Professional Documents
Culture Documents
Course Objectives
At the end of this course, you should be able to:
● Create your own definition of culture and analyze its impact on a particular
country or region’s literature.
● Identify and describe major literary styles and genres from multiple parts of the
world.
● Identify the relationship between literature and its social context.
● Write interpretations of texts and/or issues in literary studies in which you:
○ Perform a reasonable close reading by analyzing relevant literary elements
(techniques, themes, forms/genres, stylistic choices, or other literary
devices).
○ Make appropriate references to relevant texts.
● Demonstrate how common or culturally specific heritages, perspectives,
histories, and/or belief systems influence writers and the forms or genres in
which they write.
● Analyze the importance of literature as it relates to its socio-cultural context and
to its “universal” appeal.
● Explain how and why socio-cultural factors:
○ Influence our understanding and experience of a literary piece.
○ Impact the significance and meaning of a literary piece.
● Demonstrate an awareness of the basic literary and cultural manifestations of
each country or region studied in this course.
● Demonstrate analytic and oral skills related to the interpretation of different
literary genres.
● Identify and analyze connections between different authors and art forms.
● Identify the literary, cultural, historical, political impact of literary works across
the world.
Course Topics
1. Introduction: Reading & Writing About Literature
2. Literary Elements & Styles
3. Comparing & Contrasting Literary Works
4. Eastern Literature
a. Arabic & Middle Eastern Literature
b. Asian & Far Eastern Literature
c. African Literature
5. Western Literature
a. Classical Greek and Roman Literature
b. European & English Literature
c. American Literature
i. African-American Literature
d. Latin American Literature
6. Literature & Painting
7. Creative Writing: Expression, Importance, and Creation
Robert DiYanni, Literature: Reading fiction, poetry, and drama (6th ed.).
Published by McGraw-Hill.
Important Policies
Attendance: Class meetings will be held after-school on Mondays and Wednesdays from
2:35pm to 4:00pm. There will be other instances where we may meet until 4:00pm on
other days or on Fridays; students will be notified in advance. Because meetings are
after school, they will be subject to change depending on a variety of factors such a
meetings, events, or holidays; students will be notified of changes in advance.
Attendance to class is mandatory. However, if you need to be absent for any particular
reason please inform your instructor with ample time and arrangements will be
discussed. Please be cautious of the number of unexcused absences you accumulate as
this course is subject to the same credit withholding policies as any other block course.
It is your responsibility to be informed of all work that is required of you regardless of
whether or not you were present in class.
Grading: This course will follow the mandatory grading structure of Mater Academy.
Classwork 35%
Homework 25%
Quizzes 15%
Tests 25%
Late Work: Every assignment is due in class or online at the date and time that is
indicated when the assignment is first given. Late work will not be accepted unless
previous arrangements have been made with the instructor for acceptable reasons.
Food: Because this class takes place after school, every student will have the opportunity
to eat a light snack or meal. However, eating in class can be distracting to your
classmates and to the instructor. With that in mind, there are two policies about
bringing food to class. Food is allowed in class so long as:
● You unwrap and eat your food quietly.
● You purchase your food early enough that you arrive on time to class.
If there is a problem with either of these issues, you will be addressed individually. If the
problem is not resolved, you will be asked to eat prior to or after class.
Revisions: Revising an out-of-class essay after a grade has been assigned is allowed. If
you wish to revise an out-of-class essay discuss the matter with your instructor. The
subject matter of the revision must be the same as the subject matter of the original.
Grades will be given for revisions. In fact, all efforts to improve as a student will be
encouraged and rewarded.
Plagiarism and Academic Dishonesty: Your work must be your own. Plagiarism will not
be tolerated at any level. Be advised that any student caught plagiarizing will
automatically fail the plagiarized assignment and will be subject to academic discipline
by me and the administration, as specified in the student handbook. In addition, any
form of cheating, such as copying another student’s work and bringing materials into an
exam that are not allowed, will also be subject to disciplinary actions.
Eastern Literature
Arabic & Middle Eastern Literature
Selected Stories from “The Arabian Nights: Tales from a Thousand and
One Nights”
Religious Excerpts, “The Vedas” & “The Upanishads”
Salman Rushdie, “Midnight’s Children”
Khaled Hosseini, “The Kite Runner”
Asian & Far Eastern Literature
Wu Cheng’en, “Monkey: A Folktale of China”
Young-Ha Kim, “I Have the Right to Destroy Myself”
Selected Poetry & Stories by Asian Authors
Excerpts from Selected Asian Philosophies
African Literature
Chinua Achebe, “Anthills of the Savannah”
Alan Paton, “Cry, the Beloved Country”
Uwem Akpan, “Say You’re One of Them”
Selected Tribal Short Stories and Fables
Selected Yoruba Myths and Stories
Western Literature
Classical Greek and Roman Literature
Sophocles, “Oedipus Rex”
Aristotle, “Nicomachean Ethics”
Voltaire, “Candide”
Selected Poetry by Horace & Ovid
European & English Literature
William Shakespeare, “King Lear”
Jean-Paul Sartre, “No Exit”
Dante Alighieri, Selected Cantos from “The Divine Comedy”
Albert Camus, “The Stranger”
Geoffrey Chaucer, Excerpts from “The Canterbury Tales”
E.M. Forster, “A Passage to India”
American Literature
Selected Works of Edgar Allen Poe
Selected Poetry of Emily Dickinson
Joseph Heller, “Catch-22”
Ernest Hemingway, “For Whom the Bell Tolls”
African-American Literature
o August Wilson, “Fences”
o Lorraine Hansberry, “A Raisin in the Sun”
o Selected Poetry of Langston Hughes
o W. E. B. Du Bois, Excerpt from “The Souls of Black Folk”
o Selected Works of Maya Angelou
o Toni Morrison, “Beloved”
Latin American Literature
Gabriel Garcia Marquez, “A Very Old Man With Enormous Wings”
Selected Poetry of Pablo Neruda
Laura Esquivel, “Like Water for Chocolate”
Isabel Allende, “The House of the Spirits”
Selected Short Stories and Poetry of Jorge Luis Borges
Octavio Paz, Excerpt from “The Labyrinth of Solitude”
Student
I have read and fully understand the classroom rules, regulations, and films to be shown section.
I will adhere to the policies, abide by the demands and rigor of Great Books Honors. I am aware
of the plagiarism clause in the syllabus and will conduct myself with the utmost integrity and
ensure that my work is original and my own product. I will honor Mr. Lantz’s classroom
management and discipline plan for the entire 2016-2017 school year.
Student Signature:
Parent / Guardian
(I/We) the parent(s) / guardian(s) have reviewed the terms of this agreement with my
child and (I/we) understand and agree to all the terms and conditions therein.
Print Name: