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LESSON 1 4.

Religious Function
INTRODUCTION TO CONTEMPORARY - To express spiritual beliefs about
PHILIPPINE ARTS the destiny of life controlled by the
Art force of a higher power.
- A skill; From the Latin Word ‘ARS’, from the
Greek word ‘Techne’. 5. Economic Function
- An act of beauty (aesthetics). 6. Historical Function
- An imitation of reality (Greeks). 7. Cultural Function
- An expression of feelings or intentions of 8. Physical Function
the artist (romantics). 9. Aesthetic Function

ART IS CREATION. IT IS LIFE. ART STYLE AND FACTORS AFFECTING


STYLE
To create art is to give life.
Ramon Orlina; Glass Sculptor. Art style is a way for artists to express themselves.

1. Geographical Factors
Why do people engage in art?
- The place where the artist stays
- To express their emotions and thoughts,
influences his works.
real or imaginary.
- To produce things of beauty and
2. Historical Factors
masterpiece.
- Historical events exert a great
- To entertain people.
influence on artists, particularly
- To self-actualize.
writers.
- To earn money.
3. Social Factors
Five reasons why art is important
- Society at most times dictate the
- Art is a Natural Human Behavior.
types of paintings, sculptures,
- Art is Communication.
songs, dances, literary pieces, and
- Art is Healing.
movies to be produced.
- Art Tells Our Story.
- Art is a Shared Experience.
4. Ideational Factors
- The ideas coming from various
FUNCTIONS OF ART people also influence artists.

5. Psychological Factors
1. Personal Function
- The works produced by the artists
- To express personal feelings.
are affected by their
psychological makeup or frame of
2. Social Function
mind.
- To reinforce and enhance the
shared sense of identity of those in
6. Technical Factors
family, community, or civilization.
- Techniques matter as far as
artistic styles are concerned.
3. Political Function
- To reinforce and enhance a sense
of identity and ideological
connection to specific political
views, parties and/or people.
HISTORICAL BACKGROUND OF PHILIPPINE
CLASSIFICATIONS OF ART FORMS ARTS

Visual Arts Pre-Colonial/Ethnic Tradition Art


- Art forms perceived by the eyes. - Location and the experiences of the
- Includes painting, sculpture, and Filipinos were the major factors in art
architecture. production.
- Also called spatial art because artworks - For rituals and everyday use.
produced under this genre occupy space.
Spanish Period
- Religion and secularization were the
TWO CATEGORIES OF VISUAL ARTS
dominant themes of the art forms.
GRAPHIC ARTS
(Two-Dimensional Arts) American Period to Contemporary Art
- Those visual arts have length and - Modernism entered the field of art wherein
width. Filipinos started to explore different
- Described as flat arts because they are materials, methodologies, and
seen on flat surfaces.
techniques in expressing themselves
Examples: printing, painting, drawing, sketching, through non-conventional art.
commercial art, mechanical process, computer
graphics, and photography - Modern Art refers to the practice of art in
the 1860s-1960s.
PLASTIC ARTS
(Three-Dimensional Arts)
- The urbanization, consumerism, rise of the
- Those visual arts that have length,
middle class, change in the political system,
width, and depth (volume).
secularization, and the emergence of new
Examples: sculpture, architecture, landscape technology affected the way of art-making
architecture, set design, theater design, in that period.
industrial design, crafts, and allied arts
Contemporary Art
- Refers to the recent and current practice
Audio-Visual Arts (Performing Arts) of art ranging from the 1970s up to the
- Art forms perceived by both ears (audio) present.
and eyes (video).
- It mirrors society and the culture of the
Examples: musical, play, dance, music, theater, present times.
and film.
- It uses a combination of different
Literary Arts methods, materials, and ideas that
- Those presented in the written mode and transcend the traditional way of art-making.
intended to be read.

Examples: Prose (short stories, novels, essays,


and plays) and Poetry (narrative poem, lyrical
poem, and dramatic poem).
INTEGRATIVE ART AND CONTEMPORARY DIVISION OF ART STUDY
ART

Aesthetic or Art Appreciation


Integrative Art - Aesthetics is the science of beauty in
- It refers to the use of arts in other which the students learn to admire artists,
disciplines as in psychology. value highly different works of art and
- Several art forms are combined to form appreciate the role of art in society.
an artwork.
- Musical plays, Food Art, variety shows, Art History
advertisement, novels. - The student acquires the knowledge of
the artists, their backgrounds. Their
Contemporary Art masterpieces, and their significant
- It is the art produced in the present contributions in various fields of art.
period.
- It includes, and develops from,
postmodern art, which is itself the Art Production
successor of modern art. - The student learns to use their creativity
- Contemporary art runs from 1970 until now. and apply his artistic knowledge and
skills in producing their works of art.
During the 1970s up to the present, the artist
began combining different art forms and media.
Art Criticism
An artist may now combine two visual art forms, ● The student learns to use their judgement
such as painting and sculpture. An artist may in evaluating different artworks based on
integrate two or more different art forms, such as the criteria set.
sculpture and music. ○ Subject matter
○ Artist
Integrating two or more forms of performing arts is ○ Audience
still common nowadays, even though performing
arts were already integrated before the 1970's
such as the case of people's theater.
A. Organic shapes can be irregular or
rounded.
LESSON 2 B. Geometric Shape is two dimensional
ELEMENTS OF ART
2.1 Mass / Form
Every piece of art ever created includes one or - Refers to solid portions of a
more of these elements. Learn about line, color, three-dimensional object.
shape, form, value, space, and texture.
3. Color
The elements of art are the building blocks of all - Refers to the visual perception that allows a
art. person to differentiate objects
1. Line
- Refers to a prolongation of a point, or a THREE PROPERTIES OF COLORS
mark on a surface.
1. Hue
2. Shape
- Refers to the basic or pure color and is
- Refers to an area with boundaries identified
represented in the color wheel.
or drawn using lines.
2. Value
- Refers to the lightness and darkness of a
Actual Texture
color.
- Can be felt tangibly based on the material
that is used for the artwork.
3. Saturation
- Refers to the brightness and dullness of a
Implied Texture
color.
- Can be exhibited.
- Found most in visual arts.
Color Wheel
- Sets of colors are referred to as color
schemes or color relationships.
6. Space
- Refers to the area that is occupied by an
COLOR SCHEMES
object or a subject.
Monochromatic
- involves using the same hue but with TYPES OF PERSPECTIVE
different gradients of value. Atmospheric perspective
- utilizes the properties of light and air in
Analogous depicting the illusion of distance;
- entails the use of three or four adjacent
colors in the color wheel. Linear perspective
- involves the use of vanishing points and
Complementary receding hidden lines.
- involves the use of color and its
complement - meaning the color located
opposite of the first color. 7. Time and Motion
- Movement in visual art can either be an
Split - Complementary illusion or an actual motion.
- Close relative to the complementary color
scheme, but instead of using the color's
complement, this scheme uses the two
colors adjacent to the complement. PRINCIPLES OF ART
- Variation of complementary scheme
1. Harmony
Triadic - A most essential factor in a composition.
- uses three colors that are equal distance - Also called unity.
with each other. - Achieved when all the elements of a thing
are put together to come up with a coherent
Tetradic whole.
- Also known as a double complementary
color scheme, this uses two pairs of 2. Balance
complementary colors. - Known as physical equilibrium
- Stability produced by even distribution of
weight on each side of the thing.

Classified as Formal and Informal Balance


4. Value
- Refers to lightness or darkness of an area.
A. Formal / Symmetrical Balance
- Exists if the weights at equal distance from
5. Texture
the centers are equal
- Refers to the feel or appearance of a
surface.
A.1 Bilateral Symmetry is present when the left and Content is the communication of ideas, feelings,
right sides appear the same. and reactions connected with the subject. It is the
ultimate reason for creating art.
A.2 Radial Symmetry exists when the same
measure occurs from the central point to the end of
every radius.
THEMES OF PAINTING / SUBJECT MATTER
IN THE VISUAL ART
B. Informal/Asymmetrical Balance
- An arrangement in which the elements are
not symmetrically arranged, but still appear 1. Genre Painting
balanced and stable - Portrays people on daily activities.
- Subjects include painting and harvesting
3. Rhythm rice, a young woman singing in front of
- Continuous use of a motif or repetitive guests, vendors, and fiestas.
pattern of a succession of similar or
identical items. 2. Historical Painting
Depicts a scene from the past.
4. Proportion Illustrate a part of the story or a significant event.
- Comparative relationship of the different Often has a lesson concerning national values.
parts to the whole.
- Proper and pleasing relationship of one 3. Interiors
object with the others in a design. This refers to a painting of the space inside of a
part of a house or a building.
5. Emphasis Usually reveals the social class of the family living
- Giving proper importance on one or more in that particular house, as well as the traits of the
parts of the thing or the whole thing itself. people living in it.

Painting 4. Nature
- The process of applying color on a flat ● 4.1 Landscape
surface. ○ Depiction of outdoor or natural
- Some materials that are used in the scenery such as mountains, valleys,
painting are watercolor, acrylic, ink, oil, trees, rivers, and forests.
pastel, and charcoal. ● 4.2 Seascape
- Surfaces for painting include wood, canvas, ○ Depicts the sea as its primary
cardboard, and paper. subject.
- Considered two-dimensional, meaning it ● 4.3 Cityscape
only has height and weight. ○ Urban scenery or the urban
environment as its primary focus.
Subject ● 4.4 Flora
- It is what the work of art depicts or ○ Flowers as its primary focus
represents. ● 4.5 Fauna
- It may be a person, an object, a scene, or ○ Animal imagery as its primary
an event. subject matter
- The subject provides the answer to the
question: What is the work of art all about? 5. Portraits
- This refers to a painting portraying one or
Subject vs Content more specific individuals.
- The subject matter is the literal, visible - Usually portrays the physical characteristics
image in a work e.g., still life, portrait, of the subject and seeks to show an
landscape while content includes the understanding of that person’s character.
connotative, symbolic, and suggestive
aspects of the image.
6. Nudes Social realism (Links to an external site.), which
- Paintings that portray the unclothed human entails creating paintings that depict
figure. socioeconomic and political problems

7. Religious Painting Forms of Painting


- Common subjects include a lone religious 1.Easel Painting
image, lives of the saints, and scenes The most common form of painting
based on the Scriptures like the nativity Applying color to a board or canvas that is fixed on
scene, and the Stations of the Cross. upright support called an easel.
These paintings are meant to be framed and
8. Still Life hanged on a wall after creating them.
- This refers to a painting that depicts natural
or man-made objects that form a 2. Murals
composition in a natural setting. A mural is described as a huge wall-sized painting.
- Modern artists who still did still life paintings Some artists during the 1980’s believed that the
are Ang Kiukok, Frederico Aguilar Alcuaz, mural should be used to impart messages to
and Manuel Baldemor. Each artist uses his increase social awareness, especially to issues at
style in portraying still life. that time.
Have a new form called a portable mural that is
9. Surrealistic developed to prevent the mural from being erased
- The word "surreal" is associated with on the wall. The portable mural was created by
strange juxtapositions or absurd using bold strokes in applying bright colors on
combinations, like those experienced in pieces of cheesecloth or canvas.
dreams.
- An effort to make art ambiguous and 3. Telon Painting
strange. Described as a backdrop or background for the
- Images are recognizable but are combined stage. These backdrops are used for komedya,
with fantastic and unnatural relationships. sarswela, and sinakulo.

10. Abstract Art 4.Jeepney and Calesa Painting


- Art in which the artist has started with some Jeepney painting (Links to an external site.)
visible object and abstracted elements from evolved from calesa painting. In a typical Jeepney,
it to arrive at a more or less simplified or a logo, number, or painting is covered near the
schematized form. driver’s seat, as well as near the seats adjacent to
- Artists often "abstract" objects by changing, it. The typically subject matter of jeepney painting
simplifying, or exaggerating what they see. ranges from landscapes to scenes from a comic
book.

5. Collage
POPULAR STYLES OF PAINTING DURING
This refers to a form of painting that involves
THE CONTEMPORARY PERIOD
combine images in a single artwork.
Entails cutting and pasting materials such as
paper, fabric, tin foil, and other relatively flat
Neo-realism materials onto a board or canvas.
- Which involves creating representational
figures that also look abstract; National Artists for Visual Arts (Painting)
Fernando Amorsolo (Links to an external site.)
Hyper-realism or magic realism National Artist for Visual Arts - Painting (1972)
- in which the subject is painted in a highly Paco, Manila, National Capital Region
realistic way that resembles a photograph First National Artist in the Philippines
Best known for his illuminated landscapes
Developed the backlighting technique ( making his
creations bright and cheerful
Major Works:

The Mestiza (1943) – National Museum of the


Philippines collection
Dalagang Bukid(1936) – Club Filipino collection
El Ciego(1928)-Central Bank of the Philippines
collection
Maiden in a Stream(1921)-GSIS collection
Planting Rice(1946)-UCPB collection

Carlos “Botong” Francisco (Links to an external


site.)
National Artist for Visual Arts - Painting (1973)
Angono, Rizal, Region 4 A - CALABARZON
Distinguished mural painter
Best known for his historical pieces
Major Works:

Blood Compact
First Mass at Limasawa
The Martyrdom of Rizal

Victorio C. Edades (Links to an external site.)


National Artist for Visual Arts - Painting (1976)
Dagupan,Pangasinan, Region 1 - Ilocos Region
Recognized as the Father of Modern Philippine
Painting
Known for using dark somber colors in his painting

Major Works:

The Sketch
The Artist and the Model
Portrait of the Professor
Japanese Girl

Vicente Manansala (Links to an external site.)


National Artist for Visual Arts - Painting (1981)
Macabebe, Pampanga,Region 3 - Central Luzon
Known for his paintings depicting realistic themes
using the cubic style
He believed that "the beauty of art is in the process
in the moment of doing particular painting, closely
associating it with the act of making love”
Major Works:

A Cluster of Nipa Hut


Market Vendors
Madonna of the Slums

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