Professional Documents
Culture Documents
I. Introductory Concept
Strong Spanish influence is very evident in the music of the lowlands in Luzon. It is
evident in our folksongs, liturgical and devotional, and in secular music.
In this activity sheet, you will know more about the vocal music of the lowlands in
Luzon.
Folksongs are songs written by the folk and are sung to accompany daily activities
such as farming, fishing, and putting the baby to sleep. It is traditionally passed on orally and
mostly sung in their own dialect. Some very familiar are folksongs from the lowlands in Luzon
are:
➢Ilocano: Pamulinawen, Manang Biday, Ti Ayat ti Maysanga Ubing, Bannatiran,
Dungdungwen Kanto, Naraniag a Bulan
➢Kapampangan: Ating Cu Pung Singsing, Doredo, Caca O Caca, Tinanan Kung Kamantigui,
Ing Bulung Lara Y Rizal, Misa a Cayaldawan
➢Tagalog:Leron Leron Sinta, Bahay Kubo, Magtanim ay Di Biro, Sitsiritsit, Paru-parong Bukid
➢Bicol: Sarung Bangui, Si Nanay Si Tatay
Liturgical and devotional are music that are used for religious events. With the
introduction of Christianity, different Western forms of music used in religious rites, were
introduced. Some of these were adapted by Filipino musicians to suit Philippine culture and
traditions like the music for Salubong, Senakulo, Santacruzan, and Flores de Mayo. At the
same time some indigenous musical forms were incorporated to the Christian practices
especially the Pasyon chant and Obando Fertility Rites.
Secular music in Luzon refers to any other vocal music that is not religious in nature.
Example of which are Harana, Balitaw, Polka, and Kundiman.
Before you do the different activities, let us review some elements of music to guide
and help you in answering this learning activity sheet.
• Melody is the succession of notes that move horizontally either up or down.
• Tempo is a part of the rhythm element that refers as to how fast or slow the beats
recur.
• Meter is the grouping of beats. The three common meters are duple(two beats in a
measure), triple(three beats in a measure) and quadruple (four beats in a measure)
• Timbre is the quality of the sound produced by a voice or instrument.
• Form is the over-all structure of a composition
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II. Learning Skills from the MELCs
• Describes the musical characteristics of representative music selections from the
lowlands of Luzon after listening MU7LU-Ia-1
• Analyzes the musical elements of some Lowland vocal music selections; MU7LU-Ia-2
III. Activities
ACTIVITY 1:
A. Name that Folksong!
Direction: Read the excerpt lyrics of the Philippine folksongs below and guess the title
of the song. Write your answer on the space provided.
1. _________________________ 2. _________________________
3. _________________________ 4. _________________________
Sang can
quengsininopQuengmetung
a ca ban, mewalayaiti, ecu
camalayan
5. _________________________
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B. Let’s Compare.
Direction: Study the musical pieces below. You can listen to the recording through the
link provided after each song, Compare the musical characteristics of the two folksongs
by filling out the table below.
https://www.youtube.com/watch?v=4NLwmATSHbo
https://www.youtube.com/watch?v=HWzwUqY0YL4
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SARUNG MAGTANIM AY DI
Elements of Music
BANGGI BIRO
Dialect
(Kampapangan,Tagalog,Bicol, etc)
Melody
(Narrow/Moderate/Wide)
Meter
(Duple/Triple/Quadruple)
Timbre
(Instrument/Voice)
Tempo
(Slow/Moderate/Fast)
Form
(Strophic/Binary/Ternary)
ACTIVITY 2.
A. Match It
Direction: Match the statement in left box with the liturgical/devotional and secular
music mentioned in the right.
LITURGICAL AND DEVOTIONAL MUSIC
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B. L & T Express! (Liturgical and Secular)
Direction: Look at the pictures below. Watch and listen to the sample videos of the
liturgical and secular music of the lowlands of Luzon. Use the links under the pictures
to access the videos. After listening, write your observations about the musical
characteristics of the songs by answering the table below.
SECULAR MUSIC
PASYON BALITAW
https://www.youtube.com/watch?v=smn1z_h3Rcc https://www.youtube.com/watch?v=ijiylDrg9to
HARANA
https://www.youtube.com/watch?v=R4EGZwUkaSs&li
st=RDR4EGZwUkaSs&start_radio=1
Reflection:
1. What are your thoughts and ideas after hearing the different music of the lowlands
of Luzon?
_________________________________________________________________
_________________________________________________________________
2. What are your realizations after hearing the traditional music of the lowlands of
Luzon compared to the modern music that you use to hear everyday?
_________________________________________________________________
_________________________________________________________________
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IV. Answer Key
Activity 1A
1.SarungBanggi
2.Pamulinawen
3.LeronLeronSinta
4.Sitsiritsit
5.Atin Cu Pung Singsing
Activity 1B
Elements of Music SARUNG BANGGI MAGTANIM AY DI BIRO
Dialect Bicol Tagalog
Melody
Moderate Narrow
(Narrow/Moderate/Wide)
Meter
Triple Duple
(Duple/Triple/Quadruple)
Timbre
Voice and instrument Voice and instrument
(Instrument/Voice)
Tempo
Moderate Fast
(Slow/Moderate/Fast)
Form
Binary Strophic
(Strophic/Binary/Ternary)
Activity 2 A. Activity 3 B.
1. F
2. H
Melody Tempo Meter Mood
3. E Free
4. G Pasyon narrow slow sad
meter
5. C
6. A Balitaw moderate moderate triple happy
7. D
8. B
Harana moderate slow Duple endearment
V. References
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https://www.youtube.com/watch?v=ijiylDrg9to
https://media.mutualart.com/Images/2019_02/21/08/083146562/fbf4dc3d-55a8-45f6-
a2e3-326b215f83fc_570.Jpeg
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LEARNING ACTIVITY SHEET No. 2
I. Introductory Concept
With more than three decades of Spanish colonization and thereafter the Americans,
the life and culture of the Filipino people have been greatly affected. The music of the lowlands
of Luzon is a testament to this western influence. Your previous learning activity sheet in music
helped you understand vocal music of the lowlands of Luzon and its musical characteristics.
Now, in this activity sheet, you will get to know the different instrumental music of the lowlands
of Luzon. The Brass Band, for example, rose to popularity in the early 1900 during the
American regime through the foundation of the Philippine Constabulary Band in 1902. The
Pangkat Kawayan, Musikong Bumbong,and Angklung Ensemble are testaments of Filipino
ingenuity in our attempt to establish our own identity in terms of music.
Let’s get to know more about the instruments of the Lowlands of Luzon.
Las Pinas Bamboo Organ. As the Philippine National Treasure, the Bamboo Organ
can be found in St. Joseph’s Church, Las Piñas City. It is made of 902 bamboo pipes
completed in 1824 under the supervision of Fr. Diego Cera.
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II. Learning Skills from the MELCs
• Identifies the musical instruments and other sound sources from the lowlands of Luzon
MU7LU-Ib-3
• Explores ways of producing sounds on a variety of sources that is similar to the
instruments being studied; MU7LU-Ib-f-4
III. Activities
BAMBOO
1.
2.
3.
Kalagong Talunggating 4.
5.
Piccolo
Angklung
Tulali Clarinet
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ACTIVITY 2: Name Mo Ko!
Directions: Read the description of each instrument in Column A, then match it with
the name of instruments found in Column B.
A B
1. A bamboo rattle-tubes attached to a a. Flute
bamboo frame.
2. One of the Philippine’s National b. Angklung
Treasure that can be found in St.
Joseph’s Church, Las Piñas City and it
is made of 902 bamboo pipes.
3. A brass instrument made of tubing c. Bass Drum
wrapped into a coil with a flared bell.
4. A wind instrument that produces its d. Las Pinas Bamboo
sound from the flow of air across the Organ
opening.
5. Known as percussion instrument and e. French Horn
vary in sizes. It produces a note of low
pitch.
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ACTIVITY 4. Try mo, Dali! Look for objects at home or in your surroundings that you
think can produce sound similar to the sound of instruments of the Lowlands of Luzon
and create an improvised instrument out of it. Take a picture or draw your improvised
musical instrument. Paste it on a sheet of paper and write a short description of your
creation. If possible, take a video of you playing it then submit your video to your
teacher.
Example:
Reflection:
1. If you are to choose an instrument from the instruments of the lowland of Luzon as
your favorite, which one will it be? Explain why?
________________________________________________________________
________________________________________________________________
Activity 3
Student identified 10 or more instruments and presented clear and
95-100%
elaborate observations
Student identified 7-9 instruments and presented clear but not too
90-94%
elaborate observations
Student identified 4-6 instruments and presented a not too clear and
85-89%
elaborate observations
80-84% Student identified 1-3-instruments and presented unrelated observations
75-79% No instrument identified and observations were irrelevant
Activity 4
The sound production of the instrument is about 95% similar to the original
95-100% instrument, materials were appropriately used, and the over-all
appearance of the instrument is attractive and neat
The sound production of the instrument is about 90% similar to the original
90-94% instrument, materials were appropriately used, and the over-all
appearance of the instrument is attractive but not too neat
The sound production of the instrument is about 80% similar to the original
85-89% instrument, materials were appropriately used but the appearance of the
instrument is not attractive and neat
The sound production of the instrument is 30-70% similar to the original
80-84% instrument, materials were not appropriately used, and the appearance of
the instrument is sort of messy
75-79% The improvised instrument is very messy and there is no similarity on the
sound production to the original instrument
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V. Answer Key
VI. Reference
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LEARNING ACTIVITY SHEET No. 3 & 4
I. Introductory Concept
In your previous LAS, you have learned about the vocal and instrumental music of the
lowlands of Luzon. You’ve understood its musical characteristics and the different instruments
they are using. In this activity sheet, you will get to experience the culture and appreciate the
beauty of it by performing and creating simple rhythmic accompaniments to some selected
music from the lowlands of Luzon.
III. Activities
ACTIVITY1: I-Tiktokmo!
Direction: Choose a folksong from the lowlands of Luzon that you’ve learned from
your previous lessons such as Sarung Bangui, Sitsiritsit, Pamulinawen etc. Create
simple rhythmic accompaniment to your chosen songusing a pair of sticks or any
improvised instruments that you can find in your home. Make a Tiktok like video of you
singing it with the rhythmic pattern that you’ve created as the accompaniment.
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Study the musical piece “Dios Te Salve Maria”. Create your own rhythmic pattern
accompaniment that suits the song. Use any available material as your improvised
instrument. Video record yourself while singing the song and playing the
accompaniment that you have created then send it to your teacher.
Reflection:
1. How do you feel after doing all the activities? What are your insights and
realizations as a teenager about the music of lowlands of Luzon?
________________________________________________________________
________________________________________________________________
Used improvised
instruments creatively
Entertaining performance
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Activity 2 (Uso Pa Ba ang Harana?) and Activity 3 (A Song for Mary)
CATEGORY 15 points 10 points 5 Points 1 point
The beat is
The beat is
somewhat
secure, and
erratic. The beat is
the rhythms
The beat is Some usually
are mostly
RHYTHM secure, and the rhythms are erratic, and
accurate.
ACCOMPANIMENT rhythm is accurate. rhythms are
There are few
accurate. Frequent or seldom
duration
repeated accurate.
errors. The
duration
arrange
errors.
Some
pitches are
An occasional Hardly
Pitch is accurate but
error but accurate or
PITCH consistently there are
mostly secure
accurate frequent
accurate. pitches
repeated
errors
Sometimes
Performs with Typically performs
creative performs with with nuance Rarely
EXPRESSION AND nuance and nuance and and style demonstrates
STYLE style in style indicated that is expression
response to the in the indicated in and style.
score/music score/music the
score/music
V. References