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Culture Documents
Wenceslao Vinzons was among the first Filipinos to organize a guerrilla movement at the onset
of the Japanese invasion of the Philippines in 1941. In the course of the resistance, he was
captured and executed by the occupying Japanese military.
Within days following the arrival of the Japanese Occupation forces in the Philippines, Vinzons
began to organize armed resistance in the Bicol region against the invading army, which had
reached the region on December 12, 1941. He commandeered the rice warehouses in
Camarines Norte, and ordered the confiscation of explosives used in the province's gold mines
for use against the Japanese forces. By December 18, 1941, he would lead a raid against a troop
of Japanese soldiers in Basud, Camarines Norte. His guerrilla recruits soon grew to around 2,800
strong, and in May 1942, Vinzons would lead these forces to successfully liberate the provincial
capital of Daet. It is said that between December 1941 and May 1942, Vinzons' troops, armed
with poisoned arrows among other weapons, were able to kill around 3,000 Japanese soldiers.
Henceforth, the capture of Vinzons became a prime objective of the Japanese army. Through
the traitorous collaboration of a renegade guerrilla-turned-informant,
Vinzons was seized by the Japanese military together with his father on July 8, 1942. He refused
to pledge allegiance to his captors, and was brought to a garrison in Daet. It was there, on July
15, 1942, that Vinzons was bayoneted to death after refusing one final entreaty to cooperate
with the Japanese forces. Shortly thereafter, his father, wife, sister and two of his children were
also executed by the Japanese.
Architectural design
The facade is plain and traditional, with a triangular pediment and a flat wall. There are no
horizontal bands to separate the facade into storey, though a steam of cornices separate the
pediment from the wall. An arched main portal contrasts against the otherwise plain facade,
its smoothness stark against the unflustered mason work of the rest of the facade. The
spacious central niche holds the town patron, surrounded by a florid frame. A square bell
tower rises to the church's left. It tapers slightly and a peculiar layering indicates different
types of masonry used in its construction. Its campanile windows are protected with
decorative balustrades and a squat spire is topped with a cross