SCHOOLS DIVISION OF SORSOGON CITY

LEARNING ACTIVITY SHEET 1 IN MAPEH 10 - ARTS

NAME/SECTION: _____________________________________________________ QUARTER 4
TITLE OF THE LESSON: ORIGINAL PERFORMANCE WITH THE USE OF MEDIA

I.OBJECTIVES 1. Analyze examples of plays based on theatrical forms, and elements

of art as applied to performance.A10EL-Iva-2

II. LESSON DISCUSSION

Can you act this line in the different emotions
found below.
THEATER – one major art form that
"You complete brings together all the other art forms-
me." from painting and sculpture, to
installation art, to music, to dance, to
PHILIPPINE THEATER AND PERFORMING literature, even to computer arts- in a
GROUPS
REPERTORY PHILIPPINES
The Philippines has a rich and thriving theater
industry that you may be interested to venture into inIn 1967, theater director Zenaida Amador
the future. Productions range from original plays withfulfilled her dream of bringing the best of
Philippine themes and settings, to renowned theaterBroadway and London’s West end to Filipino
classics from past centuries, to contemporaryaudiences. It is a company that not only
musicals from Broadway or London’s West End. staged English-language plays and musical
PETA AND TANGHALANG PILIPINO year-round but trained actors and actresses
as well. The company continues with this
With the American presence in the Philippinesvision to this day.
for the first half of the 20th century, it was inevitable that
many U.S and European theater forms and scripts
found their way here.
Among them were the classics, such as the
plays of William Shakespeare, as well as the works of
great American Playwright.
In the past few decades, modern theater groups
have continued to express the distinctly Philippine
interpretation of both originally written plays as well as
adaptation of foreign works translated into Filipino.
*PETA- (Philippines Educational Theater Association)
founded in 1967 by Cecile Guidote-Alvarez.
*Tanghalan Pilipino the resident theater company of
the Cultural Center of the Philippines founded 1987. Multi-awarded theater
This groups span the range from daring new actress and singer,
presentations of classical works, to the spectacle of
Philippine myths and legends, to commentaries on Lea Salonga, began her
current social and political issues. career as a child lead in
productions of Repertory
Philippines.
From there, she become an
international stage
superstar the lead role of
Kim in Miss Saigon- putting
the Philippines on the world
map in term of theater
talent.
TRUMPETS – in 1990 this group began
mounting grand productions of originally
written musicals with a slant towards good
values for children and the whole family.
Trumpets is to provide wholesome theater
experience for Filipino youth while also
building up the Philippine theater-going
public. The Lion, The Witch, and The Wardrobe N.O.A.H.

NEW VOICE COMPANY –

established in 1994 by Monique
ASPECT OF LIFE
Wilson-also a Repertory Philippines
protegee who went on to star on the New Voice
Company,
international stage. A reputation for 2006
staging thought-provoking productions
on “controversial” and profound topics.

PHILIPPINE OPERA COMPANY THEATER DOWN SOUTH

Founded in 1999 by a Founded in 2007 with

group of dedicated Philippine theater
classically-trained mainstay Michael
singers, led by soprano Williams as artistic
Karla Gutierrez as director. The vision of
artistic directress. The the company is to
POC seeks to develop widen the reach of
performers as well as stage productions
audiences for classical beyond the traditional
music performances, centers within Metro
both foreign and Filipino. Manila, and therefore
develop a broader
audience base.
III.LEARNING ACTIVITIES
PRACTICE TASK IV. EVALUATION
Supply the correct information.
IDENTIFICATION
PERFORMING Year Founder/ *The two active theater groups in the
GROUP Established/ Creator Philippines specializing in original plays
Founded written in Filipino.
1.REPERTORY
PHILIPPINES 1.

2.THEATER 2.
DOWN SOUTH *Which theater company tends to present
productions with thought-provoking content?
3.PHILIPPINE
OPERA 3.
COMPANY
*Name the production group that focuses on
4.NEW VOICE family-oriented and values-rich
COMPANY performances.
4.
5.PETA *Which performance company aims to
develop both performers and audiences for
classical music theater?
5.
 DIVISION OF SORSOGON CITY
LEARNING ACTIVITY SHEET 2 IN MAPEH 10 - ARTS
NAME/SECTION: _____________________________________________________ QUARTER 4
TITLE OF THE LESSON: ROLES IN A STAGE PRODUCTION

I.OBJECTIVES
1. Identify the different Roles in a Stage Production.
2. Value the importance of the different Roles in a stage Production.

II. LESSON DISCUSSION Most visible on stage in a theater

production are the actors and actresses
playing their roles. However, behind the
scenes is an entire team whose work
begins months in advance of the actual
performance.

ROLES IN A STAGE PRODUCTION

PRODUCER – In a professional
stage production, this is the
person who takes the play from a
mere concept to an actual
finished presentation.
He or she chooses all the team
members and assigns them their
functions, and oversees the
casting of the actors and
actresses for the different roles.
He or she also decides on major
logistical matters like when and
where the play will be staged, the
production schedule, and in most
cases either finances all the
production costs or else sources
the funds needed.
DIRECTOR – the overall artistic
coordinator of the entire production. Like PLAYWRIGHT – for a
script intended for stage
a conductor of an orchestra, he or she
performance, the writer of
has a vision of the desired total effect
and impact of the performance. the script is more
specifically called a
The director ensures that each one in playwright. The initial
the production “hits all the right notes” to concept or plot may be
create a cohesive, seamless original, and then
performance that will engage the developed into a play
audience. script. Or it may be based
on an existing story or
Throughout the play’s rehearsals, the
director instructs and guides the actors another play which the
as to the delivery of their lines of playwright will then adapt
dialogue; their positions and movements to present in a new way.
on stage (called “blocking”); the
thoughts or feelings they are to convey LIGHTING DESIGNER –
through tone of voice, facial expression, is coordinating closely
and gestures. with the set designer.
Lighting is critical in
By the time of the actual performance, creating the mood of each
all these should be second nature to the scene in the play,
actors as they portray their characters
SET DESIGNER – The concept
and creation of the physical
stage setup is the task of the set
designer.
He or she builds the set (or sets)
that will simulate the world that
the play’s characters are
COSTUME
supposed to liveDESIGNER
in. – The actors and actresses must look believable in their roles, and much of
this is owed to the costume designer. He or she studies the general setting (time and place) that the
play is meant to take place in, as well as each character in the script. He or she then decides what
attire will not only give the audience a clear sense of the setting, but will also express each
character’s personality and distinct qualities. 
SOUND DESIGNER – Similar to the lighting designer, the sound designer serves a vital role in
creating and enhancing the atmosphere of the performance. Sound, in this case, includes music both
on stage and as background, which the sound designer may need to source to suit the general time
and place of the play, as well as particular scenes.
PRODUCTION MANAGER – Coordinating all the complex behind-the-scenes details of staging a
play is the production manager. He or she is tasked with overseeing the crews for the sets and props,
the sound and music, the lighting, and the costumes. 
TECHNICAL DIRECTOR – The technical director shadows the play’s director throughout the
entire production process. From the time the director presents his or her vision for the play and issues
instructions at every rehearsal, the technical director carefully notes how each actor and every
member of the stage, sound, lighting, and costume crews need to be coordinated to bring the
director’s vision to life—ensuring that every instruction is properly executed. Technical rehearsal
sometimes called dress rehearsal.
CHOREOGRAPHER – In cases where a play involves dance in certain scenes, a choreographer is
included in the production team. He or she not only plans out all the dance steps to suit the music,
but also rehearses the actors until they are able to perform the dance skillfully—while remaining “in
character” on stage.
MAKEUP DESIGNER – As the costume designer deliberates on the characters’ main attire, the
makeup designer is brought in to plan the hairstyles and makeup to complement the costumes. The
work of the makeup designer may be as simple as making the actors look natural for their respective
roles—based on their characters’ age and personality, and the time and place of the story.

III. LEARNING ACTIVITIES

PERFORMANCE TASK
If you have given a chance to create or direct a theater or
PRACTICE TASK :Tell me…Who am I? play,what kind of play or element will you pursue? Make a short
essay for your answer. (15pts.)
Arrange the scramble letters to the correct words.
 1.WGIRHTYLAP 2.UPEKAM RENGISED
ANS.______________ ANS.______________

IV. EVALUATION
IDENTIFICATION
* Which member of the production team shadows the
director?
3.EMUTSOC RENGISED 4.REHPARGOEROHC 1.
ANS.______________ ANS.___________ *Name two other roles that are responsible for the physical
_ appearance of the different characters on stage.
2.
3.
5.DNUOS DESIGNER *What is another name for technical rehearsal?
4.
ANS.___________
*The overall artistic coordinator of the entire production.
5.