Lieder Schumanns. Zur Musik des frhen 19. Jahrhunderts,
Tutzing.
Hoffmann, E. T. A. (1978), Schriften zur Musik. Aufstze und Rezensionen, Darmstadt: Hg.
v. Friedrich Schnapp.
Knaus, H. (1974), Musiksprache und Werkstruktur in Robert Schumanns Liederkreis.
Mit dem faksimile des Autographs, : Schriften zur Musik, Bd. 27, Mnchen
Salzburg.
Mosley, D. L. (1990), Gesture, sign, and song: an interdisciplinary approach to Schumanns
Liederkreis opus 39, New York: Lang.
Sams, E. (1975), The Songs of Robert Schumann, London.
Seidlin, O. (1965), Versuche ber Eichendorff, Gttingen.
Schnitzler, G. (.) (1979), Dichtung und Musik, Stuttgart: Klett-Cotta.
Wiora, W. (1971), Das Deutsche Lied, Wolfenbttel: Mseler Verlag.
Wikirchen, H. (2002), Wort-Ton-Analyse, : Musikpraxis in der Schule, Bd. 8,
Kassel: Gustav Bosse Verlag.
.

I. Adagio Barber ;

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,

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, . M. Tsetsos, Postmodern Musicology and the Subjectivity of Value, : Martha

Grabocz, Makis Solomos (.), New Musicology. Perspectives critiques / Filigrane. Musique, esthtique,
sciences socit 11 (2010), . 141-163.
. R. Frondizi, What is Value?, La Salle (Illinois) 21971, . 19.
272
, . Adagio
Barber -
.
. ,

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,
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.
,
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Schnberg (style)
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Dahlhaus (. Analysis and Value Judgment,

. S. Levarie, New York 1983) . . , :
, : . (.),
, , , 29 1
2006, . 14-18.
. , L. Howard, The Popular Reception of Samuel Barbers Adagio for Strings, American
Music 25/1 (2007), . 50-80.
, . .. R. Scruton, The Aesthetics of Music, Oxford (New York) 1997, . 211
..
273

Adagio,
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. N. Broder, The Music of Samuel Barber, The Musical Quarterly 34/3 (1948), . 326:
, ,
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[].
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(ii) ,

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. . , , . . , 1998, . 108:
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276
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,
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11
Th. W. Adorno, Gesammelte Schriften [GS], 1985, . 14, . 245.
278
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Adorno, GS, . 16, . 266-267.

Chopin, . M. Tomaszewski, Le style de Chopin et
ses transformations. Entre les inspirations contemporaines et lamotivation intrieure, Revue de
Musicologie 75/2 (1989), . 191-200.
Beethoven Chopin, . W. C. Petty, Chopin and the Ghost of Beethoven,
19th-Century Music 22/3 (1999), . 281-299.

Chopin, . J. Rink, Chopins Ballads and the Dialectic: Analysis in Historical Perspective, Music
Analysis 13/1 (1994), . 99-115.
Adorno, GS, . 7, . 31-32.
Adorno, GS, . 18, . 31.
279
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. Adorno, GS, . 14, . 349-375 (Nation).

, Chopin .
.. J. T. Pekacz, Deconstructing a National Composer: Chopin and Polish Exiles in Paris, 1831-49,
19th-Century Music 24/2 (2000), . 161-172, B. Milewski, Chopins Mazurkas and the Myth of the
Folk, 19th-Century Music 23/2 (1999), . 113-135.
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op. 26 (1949) Samuel Barber

Samuel Barber (1910-1981)
,
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, , Barber
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, . Rosario Scalero (1870-1954)
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1924 1933. Scalero Eusebius Mandyczewski,
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, ,
. , , Gian Carlo
Menotti, Nino Rota, Lukas Foss George Rochberg,
,
20 Sibelius. ,

20 ,
,
(Toscanini, Stokowski, Koussevitzky, Walter, Rodzinski).3
Barber Sibelius
1
Samuel Barber John Gruen (New York Times, 3.10.1971).

... (http://memory.loc.gov).
15 2010 (. . ).
Howard Pollack, Samuel Barber, Jean Sibelius, and the Making of an American Romantic, The Musical
Quarterly vol. 84, no. 2 (2000): 175-205. H . 176.
.., 179-181.
OP. 26 (1949) SAMUEL BARBER
281
, Toscanini ( Adagio
First Essay ), , 16 1938.
, 28
, :

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Barber Sibelius 16.12.1938

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( New York Times) Olin
Downes
...
, 20 30 ( , . Glenda Dawn
Goss, Jean Sibelius and Olin Downes: Music, Friendship, Critisicm, Northeastern University Press,
1995).
282
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( 30)
, .
Barber Brahms Sibelius.
o Schubert Schumann,
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Bayreuth 1936.6 , ,
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1930, 3
, op. 14,
1939, . 1940 ,
Barber , ..., Stravinsky,
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, ( . 2,
1944), [ (1946), Prayers of Kierkegaard (1954)],
[ (1949), Nocturne (1959)], jazz
[Excursions (1944), Hand of Bridge (1959), (1962)],

Stravinsky [Capricorn Concerto (1944),
(1945)].
H
Irving Berlin (1888-1989) Richard Rodgers (1902-1979),
25 (League of
Composers), .
(ISCM). Barber 1947 ,

, , 1949.
20 , Vladimir
Horowitz, ... 1939,
1944. H Barber
,

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19 , ,
20 . ,
Prokofiev Kabalevsky
, , .8
, Barber Horowitz

. , , :
6
7
8
Barbara Heyman, Samuel Barber: The Composer and His Music, Oxford University Press,
1992, 60.
Pollack, Samuel Barber, Jean Sibelius, .., 178.
, , Horowitz
. , Howard Taubman
Stravinsky, Prokofiev Copland
,
, (New York Times, 18.1.1949).
283
, , .
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,
. , Bartk,
. Barber
9
Vladimir Horowitz Samuel Barber, 1950 ( Gian Carlo Menotti)
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(Scherzo) 9/8,
.
(G. Schirmer, 1950),
16 32, .
9
10
Horowitz Cleveland Plain Dealer, 7.1.1950.

Glenn Plaskin, Horowitz, William Morrow (.), 1983, 229.
284
To cadenza (a)
Barber Weissleder
. 97 .
(b) cadenza . Schirmer, (c),
.
285

Horowitz

Weissleder,

1949,
,
Barber,
: Volodya.
11 1950.
,
Horowitz 9 1949, 4
1950, Schirmer,
, Aaron Copland, Virgil
Thomson, William Schuman, Lukas Foss Gian Carlo Menotti.
, o Barber , Copland,
, Scalero. ,
23 1950,
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11
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286
, 1950
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offers Barbers Sonata, New York Times, 25.1.1950].
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. 2 , 35, Fr. Chopin.
To .
Francis Poulenc, Horowitz
5.2.1950, : [] M [.. ] .
, .
, , .
, , Hindemith
(, !). , ,
!. Poulenc La Table
ronde ( 1950) Barber West Chester Daily Local
News [ B. Heyman, Samuel Barber, ..,
309 549 (. 123)].
. : Nathan Broder, Current Chronicle, Musical Quarterly 36 (1950): 276-279 Hans
Tischler, Barbers Piano Sonata Op. 26, Music and Letters 33 (1952): 352-354 : Some
remarks on the use of twelve-tone and fugue techniques in Samuel Barbers Piano Sonata, Journal of
the American Musicological Society 5, no. 2 (1952): 145-146 ( abstract, ) James P.
Fairleigh, Serialism in Barbers solo piano works, Piano Quarterly 72 (1970): 13-17 Donald R.
Chittum, The synthesis of materials and devices in non-serial counterpoint, Music Review 31 (1970):
122-135 : Douglas R. Heist, Harmonic Organization and Sonata Form: The First
Movement of Barbers Piano Sonata Op. 26, Journal of The American Liszt Society 27 (1990): 25-31.
,
, : Robert Dwayne Van Meter, Fugue within the Sonata: a Study of
Fugal Techniques in the Final Movements of the Sonata for Piano op. 26 by Samuel Barber (1949) and the
Third Piano Sonata (1936) by Paul Hindemith. M.M. thesis, Indiana University, 1962 Allen Regueiro, A
Linear Analysis of Barbers Piano Sonata op. 26. M.M. thesis, Indiana University, 1976 Michele A.
Mathias, Samuel Barbers Piano Sonata op. 26. M.M. thesis, Bowling Green State University, 1977
Michael Haberkorn, A Study and Performance of the Piano Sonatas of Samuel Barber, Elliott Carter and
Aaron Copland. PhD diss., Columbia University, 1979 Thomas K. Foster, A Formal and Stylistic Analysis
of Barbers Piano Sonata op. 26, M.M. thesis, Ball State University, 1987 Lauri L. Young, The Solo Piano
Music of Samuel Barber. D.M.A. diss., University of Cincinnati, 1989 Benjamin Woods, The North
American Piano Sonata in Transition from Tonal to Atonal Styles, D.M.A. diss., University of South
Carolina, 1991 ( : Wayne C.
Wentzel, Samuel Barber. A Guide to Research, Routledge, 2001, 166-170). H
Heyman, , James Sifferman, Samuel
Barbers Works for Solo Piano, D.M.A. diss., University of Texas at Austin, 1982 (. Heyman, Samuel
Barber, .., 308).
287
, ,
.

, , coda.
.
, ,
2 ,
, . 28,
, 3 6 ,
4.
3 1
, , 12
Barber 1 .
, 3 6 ,
( . 4, 5 6),
.

Nicolas Slonimsky, Thesaurus of Scales
and Melodic Patterns ( , 1947).
288
. 24-28, 5 6
( , . 24 25 ), ,
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. sequenza
ostinato , ,
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.
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Barber
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289
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.

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291
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293
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, Charles Ives, Aaron Copland Elliott Carter,
,

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294
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(1939-1941) Aaron Copland (1900-1990),

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(percussive)
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.17

Piano Sonata No. 2, Concord, Mass., 184060,
Concord Sonata, Charles Ives
(1874-1954),
. H
Ives ,
, ,
,
, .

, , ,
, clusters
,
( 1 4).
Ives ,
5 Beethoven,
p. 106 (Hammerklavier) .
16
17
. : David Schiff, The Music of Elliott Carter, Cornell University Press, Ithaca- 21998,
201-224. : William T. Doering, Elliott Carter: A Bio-Bibliography, Greenwood Press, Westport,
Conn. 1993.
Art of the States
(http://artofthestates.org/cgi-bin/piece.pl?pid=371).
Howard Pollack, Aaron Copland-The Life and Work of an Uncommon Man, University of Illinois Press,
Urbana-Chicago 2000, 336-356.
295
11

( American transcendentalism)
... 19 . Ives ,
Essays before a Sonata,
Ralph Waldo Emerson, Nathaniel Hawthorne, Amos Bronson Alcott, Louisa May Alcott
Henry David Thoreau, Concord
4 .18
,
,
,
20 .
19 , Edward McDowell Horatio Parker,
, , Charles Ives, Henry Cowell,
Harry Partch, Edgard Varse. 1920,
,
Nadia Boulanger, (Aaron Copland, Roy
Harris, Virgil Thomson, Marc Blitzstein, Walter Piston Elliott Carter, ),
,
Stravinsky (), Schoenberg Bartk ...,
, .
18
Charles Ives, Essays Before a Sonata, The Majority and Other Writings, H. Boatwright, (.), W.W.
Norton and Co., 1961. Ives Project
Gutenberg ( www.gutenberg.org/ebooks/3673). : James B. Sinclair, A
Descriptive Catalogue of the Music of Charles Ives, Yale University Press, New Haven 1999,

Ives ( 186-197).
296
N. Boulanger , 1920.
: V. Thomson, W. Piston, H. Elwell A. Copland
...
1930,
1929, .
( Gebrauchsmusik)
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19
Robert Morgan, Twentieth-Century Music, W.W. Norton & Co., 1991, 283-314.

1. :
,

Barber. ,

,
. 1934.
, Rosario Scalero
(1870-1954),
. , 1942, Barber
. Metropolitan
Opera. Barber , ,
, . Sergei
Koussevitzky, ,
Berkshire, . ,
Edith Sitwell (1887-1964) Barber
Dylan Thomas. ,
,
. , ,

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, Eleanor Steber (1914-1990)
. :
, . ,
.
Hans Heinsheimer, Barber
Thornton Wilder (1897-1975)
. , Barber
Stephen Spender (1909-1995)
,
.2
1952, Barber , Sidney
Homer :
; ,
Times Martinu, , .
1
Barbara B. Heyman, Barber, Samuel, : Grove Music Online, Oxford Music Online, http://www.oxford
musiconline.com/subscriber/article/grove/music/01994 [2 . 2010].
Barbara Heyman, Samuel Barber: The Composer and his Music, Oxford University Press, New York 1992,
. 374-377.
298
; Gian Carlo Menotti .

. ,
. ,
, ; !.
Barber Menotti
Isak Dinesen,
, . ,
,
, 1934.
Barber Menotti, ,
1956 Barber
, .3
1964, Barber ,
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.
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, .
,
, (to leave, to break, to find, to keep).
, ,
Now, it is my turn to wait.4
1957, Metropolitan Opera
Barber .
3
Bruce Archibald Jennifer Barnes, Menotti, Gian Carlo, : Grove Music Online, Oxford Music Online,
http://www.oxfordmusiconline.com/subscriber/article/grove/music/18410 [2 . 2010].
Barbara B. Heyman, Vanessa, : Stanley Sadie (.), The New Grove Dictionary of Opera, Grove
Music Online, Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/
music/0905419 [2 . 2010].
299
,
Barber ,
, .

. Barber,
,
.5
, 1957, Barber Nikolai
Malko (1883-1961): [] , casting ,

. 57 , Barber
. ,
casting . Rosalind Elias mezzo-soprano ,
Regina Resnik Giorgio Tozzi . ,
Barber
. , , :
.
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, .
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, Sena
Jurinac , .
, Bing
Barber Eleanor Steber.
, Steber,
, : ,
. .
, Barber
, Knoxville Nuvoletta.6 Barber,
, ,
,
.
2.
, 15 1958,
.
sold out . celebrities .
, Barber
. New York Journal American
Steber,
. Paul Henry Lang
.
Winthrop Sargeant, New
Yorker Magazine,
, . Barber
5
6
Heyman, Samuel Barber: The Composer and his Music, .., . 382-384.
Martin Bernheimer Alan Blyth, Steber, Eleanor, : Grove Music Online, Oxford Music Online,
http://www.oxfordmusiconline.com/subscriber/article/grove/music/26585 [2 . 2010].
300

,
Metropolitan Opera.7
Barber Menotti ,
A Hand of
Bridge, Menotti . Menotti
1975 Franco Zeffirelli
Barber, , , 1966.
,
, , ,
musical,
. 1922
Gershwin, 135th Street Blue Monday, 1935 Porgy
and Bess, Leonard Bernstein On the Town
(1944), Wonderful Town (1953), Candide (1956) , , West Side Story (1957).
, , Aaron Copland The Tender Land (1955),
Menotti Roger Sessions.8
, ,
, ,
,
Barber,
. , , ,
Metropolitan Opera, ,
.
3. .

1958,
: Metropolitan Opera
1910, .

. , :
,
.9

,
, , ,
, ,
. Everett Helm

.
, ,
7
Patrick J. Smith, Sargeant, Winthrop, : Grove Music Online, Oxford Music Online, http://www.oxford
musiconline.com/subscriber/article/grove/music/47676 [2 O. 2010].
Andrea Olmstead, Sessions, Roger, : Grove Music Online, Oxford Music Online, http://www.oxford
Heyman, Samuel Barber: The Composer and his Music, .., . 394-397.
301
,
Stravinsky, Berg,
Shostakovich, Schoenberg, Britten, Prokofiev .10
.
,
: , ,
.
, .
Barber
, , ,
.11
, , . Henri Kralik,
Presse, Barber
,
,
,
. ,
, Barber, ,
. Hans Hauptmann, ,
Menotti , Barber:
Samuel Barber .
,
. , ,
.
Steber (!) ,

, , ,
New York Times 24 1958,

.
4. . ( )
.

, ,

,
. Barber
, ,
.12

grand opra , , ,
, ,
10
11
12
Leon Botstein, Modernism, : Grove Music Online, Oxford Music Online, http://www.oxfordmusic
online.com/subscriber/article/grove/music/40625 [2 . 2010].
K. P. Ruppel, Salzburger Plsch, Europische Erstauffhrung von Barbers Vanessa bei den
Festspielen, Sddeutsche Zeitung [2 . 2010].
Heyman, Samuel Barber: The Composer and his music, .., . 391.
302
, Metropolitan Opera.13
, ,
Metropolitan Opera, The Warrior Bernard Rogers, 11
1947.14
, Barber
, :
Barber Pulitzer 1958 ,
Henry Hadley,
Henry Kimball Hadley (1871-1937)
(National Association for American Composers and Conductors)
15 , Barber

Douglas Moore, Archibald MacLeish, Walter Piston
Deems Taylor.
20 , ,
Metropolitan Opera ( 1883),

.16
,
, , , ,
.

.17
, Thomas Ernst :
, ,18
Guido Gatti Rassegna Musicale :

. ,
, , Taylor
Hanson, Cadman Gruenberg, Virgil Thomson Antheil,
,
, .
,
,
Barber
, , ,
.
13
14
15
16
17
18
, , ,
, 2003.
Heyman, Vanessa, : The New Grove Dictionary of Opera, ..
Richard Jackson, Hadley, Henry, : Grove Music Online, Oxford Music Online, http://www.oxford
George Whitney Martin, The Opera Companion to the Twentieth Century Opera, Dodd, Mead, and
Company, New York 1979, 2 Twentieth Century Opera: A Guide, Limelight Editions, New
York 1999.
Ethan Mordden, Opera in the Twentieth Century: Sacred, Profane, Godot, Oxford University Press, New
York 1978.
Neue Zeitschrift fr Musik, 1958, . 589-591.

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),
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Odense
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Nikos Skalkottas Tage Konzerthaus
2000 Chopin 2010
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Chopin 2010.

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Pergolesi, Chopin, Schumann, Barber

. Brandenburg, .., . 107.

Cavana. 1709 Cavana

, 1733 Giovanni Battista Pergolesi13

(Guerre des Buffons),24 ,

Heinrich Paul Holbach (1723-1789),29

Giovanni Battista Pergolesi (1710-1736)33

? S. Morelli, after A. Zeno: , San Bartolomeo,

intermezzi Giovanni Battista Pergolesi:

Fr. Cafarelli, Opera Omnia di Giovanni

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

Pergolesi castrato Nicolini,

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

, .15 intermezzi Pergolesi

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

Hasse B. Saddumene (, San Bartolomeo 1728)30 )

intermezzo Livietta e Tracollo

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

3: intermezzo La serva padrona

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

4: intermezzo Livietta e Tracollo

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

2: Serpina, A Serpina penserete

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

INTERMEZZI GIOVANNI BATTISTA PERGOLESI

1-21 22-34 35-53 54-62

, (1740), (1740 1747),

, intermezzo Livietta e Tracollo

1919 Ernest Ansermet Stravinsky

Giovanni Battista Pergolesi Jesi 4 1710

2: Pergolesi Pier Leone Ghezzi (. 1734)

Jesi, o Pergolesi 1722

Jean-Philippe Rameau Jean-Baptiste Lully,

1752 Serva padrona ,

a priori .18 Hucke ,

Jan LaRue, Mozart or Dittersdorf, Mozart-Jahrbuch 1971/72, . 40-49.

: 32% (+16, -16)

71% (+43, -28)

Concerto G major H/P

50% (+27, -23)

32% (+16, -16)

40% (+20, -20)

: 45% (+27, -18)

1. Chopin Ary Scheffer, 1847.

, .., . 198-199 Zieliski, .., . 350.

3. Harriet Smithson 1827.

Young, .., online.

4. Daniel Maclise, . , 1842. , Royal Academy (online)

Jrg Handstein, (Orchesterkonzert, Llio), Salzburger Festspiele, 15.8.2007, . 6-11.

Berlioz. 1833 .28

5. Harriet Smithson Ed. Dubuf, 19 (online)

1831 1840 65 .29

, .., . 244-245 Zieliski, .., . 427, 440.

.32 1835, Delacroix

Cogeval & Avanzi (.), Dalla scena al dipinto, .., . 188.

8. , , Delacroix, Chopin G. Sand

Zieliski, .., . 622, 658, 894.

10. [] E. Delacroix, , 18541856, Reims, Muse des Beaux-Arts. [] 183551

Srullaz & Bonnefoy, Delacroix & Hamlet, ..

, (.. op. 41 . 2).

Stephen Downes, Mazurka, Grove Music Online, www.oxfordmusiconline.com, 18193, 16/9/2010.

. Burkholder .., Norton Anthology of Western Music, .., . 339.

The Glenn Gould Edition, Sony Classical, CD 1 01-052622-10, SM2K 52622,