Professional Documents
Culture Documents
CONTEMPORARY ART
PREPARED BY:
MIGUEL C. CIERVA JR., ABPHILO, STB, LPT, MAELM
OBJECTIVE
At the end of
the lesson, the
students will be able
to discuss the nature
of contemporary art
Introduction
• Contemporary Art has been viewed as an
“anything and everything goes” period in the
general discussion of art by people outside the art
world.
• In the Philippines, contemporary art has been
discussed on a deeper level only within the circles
of art practitioners and critics, while the public
only gets to talk about art on the level of “is it
pretty?” or what do you feel when viewing the art
pieces?” or what is the piece saying to you?”
Discussion
• ART is everywhere – from the simplest designed
objects we use, to the spaces and structures we
inhabit/ live.
Discussion
• Art enriches our lives with meanings that we often
overlook.
Discussion
• Art responds to our human desire to experience
beauty and explore the unknown. We shape art. Art
shapes our being. Art makes us human.
Discussion
• Several modern developments
have brought greater focus on
contemporary art in our
present time. The most
significant of these is the
rejection of traditional canons,
or the rules, standards, or
principles which define what is
valid and fundamental in art.
Discussion
• It is difficult to
make a formal
definition of
contemporary
art since
critics, curators
, and historians
define it in
varying ways.
Discussion
Discussion
Discussion
Contemporary are
feeds on new
technologies,
which often
different and new
ways of
conceptualizing,
producing, and
displaying art.
Discussion
Listening session…
What is the legacy of modern art in
our present context ?
Discussion
Contemporary art in the Philippines
Contemporary art emerge in the Philippines
in reaction to social and cultural realities during
the 1970s. This era was the period of repression/
suppression and censorship of artistic expression.
F. Marcus sought to justify his one – man
rule by anchoring his vision of cultural and artistic
renewal to the images of the pre-colonial Phil.
society. To do this, Marcus controlled print media,
radio, television, schools and arts through
presidential decrees.
Discussion