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Fabric Aesthetics Evaluation
Fabric Aesthetics Evaluation
Effective Date: OCT 2011 Revision # 2.4 Revision Date: DD-MAR-2013 Owner: Vicky Yang
The purpose of this document is to provide additional details related to the Nike Fabric
Aesthetics Test Method.
Background
To develop the method, a Nike Standards Committee conducted the following activities:
• Developed a draft test method based largely on AATCC Evaluation Procedure 5 “Fabric
Hand: Guidelines for the Subjective Evaluation of” and conducted a series of
experiments to determine the repeatability and reliability of each evaluation technique;
• Following the initial experiments, the methods were adjusted and documented by
recording a series of video tutorials compiled in the Nike Fabric Aesthetics Test Method;
• A pilot was conducted at several Nike vendors to evaluate the method in a production
environment and based on the feedback from the pilot vendors, additional adjustments
to the method were made.
Effective Date: OCT 2011 Revision # 2.4 Revision Date: DD-MAR-2013 Owner: Vicky Yang
30cm
30cm
Effective Date: OCT 2011 Revision # 2.4 Revision Date: DD-MAR-2013 Owner: Vicky Yang
3. Opacity
Use of a “light table” can improve the ability of the evaluator to compare the opacity of
the sample swatch to the approved standard. Opacity can vary with colour so only major
differences should be noted and only if they affect the fabric hand or performance
properties (e.g.: moisture management) of the fabric. NOTE: this is an optional
improvement to the method and can be implemented at the vendor’s discretion or used
only when a more thorough evaluation is required.
4. Drape
The test method for drape is intended to compare the stiffness/limpness of a fabric. The
manual method indicated by Nike is simple to conduct but has limitations with
repeatability. Similar to surface appearance and opacity, more advanced techniques can
be employed if there are difficulties in assessing this property. One example is to use the
fabric properties measured via a 3D modeling tool such as V-Stitcher.
Effective Date: OCT 2011 Revision # 2.4 Revision Date: DD-MAR-2013 Owner: Vicky Yang
6. Continuity Cards
The concept of continuity cards is to provide a convenient method for reviewing the lot
to lot consistency of a process by storing physical samples of each lot in an organized
manner. Similar to continuity cards used to monitor colour consistency, this process can
also be applied to monitor the lot to lot variation in fabric aesthetics. It is recommended
that continuity cards for fabric aesthetics be kept for the current and previous season to
assist with maintaining consistency from one season to another.
Effective Date: OCT 2011 Revision # 2.4 Revision Date: DD-MAR-2013 Owner: Vicky Yang
Revision History
12-JUN-2015 R2.0 Revision history detail is unavailable. Annette Shabat Shelly Silvana Reagan
12-JUN-2015 R2.1 Updated headers and footers + added revision Annette Shabat Shelly Silvana Reagan
history
12-JUN-2015 R2.2 Revised document ID # Annette Shabat Shelly Joey Osborne Robinson
From: FA05506R2.1 To: FAS05506R2.2 Silvana Reagan
Updated logo
28-JUL-2017 R2.4 Removed Jamie Ueda as a document owner Annette Shabat Shelly Silvana Reagan
Vicky Yang