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Jewel Edwards

Spring 2021
International Baccalaureate (IB) Two Year Framework
https://www.ibo.org/programmes/diploma-programme/curriculum/the-arts/visual-arts/

YEAR ONE

SEMESTER 1 SEMESTER 2

Q1: Central Focus: Who I am? Q1: Central Focus: Building Concepts with
- Goals: Media/Medium
- # of IWB pages: minimum of 5 - Goals:
- Formative /Feedback: - # of IWB pages: minimum of 5
- Students present an artist talk - Formative /Feedback:
presentation on the best artwork - One-on-one student and
from their studio classes. 5-minute teacher meeting. Concept
presentation with a 5-8 minute check-in
class discussion. The class - Studio Work Days Goals:
discussion focuses on - Start on 3 pieces and work on them at
commonalities and themes present the same time
in the student’s portfolio. - Comparative Study Progress:
- Studio Work Days Goals: - Continue to research chosen artists and
- 5 Life drawing homework per week. Find refined the comparative study
objects and subjects that interest the - Summative Assessment:
student. Experiment with dry material: - Grade on studio work (effort,
pencil, color pencil, charcoal, oil pastel, commitment, and growth)
copic markers...etc Q2: Central Focus: Strengthen Concepts + Make
Work
- Students are assigned the reading: (Jewel
- Goals:
find and add a reading here)
- # of IWB pages: minimum of 5
- One-on-one student and teacher meeting
- Formative /Feedback:
- Comparative Study Progress:
- One-on-one student and
- Students bring in one new artist every 2
teacher meeting
weeks to share with the class along with an
- Studio Work Days Goals:
art journal spread (2 pages). Students are
- Continue working on 3 pieces and work
researching artists to do their Comparative
on them at the same time
Study Progress on.
- Review what is an artist statement and
- Summative Assessment:
how to write one
- Students turn in their artist journals to
- Process portfolio:
review progress on finding new artists. - Document inprogress work
- Turn in material exploration studies. - Write successes and improvements
Q2: Central Focus: Material Exploration about work. Be reflective
- Goals:
- In-progress critique feedback
- # of IWB pages: minimum of 5
- Summative Assessment:
- Formative /Feedback:
- In-progress critique
- Studio Work Days Goals:
- Reflection one-page paper
- Experiment with wet material: acrylic, oil
- Grade on studio work (effort,
(with oil preparation demo), watercolor,
commitment, and growth)
clay ...etc Q3: Central Focus: Confidence in Concept
- Comparative Study Progress: - Goals:
- Students bring in one new artist every 2 - # of IWB pages: minimum of 5
weeks to share with the class along with an - Formative /Feedback:
art journal spread (2 pages). Students are - In-progress critique
researching artists to do their Comparative - Studio Work Days Goals:
Study Progress on. - Start on 2 new pieces while finishing up
- Summative Assessment: the previous 3 pieces
- Students turn in their artist journals to - Process portfolio:
review progress on finding new artists. - Document inprogress work
- Turn in material exploration studies. - Write successes and improvements. Be
Q3: Central Focus: Researching Concepts reflective. Document changes in
- Goals:
compositions and ideas
- # of IWB pages: minimum of 5
- Summative Assessment:
- Formative /Feedback:
- In-progress critique feedback
- One-on-one student and teacher
- Grade on studio work (effort,
meeting
commitment, and growth)
- Studio Work Days Goals: Q4: Central Focus: Finish Working
- Peer discussion and exchanging artists. - Goals:
- Potential visuals and compositions in - # of IWB pages: minimum of 5
artists journal - Formative /Feedback:
- Comparative Study Progress: - One-on-one student and
- Students narrow down artists to do their teacher meeting
Comparative Study on. Go to the library to - Studio Work Days Goals:
find peer-reviewed sources and books on - Finish up 5 pieces. Students should be
the chosen artist. The chosen artists 90% done with 5 pieces from their
should have a similar theme/concept, style, portfolio.
or medium relating to the student’s interest. - Document finished artwork
- Summative Assessment: - Process portfolio:
- Students turn in their artist journals to - Write successes and improvements. Be
review progress on finding new artists. reflective. Document changes in
- Turn in material exploration studies. compositions and ideas
Q4: Central Focus: Defining Concepts - Summative Assessment:
- Goals:
- Typed one-page artist statement
- # of IWB pages: minimum of 5
- Final critique on finished works
- Formative /Feedback:
- Upload edited documentation to Google
- Studio Work Days Goals:
Drive Folder
- Make studies and maquettes for the
- Grade on studio work (effort,
portfolio. Explore styles and mediums for
commitment, and growth)
the final portfolio. Document in artist
journal.
- Process portfolio:
- Create a plan for a number of works (8–11)
medium, sizes, and concept.
- Comparative Study Progress:
- Comparative Study Progress is completed
by the end of the semester. (Compare at
least 3 different artworks, by at least 2
different artists, with commentary over
10–15 pages.)
- Summative Assessment:
- Review Comparative Study Progress and
give feedback for the start of next
semester.
- Grade on studio work (effort, commitment,
and growth)

YEAR TWO

SEMESTER 1 SEMESTER 2
Q1: Recenter and Refocus Q1: Touch-Down and Landing
- Goals: - Goals
- # of IWB pages: minimum of 5 - # of IWB pages: minimum of 5
- Formative /Feedback: - Formative /Feedback:
- Students present an artist talk - Peer review curatorial rationale
presentation on their work from last - Syntax and sentence framing
year. What are the goals for the for curatorial rationale
home stretch? 5-minute - Studio Work Days Goals:
presentation with a 5-8 minute - Finish up Final works and do final
class discussion. The class touches on the work. Students should
discussion focuses on successes be 98% done with their portfolio.
and ways to further research and - Workshop on writing a curatorial
concept in the student’s portfolio. rationale. Referring and reviewing artist
- One-on-one student and teacher journals.
check-in - Lecture: How to write and execute a
- Process portfolio: proposal
- Brainstorm and design for 3-5 new pieces - Internal assessment task- Exhibition
- Write about successes and improvements - Start working on 3 out 4–7 or 4 out 8-11
in the portfolio. Be reflective. Document pieces with exhibition text for each. A
changes in compositions and ideas. curatorial rationale (400 words max/
- Studio Work Days Goals: 800-word max).
- Start brainstorming and on 3 new pieces - Summative Assessment:
- HW: Students are assigned to watch ART - Exhibition text for 3 or 4 works
21 videos. The video/ artist will be different - Grade on studio work (effort,
depending on the student’s interest. Reflect commitment, and growth)
in their artist journals. Over the course of 3 Q2: Writing Curatorial Rationale
- Goals
weeks.
- # of IWB pages: Pages should be
- Summative Assessment:
completed
- Students turn in their artist journals to
- Formative /Feedback:
review progress on finding new artists.
- Peer review curatorial rationale
- Turn in material exploration studies.
Q2: Work, Work, Work - Syntax and sentence framing
- # of IWB pages: minimum of 5 for curatorial rationale
- Formative /Feedback: - Studio Work Days Goals:
- Studio Visits with Guest Artist - Students should be 100% done with
- Studio Work Days Goals: their portfolio.
- Continue working on 3 pieces and work on - Demo on cutting mats, framing work,
them at the same time and shipping or editing documentation
- Lecture: Review what is an artist statement of work
and how to write one - Demo on installing work
- Process portfolio: - Internal assessment task- Exhibition
- Document inprogress work - Start working on 4 out of 7 or 5 out of 11
- Write successes and improvements about pieces with exhibition text for each. A
work. Be reflective curatorial rationale (400 words max-
- Document in-progress critique feedback 800-word max).
- Summative Assessment: - Process portfolio:
- In-progress critique - Journal about presenting the work in a
- Reflection one-page paper space
- Grade on studio work (effort, commitment, - Summative Assessment:
and growth) - Exhibition text for 5 works and resubmit
Q3: Work, Work, Work previously
- # of IWB pages: minimum of 5
- Grade on studio work (effort,
- Write about influences and how
commitment, and growth)
they are present in your work? Q3: The Send Off
- Formative /Feedback: in-progress critique - Goals
- Studio Work Days Goals: - # of IWB pages: minimum of 5
- Continue working on 3 pieces and work on - Formative /Feedback:
them at the same time - Studio Work Days Goals:
- Process portfolio: - Setup on Exhibition
- Document inprogress work - Review what is an artist statement and
- Write successes and improvements about how to write one
work. Be reflective - Internal assessment task- Exhibition
- Summative Assessment: - Peer Review the curatorial rationale and
- Student reflective journal work workshop writing.
- Grade on studio work (effort, commitment, - Summative Assessment:
and growth) - Submit (Mail or Upload) artworks and
Q4: Work, Work, Work documents to the IB board.
- # of IWB pages: minimum of 5
- Grade on studio work (effort,
- Formative /Feedback:
commitment, and growth)
- One-on-one meeting with students Q4: The Finish Line
- Studio Work Days Goals: - Goals
- Continue working on 3 pieces and work on - Formative /Feedback:
them at the same time. Students should be - Reflective journal work
90% done with their portfolio. - Final critique on exhibition
- Review what is an artist statement and how - Studio Work Days Goals:
to write one - Fun after IB work stuff: Collage,
- Process portfolio: painting, video work, animation,
- Document inprogress work illustration. The students decide to learn
- Write successes and improvements about a new art form.
work. Be reflective - Summative Assessment:
- Summative Assessment: - Final Grade on exhibition completion
- Student reflective journal work - Pecha Kucha talk on artistic journey
- Grade on studio work (effort, commitment, over the last 2 years
and growth)
Questions:
- In the process portfolio what does “At least two different art forms” mean?
- What is SL and HL? How do I determine which students are which?

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