Professional Documents
Culture Documents
N O V E LS .
C r ow n 8 vo . c l ot h ex t r a , ea c h p ost 8 vo b o a r ds, . 2s
. eac h:
c l ot h l l mp, 2 3. 6d . eac h .
AN T O N I NA . T HE F R OZ E N D EE P .
B AS I L
. T H E LAW N T H E LADY A D
H I D E AND S EE K T H E T W O D E ST I N I E S
.
A F TE R DA R K
.
. T H E H AU N T E D H OTE L
T H E F A LL E N L E AV E S
.
T H E D E AD S E C R E T . .
TH E U EE N O F H E A R TS JE Z E B E L S DA U G H T E R
. .
T H E O MAN I N W H I T E . T H E B LA CK R O B E .
N O NAM E . H E ART AN D S C I E N C E .
M Y M I S C E LL AN I E S
I S AY N O
. .
A R MAD A L E . A R OG U E S L I F E
.
T H E M OO N ST O N E . TH E EV I L G EN I U S
MAN AN D W I F E
.
. L I TT L E N O V E L S
P O O R M I SS F I N C H
.
. T H E L E G ACY O F C A I N .
M I SS O R M R S ? . BLI ND L O V E .
T H E N EW MAC DA L E N .
E D IT IO NS M di m 8 o 647 ea c h
P OPU LA R . e u v . . .
T HE W O MAN I N W H I T E T H E M O O N ST O N E . .
A N TO N I NA . T H E D EAD S E C R E T .
A R MADA L E .
TH E
L A W A N D T H E LA D Y
LI B RARY E D I TI O N
L O ND O N
CHATTO W I ND U S
I 9 O3
PRHQ Q%
\ 03
4
MA I N ,
I ng m ar t a
R E G NI ER
AN D OF
A DD RE SS E D TO THE REA D E R .
I have sai di all that seems to be n ece ssary at the present time ;
and I b i d y ou c ordially far e w el l .
W
. 0
.
LONDON, Februa r y 1 , 1 8 7 5 .
CONTENTS .
A
CH R PAG E
THE B RI D E S M ISTA K E
'
I .
THE B R I D E S TH OU G H TS
II . o
XX V . SE C OND V I EW 21 2
X XV I . M OR E or II Y OB STI NAOY 225
Vi i CON TE N TS .
C HA R PAG E
XX V I I . M R DE XTE R
. AT H OME 231
X X V II I. IN THE D A RK 242
XX IX . IN THE LI G HT 249
XXX . THE I NDI C TME NT OF M RS B E A U L Y
. 25 7
XXX I . THE D E F E NC E 0F M RS B E A U L Y
. 268
XXX II . A S PE C I MEN OEM Y W IS D OM 27 6
XXX III . A S P E CI ME N OF M Y F OLL Y 27 9
XXX I V . G LENI NCH 29 3
XXX V . M R P LAYMORE S P R OP HE C Y
.
300
XXX V I . A RI E L 309
XXX V II . A T wa s B E D S I D E 31 5
XXX V III . ON THE J OU RNE Y B A C K 327
XX X I X . ON WAY To D E XTE R
TH E 330
XL NEME SIS AT LA ST !
. 336
XLI M R P LAYMORE I N A NEW C H A R A CTE R
. . 361
X LI I M ORE S U RPRIS E S
. 37 1
X LIII AT LA ST !
. 37 7
X LI V OUR NEW H ONE Y M OON
. 381
XLV THE D U ST R E AP D ISTU R B ED
.
-
388
X LV I THE C R ISIS D E FE RR E D
. 39 7
X LV II THE WIP E S C ONF E SSI ON
.
401
X LV II I WH AT E L S E C OU L D I DO I
. 41 0
X LI X P A ST A ND F U TU R E
. 41 5
L THE L A ST or THE STORY
.
THE LAW AND THE LADY .
C H A P TE R I .
THE B R I D E
S M I STAK E .
FOR a fter this manner in the ol d time the holy w omen also ,
c alling h i m lord
; Whose daughters y e are as lo n g as ye do ,
Fo l low
your un cle .
The two clergymen led us into the vestry The church was .
City and the West E nd ; the day was dull ; the atmosphere
w as heavy and damp We were a melancholy little weddin g
.
'
, ,
maiden name .
test
A bad beginni ng ! she said, pointing to my rst
I wish you heal th and happin ess my love with all my , ,
pray G od V aleria it may turn out that you have chosen w ell
, , .
or you will set your aunt off and it s no j oke at her time of
li f e. Besid es, cry ing wil l spoil y our beauty D ry your eyes .
TH E LA W AN D TH E LAD Y .
and look in the glass there an d you wil l see that 1 am right
,
.
always brought some littl epresent with him for his master s
h ad put it) when I Off ered the Ol d man my cheek to kiss and ,
Happi er thoughts .
rather too pale and rather too sedate and serious in her mo
,
V estry at last .
day .
CH A P TE R I I ;
TH E RRI DE S
T H OU G HTS .
try the deeper and ner rapt ure of passion that thinks ? I
can hardl y determine 3 I only know that a time came when
under som e stran ge inuence ou r lips were closed towards each
other We travelled alo n g each o f us absorbed in ou r o w n
.
,
thou ghts wande r ing far away from his young Wife were all
, ,
earth at the e dge of the bank and fell into the stream in an ,
instant .
e ach other for the rst time I on the bank and he in the ,
n est l.
y In my eagerness to make atonement I even o ff ered
to show him a spot where he might try again lower down ,
the stream .
daughter .
under his eyes and under his voice I had f ancie d honestly .
,
And now when little more than a few week s had passed
,
to meet him that night with a heavy heart to seek com fort ,
Why 2
leave t his place and your uncl e would be sati sed and you
, ,
D on t speak of it Eusta c e ! I f you wan t me to forget
,
suff er and do
, .
H ave they been raising fresh objections to our marriage ?
he ask ed as we slowly walked on again
, .
woman has been cry ing for the rst time in my experience
,
Yes .
What is it 2
You remember re ferring my uncle to a friend of y ours
an d o f
Wh y ?
his natur al tone that his voice sounded quite stra nge to
me .
Y ou won t be angry Eustace i f I tell you ? I said
, ,
.
knew your mother s ad dress
.
the members of her family who all agreed w ith her) would ,
sisted in keeping his eng agement with Doctor S tarkweather s
were bent on his marrying another lady and that they were ,
propo sal for my hand ; and he wrote the same day to make
inquiries of Mr Woodville s re ference and of his ow n friend
.
H as your uncle received any answer from Maj or Fitz
D avid 1 he inquired
.
Y es .
Were you allo w ed to read it 3 H is voice sank as he said
those words ; his fac e betrayed a sudden anxiety which i t
p ained me to see .
Al w ays yours ,
LAW RENCE FI TZ D AV I D -
.
Can any on e wish for a plainer ans w er than that l Eustac e '
I f I had written for i n formation about you I answ ere d, ,
No .
What does he say i
I want to know Valeria There must be no secret be
,
.
Yes .
What was it 2
My uncle told me that his letter of inquiry lled three
pages and he bade me observe that the Maj or s answer con
,
.
~
t a i n ed on e sentence onl y H e said I volunteered to go t o .
,
No I replied
,
th e Maj or s conduct
.
An d what did your uncle say n ext ? I f you love me,
Valeria tell me the truth
, .
man you must not be o ffended with hi m .
H e said Mark my words ! Th ere is something under
,
G ood bye Valeria ! he said
-
,
Try and thin k kindl y of
.
and let me go
I held hi m desperately recklessly H is ey es put me beside , .
wild words were all I could say be fore the misery and mad
ness i n me forced their way outward in a burst o f sobs and
te ars .
59 TH E LA W AN D TH E LA D Y .
band, my own
H ardly awakened yet from the absorbing memor i es of the
p ast t o the sweet realities o f the present I let my cheek touch ,
0HA P T ER I I I .
EUS IACE
succeeded in q uieting my alarm But I can hardly .
years that had gone had risen in his memory and had l led ,
more heavily on his mind had lled his eyes with the ,
ever .
0
r8
'
7l LA FV AN D
TH E L AD Y .
seasons and times the long and uni n t errupted repose of a child
was the repose that I e njoyed .
and slippers .
cal m grey sea For a while the maj estic spectacle be f ore me
.
,
The rst obj ect that I noticed was his dressing case open -
o n t h e toilette tal e .
RAM S GA TE SA NDS . : 9
I took out the bottles and pots and brush es and combs t h e ,
thing else .
, . .
old fashi oned curls on either side of the head under a plai n
-
orders on board .
day was enticingl y beautiful and the tide was on the ebb
, .
t he yacht .
ashing blue sea the sun bright cli ff s and the tawny sands at
,
-
M rs Woodville
a habit of perpetually addressing me as
.
,
,
- -
Just as we were about to pass the stran ger she took her
handkerchie f from her pocket and accidentally drew ou t ,
the lady .
hersel f !
The old lady naturally enough mistook my con fusion f or
, ,
,
.
h er kindly way ,
pale you are looking quite exhausted Come and sit down .
band s mother o ff ered to me af ter hea r i ng my n a me as an act
, ,
of kindness to a stranger .
What could I do ?
In the mean time the ol d lady was still speaking to m
,
strong ; and she had tho ugh t it her duty to start at once for
the beach .
himself !
O nce more I looked at my mother i n l aw O nce more the - -
.
was not so keen as ours ; she had not recognised her son y et .
H ow do you do Eu st a ce l she qui etly rejoined
,
H ave
.
stayi n g at Ramsgate 3
in ference from the words she had j ust heard look ed from me ,
despi sed hi m .
hand .
head ,
it not 2
M y husband s ngers unconsciously closed on my han d
hesitation .
With those words and n o m ore l ifting her hand she waved
, ,
CH APT ER I V .
Are you able t o walk back ? he said t o me O r shall .
his eyes and his lips betrayed him They told me that he was .
the way !
I am quit e recovered I said
Let us go back as w e
,
.
,
c ame on foot
.
,
hi m .
26 TH E L A IV AN D 7 7 1 E LAD Y .
ville .
q uestion to him ,
I not only fail to see the j o k e I r ej oined I see som e ,
,
H OZII E . 27
last thing in the world that you would expect from me The .
It is not easy to help you to understand a woman w h o
doesn t understand hersel f he answered
But I will t ry
,
.
.
Eccentricity
.
Bear in mind what I h av e said he proceeded ; and i f ,
,
,
Y our mother told you Eustace I was wal king jus t .
u rpose
p .
28 TH E LA W A ND THE LAD Y .
Impossible ! I exclaimed
Why should y our mother
.
So
you suppose Valeria , .
I am certain of it
Pardon me you don t k n ow my mother as I do
.
a cquaintance w ith
, ,
A cted is the right word he said just as composedly
,
,
as be fore The women on the stage are not the only women
.
thoroughly acqu ainted with you and to thro w you off y our ,
a n gry she was 3 and n ow you know why .
certainly tru e that I should not have known not even vaguely ,
suspected who she really was A part from this the rest was
, .
,
and that she had waited on the sands and dropped her letter ,
Nothing .
A re you not satis ed with my explanation l
I detected a slight tremor in his voice as he put that
q uestion
. T he tone was ,
for the rst time since we had
30 TH E LA W AN D TH E LAD Y .
o u t crying .
tried to look at me .
like a knife
I am vileI am f alseI am unworthy o f you
.
V aleria .
Don t beli eve a word of what I have been saying lies lies
, ,
loved him .
It is e asy to f orgive I said sadl y ,
For your sake
.
,
Eu stace I will t r y to f orget
,
.
the yacht .
To m o rrow i s rather a short n otice I s aid Will you , .
'
g ive me a little longer time to prepare f or the voyage 1
O h yestake any time you li k e he answer ed n ot (as I
, ,
,
n o company at all ?
I t was useless to a sk What did I kn ow about him or hi s
.
C HAP TER V .
THE LA ND LAD Y S DI S C O V ER Y.
Th e landlady s voice an swered me .
another step on the social ladder she took her stand on the ,
I have j ust returned from Broad s tairs she began
I ,
.
9
.
34 TH E LA W AN D TH E L AD Y.
a m sure understand ,
I understand I s aid th at you wish to give u s notice to
, ,
No she said ,
Not that tone ! not those looks ! It s
.
put it to your own common sense (we will say a week f or the
notice to qui t ) why not tre at me like a friend ? You don t
Wh at sa cri ce repeated the landl ady I have degraded .
m a rrie d than I am
TH E LAN D LAD Y S D I S CO VE ICY
.
35
c h air .
The landl ady ra ised her eyes to the ceiling with the a i r ,
to it cheerf ully .
Yes she said ,
I begin to think I a m ma d mad to
.
won t do it again
Do what again ? I a sked .
Follow y our mot her i n l aw crie d the landlady suddenly - -
, ,
the l andl ady 3 growi n g lou der an d louder and re dder and ,
her Li k e a dog
. Oh t h e disgr a ce of it ! Provi dentiall y
.
, ,
'
Nobody but the old la dy can tell me wh at I want to
know I answered Your discovery (as you c all it) may be
.
,
that Mrs Mac all an may not have been twice married 3 and
.
Th e landlady s astonishment subsided i n its tur n and ,
says to you when you come back ?
r eturn .
ol d familiarity with me .
lodgings .
C HAP TER VI .
M Y OW N DI S C O V ERY .
,
-
I warn you bef orehand that I will not answer any questions
relating to my son .
my turn .
I have not come here madam to ask questions about your , ,
son ,
I answered I have come i f you will excuse me to
.
I now kno w f or the fi rst time madam t hat your n ame i s , ,
Macallan I said , Your son has married me under the
.
May I a sk why ?
sympa thy toward s you I f you had consulted me bef ore your .
Pa rdon me madam I remonst rated , As things are I ,
.
,
not h i s lawf ul wi f e ?
,
kn o w no w .
M Y O WN D I S CO VE R Y .
39
You are hard on me mad am I said at parting
,
I am ,
,
.
at your mercy an d I must submit
,
.
of my heart "
leave her .
him f rankly where I h ad been and what had passed bet w een ,
I h ave a favour to ask of you, Valeria, he sai d
.
40 TH E LA IV AND TH E L AD Y
believe my ow n ears .
It s a matter of business he went on of no interest to
,
,
leave you here by yoursel f Have you any obj ection to goi ng
.
wi fe was right .
hi m to me gently .
My darling I said
give me all your c ondence
, ,
.
me too .
i n anger .
I tho ught we had agreed V aleria not t o return t o that , ,
tress me .
here .
qu estioning tone .
that name ? Why does i t sound as i f it wasn t strange
to me 1 '
those words .
Y our carriage is at the door my dear he answered , , .
was his wi fe .
,
.
O n our way back I reverted to the one oth er subj ect which
was n ow uppermost in my mind I reiterated my resolution .
that you are his wi fe and you kno w that he loves you , .
said .
husband .
look up when the carri age passed As the servant closed the .
door behind him I noticed that the number of the house was
,
D o you happen t o kno w who li ves at number sixteen ,
V ivian Place 3 I inquired of my companion
'
.
N o he replied .
Why do you ask 2 .
I have just se en Eustace leaving that house .
My mi n d is in a bad way Benjam i n Everyt hing my , .
I tell y ou again I went on my li fe is unendurable t o
,
,
You have had expe r ience of the world S uppose you were .
answer .
,
,
inquiries in that quarter rst .
back his letter to D octor S tarkweather at my u ncle s ow n ,
y our house .
N o my de ar he rej oined looking very mu ch pu zzled
, ,
,
.
But I can easily send ou t and borrow one .
the Maj or s name, u nder the letter F, I was startled b y a n ew
dis covery .
Be njamin ! I said Thi s i s a strange c oincidence LOo k . . .
here
He looked where I pointed Major Fitz David s address .
-
C HAPT ER VI I .
YEs,
S till
He stopped and looked at me seemed a little doubt ful . He
h ow I might re c eive what he had it in his min d to s ay to m e
n e xt .
Go on I said , .
happened he resumed ,
T o my mind it is quite natural .
,
I have told you already that my mind is in a b ad wa y
about Eustace I answered I say there is some motive at
,
.
c all !
S uppose we g et on with ou r di nn er l said Be nj amin
,
my dear
.
had I not done with love with its certain miseries 3 its
tran sient delights 3 its cruel losses 3 its bitterly doubt ful
gains ? The last autumn owers in the windo w basked
brightl y in the last o f the autumn sunlight Benj amin s little .
dog digested his dinner in per fect com f ort on the hearth Th e .
an animal or a pl ant ?
The brie f respite was soon over 3 all my anxieties came
back I was once more a doub t ing discontente d depressed
.
, ,
Yes
if you go by yo u rsel f Y ou don t kno w w h at sort
.
o f man he is 3 you don t know how he m ay receive you Let .
D o nothing rash my dear I n y our ow n interests do
, .
,
nothing rash
T hose were Be nj amin s last words when we parted for the ,
Do you mean free for to day l -
Free for t o day and t o mo r ro w and n ext week an d next
, ,
L ook here !
H e lifted the open sheet of p aper w hich I had noticed in
hi s hand an d held it for me to read
, It was a telegram to .
telegram to the o th ee .
( topped h i m .
48 TH E LA W AND TH E LAD r:
,
.
speaking sharply .
I am sorry to disappoint you I ans w ered
It is i m ,
.
p ossible f ( )
or me as I told y ou at R a msgate to b e ready t o
What for ?
N ot only his tone but hi s look when he put that se cond
, ,
that he had put upon his wife in marryi ng her under a false
name Fearing that I should answer rashl y that I should say
.
,
for 2
, ,
.
a c age .
I want time, I said to ac custom mysel f t o my right
,
n ame .
What do you mean by your right nam e 1
Su rely you kno w I answered I once thought I was M i s
.
,
t at else have you discovered ? he asked, in low stern ,
t ones .
N othing Eusta c e , .
Nothin g ? He paused as he repeated the word and
,
n ot be here
.
Don t say again what you said just now he went on For ,
.
found ou t some other truth besi des the truth about the name ,
now .
B
SO TH E LA W AN D TIYE L AD Y .
ha t .
The friend who lent me the yacht is in town he sai d ,
.
to go to sea with me he resumed We had better give it
, .
A good wife should know better than to pry into a ffairs of her
husband s with which she has no concern
.
Is it n o concern o f mine I asked gently when I nd ,
, ,
.
5!
your own good
For .
like a chi ld .
L isten to this h e said What I am now going to say
,
.
life you will feel some new distrust some growing fear of
, ,
me and you w ill be doing me the vilest inj ustice all the
time O n my faith as a Christian on my honour as a man
.
, ,
love y ou Valeria he s a id
,
In spite of all that has passed
,
.
,
S o he spoke S o he left me . .
before I rang the bell and ordered the carri age to take me to ,
What can I do for you ma am ? she asked in a con ,
,
I want to look my best I said 3 and I have sent for you
,
to help me .
I understand ma am ,
.
agai n .
I h a ve I mean no harm
. S he stopped and look ed at m e .
OH Tf l E IVA Y TO TH E M A30R
/
'
.
53
.
. .
was no help for it but to make use of her Besides she was .
,
L ook at your co m plexion ma am You will fri ghten h i m ,
.
h ow to u s e it
CHAPTER VIII .
TH E F R I END OF THE W O M EN .
tho se words .
I r s E usta ce Woodvi l l e
. Th e servant showed m e into a .
c a rd in his h an d .
, ,
I said I was not sure you were a t home sir answered the .
, ,
I think I h ad better not see her O liver the M aj or s , ,
voice resumed .
Yes sir
.
,
S top O liver ,
Yes,s ir .
Better than pretty sir to my thinking , ,
.
Aye ? aye ? What you call a ne woma n eh, Oliver ?
Certainly s ir , .
Ta ll ?
Aye ? aye ? aye ? A good gure ?
As slim a s a sapli n g si r and as upright a s a dart , , .
in ! show her in !
S o f ar on e thing at least s eemed to be clear
,
I had done .
Dear Mrs Woodvill e how very kind of you this is ! 1
'
.
,
his f ace .
TH E FRIEND OF TH E WOM EN .
57
house It is su ch a pleasure to see you 1
.
Thank you M aj or f or your kind reception an d your
, ,
me why .
I have j ust heard you speak f or the rst time he said ,
.
going to say ?
a sk of
to y ou .
David s admiration rose f ro m on e cli max to another w ith
such alarming rapi dity that I f elt the importa nce of admi n i s
,
Anxious and ou t of spirits I a nswered ,
.
Anxious and ou t of Spirits repeate d the Major Th e .
surface But I saw a look in his bright l ittle eyes, w hich said
.
TH E FR I END OF TH E WOM E N .
50
My charming f riend 1 he exclaimed May I c all you
.
you dear Mrs Woodville ? A cup of tea ?
, .
Cal l me by my right name sir I answered boldly I , ,
.
Spoke next .
May I ask he said
i f you have communicated t o
,
,
and siz e h as re f used to expl ain in lan gu age that humili ates ,
Do m e the greatest of all favours an s w ered t h e Maj o r ,
.
Don t ask me to say a word about it .
'
My dear dear l a dy he exclaimed I can t tell you h ow
, ,
the door was opened and the rustli n g of a woman s dress w as
,
t h e r oom .
TH E DE FEA T OF THE OI
C HAP TER I X .
TH E DEFEAT OF THE M AJ OR .
pupil a2 r evoi r
. .
I call that young person on e of my happy discoverie s ,
, .
me . I said to mys el f
Here is a born prima donna I
,
will bring her ou t ! S h e is the third I have brought ou t in
m y ti m e
. I shall tak e her to I t aly when her e ducation i s
su fcien t ly a dvanced and per f ect her at Mil an I n th at u n
, .
<
young lady s voice there coul d be no sort of doubt Th e .
considerable dispute .
Having said the pol ite words which the occasion rendered
necessary I ventured to recall Maj or Fit z David to the sub
,
-
then t oo late Bef ore your m a rriage she di d all she could
.
,
your weakness he said ,
where women are concerne d
, .
absurdly the atrical notion of renewing my promise and all ,
hi m and so do I
,
Can you wonder that I let h i m have his
.
reply .
of his appointment Another lady
. Thi s time a lady with ,
a title A great lady who sent her owers and her mess age s
.
and cour teou s explan ation ha d not been thro w n away upo n
me .
I thank you most sincerely M ajor I said
,
You have , , .
Ad mirably expressed ! he rejoined r ec ove r ing his lig ht
,
duc i n g you to each other s a id the M aj or plu n ging his long
, ,
I had my end still to gain 3 and bei n g (as you w ill have
discovered by this time ) the most obstinate o f living women ,
I shall be delighted to meet Lady Clarinda I replied ,
.
, .
autumn soup .
M u st we return to that ? he asked piteous ly
, .
O nly f or a moment I said , .
You r emind me p ur s ued Majo r Fit z David s h aking h is
.
-
,
TH E D EFEA T OF TH E M A 7 0R . 67
O h dear me
, cried Major Fit z David Is this the -
.
Yes
this is the other subj ect .
, .
Why p r e ss it ? he asked I o ff er no r esi sta nce I am
a l ambwh
. .
, ,
it I I h ad another est ate I have no doubt it would go the
. .
,
same way Your adorable sex has m ade its pretty playthings
.
w hat will happen You will deprive me of the last and best
of all my possessions H ave I deserved to be treated in that .
in the world ? O h e e ! ,
Ask of me an ything else in the wide world he said but ,
. 69
I say mind ! he went on bending closer to m e and speak
, , ,
my promise like all other promises has its limits and reserves
, , .
What have I o ff ered ? he inquired looking a little
,
alarmed .
"
Nothing that yo u need r epent of I answered ; nothing ,
''
question ? S uppose this house were mine instead o f yours l
Consider it yours cried the gallant ol d gentleman Fro m
,
.
led me to examine everythi ng in my new house 1
Yes 2
S uppose
I went from room to room and searched every ,
Would there be any chance I went on, of my nding my ,
Yes or No ,
I repeated more vehemently than ever ,
.
Does Yes mean that there i s some sort o f clue to the
my stery ? I asked
S omething f or instance which my
.
, ,
nd it ?
the room above The f uture prim a donna had done practising
.
-
was sing ing the lovely air f rom the S on n a m bu l a Come per ,
if I am in the w ay .
biscuits .
drank it, the deli cious sparkling wine had begun to revive me .
72 TH E LA IV AND TH E LAD Y .
v
l
I take a heavy responsibility on mysel f In g ranting your
r equest But I grant it f or all that beca use I sincerely
.
,
doors of the c u pboards un der the l ong bookcase and the door ,
table .
Certainly !
V ery good I have now a l a st word of w arni n g to give
.
ing ou t your husband s secret at once an d f or ever ,
I thank you for your war n ing M ajor I must f ac e , .
may be .
Positively .
V ery well Take any time you plea se
. Th e house and .
,
for your com f ort an d securi t y you know whi le you honour , ,
me by rem aini n g un der my roof .
l ook on me . .
i
CHAP TER X .
THE SEAR C H.
off my bonnet and m a ntle and gloves and opened the win do w ,
74 .
, ,
bookc ase I looked next into the two china bowls Both
,
.
S o f a r I h a d f oun d nothing
,
.
investi g ations were soon completed All the six dra w ers were .
ing mysel f that the drawers contained nothing but the fossils
an d their inscriptions I turned to the cabinet i n the le f t hand
,
c orner next .
.
,
, , ,
interest m e I thought as I closed the fth, and opened the
, ,
broken vase .
f oot to push it back into its place when the door com
mu n i ca t i ng with the hall opened ; and Maj or Fit z David -
stood be f ore me .
Pray don t let me disturb you he sai d
I have only ,
.
looked in f or a moment to ask you a question .
What is it Maj or ? ,
your investigations ?
t hem
.
TH }; SEA R Cl }! 77
I want ed t o s peak to you about that he rejoined It only ,
.
not assist the discovery which you are trying to make You .
can saf ely pass them over as objects that are not worth
.
And you still hope to succeed ? You are n ot beginning to
be discouraged already ?
I am not in the least discourag ed With your kind leave,
I mean to persevere for s ome time yet
.
Appearance s are not alway s t o be trusted I replied ,
.
Th e wisest thing I can do in my present s ituation i s t o
, ,
N01; i n t h e leas t, Maj or .
78 TH E LA W AND TH E LA D Y .
present .
At the same moment I sa w his eyes wan der slily towards the
bookcase It was only f or an instant I had barely detected
. .
into the hall the bookcase ll ed the w hole length of the wall
,
ing along the row I noticed a va cant space on the top of the
,
p lace now vacant on the top of the bookcase at the end n earest ,
to the window .
ing a me dall ion on either side of the vase U pon the space .
them all ?
Maj or Fit z David had spoken of a terrible mis fortun e which
-
case And again the broken vase had once stood on the
.
,
the vase and the bookcase as twin landmark s on the way that
led to discovery ? The question w as not an easy on e to
decide on the spur of the moment .
enterin g or leaving the room had used the other door whi ch
l ed into the hall .
through the small O pen space left by the partiall y closed door -
.
1 am so sorry and so ashamed ! I was just going t o open
,
G
82 TJYE LA W AND TH E L AD Y .
of himsel f !
my disposal .
remarkable than the creaking o f a man s boots descendin g ,
doubt the si n ging master going away after giving his lesson
, .
rst cupboard .
'
feel weary of disinterring the Major s treasures The lo nger .
last cupboard .
mome n t s hesitation
.
TH E SEAR CH . 85
J uly 22nd 1 8 39 l
,
The next page was adorned by a darker
shade of hair with a French inscription under it : Cl mence
, .
m
Idole de m on am e T ouj ours del e Hlas : 2
. Avril .
o
,
I turned over the pages until I came t o the rst blank leaf .
S eein g that they were all blank leaves from this place to t he
en d I li fted the volume by the back and as a last measure of
, , ,
)
o f course had connected the two gures in a group Eustace .
soul -
the woman who had got h i s hand in hers 3 the un
known woman with the sel f will ed hard featured face - -
.
All thi s time the lower shel f of the c upboard was still wai t
i ng t o be looked over .
S and E M
. . .
r ival hi s Wi fe ?
sho uld have done next i f my love for Eustace had not
taken the uppermost place among the contending emotion s
that tortur ed me That faithful love steadied my brain
. .
hall .
the Maj or s future prima donna standing j ust inside the door,
-
If you have been here a minute you have been here ,
sharpl y .
Certainly not .
married woman .
What has that got t o do with it ? sh e retorted Married
.
,
Maj or Fi t a Davi d is an ol d friend of my husband s I
terms which shoul d tell her nothing and which should at the ,
No .
'
at last .
There 8 nothing stuck u p about you I ll help you
-
.
over again , and I know more about them than you do What .
.
91
What will the Major say ? I asked
.
What do I care ? D o you suppose I m a frai d of hi m ?
Y es she said The thing stood there He knows how
. .
I hate her owers and he put her nosegay in the vase out of
,
with the book I was reading at the time and shied it at the ,
bookcase .
t i me .
word .
Is that the book ? sh e said O pen it and sec
.
, .
It s tremendously interestin g she w ent on
I ve r ead ,
.
92 TH E LA W AND TH E LA D Y .
A C OM P LETE R EP O RT O F
TH E T RI AL or
EU S T A C E M A CAL L A N
I stopped and looked up at her She started b ack from
, .
FOR THE A LL EG ED P O I S ON I N G
or
HI S WIFE .
C HAPTER XI .
THE R ETU R N TO L I FE .
way .
Where i s Eustac e ? I asked
Why h as he gon e away .
a n d le ft me ?
F it z David
-
I saw the table on which the si nging girl h ad
.
-
94 TH E LA W AND TH E LAD Y .
thro w myself into his arms and tell him how rmly I believed,
back to me ! I cried wildl y Where is he ? Help me t o
, .
get up
A stran ge voi c e answered rmly and kindly , ,
until you have recovere d in a room close by ,
.
alone ? Why was Eustace not with me like the rest o f them ,
e xplanation .
di n ary absence .
Why did you let him leave the room ? I asked If I .
can t go to him wh y don t you bring h i m here to me ?
Woodville
Be njamin in his turn looked at Maj or Fitz David and
, ,
-
said Will y ou
,
The M ajor signed to the m both to leave
us. T hey rose together and went into the front room 3 pull
,
I suppose I had better go t oo ? she said addressing Maj or ,
F it z Davi d
-
.
If you please the Maj or answered
, .
say a word for mysel f ! cried this strange creature with an ,
burst
With that extraord i nary pre face she sudden ly turned my ,
I .
you might say so yoursel f now the doctor has brought you t o
,
mam ma has seen bet ter days, and mixed in the best of
company .
kissin g her hand and leading her (as he might have led a
,
I h epe that foolish girl has not annoyed you at such a
ti me as this ? he said very earnestly when he returned to, ,
the so fa
I can t tell you h ow grieved I am at what has
.
drea dful as the dis c overy had been I would rather have made ,
t h e Maj or replied .
L ong after I was taken i ll ?
N o I had j ust s ent for t h e d oct or feeling serio usly
.
alarm ed about you .
TH E R E TU RN To L IFE .
9?
miss me ?
N 0 He appears to have gone rst to Mr Benjamin t o
. .
,
the question to hi m .
I hardl y know how t o explain it t o you he said Eus , .
ta c e has surprised and disappointed me .
Eustace has not quarrelled with you ? I said .
O h no !
,
Neither the doctor nor Mr Benjamin has seen the Tr ial
. .
doctor has no idea and Miss Hoi gh t y has no idea of the true
, ,
of our married l i fe
he said to me now she knows that I
, ,
will see h i m
I dropped back exhausted on the so fa as I said the word s .
wait i f it is only for a few minutes until you are stro n ger
, ,
N ever .
I thought i t strange he w en t on when you told me you
,
'
Y es.
.
,
course
Maj or Fit z David shook his head sadl y .
Eustace was tried i n S c otland, he said
There i s a .
: 00 7 1 1 E LA W A ND TH E LA D Y .
Y es .
The jury were not quite satised that my husband w as
guilty and n ot quite satised that my husband was inno c ent
Is that what the S cotch V erdict means
That is what the S cotch V erdict means For three years .
Take me t o Eustac e I said I am stro ng enough to bear
, .
anythi ng n ow .
C HAPTER XII .
THE S C O TC H RD IC T
VE .
on us and retired
, Eustace never stirred a step to meet me
. .
I ran to him and thre w my arms round his neck and kissed
, ,
hi m .The embrace was not ret urned 3 the kiss was not
returned He passively submitted nothing more
. .
Eustace I said I n ever loved you more dearly than I
, ,
love you at this moment I never fel t for you as I feel for
y ou now
He released hi mself deliberately from my arms He signed .
chair .
Thank y ou Valeria, he ans w ered in c old meas ured tones
,
,
.
you to forgive me, Valeria, for having made you m y wi fe .
r0 2 TH E LA W AN D TH E LA D Y .
chilled he fro z e me
,
.
Is it possible I said, that you doubt my belie f in your
,
innocence
H e le ft the question unanswered He si ghed bitterly to .
said pityi n g me
,
Poor woman .
myself .
I don t ask you to pity me Eustace ; I ask you to do me
,
,
. .
What reason have you for believing in the face of the Verdict , ,
that I am an innocent man ?
I want no reason I believe, in spite of t h e Verdict .
TH E SC O TCH VERD I C T: r0 3
must know i t what will they say ? T hey wil l say
He ,
word for it When he was put on his trial the verdict was
.
,
reason on yours .
That time will never come ! I answered warmly
Y ou
, .
We have only been married a few days Valeria Y our ,
.
Never ! never !
L ook at the world round you h e said The happiest ,
. .
that you don t feel now wil l nd their way to you then When
,
.
soli tude of your ow n room in the stilln ess of the wake ful ,
i t begin, in her time with a harsh word from him, and with
,
[ 04 THE LA W A N D TI IE L A D Y;
you more vividly and more boldly that your husband was
, ,
w hat h appened at that other bed side in the time of that other
,
mine T he doubt that kills love has cast its blight on you
.
more .
TH E 3c oTCI I
. VER D IC T: r0 5
You are talki n g horribly, I said your ag e and at
.
At
mine have we done with love and done w ith h 0pe ? It is
, ,
Wait till you have read the Trial he answered You ,
.
Every word of it ! With a motive Eust ace, which you ,
N o motive of yours Valeria no love and hope of yours
, ,
N o, I said N ow I kno w it our married li fe has begun
.
What do you mean ?
I went near to hi m again and took hi s hand , .
What did you tell me the world h as said of you ? I asked
.
What did you tell me my frien ds would say of you ? N ot
Proven won t do f or us
I f the J ury have done him an i n
.
R ead the T rial That was his answer . .
have struck him for the tone in which he had spoken and
, ,
We c an only submit .
N ever ! I cried The gr ea test lawyers are m ortal men 3
.
c an t deny that
.
Is there no persuading you ? I said He looked away
.
ment I went on
,
I want you to hear another Opinion ,
.
besides mine .
sel f . The doctor had gone away Be nj amin still rem ained .
A the room .
TH E M AN
S O
D E I sI ON.
go on with my narrative .
Y ou may speak freely my dear, he said
I know what ,
.
'
allan when you rst mentioned it to me at my c ot t ag e I
,
.
could n t guess w hy at the time I kno w why now
, .
, .
the T rial .
me I said
,
We know he is innocent Why is his innocence
. .
, .
If you refuse my request I said you will oblige me ,
,
,
N othing can make matters worse than they are si r he , ,
My young friend tell s me that sh e in form ed you of her ,
regrettable outbreak of temper a few days since he said as , ,
what book she had in her hand when she so far forgot her
self as t o destroy the vase When I left you i n the study I .
,
i f you noticed it .
was audi ble no sounds but the ordinary sounds of the street
disturbed t h e dread ful s ilen c e Try as I might t o repel it, .
[ 10 TH E LA W AN D Tf l E LA D Y .
Come ! he s aid
L et us go to the hotel
. .
to the hotel .
letter was in my husband s hand My hear t sank in me as I .
i ng it
.
You are his ol d friend I sai d O pen his letter Maj or,
,
.
,
an d read it f or me
.
TH E M AN S D E CI S I OzV
'
. In
There is but on e e x c us e for him he said Th e man is , .
mad .
MY O D VA LERIAB EL V E ,
When you read these lines you read my farewell ,
you know it
Can you l ive on terms o f mutual c ondence and mutual
esteemwith me when I have committed this fraud and when
, ,
and generous and hope ful Bless others Valeria w ith your .
, ,
If you live with me now you will see her as I see her That
, .
ow n free will .
Y es Valeria I full y freely release y ou If it be possibl e
, , , .
I can write no more T his letter will wait for you at the
.
EU S TA C E MA CALLAN .
s i x day s .
C HAP TER XI V .
W OMAN S WER
TH E S AN .
N o l I cannot tell the truth about mysel f I dare not tell the
truth about myself at that terrible time Men ! consult .
for yourselves .
,
-
admitted that they knew w here Eustace had gone 3 but they
declared at the same time that they were positively forbidden
to communicate hi s address to any on e In other respects .
,
their Instructions in relation to the w i fe o f their client were
(as they were pleased t express it) generous to a fault I
o .
3
TH E LA W AND TH E L AD Y;
of the vill a .
little while to breathe the fresh air and to thi nk I was soon ,
.
I was stron g enou gh to con front the rst and foremost duty
that I now owed to mysel f the duty of answering my
husband s letter
.
might think that you had forfeited all right to their condence .
spite of the hard things you have said and written to me and ,
mean t o li ve your wi fe .
all over from head to foot When you get right again I am
, .
,
into O gilvie s Imperia l Dictionary 3 and O gilvie tells me : A
help me A man who thi nks as you think can give n o hel p
.
,
S O be it I will hope for two and will work for two 3 and I ,
I will say nothing about my plans I have not read the
T rial yet It is quite enough for me that I know you are
.
positively I shal l nd it !
You may la u gh over this l li nd condence on my part or ,
toving
VALERIA
.
even employing the post oth ee I wished to see the i nst ruc
-
.
other things for the pay m ent o f on e clear half Of his income
, ,
partner with the sour smile reminded his coll eague satirically
that I was a lady and had therefore no reasons to give I
,
.
would he have said, if I had been a widow, and had never told
him Of it ?
It was getting on towards evening when I r eturned t o the
c ottage Benj ami n appeared t o have been on the look ou t
.
-
gate .
Prepare y ourself for a surprise my dear he said Y our , , .
he had read it .
that di d me good .
home he said
,
N0 words can tell h o w fervently I wish you
.
h a d never le ft your aunt and me Well well we won t talk .
it all began with your making that mistake about your name
in signing the church register Y ou remember ? Was there .
would have let her I said N o 3 you stop at home and look
.
,
a fter the house and the parish 3and I ll brin g the chil d back
.
What does the girl mean Mr Be njamin ? ,
.
That s n o answer retorted my uncle in his rough an d
,
,
-
G od help her ! cried the worthy man
The poor thing s .
myself .
Disapprove O f it isn t the w ord retorted the Vicar ,
,
.
,
.
mean to do it ?
I mean to begin b y readin g the Trial uncle , .
Nic e r eadi ng for a y oung woman You will be wanti n g
TH E WOIlL/AN
S ANS WER . 1 21
have read the Trial what then ? Have you thought of that ?
what on earth am I to do with her ?
-
you I said ,
N othing else will com fort and support me 3
.
difculties in my way .
Many another woman be fore me I went has fac e d ,
on,
Am I t o understand that y ou are still in love w ith
Mr Eustace Mac all an ? he asked
.
.
Y es I answered,
.
The hero Of the great Poison Trial ? pursued my uncle .
aunt as to what is to be done next I have no more to say . .
n ight .
you . Forgive me and let me go , .
don t madden me ! I can t live without you I must an d
.
,
us we were parted !
,
Parte d still loving each other as pas ,
, ,
of hi s wi fe .
C HAPTER XV .
TH E S TO R Y OF TH E TR IA L. TH E P R EL I M I N ARIES .
told .
rated the actors i n the J udi c ial Drama the men who held in
t heir hands my husband s honour, an d my husband s life
TH E LO R D J U S TI CE CLER K ,
LO R D NOB LEK I RK ,
TH E LO R D AD V O C ATE (Mintlaw)
Counsel for ,
vocate) ,
the Prisoner) .
Mr TH ORNI EB ANK W S ,
Agen t s for the Pa n l
.
, . .
Mr PLAYMORE, W S ,
e .
. . .
is of that false and hate ful Indictment on this page the better ,
of Mid L othian
-
The poison was alleged to have been
.
was su cc eeded b y the lis t of the wit nes ses, and by the n am e s
1 26 THE LA W AND TI I E L AD Y .
DI E P O I S ON ED ?
THE
proceedings began at ten o clock The prisoner w as .
(although a man ) showed far less sel f possession than the last
,
-
, ,
Advo cate (as c ouns el for the prose cution ) 3 and said :
FI RS TD I D TH E WOM AN DI E P OI S OA ED 7
.
m
, , ,
being cross exa mined by the Dean of Facul ty (as counsel for
-
who ha d preceded hi m .
nurse who had attended Mrs Mac all an in her last il lness by .
At such ,
.
said t o me
T he D ean of Faculty here interposed ; speaking on the
prisoner s behal f He appealed to the J u dges to say whether
.
foll ows :
My position as nurse led necessarily to my seeing more o f
Mrs Ma c al l an than any other person in the house I am
. .
from what others told me but fro m what I noticed for myself
, .
Towards the latter part of my attendance on Mrs .
c ame into her room to inquire how sh e had passed the night .
O h sh e said
,
never mind how I have slept ! What do
,
do.
S he refused to yield even then A good excuse Sh e .
,
her eyes and (if I may use the expression ) one of the most
,
sh e painted .
no sym ptoms i n the least degree serious about the mal ady
that had taken her Her rheumatic knee was pain ful of .
,
ever been born and nonsense like that Her husband came
,
.
in m or e than once for some hard hits at his cruel heart and
FIRS TD ID TH E IVOZII AN D I E
'
P O I S ONE D f 1 3!
Mac all an .
door led into the great passage or corridor on w hich all the , ,
, , , .
. .
between the bed r oom and this study was locked and the key ,
was taken out I don t know who had the key or whether
.
there were more keys than one in existence The door was .
positively about Mrs Mac all an s ill ness and about the sudden
.
say for mysel f that I had only fallen a sleep on the sofa in the
remove her dressing case from her bed table after sh e had - -
, , .
touched her ,
i llness on e Mr Gale . .
like anythi n g to eat or drink S he said N o again in .
, , ,
on on e Of the landings .
M r Mac all an s valet had ordered the tea for his mi stress by
.
,
(she s ai d) O pened the door when she knock ed and took the , ,
widely enough for her to see into the bedroom and to notic e ,
Mac a an
How comes the teacup to be broken ma am ?
l l , ,
muffled kind of voice I dropped it Before you drank .
your tea ma am ? I asked
,
N o she said 3 in handing
.
,
been long alone S he said shortly . Yes ; I have been , ,
her face sul kily turned from me towards the wall S tooping .
I said S urely you haven t been writing ma am ?
, ,
Why
,
Another poem ? I
not ? sh e said ;
I coul dn t Sleep
.
she said ; another poem T hat s goo d I said 3 it
.
,
Shan t want the doctor any more t o day
S he made no .
nothing for the nurse to do I put the bel l rope within r each
.
-
alone for too long a time together and then again I was , ,
venturing into the room on the ground floor cal led the Morn ,
Dexter
I heard Mr Mac all an say 3 Where i s Mrs
. .
Mr Dexter answered in his quick Off hand way of sp eakin g,
.
, ,
-
doctor I could see in her face that this second attack was of
,
a far more serious nature than the rst After ringing the .
The only person I saw in the corridor was Mrs Beauly . .
I had not been long back at the bedside when Mr .
say to me in a whisper
The do ctor is sent for and th en
,
What came from her was muddy and frothy and faintly ,
serious I heard him say to hi msel f What does this m ean ? ,
that her hands and i eet (whenever I touched them) rem ained
equally cold Also, the do c tor s report of her pulse was al ways
.
FI RS TD I D TH E WOf AN D I E P OI S Or VFD
'
1 37
have a physician from Edin burgh .
was she instantly li fted her hand and signed to him to leave
, ,
The great physician came just i n time to see her sei z ed
with another attack o f sickness He watched her attentively .
,
said i t m i ght mean that the doctor had hopes of savi ng h er,
At
last I was sent for O n my presenting mysel f in t h e
.
the poor lady lived I was never left alone with her O ne of
, .
prepared for them but stil l they took it in turns to eat their
meal one relieving the other at the bedside I f they had .
her eyes look ed sunk in her head ; her skin was cold and
cl ammy ; her lips h a d turned to a bluish paleness N othing .
which showed that she was just as resolved as ever not to let
him come near her He was so overwhelmed that Mr G al e
. .
made their inquiries outside the door and were not invited ,
death .
her hands and arms 3 the y lay helpless outside the bed clothes -
.
.
,
on her heart . T hen he said to me You can go do w nstairs , ,
nurse it is all over He turned to Mr G al e
.
Will you . .
.
.
, ,
the deceased lady for the co fn The roo m in w hich she lay .
In the absence of any explanations or directions I took ,
t o an end .
J ury m i ght reconsider their conclusion that the wife was a per
son who had exasperated her husband beyond endurance I n .
that case where (so far) was the husband s motive for poison
,
ing her and where was the presumption o f the prisoner s guilt ?
for the o ffence that she gave by her violence When she was .
sh e was in face she had a good gure 3 her hands and feet I
, ,
nad sho w n at the same time that she was capable of control
ling tha t feeling I t was through Mrs Macal l an that Mrs
. . .
p o .
Mrs Mac all an (in spite of her temper) was popular with her
.
The rst Question raised by the Trial Did the Woman Die
Poisoned lwas answ ered in the afrmative and answered ,
C HAP T ER XVI I .
S ECO N D S I ON WHO
QU E T PO I S ON ED HER ?
the Trial .
dence as follows
,
, .
dovie called G l en i n c h
,
T here was also for warded to me
.
deceased lady 3 and the other stated the discov eries made ,
Under these circumstances I set in motion a search and
.
: E COND WH O P O I S ONE D H E ? r : 43
,
committed for Trial be fore this Court .
ployed in his ofce were called next These men had a story .
sh er i s o fcer
He gave his name as Isaiah S choolcra ft
.
.
These we left under lock and key We also found her dress .
, ,
s
to the Fiscal s o fce along with all the other articles that we
with the room in whi c h Mrs Mac all an had di ed It had been . .
i l l in bed .
intruding here 3 not I We again notied to him that he
.
Can t you see for yourselves he said 3 that it is a table
,
,
his chair and pulled it away whi le R obert L orrie laid hold ,
Of the table and carried it to the other end of the room The .
'
t h e roo m .
Having locked the door so as t o prevent an y further ,
re cure d .
: 46 TH E LA W AND Tf l E L AD Y .
declared it was lucky for u s he was too weak to rise from his
bed I answered civilly that ou r duty obliged us to examine
.
got the key and opened the table drawer for us himsel f
, .
favourable to t h e prisoner .
follows
I keep a special registrybook o f the poisons sold by me .
-
the outer wrapper bei n g labelled with my name and
address and w ith the word Poison in large letters 3 exactly
,
pur chase six penny worth of ars eni c My assis t ant, to whom
-
.
TH E LA W AND TH E LA D Y:
'
1 48
He signed the R egister and took the arsenic away with him , ,
u nshaken .
any one else at the date t o which you re fer or at any other
, ,
gardener .
N either my master nor any other person gave me , ,
i n festing it
.
e xcept that there might have been rats in the hous e though ,
had bo ught it was actually proved 3 and that he had kept it,
was the on e conclusion that the evidence justied .
The witnesses who came nex t did their best t o press the
charge against the prisoner home to hi m Havi n g the arsenic .
which his mistress di ed and had ordered a cup of tea for her, .
T he man had received the order at the O pen doo r of Mrs Mac .
s
, ,
made the tea and had herself taken it upstairs be fore ten
, ,
from her at the O pen door S he could look in and see that .
,
he was alone in her mistress s room .
Mrs Mac all an had said to her on the day when that lady
.
,
, ,
on the bottle that a dose had been poured ou t since the dose
,
maid and the nurse revealed for the rst time what the nature
,
of the de fen c e wa s t o be .
[ 50 TH E LA W AND TH E LA D Y .
Cross exami ning the under hou semaid the Dean of F a c ulty
- -
said
'
Did you ever notice when you were setting Mrs Eustace
, .
S imilar questions were next put to the nurse and were all ,
the defence :
The Court and the J ury said his lordshi p wish dis , ,
the medi c al evidence whi ch dec lares that Mrs Mac al l an died .
further .
i t would use fully pave the way in the minds o f the J ury for
, ,
at my wi fe s ow n request
O n th e rst occasion she
.
,
it was r eq uired by the c ook for ridding the lower part of the
ho use of rats .
m u ni c at i on wi th either of them .
A s f or the r at s, I left the kill ing of them to the cook and the
other ser vants i nst as I shoul d have lef t any other part of
th e domestic business to the cook and the other servant s .
the cook .
lled with f ear that I had not with all my care behaved , ,
Furthermore I solemnly declare th at I know no more of
,
how she took the arsen i c found in her body than the babe
unborn I am innocent even of the thought of harming that
.
cup of tea, exactly as I received it from the under housemaid s -
w hi ch I am charged
.
whole weight of the evi den c e at the close of the second day
6
Th e merciless Lord Advocate (I con fe ss I hated him 1) h ad
proved (1 ) that Eustace had bought the poison ; (2) that the
reason w hich he had given to the druggists f or buying the
poison w as n ot the true reason ; (3) that he had had two
o pportunities of secre tly administering the poison t o his wi fe .
wi f e who had secretly u s ed the ars enic and used it for her ,
complexion .
h i s chair against the bedside table the man who had struggled
- -
to the last to def end Eustace s paper s from the wretches who
had s ei z ed them ! I decided then an d there that the rst , ,
THI R D Q U ES TI O N W H AT W A S H I S M O TI V E ?
Th e prisoner at the Bar at the time of whi ch I am n ow
,
Th e consequences of the perfectly i nnocent intercours e
si st en t l
y denied that she was actu a ted by any w armer feeling
towards Mr Mac al l an than a f eeling of f riendly interest This
. .
prejudice to my niece .
Th e remedy was well intended but it came too l a te and ,
a way visibly
; neither me dical help n or change of air an d
scene di d anything f or her In course of time af t er Mr
. .
spon den c e .
My interferencewh at else could I do but interfere ?
brought matters to a crisi s O ne day my niece was missing .
,
Hearing foot s tep s outs ide he had onl y time to t ake measures
,
for saving her character by conceal ing her i n the nearest room
and the ne arest room happened to be his bedchamber Th e .
,
th e pris oner at the bar and his deceased wi fe .
at Gl eni nch .
a t the time .
perate yet stro n gly urged protest against the reading of the
-
papers discovere d at G l en i n c h .
h al f an hour .
FI R ST C O RRESP O NDENT :
I despair, my dearest Sara, of
being able to tel l you how your last letter has distresse d me .
what somebody calls the lights an d shadows of married
,
from their husba nds Men my poor S ara are not like us
.
, , .
altern ative even when we most truly respect and love t hem
but t o make allowance f or this di ff erence bet w een the
man s nature and the woman s I do not f or on e moment
.
S E C O ND
C O RRES P ONDENT : How can you be so foolish
,
must be quite insuff erable D on t bear it any longer my .
,
, .
consult him .
With thos e abominable lines the readings f rom the let t ers
of the women came to an end Th e rst and longest of the .
( if of
of a neglected an d a n unhappy woman .
with his Diary in the locke d bed table drawer was produced
,
-
t h e married pair .
name only .
Ah my poor Eustace what a cruel destiny i s ours
, , (the
l etter began) When I thin k of your lif e sacriced t o that
.
,
M
1 62 TH E LA W AND TH E LA D Y .
beyond this There our souls wil l y to mee t each other and
, ,
why why did you marry her 2 has wrung this con f ession
,
look) to the better life which you m ay yet shar e with your
ow n H ELENA .
let t ers occurs more than once and we may possibly nd other
means of identi fying the writer to the s atisf action of your ,
lordships bef ore the Trial is over
,
.
a year bef ore the date of Mrs Eustace Mac all an s death It .
.
, ,
si nce ,
o f heart disease Sh e i s free m y beloved Helena i s
.
free ! And I ?
I am fettered to a woman with whom I have n ot a single
f eeling in common Helena i s lost to me by my ow n s et
.
, .
posi t ion or to write of it .
, ,
t f or .
Th e circumstances of the moment a dapted themselves ,
st reet !
TH E L AD Y .
out all the treas ures of her love on the man wh o adores t h e
earth that she touches with her f oot !
Fool ! Ma dman ! Why don t I da s h ou t my brain s
against the wall that I s ee opposite to me while I write
th e s e lines !
My gun is there in the corner I have only to tie a s trin g .
submit O h Helena ! Helena !
.
,
thi n
g she does or says How could I keep my temper unle ss
.
,
MO TI VE I" : 65
i s your s .
I dreamt last night that this unhappy wi f e of mine was
,
Her cal m regular breathing was distinctly audible in the
stillness of the night S he w a s in a deep sleep I closed
. .
was f ree .
What a li f e mine is ! what a li f e my wi f e s is ! If the
s till .
A gleam of brightnes s ha s shone over this dismal existence
of mine at last .
only :
A new mis fortune ! My wi f e h as f allen ill Sh e ha s
.
deci de d on .
This is a great sacri ce made to me on my wi f e s part , .
and trusts me !
I am bound to show my gra titude f or thi s and I will ,
There ,
the reading s f rom the Diary c ame to an end .
Beauly !
As for the pain ful impression produced in Court by the
readings f rom the letters and the Diary it seeme d to be ,
f a vour able still tow ards the prisoner by the evi denc e ,
prosecution .
an d deposed as f ollows
On the twentieth of O ctober at eleven o clock in the ,
Passing to m y work I pa ssed the back of the summer
s
,
Th e rst word s I could distinguish were s poken in my
master s voice He s aid I f I could only have f oreseen that
.
,
talk so
M y master said upon that
. I must talk of w hat, ,
Sh e led the way into the garden and turned round beckon , ,
ing my m aster to j oin her I n that posi tion I saw her fac e .
,
by the h ead gardener when she rst arrived for the purpose
-
, ,
between them .
her .
wi fecame to an end .
C HAP TER XI X .
THE EV I D EN CE FOR TH E D EF EN CE .
li fted her veil to take the oath H e burst into tears At that
. .
c ontrol .
i
Witness had heard her say over and over again (re ferring to
,
Der complexi on ) that there was no risk she wou ld not run
, ,
Bein g asked next i f the passages from her son s Diary were
r acter ,
she said
An d not the less a libel because they
.
,
rash words which may escape him in his moody and miser o
ca n t questions .
TH E E VI DEN CE FO R TH E D EFENCE . 1 7!
to you of the defects in her c om pl ex i <n he
I n speakin g ,
said ,
did your daughter i n law refer in any way to the use of
-
a rsenic as a remedy
have described
The answer to this was N ever ,
.
el der withdrew .
temporary c oolness bet w een the two ladies had been the
result .
had ad mired her in the days when they were both si ngle
people But there w as no fur ther expression of that feel
.
ned her to her bed ; he had spoken of her not once but ,
r eminding her that she had given her name on being sworn ,
,
A letter addressed to the prisoner and signed Helena , ,
having it placed in her hands This exhi bition of feel ing was .
, .
the de fence .
at Gl eni n ch .
Mrss a nm u s s
r sn .
C HAP TER XX .
TH E END OF TH E T RI AL .
Court i f the interruption to the proceeding s was renewed .
n e w witness appeared .
o ver his chair had fall en off during his progress throug h the
,
large clear blue eyes and his long delicate white hands
, , ,
.
,
i n form the good people here that many names, still common
amon g us have their si g ni c at i ons, and that mine i s one of
,
reserve .
I have heard what the ignorant and prejudiced nurse ,
neve r yet met with the man (or even the woman whi ch is ,
N
: 73 TH E LA W A ND TH E LA D Y .
i ng ,
she writes that your sensitive nature exaggerates or
,
poor lady was one of them When I have said this I have .
,
said all .
It may be as well to remind the prosecution that Mrs .
prisoner s ow n resources (aided even by his mother s j ointure )
I was present in the Fiscal s o fce durin g the examina
,
,
produce .
These last were of the nest cut glass and of a very elegant ,
the bottle was exactly like the bottle in which he placed the
a rsenic . It was, however equ ally like hundreds of othe r ,
1 80 TH E LA W AND TH E LA D Y .
T hus ended the last effort o f the defence to trace the arsenic
purchased by the prisoner to the possession of his wi fe The .
that Mrs Eustace Mac all an s hand had placed the packet in
.
to y ou
I may have my own idea s on that subje c t, as on other
f acts 2
I made a note of that answer Mr Dexter s ideas were . .
t o communicate them .
some private reasons for disli king (perhaps for distr usting)
this lady Here again i t might be of vital importance to me
.
, ,
heart you would see there a diabolical hatred for his wife
, ,
them under my feet and felt all the better too for having , ,
The fth day of the Trial opened with the speech for the
de fence Ah what a contrast to the infamies uttered by the
.
,
I yield to no on e he began in the pity I feel for t h e,
,
that unhappy man at the Bar has suff ered an d is now s uff er ,
i ng more
,
I f he had n ot been the ki n d est o f m en the most
.
,
and harder nature would have felt suspicion of his wi fe s
moti ves when she asked him to buy poison would have
,
Speaki n g thus o f the husban d the Dean was j ust as el oqu ent ,
TH E E ND OF TH E TR I A L . : 33
have failed entirely to prove that the prisoner place d the two
packets of poison in the possession of his wi fe ? I say in ,
with him that the charm by whi ch she hoped to win hi s heart
,
evidence that she would not even conde her inten tion to try
,
and who had got her the book She actually begged them .
worn false hair or i f she had been indebted to the dentist for
,
towards You .
: 84 TH E LA W AND TH E LA D Y .
Hi s lordship rst told the J ury that they could not expect
to have direct evidence of the poisoning S uch eviden c e hardly .
say . But having told the J ury they might a c cept circumsta ntial
evidence he turned back again on his ow n words and warned
, .
,
bu t co nj ecture ?
Af ter this specimen I need give no further extracts from
,
T hen they returned into Court and gave their timid and ,
slowly retired like a man in deep grief ; his head sunk on his
,
C HAPTER XXI .
I S EE M Y WAY .
meet his wi fe after she had read the things publi shed of him
,
the bli nd and saw the sun r ising grandly in a clear sky
,
.
begin ?
T he bold way of beginning was surely the wise way in ,
, ,
,
. .
the arsenic secretly in her possession and that she had trie d , ,
in declaring that Mrs Eustace Mac all an had died by the hand
.
the house a the time had poisoned Mrs Eustace Mac all an ?
'
.
,
.
,
known !
I f this is not the language of a woman shamelessly and
furiously in love with a man not her husbandwhat is ?
S he is so full o f him that even her idea of another world (see
,
and in due course of time she becomes the guest of the man
, ,
Mr Mac all an n ever has felt and never can feel the smallest
.
, ,
Macal l an in which that lady questioned her on the subject
,
n othing about it .
becoming Mrs Eustace Mac all an had certainly pre s ented itsel f
.
has not set eyes on her At what time does the disappear .
her room
Meanwhile the bell rings at last rings violently Th e
, , .
and wa its in the roo m to tell the nurse that the doctor i s sen t
f or. What does Mrs Be a uly do ? Sh e runs out panic .
the witnesses ?
To me the con clusio n is plai n
,
Mrs B eau l y s hand gave . .
f ollows that she a lso gave the rst dose in the early morning .
nurse admits that she was asleep f ro m p ast two in the morn ,
tion with the sick room the key of whi ch h ad been removed , .
Beauly .
r imu s D exter .
I S E E I VY WA Y . 1 9!
My dear ! I am a fra id you will be starved i f I let you
sleep any longer It is half past one o clock 3 and a f riend of
.
-
Who i s it ? I cried ou t f rom my bed through the door , .
medium .
, ,
my husband s ol
d friend Mi ser r i m us D exter .
live who would have done othe rw ise when she had a pan
t i c ul ar favour t o ask of Majo r Fi t z Da vi d ~
1 92 THE LA W AND THE LAD 7 .
once more .
I don t ask af ter your health said the old gentleman 3
,
s urprise .
What is the happy book which has interested you so
deepl y l he asked
.
Th e Major s smile vanished He drew back a s tep with a .
,
look of dismay .
s peak of that dread ful subject What have beau t y and grace
to do w ith Trials Poi s onings Horrors Why, my charmi ng
, ,
f riend pro fane your lips by tal k ing of s uch thing s ? Why
,
f r ig hten away the Loves and the Graces that lie hid in your
TH E 7 11 1 47 01? M AK E S D I FFI CU] TI E R . 1 93
us laugh and lunch ,
.
,
.
,
you to day
-
.
she has also heard f rom your uncle the Vicar O ur excell ent , .
, ,
You can be of the greatest use to me I said i f you
,
,
0
: 94 TH E LA W AND TH E LAD Y .
l e ss int ere s t
Command me my dear ladyI am yours and yours only
.
, ,
me
I wish to ask you i f you know Mi ser r i mus Dexter ?
D exter .
I certainly said s o I rejoined What i s there so ve ry
, .
surprising i n my request
Th e man is mad cried the Maj or In all England you .
Doesn t daunt you ! My dear lady the man s mind is as ,
c lever I admit
,
And I don t say that he has ever committed
.
for all that he is mad i f ever a man was mad yet For
, ,
.
I want to con s ult h i m .
May I ask on what subj ect ?
O n the subj ect of my husband s Trial
.
la tion in hi s friend Benjamin s claret .
subj ect
hi s head .
S h e appears to insis t on i t said the Major , .
Yes said Benjamin
,
Sh e appe ars to insi st on it
. .
I won t take the responsibility Mr Benjamin , of s ending
, .
S hall I go w i th her, si r ?
1 96 TH E LA IV AND TH E L AD Y .
My ch arming friend he said be more charming tha n
~
.
to a little dinner ?
A little dinner ? I repeated not in the least under s tand ,
ing him .
A little dinner the M ajor reiterated At my hou s e
,
.
.
'
a lternative under the circumstances 8 to invite him to meet
, ,
wine .
It is later than I thought he said I have an appoint ,
.
hand he s aid 3 you don t mind my looking at it you don t
, ,
Ag e my dear Mrs Ma c al l an i s a purely relative expres
, .
,
sion he said There are some people who are never youn g ;
, .
Au r evoz r I
t h e other people .
MY M O TH ER I N - -
L AW S U R P R I S ES ME
I have received a letter f rom your uncle the Vicar sh e
, ,
how you have behaved under your hard trial and what you ,
God forgive me for speaking so of my o w n s on ! But it s in
my mind and it must come ou t
,
I am sincerely proud of your good opinion dear Mr s .
do. But his whole conduct f rom the moment when he rst ,
(
e ntered your uncle s house to the present time has been I
,
harder name .
him but I would not con f ess what I thought to his mother .
What I complain of in my son proceeded Mrs Ma c al l an ,
.
,
again he would have been quite right when this same fool
, ,
had discovered the truth to take himsel f off out o f her way
, ,
mother tell her of his faul ts Good child ! I like you for .
h at ing me !
Dear madam don t say that I hate you ! I exclai med
,
( f eeli ng very much as i f I did hate her though for all that l)
"
, , .
Eu stace
Is a delicate minded man s aid the impenetrable Mrs
. -
, .
whether w e shall disagree about that t oo ? ,
I won t tell you if you call me madam Call me, mother
, . .
I do !
20 2 TH E LA W AND TH E LAD Y .
h ers elf
.
You know h ow heartily I admire your courage, and your
devotion to my un f ortunate son she s aid You know by
.
, ,
this time that I don t cant But I cannot see you attempt
,
.
Give it up .
Mother !
sh e looked .
O h youth youth ! she said to hersel f s adly
, ,
What ,
.
mean to do ?
At the i n sr xn t when she put the que s tion the idea crossed ,
her son .
boldly .
t ion of surpri s e .
Are you o ut of yo ur s enses ? s he asked .
r easo n to th i n k Mr D exter s ad vice might be of r eal ass is tanc e
.
to me at s tar ring .
M Y M 0 TH ER I rV LA IV S URE/U S ES IVE
.
- -
. 20 3
only say that the last person who m a young woman placed in ,
Of co urse it is ! answ ered Mr s Mac al l an
Th e short . .
duce you to hi m, I hope ?
I did think of s uch a thing I an s w er ed
But, after ,
.
20 4 TH E LA W AND TH E LAD Y .
what you hav e said dear Mrs Mac all an, I give u p the idea
It is not a great sac ri c ei t only obliges me to
, .
,
of course .
There is the Maj or all over ! cried the ol d lady
If
.
D exter
Yes
.
Exactly ! Dexter despises him, my dear He knows as .
I f the worst comes to the w orst I said I can ,
,
Certainly By myself . .
I do indeed
, .
I won t allow you to go by yours elf
.
me
By going with you to be sure you obstinate hussy ! Yes , , ,
It is you who won t let matters rest as they are You are a
.
Dexte r by your self Put on your bonnet ! .
M I S ERRI M US DEXTEE FI RS T VI E IV . : 05
Now ? I asked
.
quick about it
I required n o second bidding In ten minute s mor e, w e .
M I S ERRI M U S D EXTER F I R ST V I EW .
bet w een the ol d lady and myself (of which I have only pre
sented a brief abstract) lasted until quite late in the af ter
noon Th e sun was setting in heavy clouds when we got into
.
the carriage and the dreary twil ight began to f all round us
,
Dexter s Pal ace, my dear, s he s aid you t h i nk
. What do
of it ?
I looked round m enot kno w ing what to thi nk of it, i f th e
t ruth must be told .
through the boards and the bricks the oyster shells and t he ,
-
Prince Dexter s Palace !
There was a gate in the pitch black paling and a bell handle - -
.
,
in this n ew neighbourhood have o ffered him I don t kno w ,
Who 8 there ?
What do you want ?
We want to see Dexter .
You can t s ee hi m
.
Why not ?
What did you s ay your name w as 1
Mac all an Mrs Mac all an Eus tace Mac all an s m other
. . .
.
there were pictures on the g rim brown walls but the subj ects
\ epr esen t ed were invisible in the obscure and shadowy light .
w ith the m a n s hat .
light at the sheet of paper whi ch the woman had given to her .
smile .
sh e asked .
My mother i n law ret u rned to the hall table and put the
- - -
dark;
I know where to nd him .
the lamp thr ough the open door of a quaintly shaped circular
,
-
entered .
Mrs Mac all an drew aside the strip of tape s try, and, s igning
.
P
210 TH E LA W AND TH E LAD Y .
What possibly be going on I whi spered t o Mrs
c an ,
.
, ,
s ee
.
the only light b y whi ch I could j udge of obj ects and dis
tances R edly illumin ating the centr al portion of the room
.
,
man, h alf chair ew by me again in the dying light
I .
w r itin g Lear, the tragedy of tragedies Ancients an d .
write the words that live f or ever ! He ground and tore his
way back towards the middle of t h e room As he a pproached .
shock that shook the cra zy Ol d oor of the room altered its ,
m ock at me
Nothi n g of the sort said my m ot h er i n ,
l a w as quietly as
e
himself .
This was the man whose advice I had come t o askw hose
assistance I had con dently counted on in my hour of need ,
M I S ERRI M U S D EXTER S EC O ND VI EW .
to Mrs Mac all an I was wro n g and you w ere right Let
.
, , .
u s go .
No ! he answered
Bring Eustace Mac al l an s secon d
.
ready to go in .
Have you recovered your beli e f in him already ? asked ,
, .
you . Come in and pity me , .
Are we to have n o light ? asked Mrs Mac al l an And
. .
c hair
Ariel ! sighed Mi ser r i m us Dexter out of the darkn ess i n
,
My chair Ariel ,
Th e p ers o n thu s Str ang ely mi sn amed d re w a side the tape s t ry,
214 TI I E LA PV AND TH E LAD Y .
could put hi m into the chair he sprang out of her arms with ,
a little glee ful c ry and ali ghted on hi s s eat like a bird alight
, ,
gl a ss Pa rdon me he added addres s ing u s f or turnin g my
.
, , ,
rights Ariel l the brush the comb and the perf umes
.
, , .
other and the brush (with the comb stuck in it) betwee n her
,
the girl s round eshy inexpressive f ace her rayles s and
, , ,
y ,
her still more wonderful master s hair gave him the looki ng
,
owing locks and the long silky beard of Mi ser r i mus Dexter ,
the room in which Mrs Mac all an and I were s tanding Then . .
I w ant to kno w because I can t address her as ,
Mrs
Why not I
A R oman name remar ed Mi ser r i mu s D exter I like i t
k ,
.
Very good said Mi ser r i mu s Dexter Mrs Valeria dc
, . .
,
It i s the face of an idio t is n t it ? pursued Mi ser ri mu s ,
listen Ariel
.
,
.
Ariel ! you have learnt to dres s my hair and anoint my ,
eagerly .
"
you ?
I s ay that Would you li ke to let anybody else do it for
.
you 2
Her eyes m elted s oftly into light and li f e Her strange .
unw omanly voice s ank to the gentlest tone s that I had heard
from her yet .
Nobody els e shall do it f or me s he s aid at once proudly ,
,
Not even the lady there 2 asked Mi ser ri mus Dexter
,
I wa s standing .
Let her try ! cried t h e poor creatur e, raising her voice
b eard
.
MI S ERR I M US D E XTERS E COND VI E W . 21 7
lumpish as bef ore : the hands did their work again w ith the
li f eless dexterity w hi ch had so pain f ul ly impressed me when
she rst took u p the brush Mi serr i mu s Dexter appeared to
.
I thought my little experiment might intere s t you he ,
the more I con fu s e her the better she likes the story I t i s
, .
the greatest f un 3 you re ally must see it some day He .
Valeria ! said my mother i n law O ur modest host i s
- -
.
w aiting to see what you thi n k of him .
plainly n ow the bright intelligent face and the large clear blu e ,
i n his face was at the outer corners of his eyes j ust under t h e ,
, ,
h ero of my dreams !
Well Mr s Valeria he s aid , quietly, do I frighten you
, .
,
'
n ow i
Certainly not Mr Dexter , . .
A f ar more charming f a ce I he ard him say ,
But no
.
What have I done ? he said
Have I b een letting my .
mind dri ft ag ai n ?
He s hudder ed, an d si ghe d
O h, that .
2 20 TH E LA W AND TH E LAD Y .
G l eni n c h
To my innite disappointment Mrs Macall an checked t he , .
Gently my f riend gently ! she s ai d
, I don t thi nk you, .
quite know w hat you are talking about .
agitated His whi sper was loud enough to make itself heard
.
I don t know what I am talking about ? he repeated
th e s ort .
He s hook h er impatiently .
r ead the Tr ial .
r aised hi s eyes and xed them with a fro w ning and furtive
,
suspicion on my f ace .
How do you know I have idea s of my ow n ? he a sked,
s ternly .
I kno w it from reading the Trial I an s wered Th e , .
ing you Mr D exter ,
. .
I beg your pardon he said i f I have mi s under stood you
, , .
, .
you any ideas ? he asked Idea s about her life ? or about .
h er death ?
I wa s deeply intere s ted 3 I wa s burning to hear more It .
ans wered
Yes ,
.
22 2 TH E LA W AN D TH E LAD Y .
To no living creature I repli ed
as yet ,
.
motive .
Is it connected with Eustace Mac all an s rst wi f e 1
It is .
No .
With h er death ?
Yes .
I can t hear it t o night he said 3 I would give worlds to
hear i t but I daren t 3 I should lo s e all hold over mysel f in
horror and the mystery of the past 3 I have not cour age
enough to open the grave of the martyred dead Did you .
play the parts of all the heroe s th at ever l ived I feel their .
with my s ensibil ities f rightf ully acute R ouse any melanch oly .
'
would not frighten you for the w orld Will you come here .
,
I must com -
harp !
He rushed away in hi s chair to the f ar end of the room
passing Mr s Mac all an as she returned to me bent on hast e n
.
,
be tiresome Com e away . .
Wait ! he said
Let her hear me s ing He turned t o
.
.
me .
Wh y does sh e c o me 3
She i m e of t h e l ost 3
r em n ds
S h e r em in ds m e of t h e de a d
I n h er f or m l ik e t h e ot h er ,
I n h er w a lk li k e t h e ot her ?
Why does sh e c ome ?
Does D est in y b ri ng h er !
Sh a ll w e r an g e t og et h er
Th e m az es of t h e pa st
Sh a ll w e sear c h t og e t h er
Th e sec r e t s of t h e pa st !
Sh all we i h an g e t h o g h t s
n t er c u , su r m i ses, susp c i ons i 3
D oes D est i n y b in g r h er ?
Th e F ut ur e w i l l h s ow .
Let t h e ni g h t
pass 3
Let t h e day c om e .
I sh i
all see n t o H er m n d i
Sh e wi ll l ook i n t o M in e .
Th e F ut ure will sh ow .
At the nal words his eyes slowly clo s ed His head lay
, .
s leep .
M O R E OF M Y O B S TI NA CY .
down the dark garden walk and locked the gate behind us , .
Good night Ariel I call ed out to her over the p alin g
, ,
.
Well ! said my mother i n l aw when we were comf ortably
- -
do you say
I don t pre s ume t o dispute your opinion I answered ,
.
mad
'
Not mad cried Mrs Mac al l an , a f ter those franti c
.
perf ormance s i n his chair ? Not mad af ter the exh ibition h e ,
w on t s ee !
Pardon me dear Mrs Mac all an I saw everything that
, .
amaz ement and can thi nk over it quietl y I must st ill venture
, ,
con f ess I have o ften fancied myself transf ormed into s ome
other person and have f elt a certain pleasure in seeing mysel f
,
but what we really are Mr D exter lets out the secret, just
. .
the con fes s ion will not lower me s eriously in your good
opinionbut I must say I have enj oyed my visit ; and w ors e ,
I don t k n ow h ow I m a v f ee l about i t to m orr ow mor ni n g
,
M OR E OF M Y OB S TI NA CY . 22 7
In the one obj ect w hich I have in view t h e obj ect ,
l e ft
Yesi f I thi nk of i t t o morrow as I think of i t to night - -
.
tion w ith my end to gain
,
.
You provoke me s aid the ol d lady
into sho w ing you
, ,
have got h i s letter w ith me his last letter f rom S p ain You .
t h e miserable truth !
Sh e spoke of reading the Trial when I saw her last Has , .
Does she still meditate that hopel ess project the o ff spring ,
I dare n ot do it Say nothing .
,
,
s ay no more .
present
If Ariel call s for me in the pony chaise to morrow -
.
,
D exter had arranged to send his cousin and his pony chaise -
not go to him from my door she said But I h Ope you will ,
.
morning .
I have no right to control your movements my mother ,
of mind
(indirectly ) responsible for it I t is this uneasy state .
all night that your going to Dexter will end badly Write .
if you r etur n to that hous e .
MR . DEX TER AT HOME . 231
t h e chai se .
M R D EXTER A T HOM E
. .
, ,
j ibes and j ests that were ying roun d her I s aid Good
.
,
No, I an s wered
I don t kno w the r oad Wh at are w e
.
.
coming to ?
We are coming to a canal .
Well ?
turn .
Do you mean Mr Dexter ? .
Yes .
You don t ! You want to take my place You want
.
wretch
I n ow began to unders tand Th e idea which Mi serr i mus .
dull brain and had found its way outwards into words about
, ,
leave that entirely to you .
eyes dil ating w ith the unaccustomed eff ort to express herself
,
t i me
.
Are you s atised now ? I a sked .
and a gate that wer e new obj ects to me O pening the gate .
a whistle which hung round her neck and blew the shri l l ,
tri l ling notes with the sound of which I was already f amiliar
,
t h ere was no help for it but to submit l ike a dog Had Ariel .
of th e house .
9
T1 1 12 LA W AN D TH E LAD Y .
A ft er
waiting for a minute or two and hearing no signal ,
from the oor above I advanced into the broader and brighter
,
of the Passion s ; on the other as Episodes in the Li fe of ,
his heels h ad just been sk inne d an d was not quite dead yet
, , .
'
sh ow ed m e a harbour on a r oc ky coast
. A Vessel was at .
the o fng wa s black and roll ing thunder clouds lay low on -
boat was on the beach His crewl ittle men with s tony
.
th e seats of the boat with their ear s in their lean long hands
, .
land and sea the tiger the rhinoceros the crocodile ; the
, ,
sea serpent
-
the shark and the devil shsurrounded the
, ,
-
of trusting myself alone with the man who had painted those .
down on one of the hall chairs S ome minutes passed bef ore .
t han usual when I f ound mysel f on the top of the stairs and
I honestly acknowle dge that I sa w my ow n imprudence jus t ,
me gently .
Is that Mrs Valeria ? Plea s e do n t w ait ther e C ome in l
. .
s oftly th at I har dly knew it again Mi serri mus Dexte r lang uidly .
Please pity me ! he repeated Don t be cruel I only .
.
me good
Go a l i tt l e further Pat my hand
. . .
his head luxuriously on the back of his ch air with the expres ,
D o it ag ain he s aid s till i n the same chil dish way
,
, .
s el f Mr Dext er I s aid
, . Pray forgive me
,
. .
Pardo n me, I repli ed 3 I am qui te com fortable
.
Par don me, he r ej oi n ed
The r e i s a chair of I n di an . .
MR . DE XTER A T H OM E . 239
basket work at the end of the room which i s much bet ter
-
I pl aced the chair near him and was about to take my s eat ,
O blige me indescribably he s aid
There i s a hand,
.
f ul
. Once more f orgive me f or letting you f etch it f or
yourself O nce more let me assure you that I h ave a
.
r eason
.
Here was hi s reason reiterated emphatically reiterated
, , ,
the hand screen R eturning with it I met his eyes still xed
-
.
,
i nnocently) wrung my heart But you have not the less done
.
I have r udely allowed you to f etch your chair and you r
sc r ee n f or y ours el f , h e w ent on
My motive w ill seem a .
240 TH E LA W AN D TH E LAD Y .
Not your dress he said And not your f ace Your
,
.
.
Mrs Valeria I wanted to see you walk
.
, .
yours) when you walked to the end of the room and returned
to me You raised h er from the dead w hen you f etched the
.
,
you .
S urely we were talking about her last night he s ai d ,
.
I might have been off ended with another man Not with .
mus Dexter .
We were speaking I an s w ered of Mrs Eu stace Mae
,
, .
~
allan s death 3 and we were s aying to on e another
Yes ! ye s 1 he exclaimed
And I w as wonderi ng .
kno w
N0t even you have a stronger interest in that s ubj ect than
the interest that I f eel I said Th e happiness of my whole
.
,
. .
minute
An elegant little basket was hooked on to on e of the arms
of his chair He opened it and dre w out a strip of em b r oi
.
,
Women he s aid wisely compose their minds and help
,
,
,
Now s aid Mi serr i mu s Dexter
,
if yen are r eady, I am , .
You talk I work Please begi n
. .
C H A P TE R X X VI I I .
I N TH E D AR K ;
s tarting .
It i s absolutely neces s ary I an swered
,
I c an ex pl ai n .
~
You an d your husband are not living together at t h e ,
pr esent time ? he re s umed Doe s that mea n that Ens tat e
.
has le ft you 2
Has he appointed no time f or hi s return to you 2
I f he perseveres in his present resolution Mr Dexter , . .
Is the quarrel so seri ous as that ? he asked
Are you .
both parties ?
suggested that I had trusted myself alone with him and that ,
w hi ch he owed to me .
on 3 I won t interrupt you a gain Acting on this invitation
,
.
Mi serr i mus Dexter laid aside his embroidery on the chair and ,
I s ee nothing to laugh at, I s ai d sharply , .
of human fol ly as you have described ! His expressio n
suddenly changed 3 his face darkened and hardened very
stra ngely Stop
. he cried be fore I could answer him , .
h us band .
4
24 TII E LA W A ND TH E L AD Y .
Fond of him isn t strong enough to expre ss it I retorted
, .
I love him w ith my whole heart .
Curiou s ! he said to hi mself 3 Eustace s rst wi f e loved
him too There are some men whom the women all like 3
,
.
a bout
you and your motives he said I am still as f ar as
.
,
e nli ghten me
at Gl en i nc h I said ,
You agree with me in believing
.
That is ou r opinion I resumed But it wa s not t he
,
.
I found it for mysel f in a book , .
Ladies are not generally in the h abit of troubling their
head s about dry questions of law he said Mrs Eustace ,
. .
Wh at do you mean t he s houted, at the utmo s t pitch of
wi t h me .
R emove your han ds sir I s aid An d retire to your
,
, .
proper place .
I beg your pardon he said 3 I humbly beg your pardon
, .
,
it in the botto m of the chair
,
.
apologie s, I s aid
When I tell you that I r e fu s e to s ubmit
.
IN TH E D ARK . : 47
be fore the J ury whi ch doubts it and the pub l i c which doubt s ,
it to thi s day
,
.He and his f riends and his lawyer s al l
, ,
ask you to help me .
colour lef t his f ace He passed hi s hand restle s sly over his
.
his brain .
Is thi s one of my dr eams 2 he asked f aintly
Are you
, .
that she loved and priz ed and who i s trying to win it back again
, .
S o this is your inte r e st he s aid
i a clearing up t he
, ,
Yes .
And you beli eve that I can help you 3
I do .
You s u s pect somebody he repeated , .
Is the pers on withi n your reach 2
Not yet
.
D o you know where the per s on is 1 '
No
.
Plea se excuse me .
C HAP TER XX IX .
I N TH E LI G H T.
his own stores of knowledge with the weapon that woul d win
,
of
w ide
. the ordinary li mit s of a w oman s thought s and
action s to attract his sympathies
,
Who know s (I thought .
s imply t elling h i m the truth !
Th e interval expired ; the door w as thro w n open ; t h e
Voic e of my host summoned me again to the inner r oo m .
Welcome back s aid ! M i s
e r i mus D exter
r
Dear Mr s .
w aiting .
I am going to cook he announced with the mo s t eng ag
,
,
i ng s i mplicity
We both s tand in need of re freshment b e
.
,
s o me wine t oo
.
Burgundy he said
Th e K ing of Wines. And this i s .
Wh at s hall we eat ? he asked
It must be s omethin
.
g
boi l ing joints, poor wretch ! But I don t in s ult your taste by
off ering you Ar iel s cooker y
Plain j oints ! he excl aimed
.
,
t o eat them ?
2 52 TH E LA W AND TH E LAD Y .
Where is our boasted progress ? he cried
What is
.
I have heard of t r ui es I answered humbly
But I ,
.
never saw them bef ore We had no such foreign luxu ies as .
r
M ake the most of on e of the f e w rst sensation s in this
li fe wh ich has n o ingre dient of disappointment lurking un der
,
f
the sur ace he said Look at it 3 meditate over it Yo u
. .
,
Forgive me i f I observe the most absolute si lence he s ai d ,
,
myself away to the o fce to see how they were gett ing on I .
, ,
expression of interest Well Lucy ! she s aid
. how d y e
, ,
-
do ? Then she remembere d business again and returne d to ,
cupboard with the door w ide open there hung in loose f old s
, ,
After a brief interval the voice of the poet pai n t er com poser
,
-
the new vegetable a great deal too rich and in other respect s, , ,
and sipped his wonder ful Burgundy and sang his ow n praise s
a s a cook until I was really almost mad with imp atience to
,
Mr D exter, I s aid,
.
have you heard anythi n g l atel y of
Mrs Beauly ?
.
hi s voice .
in the Trial .
You must have an interest of some sort i n Mr s Beaul y
.
,
I can only answer you in on e way I rejoined I must ,
.
re ! poke the re !
A complete mistake ? he repeated
Strange languag e, .
any the ar s enic I continued , I don t doubt that s he used
.
by mistake .
H ow do you believe she died ? he inquired, in tones
By the hand of a poisoner I answered ,
.
f a intness .
I am satised of h i s innocence .
Can t you guess I said .
eyes recovered their wil d light 3 his hands were steady again 3
his colour was brighter than ever Had he been ponderin g .
attempt to deceive me I s it a woman ? .
It is .
Yes .
B?
Yes .
Beauly
Beauly .
a frantic t of laughter .
me ? Why didn t you ow n it be fore ?
C HAPTER XXX .
Si t down, he s ai d quietly There s nothing to be afrai d
, .
Have you n ever told any on e el se what you have t o .
Never
N0 on e else suspected her
. .
Surely you might have found the evidence, i f you had
tri ed ?
He lau ghed at the idea .
L ook at me ! he s aid
How i s a man to hunt u p .
, , ,
last I tell you Mrs Borgia Beauly was on her guard against
, , .
-
try.
D o you re ally mean it I he asked .
Enl ighten m e
Put me in your position I a nswered , .
I 11 do it ! he said
me one thi ng rst How di d
. Tell .
time w hen Christina Orm say had le f t Mrs Eus tace Mac allan .
tell you where she was not she was not in h er ow n room .
of that 2
I am sure of everythi n g that I s ay when I am speaking ,
Mrs Beauly
. S econd bedroom empty
. Third bedroom , .
,
dear fel low be particularly c are ful not to m ake any noise ;
,
Dexter inquir es Why ? Eustace answers
, Mrs Beaul y , .
I don t know I hav e
As beauti ful as ever ? Answer .
answers Don t be a f ool ! I f ou n d this on the hall t a bl e
,
.
o pens his door 3 wheels himsel f so ftly into the corridor 3 locks
the doors of the two empty bedrooms and returns (wi t h the ,
himself i f I hear a door sof tly opened in thi s part of the
,
U pon that he closes his ow n door le a vi n g the tin iest lit tle
, ,
chink to look thro ugh 3 puts ou t his light 3 and waits and
watches a t his ti n y li ttle chink like a cat at a mousehole , .
f rom place to place without his chair ? Have you seen the
,
Am I interesting ?
hear more .
I am equally good at the autobiographical style he s aid , .
Shall we t ry that next by way of variety ? ,
. .
,
y .
you .
, ,
four . Had she got back to her room while I was aslee p ? I
hopped to her door and listene d Not a s ound
,
I so ftly . .
guiltily about them to mak e sure that they were neither s een
n or heard ! Take care ma am I heard the m ai d say ;
,
,
the door of Mrs B eaul y s ro om sof tly opened and closed again
. .
Three hours later the nurse met her in the corridor innocently
, ,
last !
Where is she ? I cried And w here is that servan t w h o
.
is in her condence ?
I can t tell you he s aid,
I don t know .
.
Where can I inquire ? Can you tell me that ?
He considered a little .
He is a f riend of Eustace s M aj or Fitz David
.
-
.
,
.
,
. .
There was a French lady w hose name I forget I s aid , ,
and Lady Clarinda
That will do Sh e is a friend of Mrs B eaul y s Sh e is
. .
her she is the easiest to deal with of the two O nly make .
the maid O pen her lips 3 and we have got Mrs Beauly We . .
w oman who has taken her place you make a mortal enemy
o f her at starting Beware of that ! .
passed my lip s .
off with her at once and f or ever f or the same reason pre
with the Major when you meet Lady Clarinda at his di nner,
,
that you meet her under an assumed name .
Eustace married me
I c an go as Mrs Woodvill e
. . .
this exercise was not violent enough for him in his present ,
h imsel f with his bird lik e lightness on the last of the pros
,
-
trate chairs when he had reached the f urther end o f the room
,
.
I m pretty active Mrs Valeria considering I m a cripple
, .
,
.
of B u rgundy !
,
Cl arinda by the w rong name .
Ariel shall get you a cab he cried Drive at a gallop .
o f Lov e and bursts into speech
,
Th e j oy the triumph .
, ,
f eel
I crossed the threshold while he wa s stil l speaking Th e last .
-
his def ormed body poised on the overt hrown chair his f ace , ,
Thank .
you I ll walk till I meet a cab .
I say ! she burs t ou t, in her deepe s t note s .
Yes ?
m
I
I glad I di dn t upset you i n the canal There now !
.
I n o ne and the same day I had found my way into the con
,
'
r nE D EFENCE or M RS . B EA U LY .
TE E
days that elapsed be fore Maj or Fitz David s dinner party -
-
to f eel how my nerve s had been tried by all that I had see n
a n d heard during my visit at hi s house
,
I started at the .
came t o the cott age and Major Fit z D avid c ame to the cottage
,
-
Ah my dear he said in his simple way I s ee you
, ,
, ,
, .
, ,
never once ou t o f his char a cter as elderly Don J uan from the ,
manner had all the charm which ne breeding can con fer
exquisitely polite easily cordial ; showi ng that pe rf ect yet un
,
, ,
TH E D E FE N CE 0F M R S . B E A UL Y .
fec t l y f ree from pr ide And i f you had taken a liberty with
.
,
-
.
my reward !
And what a reward it was when it came ! My heart sink s ,
So D exter really spoke to you of Mrs Beaul y ex .
.
surprise me .
May I ask why ?
He hates her ! Th e last time I saw him he wouldn t ,
.
e li n g i n s uch a nature a s hi s, he o ught t o like Helen a
e
things and does things whi ch are al m ost reckless enough to,
like her
You have kindly asked me to visit you Lady Clarinda
, .
I h Ope you w i ll n ot wait until th a t i s l i kely to happen ,
she said Helena s last whim is t o f ancy that she has got
'
n er v ed me .
Shall w e g o into the other r oom ? asked Lady
Cl arinda .
Thank you Lady Clarinda : I was only a little too ne a r
,
had imagined
O h you must n ot believe anything D exter tel l s you "
,
how very odd That vulgar girl is singing the castanet song
i n the second act at thi s moment ,
Major ! what opera is the.
t o the piano .
D omi n o Nai r And how strange that you should forget it too
.
T
2 74 TH E LA W AND TH E LAD Y .
l anguages with her to Hungary and she has left the mai d ,
could keep her in m y serv ice she has but one de f ect a nam e ,
house bel onged to that Mr Mac all a n who was a fter w ards .
,
st u , , ,
'
Phoebe wa s dressed in her mistress s clo ak and bonnet and
veil Sh e was i nstructed to run upstairs the moment she got
.
,
.
-
and closed the door behind her Bef ore she was at the end .
till she was s af e on the upper storey and then she looked over ,
(
a bout on his h ands did you ever see it ? the most grotesquely
out into the air !
music .
My dear child he whispered what is the matter ? ,
coul d say .
CHAPTER XXXII .
A S P E C I M EN or M Y WI SD O M .
of all my plans f or the f uture and of all the hope s that I had
,
de ar s aid g ood O ld Be njamin, af te r w e had thorough l y talked
,
A S PE CI M E N OF M Y WI S D OM . 277
Promise me that you will not go back to him until you have ,
nd the person I said will you undertake to help me ?
,
,
husban d s Tr ial
I mean the resolution i f Mi serr i mu s
.
whom I might rely but a friend who was pers onall y acquainted
,
more s London agents 3 and from these gentlemen he obtained
for me a letter of introduction to Mr Pl aymor e himsel f 1 . .
called away from London for a few days and that I would ,
f or going alone .
C HAP TE R XXXIII .
A SP EC I MEN or M Y F O L L Y. -
Publi c opinion looks at the institution of Th e Sabbath
oneself over the bottle public opinion sees t his and arrives ,
supposed to be ,
when viewed at a di stance But how do .
S cotchme n appear when they are seen under a closer light and ,
c ivili z ed globe than the very people who submit to the S cotc h
S cotchman .
w ill you sit ? Near the light ? Y ou are you n g enough not
to be afraid of the dayli ght j ust yet Is this your rst visit
, .
music afterwards 2
You ar e ve ry ki nd I answered ,
But I have som e anxieti e s
.
Does it ? h e r ej oined
To t e ll you t h e truth, I have not
.
ti on I For y ou r ow n sak e, I sin c e rely hop e n ot . .
A S P E CI M E N OF M Y FO L E Y . 28 1
I, and my time are entirely at your disposal he said
, ,
.
suppressing nothing .
sta t e of things he added, falli n g back again into his ordinary
,
w ant yours I
'
May I h ear the new idea I asked .
back 2
T o your visit to D exter with your m ot h er i n l a w When ,
-
.
Very suspiciously .
A nd his face cleared up again when you told him that ,
Y es .
,
.
,
Let us advance to your second visit said Mr Pl aymore ,
.
,
Do y ou susp ect me 7
2 84 TH E LA W AND THE LAD Y.
Is that right ? he asked .
stopped m e .
Very well Now tell me w hat Dexter did nex t
. D on t .
another t o th e e nd .
tence that the subj ect excites him When the visitor r eturns, .
point t
H e shut up his notes an d, s te a dil y w atchi ng my fa ce ,
I un der stan d you, Mr Pl aymor e I b e gan, impet uou sly .
,
.
Beauly ?
'
He said There isn t a doubt about it Mrs Beauly
,
. .
poisoned her .
I can t do better than follow so good an example with
it ! Dexter poisoned h e r .
What is impossible ! he asked coolly
, .
That Dexter poisoned my husband s rst w i fe
.
A nd why is that impossible i f you please ? ,
Can you ask the question ? I replied indignantly I
, ,
h e ard his voice falter and fail him when he spoke of her , .
My dear Mrs E ustace you hav e no reason t o be
.
,
I don t understand you .
And in th e face of that, I cried y ou say that h e ,
poisoned her
I do I see no other concl usion possibl e after wha
.
,
'
hi m into a fainti ng t What was he a fraid of 1
-
.
might lead me .
, .
A SP E CIMEN OF III Y F OLL Y . 28 7
friend s favour at the Trial was given with the deep feel
,
Bear in mind w hat I have told you Mr Pl aymore ,
.
proceeded
A nd n ow let u s get on to your ow n position
.
t o me ?
A t any rate he said y ou will admit that Dex t e r has
,
,
V ery good What appli es to your view of t h e case,
.
tion which may fasten the g uilt on some othe r person Let .
again ?
think you can entrap him into speaking out ? or terr ify him
i nto speaking ou t ?
I f you will look at y our notes Mr Pl aymor e you , .
,
do it .
Ve ry well answered ! Y ou mark the trick What y ou .
so me bo dy w h o c an help us ?
A SPE CI M EN OF M Y . FO LL Y . 89
oracle is here .
,
,
his report He r e it i s. .
Read the lines which I have marked he said they will ,
As to th e future I am of c ourse not able to speak posi
, , ,
t i v el y
. I can only state my views .
U
TH E LA W AND TH E L AD Y
'
2 00 .
quietly in the open air he may last as a sane man for years to
,
drawer .
Y ou have just read the opinion of on e of ou r highest
living authorities he said Does D exter strik e you as a
,
.
S uppose you go back to Dexter he proceeded
An d
, .
c ase . What are you to do ? The last time you saw him you ,
j oined .
H e really saw what he said he saw in the c orridor , ,
at G l eni n c h .
He told you the tr uth returned Mr Pl aymor e because
,
.
,
Clarinda told me .
Will nothing that I can say to you , he asked, induce you
I have not yo u r abili ty or your experien c e I an swer ed , ,
.
I am sorry to say I can t think as you think ,
.
I earnestly advise you Mrs Eu stace to break your engage ,
.
,
Dexter again .
Mr Pl aymor e no reply
. He waited sti ll l ooking at me
. I , .
w as over .
N o I am travelli ng with an old friend of mine who h as
. ,
known me from childhood .
I think so .
Wil l you do me on e favour ? Will you thi nk over what
has passed bet ween us and will you come back to me i n
,
the mornin g I
Willingly Mr Pl aymor e if it is only t o thank you agai n
, .
,
for your kindness .
G LEN I N CH .
my lip s .
'
tho ugh you wouldn t listen to me 1
o u
y
You m ust forgive me my old friend I replied ,
I am ,
.
What is bred in the bone he said quoting the ol d pr o ,
,
you were the most obstinate child that ever made a mes s in a
n u rsery O h, dear me we might as wel l have stayed in
.
,
L ondon
N o I replied n ow we have travelled t o Edinburg h we
,
, ,
husband s country house is within a f ew m il es of us here , .
T o morrow we will go t o Gl en i n ch
-
.
,
sa dly
But I can t manage it The new generation beats
. .
me .
n oon he wo uld get the day s business done and would take
, ,
us to G l en i nc h in hi s ow n carriage .
i ne with h i m t o day
of me i f I don t d
.
from the roof to the basement The house had been shut u p .
wi fe had the keys and the charge of it The man shook his
, ,
.
c abinet,
in whi ch the crumpled paper with the grai ns of
arsenic had been found sti ll held its little collection of ,
sh e had taken her meals and written her poems poor soul , , .
was still b urdened with its horrid load of misery and distr ust .
lonely horror of the house had i t s still and awful voice for Me :
I keep the secret of the Poison ! I hide the mystery of the
death !
T he O ppression of the place became unendurable I longed .
and understood me .
Come ! he said
We have had enou gh of the hou se
. .
L et u s look at the grounds .
broken crockery and the old iron Here there was a torn .
,
frowsy rags .
At
nothi ng mor e remarkable than the dust heap I -
answered .
it to day
-
Don t be t oo sure of that returned m y c ompanion
, .
Time has its s urprises in store f or all of us .
H ave you decided yet on the day when you leave Edi n
bur g h l he asked .
morning .
DO you still see no reason t o alter the O pinions whi ch
you e xpressed y esterday ? Does your spee dy departure mean
that
I am a fraid it does Mr Pl aym or e Wh en I am an Older
, . .
As freely as you please Mr Pl aymor e ! Whatever you , .
I have very li ttle to say Mrs Eustace and t h at littl e , .
with you .
)
of the most impudent men living w ithin proper limi t s Then .
Practice my dear Mrs Eustace has given me an eye for
,
.
,
Certainly not ! It i s very degrading to me to be j ealou s
O f Mrs Beauly . My vanity suff ers dreadfully when I t h ink
.
I am delighted to nd that we agree on on e point, h e
GLE N I N CH 299
my readi ng .
You propos e to repeat t o Dexter all that L ady Clarinda
An d you think it
told you about Mrs Beauly he went on .
, .
V ery good I shall e xpec t you t o write t o me in any
.
,
.
,
MR . P LAYM OR E S
P R O P HE C Y .
B enjamin s door The chaise passed very slowly driven by a
.
,
of the matter .
praised S ir ! she cried
,
I thou ght you would never c om e .
back !
Any thing w r ong l asked B enj amin in his ow n impen e
,
him what m y master had telegraphed , and the man says upon
M R PLA YM CAE 5 PR OPH E C Y
.
.
30 :
He
th at, Wait a bit (he says) ; I m coming back
.
I ought to have stopped it ; but I couldn t stand u pon my
legs much less put the man ou t of the house In he went .
,
-
i n he went with the Thing in hi s arms straight throu gh t o ,
dining roo m (where the supper table was already laid for
-
j acket fast
,
a sleep in Benjamin s favourite arm chair !
.
N O
-
child .
ag ain Wh o is this i
.
302 TH E LA W A ND TH E L AD Y .
, ,
away That beauti ful woman there can be very cruel some
.
, ,
and made hi m drive me here I l ike being here The air Of '
. .
me in .
fai led him 3 and (still with the air of a man in a dream ) with
drew into the next room .
in silence .
L ady Clarinda has destroyed your c ondence in me ! h e
b eg an wildly, .
L ady Clarinda has done nothing of the sort I replied ,
.
Be merci ful to me he said ; and tell me somethin g
,
Al l , an d
more I ans w ered ,
.
What ? what ? what ? h e c ried, wi ld with impatienc e i n
a moment .
Mr Pl aym ore s last propheti c words were vividly present
.
put the la wyer s prophecy ao far as the question of -
possible .
[ here is what the maid told L ady Clarinda 3 and there is what
L ady Clarinda told me .
that I was not breathi ng the same air w ith a poi soner .
What i s t o be said ? what is t o be done 2 h e asked with a
,
I ent i rely agree with you he answered without an in stant s , ,
to my love and my li fe .
S peak for yoursel f I said My opinion of the De fence
, .
remains u n cha n ged .
8
306 TH E LA W AND TH E LAD Y .
It does.
a t Gl eni n c h
. I t i s childish to dispute plain conclusions Y ou .
must give up .
You may b e angry with m e i f you will Mr D exter , , . .
V ery well Pardon m e for a moment i f I absorb mysel f
.
,
n ot done yet
.
What may that be Mr D exter ? , .
I am going t o put mysel f into Mrs B eauly s skin and .
,
Thank y ou .
v eIO i n
p g themselves at such a rapid rate of progress that the y ,
on me .
12
1R . PLA Y lI OR E S i
PR O PH E C Y .
30 7
I
have c ome out of Mrs B eau l y s skin he announced .
,
.
An d I have arrived at this result We are two impetu
ous people 3 and w e hav e been a little hasty i n ru shi n at
g
a c on clusion .
listened .
Was the maid somethi ng more than her mistress s passive
a ccompl i c e ? he said Was she the Hand that her mistress
.
Th at sounds rather far fetched Mr Dexter I said -
, .
,
.
th at he had advanced .
It i s f ar fet ched he admitted
-
,
Wh e n I sai d it w as j ust I .
303 TH E LA W AND TH E L AD Y:
with eyes ashing and his voice rising to its highest notes
, .
her ; I have never been the sa m e man sin c e her death Hush .
'
married her, be fore she met with Eustace i f she would have ,
moment .
my head
I pity you from the bottom of m y heart
. .
You can t lay your hand on a c ripple I said S end f or
.
,
I sent her out t o call t h e driver of the pony chaise into the -
house .
vain .
It s a woman this time ma am or somethi ng like one
,
,
i n had I 2
were red and bloodshot T races Of tears (as I fan c ied) were
.
Won t you si t down ?
S he handed me a letterwithout answering an d withou t ,
li nes
T ry t o pity me i f you have an y pity le ft for a miserable
,
hope S ay to Ariel
. I forgive him 3 and one da y I will let
,
D EXTER .
Why am I t o take it ? I asked .
a r ow I ll bear it Drat y ou take the stic k ! Don t v ex
.
.
,
hi m . Whack it ou t on my back Beat m e . .
What do you mean b y ve x ing hi m 2 I asked
.
the rug and looked into the re with a horrible vacant stare
, .
you .
S ay it again !
I did as she bade me S he was not satis ed . .
S ay it as it is in the letter, she went on S ay it as t h e .
Master said it to Me .
f orgi v e him 3 and one day I will let him see me agai n .
ARI EL .
31 3
That s it she cried
Hear if I c an say it t oo
. Hear ,
if I ve got it by heart
.
N ow rest yoursel f I said 3 and let m e give you som e
,
t hing to eat and drink a fter your long walk
,
.
just in time to see her tear open the garden gate and set forth ,
write to Mr Pl aym or e
. .
and the keys being taken away by Mr Gale ? There was but .
th en missing .
w as Mr Pl aymore
. I w rote hi m a f ul l and care ful account of
.
t o the post.
C HAPT ER XXXVII .
AT THE B ED S ID E .
Eusta c e ? I said
.
Sh e answered me by a look .
31 6 TH E LA IV AND THE L AD Y .
Let me h ear it at on c e ! I c ried I c an h ear any thing .
but suspen s e
.
I can tr st y ou r c ourage she s aid
u
There is no need, ,
.
at that moment .
t h e telegr am .
Not a day ! sh e answered I am going t o the F oreign
c i ou s ho u rs here ?
A T TH E B E DS I DE .
3r 7
dirty cloaks and their clean linen for their highly civili sed ,
-
thing that passed in the narrow little world that lay round hi s
beds ide .
In telling me thi s the surg eon kindly and deli catel y added
,
me per h aps for w eeks and weeks to come But on the day
, .
leave .
o clock to
I was ill in bed a n d he gave m e m y ,
dream of You mustn t pit y her when she says she does it f or
.
What else have you to con s ult ? she asked .
I f we both live I replied
, I have to think of the ,
You wrong him ValeriaI rmly believe you w ron g
,
in the best days of his health and his s trength What hope .
sa id already .
Suppose you go back to Dexter ou t o f sheer compa s sio n ,
for a mad and miserable wretch who has already insul ted
you proceeded my mother i n l aw
,
You can only go back - -
.
,
You can only stay long enough to humour the creature s way
hou se ?
I had told her of my la s t intervie w with Mi serri mu s
Dexter i n the natural condence that she inspired in me as
,
r elative and fellow travell er 3 and this was the use to w hich
-
r
322 TH E LA W AND TH E LAD Y .
had w on .
I submitted in sil ence Mrs Mac all an s truck the last blo w
. .
My poor Eust ace is weak and way ward she said ; but he is ,
you . Let him see the dear face tha t he h as been dre a ming
of looki ng at him a g ain with all the old love in it 3 an d he is
,
hi m than ever
My heart sided with her My energies were w orn ou t No . .
chi ld she s aid is it possible you don t know ? Must I
,
,
r eally tell you ? Sh e whispered her next words S h a ll I .
ever forget the tumult of f eelings which the whi sper aroused
in methe strange medley of j oy and f ear and wonder and ,
m onths m ore the most enduring and the most sacred of all
,
I don t kn ow how the rest of the night p assed I only .
n ow .
.
matter how li ttle it might look i n the eye of the Law Our .
child might live to hear malicious ton gues say Your father ,
had once again renewed the stru ggle and brought the truth ,
that vindicated the husband and the father to the light of day !
I went back to the house w ith my n ew courage to sustain
,
opportunity of my married li fe .
wait for two days bef oreI took any steps for returning to
,
interva l .
extract that follows contains the pith of his le tter 3 and shows
how he encouraged me when I s tood in sore need of a few
,
Let me now tell you (he wrote) what I have done towards
Dexter said to them I suppose there is no harm in my going
,
i nto the study to read ? I can t sleep after what has happened
to keep any one out of the study They knew that the door .
These are fa cts Th e conclu s ion to w hich they lead i
.
As to yoursel f next You have i nnocently aroused in
.
m orbid mind Without dwelli n g furt her on this subj ect let
.
,
bound to add that not even with your reward in view can I
, ,
and delicate m atter I cannot and will not tak e the responsi
, , ,
ON T HE J O U R NEY BA CK .
Wh o c an b e al ways resolute ?
328 THE LA W AND THE LAD r .
more s doubts and cautions ; resolute in holding ou t ag ai n st
my mother i n law r esolute in taking my place by the French
- -
w hen he was still sound asleep I could creep into his room .
,
and kiss him and cry over him sof tly and cut off a stray lock
, ,
i t and did it .
and the rst happiness had passed away might not h ave
justied his mother s condence in him Admitti n g th at I
.
end ? Besi des who could say th at the events of the f uture
,
i ng
. O ne t o Mr Pl aym or e warning him in good time that
.
, ,
ON TH E WA Y TO D EXTER.
indign a tion was so very virtuous that it let the spir it of mis
chief loose in me I really could n ot resist the temptation t o
.
a n d lives Dexter s li fe
And really we must not let ou r
.
this visit I f you will look about you Benj amin you w ill
.
, ,
all wrong the ol d ways are all worn out Let s m arch w ith
, .
Dexter don t let s do things by halve s Let s go and get
, .
l ast n ew pro f essor the man who has been behin d the s cenes
,
Dexter l
l I am so glad you agree with me I said But let us dc
.
,
I am going to clear my mind of cant, s aid Benjamin,
sternly . I am going into the library .
I am going to read Puss in Boots and J ack and ,
t h e Bean Stal k and an ythin g else I can n d that doesn t
-
,
march with the ag e we live in .
m e for a time .
, , ,
saw him and she says as I say she will never forget him to
, , ,
her dying day Sh e told him (as soon as she recovered her
.
,
.
answered me .
them .
i n famous There ! .
letters to you Have you got one of your little not e books to
.
p are ?
Forgive me Benjamin : I must really ask you to do it
,
. Come ! g ive
, .
way this once dear for my s ake , ,
.
0w TH E L AD Y .
,
.
stand me 2
CH APTER XL .
N EM ES I S A T LA S T !
Yes .
And friend 1 '
And f riend .
g r u ffly I haven
. t forgotten what happened in the library .
s t a irs .
N EMESIS A 7 LAS T !
'
33,
h ear ing a sudden cry from the room above I t w as lik e the .
the inner room and to see the many sided Mi serr i mus Dexter
,
-
teeth were set ; her face was ushed under the struggl e
t o restrain her s elf Not even a sigh escaped her in my
.
presence .
Drop the strings ! I calle d ou indignant y
t l
R eleas e ,
.
her Mr Dexter or I shall leave the house
,
.
,
.
delight .
S ee what I am reduce d
Come in ! come in l h e cried
.
eat all day and she hasn t been quick enough to s natch a
,
Ariel ha s no nerves echoed the poor creature fro wn ing , ,
doesn t hur t me .
Drop the string s ! I reiterated more vehemently than
,
wris ts, and the dish of c ake s i n her hand Sh e nodded her .
head at me deantly .
Ariel ha s got no nerve s she repeated proudl y
He , , .
does n t hurt me
.
absence He paused
.
Benj amin standi ng s ilent in the .
,
is thi s ? he asked 3 and wheeled his chair suspiciously nearer
to the door I know he cried be f ore I could answer
. Thi s , .
.
,
ou have f orgiven me ! I a ve hi m my h a nd On e l he
y g .
,
than you are looks best in a chair
, .
And a monkey looks best in a cage r ej oined Benj a ,
stature
I was waiting Si r to s ee you g et into your
.
, ,
swing .
entered t h e r oom .
Pl aymor e s letter had not prepared me for the seriou s dete r iora
His f eatures w ere pinched and worn 3the w hole face seeme d
to have wasted strangely in substance and si z e since I had ,
vein s were intertwined all over them now 3 they w ere set i n a
piteous and vacant stare His once rm ha nd s looked withere d ;
.
doomed ma n .
I pitied him .
that his was the guilt which had compassed the rst Mrs .
Thank you he said suddenly
,
You see I am i ll and
, .
,
time you address her remember if you please that you have
, , ,
Benj amin s rebuke passed like Benj amin s retort un ,
,
l ef t England .
my absence .
cover of hi s hand s .
And you leave Eus tace in Spain ? he said 3 and you
r eturn to England by yourself ! What made you do that 2
What made me rst come here, and ask you to help me,
Mr .
Is i t possible he exclaimed that you w on t l et that
,
,
How can I help he asked Can I alter facts .
went on
I told you that M r s B eaul y s absence w a s a
. .
I s ee nothi ng in the idea I answered
I see no motive
,
. .
Eustace ?
Nobody had any reason to be an enemy to the late Mrs .
all goodness all kin dne s s ; she never injured any human
,
R espect her memory ! Let the martyr rest in her grave !
He covered his f ace again w ith his hands and sh oc k and ,
in him .
ha nds .
Vex the Master againand you w il l feel my t en
I l a w s on you r throat I
Benj amin rose from his seat : he had seen the action,
w i t hout hear in g the w o r d s I si g ned to him to keep his
.
N E MES I S A T L AS T ! 343
the Master .
Don t ry she said
c
,
Come on Here are the s trin g s
. . .
Ariel bent her slo w mind to meet the di fculty o f attra cting
his attention I sa w it in her fro w ning brows in her colour
.
,
struck the open pal m of one o f her hands with the st of the
other Sh e had triumphed Sh e had got an idea
. . .
Master ! s he cried Mas ter ! You haven t told m e a
.
crimes .
f oot
.
yet I can make the esh creep on your great clumsy b ody
a n d yet I can stir your stagnant mind and make you lik e it ! ,
t h e precious minute s .
po w er .
NE AI E S I S AT LAS T ! 345
Now Ariel
,
Bring your brains to a f ocus I i mpr a vi ss .
He put his hand to his head and passed it back w ards and ,
I seem to want rousing he said ,
.
patient and gave him time ? Even Benj amin was interested
,
would s ay next ,
.
S ilence ! Attention
His ngers wandered feebly over the harp strings 3 awaken -
Why Master ? she asked staring at h i m w ith the harp
,
,
the story ?
I hav e many
We don t w ant the story, I interposed
.
yet .
and adva nced towards me At the same moment the Mas ter s .
wait f or t h e s tor y until I choose to tell it .
litt le and you will see
,
.
the room and down the room he pain fully urged i t and the n
, ,
.
,
NEM ES I S A T L AS T ! 347
to m ake the wheels r ear and the oor tremble, while you ,
were away .
i ng tone s .
your pony chaise -
.
W here s the story ? W here 3 th e story ?
*
You wretch ! you end ! he cried whirling hi s chair
,
had her share thi s time and emptied her gla s s in rivalry
, ,
st an t l y h er w eak
head Sh e began to s ing hoars ely a s ong
to .
tell us the story ! Absorbed over his wine the Master s i lently ,
once 3 let us go .
O ne last e ffort I whispered back O nly on e !,
.
Tell us the story Master ! master ! tell us the story . .
Not in the humour ! he repeated with a gleam of the old
,
i mpish irony showing itsel f again in his f ace That s an .
and you are not frank enough to con fess it I 11 show you .
S ilence you Ariel or you shall leave the room ! I have got
, ,
r e and hear it
.
i n disgui s e !
The title, and the look w hi ch had e s caped him w hen he
NEM E S IS A T LAS T ! 349
a gain .
yet I whispered
,
Don t f orget the sig n als
.
.
Maid .
Scene the land of romanceItal y
, Time t h e eg o .
Ha ! look at Ar i eL .
Ariel !
w ith a bro a d grin of gra tied vanity I am happy Ariel !
.
Mi ser ri mu s Dext e
r laughed uproariously .
the Drama he resumed ,
Three in number Women only . .
Ariel
My rival in the Ma ster s favour eyed me deantly Ad .
Who l ies ill in the chamber above us ? M adam the ,
(
n oble lady Angelica ,
A pause Cunegond
. a s peaks again ) . .
Damor i de ?
Sometime s, madam, nurs e w as w hen t he
weary
Has she taken her healing m edicine fro m your
.
hand ?
O nce or twice madam when I happened to be , ,
by .
Damor i de take thi s key and open the casket on the
, ,
( D )
table there . a m or i de obeys Do you see a gree n vial .
in the casket ? I see it mad a m
Take it ou t ,
. .
(Damor i de obeys ) Do you see a liquid in the green vial ?
.
Shall I tell
can you guess what it is ? N o mad am ,
.
(Dam or i de bow s respect fully )
you ? Poison is in the .
vial .
(D a m or i de starts 3 she shrinks fro m the poison 3 she
i n her han d 3 her mistress speaks ) D am or i de I have told .
,
w ait s f earing what is to come Her mistress speaks )
, I . .
whispers the next words ) Dam ori de the Lady Angeli ca
.
,
i nvention already ? Had the time come when the wine had
done a ll that the wine coul d do for him ?
We w aited Ariel sat w atchi ng him, w ith vacantly s tari n g
.
-
353 TH E LA W AND TH E LAD Y .
p ec t i ng the sign al kept his O pen note book on his knee, covere d
,
-
by his hand .
kill the dear and noble lady ? What motive have I f or harm
You have the motive of
ing her ? Cunegonda an swers ,
in her bosom
He stopped in the middle of the sentence and put hi s hand ,
to his head Not like a man in pain but like a man Wh o had
.
,
obj ect under the thin disguise of the Italian romance was to
, ,
maid the obj ection that the woman had no motive for com
mi t ting hersel f to an act of murder I f he could practically .
he do it ?
He did it ! Not in a new way 3 n ot in a convincing way 3
not without a pain fully evident e or t S till well done or ill
-
.
, ,
at this she says Dam ori de looks at the p aper and sin k s
,
.
,
f
in the maid s past li e Cunegon a can say to her Choose
d .
,
AA
354 TH E LA W AND TH E LA D Y .
ste aling over his eyes When he did speak it was not to g o.
,
ch ange in my manner .
Cunegonda
Yes yes he interposed And what did she say .
Sh e said Th e door i s kept locked and the nurs e h as got
, ,
the
He instantly leaned f or ward in his chair .
No he answere d vehemently You t e w r ong K ey ? ,
.
.
I never did ! I said s omething els e ; and you h ave for
gotten it .
kept his page open and still held his pencil in r eadiness to g o
,
Ma s ter ! cried Ariel piteou s ly, what s become of the ,
story
again .
said
What name did I give the other w oman ? he ask ed 3 not
putting the question to me or to either o f my companions ,
other
say to the Mistress ? he muttered
What ? what ? what ?
.
Th e letter Th e Maid said .
Th e letter O h my ,
.
,
sto ry
talking in hi s s leep .
must, mu st
No
do it Th e Maid s aid
. Mu s t n t do it ,
.
,
Nonsense
Sh an t s how it Stuff Let him su er We can
'
. . . .
w or s t
. Show it then Th e Mistress said . He pause d
,
shan t have the Diary A secret in your ear Th e Diary
. .
very terms when he had tried vainly to prevent the men from
,
his chair out of the room There was no doubt now of what .
We ve got hi m off What about the letter ? Burn it n ow
. .
f or
Ariel clapped her hands and mimicked him in her turn , ,
.
"
O h S ara Sa ra Sara she repeated
, , , Gone for ever ,
. .
b arely hear him He began again with the old mela ncholy
.
,
ref rain .
v
ha ha
turned up to the ceiling with eyes that looked bli ndl y with
, ,
but the helpless gure in the chair I s pran g for w ard to raise ,
Look there
He pointed and I looked .
f ren z y tha t possessed her You have done this ! she shouted
.
mash you t ill there s not a whole bon e le f t in your skin !
she threw both arms round him and nestled her head on h i s ,
Ariel 3 you re a fool
me as you used to do S ay . Be ,
.
like yoursel f ag ain I was f orced into the next room I h ear d .
There s no u se in crying about it he said quietly It
, .
that you have got ou t of that room safe and sound Come , .
w ith me .
Your master is take n ill Benjamin said 3 and the woma n ,
who attends upon him has lost her head i f she ever had a
head t o lose Where does th e nearest doctor live ?
.
f r o deep in thought
, Both of them f ond of him I heard
.
,
to hear how it ends .
gardener acquainted with your addre s s ?
Yes, Si r
.
well I will let you know how it ends by mean s
V ery .
,
of the gardener Take my advice Go home
. . .
g arde n .
M R P LA YM ORE
. IN A NE W CH ARA CTE R .
36 !
us at the g ate .
What s to be done my dear with the gibberish t h at l
, ,
never gave me the signal to leave off you never moved your
chair I have written every word of it What shall I do ?
. .
Give it to me !
What are you goi n g to do with it ?
I don t kno w yet
I will ask Mr Pl aymore . . .
CHAPTER XLI .
an d advice .
O ver and over again thro u gh the long hours o f the wake
,
.
ful night I read and r e read the last words which had
,
-
Pl aym or e s o fce recurred to my memory in the still n es s of ,
be lost f or li fe .
the fren z y va nished she was perf ectly quiet and contented ,
so long as they let her sit a t h i s feet and look at hi m .
My p atient is in a state of absolute im b ecility those
-
about him you know a n d made queer signs with his hands
, ,
.
, .
sai d I wish you good morni n g Ma am
. .
,
I don t deny, he said, that there are s ome s eri ous obsta
r
364 TH E LA IV AND TH E LAD Y .
jamin s n otes had not produced a very strong impression on
my min d For the r st time as I thinkyou really ha ve a
.
,
Are you sure it i s the truth ? I asked
.
In t w o important particulars he answered I kno w it to ,
,
memory (as you suppose) was the least inj ured of his f acul
ties and was the last to give way under the strain of trying
, ,
So am I he answered frankly
, Th e chie f on e among , .
sented by that same letter Th e late Mrs Eustace must
. .
lady, w e must s end to Americ a .
MR . P LA YA! ORE I N A N E W CHARA CTER .
365
Thi s ,
took me completely by surpri s e I
n at ur all y enoug h , .
It rest s with you he proceeded when you hear what I
,
,
discovered .
He smiled Sh e doe s n t care for the expense he said to
.
,
himself pleasantly
,
How li ke a woman .
tell me
He took ou t the fair copy f rom Benj amin s n ote book -
,
aske d .
I look back into my ow n experience he ans w ered 3 and ,
I understand per f ectly what the words mean .
And can you m ake me underst and them too ?
Ea sily In those incomprehensible sentences D exter 3
.
,
ever to return to G l eni n c h he said I cannot face my
, ,
murder
There was his reason
. Nothing that I could say
to him poor fellow shook hi s resolution I dismissed the
, , .
house and gave the keys to the lodge keeper It was under
,
-
.
only must have disposed of any litter which might have been
,
r oom n o w
, Where did the girl nd the fragments of the
.
waiti n g f or it
He s hook his head in grave disapproval of my impe ,
up ,
he said in English and American money
,
.
ticket Very well ! His ticket includes his f ood 3 and (being
.
,
"
Fill it in with whatever the man w an t s I said
And ,
.
mation .
Cal der sh aw s Ask for Dandie You shan t have the Diary
. .
.
eve r y way 3 and my man wisely took a person with him who
in the matter by the agent who managed it excited Dandie s ,
vered the keys 3 and he ended in disc overing that his customer
wasMi serr i mu s Dexter Wait a little ! I have not done
.
product isthat the wax models sent to the old iron shop in
Cal der sh aw s were models taken by the thef t f rom the key of
,
And more than that I say now what I could not venture t o
,
say bef or e
, ,
a nd economy
.
O h Mr Pl aym or e !
, .
No Madam
,
I r ea lly c annot ju s ti fy it to my conscience to
carry about my person any such loose an d reck less document
as a blank cheque There s a total disregard of the rst
.
g ood morning .
M O RE S U R P RI S ES.
clerk .
the week .
a n d so on and so on
,
However by dint of perseverance and
.
,
c ert ain wise restrictions A riel was to b e allowed the privi lege
,
read the rst lines is simply impossible Let Mrs Mac all an
, . .
his wi f e .
outgrowth of your husband s gratitude an d your husb a nd s
spe ak were these : If I live to return to England and i f I
, ,
go to Valeria do you think she will f orgive me ?
, We c an
only leave it to you my dear to give the answer I f you , ,
.
d i fc ul t
y I shall purposely k eep my letter b ac k f or a f e w
days My obj ect is to give hi m time to think and to fra n kl y
.
,
l u t i on .
days have passed 3and there is n o change He h as
Three .
very slowly : the doctor has not yet allowed him to leave hi s
b ed And when we do travel we must journey by easy
.
,
Aec t i on at el y your s ,
CATHERI NE MA CALLAN
.
M ORE S URPR I S ES .
37 5
some time
) to compose my spirits To understand the posi .
.
,
prise at the very time when even wise and prudent M r Play
,
.
, , ,
,
.
ha ve got time bef ore you Wait and see i f Time doesn t stand
.
you r f ri end and get you ou t of the di fc u l t y
,
.
go ry, amon g the miserable sinners .
376 TH E LA W AND TH E LAD Y .
l
Wel ! w ell ! let me have virtue enough to tell the truth .
amo n g the old scenes I visited once more the bank by the
.
river side where Eust ace and I had rst met I walked
, .
AT 37 7
dau ghter and her husband had lef t New York, and that he
was still in search of a trace of them .
th e f ragments o f the torn letter have been cast into the house
maid s bucket (along w ith the dust, the ashes and the rest of
the ashes f rom the res kept bu rning for the grea ter pa rt of ,
the year i n the library and picture gallery have been poured
,
upon the heap and have buried the precious morsels of paper
,
post i f possible how the mat ter strikes you I f you coul d
, ,
.
,
you are withi n easy reach of this place Please think of it . .
for the slow rate at which they would be compel led t o move
a f terw a r ds I m i ght still expect t he m to a rrive in Engl a nd
,
house .
serving them from the rain and the damp With these modest .
he said to me when we rst t alked about it; and it is m y
,
letter Avoid all ref erence not only to the Trial (you will do
.
,
,
O UR N E W HONE YM OON .
33
way f or my husb and s sake
.
t ion
. In making this concession I was n ot without hope to ,
sustain me Eustace might yet see the duty of assert ing his
.
t h e dust heap at Gl en i nc h
-
.
OU R N EW H O N EYM O O N .
a ppearance
) s o nearly reached the realisation of my hopes ,
f or P a ris by the night m ail But the train was twice delayed
-
.
notice it .
You have heard from Mr Pl aym or e I s ai d Tell me . .
Where is the letter ?
I musu t sh ow it to you Valeria
,
.
felt yet .
No said Benjamin
,
1 have only been tryi n g ex peri
.
Pl aym or e .
Oh , you have torn up your little note yourself the n ? ,
, .
pieces together again ?
I t s not very easy Va leria B ut I h ave made a b e
, .
g inning . It s the same principle as the principle in the
Puzzl es which w e used to put together when I was a boy .
Please don t tell anybody my dear People might say I w as , .
in my dotage .
People might have said that who did not know Benjamin ,
Enigmas ! Benj amin repeated contemptuously
It 3 , .
, , .
w ill you ?
I answered the dear ol d man by a hearty embrace .
Now that he had lost his steady moral bal ance and had ,
tha n ever
But I was not quite happy though I tried to appear so , .
I shall write to Edi nburgh by to day s post he s aid -
,
,
in the interval bef ore the train moved out of the station .
Valeria ?
more t o say .
Shall I wr ite and tell you how it ends if Mr Pl aymor e , .
Yes I said
, Write and tell me, i f t h e experim e n t
.
f ail s.
myself .
All right he said re signedly
I have got the addre ss
, .
o f your banker s correspondent in Pari s You will have t o .
0'
386 THE l A W AND TH E LAD Y .
touched his
I must try t o l ive n ow he whispered
.
for , ,
you r sake .
hope that had c ome to brighten our lives was more than I
c ould resist .
else besides me
.
,
physician they said ; the happier you make him the sooner
,
,
co nrming what his mother had already told him , would quiet
when I was left to myself to know whether the search for the ,
'
s ort was vis ible But a man appeared from an inner o fce :
.
'
this for you ma am 1 ,
Writing .
Had they tried the experiment of recove ring the letter ? and
had they failed ?
S omebody put my money in my bag and politely led me ,
told me that the dust heap had been examined and that t h e
-
THE D U S T HEAP D I S TU R B ED
-
.
startled me .
agent in America .
woman was con fused and surprised and was apparently quite ,
quietly an d let her talk and you will get at it all in that
,
way .
the bedr ooms and put them tidy after the gentle folks had al l ,
took them inside al ong with her 3 not liking the place a s
, ,
to the last .
with her work The litter was swept up from the carpet and
.
,
the Cinders and ashes were taken out of the grate and the ,
room The youngest of the two had got into a waste paper
.
-
woman took the bottle away from the eldest chil d and g ave ,
again and she put the two in the c orner to keep the m quiet
, .
the basket as had fallen on the oor 3 threw them back again
i nto the basket along with the g um bottle 3 fetched th e
,
-
to the fourth and last room in the cor ridor where sh e nished ,
L eaving the house with the chil dren a fter her she took
, ,
Then she took the children home 3 and there was an end o f
it for the day
,
.
S uch was the result of the appeal made t o the woman s
memory of domestic events at G l eni nc h .
condi tion of the grounds the dust heap had not been di s ,
-
hi red a tent to shelter the open dust heap from wind and -
Three days of labour with the spade and the sieve produced
no results of the slightest importance However the matter .
,
ging yield more yet ? The next light layers of rubbish wer e
careful ly removed and the grand dis c overy of the day fol
l owed T here (upside down) was the gum bottle which t h e
.
-
still under it were more frag ments of written paper all stuck
, , ,
Benjamin s experience with the P uzzles w hi ch he had
put together in the days of his boyhood proved to be of some
u se t o his companions The frag m ents ac cidentall y stu ck
.
These were the discoveries that had been made at the time ,
said . But for her resolution and her inuence over Mi ser
,
d ust heap
-
was h i ding fro m u s w e sho ul d never have seen
The letter had been a c cor di ngly kept back f or three days .
T he chemist is advancing rapidly with his part of t h e
w ork (Benjamin wrote) 3 an d I have s u cc eeded in putting
396 TH E LA W AN D TH E LA D Y .
light are so heart rending and so dread ful that I cannot bring
-
hand w riting .
.
,
self , that I should not receive Benjamin s letter and Mr Play .
rible news from Gl eni n c h But who could read what I had
.
min s letter
.
husband s c onden c e in me .
Eusta c e, y our mother said yesterday that you noti c ed a
393 TH E LA W AND TH E LA D Y .
We have n o con cealments from ea ch other n ow I
, ,
eno ugh t o take his han d and to make a l ast appe al to him , .
'
Eusta c e ! I s aid Don t you know me, yet well eno ugh
.
,
to trust me ?
he said .
I promise with al l my heart l
I t r ust you Valeria ,
B y that day s po st I answered B enj ami n s letter telling
,
After an interval e u
endless i nterval as it seeme d ,
Pl aymor e .
We are advan c ing steadily and suc c essfu lly w i t n the
putting together of the letter Benjamin wrote T he on e
.
,
(
of the letter the more inclined we are i f we only studied ou r
,
)
o w n feelings to throw it back into the dust heap in mercy to -
later .
T he concluding part of the late Mrs Mac all an s letter to .
,
.
f acts .
the morsels of the torn paper had been irretrievably lost and
i n whi ch it had been necessary to complete the sense i n ,
t o silence the scandal that must other w ise have blighted her
life as a woman for the rest of her days Bear all this in .
asks t o be read b y the light of Christ s tea chi ng z J udge
n ot that ye b e n ot j udg ed
, .
G l en i nc h, Oc t ober 1 9, 1 8
MY HUSBAN D
I HAV E something v ery pain ful t o t ell you, about one of y our
o ldest frien ds
.
Y ou hav e never en c ouraged me t o c ome t o you with any
con den c es of mi n e If you had allowed me to be as familiar
.
DD
432 TH E LA W AND TH E LA D Y .
You may remember that I ventured t o express some di s
a pproval, when
you rst told me you had asked thi s man
to visit u s If you . allowed me time to explain myself I ,
But I have no desire to shelter mys elf under this excuse .
Forg ive me Eu stace ! This i s my rst s in again st you
, .
I t shal l be my last .
I w ill not spare m yself ; I will write a full con fe ssi on of
w hat I said to hi m and o f what he said to me You may mak e .
ha tes m e i n secr et 2
I id, Hi s Diary ha s a lock ; a n d the draw er in whi ch
sa
the dr aw er ?
He answered I have my ow n w ay of getting at both of
,
you mean
He pointed to the key in the door of communication ,
He said With my inrmity I may not be able to prot
, ,
door locked When the key is mis s ed i f you say it does n t
.
,
matteri f you point out that the door is locked and tell the ,
I have done it
.
r epeat that I love you and that I am s orely a f raid you don t
,
o w n w riting .
Post yoursel f quietly in the little study ; and you w ill dis
cover the Diary (when Mi serri mus Dexter leaves me) , in the
*
hand s of your friend .
Oc t ober 20 .
At la s t I kno w what you r eally think o f me I have read .
w il l be given t o you .
Yes : I have had enough of my li fe Yes : I mean to .
di e
I h ave already s acriced everythi ng but my li fe to my
l ove for you Now I know that my love is n ot r eturn ed, the
.
Mrs Beauly
. .
Not e by M r Playm or e .
Th e g re at est di fc ul t i es of r ec on st r u c t on i
oc c urr ed in his r st port ion of t h e t or n l et t er I n t h e f our t h par ag r aph
t .
her and to beg her to pay her vis it h ere w ithout mi n ding my
, ,
Diary an swer ! I tenderly embraced her thi s very morning ,
"
think your life with me a purgatory I kn ow that you .
I touch hi m .
your ugly wi fe .
l i n th e m or n i n g
Oc t ob er Tw o o c oc k .
I sent you the room yesterday when you came i n
ou t of ,
H al f pa st t hr ee
-
.
Ten m i nu t es past v e .
s ayi ng a word .
H a lf pa st ve-
.
I w on t wake her I w i l l di e . .
i
H a lf past -
n n e.
I have s ee n t h e doctor .
p 8 Z H E LA W AND TH E LAD Y .
Nobody suspect s a nything . Strange t o say, the pain ha s
l e ft me ; I have evidently taken too little of the pois on I .
r ather my loathing of li fe
,
rem ains as bitterly unaltered as ,
ca s e .
Ten m inu t es to t en .
had ju s t time to hide the bottle (after t he n urse had le ft
1
me) w hen you came into my room
,
.
You politely hoped be fore you went away that the tea would
, ,
when you said that ! You looked at the broken bit s o f the
tea cup
-
.
Afte r r emoving the label from the bottle and putting it ,
to t ake the same precaution (in the early morning) with the
empty paper packet bearing on it the name of the other ,
blame .
Th e nurse h as been in my r oom agai n I have s ent h er .
How i s the time going ? I cannot nd my watch I s .
the pain coming back again, and paraly s ing me ? I don t f eel
it keenly yet .
you mi ght not charm me into con fessing what I have done
bef ore it is too late to save me .
i t is !
O n c m ore farewell
e
B e happier than you have been
l ove you Eustace
,
SAR A MACALU N .
CHAPTER XLVIII .
WH A T ELS E C O U LD I Do !
the attainment of on e obj ect ; and that obj ect I had gained .
N ot e b y M r P l ay m or e Th e
. l ost w or ds a n d ph r ases su ppl i e d i n
t his l i
c on c u d n g por t i on o f the l et t er are so f ew i n n u m b er t h a t i t i s
l
n e ed ess t o m en t io n t h em . Th e f r a g m en t s w hi c h w er e f ou n d ac c i den t a ll y
st u c k t og et h er by t h e g u m , hi c h r epr es n t t h e p
an d w . e ar t o f th e l et t e r
r st c o mp et e l ly r ec o n s t r u t ed beg i n a t t h e ph
c , e I ras , spoke of you
sh a m e f ul ly , Eust ac e a n d en d w i t h t h e b ok en sen t en c e r , I f, i n payi n g
m e t his l i t t le at t en t ion you on ly en c ou r a g ed m e by on e
, f on d w ord o r on e
fon d l ook I r e sol ved n ot t o t ake W it h t h e a ssista n c e th u s aor ded
t u s t h e l ab our of pu t t i ng t og e t h er t h e c onc l u di n g h a lf of t h e l et t er
a ,
D exter s last eff or t of memory might never have been dire c ted
bered to move my cha ir and so to give Benj amin the sig nal
,
table threatening my h usband s tranquill ity ; n ay f or all I
, ,
i s all !
D o you w ish me to read it ? was all I said, pointing to
the envelope which he had laid on the table .
I have already s aid that I have no secrets from you h e ,
en clo s ed i n it .
I read as follow s,
S TR ANGE D O I NG S AT GLENI NCH A roma n ce i n r eal .
the door locked Will the secret ever be reve aled ? And will
.
s till kept the only ref uge left to methe ref uge of silence
.
after an interval
Ar e you not bound to tell me w hat is
.
going on in my own house ?
It i s a common r emark that pe 0 p1e i f they can think at all , ,
the emb arrassing position i n w hich my husband s last w or ds
had placed me My i nstinct s showed me the w ay, I s uppo s e
. .
I must as k you f or your ow n sake, Eus tace, t o t rust me
,
ask ed
.
TH E LA W AN D TH E LAD Y .
K iss me I said be fore I tell you
, ,
I want you to wait I answered until our child i s born, , .
consent I whispere d
,
.
He consented .
P l aymor e .
C H A P TE R XLI X .
P A S T A ND F U TU R E .
selves .
more s express request to consult wi th me as to the future
, ,
done my best w ith Mr Benjamin s a ssis tance to nd the
, .
,
treated the subj ect for the sake of brev ity i n the for m of
, ,
of examination or n ot .
S ec ond q ue s tio n To w hat motive ar e we t o attribute
Miserrimus Dexter s interfe r e n c e with the sheri ff s o fcers, on
PAS T AND FUTURE .
Mac all an (being gui ltless of his w ife s death ) to destroy his
Diary and his letters, in the fear that they might be used
aga nst him U ntil the prompt and secret action of the
i
.
If
Th e Diary will hang him I won t have him hanged
.
f or Mr P l a
.
ymor e to interf ere was witnessed by that gentle
man and (it may not be amis s t o add) wa s genuine agitation
,
beyond di spute .
Questions of the Second Group : r elating to th e Wi f e s
dead w oman s p i ll ow ?
S econd Question What motive inuenc ed Mi ser r i m us
D exter s conduct when Mrs (Val eri a) Ma c al l an in f ormed him
, .
G l em nc h ?
Answer I n all probability, Dexter s guilty f ears sug
w ith the per ssn who had watched him and might he a r all ,
And he was all the readier to prot by the chanc e being him ,
there you have the grea ter and the lesser motive of his con
duct in his relations with Mrs Eustace the second !
, .
We have not tho u ght it necess a ry to go farther than thi s ,
min . He answered it easily enough Being your husb an d s .
p lace at G l en i n c h .
excell ent friend the lawyer is sorely af raid that our d i s coveries
, ,
my min d .
EAS T AND FU TURE .
42 :
I asked .
deaf ? or would you pre f er that Mr Pl aym ore should see your .
with Benjami n s f ull approval He arranged to write to .
Edinburgh and relieve the law ye r s anxieties, by that day s
,
post .
Have you anythi ng more t o s ay t o me ? Benjamin i n
subj ect .
'
l he best thing that can happen to that unh appy man i s ,
l ik ely t o happen , he s ai d
Th e one change in hi m i s a
.
42 2 THE LA W AND THE LAD Y .
be fore you get bac k to England .
Quite unaltered Benjamin answered
Perfectly happy
,
.
so long as she is with the Master From all I can hear of .
beings Sh e lau ghs at the idea of his dying and she waits
.
hi s letter .
CHAPTER L
.
TH E LA S T OF THE S T O RY .
Benjami n .
when she invited us to stay with her until ou r child was born ,
for me but it was too late Bef ore the messenger could be
, .
S o f or this man too the end came merci f ully w ithout g rie f or ,
hi m .
had lef t her They were obliged to restrain the poor creature
.
they could only remove her from the cemetery by the same ,
means when the burial service was over From that time
, .
,
the patients was in some degree relaxe d the alarm was raised , ,
g rave
the Maj or had cho s en a s the la wful rul er of his hou sehold
and hi ms elf the future Queen of S ong ; the round eyed -
shocking to see .
Is n t she beautiful ? he said to me (in hi s w i fe s hearing l)
.
t i vel y s hamele s s .
You see we are a large family at home quite unprovid ed ,
and me, it was a great deal easier to get the money by marry
ing the ol d gentleman Here I am provided for and there s
.
,
happy ; and I hope you are too Wh ere are you living now ?
, .
I shall call soon and have a long gossip with you I always
, .
had a sort of liking for you and (now I m as good a s you are)
,
I want to be friends .
, ,
Con f ession itself has been kept a sealed secret from him ,
turn affect me more and more une a sily the lon ger I w ait
, .
future depends .
S ealed
up ?
S ealed up
.
be f ore he says it .
L et me be sure that I know exactly what it i s I have
to decide he proceeds
S uppose I insist on reading the
, .
letter 1
There I interrupt him I know it i s my duty to re s trai n .
spare yoursel f
Oh Eu s tace, t here cannot be the s hado w of a doubt
,
of it !
S hall
I be making s ome littl e atonement f or any pain
tha t I may have tho ughtlessly caused her t o s u ff er i n h er
li f etime ?
Yes yes !
And Valeria shall I please You 3
,
My darling you wi l l enchant me ! ,
Where i s the l et t er i
In your son s hand Eu s tace
, .
sigh he lays the child s hand back again on the sealed letter 3
,
I leave it to You !
-
Eustac e, my s ake .
THE END .
B ou n d i n B o a r ds , TW O S HI LL I NG S ea c h .
. .
A M issin g W it ne ss
. .
M a i d, W i f e, or W idow ?
.
V a l eri e s F a t e
.
B Y BESANT ct RIDE .
B li n d Fa t e . R e a dy M on e y
-
M ort i b oy .
A L i f e I n t erest .
W it h H a rp a n d Cr ow n .
M on a s Ch oi c e T hi s S on o f V u l c a n
.
B y W oman s W i t
.
M y Li t t l e G i rl
'
. .
BY BRANT ALLEN .
T h e Case of M r Lu c raft . .
T h e G o l de n B utt e r y
S t ran g e S t or i es
.
B y C e l ia s A rb our
.
P hi l i st ia
.
T h e M on k s o f T h e l e m a
.
B a b y l on
.
T w a s i n T ra f a l g a r s B a y
.
T h e B eck on i n g Hand
.
.
T h e S e a m y S i de
I n Al l S ha des
.
T h e T en Y ea rs T enant
.
F o r M a i m i e s S ak e
.
Th e Cha pl a i n of t h e F l ee t
.
T h e D evi l s Di e
.
T hi s M ort a l Coi l .
B Y WALTER BESANT .
T h e T en t s o f S h e m .
All S ort s an d Con dit i on s of M en
T h e G re a t T a b oo .
T h e Ca pt a in s R o om
D umares q s Da ug h t e r
.
A ll i n a G a rde n F a i r
.
.
T h e Duc h e ss of P ow ysl an d
D or ot h y F orst er
.
.
B l o o d R oy a l U n cl e J a c k
.
Chi l dre n o f G i b e on
.
T h e S ca llyw a g
.
T h e W or l dw e nt v ery w e ll t h en
.
A t M a r k e t V a lue
.
H err P a ulus
.
U n der S ea l e d O rders
.
F or F a i t h an d F reedom.
.
Th e B e ll of S t P aul s
'
P h ra t h e P h ce ni c i an .
. .
T h e Holy Ros e .
B Y FRANK BARRETT .
Arm orel of L y onesse .
A R ec oi l ing V en g ean c e S t K a t h e ri n e s by th e T ow er
. . .
F or L ov e an d H on ou r . T h e I vo ry G a t e .
H on e st D a vi e . T h e R eb el Que en .
F o ll y M orri son . T h e R ev o l t o f M a n .
B etw e en L i f e an d Death .
T h e S i n of O l g a Z a ssouli c h .
B YAMBROSE BIERDE .
L itt l e La dy L in t on . In th e M i dst of L if e .
Camp Not e s . H i de S e ek
an d .
S a vag e L i f e . T h e D ea d S e c r et .
Ch ron i c l e s of No M an s Land
-
. Q ueen o f H ear t s .
M y M i sce lla ni e s
B Y ROBERT BUCHANAN
.
.
The W oman i n W hi te .
T h e S h a dow of t h e S w ord .
The M oon st one .
A Chi l d of Na ture .
M an an d W ife .
G od an d t h e M an .
P oor M i ss F i n c h
An na n W a t er
.
.
M i ss M rs
or .
T h e N ew Ab e l ar d .
The New M a g dal e n .
T h e M a rt y rdom o f M ade l in e .
The F r oz en D ee p .
L ov e M e f or Ev er .
The L aw an d t h e La dy .
M a tt : a S t ory of 3 Caravan
. . .
The T w o D e st i n i e s .
F o x g l ov e M a n o r .
The Ha un t e d H ot e l .
T h e M ast er o f t h e M in e .
The F a ll e n L e aves .
T h e H e i r of L inne .
J e z eb e l s D a ug h t er
W om an an d t h e M an
.
.
T h e B l a ck R o b e .
Ra ch e l D e n e .
H e a rt a n d S c i ence .
L a dy K i l pa t r i ck .
I sa N o
.
L it t l e N ove l s
T h e Ch ar l a t an
.
T h e L e g a c y of Cai n
.
T h e S h a dow o f a Cri me .
MORTIMER ct FRANCES COLL/NB .
A S o n o f H ag a r .
T h e D ee mst er S w ee t Ann e Pa g e .
T ra ns m i g ra t i on
.
B Y COMMANDER CAMERON .
F r o m M i dn i g ht t o M i dni g h t .
T h e Crui se of th e B l a ck P rin c e
.
A F ig h t w i t h F o rt une .
S w ee t an d T w ent y
B Y AUSTIN CLARE
.
.
F r an ce s .
on P l a y M e F a l s e
BY MRS ARCHER CLIVE
.
B la ck smi t h an d S ch ol ar
. .
P a u l F err ol l .
W h y P a ul F erroll K i ll e dh i s W i f e BY M . J . COLQUHOUN .
B Y MACLAREN COBBAN .
Ev ery I nch 3. S ol dier .
T h e Cure of S oul s .
B Y 0 : EGBERT CRADDOCK
. .
Th e R ed S ult an
P ro ph et of th e S mok y M oun t ai n s
.
B Y MATT CRIM
Th e B a r S i n i st er
.
Adv entures of a F ai r R e b el
B Y WILK IE COLLINS
.
A rma da l e .
BY 8 .M CROK ER . .
A ft er D a rk . P rett y M i ss N evi ll e .
No Na m e . P roper P r i de .
Ant on i na . D i ana B a rr in g t on .
B a si l
.
T o L et .
A F a m i l y L i k e n e ss .
S tra ng e S e c r ets .
T w o M as t e rs
B Y R E FRANCILLON
.
M r J ervis
. . .
. .
T h e R e a l La dy Hi l da .
O l ympi a .
M ar ri e d or S i n g l e P O n e b y On e .
I nt e r f e r ence .
Q uee n Coph etua .
A T hi r d P erson .
A R e a l Quee n .
K i n g or K n a ve .
B Y ALPHONSE DAUDET .
R o man c e s of t h e La w .
The Eva ng e l i st .
Ro es of S an d .
A og an d hi s S h adow .
B Y DICK DONOVAN .
Ca ug ht a t La st !
S e th B r ot h er s W i f e
s
T ra c k e d an d T ak e n .
L aw t on G i rl
.
T h e M an f ro m M an ch e st er .
I n t h e G rip of t h e L aw .
P an dur an g Hari
W a nt e d !
.
F rom I n f orma t i on R e c e iv e d .
B Y GILBERT GAUL
T ra c k e d t o D oom
.
.
L ink b y L i n k .
A S t ran g e M an usc ript .
S us pi ci on Aroused .
Da rk D ee ds .
8 Y CHARLES RIBBON .
Ri ddl e s R ea d i G ra y
ob n
.
Th e M yst e r y of J am a i c a T e r r a ce
.
F o r L a ck o f G o ld
.
W h at w i ll t h e W orl d S ay ?
B Y MRS ANNIE EDWARDES I n H on ou r B ou n d .
In L ov e an d W a r
. .
A P oint o f H onour .
.
Arc h i e Lov e ll F or t h e K i n g .
Quee n of t h e M e a dow
.
T h e F l ow er of t h e F ore st .
A H e a rt s P r ob l e m
.
BY G MANVILLE FENN
. .
T h e B r a s s o f Y ar r ow .
W it n e ss t o t h e D ee d .
O f H i g h De s e .
Th e T i er L i l y .
T h e D e a d e ar t .
Th e i t e V i rg i n .
B y M e a d a n d S t rea m .
H e a rt s D e li g ht
F anc y F ree
.
B e ll a D onna
.
L ov i n g a Drea m
.
P o ll y
.
A H ar d K n ot
.
Th e S ec ond M r s T i ll otson
.
B l ood M on ey
. .
-
N e ve r or g ot t en
B Y WILLIAM GILBERT
.
T h e La dy of B rant ome
.
.
T h e F ossi c k e r .
T reason F e l ony -
.
Red S pider .
T h e L ov er s Cre ed
.
B Y HENRY GREVILLE .
B Y MRS GEORGE HOOPER
. .
B Y ANDREW HALL/DAY .
B Y MRS HUNGERFORD . .
A M a i den a l l F o r l orn .
A M e n t a l S tru g g l e
B Y THOMAS HARDY
.
.
M arvel .
L a dy V e rn er s F l i h t
.
An H e i re ss o f R ed D o T h e T h ree G r a c e s .
T h e Lu c k o f R oar in g a mp .
An U nsa t i sfa ct ory Lov er .
Ca l i f o rn i a n S t ori es .
La dy P a t t y .
G a b ri e l Con roy .
N o ra C r ei n a .
Apr il s L a dy
F l ip .
P et er s W if e
.
M a ruj a .
.
T h e P r of e ssor s Ex periment
A P hy lli s o f th e S i erra s .
.
A W ai t o f t h e P la i n s .
A W ard of t h e G ol den G a te .
B Y MRS ALFRED HUNT
. .
T h e L e ade n Ca sk et .
G a r th .
T h a t Ot h er P erson .
E ll i c e Quent in .
S e b ast i an S trome .
B Y HARRIETT M Y .
F ort un e s F ool
. T he Quee n of Conn aug ht .
B e a t r i x R andolph .
L oveor a Na m e
.
.
Col on i a l Fa c ts an d F i c ti on s .
D a vi d P oin de x t er s Di sappe ar
an e. c B Y R ASHE K ING. .
T h e W e ari ng o f t h e G reen
.
I van de B ir on . B e ll B a rry .
CH A TTO E II I ND U S , Si M a r l i i z : La m ,
'
WC
'
Lon don : r 1 11 . . .
T WO S H I LLI N G P OP ULAR N O VE LS
- .
B Y J OHN LEY
8 . B Y L T MEADE . . .
Th e Lindsa y s A S ol di er of Fortune .
B YE LYNN LINTON
. .
B Y LEONARD MERRICK .
P at r i c i a K emb all .
Th e M an w h o w as G ood .
Th e W o rl d W e ll L ost
.
.
W i th a S i lk en T h re ad .
M r D ori lli on
. .
T h e R e b e l o f th e Fami ly
B Y MRS MOLES WORTH
.
M y L ove I
. .
P aston Car ew .
S ow i n g t h e W in d . B Y J E MUDDOCK. . .
Dul c i e Ev ert on . T h e D e a d M an s S e c re t
.
F r om t h e B osom of th e Deep .
B Y HENRY W LUCY
B Y D CHRISTIE MURRAY
. .
. .
G i deon Fl ey c e
A Life s Aton e ment
.
.
ose h s C oa t
BY J US TIN Mc CARTHY
.
al t ran g e
.
.
Dea r L a dy Di sda in .
A M ode l F a t h er
T h e W a t erda l e Ne i g h b ours
.
.
C oa l s o f F i re .
M En e my s Da ug ht er
.
H e a rt s .
A a i r S a x on . B y t h e G a te of t h e S ea .
L i n l ey R oc h f ord .
T h e W a o f t h e W o rl d .
M i ss M i san th rope .
A Bi t of uman Na t u r e .
D onna Qui x ot e .
F i rst P ers on S i ng ular .
T h e Com et of a S e a son .
Cyni c F or t une .
M ai d of At h e ns .
O l d B l az er s H ero
'
.
C a m i ola : a G ir l w i th a Fortune
. .
B ob M a rt in s L i tt l e G i rl
.
T h e D i c tat or .
T i m e s R eve ng es
.
R ed D ia m on ds .
A W as t e d C r i me .
T h e R iddl e R i ng .
I n D i rest P e ri l .
M ount D e spa i r .
B Y HUGH MacCOLL .
A Ca pful o Nai l s
.
M r S trang er s S e a l ed Pa c k et
.
.
B Y GEORGE MACDONALD .
O ne T ra vell er R eturns .
Heath er an d S n ow . P a ul c u s s s A l i a s
.
T h e i sh ops B i b l e
B Y MRS MACDONELL
.
. .
Q uak er Cousins .
B Y HUME NISBET .
B ai l U p 1
B Y W E NORRIS . . .
B Y BRANDER MATTHEWS .
S a i n t An n s
.
A S ecr et of t h e S ea . B illy B e ll ew .
Lon don : CH A TT O 6
WI ND US , In S t. M a r l i n
: Lan e, WC . .
6 T WO S H I LLI N G P OP ULA R N O VE LS
-
.
D oc t o r Ra m eau
A County F ami ly
.
A La st L ove
.
At H er M e
.
A W e i rd G i ft
A W oman s eng ean c e
.
.
C e c i l s T ry st
B Y MRS OLIPHANT . .
.
T h e Cl y ar ds of Cl y e
' '
W hi t el a di es .
T h e F a m i ly S c a eg rac e
.
T h e P r i m rose P at h
.
T h e F ost e r B r o e rs
.
T h e B e st o f Husb ands
.
BY OUIDA F oun d D e a d .
W a lt er s W ord
.
H e l d in B on da g e
.
.
Ha l ve s
S t ra t h m o re
.
.
F a ll e n F or tun es
C ha n dos
.
W h at He Cost Her
U n de r T w o F lag s
.
.
Hum orous S t ori e s
I da l i a
.
G w e n do l in e s H a rve st
.
C ec i l Cast l emai ne s G ag e
.
.
L i k e F a t h er, L i k e S on .
T ri c ot r i n .
A M a r in e R e si dence .
P uc k .
M a rri e d B ene at h Hi m .
F oll e Fa ri ne .
M i rk Ab b ey
A D og o f F landers
.
.
N ot W ooe d, b ut W on .
P a sc ar el .
T w o Hun dre d P oun ds Re w ar d .
S i g na .
L e ss B la c k t han W e re P ai nted
I n a W i nter City
.
y P r ox y
B
.
Ar i a dne
.
.
i l i g h S i ri ts
M ot h s
.
.
U n der ne R oof
F ri e n dship
.
Car l y on s Y ea r
.
P ipi st rell o
.
.
A Con de nt ia l Ag ent
B i mb i
.
.
S ome P r iva te V i ew s
I n M a re mma
.
.
A G ra f rom a T h orn
W an da
.
F r om x il e
.
.
F resc oe s .
K i t : A M e mory
P r inc e ss Na t a x in e
.
.
F or Cash On]
T w o L itt l e ooden S h oe s .
Th e C a n on s
a rd
A V ill ag e Commune
.
.
Th e T a l k of t h e T ow n .
O t h ma r .
H o li day T ask s .
G ui l der oy .
G l ow w orm T a l e s
-
.
Rui n o .
T h e M y stery of M i rb ri dg e .
S y r li n .
T h e B urn t M ill i on
S an ta B arb a ra
.
'
.
Th e W ord and t h e W i ll .
T w o O en der s .
A P rin c e of t h e B l ood
W i sdom, W i t , and Path os
.
S unny S t o ri es
.
.
A T ry i ng Pati ent
B Y MARGARET AGNES PAUL
.
.
G ent l e an d S imple .
BY MRS CAMPBELL PRAED . .
B Y JAMES PAYN .
Th e Roman ce of a S ta t i on .
B en tin c k s T ut or
. Ch r i st i na Ch ar d .
M urphy
s M ast e r . M rs T r eg askiss
. .
-
.
M i ss M a x w ell s A ec ti ons
'
.
A B o ok f or t h e Ha mm ock .
M y st e ry o f th e O c e a n S t a r
.
I t i s Nev er T 0 0 La t e t o M e nd .
An Oc e an T ra g e dy .
A l on e on a W i de W i de S ea
.
P eg W ofng t on .
.
C h ri st i e oh nst one .
Th e P h an t o m D e a t h .
T h e G oo d S hi p M o h o c k
G ri ft h a unt .
.
P ut Y ourse l f i n Hi s P la ce .
I s He t h e M a n P
T h e D oub l e M a rria g e .
H e a rt o f O a k .
L ov e M e L i tt l e, L ove M e L on g .
T h e Co n vi c t S hi p .
F oul P la y .
T h e T a l e o f t h e T en .
T h e Cl oi st er a n dt h e H e a rt h .
T h e L a st En t ry .
T h e C ours e of T rue L o ve
BY ALAN S T AUB YN
.
T h e A u t ob i o g ra phy of a T hi e f
. .
A F e ll ow o f T rin it y
.
A T erri b l e T e mpta ti on
.
T h e un i or D e an
.
Th e W an deri ng H e i r
.
ast er of S t B ene di ct s
.
The
A S i mpl et on
. .
T o H i s O w n M a ster
.
A W oman Ha t er -
.
O rch a r d Da m ere l
.
S i n g l eh ea rt an d D oub l e fa ce
.
I n t h e F a c e o f t h e W o rl d
.
G ood S t or i e s of M a n a nd oth er .
An i m a l s .
T h e T r eml et t D i a m on ds .
T h e J i lt.
B Y GEORGE AUGUSTUS SALA
A P e r i l ous S e c ret
.
Rea di ana
.
B Y GEORGE R SIMS
B Y MRS J H
. .
RIDDELL
T h e Ri n g 0 B e ll s
. . . .
Her M ot h er s Da rl i n g
.
M a ry an e s M e m oi rs
.
.
T h e U n in h a b it e d H ouse .
M a ry an e M a rri e d
W e i r d S t o ri e s
.
.
T a l e s o f T o da y
F a i ry W a t er
-
.
.
D ra m a s o f L i f e
P r inc e o f W a l e s s G a rde n P a rt y
.
T i n kl et op s Cr i m e
.
T h e M y st e i n P a l a c e G a rden s
.
.
Z e ph : a Ci rcus S t ory .
T h e Nun s
urse .
M y T w o W i ve s
I dl e T a l e s
.
.
M e m oirs of a La ndl a dy .
S ce n e s f r om th e S h ow
W ROBINSON
.
BY F . . .
T h e T e n Co m m an dm ents .
W ome n a re S trang e . B a g o n e t Ab r o a d .
T h e Han ds o f J ust i c e .
R og ue s a n d V a g ab on ds .
T h e W oman i n th e Da rk .
B Y ARTHUR SK ETCHLEY .
B Y DORA RUSSELL .
A M at c h i n th e D ark .
B Y HAWLEY SMART .
B Y W CLARK RUSSELL.
.
W it h out L ove or L i c e n c e .
R ound t h e G a ll e F i re . T h e P lun g er .
B ea t r i c e a n d B en e di ck
O n t h e F o k sl e ea d . .
I n t h e M i ddl e W a t c h . L o n g Odds .
T h e G o l den H oop . H uc kl eb er ry F i n n .
H o o dw i n ked . T h e P r i nc e an d t h e a uper .
B a c k t o L if e . M ar k T w ai n s S k et c h es
.
B u r g o s R o m an c e Th e B an k n ot e
-
. .
Q u i t t a n c e i n F ul l .
A H usb an d fr om t h e S ea .
B Y SARAH TY TLER .
T h e H ugu en ot F a m i l y
T h e Afg h an K ni f e.
.
W h at S h e Cam e Th r oug h .
B ea ut y a n d t h e B east .
B Y R LOU/8 S EVENSON T h e B ri de s P a ss
.
T .
S ai nt M un g o s Ci t y
.
New Ar a bi an Ni gh t s
.
.
Di sa ppear ed .
L a dy B el l .
T h e Bl a c kb al l G h osts
T al es f or t h e M ari nes
.
.
B Y 0 0 FRASER "H ER
. .
-
.
B Y ANTHONY TROLLOPE
M i st r ess Judi th
.
W ay W e
.
T he Li ve Now .
M r S c a r b or ough s F a m i ly
B Y ALLEN UPWARD
. .
T h e G olden L i on of G r a ndpere
.
.
gi
T h e A me r i c an S en a t or .
The u een a gai nst O w en .
F r a u F r oh man n .
The r n c e of B a l k i sta n .
M a ri on F a y .
K ept i n t h e Da r k .
B Y ARTEMUS WARD .
Art emus
.
Anne F um ess .
T r ust M on ey
-
.
M a b el s P r ogr ess
.
Li ke S h i ps upon t h e S ea .
B Y MRS F H . . . WILLIAMSON .
A Chil d W i dow .
B Y T ADOLPHUS TROLLOPE
. .
Di a mond Cut Di am on d .
BY J 8 . . WINTER .
Ca val ry Li fe .
B Y MARK TWAIN .
R egi mental L eg ends .
T om S aw yer
BY H F WOOD
.
A T ra m Ab r oa d
. . .
.
T h e S t o en W hi t e El e h ant . P a sseng er f r om S c ot l an d Ya r d .
A N A L P H A B E T I CA L CA T A L O G U E
O F B O O K S I N F I CT I O N A N D
G EN E R A L L I TE RA T U R E
PU B L I S H E D B Y
CHATTO WIND U S
1 1 1 S T M A RTI N S L A N E
.
C H A R I N G CR O S S
LO N D O N, WC . .
UU NE ,
G a me . (26 I l l ust r a
ti o ns
. ) B y H U G H F I E L I NG D . D e m y 8 vo . : 3.
A da m s (W Da v e n po r t ) , W o r ks by .
ly l h l l ho of
.
L Di c t i o n ary of o
t h e Dram a : .
A G id u
f om t h
e to the P a
li
P ay w r i g t s, P aye rs, an
s. d P ay uses
V ol 1 (A t o G )
the U n i t e d K i n g d m a n d A m e r i c a, r e Ea r e st T un es t o t h e P re sen t
lo h l
. . . .
D e m y sv c . c t 6d n e t [S h o r t y
p O D o lo h l p
. . .
im ,
Q u i a a n d Q u i d di t i e s . S e le c t e db y V D AV E NP . RT A A M S P st avo , c t . 6d .
A l e x a n de r No ve l s b y . P o st 8 vo i l l ust r a t ed b o a r ds,
, 25 . ea c h .
M a i d. W i re . o r W i d w ? o l l B i n d P a t e.
Cr o w n 8 vo , c lo h 6d h ; po
t p o
eac st 8 vo , i c t u r e b ar ds , e ac h
o ho W om an
.
Fa t e
, .
Y a l er i e '
e . 1 A Li t I t
e t n er es . M n a 'e C i c e. By
'
s W it .
C o lo h 6d h
r w n av o , c t eac
o h hF
. .
T h e C at o f h e r P r i de . B b L dy
ar ar a. id dP a
s a an e er eu A Fi g t w i t a t e.
C i ht o p ot h
.
l G o l de n A u t u m n . M r s. r c C di t n s
re or . Th e S t e m er .
o
-
A Mi i g H ss n er .
Al l e n (F .
(i r ee n as G r a ss . C r o w n sv c . c l o t h , 3s 6d . .
P ost - P r a n di a l P h i l o ao p
cr o w n 8 v0 . c lo h t a te d o
b a rds, a: e ac h
ll o
.
B a b y l o n . : 2 I ust r ati n s T h e D u c h e s s o i P o w y s l a n d.
l oo o
.
S t r a n ge S t o r i es . B d R y al .
T h e B e c k o n i n H a n d. I v a n G r e e t s M a st e r i e o e.
l o r l a i m i e l ai m . Th e S c a l l y w a 2 4 1 ust a . .
P h i i i at i a . A t M a r k e t II n o.
I n a l l S h a de l .
T h e Te n t s oi Sh em . P OP U LAR E D IT I ON , m e di u m 8 v o , 6d .
A n de r s on (M a r y ) Ot h e l l o s Oc c u pa t i o n C r o w n 8 v c c l o t h
. 6d . , , .
A n dr e w s (E B e n j a m i n ) l h e U n i t e d S t a t e s i n O u r Ow n Ti m e
'
. . .
I llb y H M PA G E T,
u st ra t i o ns 6d t 8 vo . i u st ra t e d b a r ds. ll o
ol o p OO D o lo h
. . .
Th e Co n s t a b l e o f S t . N i c h a s . W i t i Fr n t is i e c e b y S L W . . . Cr w n 8 v0 . c t .
s h t on Jo h n , ( ) W o r ks by .
and t a l
i l ust r ati o ns.
2 C H ATTO s. W INDU S , P u b l i sh e r s. n i S t Mar t i n
.
'
s Lan e. Lon don , WC . .
l h x
c ot e t r a, 6d .
A lo
s a O U LA E D ON po B pi
P P R bo d ITI st vo . c t u re ar s.
B a c t e r i a , Ye a st F u n g i a n d A l l i c d S p e c i e s A S y n o ps
-
, ,
\ V B GR O BA VE W i h 8 7 I ll t i o
t C o s lo h x
u s ra t 6d
n s. r wn y o, c t e t ra ,
W
. .
.
. . .
B a r ds l e y (Re v . C W ar ei ng
. o r ks b y , .
E g li h S
n ms ur n a es : Th i So d S ig i
e r i C o 8
ur c e s a n lo h 6d n c a t on s. r wn vo . c t
o N om l t lo h 6d , .
Cu r i si t i es oi P un an it C s en c a u re. ro w n vc , c t , .
J u st i e d ?
B ar i n g G ou l d (S
o
C r w n 8 y o,
Red S pi d er .
B e a c o n s f i e l d, LO
Cr o w n 8 v0 , c lo th,
'
6d e ac h .
l ot l of W
_ _
T h e G r a n d B a b y on H e . T e Gat es r ath .
ac k b u r n s He n r ) A r t H a n db oo s !
( y k
A c a dem y N t e s. 1 8 7 6 - 7 9 o
I n O ne . w it 600 I l u st ra ti ns C ot h Vol h l o l
o Vol ll o lo h
. . .
A c a de m y N t e s . 1 8 9 0 - 9 4. I n O n e . w i t h 8 00 I u st ra t i n s C t , 6d
o Vol h ll o lo
. . .
A c a de m y N t e s . 1 9 9 5 - 9 9 . I n O n e w i t 8 oo I u st r a t i ns C th
o o h ll o l h
.. . .
G r s v e n r N o t es . V o l . I 1 8 7 7 - 8 2 W i t 300 i ust r a t i ns De m y 8m c ot .
o o o h l o lo h
.
G r s v e n r N t e s Y o ] I L. 1 8 8 9 8 7
. .
ll h ll o lo
, . . .
T h e Ne w Ga er y , 1 8 8 8 -9 2 wi t 2 I u st r a t i n s D e m 8 v o, c t
l h o l h l o
. .
E n g i s Pi c t u r es a t t h e Nat i n a all e W it m u s t r at i ns
O l d M a st e r s a t t h e N a t i n a C a e r yi t h : 2 8 i u st ra t i ns x:
.
o l ll u
a ll o . .
I '
ll l o ll h ll o lo h
. .
W i t 9 42 i ust r a t i ns C t
.
A n I u s t r a t e d C a t a og u e t o t h e N a n ai Ga er y . .
,
(M M CD K 0 ), S by
i '
e O 0 0 e
l " l l 0
, 9 l
D o ra Myr l . t h e L a dy D e t e c t i v e . . Cr w o n8 y o. c lo h t , pi c t ur e c o t l h , il at b a c k . a n .
a rro a WINDUS , P u b l i s h er s . m St . M a rt i n '
s La n e; Lo n don , W . C .
a
e sa n t W a l t e r ) No ve l s b
(S i r ,
C o lo h x h dbo d h lot h li m p 6d h
_
r awn vo . c6d 8
t e t ra , e ac o st vo , st ra t e ar s. e ac c ar e ac
All S o t d C o di t i o I ll io D B N D
. . . . .
r s an f H n by F ns o en t : 2 u st r a t ns RE AR AR
Th C p t i R o om & W i h F o i pi
. . .
e a a ns
by E J W H c t r nt s ec e E E LER.
W i h 6 i ll io Y FU N S
.
. . .
A ll i G n ad F i ar en a rby H t u st r a t ns AR R R IS .
Fo Wi h F o i pi
.
D or o th t by CH
r s er . G N t r nt s ec e A R LE S RE E I
l do h S o i C h i ld
.
U nc e k 8 0 , an I t er f Gi b t r e s. r en o e on .
Th eW o l d i ii! t V r
y W ll T h Wi h n I ll io by A FO er e en t r2 u st r a t ns R E ST IE R .
'
l d h i F ll B ll
. .
H P
er r i Ri
au h G us : s Th f St P
se . l s is re at n e ss. a n s a . e e o . au
.
H YD E
ol t
.
I Th e R e v oi M an .
o
Cr w n 8 vo c lo h t eac h
Fo l h l Fou r t h
, . .
A u n t ai n S ea e d. I Th e C an ge i n g I Th e G e n er a t i on .
Th e Or a n g e G i r l . Wi th 8 I ll ust ra t i o ns by F . PE G R A M
.
O D
M N .
l oet .
an d F r eed o m
Y
L ARG E T PE , F I NE PA P E R E IT I NS D O po lo h h ; l th lt h
'
t t 8 vo. c t n e t e ac ea er. g i e dg e s. n e es et
o o o do
.
, .
All r t s a n d Co n di t i n s o f M e n I . L n n.
do
9
Wi t h : 2 l io
De my 8 y o. c lo h t , 6d . ea c h .
Lo n n Il ust r a t n s.
h ll o
.
S ut h L n d n. i t E t c i ng b F S W A L K E R , a n d 1 1 8 I u st ra t i n s
o o h ll o
. .
E a s t L n d n . Wi t
.
an E t c e d r o ut i sp i e c e b y F S WA LK E R . a n d 5 6 I ust ra t i n s by P M.
O . .
M AY , L R a v e n H I LL . a nd J S E P H
l of o l h
.
Je r u s a e m T h e Ci t y H e r d an d S a a din B y W AL T E R B E S A NT an d E H P A L M E R Wi t a
hp ll o . . . .
ne w C a t e r . 3 M ap , a n d 1 2 I u st r a ti n s .
Cr w n 8 vo . b uc k r a m eac
w
o . h .
As W e A r e an d A s W e M a y B e I E s s a y s a n d H i s t or i e t t e s
o h J h o
. .
T h e E u l g y o i R i c a r d a de r i e s . W it a P rt ra i t .
C r w n 8 v o . c t h. eac o lo h
Ff Y h ll o
.
i ty ear s A go W i t 1 44I u st r a t i n s
p ol o h o o of o o
. .
G a s a r d de C i gn y W i t h a P rt ra i t S i r R i c a r d W h i t t i n dt o n . L r d M a y r L nd n.
h oo l h l o O
. .
Th e l r t o f F i c t i n . F c a 8y o. c t r: ne t o p lo h .
, . .
B o u r n e (H . R F o x ) , B o o ks b y
.
l h M h t W h I ll
En g i s io
erc C o 8
an l h 6d s it 32 ust ra t ns r wn vo . c o t
h S i d f t h E m i P h R l i f E x p di t i o C o lo h
. . . .
Th e Ot er e o e n as a e e e n r w n 8 vc . c t
B oyd
. .
A Ve r s a i l l e s Ch r i st m a s t i de B y M a n y S T U A RT B o r n W i t h !
.
b y A S B OYD
. .
5 I ll
3 io ust r a t F p 4mns lo h g i l d g i l p . . . ca . . c t t an t to ,
B o y l e (Fr e de r i c k) W o r ks b y P o st 8 o i l l u s t r a t ed b ds 2 5 ea c h
, . v , . . . .
Ch o i l f N M L d I C m p N ot S
r n c es o o- I g Litan s an . a es. ava e e.
o
P r v er b s , P t s, S t r i es . a n d P em s lo o
A Ne w E di t i n. R e vi se d o o
o l l
. .
A D i c t i n a r y o i M i r a c e s : I l l l l t i l t i ve . R e a i st i c . a nd D o g mat i c .
4 CH A TTO a W I ND U S P u b l l s h er s m M ar t i n La n e Lon do n . w c
, , St . s . . .
B r e w s t e r (S i r D av i d ) , W or ks b P o st 8 v o , c l o rh , 4s 0d ea h c
yl
. . .
d
.
M o r e W o r l : t h a n O n e Th e C re e d o f t h e hi o so ph e r a n d H o p e o f t h e C h r i s i an W i h Fla t t t
A L LE O Y HO B RA H E .
Th e M ar t yr : o f S c i en c e : G I T C a nd K a p u ak
l I ll t ti
. . ,
Le t t e r s o n N a t u r a M a gi c \ Vi t l t n u m e r o us . us r a o n s.
B u c h a n a n (Ro b e r t ) P o e m s a n d No v e l s b y , .
T h e Co m p l e t e P o e t i c a l W o k s o f R o b e r t B c h a n a n r u 2 vo s. . c r o l w n sr o. b uc k ram. w i t
P t it F l m
.
t i pi t
or r a h r on s ec e o e ac vo u e,
W i t h F r o n t i spi e c e
W i t h F ro n t i s i c c c
.
Mine '
OO P E R
.
C . 1W om e n an d the en
C ro w n 8 vo , c l tho 6d e ac h
d d yl G
. . .
R ed a n d Wh ite H ea t h e r . An r o m e da : An l l oi th e
rea t Ri ve r .
Th e S h a do w of the Sw or d. P O P U L A R E D I T I ON d . m e i um 8 vo , 6d .
Th e Ch arlat an. B R O E R T B U C H A NA N
B N an d H E RY M U RR A Y Cro w n 8 vo . c o l t h wi t h
F by T t 8 pi t b d
.
ti R O I NS O N
.
ro n sp i e c e . l . B 6d p . . os vo , c u re o ar s.
an d W i l l l r w i n Th e . P i c a r oon s : A S an Fra n
A l L I R A RY E D I T IO NS f t h t h
B l t i typ w o e re e n ov e s, se n ne w e. c ro n 8 vo b o un d f
u n i o rm mg
P O U L A R E D I I ON S m d
so .
Th Ch i t i 6 h ; d CH 3 . e ac Br
an E AP P T e t t nn i o. p o r r ai t t -
c o ve r , 64 eac h
l e
F I N E P A P E R E D I T I ON f T h e D e e m et e p tt 8
r s an
l th g il t l th
. , . ,
A so th e - o r . o vo . c o . t op. ne t ; ea e r, g
C a m e r o n (C o m m a n d e r V L .
P i P i t
r nc eP t 8 pi t
'
b d
r va ee r . os vo. c ure o ar s
C a n a da (G r e a t e r ) T h e P a st P r ese n t a n d F u t u r e o f . t he C a n a di a n
l th 6d
.
N th W t or By - esWit h M p C w 8
. a a . ro n vo . c o . .
C h a m b e r s (Ro b e r t S t or i es of Pa r i s Li f e by .
Y
Th e K i n g i n el l o w . Cro w n 8 vo , l th
c o 6d ; f c ap . S vo , c o l t h l i mp 6d
F l th
, . , .
I n t h e Q u a r t er . c a p 8 vo . ,
c o . 2s . 6d .
C h a u c e r f o r C h i l d r e n : A G o l de n K e y B y M r s H R H AWEI S W i t h . . .
8 C l d Pl t d 3 \ V d t C w At l t h x t
. .
o ou re 6d
a e s an 0 oo c u s. ro n o, c o e ra .
Wi th t h S t y r h i Ti m
.
Ch a er fo S c h oo l s
uc r d hi W k By M H R H A W E IS e or o s es an s or rs.
A N w Ed i t i i d W ith F D my 8 l th 6d
. . . .
e t p on. r e v se . a ron i s l ec e . e vo , c o . .
in By H AU O
A ST OW R D
d t d byNT N OR MAL
E ie w t
R B W D Cr o n 8 v o c l o h .
g; F d
. . . .
t t t
.
l n o r T a c t i c . o f C h e s s A T re a i se o n t h e D e pl o m en o f t h e o rc e s i n o be i enc e t o S ra
OU NG
e
l F
t e g i c Pr in c i p e By K Y O ELL l t
a nd E C H W o n g (c a p 8 v c c o h 6d
t t d A t
. . . . . . . . . .
T h e H a s t i n g s C h e n T o u r n a m eh t . C o n a i n i n g t h e A u h o r ise c c oun o f t h e 2 30 G a m e s
ay el d t
Au g Se p it t t i b y I LL U RY L A K E R
1 89 5 W h An no a o n s P SB S T A R R ASC H S T N TZ . EI I
H I ER EI H M A I LE Y
-
. . . . . . .
C PP S T C NN B A R D E L B B E N B L AC K B U R NB C U NS B E R C T NS M AS O N a n d
L IN l t t d E I RE
. . . . , . ,
Cheape r E i i on Cro n Br o. c o h. sr . .
Cii ATTO a W IND U S P u b l i s h ers , m M a r t i n s La n e L o n do n w c
, St . . . . .
C h a pp l e (J M i t c h el l ) Th e M i n o r C h o r d :
. . Th e S to ry of a Pri
Donna C w 8 . l t h 64 ro n vo . c o . .
C l a r e (A u s t i n ) S t o r i e
F or the L ove o r a L a ss .
By th e Ri c e or t h e R i v er
a
C
Th e Ti d ew ay .
P o s 8 vo t
P a u l Fe r r a l l .
C o a t e s (An n ) .
Ri e
C o bb a n (J M a .
Th e C r e f S u o ou
Th e R d S ulta e n
Th e B . ur de n o f
F r o m M i n i gh t t o M i d d B l a c k s m i t h a n d S c h o l ar .
I
n i gh t.
Y ou P l a y m e a l se . F T h e V i l l a g e Co m e y . d
Po s 8 vo .i t ll t t d b d
us r a e oa r s .e ac h .
ol i i ns (W i l k i e) , No v e l s b y .
C ro w n 8 vo , c o l th xt e ra. m an y i ll t t d us r a e e ac h p os 8 v t
o . pi c ur e t b d oar s. e ac h ;
l th l i m p
,
c o . 6d . e ac l t .
M y M i s c iai i a n i e m
*A n t on i n a . Je z eb e i e D a u h t er .
'
*B a s i l . A r m a al e. d Th e B a c k R o e. l
* i de a n d S e e k . 0
li T h e W o m a n i n W h i t e .
P o o r M i ss i nch . F H e a r t a n d S c i e n c e.
a M i ss o r M r s ?
I S a y No
d l L
. .
i iTh e M o o n s t o n e . T h e Ne w M a g a en . A R 0 u e s i te.
*M a n a n d W i e . f Th e F
r o z en De e p Th e vii e n i u s. G
d L d L
. I
*T h e D e a S ec r et . T h e La w a n d t h e a y. i t t l e N o v e l s.
A ft er D a r k . Th e T w o D e s t i n i e s .
Th e L
e g a c y o f Ca i n .
T h e Q u e e n o f H e a r t s. Th e H a u n t e H o t e l. d B lind ov e. L
No N a m e Th e F l
a l en ea v es L
d b ty
. .
t
I
y M ar k e 5
* h a v e e e n r e se i n n e w pe . i n u n if or m st yl e.
Th e W om a n in W h ite L A R G E T YP E F I N E P A P E R E D I T I ON P o t t 8 vo . l th
c o gi lt t e p.
l t l t dg
. .
, ,
n et ea h e r. g i e e s, n et .
C o l q u h o u n (M E v e r y . In c h a S oldi er C r o w n 8 vo , c lo
i ll t t db d
.
6d p t 8 . os vo. u s ra e oa r s.
Co l t b r e a k i n g , H i n t s o n
s
B y W M H U T CH I S O N . . . . C r 8 vo . c l
. .
,
C o m p t o n (He r b e r t ) , No v el s b y .
Th e In i m it a bl e M r s M a sai n gh am C ro w n svc . c o l th 6d
w l th lt
. . . .
Th e W ilit ay . Cr o n 8 vo . c o . gi t op.
C o op e r (E d w a r d (i e o ff o r
y
C o r n i sh (J S o u r G r a p es : A No v e l
.
-
. Cr 8 vo .
. cloth , gilt t
C r a dd o c k (C E g b e r t ) S t o r i e s b y .
, .
Th e P r o ph e t o f t h e G r e a t S m o k y M o u n t a i n s C w e l th 6d ro n vo , c o pos t
i ll t t db d . . . ;
us ra e oa r s.
Hi V s i h ed S t ar
a n C w 8
s l t h 6d . ro n vo . c o . .
C r e l l i n (H R o m a n c e s o f t h e Ol d S er ag l i o Wi t h
. . 28 1 11
t t i s by
ra on WO OD C ow n 8 o l t h 6d . r v , c o . .
6 C H A TTO 6t W i NDUS . Pu b l i sh e r s. I l l St . M ar t i n s '
La n e . Lo n do n W , . C .
C RO K E C TT . G I L B E RT P A R K E R H A R O L D F R E DE R I C an d W C L A R K R U ELL SS With
ill t t i
u s ra ons b y F R A NK B R A NG WY N C w 8 l t h .
. ro n vo . c o .
. . .
8 v o, c lot h ex t ra , 6d
'
e ac h ; ost 8 vo . i ll t t
us ra e ac h
ll l
.
P re t t y l e e N e v i l l e. V i a g e T a l e s a J un g e
P ro per P r i e . d Tr a ge i e s d
L d
.
A B i r d o f P a ss a g e. Th e Rea l a y H i l da .
D i a n a B a r r i n g t on . M a r r i e or S i n g e d l
T w o M a st e r s . ~
Cr o w n 8 vo . l th xt
c o e r a. 6d e ac h .
d th
.
S o m e On e E l s e . M i s s B a i m a i n ea P a s t B P a l e.
l
e y on e
d
e
i n t h e K i n g o m o r K er r y . Ja s o n . a c In i a t u a ti on .
ll t t by I E Y AG E
.
T e r e n c e . W i t h 6 I u s r a i on s S DN P T
t I l t t by F R E EGR AM
.
T h e C a t s - p a w . W i h : 2 l us r a i o n s D P
'
. .
e ac h .
Ne vi l le .
F I RST f m
-
ro to t he S C E O f m 844 5ND , ro 1 to 18 1 G th i g f th B t
A a er n o e es Hu m ou r
T H A C K E R AY A L ER S M I H A B E TT R O B E R T B R OU G H
. .
. 0 0 D. A Y H E W. B T T .
'
EC K . . &C . it
'
D a v i e s (D r N E Yo r k e ) . W o r k s b y
. .
u
. Cr 8 v o . . I s ea . .
; cl . . 6d . ea
O n e T h o u s a n d l 8 h c a l M a x i m s a n d S u r i c i a H i n t s.
N u r ser y H i n t s A M o her s t
G id u ei n H e a h an D i se as elt
F d t ti l y G t
.
oo s f or t h e Fa t T h e Di e e c Cu r e o f Co r p u e n c an d o f ou .
Ai d s 0 L on g l th l i p 6d f
L i e " Cr o w n 8 V0 , c o ln , .
D a v i e s (S i r J o h n) Co m p l e t e P o e t i c a l W o r k s Co l l e c t ed an d E di t e d
.
w i th i t d t i d N t b y R A B G R OS A RI D D T w V l
n ro uc on an w 8 l t h 6d l
o e s, ev . . .
. . o o s. . c r o n vo . c o . . e ac
D e G u e r i n (M a u r i c e) Th e J ou r n a l o f E di t ed b y G S T RE B U T IE N
b y J E S S I E P R OT I
. .
. .
\ Vi t h M m i b y S A I NTE B E U V B
a e T a l t d f m th
o r th F h E di t i -
. r ns a e ro e 2o r enc on .
De Mi l le A S t r a n g e M a n u sc r i p t f o u n d i n a CO ppe
l t h w i th : 9 I ll t ti b y G I L B E RT G A U L 6d ; p t 8 il l t t
g gs
( y l d C l er . r o wn 8 vo. c o . us r a o ns . . os vo. us r a e
o r s.
D e r b y (Th e) Th e Bl u e R i bb o n o f t h e T u r f Wi t h B r i e f Ac c o un
B y L O U I S H E NRY C U R Z O N
.
f T HE O A K S C w 8 l t h l i m p 6d
.
o . . ro n vo . c o . .
D e w a r (T . A Ra m b l e R ou n d t h e G l o b e
-
W i t h 2 2 0 I l l ust r
l th xt
.
ti C w 8 Q
ons . ro n vo . c o e ra .
.
'
By A LF RE D RI MM E R
Wi th 57 I Uust rat i ons b y C . A . V A NDER H OO F nd t h AU TH O R Sq a e . uare 8 vo . c o l t h 6d. .
c m a W I ND US Pu b l i sh er s m S t Mart i n s La ne.Lon don ;i W C "7
, . . . .
D i ct i on a r i e s .
Th e R d s H a db k o f F m ou s N m e s i F i c t i o A l l usi
ea er
n oo Re fe re c es
a a n n. o n s. n
b Pl t S t i E C B R EW E R I L D
.
d P oe m By R A N w Edi
'
P r ov er s, o s. o r e s. a n s. e v. e
l h 6d
. . . . - . .
m 8
f
ti R i d '
tmi i
o n. e v se v vo . c o
l i t i d D g m ti 13y t h R E C BRyE R
. . .
A l) l t i o y on ar o rac es t t at ve. ea s c an o a c. e ev
C w 8 l h 6d
.
LL D
ro n vo. c ot
! Gr a t M e W i t h Hi t i l d E xp t y N t b y S AM U E L
'
. . .
'
Fa m i l i Sh t S yi g
ar or a n
ls 0 e n. s or c a an a na o r o es
A B EN A M C w 8
T. l th xt 6d ro n vo. c o e r a.
y l d l C w 8 l t h 6d
.
t
. . .
}
a
'
m l d A
'
Th e S l g D i t
ani E c i
l j
on a r l i t o 1 ca i st o r c a an n ec o ro n vo . c o
W d F t Di ti y f C i Q i t ; d O f h W y M tt
. , . . .
d h ee ra s : By
s. ac s. a n c on a r o u r o u s. ua n a n uh o t e r s.
E L I E E R E DW A R D l th xt
or e-
C w 8
-
a a
Z S 6d 3 ro n l
vo . c o e r a.
T e B r i t i s h E m pi r e
i
. .
D i l k e (Rt Ho n S i r C h a r le s B a r t
. . , .
,
C ro w n 8 vo . b uc k ra m . 6d .
Wh o P o i so n e d B et t y D u n ca n
Cr o n 8 vo , c o h 6 d e ac h r
w l t l
d l l t
.
t
. .
T h e R ec o r s o f V i n c e n t T r i l . o i t h e D e t e c t i v e S e r v i c e s A so pi c ure c o h . a t bac k .
T h e A d v e n t ur e s o f T y l e r T a t o c k , P r i v a t e D e t e c t i v e . l
D e a c o n B r odi e ; o r . B e h n t h e M a sk i d
T a l es o f T e r r o r . .
A
l i
d w l t l l t b
.
T I
D ar k Dee s C r o n 8v o . c o h i m p . 6 d p i c ur e c o h . at a c k .
x l
t I
d w t l t b t l t b d l t l
.
W a n t e 2. C r o n 8 vo . p i c u re c o h a t ac k. p o s 8 v o . i l us o ar s. c o h im p,
f ll t t l t
. I
t t t
.
h
T e M r o m M a n c h e s t e r W i h 3 i s a i on s C o w n 8 vo c o h 6d p i c
l
o h. at
d
a n 2 u r ure c
d l t l
.
t t , . .
bac k . po s 8 vo . p i c u re b oa r s. 2 : c o h i mp . 6 .
Cr o w l t xt
8 vo . c o h e r a.
n e ac h
t I ll t t b y
.
A S o c i a l De p a r t u r e W i h u s ra i on s F T O WNS E ND
G t I ll t F Y WNS E ND : 5
. . .
A n A m er i c an i r l i n Lan do n W i h 80 us r at i o n s II
O
v F
.
Wi t h
J
. .
T h e S i m p l e A d e n t u r e s o t a
e m sa h i b. l
_ I
u st ra t i o n s by . H T O WNSENQ
.
E d w a r d s (E l i e z e r ) W o r d s Fa ct s a n d Ph r a s e s A D i c t i ori ar
. , .
o f C i Q i t
ur o u s. d O t i t h W y M tt
ua n Ch e p
. an E d i t i n Cr ow n8
u -
cl t
o -
i e- a a e r s. a er o . vo . o
E g e r t o n (Re v J C , S u s se x Fo l k a n d S usse x w y s
. . .
a .
Wi t h i t d ti b y Rev D H WA CE dF i ll t at i o s Crow S c l th x t
.
n ro uc on . r. . . an o ur us r n . n vo . o e ra .
8 C H A TTO 6t W I ND U S P u b l i sh e r s, M La n e Lo n don W
, Il l St . a r ti n s . , . C.
E g g le st o n (E d w a r d ) Ro x y : . A No v e l . P o s t 8 v o i l l u s t b o a r ds . .
. 25
Fa m i l i a r S h o r t S a y i n g s G r e a t M e n B y S A M U E L A RT H U R of .
A M F i ft h E di ti R i d d E l g d C
. . 8
o n, l th xt
e v se 6d an n ar e . ro w n vc . c o e ra, .
Fa r a d a y (M i c h a el ) W o r ks b y P o s t 8 vo c l o t h e x t r a 45 6d
, . .
f a C nd l e L t d li d b f
.
,
.
Th Ch m i e l Hi t e y ca s or J ml A d m O a : ec u re s e ve r e e o re a uv e e u e
b y W I LL I A M CR OO K E S F C S W i t h m I ll t ti nu e ro us u s ra ons
F d t h an R el m m '
. . . . .
0 th n V i e f N t
ar ou s or c es N o a u r e. a n .
\ V L l A M C R OO K E
iL F C S w m I ll t t i S, . . . . us ra ons .
Fa r r e r (J A n s o n ) W a r : T h r e e E ssa ys C r o w n 8 vo c l o t h I
. . .
, .
Pen n (0 M a n v i l l e ) No v el s b y. , .
C w 8 l th x t 6d
ro h p t 8
n i ll t t d b
vo . c o d h e ra. e ac os vo . us r a e oa s. x
l W i t e t t h D d I T h T i g r L ll y f l r l g W h i t e e g l
. .
Th e Ne w M i t s s r es . n ss o e ee . e e
'
C w 8 l th 6d h ro n vo. c o eac
A W o m an W r t h W i n i n g bl C
. .
D i g Th e S t
m g g S h ag:
o n y r o y 1M ou e unn n or o n n
d
.
A Fl t t
.
C m d by
u F t a. or Du n e. c te Th M u ere ove o e an i
tl
.
Th C as
e f A l i sa G
e o y K i g f th C ra O M ld Mi h i ef n o e as e. ne a
l sc
C m m d re J k
. .
o o o un Th e M te f t h e Cer e
. Th u m W i le as r o r
'
an s .
B l ac k B l oo d . m on i e s . I n J e o p ar dy .
Cr o n svc c o h g i rc p , e a c h. w l t lt
d
. ,
T h e B a g o f D i a m o n s. a n d T h r e e B i t s 0 ! P a st e .
R n n n l n A m o k : a S o r o f A ve n ure t y d t
b d Lf k S h m og
.
T h e Ca n e r w o r m : e i ng E p i so e s o f a Wo m an s i e
'
B l ac
.
g.
l Cr i m so n Cr i m e Cro n 8 vo . c o h . g i t o p , by w
p i c u r e c o h . a t
. l t lt . t l t b ac k.
Fi c t i o n , A C a t a l og u e of ,
I E H U ND R E D NOV ELS w i ll b
o ver N N , e
Fi n B ec Th e C u p b oa r d P
- .
d Di i g
an P t 8 l t h l i mp 6d
n n . os vo . c o ,
Fl r e w o r lE M a lt i n g Th e C o m p l e t e A r t o f ; or T h e P y r
-
, ,
T y B y T H O M A S K E NT I S H W i t h 67 I ll t t i
r easu r . C w 3m l t h 6d . 2 us r a on s. ro n . c o . .
Fi r s t B oo k M y B y WA LT E R B E S ANT AM E S P AY N W C L ARK R U
. ,
i o
M E B RA DDO N F W R O B I NS O N H R I D E R HAGGA R D R M B A LL A NTYN E I Z A NG W
. , . . . . .
,
. . . . . .
. . . . . IL
B e l l a D on n a .. Th e L dy a o f B r an t om e . T h e S e c o n d M r s . T l l l o t s on .
P ol l y . Nev er F or g ot t e n . S ev e n t y - v e B r o o k e S t r e e t .
U rania : A R o m a nc e . \ V i t h 8 7 I ll t t i us ra on s . Cr o w n 8v o . c o l th xt e ra . sr .
Re v A B C RO S ART D D
. . . . . . Cr o w
F o r b e s (Ho n M r s . . W a lt er R .
Du m b . Crow n 8 vo , cl .
, 6c
Fr e d e r i c (Ha r o l d ) , Nov el s b y . P o st 8 vo , c l ot h e x t ra , 35 6 d . ea ch
ll t t d b d
.
i us ra e o ar s 2 r . e ac h
L aw t o n Gi r l
.
B et h
'
s B r ot h er s
W i le . I Th e .
i
CH A TTO W I ND U S , P u b l i sh e r s. III -
St . Mart in '
s La ne L o ndon ~W , . . C .
G a u l o t (Pa u l ) , B o o k s '
by :
Th e R e d S h i r t s : A T al e
T h e T e r r or
"
T r an s a e N DE V of
l t d by J O H I LL I E R S Wi th F a ro
by A LE Y t l t b k
.
OO
.
t l sp te c e ST N W D Cr o n
C r o n 8 vc . c o h , g i
6d p ic ure c o h . a t
e ac h
.
w
_ w l t lt . ac .
L L l t d b y L A R O CH E M A
.
ov e a n d ov er s of t h e Pa st . W i h a Fr on t i s pl c c e T r a n s a e C t
d t I ll t t F l
. . .
, .
A Co n s p i r a c y u n e r t h e T e r r o r . W i h u s ra i o n s a n d a c sim i e s .
G e l e m a n s Ma a z i n e
nt
Th e M on t h l y C o n t a i n s S t or i
A ti l p Li t t gi
15 .
. .
ph y d T a b l e T l k b y S Y L V A NU S U R B A N
,
r c es u Bi on e r a ur e , c e nc e . o g ra dA t , an r . an a
.
. 25. e
T h e D e a d H ea r t .
For L ac k of o d. G l
G i b n ey S e n t e n c e d l C r o w n 8 vo c l o t h
(S o m e r v i l l e ) 6d .
, , .
be r t s S ) O r i g i n a l P l a y s I n 3 Se r i e s po st 8 vo 2 5 6d e a c lt
k d W l d dG l t
. . . .
, .
Th F I R S T S E R I E S
e ti n T h W i Pyg m l i Ch i t y Th P i
c on a s e c e or a o n an a a ea ar -
e r n c es s
Th P l f T t h T i l b ) y l l th
t G r t l D l D T m C t
e a ac e o ru r a ur o an e.
T h S EC O ND S E R I E S B k E g g d Sw t h t '
e : ro en e ar s n a e ee ear s e c i en au r uc e o o
Pi f T h S T h Pi t f P
na o r e e orc e r e r e r a es o e n z an c e .
Th T H I R D S E R I E S C m d y d T g d F g g t y F i y R t
T h Y m f t h G d T h G d l i
d G il d
'
t
'
e an
i d T h M ik d
: o e an ra e o er s a r ose n c r a n z u ens c rn
P ti P i a enc e R di g
r n c e ss a e a o u or e e eo en o e ua r o on o e rs
T h e M o un tb
e anks U t opi a .
lg b t O i gi l C m i c Op r w i tt b y w 5 G I L E RT T S
na o i ,d m y 8 l th 6
er a s r en B wo e r es e vo . c o
Th FI R S E RI E
.
t f T h Pi t
. . .
,
l d T h M i k d
h i Th S Pi i P
th P t i P i
e ac e ST S c o n a ns : e o rc ere r na o r e e ra e s o e n z an c e
i l T i l by
.
o an e
D k
a e nc e y r nc e ss a e a o r a ur
T h S E CO N D S E R I E t d l T h G Th Y m G d
.
e i Th G i S c on a ns : f th e on o ers e ra n u e e eo en o e ua r
H i E x ll syU t pi Li m i t dR dd i g T h M t b k
c e e nc o t h W dd i g
a. e u or e e oun e an s a st e o t e e n
d S lli B i th d y B t ti f E y D y i t h Y l t
.
I
Th e G i l b t er k
an u van r a oo : no a ons or ve r a n e e a r , se e e
f m Pl y by W S G I L B E R
ro a sM i by S i S U LL IV A N C m pi l d b A WA T se t t o us c r o e y L I-2x
'
l 0 1
R y l om l t h 6d
. . . .
o a r o. c o . .
G i l b e r t (W i l l i a m ) J a m es D u ke C o st e r m on g e r . P o st 8 vc .
i ll t t d b
,
us r a e d o ar s,
Th e G l de n o b R oc k W i t h a F ro n t i spi e c e y S T A N
C w 8 l th x t 6d W OO D LE Y ro n vc . c o e ra ,
l Ya s C w 8 l t h 6d
. . .
K oo t r n ro n vo c o
l f m t h e V o i d W i t h T w l i ll t t i b y M NI S B ET C w 8 l t h 6d
. . .
Ta es ro e ve us r a o ns ro n vc c o
W i t h 8 i ll t t i b y J S C R O M PTO N R J L g w 8 l th
. . . . . .
M a x Th r t o n on us r a o ns ar e c ro n vc . c o g ll
l th g il t t p
. . . , . .
dge e s, c o . o .
G l e n n y (G e o r g e ) A Ye a r s W o r k i n G a r de n a n d G r e e n h o u.
P r acti l A d ica t t h M g m t ft h Fl w F i t d F m G d P t 8
v c e as o e l l ana e en o e o e r. ru . an ra e ar en . os vc . rs .
: c ot i ,
G o d w i n (W i l l i a m ) Li v e s o f t h e Ne c r o m a n c e r s P o st 8 v c c l . . ,
C H A TTO dr W I ND U S P tl b i i S II e p St M a r t i n s La n e L o n do n W C
'
lo , l l l . . . . .
G r e y (S i r G e o r g e ) Th e Ro m a n c e o f a P r o c o n s u l B e i n g t h .
P l Li f d M m i f S i G E O R G E G R E Y K G B By JAM ES M I LNE Wi th P t i t S E CO N
e rso na e an e o rs o r . . . . . or r a .
Ha i r , Th e : I t s Tre a t m en t i n H ea l t h W e a k ne ss , . a nd Di sea se . T r an
Eure k a .
Vol I O M LE E O E I A L
C P T P R A
T C M A I O RK
A ND D tt l l t
T C W S t t
W i h S ee p a e Po r r a i
'
O A R I G A
M O H EM I A A E R ME R I EGE
-
. . . .
II T H E L U CK O F R N C P B N P P S A C AN L ND.
A LE A E R K E H E
.
III T S O F T H E A R G O N A U rs E ST N S
'
TC S
G A R I EL O R O Y O R I E O E E OV EL
. .
1V B C N V ol V S T S C ND NS D N S. &c
A LE A I F I L O E
. . . .
.
VI; T S OF T H E P C C S P
A LE A I F I LO E t t by J O H E I E
u
it
.
ii W h Por r ai
O
V II T S O F T HE P C C S P N P TT . R A
I I I A LE I E Y RE
. .
. .
V T S O F T HE P N AN D T H E C P S S.
U EYE
.
IX
1
B CK A ND CH A P P A R E L
A LE RA I L
.
O
.
X . T S OF T A ND T W N. & c .
P t i t f t h e A th 40 Hi ll :
'
or ra o u or and
lS CS.
"
Cr o w n Bvo, b uc k ral n.
t op. n et ; l th
oa e:
g il t dge es, n et .
I no .
h a do w .
G a b r i e l Co n r o y
ll t t i b y S T ANLE Y L W OO D
.
A W a i t o f t h e P l a i n s . W i h 60 I u s ra o n s t
G ld ll t t i b y S TA NLE Y WOO D
.
A W ard of t h e t
e n G a t e . W i h 59 i u s
.
o ra ons
'
r 4
l th xt 6d h c o e ra . e ac
l W i t h F t pi d Vig tt b J A C H R I S TI E
. .
B u sy : A N ove ron l s ec e an ne e
W i t h 47 I ll st t i
.
d th
. . .
B al l y by W D L MO ND u ra o ns an o e r s.
T h e B e l l R i g e r o i A n ge l w i th I ll t t i b y D U D LE Y H A R D Y d th
. .
- n & s, c us ra on s an o er s
e : A St y f th A m i W i h Ei g h t i ll t t i b y A J U LE G OO D M A N
.
Cl a e r n c or o e e r c an ar . t u s ra o ns
W ith i ll t ti b A F O R E S T I E R PA U L H A R D Y &
. .
B a r k e r s L o lr a
u r e. us r a on s c.
D vi l s F r d &
.
Wl t h
.
. .
e o t i pi b
c.
~
H O E R E NDa ron s ec e v~ V
T h e Cr s a d e o r t h e E c e l i or Wi t h F t i i b y I B E R N A R D P A R T R I DG E
.
v
. .
u
x s a ron sp e c e
y T H i ll W t h 8 I ll t t i by J G U L ICl i
.
t n e r s 3 r T h B ig S t i k
. .
Th ee P r ar H o e r e on e av r ee l u s ra o ns
W i th F t i pi b y G P 1 ACO M B HOO D
. . . .
Ta les f T il a d T w
o ra n o n . ro n s ec e . .
-
.
n e w Co n dens e d N el s : B u l e sq e
g ov l ll s.
C w 8 l th h ; pi t l th t b k
- o
ro n vc c o h e ac c u re c o a ac e ac
e l s Co d ed
, , , ,
.
T h e L o ok o f R a i n g C m p d S e n sa t i on N
o r a e an ov n ns
A S a p ph o of G r e e n B p m s l C l e l S t a r b t t l C l i en t
, .
l P o t e g e e f J ac k H u m l l n l
'
r o on o e s
i ll t t i
. .
r With m 0
'
. nu e ro u s us r a ons.
P t b o il l t t d b o
e d h os v us r a e oa r s. or e ac
l Ca l i for n i a n S t or i e l
. . .
A n H ei r e ss o f R e d D o g 4 T h e L u c k f R a ri g Ca m p
. i
o o n .
P ts i l l t i at gd b o ds h : l th
'
6
- u n p
os vc , us d" ar as . eac c o 33
'
ca
"
. .
i
Mu n . i A P h y l li l oi t h e S i er r a s.
CHATTO W I NDUS , P u b l i sh e r s. I l l St . M a r ti n s La ue . L on don . W . C. l
Th e L es se r E vi l .
Ha r dy (Th o m as ) U n de r t h e G r e e n w .
e x tr 6d i ll ust t d bo a ds
a, c l o t h li m p
. 6d A ra e r . . .
-
Ha w e i s (M r s . H . B oo k s b
Th e A r t B eau t y . Wi th l
Co o ur e d r on spl e c e an d 9 : I us ra i ons S q uare 8 vc . c o h M s .
of 6: F ll t t l t
t l ll t t l th
.
Th e A rt of D
ec o r a t i o n . Wi h Co oure d F r o nt s p l ec e a n d 7 4 I us ra i ons S q Bvo . c o
t P l th
. .
h l t t v
. . .
f o r S c h o o s . W xt h t h e S o r y o f h i s T i m es a n d h is Wor k A Ne w Edi i o n. r e i se
.
C a u c er
t F t p l th
.
Wi h a r o n i s i e c e e m y 8 vo . c o 6d D
t ll t l w l t h xt
, . .
Ch a u c e r f o r C h i l dr e n . W i h 38 I ust ra i on s (8 Co o u re d) C ro n 4t o , c o e r a , 6d . .
Haw t h or n e (Ju l i a n )
Cro w n svc , c ol th 8va i ll t t
us r a e d b oa r ds. h eac
W i th F
u
Gar t h
. .
B e a t r i x R a n do l p h l ll t m
I
ou r us
s D i s a p p e ar an c e
. .
F o r t u n e s F ool . D a v l d P o l n de x t e r '
.
Ca m e r a .
H m Oa dogn a . L o we a r a. N a me .
S e b a s t i a n Em m a. Cr own 8 vo . c l th
o , 6d.
ea l
Cr o
e c k e t h or n ( C .
L o n do n S o u ve n i rs
I v an de B i r on : A
He n de r so n (l sa a c ) . A g at h a P a g e : : A No ve l . Cr . 8 vo . c l .
, 35 6t .
l t
a ed H U R R A N S OM C w 8
b y ART l t h xt . ro n vo . c o e ra .
He sse - W a r t e gg (C h ev a l i e r Er n st vo
th e P pl eo e. Wi th 22 I ll t t i
us r a on s . Cr o w n 8 vo . c o l th ex tr
o l i da y , W h er e to f or By E P S H0 LL, S i r H M AXW EL
JO H N W A T S ON gANR B AR Lo w M A RY L o va r r CA ME R O N JU S T I N H M CCARTH
o a. . .
t
. .
M P
B ar ' '
d C F G O R D ON CU M MI N G Cro w 8 lot h 6d
. .
. . .
,
.
.
, , , .
an . . . n vc . c , .
m C HATTO a W I NDU S P u b l i sh er s . m St Mar t i n s La n e Lo ndo n W C
-
, . .
. , .
Ho l m e s (O l i v e r W e n de l l W o r k s b y
Th e A u t oc r a
lim 6d
t rt h B
A .
o
t h Ed t
ki
no
) T bl
8
e
l th
I ll t t d b y J G O R D ON T H OM S ON
er
r oe
i i on ,
esP t8
o st
,
-
a
vo . c o
e. us ra e
.
. . os vc c lo
t T bl
.
Th e u t oc r a t i th B o k e d Th P fe s
rea t th B kf t T
an - a e an e ro s or a e re a as - au
I n O ne o V l P t 8 h lt b d
. os vo . a
'
o
oun ,
Ho p k i n s (Ti g h e ) N ov e l s b y .
F o r F r e e do m C w 8 l th 6 w . ro n vo , c o . .
Cr o n 8 vo c o . 6d ea c w l th h
L v th l v
. . .
Tw i x t
o e and b ut W i a Fr o n t i sp i c c e T h e I n c o m p et e A d e n t u r e r
g th ll t t G R GOR
.
l
.
Th e Nu e n t s o i Ca r r c o n n a . I N e l H a e n de n . W i 8 I us ra i o n s b y C E .
Ho r n e (R He n g i s t ) 0 r i o n
. . : An E pi c P o e m W i t h P h o t o g ra p
P t i t b S U M M E R S T t h E i ti l th xt
.
o r ra y . en d on . C ro w n 8 v o . c o e ra.
gi lt t o p,
Hu go (Vi c t o r ) Th e O u t l a w
. of Ic e l a n d (Ha n
lt
a ed b y S ir GI L B E RT CA MP B E LL C w . ro n Bvo . c o l th .
Hu m e (Fe r g u s No v e l s b y .
T h e L ad rom f
o w h e r e . Cr o w n l th
8v c . c o 6d pi t c u re c o l th (l a
w l th
, .
.
T h e M i l l o n a i r e M y s t e r y . Cr o n c o 6d
gLg w l th g i lt t p
. .
T h e W h ee l i n i h t C r o n 8 vo . . c o . o .
Hu n ge r f or d (M r s . ,
C w 8 ro l th x t
n r o. c o e ra,
l M a i de n A l l o r l or n . F
I n Du r a n c e Y i l e .
er el v .
A l o d e r n Ci rc e.
p l L
A r i s a dy .
Cr o n sy o . w c o l th xt e r a. 6d e ac h
g I Lo v i c e
. .
A n A n x i ou s M o m en t . I Th e Co m i n of Ch l o e . i A P oi n t of Co n sc i e n c e .
Hu n t (M r s A l f r e d) , Nov e l s b y
. .
C o w n 8 o c l o t h e x t ra
r 6d e a h p o t 8 c i ll ust ra te d bo ar ds
v c s v e ac h
Th e Le a d e r: Ca s k e t
. . . . . .
I S e l f Co n d e m n e d . Th a t - . O t h e r P e r so n .
I r e. Ju l i e t . Cr o w n 8vo . c o l th x t e ra . 6d .
ti o ns. Cr o w n 8 vo . c o l t h xt e ra. 6d .
Hy dr o p h o b i a An A cco un t o f M P A S TE U R S S yst e m T h e T ec h n i q u
'
N AU D
.
his M e th o d, a n d S t t i ti
a s cs . By R E S U Z O R. M E Cr o n 8 vc , c o e . . w l t h xt ra.
I m pr e s si on s (Th e) o f A u r e o l e P o st 8 v o c l o t h 2 s 6 d . , . . .
P a u pe rs C ro w n 8 vo I S cl ot h
I n do o r B y O NE O F T H E M
. .
, . . IS
l nman (H e r b e r t ) a n d Ha r t l e y A s p de n Th e Te a r of .
In M em or i a m : V e r se s f or e ver y D a y i n t h e Ye ar S e l e t ed c a
L U CY I DLE Y
.
a r ran g e d by R . S ma l l sq u a r e 8 vo . c o l th . 6d . ne t : l th
ea er, 6d net .
PE R C VA L G R AV
E P t 8 l t h l i m p 6dES . os vc . c o . 2r . .
Ja m e s o n (W i l l i a m ) My . De a d S e l f . P o st 8 vo, cl o th ,
25 . 6d .
Ja pp (A l e x . H . ,
Dr a m a t i c P i c t u re s. &c . C r 8 vc . c l o t h .
.
CHATTO 6t W INDUS , P u b l i sh e r s, I l l
'
St . M ar t i n s
La ne Lo ndon W C . . . .
t r3
Je ff e r i e s (Ri c h a r d) B oo k s by , .
Th e O pe n A i r P t8 l th M . os vo , c o . .
C w 8 h t l t h li h
r
b k m ro n vc uc ra e ac pos 8 vc , c o tn e ac
L o n do n L F i e l ds
. . .
Nat ur e n ea r . Th e to or th e .
A l
so . t h e L AR G E T Y P E F I N E P A P E R E D I T I ON of Th e L i te of t h e F i e l ds. P tto 8 vo, l th
c o
lt t p t ; l
g
.
ith o , ne ea
.
er. gi lt e dg e s. ne t .
T h e E l gy f Ri h u o o c ar d Je e r i e s. By S i r WA L I E R '
B ES ANI '
Wi t h Ph t a o og r a ph P t i t o r ra
C w 8 l th xt
. .
ro n y o, c o e r a.
Ho u s e h o l d H o r t i c u l t u r e : A G o ss i p b t Fl w
a ou o e rs I ll t t
u s ra e d.
Je C o u n t r y Li f e
l w
i se (Eti )
ardS c e ne s . a nd O c c u pa t i o n s of a .
5 8 vo , c ot l mp I , ar ..
Jo nso n s (B e n ) W o r ks W i t h No t e s Cri t i c a l a n a t o ry
. and E x pl an d
B i g ph i l M m i b y W I LL IA M GI FF O R D l U NN I N G H A M
.
a o ra ca Edi t
e o r e d b y Co one C l T h r ee Vo s l
w B l th x t h
. . .
c ro n vo . c o e ra . e ac .
o a r ds.
La m b (Ch a r l e s) Com p l e t e W o r k s i n P r o se a n d V e r se i n c l
s
P t y f Ch i l d Edi t d w i t h N t d I t d ti
,
d P i D by R H S H P
oe r or re n an r nc e o r us e o e s an n ro uc on . E
H E R D W i t h T P t i t d F i m i l f t h E y R t Pi g C w e l th
. . . .
wo or ra s an ac s e o e ssa on oas ro n vo . c o
T h e E ssa y s o f E l i P t 8 h lf l t h
. . .
a. os vc a c o 2 s.
Li t t l e E a y s : S k t h t b y C H AR L ES L A M B l t d f m h i L tt b y PE R CY
-
d Ch
. .
ss e c e s an a r a c e rs , se e c e ro s e e rs
R M AT .
I4 C HATTO a W I NDU S , P u b l i s h er s. I l l S t. M art i n '
s La ne Lo n do n W C
. . . .
Le h m a n n (R .
Ha r r y Fl u d er at C a m b r i dge , and Co n
v er sa t i on a l H i n t s f o r Y g Sh
ou n o ot e r s. I O W ll
'
8 y o. t um e d i n -
v
c o e r, c o l th . rs . 6d .
Le i g h (He n r y
C ar o l s of C oc k a y n e P r i n t ed ca b an a m a de -
p p
.
a er. b ou nd i n b ck
u ra m.
R h oda R o b er t s.
J u da h F y e c r of t , P ur i t an .
nt on E. (v Ly n n ) , W o r ks b
An Oc t a e of F r i e n ds . Cr o w n 8 vo . I o th , 6d .
Th e On e Too M an y .
Th e R eb e l of th e Fam i l y .
W it ch S t o r i e s.
E TI D I ON
, in o ur F Vl
o s , c r o n 8 vo , c o e r a. w l th xt
e a c h A n d t h e J B EE E T i U IL D I I ON w t h an
v t l l w l th x t h
. ,
A p e n di x o f E e n s t o t h e e n d o f 1 88 6 . i n T w o V o s a rg e c r o n 8 vo . c o e ra 7 r 6d e a c
f l th
. .
bl
.
D
. . .
f
.
A H s t o r y o f O u r O w n T i m e s , V ol V , rom 1 88 0 t o t h e ia m o n d Ju i e e IDe m y 8 vc . c o
xt l th
. . .
e ra. o r c r ow n 8 r o. c o
t h e Di am o n d Jub i l ee
,
A H i st o p O u r O w n T i m e s , Vol V I ,
of from 1 8 97 , t o th e A c c e ssi o n oi
w l th
. .
De my 8 y o , c o ,
,
K i ng E a r d V II
l th xt
Al so H EAP
.
A S h o r t H i s t o r y o f O u r O w n T i m e s . O ne V o l . c ro wn sr o , c o e ra, a C
P OP U L AR D I I ON p t l t
.
E T os 8 vc c o h IIIn p 23 6d
th P t t l th
. .
,
l
. .
R e m i n i s c e n c e s . Wi a or r ai T w o V o s de m y 8vo, c o ,
l th
. . .
T h e S t o r y o i a n I r i sh m a n De m y 8 V O . c o . [S h e r ri] .
h
.
d o ! mp 23 e ac u
Vi t h ll t ti
. .
\ 12 i us r a on s
S eas o n
Wit h I ll t t i
.
1 2 u s ra o ns.
it h a F t
o r u ne .
I T h e R i dd e R i n l g .
l th xt
c o e r a.
M c c a rt h y Ju st i n Hu n t IY) . W o r k s by .
Th e F v tt t bl F l d my 8 l t h
'
ch r en e i o n . (Con s i ue n Asse m y . 1 89 9 0
ol u t -
ou r Vo s e vo , c o eac h
l w l th
. ,
A n O t li
.
u ne o f t h e H i s t or y o f I r e a n d . Cr o n 0 Is c o 6d
la n d S i kth h t w 8w l t h
, . . .
I re n c e t h e U n i o n : S e c e s o f I r i s H i s o ry . 1 7 98 -
1 8 86. Cr o n o, c o .
li mp . t s.
CHATTO 6t W I NDUS , P u b l i sh ers. III S t M art i n
.
s La ne. Lo ndo n , W . C.. I
Ma c Do n a l d (G e o r ge , B oo k s by .
W o r k s o f F a n c y a n d I m a gi n a t i o n T V i 6 l t h g i l t e dg es i c l ot h ase an e n o s. , I I no . c o n c u
l t h t 6d h
. . . .
th V l m s m y b h d i G li
.
e o u e
p t l a e a se a ra e n ro er c o a e ac
I W I T H I N A ND W I T H O U T H E H I DD E N L I F E
. . .
V l
I I T H E D IS G I P La T H E G OS P E L W OM EN
o
B OO K O F S ONN E TS O R G A N S ON G S
. . .
I I I V I O L I N S ON GS S ON G S O F T H E D A Y S AND N[ C H I S A B OO K O F D R E A M S
-
. . .
ROAD S I DI
P O E M S P O E M S F O R CH I LD R E N
. . .
I V P ARA B L ES B A LL A D S S COT C H S ON G S
.
V V I P H A NT A S T ES A F i R m V l V I I T HE P O RT E N T
. . .
T H E G IA N T S H E AR T
ae r e o an c e o
V I I I T H E L I G H T P RI N C E S S S H A D O WS
. . : . . . .
'
I X C R O S S P U R POS E S T H E G O LD E N K EY T H E CA R AS O Y N L I TT LE D V LI G H T
. . .
X T H E C RU E L P AI N TE R T HE W o w 0 R I V V E N T H E CA S TL E
-
T H E B O K E N S WO R D S
. . . .
'
T H E GRA Y WO L F U N CL E CO R N E L IU S
-
. .
.
. .
? h a n t a st e s : F
A ae r i e R om an c e W i 2 5 I us r a i ons b y J B E th ll t t LL C w 8 l t h x t ro n vc c o e ra , 6d.
vl w l h xt p t 8 i ll t t d b d
. . . .
l e a t h er a n d S n ow A No e Cr o n 8 vo , c ot e ra . 6d os vo , us r a e oa r s.
ON D D I I N l th xt
. .
M az r eg or (Ro b e r t ) P a st i m es . an d P l a y e r s : No t e s on F pu o
G P t e l t h l i m p 6d:
un e s. os vo . c o .
M g i c La n t e r n , Th e , a n d i t s M a n a g em e n t I n c l udi n g f ul l P r a c t i ca
g ti B T C H E PW O RT H
Ir a c o n s. W i th I
y . C wn 8
. r l th . 10 ro y o, I . c o . 6d .
M a l l oc k W o r ks b y .
Th e N e w R e u c p bli P t 8 l t h 6d ; p i t b d ; os vo . c o c ure oa r s
d V i gi i P iti vi m I l P
. . .
Th e Ne w P a u a n l d r n a : os s o n an s an . ost 8 vc . c l o t l I.
.
6d .
M a r l ow e
s W or k s . c
I n l u di n g h i s T ra n s l a t i o n s E di t ed, w i t h N t e o
t ti l CU NN I N G H A M w S l th xt
.
an d In r o duc o ns, b y Co l on e . Cr o n VO . c o e ra . 6d .
bo a r ds,
I6 CHATTO cr W I NDU S , P u b l i s h er s . I II St . M a rt i n s
'
La ne Lo ndon W C.
. . .
M e a de L T [ No v e l s by . . .
A S ol er o f rt u n e. C ro w n 8 vc . c o l th . 602 : po s 8 vc . i t ll tus ra t ed bo ar ds ,
An Ad ven t u r e s s.
In a n i ro n G ip r . Th e Bl ue Di a m on d .
Th e S ire n . A S t u m b l e b y t h e H ay
T h i s Tr o u b l e s o m e W or l d .
M e r r i c k (Le o n a r d) , No v e l s b y .
Th e M a n w h o w as G o o d P ost 8 p t ure b oa
. vo , ic r ds.
Th i s S t a ge of F oo l s .
Cr o w n 8 vc , l th g il t o e ac h
lP
c o
O n ly a N i gger
. .
. I h e B e l t o r t l c t Cu l b en .
h ex t 35 ra , .
S T A N L EY L W
Fa n n i n th F ti p i AN L Y L W OO D
.
R e n sh a n r {
s Q u est Wi a ro n s ec e b y ST E
ph
. . .
T h e Tr i um of l i e ry B l a c h l a n d .
eac h .
L . \ VOO D .
B av i l a n d s Ch u m . C ro w n 8 vc . c ol th , gi lt t o p.
M o]
33 .
M u r r a y (D C h r i s t i e ) , No v e l s b y
. .
C w a l th x t ro h p t 8 o i ll
n vo , c o e h
r a, eac os r t t
us r a e d bo a rds e ac
A M o de l F a t h e r s Li t t l e G i r l
. . .
B b M rt i o a n
'
s R ve ge s
. .
O l d B l a z e r s H er o Ti m
e e n
Cy n i c F o r t u n e
. .
F t p A W ast e d C i m e r on i s r
B y t h e Ga t
. . .
f t h e S ea I Di r e t P e r i l e o . n s .
He t s. A Bit f H um N t re Mo nt D a ir u u es
A C p f l pN a i l s
ar o an a
t P e so n S i g l
. .
Fi rs r n u a r. a u o .
T h e M a k i g o f a N o v e l i st : A E xp i m t i A t b i g ph y W i t h
n C ll ty p P t i t
n er en n u o o ra a o o e o r ra .
b k m
.
8 vo , uc 6d ra
t e m p r r i es i n Fi c t i o C w 8 b k m
. .
In C 6d n uc ra
H ?5 O w n G h o s t
on o a ro n vc
C w 8 l t h a 6d ; p i t l t h fi t b k
. . . .
. ro n vc , c o . r. . c u re c o , a ac ,
C w 8 l t h cd h
ro n vo c o e ac
T h i s L i t t l e W or ld M i l li
. , . .
I A R e f I Th e Ch u r c h o f H u m a n i t a c or o n s.
W it h F t i pi b y A RT H U R H OP K I N S
.
T al e i P o s e a n d V er se
s n r a ro n s ec e
A Ch f C tl B t h l d
. .
Y i l d i t h C im
'
. r on c e o as e a o an o e r ea .
D e s p a i r s L a s t Jo u r e y
n .
J se p h s C a t
o
P OP U L AR E D I T I ON m di m 8 6d
o . . e u vc . .
M u r r a y (D C h r i st i e ) a n d He n r y He r m a n No v e l s by
. , .
O e T a ve l l
n r R et s er ur n .
M u r r a y (He n r y ) , Nov e l s by .
Pos 8 vot c o l th cd h
e ac
G a m e of S on g
. . . .
A Blu . I A of S i x pe n c e.
C H ATTO a W I NDU S M a r t i n s La n e . Lo n do n , W
, P u b l i sh e r s . Il l St . . C. I
Mor r i s Re v.
( W . M e r e di t h ,
B r i t i sh Vi ol i n -M
C l a ssi c a l an d M de r n o . W it h nu me r o us P o rt r ait s, Il l u st ra t i o ns, a n d Fa c si m i l es o f L a be l s.
l l ddo c k (J S t o r i es by . C r o w n 8 vo , Cl o t h . 35 6d . . eac h .
Y W OO D
.
B as i e t h e l J e st er Wi t h F r o i pi
nt s ec e b y S T AN L E
o hi l ol d l
.
.
Y o u n g: L c n var. Th e G en I do .
T h e D e a d M a n s S ec r e t . I Fr om t h B om ! t h De oo o e e e p.
o
S t r i e s W e i r d a n d W n de r o fu l P o st 8 vo . i ll ust ra t e dbo d lo h d
ar s. c t 6
o o I ll io Y L W OO D o
. . .
M ai d M ar i a n a n d R b i n H od . Wit h : 2 u st r a t b y S AN
ns T LE . . Cr wn ar
Ni sb e t (Hu m e ) , B oo k s b y .
Ba ll
U p Cr w n 8 vo c t o lo h x e t ra . po svc ,
st
.
.
D r B er n a r d S t . V i n c en t
.
. P o st 8 vo . i ll u st r a t e d b
No r r i s (W . No ve l s b y . Cr ow n 8
i c t u re b oa r ds. e ac h .
ai n t Ann s
. B i l l y B el l e
M i ss W ent w or t h s I de a . Cr o w n 8 vo . c lo h t , o:
Oh n et (G e o r ge s) , No v e l s by . P o st 8 v o , i l l u s t r a t ed b oa rds. e ac h
D o to
c r a ea u. l A La st L o v e.
L o v e s D e t h p s. of li l y -t or y .
o lo h g il
, c t . t t op ,
Ol i ph a n t No v el s b y . P o st 8 vo il l ,
Th P r i m r se P a t h .
e o l Th e Gr ea
W h i t e l e dl e s . Cr w n 8 vo , o lo h i h I ll c t w t 12 ust r a t i o ns b y A RT
6d po st 8 vc . pi bo d c t u re ar
,
s.
o C o lo h 6d
.
Th e S r c er ess. 8r wn vc , c t , .
O r r o c k (Ja m e s) , Pa i n t e r , Co n n o i s
W EBB ER I n T w o H an ds m e u m es , S m a o i o , I ll o Vol ll f l
l po
.
P at es an d a p ro fusi on o f D r a w i n g s r e r du c e d i n
L I NT O N. P R I P r i c e i n b uc k r a m g i t , Te n G u i ne a s
. . . , l
A Dog of F l a n de r s . I n M a r em m e . W and
T r i c ot r i n P a s oa r e l . S i g n a. B i m bi .
h o h ho o h
.
Strat m r e C an T w o W o o de n S e s. F r e sc es. l O t m ar .
l
.
C e c i Ca s t l e m a i n e s I n a W i n t e r Ci t . P r i n c e ss N a p r a x i n e .
'
y l
.
U n de r T w o F l I. A r i a dn e . I F r e n dsh i p . G u i l de r o y . R u f n o.
Pu c k . I do l A V i age C m m u n e ll o T w o O f e n d e r s. f
Fo F oh l
.
l i o - ar i n e . M t s P l p l s t l e l l o o S a n t a. B a r b a r a .
P OP U
U n de r T w o l ags l F .
By r l ln Cr w n 8 vc c t , 6d o
p st 8 vc i c t u re c t lo h
a t b ac k i ust r a t e d b ar ds. o p lo h ll o
of lo h o
. . . . .
,
Th e W a t e rs E de r a Cr w n 8 vc c t 3r od i c t u r e c l o t li . a t b a c k 25
o h o l f o of U D YD Y
.
O
, .
W i s d m . W i t . a n d P a t s , se e c t e d r m t h e Wa r s
. , . .
O I A b y 14 S M R R IS
C
NE Po
l h x ED O i ll o . .
Pa i n ( B a r r y ) El i z a .
s Hus
c lo h t . r s. 6d .
B A R T LE F R E R E . P o st 8 vc , i ll ust r at e d b o a r ds,
o
I nt r du c t i o n an d N o tes b y T M C R I E D D. . . . P o st 8 vo . h lf l
a c o t h . 2x
ti o ns b y C R S YK Es . . . C row n
I 8 C H ATTO '
6t W I ND U S , P u b l i sh e r s , I II St . M a r t i n s La n e Lo n do n W C , , . .
st 8 vo , i ll u st r a t e d b o a r ds. e ac h
o l
.
L s t S i r M a s si n g b e r d. F a m i y S c a p egr a c eo Th e
o
A C u nt y Fam i y l R ll o
i g of
T a sk s
l k Th e n o
. .
o
.
B Pr x y I F o r Ca sh O n l y . T h e M s t o r y o f M i r b r i dg e .
ll
.
Ii h 8 i r i t s. T h e nd a n d t h e W i .
A o n de n t i a l A e n t W i t {2 I ll ust s Th e B urn t Mi i n.h
ll o
ho o
.
p f h
.
A G r a e r om a r n . Wit B u n n y S t r i e s. A Tr y i n g P a t i en
~ -
P st avo i u st r at e d b a r ds. e ac o ll I o h
o o F o ol
.
H u m r ou s St r i es. I r om E x i l e . F u nd D e a d. G w e n d i n e
s H a r v es
o o h
.
T h e F st e r B r t e r s . Mirk Abb e A M a r i n e R e si de n c e .
h T h e Ca n n y o
.
M ar r i e d B en eat Him 3 ar d
o l oo
.
W
.
B e n t i n c k s T u t r . I W a t e r s or d. N ot W e d, B u t W o n .
A P e r e c t Tr e a s u r e . T w o H u n d r e d P u n d s R e w a r d. o
Li k e h
at e r , L i k e S o n . Th e B e s t o f H u s b a n d s i
o l h
.
A W m a n V e n g e an c e . H a v e s. W a t H e Cos t H e
C a r l y o n s ea r . C e c i 's T r y s t . l
F a e n F r t u n es K it l Mem r y . ll o o
ph lo o l
.
M ur y s M a st e r
A t H er M e r c y . U n de r O n e R o o t . G w - w r m Ta e s
l loo
.
T h e Cl y a r d s o f C y ne . A P r in ce of t h e B d.
B o rn e P r i v a t e V i e w s .
Wa lt er s
W a rd . P OP U LAR E D IT I ON , m e di um 8 v c , 6d .
Pe nn e l l - El m h i r s t (Ca pt a i n Th e B es t of t h e Fu n . Wi
Ph l p s (E S t u a r t ) , B o o k s by
g
. .
ayo dt G n he a t es. o p
P st 8 vo . i c t ur e c ve r , r s c o lo h t 6d
h ll D
.
o lo h
. .
J k th
ac F e is er m
a n . i ust ra t e d b y C. . R EE . W Cr wn 8 w , c t , r s. 6d .
Ph i l M a y
s S k e t c h - B oo k C o n t a i n i n g 5 4 H u m o rou s Ca r t oo n s . Cr o w
f li
.
o o, c lo ht . 6d
.
.
Pl u t a r c h
s Li v e s of i l l u st r i o u s M e n . W i th No t e s a nd a L i fe 0
S ir W ALT E R B E S AN I
an d W A LTE R H . P O L O CK
L . W ith 50 I ll u st r a t i o n s. o
C r w n 8 vo . c lo h il t
t g .
C r w n 8 vc , c t , o lo h h po t 8 b o
6d e ac : s vc a r ds. e ac h
l Ch i t i Ch W i t h F ron t lspiec e b y W
. .
,
O u t a w a n d L a w m ak e r . d. PAG B l
r
s na ar
M r s . T r e g a s k l ss. W i t 8 i ust r at i h ll o b y RO T S U
ns B ER A B ER.
N u 'm n .
Pr i nc e ss Ol g a .
Radn a : A Novel ; Cr ow n 8 vo, c l ot h ex t r a ,
CH ATTO 6t Wl NDUS f P u b l i s b er s, " I S t Ma rt i n La n e , Lon don. W.C
. s . l
Pr oc t o r (Ri c h a r d W o r ks by .
F low er s 0 e 1 th
t Sky W i h 5 5 I ll
ust ra ns tio S m ll
a c r w n wo , c o B lo
e th xt
ra ,
.
o y Ni g h i h Y C o lot h
.
E a sy S t a r e ss n s . t L t ar Wi h S M p f
a s o r e ve r t n t e e ar r wn 8
ro c
Fa mi i a r l c enc e u S i
es S t di
r ow n C
vc . c 8
t e t r a. lo h x , . .
Wi h 3 S l Pl lo h x
.
S at urn an s s e d it Sy t m
t : t ee at e s e D my 8
vo . c t e t r a, 6d
d Sp W i h m o i ll io C o lo h x
. . .
M y st e r i e s o e an f Ti m
ac e t nu e r us u st ra t ns r w n 8 v o, c t e t ra,
W i h m o i ll io lo
. .
T h e U n i v e r se o u n s. c f S t &
nu e r us u st r a t ns C
r ow n 8
vo . c h x
t e t r a.
Wo k C o
. .
W a ge s an d W t anf S i s o c en c e cd r e r s. r w n 8 vc . rs. .
Ri c h a r dso n (Fr a n k) , No v e l s b y .
Cr o lo h
w n 8 vo , c h t e ac
I
o W i h s I ll io by T ,
OWNE
.
T h e M a n w h o L st h i s P a st . t o u st r a t ns OM B R RJ.
T h e B a y s vva t e r M i r a c e l .
,
T h e K i n gs C u n se l . o
dde l l (M r s J No v el s b y
. . .
A R i c h M a n s D a u gh t e r . Cr o w n 8 vc c lo t h
6d
W e i r d S t o r i e s Cr o w n 8 vc c lot h e xt ra po 8 l o
, . .
T h e U n i n a b i t e d H o u se . Fai r W t er .
a
T h e P r i n c e o r W a e s s G a r de n Pa r t y l H er ot h
e r s D ar li
i dl e T l es
n
l
'
.
T h e M y s t e r y i n P a a c e G a r de n s . Th e N u n s Cu r se . a .
Re e de (Ch a r l e s) No v el s
s .
h oh 7 Lo M Li t t l L o
x P eg W o mn g t on ; an d C r i st i e J n ve m L a
e e, ve e on
o bl
. . .
st ne. 8 Th . D M
e i g ou e ar r a e.
2. H a r d C a sh
lo h Fo l Pl y
.
)
Th e s e r an d t h e H ea rt h .
C i t it 3 W : 0. u a
f b
O
P t Yo l f i H i P l ce
.
P re a c e y Si r A LT E R B ES A NT W x x. u u r se n s a
ibl
. r ,
D I t i s N e v e r T oo L a t e t o M e n d. T m pt ti
: 2. A T er r e e a on
U Th e C u r se
I
o of
Tr u e L v e N ev e r D i d o : 3 A S i m pl t o e n
.
oo h 4 A W om
. .
R un Sm t ; an d S i n g l eh e a r t a n d 1 H t an -
a er .
o l f Ji l t d o h S o i
.
D u b e a c e. : 5 Th e d 0 an t er t r es : an 00
J k o fM d ot h
.
.
6. T h e A u t o b i o g r a p l o f a Th i e f : ac St i or es A im l a n an er n a s.
o i a l l T r a de s :
-
H er and a Mar g o 1 6 A P ilo S er t us ec r e
d B i b l Ch
. .
W a n de r i n g
'
tyr ; an d Th e H ei r . x7 .R di ea
; an a te an e ar a c r s.
I n T w e n t y -o ne Vol u m es , po st 8 vc . i ll d bo d
u st r a t e h ar s, e ac
h Jo h o h G i f t h G
.
p eg W o f n g t o n C r i st i e n st n e. H d C
ar as t r a un
Fo l Pl y Hi P l
. . .
I t i s N ev e r To o a t e t o M e n d. I P t
u a lt i u o u r se n s ac
o o ibl T m pt t i o
. .
T h e C u r se o i Tr u e L v e N e v e r D i d R u n A T er r e e a n
h A S i m pl t o l
.
S m oo t . Th W d i g B
e n. e an er n el
T h e A u t o b i o r a b y o f a T i e ; ac 0! h f J k A W om H t an -
a er
J
.
a l l T r a de s an a m e s L a m b er t . S i n g l e h e a r t a n d D o u b l e i 'a c e
o l o o oo o
.
L v e M e Li t t e , L v e M e L n g . G d S t r i e s o f M a n a n d o t h e r An i m al
o l
T h e D u b e M ar r i a ge. Th e Jl
i t , a n d t h e r S t r i es o o
lo lo
.
T h e C i st e r a n d t h e H e a r t h . A Per i u s S ec r et . l R e a di a n a.
L AR G E T P E. Y FI E
N P A P E R E I T I NS P t t 8 vc , D O o c l ., gi t t l o l. ne t e a l h
eat g i t e dg e s l ne t I
is N e
er ,
lo
. .
,
T h e C i s t er an d t h e H e ar t h . I
It v er Too L a t e t o M e n d.
P P L A R E I TI NS m e di u m 8 vc , 6d e a c O U D O h
lo o l Pi a
, . .
'
I t i s N e v e r T oo L a t e t o M o n d. I T h e C i s t e r a n d t h e H ea r t h I u F
o o h h Joh
.
P e g W ni n gt o n ; a n d C r i s t i e
,
n st ne. B ar Ca s . G i l th r G a un t
Put Y
o u r se inlfis P ace .
,
C h i t i Jo h
r s t e Wi h F
n s on e .i i C h o i ly p i d i El i tyl F p 8 h l f Ro x b 6
ro n t s e ce ce r nte n z ev r st e. ca v o. a -
23 .
Ch oi l p i yl F p 8 l l f R ox b g h
: . .
P g W m gt
e o n on . hl i ce y 6d
r nt e in z e v r st e. ca vo . la -
ur e ; 2s .
C lo i t t h ED ON m L U X i h ho o g
. .
Th e d th
s er Han e 6 e ar d IT I a E w t 1 P t r a v u re an
h lf o I ll io by M S m ll lo h i l d g il
.
a -
t ne u st r a t ns AT T p a 4t o , c t i an t to re a
r n et
Al o i Fo Vol po i h o d o by S i W F o i pi
, . .
s n ur I s N
s t S vo , w t d an nt r uc t i n r A LTE R E S A T, an a r nt s ece
h Vol b k m g il p
e ac h
uc ra
,
t to . t e se t
.
B i b l Ch F p l h
.
.. .
e r et t e, r r
'
e t ar ac er s. ca . 8 vc , e at .
i Po
R E L AN D . lo h lim p 6d st 8 vo , c t , .
5. 6d . eac
Ri ve s (A m e l i e ) , S t o r i e s b y . C r o w n 8 vo , c l o t h . 35 6d. e ac h. .
B a r b ar a D er i n g. M a r i e l : A L ve S t r y o o .
o b i n so n Cr u
'
GE O RG E C RU I K S H
W o r ks c l o t h ex t ra ,
Ro b i n so n Ph i l ) , by . Cr o w n 8 vo , ea c h .
T h e P oe t s
i r d s. l T h e P oet s B ea st s.
'
l T h e P oe t s ' n ep t l l es. i sh es. m a i n-ect F
ao C H A TTO 6: W I ND U S , P u b l i sh e r s, J " St . M a rt i n
s La n e Lo n do n W . . . C .
R o b i n so n (F . No v e l s by .
W om e n are S t r a n ge . P t s
os i ll t t db d
vc u s ra e oar s.
C w 8 l th x t t ll t t d b d
.
Th e H a n ds o f Ju s t i c e . ro n v o. c o e ra , 6d po s 8 v o i u s r a e oa r s, 2 :
W om a n C w 8 l th t ll t t d b d
.
Th e i n t h e Da r k . ro n vo . c o . 6d .
p os 8 v o i u s r a e . oa r s.
R o ss (A l b e r t) A S u g a r P r i n c e s s C r o w n 8 vc c l o t h 35 6 d
. . . , . .
Row l e y (Ho n P o s t 8 vo c l o t h 2 3 6d e a c h
.
'
C ll t i f t h B t Ri dd l
, . .
w d
. .
Pu i n a :an Th g ht Wi
or . d Ot h oui s se a n C m er se a o ec on o es e s, onun ru s, ]
S ll with m I ll t t i b t h A t h e
-
e& s. c nu e r ous us r a o ns e u or .
d C ll t i R dd l J k & Wi t h m I ll t t i
. .
M re P
o ia aun A S n : ec o n o ec on 0 i e s, o es, c . nu e rous us ra ons.
R u n c i m a n (J a m e s) S t o r i ,
Sc h ls and Sc h l
oo P t 8 o a r s. os vo
S k i ppe s an d S h e l lb ac k s
r C . ro
R u s se l l (Do r a ) N ,
A Co t r y S w eeth e
un
T h e D r i ft f Fa t e o .
O v e r du e.
w
Cro n 8 vo c o h e r a . l t xt
6d e ac h ; c o l t h l i mp 6d e ac h .
d G
, . .
,
R ou n the alle i r e.
In th e Mi e at c hddl
d
.
Wi e S e a.
li oc k
a
.
o
T h e Co n v i c t S h i p .
Th e L
a st E n t r y .
S ma ll 4t l th o, c o
b y G E R O B B RT S O
.
. .
ai n t A u by n (A l a n by N ove l s
l t) x t 3 cd h p t 8 i ll t t d b d
.
,
C w 8 ro n vo . c o 1 e h r a, ss e ac os va . us r a e o ar s, e ac
l l Fel l o w W i t h N t b y O L IVE R W E ND L I H O LME S d F ti
. .
f T i i ty o r n a o e E an a ro n s ie c e
di t s T H i Ow
. . .
Th e J io D Th e M s t of St Be
un r ean a er ne c o s n a s t er .
Or c h ar d Da m er e l F e f t h e W ld d
. . .
Di a mon
.
i n th Th e T r e m l t t
. e ac o
-
or . e
Th e W oo i n g of M ay .
For t u n es Ga t e .
Mary U nw i n With 8
A
.
S ai nt J oh n (B a y l e ) . Le v a n t i n e Fa m i l y . Cr . 8 vc , cl o t h ,
6
S c o t l a n d Ya r d , P a st an d P r e se n t : E x pe r i e n c e s of Th ir ty -
se v en Yea
B y E x - Ch i e fI
-
nspe c o r t C A V A NAG H . t
P os 8v o , i ll t t d b
us r a e o ar d s, c o l th ,
6d .
x t
E pe r i m en s i n D r a i ng -r oo m w or Wh i te M ag i c '
By W H C R EME R Wi t h gool l l u st ra t i o n s C ro
l t xt
.
. . . .
8 vc , c o h e ra . 6d .
S en ior S t r e a m a n d S e a P o s t 8 vo c l o t h
-
By . , . 6d .
S e r g e a n t (A d el i n e ) Nov e l s b y C r o w n avo c l o t h 6d ea ch
'
. .
] D E di tt s E p im t
, , ,
U de F l
'
n rP et e a se r n c e s. r. n c o x er en .
CH A TTO & Wi NDUS .Pu b l i s h ers ; I l l La ne Lo ndo n W C 2
'
, , . .
S h e l le y s (P e r c y B y ss h e ) C o m p le t e W o r k s i n Ve r se a n d P r os e
Ed i t d P f ed d A t t d by R H E R NP S H E P H E R D Fi V l
re a c e an w 8 l t h 6d l
n no a e ve o s. , c r o n vo . c o e ac
V l
. , . . . , .
P eti c l W
o k s i Th
a o r n re e o s : l
V l l i t d
o ti b y h E di t P t h m F g m t f M g t Ni h l ; S h ll y C
n ro uc
,
on t e or : os u o us ra en s o ar a re c o so n e e
'
s o r rt
p
.
d w i t h S t kd l ; T h W d i g j ; ()
.
s on e nc e M b with t h N t ; Al t oc a e e an er n ew ue c n a e o es as o :
li d d H l P m th U b d ; A d i &
.
d h P m ; R an ot er oe s o sa n an e en : ro e e us n o un o n a s. c
Th C i i J li Ty t ; T h Wit h
. .
11 L d Cyt l m eo n a n d M dd l ; c lli t th a : e el c ; u an a n a a o oo e r an e c
A tl Epi p y h i d i H ll
.
as s c on ; e as
"I P t h m hy ; d th
.
n P .m ; Th M q
os f A
u Pi
ous oe s e as ue o na r c an o er e c e s.
P ros e
V l o . A R f e t
I ELLE
S h e r a r d (R .
R o g u e s : A No v e l . Cr o w n 8 vc , cl o t h , 6d
U n to th e . Th i r d G e n er a t i on .
S i d n e y s (S i r
P h i l i p) C o m p le t e P oe t i c a l W o r k s . With Por t r a
E di t d b y t h R e e V l e v.w 8 l th A . Ii h . C R OS A R T D D , . . T h ree o s . . c ro n vo . c o .
e ac .
S i g n b o a r ds T h e i r H i st o r y i n c l u di n g A n e c do t es o f Fa m o u s T a v e r n s a .
R m k b l Ch
e ar t B y JA CO L A R W OO D
a e d j o N CA M D E N H O TT E N W i t h C l
a r ac e r s. d F B an li o our e ro n
d 9 4 I ll t t i C w 8 l th x t
.
pi e c e an 6d
us r a o n s. ro n vo . c o e ra. .
Si
S t o r i e s.
Th e D a g o n e t R e c i t e r a nd Rea d e r s Rea di n g s a nd R e c i t at i o n s i n Pr o se an d V e r se .
Th e Ca s e ofl B a g n e t D i t t i e s (F m Th R f
Geo r g e ) Ca n d l mY e a s. o . ro e e er ee.
u n g M s Ca n d l e o r . .
H o w t h e P oo Li v e ; d H or r i b l e L d o W i th
r F t i pi b y F B A R NA R D an on n a r on s ec e
C w 8 l t h tt I D a g et D a m a s o i t h e Da y C w 8
. .
ro n vc ea e re e . : 3. on r ro n vc u
l th l t h t ba k
. . ,
R og e s a d Y g a b o ds
u C w 8
n pi t a p t 8
n ro n vo. c o c u re c o a c os vc
ll t t d b d l t h li m p
. .
, , ,
i us ra e o ar s, c o , 2s .
l t h 6d Cr o w n 8 vo , c o e ac h .
W i t h 8 I ll t t i by C H A R LE G
. .
On c e u a Ch r i st m a s T i m en us r a on s S R E E N.
I n L n o s H e a r t A S t y f T d y Al l th b k d
.
o n
i pi t 3 or o o a so n c ure c o at ac A B l i n M a r r i a ge
.2 :
W i t h o t t h e Li m e l i g h t : T h t i l L if L d
.
.
u it i ea r c a e as s. Th e S m a l l -pa r t a y . ac.
B i ogr a p h s o f B by l Li f Pi t f L d M a on 3 e c u re s o on on s
o v mg S c ene s
W it 7 F i mi l
.
Am g My A t g on ph u o ra s. n o ac s e s.
S i st e r Do r a . By M . L O N S D A LE .
4 l l l u st s . D e m y 8 v o , 4d ; , c lo t h ,
6d
S l an g Di c t i o n a r y (Th e ) : E t y m o l o g i ca l , H i st or i ca l , a nd A nec do t a l
w l th x t
.
C ro n 6d
8 vo , '
c o e ra. .
S m a r t (Ha w l e y) No v el s b y .
C w 8 l th h p t8 pi t b dro n
,
vo , c o e ac os vo . c u re oa r s, e ac h
B e a t r i c e a d B e e d i c k I L o n g O d ds With o t L o Li c e
.
n n . . u ove r nce M a s t er of R a t h k el l y
T h e O u t si e r d
Th e P l u n ger . t
Pos Bvo , pi c t u re b d oa r s.
S o m e r se t (Lo r d He n r y ) S o n g s o f A d i e u S m a l l 4to Ja p v e l 6s . .
, . .
, .
S pe n s e r f o r C h i l d r e n B y M H l o w rt Y W i t h C ol our ed I ll ust r a t i on s
. . .
,
by \ V A LTE R J MO R GAN C w 4t l t h x t 6d . . ro n o, c o e ra , .
22 C H A TTO W I ND U S ; P ub l i s h er s, " I S t . M a r ti n
s Lan e. Lon don . W . C .
S pe i g h t (T . No v el s b y .
t
P o s 8 wo, il us r at e l t db d o ar s, e ac h.
T h e M y s t e r i e s o f H e r on D y k e . Th e ou L d
w a t e r Tr a g edy .
B y D e v i o u s W a y s. &c B u r g o s R o m a n c e.
d d F
.
H oo w i n k e ; S a n dy c r o i t M y st e r y .
'
uit tan ce i n ull .
Th e G d
ol e n H oop . B a c k t o b i te . H u s b a n d t r o m t h e S ea .
A B a r r e n T i t l e.
Th e G
r ey M on k . T h e M a s t e r o f Tr e n a n c e.
A M i n i o n o i t h e M o o n : A R o m an c e o f t h e K i n g s H i g h a 1 H er a y sh i p .
wy L d
l
T h e W e b . P u t l
.
Th e S ec r et o f W y v e r n To w er s. Th e D o om 0 ! S i v a .
S t r a n g e E x p e r i en c e s o f M r Y e r s c h o y i e I A ll I t w a s W r i t t e n . . .
S pe t t i g u e (H
S ta g
D
Re d
S t e dm
S t ep h
St y
or
S t e v e n so n (R . by .
sv c uc k r am , g i Cro w n b lt
t F t by LT E R CR A NE
,
T r a v e l s w i t h a D o n k e y . W i h a r o n i sp i e c e
l d it F b y V A L E R CR ANE
.
An In an V o y a g e . W h a r o n is p i e c e \ T t t
l d
.
F a m i i a r S t u i e s o f M e n a n d B o ok s.
M e m or i e s and P o rt r a i t
Prince O t t o.
New b i an Ni gh t s
Ara C w 8 b k m g il t p p t 8 ro il l t t d b
n d
vo . uc ra to os vc . us ra e o a r s,
P O U L A R E D I T IO N m d i m 8
. . ,
w P 6d e u vc
S i id Di m o d (F m N W A R A B I AN NI G H TS ) W
i
Cl b ;
.
. ,
Th e u c d Th
e R J h
u an e a a
a n ro E l
E i g h t I ll t ti b y W J H E NNE SS Y w 8 l th 6d
. .
u s ra on s ro n vo . c o
R a d e : S l ti f R O E R T L o u s S T E V E NS O N E di t
.
t m t h W i ti g
. . .
Th S t
e e v e n s on e r e ec o ns ro e r n s o B r
b y L L O Y D O S OU R NE P t 8 l t h 6d b k m g i l p 6d
B . os vc , c o . . uc ra , t~ t o . .
.
Jo n a t h a n S w i t f : A S t dy
u . By J C H UR TO N CO LL I NS
. . Cro w n 8 wo . c o h l t xt a e r .
CH A TTO 6t W I ND U S P u b l i sh er s . S t . M ar t i n La n e Lo n do n W
'
, Il l s . , . C.. a
S w i n bu r n e (A l g e r no n C h a r l e s) W o rk s l
s
S el ec t i on s f r om t h e P oet i c a l W or k s oi Stu di es i n S on g Cro w n
F dy w
.
A . C S w i nb urne c a p 8 uo M a ry S tu ar C r o n 8 vc t : A T rag e
l d w L w
. . . . ,
A t a l a n t a i n Ca y o n . C ro n sva . Tr i st r a m o f o n e s se Cr o n sva
C h a s t e l a r d A T r ag e y Cro n 8 vo . 7 s d w A Ce n t u r y o f o u n de l s S m a 4t o
.
ll
.
d w ld
. . . .
P o e m s a n d B a l l a d sJ l r S E R t Es A M i su m m er H o i ay Cr o n S v o
i
l d EO dy C w
. . .
P oe m s a n d B a l a s S C ND S E R M i
a r F ai i
ne A T ero ra g e ro n 8 vc 6:
d A S t dy C w
. . . .
P o e m s dt B a l l a s . T H I R D S E RI E S Cr 8 vc f Vi t
u H g o c or u o. ro n 8 vo .
b f w ll i C w
. .
S o n g s e o r e S u n r i se . Cr o n 8 vo ; t or 6 g Mi sc e an e s. ro n 8 vo .
w L i C w
.
B o t h w e l l : A T r a e ol y Cro n 8 vo , : 2 3 cd oc r A T g d
ne ra e ro n 8 vc .
w A S t dy C w s
. . .
S on gs o f T w o a t i on s Cr o n 8 v0 6 r f B
'
u o en o n son ro n va .
G HAP A T g dy C wn
. , . . .
G e o r g e Ch a p m a n (S ee V ol I I of C Th Si t
e s ers : ra e ro S vo .
MA w C w
.
A t
. . . .
N S \ Vo r k s ) ph l 8
'
C ro n 8 vc . 6d s ro e 1c. ro n 8 vc
d w d ,
. . .
E ng a e a n d S t u i e s . Cr o n 8 vo . S tu i i P d P t y C r o se a n
g
es n oe r r 9:
dy w T l C w
. .
B r e e t h e u s : A T rag e C r o n 8 vo . 6 r Th e f S l
a e o a on ro n 8 vo 7 s
l d Q L mb d
. . . . . .
A N o t e o n C h a r o t t e B r o n t e . Cr R osa m un f th u ee n o e o ar :
d w dy C w ,
.
A S t u y o f S h a k e s p e a r e . C r o n 8 vo . 8 5 T r ag e ro n 8 vo .
d w
. .
S o n g s o i t h e S p r i n g t i e s. Cr o n 8 11 0 . 6: A Ch a n n el P a s sa g e . a c . Cr sve ..
Hi st or i c a l Dr a m a s : JE ANNE D ARC
.
"
T w rx r
x
A ND C R O WN
TH FOO L R EV E NG E A W G HT S W I F E A NNE B O
B
'
S
RK RI
' '
LEYNE.
P LO T AN
A IO N w 8
. , .
P SS h
. Cro n vo . e ac .
Th a c k er ay a na A n ec do t e s W i t h C o l o u r e d F r o n t i s
No t e s
'
an d
'
: .
H d d un f Sk t h
re b y W I LL I A M M A K E P E AC E T H AC K E R A Y C w 8 l t h x t
so e c es . ro n vc . c o e ra
Th a m e s A Ne w Pi c t o r i a l H i s t or y of t h e
, By A S K . . . nau ss
W i t h 34 I ll t t i P t 8y
0 l t h 6d
us r a o n s. os o, c o . r s. .
Th o m so n s
S e a so n s
To m p k i n s (He r b e r
F r on ti sp i e c e . Cr o w n 8 vo . c
6d ea ch
EM LE
. .
W K B
AS E R
. .
'
by LOU I LO E B S .
T h e
l
W i th i ll ut t i s ra o ns. (Th e Tw o S b i
l l ll
*T h e W i t h i I ll t t i n us r a on&
*T h e
*Li i e
'
Th e I BL E .
'
A Y
*T h e St o enl W h ite E eph l an t .
Cro n 8 vo . c o h , g i w l t lt t o p, e ac h .
P e r so n a l R e c o l l e c t i o n s o f J o a n o i A r c . . Wi t h T wl e ve i ll t t i
us ra o ns by F . V . D U M ND. O
l th l t t op l l t edg
wo oo e w an ev e on o n vo , c
P st 8 i ll u s t r t d b r ds
.
T l
.
.
a esf th M ri
or e a n e s. o v0 , a e oa ,
T ave n rs
W 4: a on i t h I ll u s t r t i s
S t ri s f D l u si s S p r ti g
. .
En l l sh E c c en t r tc s a n d E c c en t r l c l t l es : o e o e on l m po st u r e s, S eem
c c e n t rtc A . T ea r t i st s h t r i c l l
a Fo k . &c W 48 . it h I ll u s t r t i s a on .
. o n
Ty t l e r (S a r a h ) No ve l s by .
Ill u s t r t b r ds
,
Cr w 8 lot h t r o n vc c ex a, 6d e a c h o st evo , a ed oa e ac h
o
.
.
h Wh t
, .
B u r i ed D i a m n ds . 1 Th e B l a c kh a l G o st s . a S h e Ca m e Th r o n g
i
T h e B r de s P a s s
u
.
t
S a i n M n g o s Ci t y .
T h e M a c d o n a l d L a ss .
G o d de s se s
s .
Th e W i t c - W i l e . h R H o n e y m oo n
e B ol l p l
Cr w o n 8 vo . o , cl th g ilt
t o p, ea c h
Mar k
.
Men I
I
Th of S i r D a v i d s Y l sl t o r c .
'
r ee I I n Cl a r i s s a s D a y .
.
Th e Po t e a nd h is G u
a r d a n A n ge . i l
Vi z e t e l l y (Er n e s t B oo k s b y . Cr ow n 8 vo , c lo t h . 6d . ea c h .
Th e S c o pi o
r n : i t h r t is pi c
A R m an c e o f S pa i n W a
F on o e e
l T h e L o v e r
"
. Pr o m
h l S t ry o f i l :
.
A Path o lo h g il t
o f Th o r n s . C r w n 8 vo . c t . t op .
u o Cur s i ll s w i th u mm ry
-
B l e b e a r d : A n A c c u n t o f Co m on e t h e e d and G e de R as ; a S a of r at i o
l r i ti s Wit h I ll u s t r t i s
T a es a n d T a d o n 9 a on my De lo h
8 vc . c t ,
. ne t . .
W a g n e r Le o po l d ) How t o (l e t o n t h e . S t ag e , an d h ow
S ed t er e
uc ce Cr w 8 cl t h 6d . o n vc . o , .
W a l t W h i tm a n Po e m s b y . E d i t ed , w i t h I n
bu
,
M R O S S E TT X
. . W it h P O r t rai t . o
Cr wn 8 v o . h an d- m a de pp ra e and
W a ss e r m a n n (Li l l i es ) .
Th e Da f f o d i l s
~
. Cr o w n 8 vo . c l o th ,
and S ls
ri t d
ea p P n e on a e r 22 in by u in
War r a n Ex M y csimil Qu El i b th s Slg
. . .
t A Fa e. Inc l udl ng
'
t to ec u e Q u ee n of S c o t s. een za e r
t ur d h G r t S l
e an t e ea ea .
GHATI O 6t
'
W I ND U S , P u b l l s h e r s , . i n St . Ma r t i n
s La n e L o n do n W , , . C . 2
Cr w o n 8 vc cl th o e ac h
k w ul d h
, , .
l o a M a n S a w s. A s Luc o a v e it. T h e S a c r e d Cr e sc e n t :
Th e Ol d B a n k .
Cr w o n 8 vo , cl th o eac h
W om an p i l F or t h a t o m Ci t y
. .
A Tem t ed H i m . N ge e sc u e. Th e P n
o o lo lp h
.
F o r H n u r a n d L i te . B e n C u h . B i r c h Den e. Ra N o r b r e c k u Tr u st .
H er T w o M i l l i o n s T h e Ol d a c t r y (a l o a t ed ) o s A Q u e e r R ain e .
f o of
. .
T w o Fi n c h e s o t S n u f . S ns B e l l a ]. R ed Ry v l n gt on .
h
W i t t h e R e d E ag l e . S t r a n g e Cr i m e s . B o y o r R o y 's Co u r t .
A R e d B r i da l . H e r L a dy a h i p u S e c r e t .
Wh ite G i l b e r t) .
-
Na t u r a l H i s t o r y of S e l b or n e . Po st 8
W
Wi l
W
;
Wi l s o n (Dr An d r ew W or ks by .
W i th 59 I ll u st r t i s Cr w 8 c l t h t r
.
Ch p t l ti
,
s a E er on vo u on 6d 2 a on o n vo , o ex a
S t di W i t h I ll u s t r ti s Cr w 8 c l t h t r
. . .
L i e
e g u im e u e s. a on o n vo , o ex a.
Li f W i t h 36 i ll u st r t i s Cr w 8 c l th
.
S t diu i
es d S n e an en s e . 6d a on o n vo , o
Com m o t Th m Wit h i ll u s t r t i s Cr w c l th
. . .
A id t
n Bcc w t T en s : o o r ea e a on o n
W i t h 35 I ll u st r t i s Cr w 8 c l t h t r
o
G li m p
. .
.
11 N t se s 0 a u r e. 6d a on . o n vo . o ex a, .
W i n te r (Jo h n S t r a n g e) S t o r i e s b y P o s t 8 v o 2 3 e a ; c l o t h , . , . .
Ca v a l ry Li fe . I R e gi m en t a l L e g e n ds .
Wi s sm an n (He r m a n n v o n ). My S e c on d Jo
W r i g ht (Th o m a s W or ks by
l s f t h Ijl r C m p i l d fr
.
Hi t o y of th of H
,
Ca i r t ca ure G o g s :
s r A e e r e or. n na o e o u se an o v e o e
S q u ib B r ds i d s W i d w P ic t ur s L m p s d Pi c t ri l C r i c t ur s f t h T im W
.
s. oa e n o e a o on an o a a a e o e e.
r 3 I ll u st r t i s Cr w 8 c l t h , ,
.
o ve 00 a on o n vo , o
e S c u lpt u e a
. ,
H i st o y r C r i o t re ar d f the G ca t q e i
u A r t Li t e
an t o r o e u n ra ur r
I ll u st r t d b y F W F A HO F s A Cr w 8 c l t h
. . .
P i ti g a n n . a e 6d . . IR LT , . . . o n vo. o , .
Wy n m a n (M a r g a r e t ) M y F l i r t a ti o n s W i t h I 3 I ll
. .
1 B E R N A R D P A R R ID G E P s t 8 cl th l i m p
T o vc o
Z a n g w i l l (Lo u i s)
. . . .
A Ni n e t e e n th Ce n t u r y M i r a c l e
. Cr . .
Z o i a s (Em i l e) Nov e l s U N I FO R M E D I T I O N T r a n sl a t ed o r E d i t ed w i
. . ,
M on e y .
T h e D r ea
D o o c t r Pace
P a r i s.
Th e C o n q u e st of P l a es e n o. Tr u t h .
P PU A O L R EDI T I O N S m di u m 8 e vo , 6d ea ch
f ll
. . .
Th e D r a m - S h op. I Th e D ow n a . I
. R ome .
S O M E B OO K S C LAS S I FI ED I N S ERI ES ~
l ea th er , n e t ea
By W I LK IE CO L LNS .
M en d .
B
yCH . READ
y i
i AL L CA!
By R l CHA RD L
ar r es t
Post 8 v o, c lo th l i m p 23. 6d p er V o l m e. u
l s y s fr m S
, .
Li t t e Es a L AM B L E T I E RS
'
: o
o o By CO RWOO D .
.
f r ensi c An e cd t es JA B LA
h l o By CO WOO D
.
T eat r i c a An ec d t es JA B L AR
r s l s By NN I N O N
. .
Ou e v e E LY L T
h S t r i s By NN
. .
Wi t c
.
E LY L I N I ON
e
'
o
s im s l y s By C R E OR
. . .
Pa t e an d P a e r R MA G G
ul i g i By W LO C
. . .
New Pa and V r i n a H M AL
By
. . .
Piatram s i t e sa dd e d H C P
-
By E NNE LL
. . . .
Th e M u se: o f M a y i ni r C. P
By r m By I LL I S E N O R
. .
St ea an d S e a W AM I . .
Th e G o l d e n Li b r a r y . P o s t 8 v o. c l o th l i m p , u 25 pe r V o l m e
i l r s By W B E NN o f C u t r y Li f By E DWA R D
. .
S on gs f or S a o C ETT S c en es o n e.
i s By OD IN r t d A t h S l t i o fr m M
. . . .
L v e o f t h e Ne c r oman c er r w G W La. Mo
r ur : e ec ns o A
o of Br f l By io E h o Clu b B AYA R D
. . .
Th e A ut c r a t th e ea k ast Ta b e Di ve r s ot t h
ns e c
L I E R W E N D E LL O L E S
. .
O V H M .
M y Li b r ar Pr
Th J u
e o l f M ur y d Gu
r na o a ce o e
Th Dr m ti Ess y s o f C h r l
e a a c a a
Ci t t l m f Wi ll i m S h k p
a t o a a s ea r
P O P U LA R S I XP E NNY NOV E LS .
.
B y G RA NT A L LE N '
By D S . C H RI TI E M U R R A Y .
s h
.
em J n p h Co t
Th e Tent of S o e l a I
W A L TE R SANT
.
B y O U I DA
.
By BE
hi o Or Pu k S t r at h m o l Tr i ot
. .
C l dr en of Gi b e n I Th e an g Gi r l e c l M ti n r e. c
S rs o o
. . . . .
A ll o t a n d C n di t i n ! of M en H ld i D
e gn I U don Tw f l og a e n er o
m J A M ES P A Y N
. .
r a4 r n e dom
B ES A N T Wal t e s Wa r d
.
By
a nd R I CE r
l utr
.
y y Mor t i boy
.
Th e ph avl m
.
t h e Fl e t
g G i mt h G
r t au n o e :
A NA N d Ch i s t i J h st
.
B y R O E RT
.
U CH B B P g W i g t
e :
o n on an r e o n on e
of r Th C l i s t r and t h H
.
h th
.
Th e S adow t h e Sw o d l e o e l P18 e e ar ou
By HA L L
. .
,
Cu
l
~
C A I NB l t i l ev e r To o La t e t o M n d . a rd
s r
.
A S on of ag ar I Th e Deem t e By W ; C LAR K
Cr im
.
h
.
a
Th e S a do w o f a. e .
Th e Con v i c t Sh i p . r
By R O B E R T L O U I S S TEVENS OI
M , and Wi fe New A r bi a an N igh t s "
W ILLI A M w esr ALL
,
.
5
By .
a c t or
.
Th e Ol d F y
mi n
.
B y EM IL B 2 0
'
w
f ll
. .
Th e Dow n a I Th e Dra m S
.
-
hop s R0
B y M r s A LEXA N D E R , By G RANT A L LE N
V l ri s F t by l r oo
. .
a e e
e e Ph i l l at l e Ba on Th e G ea t Tab
A Li f In t r st tr g t r s
. . .
Du m ar esq l De u g h
e e S an e S o i e
e
h of
.
.
Fo r M a tm l e s Ba k e. Du c e n Po wy c l at
'
Bl y l
v
h
I n a l l S a des oo d Ro a
B c g
. .
Th e e k on i n Han d 1 G r e at : H u t u -p i t
l
. .
Th e D ev i s Di e Th e B c e IIy w e g
'
Ci Vl
. .
Th i s M o r ta l o l l A t M a r ket a ue
s h l r
. .
Th e Ten t 0 ! S em . l i n den-S ea ed Or de
A R TE M U S W AR D
By E M A LL EN
. .
Gr een an (In n . Ar t omu
B
ar c Com pl et e .
.
H ATTO 6: W I ND U S
C , P u b l i s h er s , I I I St . M a r t i n ' s La n e Lo n do n . , W . C . 27
T HE P CCAD I L L Y NO EL S c on ti nued
I V . M . J
C LQ . N Ever y I n c S di er
O UHOU . h ol
B y H E R E RT C M P T N B O O
l h
.
Th e I n i m i t a b e Mr s M a ssi n g a m
lo
. .
B y E H CO O P ER . G eo or y Ha mi t n
. .
O E
.
By . C V C T S Tw o G i r s o n a
. . l
By C C A DD C E R O K
o o
. . .
Th e Pr o b e t o r t h e Gr e at S m k y M un t ai ns
h
.
Hi s Va s ed S t a r .
By N C L LI N H RE
o lo
. . .
R manc es oi th e Ol d S er a g i .
B y M ATT C IM R ..
Th e A dv en t u r es of a Pa i r Re b e l .
By S R C RO C K ET I
'
a n d ot h er s
o
. . .
Tal es oi Our C a st .
l o By B M C RO K E R
Th R l L d l
. . .
Ce i a s A r b ur
B
pl Di a n a B a i n g t on Hi da.
.
e ea a
a al u oi t h e Fl e et
.
l
_
.
Pr o or Pr de M a r r i ed or S n g e
Th e S e amy Si de
.
Tw o M a st er s
f A a m i l y Li k en ess
.
Th e Case of M r L c r a t
ll
. .
Pr e t t y Mi ss Nev i e In th eK i n g do m of K
. .
err y
I n Tr ai a l ar s B y of .
f
'
A Bi r d Passag e In t er er en c e
.
.
Mr er v is A T i r d Per s n
By Sir W A LT E R B E S A NT Vi ll g T l
. .
B ey nd t h e P a e o l
.
o
.
a es
o o
All S r t s a C n di t i n s. 8 K a t er i n e s b y T w er o '
S om O
a
El
e .
J o Mi ss B al m ai n e s Past '
.
p er b ena Ca m e i a. oo V ll e ne s e. as n
.
. .
Th e Ca t ai ns R m
'
0. I n i a t ua ti o n Te r en c e
A l l i n a G ar den Pai r Th e I v r y G at e
.
o .
Th e Cat s pa w
'
.
o
. -
.
H O NS E DA U DE T
.
g li t Po t S l tio
U n c e ac k l H y R se Dr ea m s
.
Ava r i c e
Th e Ev a n
ol o O f ll h
.
.
e s or , r a va n.
W r d Wen t We T en I n Deac n s r der s
'
of o H C D A V I DS O N
.
.
Th e Ma st er Cr a t sman
'
.
Ohi l dr en Gi b e n
. .
Herr Pa u u sl Th e Ci t y of f
Re u g e
. .
B y J A S D E M I LL E
o opp l
. .
o l
.
.
ll h l
. .
To Ca Her Mi n e Th e C a ng e i n g B y HA R R Y DE W I N DT
o o h o l
.
. .
Th e Re v l t oi M an Th e F ur t G en er ati n Tr u e Tal es oi Tr a ve a nd A dv en t ur e
ll o f l h
. .
Th e C ar m
'
Th e B e S t Pau s
o l of O l
. . .
Ar m re Ly on e sse Th e r ang e Gi r
.
By B RO E of f
.
AM S B l E RC E In Mi dst Li e .
By H R O A LD B l N D LO S S . Ai n sl l e s Ju Ju
'
-
.
By M M D BO D K I N c
I S h i n l ag h d S h m o k
. . .
Do My l an a r c
B O W LI NG
ra r e
R I C HA R D
.
By
.
P t y h Om d a se t a a un.
e
o o o
.
B y P A U L BO U R G E T M
Ol d C
rc r an s n ey
A Li i g Li
O NA N DO YL
-
v n
E
.
B y J D B R A Y S H AW Sl m S i l h o t t
. e.
By A . C .
. u ue es
Th e Fi r m
. . .
of G i r dl e st o n e
By [1 A B R Y D E N A Ex i l d S ot
. . . n e c
By S U NCA N J E A NN E TT E
.
D
B y R O B E R T B U C H A NA N
.
A D g ht f T d y I V o A t
. .
'
S h dow o f t h S w o d
.
au er o o -
a er n n s un
B y A N NI E E D W A R D E S
. .
a Th N w Ab l d e r e e e ar
R h l D
. .
A Ch i l d ! N t M t A hi Lo ll
.
0 a ur e. a t ac e ene
o f t h Mi A Pl t S i t
.
rc e ve a s er a n
d th M M t
B y (i S E DW A R DS S
G d
. .
o an e an . as er e ne.
M t y d m o f M d li
ar r o Th H i o f Li a e ne e e r n ne
s il . a ill . naz e ep r a.
Lo Wom n d t h M B y G M A NV I L L E P ENN
.
M { E
ve e or ver . a an e an
Fo t A Fl t t d Do ot
.
W t d Wh i t H t h
.
A nn a n a er R d e an e ea e C d by
ur se a r un e u er e ve c e
Fo xg lo M o L dy K i lp t i k of Al i G y K i g of t C t l
. .
.
ve an r. a a r c Th C e as e sa ra n he as e
Th Ch l te a r a an A d om d n r e a.
.
Co mm odo J k M t of C mo i
re un as er er e
.
n es.
h h o
. .
By G E L E TT B UR G E S S d W I LL an Th e New Mi st r ess
Wi t n ess t o t h e Deed
. Th e M a n wi t a S a d w
On e M ai d s M i sc i e h f
I RW I N oo
'
Th Pi
R W C H AM B E RS Th K i g i Y l l ow
e car n s.
Th e er Li l y o o .
S t r y o f An t n y Gr ac e
.
V h f
.
Th e W t e i r gi n T i s M a n s Wi e
.
'
e n
C H A P P L E Th M i o Ch o d
n e
. . .
lo J op
. .
By J
.
e n r r 13i B o d In e ar dy (h i n g
o o o h
. . .
B y H A L L CA I NE
.
.
D u b l e Cun n i n g . A W m a n W r t Wi n
S h dow a c im l D m 1 S of H g
a r e ee st e r
.
on a ar B y P E R CY F ITZ G E R o A L D. Fa t a i Z er
By A S T I N C LAR B By Ri o f Ri W FO R B E S D mo
.
. .
. se ver . By H M on . rs. . . u
A R C HE R C LI V E B y R E F R A NC ILL O N
.
By M r s.
l F ll K il l d hi Wif Rop
. . . .
P l Fau l l I Wh y P
er r o au er r o e s e O ne by O ne f S d es o an
d h i S h dow J k Doy l D g ht
.
B 3 A NN E CO AT E S Ri Di y
. .
A D g s
'
'
o an a ac e s au er .
A R l Q
ar
-
. e s .
M A C LA RE N CO B B A N
.
ea u een
B '
Th R d g l t
.
I Th B d o f I b l B y H A R O L D F RE D E R I C
.
S th B ot h [ Th L w t o Gi l
e e u an e ur en sa e .
Wi i
.
O
. ' '
e s r
E C LL I NS er s e
B y P A U L G A U L O T Th R d S h
. e a n r .
.
Th e New M a g dal en . e e ir ts
o p B y C H A R L E S G I BBO N
. .
Th e Fr z en Dee
Rob i o
. .
Th e Dead S ec r et I S a y No
Q e r ee ueen e ea w
l Th G old S h ft Th Flo f t h Fo
. .
.
B y E G LA NV I LL E
.
M y Mi sc e ani es Th e Fa en Lea v es
o h J h
.
Th e w man i n W i t e
.
Lo t H i Th G ol d
. .
e z eb e l s Da u t er
'
g Th e B
l s e r ess .
. .
e en oo k
Th e La w an d th e Lady Th e B ac k Ro F i Colo i t P i T l f om h V i d
.
a r oss c s er t
o l n s
.
a es r e o
Th e Ha un t ed H t e He ar t an d S c i e n c e
B E J G OO D M A N
.
w
oo o l
. .
h
Th e M n st n e
gg E
.
i : vi Gan i s
. .
H b t W
f F Th F t
.
Ma n an d Wi e
.
e a e 0 er er ay n e
p ai n B y R v S B A R I NG G O U LD
.
eg a c y 0
o f
. .
e
? oor M i ss Fi n d}. A R g ue s Li e
'
R d S pi d
. . .
Mi ss or Mr s 1 l o B i n d L ve
.
e IE er . ve.
By M O RT a F RA NC E S CO LLI NS ; B y A L F RE D A G R A C E
. .
Bl k mi t h d S h o l
ac s Y Pl y m F l z
.
c ar ou a e a se T l a eso f Dy i g R a n ac e .
. .
mt hi M
.
e a e e . n o n . ar a ar a z i ou.
28 H ATTO 6: W I NDU S
C , P u b l i sh e r s, I II St . M a r t i n s La n e , Lo n do n , W C . .
T H B P I C C AD L L Y No a o t i n ued I v s c n .
B A CLAV E R ING G U NT E R .
A Flo d E h t m t
.
r a nc an en
B RE T H A RT E
.
8
A W i t o f t h %l i m A P ot eg of J k
.
a e a r ee ac
ol l l
.
A Wa r d t h e G de n C a r en c e [Ham i n s l
of
A S t u mb
p
.
e
Ga t e {S ri n g s B ar k er s Lu c k
E O NA R
'
pph o l By L
. . .
A Sa of G r e en D ev i s For d [c el si or
'
Thi S g I Cy t hi
.
l o
. .
Co l S t ar b ot tl e s C i en t
'
Th e Cr usa de ! t h e 2x s f F l
ta e o oo s . n a .
ll o h B y E DM U ND M ITC HE LL
. .
S u sy \ Sa y D w s T r ee Pa r t n er s
ll l o o Th Lo h
. . .
B e Ri n g er o f A n e l s
'
G a b r i e C nr y e St Rne ar us
o o l
-
l l B E RT R A M M ITF O R D
.
. .
Ta es of Tr ai a n d ow n Ne w C n densed N ve s B
il
.
O W E N H A LL By Th G e un Th K i g A
un n e r g i e n
'
s sse a
dRi d l y
. ' .
I J t am
.
Th Tr ac k f a S t m L k iG R h F i Q i
'
e o or e s uc o er a r ge e ens a nn n a s ue s
Th T i mp h 1 Hi l y B l
. .
CO S M O H A M I LTO N
. .
3 e hl
r u d 0
'
ar ac an
G la mo ur o? I m po i b l
,
I Th o h K ey h ol e M O L E S W O R TH
.
ss e r ug a By M r s.
t R to y
u . .
B T H O M AS H A R DY
.
B th a er c ou r ec r .
B y J E M U D DO C K
.
Under t h e r een Wo o d Tr e e .
d Ro b i Hoo d G ol d I dol
. . .
M id M i
a a r an a n n en
B il t h J t I Y o g Lo h i
. .
as e e es e r un c n va r .
B y D C H R IS TI E M U RR AY
.
A Li f At o m t Li t t l Gi
. .
B bM t i
' '
e s ne en o ar n s e r
o ool Jo p h Co t
.
Ti m R
'
F r t un e s P se s a g e s eve n e s.
'
A H E LP S I G l of f i
.
A W t d C im
.
d Bi o oa s re as e r e.
By Si
ol d B l t P il
r
By I H E ND E RS O N A g t h P g
va n r n
.
. . e
H I Di
az er s er o . n r es er
Mo t D p i
.
a a a
V l St l H t ear s.
. .
a g r an e un es a r
B y G A H E NTY A M od l F t h A C pf l N il
. .
'
e a er u a o a s
Do ot h y Do b l
.
B y h G t of t h S T l i P o 2 V
. . . .
'
Th Q C p
'
r s u e e u e en s u t e a e e ea . a es n r se er se
Ruj b t h J gg l A Bit of H m M i ll i o
. .
H E ADO N H I LL
u e u er N t uA R f an a ur e ac e or ns
o Si g l Th i Li t t l Wo l d
, . . .
Z mb th D t ti a ra e e ec v e. Fi t Prs er s n n u ar s e r
Hi Ow G h o t
. . .
B y JO N N H I LL Th Co m m o A to C i F t
yn c or une. s n s
n n c es
Th W y i t h Wo l d Ch h of H m i ty
.
. e r
B y T I G H E H O P K I NS
e a o e r ur c u an
V O C t l D n ld
. .
d th C im
Tw i x t Lo t of C
.
: as e ar o an e r ea
d D t y IN g i
M U RRA Y d H E RMAN
. .
v e an u u en s a r r c onn a.
om pl t Ad t l N ll H d
.
an
Th B i Ko Bi b l l Jo A li
Th I e nc e e ven ur er e a en e n.
V ICTO R H U G O Th O t l w i I l d I
P
.
e s s e . au n es s as.
e u a o c e an
l R t
. .
O T e u rn s
B y P E RG U S H U M E
ne r a ve er
B y H U M E N IS B E T B i l U l
.
'
Th M i ll i o
'
L dy i om Now h
. a
i My t y
B y W B NO RR I S
a t er e e na r e s er
H U NG E R F O R D
.
By M B i ll y B ll w
. . .
r s.
P of o Exp i m t S i t A
. '
M ar v el Mi W t Id r e ss r s
'
er en
a n nn s . e e .
A P oi t o f Co
th
'
en w or
ti f t o y Lo
.
ss s ea .
U n sa s ac r i c ver . n n sc e n e.
Vi l A M id l l Fo lo By 0
Th Wo m of My t r
0
I D
Lo D pt h
0
n ur an c e e. a en a r r n. .
A M od Th Co mi g f Ch lo
'
ve s e s e an s e
Ci r c e. e n o e
er n
O LI P H A NT
.
No By Mr
.
'
L dy P t y
a at C i ra re na s. .
l St l A A xi o M om t Wh i t l di So
. .
A M e nt a r u g g e. Th n n us en e a es e r c er ess.
L dy V Fli g h t A p i l L dy B y O U I DA
. .
' '
a er n er s r s a
Th R d Ho H ld i Bo d g
. . .
My t y P t Wi l Wi t Ci t y
'
e e u se s er I e er s e. e n n a e n a n er
Lo i
-
Th Th t hmo I Ch do d hi p
. .
e G r ee r a c e s. St F i v ce ra re an s r en s
M ot h
.
B M A L F RE D H U NT U d Tw Pi
. .
.
r s. 3 13 . n er o a s . s . 11 11 0 .
Th L e C k t S i LC d m
en d
as Id l i
e G g Pi l t l l e I A i dn on e ne a a. a e. s re o r a e
C il i l i g Co m m
ea
o J li t
.
Th t O t h
. .
M O tl m i A
P er s n . u e ec as e a ne s n e un e
B y R A S H E K I NG
r s.
P k
a er .
W d
.
AD w G m T i t i B i mb i r co r n. uc an a.
o O t hm
n a e.
. .
. . ra
P li F i
B G E O RG E LAM B E RT A D g o f Fl d
F
I M mm
o o a r ne . r esc es. ar .
t of B
.
o an e r s. n ar e a .
Th P e i r es i en
P l or a v a .
Si g By l i I G il d a s c ar e n a. r n u ero
B y E D M O ND LE P ELLETI ER
. .
P i N p i S t B b . r n c ess a r ax ne. an a ar ar a.
M d m S
a a Ge e a ns Tw Wood
ne Sh o Tw O ff d o en es o en er s.
of Ed
.
B y A DA M L I L B U R N A T g dy i M b l
.
Th W t . ra e n ar e e a er s er a .
Rh o d Ro b t I Th J o b i t
.
a er s e ac e e r ra e .
B y H E N R Y W L U C Y G i d o F l y B y M A R G A RE T A P A U L
. .
G tl
. . e n o c e. . .
B y E LY N N LI NTO N d S i m Pl en e an o
J A M E S P AY N
.
P t i i K mb l i
.
Th A o m t of L m
.
a r c a e a t ne
Lo t Si M Th T i l ! t h To w
.
e en ea
U d w h i h Lo d 7
.
D c d r gh d s r a ss n er e a : 0 e n.
Th F mi l S pg Hol i d y T k
n er un as
M y Lo
.
.
l l Th O M y e a y ca e r ac e a as s.
'
ve T on e.
A Co y F mi l y C h O l
e ne oo an
P to C D l i E to
.
w n ar e F u c e un t a or as n
Bl k t h
as v er n
S o i g h Wi d R b l f t h F m i ly
.
W
. .
L Th B l li
'
w t e n t ees ac an e re e ur n o n.
Th Wo d
n e e o e a
Wi t h S i l k Th d A O t d th Wi l
.
.
en i F i d P i
r ea d a nt e e r an e
A Co d t i l A y Sto
a n c ave o r en s.
Th Wo l d W ll Lo
.
.
e st t S n en a en unn r
f om h o
e r .
By J U S TI N M CA RT H Y
.
A G A T yi g P i t ra e r a rn . r n a en
l io A M od
C
.
o Do o Di k Wh i
.
AP i S
a r x a Q i x n t
I P dP i
M y t y o f M i h i dg t i gto
n na u e.
n e an r va t n. er n c
Li l y R h i M i d f At h
.
s er r r e n u.
d
Hi h S p i i t IB y P o x y
.
n e oc or a o en s
Th Co m t f o
.
B y W IL L P A Y N E
.
g r s r
D L dy Di d i S s
.
s a n.
.
ea r a
C mi l
a a o M l Th Di t t o e n on a . J y th D m e
e c a
e o
r
a ea n.
. err e r ea ei
W t d l N i hb o R d D i mo d
. .
a er a e e g By Mr ur s
CA M P B E LL P RA B D e a n s s.
M y B my D g h t Th Ri ddl Ri
. .
O tl
' .
s au er
ne
dL m k M T ki e e ng .
h op Th Th
u aw an aw
.
a er . r s. re as ss
Mi Mi t Di Ch i t i Ch d
.
ss san r e e r ee sg r a c es.
N im d m I r s na ar
.
B y J U S T I N H M CA RT H Y
u a a a e sa
W t h i h Ni g h t
. .
A C sa a c n t e
A Lo do L
. .
B y E C p RIC E V l t i a
.
n d n e g en .
a en n
B y G E O R G E M AC DO NA L D
. . -
.
B y R IC H A R D P R Y C E
.
H th d S ow
.
Mi M x w ll A il t i
.
ea er a n 1 Ph t n . ant as es ss a e
'
s ec on s
p b li
.
w H M A L LO C K r h N w Re
.
. .
B y M r s J H R I D D E LL . o e u c.
P 6: V M A RU UERITTE Th Di s st r W i d St o i s
. . . .
I A Ri h M Daug h t r e a e '
. . . . er r e . c an s e ,
C H ATTO 6: W INDU S , P u b l i s h e r s, I I] St . Ma r t i n
s La n e . Lo n do n , W . C . 2
T H E P i c C AD I L L Y o t i n ed N O V EL S c n u . R . E R NDA L E
A ST .
Th A fg h K i f . e an n e
By C A H R E RE A DE L S . R . E V E NS O N Th S i i d Cl b
L S T . . e u c e u .
P e W iii g t : d G i i t h G t au n F R A NK S TO C K TO N
By
ta i t l Jo h t
o n on an r
Lo Li t t l Lo g Th Y o Hy o H ll
. .
r s e L
ns one. ve e, o ve n . e M t un g as er 0 ! s n a
d C h Th Do b l M
.
B ar as i g e u e a r r a e. B y S U N DO W N E R Told b y th T i f i l
Clo i t th l Pl y
e a ra
. .
.
a th H
B y A NN I E T H O M A!
.
s er f e ea r ou a
l l i B i Pl W b
. .
Th S i
-
e r en s e
L t t M
N d P Y
'
T
.
ut n s ac e
B y B E RT H A T H O M A S
ev e r oo a e o en r se
Th e Co o f T A T b l T mpt ti o
u r se r ue er r i e e a n.
Th V i ol i P l C t h d l Ci t y
.
L d Si g l A S i m pl t o n e I I n a ye r n a a e ra
-
ov e an n e e
A Wo m B y F R A NCE S E T R O L LO P E
.
h t a D bl i
. .
ea r ou H t
e ac e . an a er .
Th Ji l t
-
A t o b i og p h o! Li k S h p po M b l P og
.
u ra h S i a e ot er t o r es : e S i s u n ea a e
'
s r r ess.
o f l l & G d8 t i it M
. .
Th i f J
e ac a oo or e s o an . Anne P u r n ess
T d : A H o d A P i lo B y A NTH O NY T R O LLO P E
.
ra es er S an er us ec r e
d Bi b l
.
.
a M ty ; ar d Th rR di a an e ea an ; an e Th e Wa y w e Li ve Now S c a r b or o n h s Pa mi l
'
W d i Ch
.
an H i er n t e r ar ac er s Fr a n P r oh mann
B y gR A N K R IC H A R DS O N
. .
Th e La n d engu e r a
o
. .
. M ar i n Pay
w h Lo t H i P t
.
Th M e an o s s as By MA RK TW A I N
ho o lo
.
.
Th B y w t
e a M t y
s a er ys er C i c e W r ks Pu dd n h e a d Wi s n
'
B A M E LI E RIV ES J
.
of o l
. .
Li b r ar y Hum ur Th e G i de d A g
o o c
.
B b
ar D
ar a IM l l
er er e Th e I n n c en t s A b r ad Pr i n c e an d Pa upe
o h
.
B y P W R OB I NS O N
.
R u g i n g I t ; a n d Th e Li f e on t h e M i ssi ssi p
Th H d o f J t i l Wom i t h D k
. .
n
.
e ar o
In n c en t s a t H me Th e A dv en t ur es 0 o
e an s
B y A L B E RT R O S S
us c e. an
A Tr a m A b r a d p Huc k e b e rr y Fi n n o .
l
AS g P i
l Y
.
r n ce ss.
.
u ar
Th e A m e r i c a n C a i man t
.
A an k ee a t t h e Co n
_
J RU NCIM A N 8 ki pp
. d S h ll b k . er s a n e ac s
Adv en t ur esTo m S a w y er K i n g Ar t ur
.
of h
W C LA R K RU S S E LL o ol h l ph
.
B Tom S aw y er A b r ad S t en W i t e E e
d t y G i l y Pi
as
M y S hi p m t L i
.
Ro
.
o
.
un e a e re a e o u se . Tom S a w y e r D et ec t i v e B an k n t e
A lo
-
h M i ddl W t h o l ll o
-
Wi d Wi d S
. . .
I A D ub e b ar r e ed Det ec t i ve S t r y
W
n t e e a c n e on e e ea .
t om D th
-
. .
O th P k l R d
'
Th Ph
ea
C
n e o s e ea e an
A Voy g t t h C p
C P TYTL E R
.
a e I H th M
o e a e. s e e an
o o O . e TJ CS I
B oo k f t h H mm o k G ood S h i n M o h o k
a
or e c c
o f O St Th Co i t Shi p
. .
My t '
s e c ean ar e nv c
J y lw t of O k
.
e nn ar o e H ea r a
A O
. .
n c ean T g dy
ra e Th T l f th T e a e o e en.
A T l o f Tw T l
.
x a e Th L t E t y
o u nn e s . e as n r .
Th D e e
B y DO R A RU S S
B y H E R B E RT RU S S E L L T Bl rue ue
B AY L E S T J O H N A L t i T m l
.
. . ev a n ne a i
B A D E LI NE S ERG EA NT
D E d o t t Ex p i m t
.
'
r . n c s er en .
Th e Ol d Fac t r y o
p
.
A Wo m an Te m t ed Hi m Re d B Et o n
lo lp h
. .
Her Tw o Mi l i n s Ra or b r e c k s
'
h f o
.
Tw o Pi n c e s o i Snuf Tr us t m n ey -
l
Ni g e Por t esc ue
.
S nso of B eh a
.
l
h o
.
.
B i r c Den e B oy 0 ! B e 3 C ur t
'
h o h
. .
Th e P an t m Ci t y Wi t th e ed Eag l e
l
. .
A Qu e er Rac e A B ed B r i da
lo h . .
B en C u g S t r ang e Cr i m es
hp
. .
Her Lady s i s S e c r et
'
H A W E S TB U R Y
.
S e c r e t Wy ver n T w er s o h dow o f Hi lt o P b k
B y AT .
oo o f
.
Th e D m S i va Th e S a n ern r oo .
B y F RE D W H IS HA W
.
A s i t w a s Wr i t t en
p M y W y of L
.
.
B e r La d A P b i dd N m
or en a e. an a s ot
B y C J W IL LS A E y g o i g P llo
.
s of M r er sc h oy l e .
A U B YN
.
. n as ~
n e
T
. .
o B y JO II N S T R A NG E W I NT E R
. .
Th e Tr eml et t Di a m n ds
l y Li f t l L g
.
C d R gi m
.
a va r d e ; an e en a e en s .
B y E Z O LA
Th J y o f Li f Hi M t p i ce
. .
e o e s as er e
o o .
.
Th e Fo r t u n e 0! t h e R ug n s
o
.
A b b e M o ur e t Tr an sg r e ss i n
'
s .
By N S TA D D ri s am
JOH
FF O R o
E HE
. .
By ST P R
NS fo
Th e Cru c i r m M ar k
. .
By R E O
N I LS N S T P E HE
NS
A
t
l p Wi w ood h
. .
22
Ph i i n . By . Ni n e t een t Ce n t ur y Mi r a c l
Post 8 v c , i l l u st ra t ed b o a r ds, as . e ac h .
R TE M U S W By A
ARD. By E . L E S TER A NO LD R
hr
.
{i ma m W d Comp l et e ar . P a t h e Ph oeni ci an .
H ATTO W I ND U S P u b l i she r s,
30 C a , m S t M a r t i n s La ne , Lon do n . w c
.
.
T w o S u m m er s N
- O VE L S o c n t i n u ed.
S w eet a n d Tw e n t y
Th e V l
i l a g e C m e dy o .
Bli n d Pa t e l
Y o u P a y m e Fa se l
l h
. .
B ac k smi t am d Bc h c
Fr a n c es
W I LK I E O
.
I n a ll S ade s I v a n Gr e e t s t er
'
A n t o ni na Th e M nst o ne
o l f
. . .
Th e B ec k ni n g Hand Th e S c al ag M an an d Wi e
l h ol k oo h
. . .
Th e De vi s Di e
T i s Mo 1C i Hi de an d S ee P r M i ss Fi n c
of h Vl ll
. . . .
Queen of Hear t s
'
l k o
. . .
B Y F R A NK B A RRE TT
.
M i ss or Mr s Th e B ac R be
l
.
F tt d f Li f
.
.
Th e New M a g da en . H e ar t a n d S c i enc e
A R oi li g H g o p
e er e or e. . .
Li t t l L dy Li t o Th e Fr z en D ee I S a No l
e a n n. ec n en ea nc e. .
l
Li t t e No ve l s
.
n 0 a assou c n or
o l of
.
c
'
Poll y M o i o Wo m o f I
.
.
Th e Haun t ed H t e
.
,
B t
'
Le g a c y Cai n.
Lieu t B b
rr s
Th H di
a r n a a s. S d l
n.
e
an
ar ng
r on
c an
r ace
a
s
o
A R gu e s Li l o "
'
.
.
l
B i nd L v e o
Ho E G B E RT C R A DDO CK
.
. .
nest D i A M i i g Wi t
av e ss n n ess By C
Th P op h o f t h G t S mo k y M o t i
. . . .
e r et e r ea un a n s
NT a d J R I CE B y M ATT C R IM
.
n
A bo of P i R b l
. . .
B C li e a s
r ur Th Ad et ven ur e s a. a r e e
pl i o f t Fl t B y H N C RE LLI N T l o f t h ow
.
.
C a n he ee . . . . a ee e
Th e S eam y S i de
Th e Ca se or M r Luc i -al t
.
B B M C RO K E R .
il l vil l ag T l d J
. .
P tt y Mi
. .
re ss ev e. e a es an un
I n Tr ai a l g ar s Ba y
'
Y Di an a Har r i ng t on
.
Tr a e di ee
Th e Ten e a r s Tenant .
' .
.
W A LTE R B E S A NT To Let Tw o
'
a st e r s.
By sn J
.
Mr
ot o l l L B i r d oi Passa g e er vi s
.
Al l S an d C
'
op .
l
.
n di Th e B e l o f S t P au
.
r s s.
Pr er Pr i de Th e R e al Lady Hi da
tio o
.
M en Th e Hol B se l l
.
f ns o
of A Fam i M ar r i e d or S i n g e 1
Th C p t oo m o Li k en ess
. .
ai ns R A r m or e f
'
Ly n eses
.
e a
A T
o Per son I n t er er e n c e
. .
H O NS E
'
Dor o th F r st er o
.
V
.
er b en a Cam e a St e B y A LP DA U DE T .
U nc e ac t l
.
ph an ot i s
Th e Evan g el i st ; o S l io or , P rt a va t n.
Th e W r d Wen t ol V o B y J A M B S D B M I LL E
. .
'
er y Th e I v r y G at e
i pt
. .
C i dr en 0 ! Gi b e n B e an d t h e Dr eams o f
l
.
I t h G i p of t h L
.
Her r Pa u us va r i c e Th M e H t an - r e
h ol of o un er .
F o m I fo m ti o
n e
. .
Por Pa i t a n d P r eed m Th e R ev t M an T k d
r ac dT k e an a en . r n r a n
ll o O
. .
au I a i d a st c e ve
f of k d t Doo m
. .
.
o s ne e n n
I t h MI t f Li f S pi o A m d
.
n e s o e D un c an us ci n use
f om M h t Ri ddl
. .
F RE D E R IC K BOY LE
.
M R d
By
an r an c es e r es ea
T i mph
. .
C mp N Ch o i l of N m
.
A D t ti
'
'
e ec ve s r u s
Th M y t y o f J m i
a es0 r n c es
o an s
S L d e s er T a a ca er r a c e.
g Li r
Th Ch o i l l D it h
a va e e an
f Mi h
. .
B Y B RE T H A RTE
e r n c es o c ae a n ev c
A NN I E E D W A R D E S
.
C li f o i St o i By M
.
r s.
Pl i I M j
A Po i t o f Ho o
.
ar u a .
a r n an
G b i l Co o y
a r e nr
r es.
A gh y li i o f t h S i
) .
s e er r as.
n l A hi Lo ll n ur . rc e ve
B y E DW A R D E G G LE S TO N R 3
.
L k o f Ro i g C mp A W ll o f t h P l i
.
uc ar n a a e a n s. ox
o f R d D W d o f G old G t
. .
A H i
n e r ess e og . ar en a e. B y a M A NV I L L E P E N N
B y R OB E RT B U C H A NA N
. .
Th N w Mi t
e e Th T s r e ss e er
S h do w o f t h S w o d t y dom o f M
.
V gl
.
a Th M e r e ar r a Wi t t th D d
ness Th o it e ee e e r n.
A Ch i l d o f N t d li
. .
a ur e . e ne B y P E RC Y F ITZ G E R A L O
Th N w A b l d
.
B ll Do
.
G d
o d th Man e an e e e ar
Lo T h H i o f Li
e a n na
. .
M f r B Fo g o t t
.
e o ve r e e r nn e
ve N
lo M o Wom
ev e r r en .
. .
d th M P oll y
P ox ve an r a n an e an
R h l D
.
.
f t h Mi I M tt o
.
Th e t er o e ne ac e en e a
Pat e l Z
L dy K i lp t i k
. .
er
W t
.
A nn an a er . a a r c .
By P F ITZ O
B B U C H A NA N d M U R R A Y
.
an . S t r ang e S e c r et s .
Th e h l t ar a a n.
B H A LL CA I N E
By R E F R ANCI LLO N
O lymp i
. . .
a
Th S h dow
. .
e a C im Th D m t 0 a r e. e ee s er . On e b y One
of H g l
.
AS on a ar . A R ea Queen
B C m m d CA M E R O N op h
.
o an er Queen C e t ua
B y H A RO L
.
Th C e o! t h B l k P i
ru e e
ac r nc e
th B oth Wi f l o G l
.
B y H A Y D E N CA R RU T H
'
Se Th e La w t
s r er s e. n ir
o f Jo B A RTL E F RER
.
fa c e d
, .
Th A d e t ven ur es n es . Pre by S i r
B y A U S T I N C LA RE Pan dur a n g He r i
B BO N
.
t h Lo of L
.
F or e ve a ass B y C A RLES G I
o I Ho o Bo
. .
B y M s A R C H E R C LI V E r R b i n G r ay n n d ur un
Flo w o f t h Po
.
l P ll ll K d h i i
. . .
P Fa n c Fr e e er e r es
au er r o
o f ol of a o
.
Wh y P l P i ll Wf
.
For ac k G d Th B e r ae s r u
au e rr o e s e
h l ol Th G old
.
B y M A C LA RE N CO BB A N
W a t w i l W r d S a y I
.
e S ha f t en
Th C e i So l
ur e o l Th R d S l t u s e e u an .
.
o
I n L v e an d War . 0 ! Hi g h D g e r ee .
.
Fo r t h e K i ng B y M e ad an d S t r ee n
B M J CO LQ U H O U N
.
o
.
I n Past ur es G r e en L vi n g a Dr e a m
S ol di
. . .
of o o
.
.
E v er y I nc a er .
u ee n t h e M ea d w A Har d K n t
O O LLI NS ol h
.
A LLS T N C
.
By c . He ar t s Pr b em
'
Hear t s D e l i g t
'
loo o
.
. .
Two - B y L E O NA R D M
oo
. .
B Th e M a n wh o w as G d C
t
B y M r s M L SW O E O RT H
.
.
James D e .
o
.
.
By G LA N I LL
o
Th e L st He i r e ss Th e F o ssi c k er .
.
B J M U DDO C K
o o om
.
o S t or i e sWei W
.
A Fa i r Col ni st an d on Fr m t h e B s of th
B y Re v
.
8 B A Rl NG G O U L D de r i ul a
. Dee p s
l I
pd l
. .
Th e Dea d Marx s S ec r et
'
Red S i er . Eve .
.
H A LLI DA Y
B y A ND R E W M UR R AY
. D CH RI S TI E
y da y P p
:
. .
Ever -
a er s A M o de Fa t er A B i t oi Hum u s t un
J
.
T H O M AS H A R DY
.
o se p h s Co s Fi r st Per so n 8 n g u l a r
'
B
of
.
. .
Go a l s Fi r e Bob M ar t i n s Li t t l eGi r
Un d r th
e w d T e r een oo r ee .
.
. . .
A Wa st ed Cr m e
th Lo
.
Ol d B l u er s
'
er o
a N m
.
Gar
Th e Wa y of ol l
.
a e
.
ve or
t he W r d I n Di r est Per i j ,1
.
B il i c e Quen t i n . Da vi d Poi n d ex t e
r zs o o
. .
o
F r t un e s P
'
ool . a pp ea r an Cev ,
"
Cy n i c F r t un e
A Li f e s At nemen t !
'
o
. M un t De s ai r w
p
A Cap ml o Nai s 1
.
l
.
M i ss Ca dog n a of th e
n
.
. Th e , Sp e c t r e t B y t h e G a t e o i t h e S ea
Du st
.
x olp h U RRAY H E R MA N
.
3
By M
.
a nd
0
B ea t r i Ra n d
ll
.
B
.
RT H U R
.
H ELP On e Tr a v e er R et ur ns Th e Bi sh o ps B i bl e
S ir A
I
'
L v
.
Jo
. .
n es s Al i a s
,
Pa ul
I van
de
A
g G
ro , .
A " p EN f
.
S B ET
h th eJ g g
.
.
Raj a l u er .
B ail up ] : l Dr B er n ar dS t Vi n c en
. .
B Y HE DO N H ILL By W
'
. I
e
By . r e as n e n B y G EO RG ES O HNBT
B y M r s CA S H E L H O E Y
.
Dr Ram ea u Wei r d Gi f t
I
VA
Th eLo o
. . . . .
C d A La st L v e
'
v er s r ee
B y M r s G EO R G E H O OP E R M r s O LI P HANT:
. .
By
Th Ho of R bY
. . .
Th e Pr i m r se a . En g a n d
o lo V By O U
. . .
A M a i den a l l F r r n. La dy er n er s Fl i g h t
I DA s w
Vl o l Bo d g
. . .
I n Du r a n c e i e I
Th e R e d H use M y s t er y -
He d i n n a e. Tw o n t Woodexi Sh oe
l h oh
.
M a r ve Th e T r ee Gr a c es S t r a t h i n or e ~
M t s f
l l f o o h o
. . . . .
A M en t a S t ru g g e Un sa t i s ac t r y L ver C and s B i mb i 3
o l
. . . .
H
A M der n Ci r c e Ladvy Pa t t y . I da i a Pi i st r el l o
'
p l
A r i s La dy
'
.
Nor a Cr ei n a U n der Tw o F ag s
.
l A i l l ag e C
.
ommi t
f of o x p l
. . .
Pet er s Wi e W anda
.
AL F RE D H U NT
v
Ot hm
. .
By Mr s Tr i c o t r i n ar 4
o
v
.
.
h Oh o
.
oll
l
er n.
.
v .
lf o d
. .
.
Se C -
n e mn e d . 1 P e Far i n e . I n M ar emlnl .
"l
K B RS HAW A Dog of Fl an ders. G ui l de r oy .
I
.
P a sc a r el . Rui n o .
S i gn a. S l i n a}
'
1 r I
x
. . .
P r i n c ess Na a i n e. . S a n t a B ar b a r
a:
I n a Wi n t er i t y
.
Tw o 0 3e n der s
O o
.
Wi t
.
u i da s Wi sd m,
.
Ar i a dn e '
F hp
.
r i en ds i j ; .
g a n d Pat ti es
p
: .
,
4
B y M A R G A RE
l
G en t e a nd Si m e pl .
B y M ns CA M P B ELL P RA ED.
o
. .
Th e Roma of Sta t i n
{Th e Atone m ent b i Leam
Dun das
Th e S o l ? Co u nn ess '
A dr i a n
.
.
f
l ly Out !a w a n d La w m a k er 1 Mr s Tr eg aski ss
.
eb
e o f t h e Fami .
. .
Ch r i sti na p
il l ar-d
o w mg t h e Wi n d
zL r g;
JAM ES
.
Th e On e Too M an y . By P A Yq a 'm - l
I J
Du ci e Ev e t on
r l B en t i n
'
s Tu t ot n . T Ta k 0! t h e wn l
.
M ur hy po ti er } Ho a y: Tasks
.
H E NR Y f
.
mi l y
,
By A C un t a A P er e c t Tr easure
Gi de o Fl oy c e A t Her
il
t r ey .
_
"
.
Wh o a t He C s t Her o .
B y J U S TI N M c c A RTHY
.
Cec s Tr y st
A C nde n t i a Ag en t l .
of l
I
.
.
.
.
Th e Cl y if ar ds Gl y ii e. G l owr w drrn Ta es
Dear La dy Di s dai n
l h o
.
o
Th e F st er r t h ers. o Th e B umt M i i n. ll o .
W a t er da e Nei g b ur s o
-
.
F un d D ea S unn B i n
h e
. A
g
I
M y En e m y s Daug t er
xo Th e B est Husb an ds. of o
L st i r assi n g her d
.
W l Wo o
I
a t er s r d,
'
l o h fo
.
Li n e R c rd I .
.
oo o h
.
Cami o l a I
.
Hu m S t r i es. 1
r us Li k e Fa t er Li k e Sen
HUG H M A CCO LL h
,
By
. .
l .
oo
.
No t W e d, b u t Won
.
M r S t r an g e r : S ea e d P a c k et
A M a r i n e Resi denc e.
l
.
O
.
Less B a c k th an We r
.
B y G EO R G E M A CD NA LD. Mi r k Ab b ey
'
He h
at er an d Sn w o B y Pr y ox Pai n t ed
oo f V
. .
.
B
A G N S M ACD N LL. E O E U n der On e R
h pi
Hi g S r i t s
. om e Pr i va t e
G r a e r m a T rn
i ew s
fo ho
Qu ak er ou si n s lo Y of
Car y n s ear . Th e MD
.
st or y
By W
h
H M A LLO CK . I Fr om E il e v x bri d e
p l
. .
h l
,
.
Th e New Re u b i c
.
RAND R Ma TTHE s B E o
w
M
By Hi t A Fr n c e a t t ire B l od
o h o W
.
.
A
, .
b l
N E DE. R IC H A R D R Y CE
By By P
A S di er ol of F t or une. 3
. i r
Mi ss Max Well
s AiI ec t i ons .
. .0
W I ND U S w c
'
32 CHATTG 6:
. P u b l i s h ers , III St . Ma r t i n
s La n e, Lo n do n . .
T w o S HI LLI NG N V E L S
- O -
c on t i n u ed. S P E IO HT
f
.
By C A L S H R E RE A D E .
Ba c k t o Li e
Th e Lo u dw a t er Tr ag ed
.
I t i s Ne ver Too La t e t o
M en d o
B ur g s R ma n c e
'
o
ll
.
e an e e
h Jo h
.
ui t t a n c e i n F u
h nst on Har d Cas
C r i st i e
o fo
.
Th e Do ub e M a r r i ag e l
.
8 i n g i eh ear t Do u b i e i a c e
.
Put T se ! i n Hi s Pl a c e d S t r i es o i Ma n a c
G
llo T i
. .
l o
.
P e Wo fii n g t o n
. .
Lo v e Li t t e L v e Lo n A Pe w 0 r ni t y
lo J o D
.
h
, .
C i st e r an d t h e He G r ai t G au n t Th e uni r e an .
o
C u r se Tr ue L v eof o A P eri u s Secr et lo
.
Ma st er t of S B
en e di c t s .
'
Jl pl
.
Th e i t A S i m et on To Hi s Ow n M as t er
h f of OU E V E NS O N
.
. .
A u t o b i og a T ie Re adi an a By R L IS S T
l p o o h
. . . . .
B y M r s J H R I DD E LL B y R O B E R T S U R TE E S
Wei r d S t o r i es o
. . . .
Handl y C o
.
H use. e r ss
Wa t er P l
. .
P a ac e
B y W A LT E R TH O R NB U R Y
ot h li
.
T l
.
Her er s Dar
'
ng .
{ r th e M
Th e Pr i n c e W of a es s l ' a es i o
B y T A DO LP H U S T R O LLO P E
ar n es .
Gar den P ar t y
Di m on d C t Di m o d
. .
.
B
R O B I NS O N P w
a u
R T R O LLO P E
a n .
Th Wo m
. .
Wom
.
.
i th D k
I
t
en ar eg r an e e an n e ar
An ne P u r n ess
Th H d i J t i
.
l o
.
e an so us c e.
M a b e s Pr g r ess
'
B y w C LA R K RU S S E LL
.
B o d t h G ll
nn Pi A O
e T ady
.
e r e. n c ea n ra e
.
T R O LLO P E .
M S hi pm t
Th e Lan d Le ag u e "
O th P k l
.
-
.
d i
' '
n e o s e ea a e u se .
Th e A m er i c an S ena tI
I th Mi ddl W t h
.
n e Wi d Wi d S
e a c on e o n e e ea.
oo h
S c a r b r u g s Fami l
A Vo y g t t h C G ood S hi p M o ho k
.
a e o e a e c
A B oo k { Ph t om D th
G o l de n Li on o i Gr an pe
. .
th m Th
TW A I N
or e e e an ea
mo k
.
I H th M ? an
s e e
ol h
.
c
t of O k S t e n W i t e El eph a:
.
Th My t y ! th H
O
e
St
s er
Th Co i t S h i
0 e ea r a .
f
Li e o n t h e M i ss i ss i p
p
ar e nv c
! th g
c ean
f J y Th T l
.
Th R m anc e o enn e a e 0 e
on . Pr i n c e an d Pa u er
e o
Y
.
B low
ax
-
Th L t E t y
s. e as n r .
A a n k e e a t t h e Co n
DO R A RU S S E LL A C
0 ! K i n g Ar t h ur
th
.
t y Sw t ou n r ee ear . Ba n k No t e -
G EO RG E A U G U S TU S S A LA
.
GEg h t d D y li g h t
.
an a .
Mi st r e ss J u di t h .
B y O EO RO E R S IM S
Z ph
. .
Th Ri ng B ll
'
e 0 e s e
M yJ M mo i M m o i o f L dl dy
. .
'
ar an e s e r s. e rs a an a
M yJ f om t h S h ow
.
ar M i dan e S ar r e c en es r e
T l of T d y Th 1 0 Com m
. .
a es o dm a e an en t s
o f Li f B go t Ab o d
. .
D m
ra as e. a ne r a
R og d V g bo d
.
Ti kl t C im
P W A D Que en ag a i ns t Ow eU R
r
n e o s e. u es an a a n s.
A LL E N .
My Tw i o
B y H AW L E Y S M A RT
ves .
B y WM W S TA L L Tr n st M n ey . E . - o
B y M r s W I LLIA M S N A C i d Wi de O hl
.
Wi t h o t L Th Pl
.
ove o r uLi
c en c e g e un er . .
B t i
e a r c e an dB en e di k
c Lo g Odd
.
n s. By 8 W I NT J ER
I R i m tal L g
. . .
of R h k ll Y l
.
B A RT H U R S K ETC HLEY By
m S ot l d Y d
. . . .
l h
Th e En g i s m an o i t h e Ru e Cai n
.
W Y NM A N M v
.
B V M A RC . . i r t at i o n ;
NEW S ERI ES O F TW O S H I LL I NG NO VE LS -
.
o d i pi lo h b k B un n c t ur e c t . at ac s.
B y B ER T R A M M ITF O R D
'
B y E DW I N L E S T E R A R NO LD
Th L k f G d Ri dg l y i Th K i g A
.
Th Co t b l f S t Ni h ol a
.
'
e ns a e o . c s.g e uc o er a r e e . e n s sse
B y S i r W A LT E R B E S A NT B y J E M U D DO CK
.
d Ro b i Hood
. .
b y Tow
.
St K t h i
.
I Th R b l Q
M id M i a r an an n
a er ne s er . e e e ueen. a .
By H B M U RR m Ow
.
I N D L O S S B y C H R IS T I E A Y . s n
B y O U I DA
.
B Y M D BO D K I N K C c , . .
Do r M y i t h L dy D t t i
.
Th W t
.
a r e S ali e ec l d ve n . e a ers o er a
y J P AY N a M od
.
B D IC K DO NO V AN
,
Di k Wh i t i g t . . .
-
ern c t u OI
Vi t n c en D t ti W t d e ec Ey DO R A RU S S E LL
ve . an e
h A Co l
.
D k D d
ar I Th
ee s ( mM t t y sw th t Th D i i t i P t
e n re an c es er . un r ee esr e r
'
P E NN A C i m o C i m
. .
o a e.
By 0 B y (I R S I M S r s n r e
B y P A U L 0 A U LO T r h B d S hi t
.
. .
Lo do
. . .
l H t B
'
dV g b e e r s n n n s ea r a r n es a n
. a a on
B y F R A NK S TO C K TO N
. .
By O W E N H A LL T k i St m r ac o a or
Th Y o o f Ry o
. .
.
g M
B y B R ET H A R T E U N D O
t
W N E R
H ll
T l o! t h S p
.
e un as er s n a .
Th L k o f R o i C m d S ti o N o l B y S
t ensa n ve s
. a e e er en
g
a r ng a an
e uc
p R H Y E R Ci t o y J q li
.
In Hollow o f t h Hi ll I
a pp h f G S i g S Ae A T T L s oo r een r n s . enn e ac ue n
'
k By P n s
H A DO N H I LL Z mb t h D t ti
r e so o ac a .
. an . e ur a e
N W E BB E R 8 l
.
it BY R O t dB a r a, e e ec ve.
F ER O U S H U M E Th L dy f o m Now h
.
. r an unu e o
B J O H N S T R A NO W I NTE R
. e a r er e.
Li f : m t l L g d
.
B y E DM U ND M ITCH E LL C d R en a e
av e an e en s .
I Th T m pl B y LO U IS A NO W I L L
.
Pl ot t f P i
ers o f D th
ar s. e e e o ea
th C t l
.
Tow d t h Et l S ow
.
ar s A Ni t e y Mi er n a n s . n e een en ur r a c e.
I m o n t h lo a n s m a y b e re n e w e d b y c a ll i n g 6 42 3405
- -
O m o n t h lo a n s m a y b e re c h a rg e d b y b r i n g i n g b o o ks t o Ci rc u la t i o n De sk
-
Re n e w a ls o n d re c h a rg e s m a y b e m a de 4 da y s p r i o r t o du e da t e
O m o n t h lo a n s m a y b e re c h a rg e d b y b r i n g i n g b o o ks t o Ci rc u lo t i o n De sk
-
Re n e w a ls a n d re c h a rg e s m a y b e m a de 4 da y s p r io r t o du e da t e
FO RM NO . DDo oom
, , BE RK E LE Y CA 9 47 20
,