Professional Documents
Culture Documents
ABSTRACT: Mataram mosque has its own uniqueness and spatial programs. They have
their own room arrangements which considers the activities and the needs of the ummah
at that time. From five Mataram’s heritage mosques, we are comparing three mosques,
there are Surakarta Great Mosque, Yogyakarta Great Mosque, and Kotagede Mosque. The
aim of this research is to find out similarities of the spatial arrangement of Mataram
Kingdom mosque along with its function at that time and nowadays. The method used in
this research was a qualitative method and by analyzing the similarities and differences
between Surakarta Great Mosque, Yogyakarta Great Mosque, and Kotagede mosque by
observation and interviewing people. From the research, we can conclude that all the
Mataram heritage mosques has a similar main plan design and function at that time, but
nowadays many of the function of the rooms has changed by following the needs and
current situation. Each mosque has a different change, it is also depends on the needs of
each location.
1. INTRODUCTION
1.1 BACKGROUND
Kotagede Mosque, Yogyakarta Great Mosque, and Surakarta Great Mosque have
the same founder and characteristics. Sultan Agung is the first King that created
Kotagede Mosque as the oldest Mataram Mosque. These three mosques have the
same function as a place for people with Islamic religion to pray, and also shows The
Glory of Islamic Mataram Kingdom.
2. LITERATURE REVIEW
2.1 SPACE AND ORGANIZATION
The space of the mosque made to fit the needs of people at that time, that also
connected to the space arrangement surrounding the area of the mosque. In this
case, it depends on the arrangement of the Mataram’s palace (keraton) which have
a lot of meaning and philosophical aspects. According to DK. Ching’s book
Architecture: Form, Space and Order (1979), “Figures and contrasting background
form a unity of opposites, just as the elements of form and space together form the
reality of architecture. The form and enclosure of each space in a building either
determines, or is determined by, the form of the spaces around it.”
1
In the moslem culture, the boundaries between men and women is clearly
shown at the movement systems, where the ablution area and prayer area are
different. This is to maintain purity of each other by not touching after performing
wudlu. DK. Ching’s book Architecture: Form, Space and Order statement about
organization (1979) said, “Various configurations of form could be manipulated to
define a solitary field or volume of space, and how their patterns of solids and voids
affected the visual qualities of the defined space. They are normally composed of a
number of spaces which are related to one another by function, proximity, or a path
of movement.”
3. METHODS
The method used in this research was qualitative and by analyzing the similarities
between Surakarta Great Mosque, Yogyakarta Great Mosque, and Kotagede Mosque by
primary data through observation and interviewing people, and also secondary data
through the internet. The interview was conducted people who understand the history
of the related mosque. In Kotagede Mosque, we did interview the takmir masjid, while in
Surakarta Great Mosque, we have interviewed with the royal descent of the Surakarta’s
kingdom itself named “Kanjeng Dani”.
2
4.1.1 Kotagede Great Mosque Plan 4.1.2. Surakarta Great Mosque
Fig 1. Kotagede Great Mosque Plan Fig 2. Surakarta Great Mosque Plan
3
Figure 5. East Facade of Kotagede Mosque Figure 6. East Paduraksa Entrance
Figure 8. Porch
with blue
interior
4
4.2.3 YOGYAKARTA GREAT MOSQUE
Located in Kauman St. on the west of Keraton and the north of Yogyakarta
Square, Kauman Mosque was built on May 19th, 1773. It has a typical Javanese
architecture with a triple-tiered roof and front hall (serambi). The distinctive
characteristics are on its column, roof, mustaka, and ponds (jagang). It has 4 Saka
Guru and 48 escort columns. The roof is tajug-shaped with a square base
surrounded by triangular fields. The prayer room consists of five parts, which are
mihrab, mimbar, maksura, yatihun, and pawestren.
Figure 10. Porch with white and gold interior Figure 11. Men’s prayer area
5
Figure 12. Figure 13. Figure 14.
Courtyard of Courtyard of Courtyard of
Kauman Great Kotagede Surakarta
4.3.2 GUTTER / WATER POND
Mosque mosque
Gutter in Yogyakarta Great Mosque, Kotagede MosqueGreat and Mosque
Surakarta Great
Mosque have the same purpose, which is to wash the feet before entering the
mosque. At that time they didn’t wear any footwear, but to enter the mosque their
feet must be clean so they made this gutter. This function is still preserved in
Surakarta Great Mosque.
For Yogyakarta and Kotagede Mosque, the old function has shifted into fish
pond. We can still see the old construction for washing feet in Kotagede mosque.
6
Figure 18. Figure 19. Figure 20.
Porch in Porch in Porch in
Yogyakarta
4.3.4 CORRIDOR Kotagede Surakarta
Great is
Mosque Mosque Great Mosque the porch
Corridor essential to both of the mosques. It is located surrounding
(serambi), and used for circulation. Yogyakarta Great Mosque using wood in all
column. The corridor roof itself is slanted, following the porch main roof. It has more
space for walking. The corridor roof in Surakarta Great Mosque is slanted, following
the porch main roof. It has less walking space and bigger stairs. The outer perimeter
column use concrete. Corridor roof of Kotagede Mosque is gable shaped. It has
spacious area for walking, but the stair is small and short. The outer perimeter
column use steel.
7
Figure 24. Figure 25. Figure 26.
Pawestren in Pawestren in Pawestren in
YogyakartaAREA Kotagede Surakarta
4.3.6 ABLUTION Great Mosque
Mosque
In Great
KaumanMosque
Great Mosque, the women’s ablution located on the South side of
the mosque near the pawestren, while the men’s ablution area located on the North
side of the mosque. In Kotagede, the ablution area located on the South side of the
mosque, both for men and women. In Surakarta Great Mosque, there is 2 ablution
area for men and 1 enclosed ablution area for women.
8
Figure 30. Figure 31. Figure 32.
Mimbar stage Mimbar stage Mimbar stage
in Kotagede in Yogyakarta in Surakarta
4.3.8 MAKSURA
Mosque Great Mosque Great Mosque
In Yogyakarta Great Mosque, there is a special place for Sultan to pray, made
with wood and decorated with Javanese ornament. It is painted with gold that
symbolize the greatness of sultan. It also happen in Surakarta Great Mosque. There
was a maksura at first, but as time goes by, it was removed and lost. The remaining
of it was the top of maksura called mustaka made from crystal and glass.
There is no maksura in Kotagede Mosque because sultan did not do prayer
there.
6. ACKNOWLEDGEMENT
Our biggest gratitude are given to Allah SWT., that always gave us enlightenment
and guide us to be able to finish this paper. We would also like to thank Dr. Ing. Putu
Ayu P. Agustiananda, ST,MA for accompanying to do research and observation in
Solo, also the guidance in arranging the presentation and final paper. We want to
11
give our thanks also to any supporting parties by helping us understanding the
materials and theories regarding to this paper.
7. REFERENCES
WEBSITE
Darban, Adabi, 2013. MASJID GEDHE JOGJAKARTA : SEBUAH SEJARAH RINGKAS.
http://mesjidgedhe.or.id/profil-masjid/tentang-masjid/ (accessed July 19, 2019).
Silviana, Nanda 2017.. Makna Dan Fungsi Arsitektur Masjid Gedhe Mataram,
Kotagedhe, Yogyakarta.
http://digilib.uin-suka.ac.id/29787/2/13520023_BAB-I_IV-atau-V_DAFTAR-
PUSTAKA.pdf (accessed July 19, 2019).
12