GECART: OUTPUT NO.

No. 5, 1948 is a painting by Jackson Pollock, an American painter known for his
contributions to the abstract expressionist movement. It was sold in May 2006 for $140
million, a new mark for highest ever price for a painting, not surpassed until April
2011. Wikipedia
Artist: Jackson Pollock
Dimensions: 2.44 m x 1.22 m
Location: Private collection, New York
Period: Abstract expressionism
Medium: Fiberboard
Created: 1948

It’s easy to dismiss Jackson Pollock's No. 5, 1948 as a senseless splatter of paint—but even if you can’t
appreciate its aesthetic, this piece has a history that’s worth its weight in house paint and stacks of cash.
Here are 10 facts about the late artist's masterpiece, on what would have been his 106th birthday.

1. IT'S A KEY WORK IN THE ABSTRACT EXPRESSIONIST MOVEMENT.

In the wake of World War II, New York City artists like Pollock, Barnett Newman, and Willem de Kooning
began pushing the boundaries of their paintings in a direction that would be dubbed "Abstract
Expressionism" by art critic Robert Coates in 1946. This wave of modern art made New York the center
of the art world, thanks in part to the movement's embrace by esteemed collector and patron Peggy
Guggenheim. Pollock's contribution was his drip paintings, of which No. 5, 1948 is his most famous.
2. POLLOCK USED A UNIQUE METHOD TO MAKE HIS DRIPS.

Rather than working from an easel, Pollock would place his canvas on the ground and pace around it,
applying paint by dripping it from hardened brushes, sticks, and basting syringes. Pollock had only begun
experimenting in this form the year before No. 5, 1948's creation, but his style soon became so
signature he was dubbed "Jack the Dripper."

In 1947, he told the magazine Possibilities, “On the floor I am more at ease. I feel nearer, more part of
the painting, since this way I can walk around it, work from the four sides, and literally be in the
painting.”

3. NO. 5, 1948 IS A MARKER OF THE BIRTH OF "ACTION PAINTING."

Drip painting came to seen as a form of "action painting," which American art critic Harold Rosenberg
defined in a 1952 essay, declaring, "Action Painting has to do with self-creation or self-definition or self-
transcendence; but this dissociates it from self-expression, which assumes the acceptance of the ego as
it is, with its wound and its magic."

4. POLLOCK DIDN'T DO ANY SKETCHES OR PRE-PLANNING FOR NO. 5, 1948.

Pollock's works were revolutionary on several levels. For centuries, artists had sketched out or test-run
their large-scale paintings. But not Pollock, who was instead guided by emotion and intuition as he wove
around his fiberboard base, dropping and flinging paint as his muse demanded. He abandoned
brushstrokes in favor of drips and splashes, and set the art world on fire with his impromptu
masterworks.

5. HE USED UNCONVENTIONAL PAINTS FOR NO. 5, 1948.

An important element of the drip method was paint with a fluid viscosity that would allow for smooth
pouring. This requirement meant traditional oil paints and watercolors were out. Instead, Pollock began
experimenting with synthetic gloss enamel paints that were making old-school, oil-based house paints
obsolete. Though this clever innovation was praised, Pollock shrugged it off as “a natural growth out of a
need.”
6. FOR A TIME, NO. 5, 1948 WAS THE WORLD'S MOST EXPENSIVE PAINTING.

On June 18, 2006, Gustav Klimt's Adele Bloch-Bauer I sold for $135 million, making it the highest priced
painting in the world. Less than five months later, No. 5, 1948 fetched $140 million. In 2011, this title
was snatched by one of Paul Cézanne's Card Players, with a price tag of $250 million.

7. IT'S A MASSIVE WORK.

No. 5, 1948 measures in at 8 feet by 4 feet. The Guardian notes that this means each square foot is
worth over $4 million.

8. NO. 5, 1948 WAS POSSIBLY SOLD TO FUND A BID FOR THE LOS ANGELES TIMES.

The New York Times reported entertainment tycoon David Geffen may have unloaded No. 5, 1948 in
that 2006 sale, along with pieces by Jasper Johns and Willem de Kooning, in an effort to pull together
enough capital to purchase the established newspaper. The sale of these three paintings netted $283.5
million. Yet Geffen never did buy the LA Times, even though he tried repeatedly. Once, he even offered
$2 billion. In cash.

9. NO. 5, 1948 WASN'T POLLOCK'S ONLY RECORD BREAKER.

In 1973, Pollock’s 1952 piece Blue Poles sold for $2 million. While nowhere near as expensive as No. 5,
1948, that figure was enough to make it the highest price paid for a contemporary American work at
that time. Sadly, Pollock never saw either of his pieces make art history—a car accident on August 11,
1956, cut his life painfully short.

10. NO. 5, 1948 AND ITS SIBLINGS STILL MYSTIFY A LOT OF VIEWERS.

While the art critics gush and collectors lay down millions for an auctioned Pollock piece, a good portion
of the public is still confounded by the artist's output 60-plus years later. Every time one of his paintings
sells for millions, articles pop up asking why. The short answer is, though his drip paintings may not be
accessible, they were seminal, changing the way we think of art itself. They may not be traditionally
pretty. But they are both art and art history.
I can say that this masterpiece is as awesome as the painter of this. As we see can that this kind of
painting is an abstract expressionism that’s why most of us can’t easily get the message of it. Honestly, I
did a lot of research about this painting but I only see the process but not the message. As I attached the
10 facts about this painting, even the painter did not give the explanation why he painted it but his
masterpiece did a really great job not because of its expensiveness but because this masterpiece is a
world record breaking which also open a new idea about abstract expressionism that can be defined by
everyone who has the appreciation on it. It took a hard process to finish this masterpiece but it really
paid off the hard work of this painter. I can say that abstract expressionism is applicable in life, we
cannot judge the things on how it done, on how it processed but it keep telling us that every hard works
can be paid off if we put a lot of effort in it. We can’t tell when we appreciate someone’s effort but we
can feel it. Our life is an art that we should always find a value of it. We must explore more and go out of
our comfort zone in order for us to explore another art which can be also applicable in our daily living.
Art appreciation is a need indeed.