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Rubrics for Southeast

Asian Music
(Burung Kaka Tua, Chan Mali Chan, Rasa Sayang,
Ru Con and Loi loi Krathong)
Direction:
Perform the following songs in Southeast Asia using
your own improvise musical instrument.
1. Burung Kaka Tua
2. Chan Mali Chan
3. Rasa Sayang
4. Ru Con
5. Loi loi Krathong
Rubric for Vocal And Instrumental Performance of Southeast Asian Music
Elements of Superior Excellent Very Good Average Poor
TOTAL SCORE
Music 20 pts 18 pts 16 pts 14 pts 12 pts

Pitch Virtually no errors in singing and An occasional isolated error Some accurate pitches in singing and Very few accurate or secure Who needs pitch in
playing the instruments. Pitch is in singing and playing the playing the instruments. but there are pitches in singing and singing and playing the
very accurate. instruments, but most of the frequent and/or repeated errors. playing the instruments. instruments?
time pitch is accurate and
secure.
The beat in singing and playing the The beat in singing and The beat in singing and playing the The beat in singing and Ain't got no rhythm in
Rhythm instruments. is secure and the playing the instruments is instruments is somewhat erratic. playing the instruments. is singing and playing the
rhythms are accurate for the music secure and the rhythms are Some rhythms are accurate. Frequent usually erratic and rhythms instruments. .
being sung. mostly accurate. There are a or repeated duration errors. Rhythm are seldom accurate,
few duration errors, but problems occasionally detract from detracting significantly
these do not detract from the the overall performance. from the overall
overall performance. performance.

Tone in singing and playing the Tone in singing and playing Tone in singing and playing the The tone in singing and Mumbles, shouts, sing
Tone instruments is consistently the instruments is focused, instruments is often focused, clear, playing the instruments is inappropriately, or will
Quality focused, clear, and centered clear, and centered through and centered, but sometimes the tone often not focused, clear, or not sing.
throughout the range of the voice. the normal singing range. is uncontrolled in the normal singing centered regardless of the
Extremes in range sometimes range. Extremes in range are usually range, significantly
cause tone to be less uncontrolled. Occasionally the tone detracting from the overall
controlled. Tone quality does detracts from overall performance. performance.
not detract from the
performance.
Student articulates clearly and the Student articulates the words Student is sometimes articulating the Student rarely articulates No clue as to what the
Diction text of the music is somewhat clearly and the words, but the text is often not the words and the text is student is singing.
understandable. text can be understood most discernable. not discernable. Possibly singing in a
of the time. different language.
Rubrics for Singing
Superior Excellent Very Good Average Poor
20 pts 18 pts 16 pts 14 pts 12 pts Score
Sings the entire Sings the entire Sings the entire Sings the Couldn’t sing
song with song with only song with only entire song out most of the
Melody
appropriate 1-2 lapses in 3-4 lapses in of tune melody
melody melody melody
Sings the entire Sings the entire Sings the entire Sings entire Couldn’t
song with song with only song with only song out of demonstrate
Rhythm appropriate 1-2 lapses in 3-4 lapses in rhythm pattern most of the
rhythm pattern rhythm rhythm rhythm

Sing the entire Sing the entire Sing the entire Sings most of Couldn’t
song with correct song with only song with only the song with sing the
Pitch
pitch 1-2 lapses in 3-4 lapses in incorrect pitch song with
pitch pitch correct pitch
Sing with Sing with some Sing with little Sing with no Couldn’t sing
Performance enthusiasm and enthusiasm and enthusiasm and enthusiasm
Delivery energy during energy during energy during and energy
entire song entire song entire song
Rubric for Basic Improvisation
Exceeds Expectations Meets Expectations Developing Needs Improvement
TOTAL
4 pts 3 pts 2 pts 1 pts

Rhythmic The improvisation is always in The improvisation is mostly in The improvisation is The improvisation is
Accuracy time, maintains a study beat, and time, for the most part, maintains sometimes in time, almost never in time,
includes only quarter and eight a study beat, and includes mostly sometimes maintains a does not maintain a
notes. quarter and eight notes. study beat, and includes study beat, and rarely
some quarter and eight includes quarter and
notes. eight notes.
Tonal The improvisation is always The improvisation is mostly The improvisation is The improvisation is
Accuracy harmonically and melodically harmonically and melodically sometimes harmonically and almost never
accurate, and is always in the accurate, and is, for the most melodically accurate, and is, harmonically and
proper tonality. part, in the proper tonality. at times, in the proper melodically accurate,
tonality. and is not in the
proper tonality.
Creativity The improvisation utilizes The improvisation utilizes The improvisation utilizes The improvisation does
extensive ornamentation and ornamentation and complex some ornamentation and, at not utilize
complex rhythms. rhythms. times, complex rhythms. ornamentation nor
complex rhythms.
Musical The improvisation exceeds The improvisation meets The improvisation The improvisation does
Effect expectations with regards to expectations with regards to demonstrates developing not demonstrate
confidence of performance, confidence of performance, musical effect, with regards musical effect, with
fluency, intonation, tone, and fluency, intonation, tone, and to confidence of regards to confidence
articulation. articulation. performance, fluency, of performance,
intonation, tone, and fluency, intonation,
articulation. tone, and articulation.

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