Republic of the Philippines

DEPARTMENT OF EDUCATION
Region IV- CALABARZON
SCHOOLS DIVISION OF LAGUNA
Famy- Mabitac District

SECOND QUARTERLY TEST IN CREATIVE WRITING – Grade 12

S.Y. 2019 -2020
I. Multiple Choices
Instruction: Understand and answer the statements/questions intelligently.
1. These are the tools used by the authors to give depth to their writing and are specific aspects of literature used to deliver a message of
any written work effectively.
a. Literary Context b. Literary Techniques c. Literary Analysis d. Literary Device
2. Presentation of events that occurred in the past, either at the beginning of the story took place.
a. Voice b. Flashback c. Characterization d. Foreshadowing
3. A tool used by the author to hint what is to come, or on possible outcome of the story.
a. Voice b. Flashback c. Characterization d. Foreshadowing
4. The storyline or arrangement of action.
a. Characters b. Plot c. Setting d. Resolution
5. The internal or external struggle between opposing forces, ideas, or interests that creates dramatic tension.
a. Theme b. Dialogue c. Setting d. Conflict
6. Any article other than costumes or scenery used as part of a dramatic production.
a. Scenery b. Make-up c. Costumes d. Props
7. Mode of fictional representation through dialogue and performance.
a. Poetry b. Theater c. Drama d. Fiction
8. A nonsensical genre of drama which often overacts or engages slapstick/funny humor.
a. Farce b. Comedy c. Musical d. Tragedy
9. When an object is meant to be representative of something or an idea greater than the object itself.
a. Motif b. Imagery c. Symbolism d. Climax
10. Background information regarding the setting, characters, and plot.
a. Resolution b. Denouement c. Complication d. Exposition
11. It is a possible, but not essential, intertextual relationship that if recognized, the connection will slightly shift the understanding of the
text.
a. Accidental Intertextuality b. Obligatory Intertextuality c. Optional Intertextuality d. Intertextuality
12. The classification of proposition on the basis of whether they claim necessity or possibility or impossibility.
a. Epistemic Modality b. Deontic Modality c. Modality d. Alethic Modality
13. The interconnection between similar or related works of literature that reflect and influence an audience’s interpretation of the text.
a. Accidental Intertextuality b. Obligatory Intertextuality c. Optional Intertextuality d. Intertextuality
14. The writer has no intention of making an intertextual reference and it is completely upon the reader’s own prior knowledge that these
connections are made.
a. Accidental Intertextuality b. Obligatory Intertextuality c. Optional Intertextuality d. Intertextuality
15. When the writer deliberately invokes a comparison or association between two (or more) texts
a. Accidental Intertextuality b. Obligatory Intertextuality c. Optional Intertextuality d. Intertextuality
16. It needs no explanation but it refers to the fact that the modality is centered on the subject. It is also confined to expressions of ability
or willingness.
a. Alethic Modality b. Dynamic Modality c. Deontic Modality d. Epistemic Modality
17. A play that has only one act, as distinct from plays that occur over several acts.
a. Play b. Drama c. One-Act play d. Theatrical Play
18. The philosophy that forms the base of the story or the central idea.
a. Symbol b. Plot c. Performance d. Theme
19. The entertainment value of a play depends on the sequence of events in the story.
a. Symbol b. Plot c. Performance d. Theme
20. The way in which the characters are portrayed and developed in a play.
a. Characterization b. Description c. Costume d. Characters
21. The story is narrated to the audience through the interaction between the play’s characters, which is in the form of ____________.
a. Plot b. Music c. Make-up d. Dialogue
22. The era or time in which the incidents in the play take place, influence the characters in their appearance and personalities.
a. Setting b. Plot c. Performance d. Theme
23. The area where the players perform; usually a raised platform.
a. Plot b. Set-up c. Stage d. Props
24. These stages are deep and sometimes raked, meaning the stage is gently sloped rising away from the audience.
a. Proscenium Stage b. Thrust Stage c. Theater in-the-round d. Arena Theaters
25. Such stages are often used to increase intimacy between actors and the audience.
a. Proscenium Stage b. Thrust Stage c. Theater in-the-round d. Arena Theaters
26. The arrangement is rarely ‘round: more usually the seating is in square or polygonal formation.
a. Proscenium Stage b. Thrust Stage c. Theater in-the-round d. Arena Theaters
27. The structure of a play which tells what happens as the story goes.
a. Plot b. Dialogue c. Setting d. Characters
28. The people, or sometimes animals, subjected in the drama, and are portrayed by the actors and actresses in the play.
a. Plot b. Dialogue c. Setting d. Characters
29. The _______________in drama can be presented through the visual element deals with the scenes, costumes and special effects used in it.
a. Plot b. Dialogue c. Setting d. Characters
30. Refers to the mode of expression or presentation of the play which points out the playwright’s position or viewpoint in life.
a. Style b. Genre c. Language d. Descriptions
31. These are the playwright’s way of creating atmosphere and the recurrent uses of “word pictures”
a. Foreshadowing b. Imagery c. Hyperbole d. Simile
32. A drama in which a disastrous series of events happens to the hero.
a. Tragedy b. Melodrama c. Farce d. Comedy
33. The first stage of fictional or dramatic plot, in which necessary background information is provided
a. Resolution b. Setting c. Exposition d. Flashback
34. A speech by a single character without another character’s response.
a. Dialogue b. Monologue c. Script d. Linear Plot
35. The sorting out or unraveling of a plot at the end of a play, novel, or story.
a. Resolution b. Setting c. Exposition d. Flashback
36. The contrast of flat character who serves a specific or minor literary function in a text, and who may be a stock character or simplified
stereotype.
a. Dynamic Character b. Flat Character c. Round Character d. Stock Character
37. The background, environment, setting, framework, or surroundings of events or occurrences.
a. Context b. Content c. Contest d. Competent
38. A type of journal in which you write about your daily life.
a. Journal b. Diary c. Letters d. Memoir
39. The most popular form of creative writing and found in the realms of both fiction and nonfiction writing.
a. Storytelling b. Essay c. Vignettes d. Scripts
40. A popular but under-appreciated type of writing and it’s easily the most artistic, creative form of writing.
a. Song b. Speeches c. Poetry d. Essay
41. A longer form of the personal essay or journal that explores a person’s life or experience.
a. Memoir b. Speeches c. Diary d. Journal
42. A small impressionistic scene that captures a single moment or defining detail about a character, idea, or other element of the story.
a. Personal Essay b. Vignette c. Blog d. Reports
43. The interconnection between similar or related works of literature that reflect and influence an audience’s interpretation of the text.
a. Context b. Intertextuality c. Creative writing d. Media
44. It is objective reporting on facts, people, and events.
a. Essay b. Journalism c. Poetry d. Scripts
45. A formal address or discourse delivered to an audience.
a. Speech b. Memoir c. Poetry d. Essay
46. An English poet, playwright and actor of the Renaissance era.
a. John Keats b. William Shakespeare c. William Wordsworth d. Lord Byron
47. An enduring tragic love story about two young star-crossed lovers whose deaths ultimately unite their feuding families.
a. Beauty and the Beast b. Hamlet c. Romeo and Juliet d. Midsummer Night’s Dream
48. It is naturally the play’s(Romeo and Juliet) dominant and most important theme.
a. Fantasy b. Romance c. Survival d. Youth
49. His name is synonymous to a young, passionate lover who is willing to risk anything for the sake of his beloved.
a. William b. Mercutio c. Romeo d. Juliet
50. A naïve child who has thought little about love and marriage, but she grows quickly upon falling in love with Romeo.
a. William b. Mercutio c. Romeo d. Juliet

♥END ♥

-Honesty is of God and dishonesty of the devil; the devil was a liar from the beginning-