Literature is commonly liable to the 'law of transformative turn of events.

Furthermore, however
a man may accomplish more than others by method of adding to this advancement we ought to
be cautious of inducing upon him the decoration of parenthood. At the point when it is said that
Chaucer is the father of English verse, and even the “Father” of English Literature we
extensively imply that his commitment to the advancement of English verse or Literature is
substantially more huge than that of his peers and archetypes, and to be also evaluated is his
presentation of so numerous novel highlights into it.

After Chaucer, no significant writer ever considered returning to the old measure.
In this way, Chaucer might be assigned "the dad of current English versification." Chaucer
utilizes three chief meters in his works. In The Canterbury Tales he generally employments
lines of ten syllables each (with for the most part five accents); and the lines run into couplets;
that is, each couple of lines has its end-syllables rhyming with one another. For instance:

His eyes twinkled in his heed aright

As doon the sterres in the frosty night.

In Troilus and Cryseyde he - utilizes the seven-line refrain of decasyllabic lines with five
complements each having the rhyme-plot a b abb c. This measure was obtained by him
from the French and is known as the rhyme-illustrious or Chaucerian verse. The third head
the meter utilized by him is the octosyllabic couplet with four accents and end-rime.
In The Book of the Duchesse this measure is utilized. The measures hence received by
Chaucer were taken advantage of by his replacements. The decasyllabic couplet known as the
brave couplet, was to be etched and empowered flawlessly three centuries later by Dryden and
Pope. Aside from those three chief estimates Chaucer additionally utilized for
the first run through various other stanzaic structures in his more limited sonnets.

Chaucer was a pioneer in the etymological and prosodic fields, yet was one in the carefully
lovely field moreover. The type of verse, however its substance, as well, is profoundly obligated
to him. In addition to the fact that he gave English verse another dress, however another body
and a new soul. His significant commitment towards the substance of verse is in his backing of
and severe adherence to authenticity. His Canterbury Tales typifies another exertion in the set
of experiences of writing, as it carefully manages genuine men, habits, and life. In the start of
his artistic vocation Chaucer followed his peers and quick archetypes, and composed figurative
and dream verse which in its substance was as far off from life as the dream is from the real
world. However,At the age of about fifty he realised that literature should deal first-hand with life
and not look at it through the spectacles of books or the hazy hues of dreams and cumbersome
allegory.

Chaucer's Prologue to The Canterbury Tales has been properly called "the
preface to modern fiction." It has characters if not plot, and striking portrayal is
one of the essential positions of a novelist. A Novel, as per Meredith, ought to be "a
summary of actual life." So is, indeed, thePrologue. Several of the tales, too, are novels
in miniature and hold the attention of the reader from the beginning to the end, which,sadly! very
few novels of today do.

Chaucer composed when, similar to the novel, mainstream show had not been conceived,
but his works have some sensational components which are by and large missing in the verse
before him. His method of characterisation in the Prologue to The Canterbury
Tales is not uncertain, static or graphic, however in the stories legitimate it is dynamic or
sensational.
There the characters uncover themselves, without the intercession of the. creator, through
what they state and what they do.