InCreArts

Module 4
Experience Total Human Formation

MODYUL 4 :
Indigenous Creative Arts

KURSO: InCreArts

DISKRIPSYON NG KURSO: Ang kursong ito ay pag-aaral sa mga katutubong materyales ng

bansa at ang mga proseso sa paggawa nito sa iba`t ibang uri ng malikhaing sining.  Kasama rito ang uri ng kahoy
(woods), mga uri ng rattan, fibers,  gawa sa kawayan, kabibi (seashell), mula sa  niyog at mga gawaing metal..
Binibigyang diin ng kursong ito ang mga karaniwang gamit sa kamay at pamamaraan sa paggawa ng malikhaing
sining. Nagbibigay din ito ng mga impormasyon ng iba't ibang mga produkto at proyekto na maaaring gawin
mula sa mga hilaw na materyales (raw materials).

Instruktor: MS. CLARISSA A. PACATANG

Instructor’s contact No: 0935 824 2385 E-mail address: clarissa.pacatang@lsu.edu.ph

Landline:(088) 521 0342 local Mobile:09358242385
LSU hotlines: 088 521 0342 local 156 or 157
 InCreArts
Module 4
Experience Total Human Formation

Oberbyu
Layunin din ng pag-aaral na ihanda ang mga mag-aaral na bigyang diin ang mga karaniwang gamit sa kamay
at pamamaraan sa paggawa ng malikhaing sining. Nagbibigay din ito ng mga impormasyon ng iba't ibang mga
produkto at proyekto na maaaring gawin mula sa mga hilaw na materyales (raw materials).

Pangkabuuang Alituntunin
Inaasahan na masinsinang susundin ng mga estudyante ang mga pangkabuuan at ispisipikong mga
alituntunin na nakasaad sa bawat kruso. Kasali na rito ang tatlong (3) modyul sa isang grading
period at siyam (9) sa isang semester. Bawat modyul ay inaasahang makumpleto sa loob ng limang
oras para sa isang three-unit na kurso,
I.A. PAGPASA NG MGA TAKDANG-ARALIN AT IBA PANG KAHINGIAN
 Kailangang matapos ng mga estudyante ang kanilang mga takdang-aralin/kahingian asa loob ng
nakasaad na iskedyul.
 Bibigyang konsiderasyon ang mga mahuhuling takdang-aralin/kahingian kapag balido ang mga
rason gaya ng pagkakasakit, aksidente, pagpanaw ng malapit na kamag-anak at iba pa.
 Hindi na tatanggapin ang mga gawaing ipapasa kapag lagpas na o tapos na ang summutive exam.
 Lahat ng mga Gawain ay kailangang ipasa sa CANVAS o sa drop-off area ayon sa nakasaad na
skedyul.
 Isulat ang mga sagot sa mga espasyong nakalaan para rito na matatagpuan sa Apendiks B.
I.B. ACADEMIC HONESTY AND PRIVACY
 Gamitin lamang ang mga babasahin at iba pang kagamitan sa pagkatuto sa kursong nakalaan
para rito.
 Kailangang sariling gawa ng mga estduyante ang kanilang mga sagot sa mga gawain, pagsusulit,
eksam at iba pang kahingian maliban na lamang kung pangkatang gawain ito.
 Pagmamay-ari lamang ng isang estudyante ang kanyang mga sagot sa mga gawain, pagsusulit,
eksam at iba pang kahingian.

Layunin
Sa katapusan ng pag-aaral ang mga estudyante ay inaasahang:
1. Maipaliwanag ang kahalagahan ng mga katutubo sa bansa at ang kanilang mga likhang sining.
2. Matalakay ang iba`t ibang mga tribo sa bansa at kung paano nag-aambag ang kanilang mga likhang
sining sa pagkakakilanlan ng Pilipinas.

Instructor’s contact No: 0935 824 2385 E-mail address: clarissa.pacatang@lsu.edu.ph

Landline:(088) 521 0342 local Mobile:09358242385
LSU hotlines: 088 521 0342 local 156 or 157
 InCreArts
Module 4
Experience Total Human Formation

3. Suriin ang kahalagahan ng kanilang ambag sa kultura ng bansa.

Pagtuklas

WEAVING

Weaving is a method of textile production in which two distinct sets of yarns or

threads are interlaced at right angles to form a fabric or cloth. ... Cloth is usually woven on a
loom, a device that holds the warp threads in place while filling threads are woven through
them.

BASKET WEAVING

Philippines baskets are constructed from bamboo and rattan and often a
combination of the two.
Plaiting and twining produces a wide range of sizes and forms. Filipinos use
baskets for transportation and farm work, food service and storage, fishing and
trapping, clothing, and to carry personal items.

Instructor’s contact No: 0935 824 2385 E-mail address: clarissa.pacatang@lsu.edu.ph

Landline:(088) 521 0342 local Mobile:09358242385
LSU hotlines: 088 521 0342 local 156 or 157
 InCreArts
Module 4
Experience Total Human Formation

Storage (imbakan)

 
Household items are secured in baskets. Clothing and blankets are kept fresh and dry
in lidded containers. A tampipi is a common basket type for storing clothing and
blankets.

Food Gathering & Preparation

 
Winnowing trays are used to separate rice from its hull. Serving trays present
rice and other foods for consumption. The baskets shown here are from the Bontoc
Igorot people of the mountain area of Luzon Island.

Fish traps are placed in swift flowing streams and simpler baskets are used to
carry crops from the field to home or market. 
4

Instructor’s contact No: 0935 824 2385 E-mail address: clarissa.pacatang@lsu.edu.ph

Landline:(088) 521 0342 local Mobile:09358242385
LSU hotlines: 088 521 0342 local 156 or 157
 InCreArts
Module 4
Experience Total Human Formation

Personal Baskets

 
Bontoc men carry tobacco and other personal belongings in small bags shaped
to fit beneath the arm (upper). Often compartmentalized, these bags include a "secret"
compartment where valuables can be stored. Meals are transported in tightly-woven
lunchboxes called topil. Jewelry and other personal items are stored in small, covered
baskets of subtle design.

Transportation

 
Unique to northern Luzon Island is the inabuntan or hunter's pack. It is
constructed to be rain-resistant, providing a dry storage space for hunting gear and
game.

Instructor’s contact No: 0935 824 2385 E-mail address: clarissa.pacatang@lsu.edu.ph

Landline:(088) 521 0342 local Mobile:09358242385
LSU hotlines: 088 521 0342 local 156 or 157
 InCreArts
Module 4
Experience Total Human Formation

Hats

  Bamboo and rattan hats vary in shape, size, and design, but all function to protect
the wearer from sun and rain.

Pusô  or Hanging rice

Pusô were once culturally important among pre-Hispanic Filipinos as

offerings to the diwata spirits and as an extension of the basic skill of weaving among
women. It became linked to festivities since they were commonly served during
religious events, especially the more complex woven variations. It is still used in
rituals in some parts of the Philippines today, though the rituals themselves have
been mostly Christianized. Similarly, it remained culturally important to Muslim
Filipinos, where it became symbolic of the Hari Raya feast.

Instructor’s contact No: 0935 824 2385 E-mail address: clarissa.pacatang@lsu.edu.ph

Landline:(088) 521 0342 local Mobile:09358242385
LSU hotlines: 088 521 0342 local 156 or 157
 InCreArts
Module 4
Experience Total Human Formation

Pagtataya

I. Read each item below.

1. Choose atleast one (1) kind of weaving.

2. Illustrate the steps and techniques of your chosen kind of weaving.
3. Take a video of yourself while illustrating
4. Provide a photo of your final output.
5. Submit your video clip and photo to clarissa.pacatang@lsu.edu.ph for
proper evaluation.

Instructor’s contact No: 0935 824 2385 E-mail address: clarissa.pacatang@lsu.edu.ph

Landline:(088) 521 0342 local Mobile:09358242385
LSU hotlines: 088 521 0342 local 156 or 157
 InCreArts
Module 4
Experience Total Human Formation

Reperensya:

Santos, T. U. (n.d.). Now and then: Is OPM going extinct? Retrieved 2 25, 2021, from
http://varsitarian.net/circle/20120513/now_and_then_is_opm_going_extinct

https://www.pinterest.ph/pin/272608583680386042/

https://www.mpm.edu/research-collections/anthropology/online-collections-
research/philippine-basketry-collection-2#:~:text=Philippines%20baskets%20are
%20constructed%20from,and%20to%20carry%20personal%20items.

Instructor’s contact No: 0935 824 2385 E-mail address: clarissa.pacatang@lsu.edu.ph

Landline:(088) 521 0342 local Mobile:09358242385
LSU hotlines: 088 521 0342 local 156 or 157