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‫ﺍﻝﻤﺨﺭﺝ ﻴﻭﺴﻑ ﺸﺎﻫﻴﻥ‬ ‫ﻓﻴﻠﻡ ﺒﺎﺏ ﺍﻝﺤﺩﻴﺩ‬

‫ﻭﺼﻑ ﺍﻝﺼﻭﺕ‬ ‫ﻭﺼﻑ ﺍﻝﺼﻭﺭﺓ‬ ‫ﻡ‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﻤﺅﺜﺭﺍﺕ‬ ‫ﺍﻝﺤﻭﺍﺭ‬
‫ﻤﺸﺎﻫﺩ ﻤﺎ ﻗﺒل ﺍﻝﻌﻨﺎﻭﻴﻥ‬
‫ﺼﻭﺕ ﺼﻔﺎﺭﺓ ﺍﻝﻘﻁﺎﺭ‬ ‫ﻨﻬﺎﺭ‪ /‬ﺩﺍﺨﻠﻲ‬
‫‪fade in‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻝﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺩﺍﺨل ﻭ ﻨﺭﻯ‬
‫‪ 1‬ﺍﻝﻘﻁﺎﺭﺍﺕ ﻭ ﺤﺭﻜﺔ ﺍﻝﻨﺎﺱ ﺩﺍﺨﻠﻬﺎ ﻋﻠﻰ‬
‫ﺭﺼﻴﻑ ﺍﻝﻤﺤﻁﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫‪-‬ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‪-‬‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﻠﻤﺤﻁﺔ ﻤﻥ ﺍﻝﺩﺍﺨل ﻤﻊ ﺍﻝﺘﺭﻜﻴﺯ ﻋﻠﻰ‬
‫ﺩﻯ ﻤﺤﻁﺔ ﻤﺼﺭ‬ ‫ﻭﺠﻭﺩ ﺜﻼﺙ ﻗﻁﺎﺭﺍﺕ ﺍﻷﻭل ﻤﻐﺎﺩﺭ ﻭ‬
‫‪2‬‬
‫ﺍﻝﺜﺎﻨﻲ ﻤﻨﺘﻅﺭ ﻭ ﺍﻝﺜﺎﻝﺙ ﻗﺎﺩﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻗﻠﺏ ﺍﻝﻤﺩﻴﻨﺔ‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻝﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺩﺍﺨل‬
‫‪3‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻜل ﺩﻗﻴﻘﺔ ﺒﻴﻁﻠﻊ ﻤﻨﻬﺎ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪ Medium .Close‬ﻝﻘﻁﺎﺭ ﻤﻐﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ ﻴﺴﻴﺭ‬ ‫ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻭ ﺍﻝﺩﺨﺎﻥ ﻴﺘﺼﺎﻋﺩ‬
‫‪4‬‬
‫ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ‬ ‫ﻤﻨﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺍﻝﻘﻁﺎﺭ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺴﺎﻋﺔ ﺘﺸﻴﺭ ﻗﻁﺭ‬
‫ﻋﻘﺎﺭﺒﻬﺎ ﻋﻠﻰ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺴﺎﺩﺴﺔ ﺇﻻ‬
‫ﺩﻗﻴﻘﺘﻴﻥ‬ ‫‪5‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪ Medium Shot‬ﻜل ﺩﻗﻴﻘﺔ ﺒﻴﻭﺼل‬
‫)‪ MS‬ﻝﻘﻁﺎﺭ ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻭ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Low angel‬‬ ‫‪6‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪ Big Close up‬ﻓﻴﻬﺎ ﻗﻁﺭ‬
‫ﻝﻠﺴﺎﻋﺔ ﺤﻴﺙ ﻴﻅﻬﺭ ﺤﺭﻜﺔ ﺘﺤﺭﻙ ﻋﻘﺭﺏ‬
‫ﺍﻝﺩﻗﺎﺌﻕ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﺩﻗﻴﻘﺔ ﻓﺘﺼﺒﺢ‬
‫‪7‬‬
‫ﺍﻝﺴﺎﻋﺔ ﺍﻝﺴﺎﺩﺴﺔ ﺇﻻ ﺩﻗﻴﻘﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﺃﻝﻭﻑ ﻤﻥ ﺍﻝﻨﺎﺱ ﺒﻴﺘﻘﺎﺒﻠﻭﺍ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﻘﻁﺎﺭﺍﻥ ﻴﺴﻴﺭﺍﻥ ﻭ ﺒﻴﻨﻬﻡ ﻗﻀﻴﺏ ﺨﺎﻝﻲ‬
‫‪8‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻴﺘﻔﺭﻗﻭﺍ ﻓﻴﻬﺎ‬ ‫ﻴﺒﺩﺃ ﺍﻝﻤﺸﻬﺩ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫ﻜﺒﻴﺭﺓ ‪Medium Long Shot‬‬
‫)‪ . ( MLS‬ﻝﻠﻘﻁﺎﺭ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻤﻥ‬
‫ﺒﺭﻭﻱ ﺍﻝﻤﺤﻁﺔ‬ ‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﻴﻤﻴﻥ ﺤﺘﻰ ﻨﺼل‬ ‫‪9‬‬
‫ﺇﻝﻰ ‪ L .S‬ﻝﻠﻘﻁﺎﺭ ﻤﻐﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ Medium‬ﺍﻝﻠﻲ ﻤﻥ ﺒﺤﺭﻱ ﻭ ﺍﻝﻠﻲ ﻤﻥ ﻗﺒﻠﻲ‬
‫‪ . ( Long Shot (MLS‬ﻝﻌﺩﺩ ﻤﻥ‬
‫ﺍﻝﻨﺎﺱ ﻭ ﻫﻡ ﻴﺴﻴﺭﻭﻥ ﺒﺴﺭﻋﺔ ﻭ ﺍﻝﺨﻭﺍﺠﺔ ﻭ ﺍﺒﻥ ﺍﻝﺒﻠﺩ‬
‫‪ 10‬ﻴﺘﻘﺩﻤﻭﻥ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﺨﺭﺠﻭﻥ‬
‫ﻤﺘﻔﺭﻗﻴﻥ ﻴﻤﻴﻥ ﻭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻐﻨﻰ ﻭ ﺍﻝﻔﻘﻴﺭ‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻝﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺩﺍﺨل ﻭ‬
‫ﺍﻝﺸﻐﺎل ﻭ ﺍﻝﻌﺎﻁل‬ ‫ﻗﻁﺎﺭ ﻭﺍﻗﻑ ﻭﻨﺎﺱ ﺘﺴﻴﺭ ﺒﺤﺭﻜﺔ‬
‫‪11‬‬
‫ﻋﺸﻭﺍﺌﻴﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻌﻡ ‪Medium .Close .Shot‬ﻝﻘﻁﺔ ﺃﻨﺎ ﻤﺩﺒﻭﻝﻰ ﻤﺘﻌﻬﺩ ﺍﻝﺼﺤﻑ ﻓﻲ‬
‫ﻗﺭﻴﺒﺔ ﻤﺘﻭﺴﻁﺔ ﻤﺩﺒﻭﻝﻰ ) ﺭﺠل ﻓﻲ ﺍﻝﻤﺤﻁﺔ ﻭ ﺩﻩ ﺍﻝﻜﺸﻙ ﺍﻝﻠﻲ ﺒﺒﻴﻊ ﻓﻴﻪ‬
‫ﺍﻝﺨﻤﺴﻴﻨﺎﺕ ﻴﺭﺘﺩﻯ ﺒﺎﻝﻁﻭ ﻓﻭﻕ ﺍﻝﺠﻠﺒﺎﺏ‬
‫ﻭﻏﻁﺎﺀ ﻭﻁﺎﻗﻴﺔ ﻨﻅﻴﻔﺔ ﻭﻴﻀﻊ ﻻﺴﺔ ﻋﻠﻰ‬
‫‪ 12‬ﺭﻗﺒﺘﻪ ﻭﺘﻅﻬﺭ ﻋﻠﻰ ﻤﻼﻤﺤﻪ ﺍﻝﻁﻴﺒﺔ (‬
‫ﻭﺍﻗﻑ ﻓﻲ ﻜﺸﻜﻪ ﻭ ﻴﻤﺴﻙ ﺒﺴﺒﺤﺔ ﻴﺴﺒﺢ‬
‫ﺒﻬﺎ ﻭ ﺒﺠﺎﻨﺒﻪ ﺠﺭﺍﺌﺩ‬

‫‪Dissolve‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻠﻤﺤﻁﺔ ﻤﻥ ﺍﻝﺨﺎﺭﺝ ﻭ ﺍﻝﻌﺭﺒﺎﺕ ﺘﺴﻴﺭ‬
‫ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭ ﺸﻐﻠﺘﻰ ﺨﻠﺘﻨﻲ ﺃﻗﺭﺍﺀ ﻓﻲ ﺍﻝﺠﺭﺍﺌﺩ ﻜل‬
‫‪13‬‬
‫ﻴﻭﻡ ﺃﺤﺩﺍﺙ ﻏﺭﻴﺒﺔ‬ ‫ﻨﻼﺤﻅ ﺍﻝﺘﻨﻭﻉ ﻓﻲ ﻤﺴﺘﻭﻯ ﺍﻝﻌﺭﺒﺎﺕ‬

‫‪Dissolve‬‬

‫ﻝﻜﻥ ﻭﺠﻭﺩﻱ ﻓﻲ ﺍﻝﻤﺤﻁﺔ ﺨﻼﻨﻲ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺃﺸﻭﻑ ﺤﺎﺠﺎﺕ ﺍﻏﺭﺏ ﻭ ﺍﻏﺭﺏ‬
‫‪ ( Long Shot (MLS‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ‬
‫ﺤﺎﺠﺔ ﻫﻲ ﺇﻨﻰ ﻓﻲ ﻴﻭﻡ ﺒﻌﺩ ﻤﺎ‬
‫ﻭﻫﻭ ﻴﺴﻴﺭ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﺸﻤﺎل‬
‫ﺼﻠﻴﺕ ﺍﻝﻅﻬﺭ ﺸﻭﻓﺕ ﺠﺩﻉ ﻏﻠﺒﺎﻥ‬
‫ﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺤﺭﻙ ﻤﻌﻪ ﺸﺎﺭﻴﻭﻩ ﺜﻡ ﻴﻘﻑ‬
‫ﻤﺭﻤﻰ ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ ﺫﻯ ﻏﻴﺭﺓ ﻤﻥ‬ ‫‪14‬‬
‫ﻭ ﻴﻨﻅﺭ ﻭ ﻴﺘﺤﺭﻙ ﻭ ﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻠﻲ ﺒﺎﺸﻭﻓﻬﻡ ﻜل ﻴﻭﻡ ﻓﻲ ﺍﻝﻤﺤﻁﺔ‬
‫ﺘﺘﺤﺭﻙ ﺸﺎﺭﻴﻭﻩ ‪ dolly back‬ﻝﻴﺠﻠﺱ‬
‫ﺴﺎﻴﺒﻴﻥ ﺒﻼﺩﻫﻡ ﻭ ﺃﻫﺎﻝﻴﻬﻡ ﻭ ﻓﺎﻜﺭﻴﻥ‬
‫ﺒﺠﺎﻨﺏ ﺸﺎﺏ ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﺽ ﻤﺘﻘﻭﻗﻊ‬
‫ﺃﻥ ﺍﻝﺴﻌﺎﺩﺓ ﻭ ﺍﻝﻤﺎل ﻫﺎ ﻴﻠﻘﻭﻫﺎ ﻓﻲ‬
‫ﻭﻴﺨﻔﻰ ﻭﺠﻬﺔ ﺒﻴﺩﻴﻪ ﻭﻗﺩﻤﻴﻪ ﺜﻡ ﻴﻤﺩ ﻋﻡ‬
‫ﻤﺼﺭ‬
‫ﻤﺩﺒﻭﻝﻰ ﻴﺩﻩ ﻋﻠﻰ ﺍﻝﺸﺎﺏ ﻭﻴﺘﺤﺩﺙ ﻤﻌﻪ‬
‫ﻓﻴﻨﻅﺭ ﺍﻝﺸﺎﺏ ﻝﻪ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻭﺠﻪ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻠﺸﺎﺏ ﻭ ﺴﺎﻝﺕ ﻋﻥ ﺃﺴﻤﺔ ﻤﺭﺩﺵ ﻋﻠﻴﺎ ﺠﻴﺕ‬
‫ﺃﻤﺸﻰ ﺍﻜﺘﺸﻔﺕ ﺍﻨﻪ ﺃﻋﺭﺝ ﻓﺼﻌﺏ‬ ‫‪ 15‬ﻴﺘﻔﺤﺼﻪ ﺠﻴﺩﺍ ﺜﻡ ﻴﻨﻅﺭ ﻝﻸﺭﺽ ﺒﺄﻝﻡ‬
‫ﻋﻠﻴﺎ ﻓﺎﺨﺩﺘﻪ ﺍﺸﻐﻠﻪ ﻤﻊ ﺍﻝﻌﻴﺎل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺭﺠﻠﻴﻥ ‪ M.2‬ﻝﻌﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﻭ ﺍﻝﺸﺎﺏ ﻭﻫﻤﺎ ﺠﺎﻝﺴﻴﻥ ﻜﻤﺎ ﻓﻲ‬
‫ﺃﻝﻠﻘﻁﺔ ﺍﻝﺴﺎﺒﻘﺔ ﺜﻡ ﻴﺄﺨﺫﻩ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬
‫ﻭﻴﻘﻑ ﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺤﺭﻙ ‪Tilt up‬ﻭ‬
‫ﻴﻅﻬﺭ ﻗﻨﺎﻭﻯ ) ﺸﺎﺏ ﻓﻲ ﺃﻭﺍﺨﺭ‬
‫ﺍﻝﻌﺸﺭﻴﻨﺎﺕ ﻭﻴﺒﺩﻭ ﻋﻠﻴﺔ ﺃﺜﺎﺭ ﺍﻝﻔﻘﺭ‬
‫ﺍﻝﺸﺩﻴﺩ ﻝﻪ ﻭﺘﻅﻬﺭ ﻓﻲ ﺍﺭﺘﺩﺍﺌﻪ ﺴﺩﻴﺭﻯ‬
‫ﻗﺼﻴﺭ ﻴﻜﺸﻑ ﻋﻥ ﻤﻨﺘﺼﻑ ﻅﻬﺭﻩ ﻭ‬
‫ﻤﺸﻘﻭﻕ ﻤﻥ ﺍﻝﻤﻨﺘﺼﻑ ﻭﻅﻬﺭﻩ ﻤﺤﻨﻰ ﻭ ﺍﻝﻠﻲ ﺒﺴﺭﺤﻬﻡ ﺒﺎﻝﺠﺭﺍﺌﺩ ﻓﻲ ﺍﻝﻤﺤﻁﺔ‬
‫‪16‬‬
‫ﻭ ﻋﺭﻓﺕ ﺃﻥ ﺃﺴﻤﺔ ﻗﻨﺎﻭﻯ‬ ‫ﺃﻋﺭﺝ ﺫﻭ ﻝﺤﻴﺔ ﻨﺎﺒﺘﺔ ﻭﻴﺭﺘﺩﻯ ﻁﺎﻗﻴﺔ‬
‫ﻤﻬﺘﺭﺌﻪ ( ﻴﺴﻴﺭﺍ ﻭﻴﺨﺭﺠﺎ ﺨﻠﻑ ﻋﻤﻭﺩ‬
‫ﻨﻭﺭ ﻓﻲ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ‬

‫‪Dissolve‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﻌﻠﺏ‬

‫ﺼﻔﻴﺢ ﻋﻠﻰ ﺩﻜﺔ ﺨﺸﺒﻴﺔ ﺜﻡ ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Right‬ﻋﻠﻰ ﻜﺸﻙ ﺼﺎﺝ ﺒﻌﺩ ﻜﺩﻩ ﻝﻘﻴﺕ ﻝﻪ ﻜﺸﻙ ﻓﻲ ﺍﻝﻤﻨﺎﻭﺭﺓ‬
‫ﺼﻭﺕ ﻗﻁﺎﺭ‬ ‫‪17‬‬
‫ﻴﺘﺎﻭﻯ ﻓﻴﻪ ﻝﻐﺎﻴﺔ ﻤﺎ ﺭﺒﻨﺎ ﻴﺴﻬﻠﻪ‬ ‫ﻭ ﺒﻪ ﺒﺭﺍﻤﻴل ﻭ ﺃﻝﻭﺍﺡ ﺨﺸﺒﻴﺔ‬

‫‪Dissolve‬‬
‫ﻋﻠﻰ ﺍﻝﻜﺸﻙ ﻤﻥ ﺍﻝﺩﺍﺨل ﻭ ﻨﺭﻯ ﺼﻭﺭ‬
‫ﻓﺘﻴﺎﺕ ﻤﻘﺼﻭﺼﺔ ﻤﻥ ﻤﺠﻼﺕ ﻭ ﻤﻌﻠﻘﺔ‬
‫ﻋﻠﻰ ﺍﻝﺤﻭﺍﺌﻁ ﺜﻡ ﻴﺩﺨل ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭ ﻴﻜﻭﻥ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ)‬
‫‪ Medium Shot (MS‬ﻭﻴﻨﻅﺭ ﻝﺠﺩﺭﺍﻥ‬
‫ﺍﻜﺘﺸﻔﺕ ﺍﻨﻪ ﺇﻨﺴﺎﻥ ﻤﺤﺭﻭﻡ ﻤﺤﺭﻭﻡ‬
‫‪ 18‬ﺍﻝﻜﺸﻙ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﺸﻤﺎل‬
‫ﻝﺩﺭﺠﺔ ﺍﻨﻪ ﺒﻘﻰ ﻤﺭﻴﺽ‬
‫‪ Pan Left‬ﻭﺘﺴﺘﻌﺭﺽ ﺍﻝﺼﻭﺭ ﺍﻝﻤﻌﻠﻘﺔ‬
‫ﺜﻡ ﺘﺩﺨل ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Zoom in‬ﻋﻠﻰ‬
‫ﺼﻭﺭﺓ ﻤﻌﻴﻨﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ .‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﻴﻨﻅﺭ‬
‫ﻤﺴﻜﻴﻥ ﻴﺎ ﻗﻨﺎﻭﻯ ﻤﻴﻥ ﻜﺎﻥ ﻴﺼﺩﻕ‬
‫ﻓﻲ ﺩﻫﺸﺔ‬ ‫‪19‬‬
‫ﺃﻥ ﻴﺤﺼل ﻝﻙ ﺍﻝﻠﻲ ﺤﺼل‬
‫‪Dissolve‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﻤﺒﻨﻰ‬
‫ﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺨﺎﺭﺝ ﻭ ﺍﻝﻌﺭﺒﺎﺕ‬
‫ﺘﺴﻴﺭ ﻭ ﺘﻅﻬﺭ ﻝﻭﺤﺔ‬

‫ﺠﺒﺭﺍﺌﻴل ﺘﻠﺤﻤﻰ‬

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‫ﻴﻘﺩﻡ‬

‫‪ Dissolve‬ﻝﺩﺨﻭل ﺍﺴﻡ ﺍﻷﺒﻁﺎل ﻋﻠﻰ‬

‫‪20‬‬
‫ﻨﻔﺱ ﺍﻝﺨﻠﻔﻴﺔ‬

‫ﻓﺭﻴﺩ ﺸﻭﻗﻲ‬
‫‪21‬‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫‪Dissolve‬‬
‫ﺍﻝﺘﺘﺭﺍﺕ‬ ‫ﻫﻨﺩ ﺭﺴﺘﻡ‬
‫‪22‬‬
‫‪Dissolve‬‬
‫ﻴﻭﺴﻑ ﺸﺎﻫﻴﻥ‬
‫‪23‬‬
‫‪Dissolve‬‬
‫ﺒـــﺎﺏ ﺍﻝﺤـــﺩﻴـﺩ‬
‫‪24‬‬
‫‪Dissolve‬‬
‫ﺤﺴﻥ ﺍﻝﺒﺎﺭﻭﺩﻯ‬
‫ﻋﺒﺩ ﺍﻝﻌﺯﻴﺯ ﺨﻠﻴل‬
‫ﻨﻌﻴﻡ ﻭﺼﻔﻰ‬
‫ﺴﻌﻴﺩ ﺨﻠﻴل‬ ‫‪25‬‬
‫ﻋﺒﺩ ﺍﻝﻐﻨﻰ ﺍﻝﻨﺠﺩﻯ‬

‫‪Dissolve‬‬
‫ﻋﺒﺩ ﺍﻝﺤﻤﻴﺩ‬ ‫ﻝﻁﻔﻰ ﺍﻝﺤﻜﻴﻡ‬
‫ﺒﺩﻭﻯ‬
‫ﺴﻴﺩ ﺍﻝﻌﺭﺒﻰ‬ ‫ﻓﺎﺭﻭﻕ ﺍﻝﺩﻤﺭﺩﺍﺵ‬
‫ﺼﺒﺭﻯ ﻋﺒﺩ‬ ‫ﺍﺤﻤﺩ ﺍﺒﺎﻅﺔ‬
‫‪26‬‬
‫ﺍﻝﻌﺯﻴﺯ‬
‫ﻫﻨﺎﺀ ﻋﺒﺩ ﺍﻝﻔﺘﺎﺡ‬

‫‪Dissolve‬‬
‫ﻋﺼﻤﺕ ﻤﺤﻤﻭﺩ‬ ‫ﺴﻬﻴﺭ‬

‫ﻏﺭﻴﺏ ﻤﻌﻭﺽ‬ ‫‪ 27‬ﻨﻭﺍل ﺍﻝﻌﺭﺒﻰ‬

‫‪Dissolve‬‬
‫ﺠﻼل ﻋﻴﺴﻰ‬ ‫ﻤﺤﻤﺩ ﻤﻅﻬﺭ‬
‫ﺍﺤﻤﺩ ﻁﻨﻁﺎﻭﻯ‬ ‫ﻤﺤﺭﻭﺱ ﺍﻝﺠﺎﺭﺤﻰ‬
‫‪28‬‬
‫‪Dissolve‬‬
‫ﺒﺎﻻﺸﺘﺭﺍﻙ ﻤﻊ‬
‫ﻤﺎﻴﻙ ﺭﺍﻝﻜﺎﻯ ﺭﻭﻜﺘﺱ‬
‫‪29‬‬
‫‪Dissolve‬‬
‫ﺍﻝﻘﺼﺔ ﻭ ﺍﻝﺴﻴﻨﺎﺭﻴﻭ‬
‫ﻋﺒﺩ ﺍﻝﺤﻰ ﺍﺩﻴﺏ‬
‫‪30‬‬
‫‪Dissolve‬‬

‫ﺍﻝﺤﻭﺍﺭ‬

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‫ﻤﺤﻤﺩ ﺃﺒﻭ ﻴﻭﺴﻑ‬

‫‪31‬‬
‫‪Dissolve‬‬
‫ﺍﻝﻤﺩﻴﺭ ﺍﻝﻔﻨﻰ ﺠﺒﺭﺍﺌﻴل ﻜﺭﺍﺯ‬
‫ﻤﻬﻨﺩﺱ ﺍﻝﺩﻴﻜﻭﺭ ﻋﺒﺎﺱ ﺤﻠﻤﻰ‬
‫ﺴﻴﺩ ﻤﺤﻤﺩ‬ ‫ﺍﻝﻤﻜﻴﺎﺝ‬
‫‪32‬‬
‫ﺤﻤﺩﻯ ﺭﺍﻓﺕ‬

‫‪Dissolve‬‬
‫ﻤﻬﻨﺩﺱ ﺍﻝﺼﻭﺕ‬
‫ﻋﺯﻴﺯ ﻓﺎﻀل‬
‫‪33‬‬
‫‪Dissolve‬‬
‫ﺍﻝﻤﺼﻭﺭ‬
‫ﻤﺴﻌﻭﺩ ﻋﻴﺴﻰ‬
‫‪34‬‬
‫‪Dissolve‬‬
‫ﺍﻝﻤﻭﻨﺘﺎﺝ‬
‫ﻜﻤﺎل ﺃﺒﻭ ﺍﻝﻌﻼ‬
‫‪35‬‬
‫‪Dissolve‬‬
‫ﻤﺎﺭﺴــﻴل‬ ‫ﺍﻝﻨﻴﺠــﺎﻨﺘﻴﻑ‬
‫ﺼﺎﻝﺢ‬
‫ﺸﻭﺸﻭ‬ ‫ﺘﺭﻜﻴﺏ ﺍﻝﻔﻴﻠﻡ‬
‫‪36‬‬
‫ﻋﻠﻰ ﻤﺤﻤﺩ‬ ‫ﻤﺴﺎﻋﺩ ﺍﻝﺼﻭﺕ‬

‫‪Dissolve‬‬
‫ﺍﻝﻤﺨﺭﺝ ﺍﻝﻤﺴﺎﻋﺩ‬
‫ﻤﺤﻤﺩ ﺃﺒﻭ ﻴﻭﺴﻑ‬

‫ﻤﺴﺎﻋﺩ ﺜﺎﻥ‬
‫ﻤﺼﻁﻔﻰ ﺠﻤﺎل ﺍﻝﺩﻴﻥ‬
‫‪37‬‬
‫ﻤﺭﺍﻗﺏ ﺤﻭﺍﺭ‬
‫ﺸﻔﻴﻕ ﺭﺯﻕ‬

‫‪Dissolve‬‬
‫ﺃﻨﺘﺞ ﺍﻝﻔﻴﻠﻡ ﻭ ﺘﻡ ﻁﺒﻌﻪ ﻭ ﺘﺤﻤﻴﻀﻪ‬
‫ﺒﻤﻌﺩﺍﺕ ﺃﺴﺘﻭﺩﻴﻭ ﺍﻷﻫﺭﺍﻡ‬

‫ﻤﺩﻴـﺭ ﺍﻝﻤﻌﺎﻤـل‬ ‫‪38‬‬

‫ﺘﻭﺘﻭ ﺨﻭﺭﻯ‬

‫‪Dissolve‬‬
‫ﺇﺩﺍﺭﺓ ﺍﻹﻨﺘﺎﺝ‬
‫ﻫﻴﺞ ﻜﻴﻔﻭﻜﻴﺎﻥ‬
‫ﻤﺤﻤﺩ ﺤﺠﺎﺝ‬
‫‪39‬‬
‫ﺍﻝﻤﺴﺎﻋﺩ ﻫﻼل ﻜﻴﺭﻝﺱ‬

‫‪Dissolve‬‬

‫ﺍﻝﻤـﻭﺴـﻴﻘﻰ ﺍﻝﺘﺼﻭﻴﺭﻴﺔ‬

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‫ﻓـــﺅﺍﺩ ﺍﻝﻅــﺎﻫﺭﻯ‬
‫‪40‬‬
‫‪Dissolve‬‬
‫ﻤـﺩﻴـــﺭ ﺍﻝﺘﺼـﻭﻴـﺭ‬
‫ﺍﻝﻔﻴــــﺯﻯ‬
‫‪41‬‬
‫‪Dissolve‬‬
‫ﺇﻨﺘﺎﺝ‬
‫ﺠﺒـﺭﺍﺌﻴـل ﺘـﻠﺤﻤـﻰ‬
‫‪42‬‬
‫‪Dissolve‬‬
‫ﺇﺨﺭﺍﺝ‬
‫ﻴﻭﺴــﻑ ﺸﺎﻫﻴـﻥ‬
‫‪43‬‬
‫‪Fade out‬‬
‫ﻤﺸﻬﺩ )‪(1‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺨﺎﺭﺝ‬

‫ﺒﺭﻭﻱ ﻤﺤﻁﺔ ﻤﺼﺭ‬ ‫‪ 44‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﺴﺎﻋﺔ ﻤﺤﻁﺔ ﻤﺼﺭ ﻭ ﺘﺸﻴﺭ‬
‫ﺍﻝﻌﻘﺎﺭﺏ ﻋﻠﻰ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺴﺎﺒﻌﺔ ﻭ ﺍﻝﻨﺼﻑ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﺴﻴﺩﺓ‬
‫ﺘﻨﺯل ﻤﻥ ﺍﻝﺘﺎﻜﺴﻲ ﺒﺤﻴﺙ ﻴﻅﻬﺭ ﻤﻨﻬﺎ‬
‫ﺼﻭﺕ ﺒﺎﺏ ﺍﻝﺘﺎﻜﺴﻲ ﻭﻫﻭ‬ ‫ﺭﺠﻠﻬﺎ ﻓﻘﻁ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻲ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ﻤﺫﻴﻊ ﺍﻝﻤﺤﻁﺔ ‪ :‬ﺩﻴﺫل ﺇﺴﻜﻨﺩﺭﻴﺔ‬
‫ﻴﻘﻔل‬ ‫ﻴﻐﺎﺩﺭ ﺭﺼﻴﻑ ‪ 4‬ﺍﻝﺴـﺎﻋﺔ ‪7.30‬‬ ‫‪ Low angle‬ﻭﻓﻰ ﻴﺩﻴﻬﺎ ﻜﻠﺏ ﻭ‬
‫ﺒﺠﻭﺍﺭﻫﺎ ﺸﻨﻁﺔ ﺴﻔﺭ ﻭﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫‪ 45‬ﻴﺎﻓﻁﺔ ﻤﻜﺘﻭﺏ ﻋﻠﻴﻬﺎ ﺩﺨﻭل ﻭﻴﻅﻬﺭ ﺭﺠل‬
‫ﻴﻘﺘﺭﺏ ﻤﻥ ﺍﻝﺴﻴﺩﺓ ﻭﻴﺤﻤل ﺍﻝﺸﻨﻁﺔ ﻭ‬
‫ﺘﺨﺭﺝ ﺍﻝﺴﻴﺩﺓ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(2‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺨﺎﺭﺝ‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot (LS‬‬

‫ﻝﻠﺴﻴﺩﺓ ﻭﻗﺩ ﻅﻬﺭﺕ ﻜﺎﻤﻠﺔ ﻭﻫﻰ ﺘﺴﻴﺭ ﻭ‬
‫‪46‬‬
‫ﺘﺴﺤﺏ ﻜﻠﺒﻬﺎ ﻭﻴﺴﻴﺭ ﺨﻠﻔﻬﺎ ﺤﺎﻤل‬
‫ﺍﻝﺤﻘﺎﺌﺏ ﻭﻴﻅﻬﺭ ﻓﻲ ﺍﻝﺨﻠﻔﻴﺔ ﻤﺴﺎﻓﺭﻴﻥ‬
‫ﻴﺤﻤﻠﻭﻥ ﺍﻝﺤﻘﺎﺌﺏ ﻭ ﺘﺘﺤﺭﻙ ﺍﻝﺴﻴﺩﺓ ﻤﻥ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭ ﺘﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 47‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻷﺭﺒﻌﻪ ﺃﺸﺨﺎﺹ ﻴﻘﻔﻭﻥ ﻋﻨﺩ ﺸﺒﺎﻙ‬
‫ﺍﻝﺘﺫﺍﻜﺭ ﻭﺃﺨﺭ ﻭﺍﺤﺩ ﻓﻲ ﺍﻝﺼﻑ ﻴﻨﻅﺭ ﺇﻝﻰ‬
‫ﺍﻝﺴﻴﺩﺓ ﺒﺈﻋﺠﺎﺏ ﻭﻴﻤﺴﺢ ﺭﺃﺴﻪ ﺒﺎﻝﻤﻨﺩﻴل‬

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‫ﻤﻊ ﺍﺴﺘﻤﺭﺍﺭ ﺼﻭﺕ‬ ‫ـﺎﺘﺭ ﺍﻝﻭﺍﺤـﺩ‬

‫ـﺎ ﺴـ‬
‫ﺍﻝﺭﺠل ﺍﻷﻭل ‪:‬ﻴـ‬ ‫ﻭ ﻴﺘﺤﺩﺙ‬
‫ﺍﻝﻤﺫﻴﻊ‬ ‫ﻫﻴﻭﻝﻊ‬

‫ﻴﺎﻻ ﻴﺎ ﺃﺨﻴﻨﺎ‬
‫ﺜﻡ ﻴﻠﺘﻔﺕ ﻝﻠﺭﺠل ﺍﻝﻭﺍﻗﻑ ﺃﻤﺎﻤﻪ ﻭ ﻴﺘﺤﺩﺙ‬
‫ﺍﻝﺭﺠل ﺍﻝﺜﺎﻨﻲ ‪ :‬ﻴﻼ ﻴﺎ ﺃﺨﻴﻨﺎ‬ ‫ﻝﻪ‬

‫ـﻼ‬
‫ـﻪ ﻴـ‬
‫ﻓﻴﺘﺤﺩﺜﻭﻥ ﺠﻤﻴﻌﺎ ﻝﻠﻔﻼﺡ ﺍﻝﻭﺍﻗﻑ ﻓﻲ ﺃﻭل ﻝﺭﺠل ﺍﻝﺜﺎﻝﺙ ‪ :‬ﺃﻋﻤﻠﻙ ﻫﻤـ‬
‫ﺍﻝﻘﻁﺎﺭ ﻫﻴﻘﻭﻡ‬ ‫ﺍﻝﺼﻑ‬

‫ﺍﻝﻔﻼﺡ ‪ :‬ﻤﺎ ﺘﺼﺒﺭ‬

‫ﻴﻠﺘﻔﺕ ﺍﻝﻔﻼﺡ ﻝﻬﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 48‬ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫‪Shot O S‬‬
‫ﺼﻭﺕ ﺩﻕ ﻋﻠﻰ ﺍﻝﺯﺠﺎﺝ‬ ‫ﻝﻌﺎﻤل ﺍﻝﺘﺫﺍﻜﺭ ﺍﻝﺫﻱ ﻴﺠﻠﺱ ﺨﻠﻑ ﺍﻝﺸﺒﺎﻙ ﺍﻝﻌﺎﻤل ﺍﻝﺘﺫﺍﻜﺭ ‪ :‬ﻴﺎ ﺭﺍﺠل ﺍﻓﻬﻡ ﺍﻝﻠﻲ‬
‫ﻭ ﺍﻝﻔﻼﺡ ﺤﻴﺙ ﻴﺩﻕ ﺍﻝﺭﺠل ﻝﻠﻔﻼﺡ ﻋﻠﻰ ﺒﻘﻭﻝﻪ ﻝﻙ‬
‫ﺍﻝﺯﺠﺎﺝ ﻭﻴﺘﺤﺩﺙ ﻝﻪ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﻴﻰ ﻤﺎ ﺘﻘﻭل‬

‫ﻓﻴﻠﺘﻔﺕ ﺇﻝﻴﻪ ﺍﻝﻔﻼﺡ ﻭﻴﻨﺤﻨﻲ ﻋﻨﺩ ﻓﺘﺤﻪ ﺍﻝﻌﺎﻤل ﺍﻝﺘﺫﺍﻜﺭ ‪ :‬ﺍﻝﺯﻗﺎﺯﻴﻕ ﻤﺵ ﻤﻥ‬
‫ﻫﻨﺎ ﺇﺴﻜﻨﺩﺭﻴﺔ ﻫﻨﺎ‬ ‫ﺍﻝﺯﺠﺎﺝ ﻝﻴﺴﻤﻌﻪ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﻋﺘﻘﻭل ﺇﻴﻪ‬
‫ـﺎ‬
‫ـﻙ ﻫﻨـ‬ ‫ـﺫﺍﻜﺭ ‪ :‬ﺒﻘﻠـ‬‫ـل ﺍﻝﺘـ‬
‫ﺍﻝﻌﺎﻤـ‬
‫ﺇﺴﻜﻨﺩﺭﻴﺔ ﻓﻬﻤﺕ‬
‫ـﺦ‬‫ﺍﻝﻔﻼﺡ ‪ :‬ﺩﻯ ﺤﺎﺠﺔ ﺘﻠﺨﺒﻁ ﺍﻝﻤـ‬
‫ﻫﻤﻠﻭﻨﻰ ﻁﻠﻌﻭﻨﻰ‬
‫ﻴﺭﻓﻊ ﻭﺠﻬﻪ ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﺼﻑ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 49‬ﻝﻘﻁﻪ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﺼﺎﻝﺔ ﺍﻨﺘﻅﺎﺭ ﺼﻭﺕ ﺍﻻﻨﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ‪ :‬ﻭﻗﻑ ﻴﺎ‬
‫ﺍﻝﻤﺤﻁﺔ ﻭﺒﻌﺽ ﺍﻝﻤﺴﺎﻓﺭﻴﻥ ﻭﺍﻗﻔﻴﻥ ﺒﺕ‬
‫ﻭﺘﺭﻯ ﻫﻨﻭﻤﺔ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻫﻨﻭﻤﺔ ‪ :‬ﻗﻨﺎﻭﻯ‬
‫ﻭﺘﺠﺭﻯ ﻤﻥ ﺒﻴﻨﻬﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ) ﺍﻻﻨﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‪ :‬ﻭﻗﻑ ﻴﺎ ﺒﺕ‬
‫‪ (crane‬ﻭﺘﺘﺎﺒﻊ ﻫﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺠﺭﻯ ﻫﻨﻭﻤﺔ ‪ :‬ﻗﻨﺎﻭﻯ ﺨﻠﻰ ﺩﻩ ﻤﻌﺎﻙ ﻭ‬
‫ﺤﺘﻰ ﺘﺼل ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﻘﻑ ﻋﻨﺩ ﺤﻴﺎﺓ ﺃﺒﻭﻙ‬
‫ﺼﻭﺕ ﺠﺭﺩل‬ ‫ﻗﻨﺎﻭﻯ ﺍﻝﺫﻱ ﻻ ﻨﺭﻯ ﺇﻻ ﻗﺩﻤﻪ ﻭ ﺘﺘﺭﻙ‬
‫ﻝﻪ ﺠﺭﺩل ﻜﺎﻥ ﺒﻴﺩﻫﺎ ﻭﺘﺨﺭﺝ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻭ ﻭﺘﻅﻬﺭ ﻴﺩ ﻗﻨﺎﻭﻯ ﻭﻫﻰ ﺘﺴﺤﺏ‬
‫ﺍﻝﺠﺭﺩل ﺒﺠﺎﻨﺒﻪ ﻭﻴﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻻﻨﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ﻭﻴﻘﻑ ﺒﺠﻭﺍﺭ ﻗﺩﻡ‬
‫ﻗﻨﺎﻭﻯ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(3‬‬ ‫‪50‬‬

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‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺩﺍﺨل ﺍﻝﻤﺤﻁﺔ‬

‫ـﻴﺭﺓ ‪Medium‬‬ ‫ـﻁﺔ ﻜﺒـ‬‫ـﺔ ﻤﺘﻭﺴـ‬ ‫ﻝﻘﻁـ‬

‫ـﻪ‬‫‪ ( Long Shot (MLS‬ﻷﺭﺒﻌﺔ ﻤـﻥ ﻋﺯﻴﺯﺓ ‪ :‬ﺍﻝﺤـﺭ ﻋﺎﻤـل ﻋﻤﺎﻴﻠـ‬
‫ﺒﺎﺌﻌﺎﺕ ﺍﻝﻤﻴﺎﻩ ﺍﻝﻐﺎﺯﻴﺔ ﺠﺎﻝﺴـﻭﻥ ﻋﻠـﻰ ﺍﻝﻨﻬﺎﺭﺩﻩ ﻴﺎ ﺒﻨﺎﺕ‬
‫ﺒﺭﺍﻤﻴل ﺒﺠﺎﻨﺏ ﺇﺤﺩﻯ ﺍﻝﻤﺨﺎﺯﻥ ﻴﺘﺤﺩﺜﻭﻥ‬
‫ـﺎ‬
‫ﻋﻥ ﺸﺌﻭﻥ ﺍﻝﺤﺭ ﻭ ﺘﻤﺴﻙ ﻜـل ﻭﺍﺤـﺩﺓ ﺤﻼﻭﺘﻬﻡ ‪ :‬ﺍﻨﺸﺎﻝﻪ ﻴﺎ ﺭﺏ ﺍﻝﺩﻨﻴـ‬
‫ـﺎﺱ ﺘﺸـﺭﺏ‬ ‫ﺘﻭﻝﻊ ﺃﻜﺜﺭ ﺨﻠـﻰ ﺍﻝﻨـ‬ ‫ﻤﻨﻬﻡ ﺯﺠﺎﺠﺔ ﻤﻴﺎﻩ ﻏﺎﺯﻴﺔ‬
‫ﻜﺎﺯﻭﺯﺓ‬
‫ﺒﺎﺌﻌﺔ ﺃﺨﺭﻯ ‪ :‬ﻤﺎ ﺘﻘـﺭﻴﺵ ﻴﺎ ﺃﻡ‬
‫ـﻥ‬‫ﺭﻤﺵ ﻗﺼﻴﺭ ﻝﺤﺴﻥ ﻴﺸﺭﺒﻭﺍ ﻤـ‬
‫ﺍﻝﺒﻭﻓﻴﺔ ﻭ ﻤﺎ ﻴﻨﻔﻌﻭﻨﺎﺵ ﺒﻨﻜﻠﺔ‬
‫ـﻲ‬‫ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ‪ :‬ﺍﻨـﺒﻲ ﻴﻭﺭﻴﻨـ‬
‫ﻓﻴﻙ ﻴﻭﻡ ﻴﺎ ﻤﻨﺼﻭﺭ ﻤﻀﻴﻘﻬﺎ ﻋﻠﻴﻨﺎ‬
‫ﻭﻤﺤﻠﻕ ﻋﻠﻰ ﺭﺯﻗﻨﺎ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻴﺎﺨﺘﻰ ﻤﺵ ﻤﻜﻔﻴﻪ ﺍﻝﻠﻲ‬
‫ﺒﻴﻜﺴﺒﻪ ﻤﻥ ﺍﻝﺒﻭﻓﻴﺔ‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﻻ ﻴﺎﺨﺘﻰ ﻤـﺵ ﻤﻜﻔﻴـﺔ‬
‫ﻻﺯﻡ ﻴﻜﺴﺏ ﻭ ﻴﺤﻁ ﻓﻲ ﻜﺭﺸﺔ‬
‫ـﻥ‬‫ﺍﻝﺒﺎﺌﻌﺔ ﺍﻝﺜﺎﻨﻴﺔ ‪ :‬ﻤﺎ ﺘﻔﻀﻭﻨﺎ ﻤـ‬
‫ﺍﻝﺴﻴﺭﺓ ﺩﻯ ﺒﻘﻰ ﻝﺤﺴﻥ ﻴﻨﻁ ﻝﻨﺎ ﻫﻨﺎ‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﻭﻤﺎﻝﻪ ﻴﺎ ﺍﺨﺘﻰ ﻤﺎ ﺇﺤﻨـﺎ‬
‫ﻗﺎﻋﺩﻴﻥ ﻓﻲ ﺍﻝﺒﻭﻓﻴﺔ ﺒﺘﺎﻋﻨﺎ ﻭﻻ ﺒﺱ‬
‫ﻫﻭ ﺍﻝﻠﻲ ﻋﻨﺩﻩ ﺒﻭﻓﻴﺔ‬

‫ﻫﻨﻭﻤﺔ ‪ :‬ﺃﻭﻋﻰ ﻴﺎ ﺒﺕ ﺃﻑ‬

‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻤﺎﻝﻙ ﻴﺎ ﻫﻨﻭﻤﻪ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﺍﻝﻠﻲ ﻴﻨﺸﻙ ﻓﻲ ﻜﺭﺸﺔ‬
‫ﻤﻨﺼﻭﺭ‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﻤﺎﻝﻪ ﻫﻭ ﺃﻓﺸﻙ‬
‫ﻜﺎﺩﺭ ﻓﺎﻀﻲ ﺘﺩﺨل ﻓﻴﻪ ﻫﻨﻭﻤﺔ ) ﻭﻫـﻰ ﻫﻨﻭﻤﺔ ‪ :‬ﻻ ﺼﻠﺕ ﻋﻠﻴﺎ ﺍﻻﻨﺒﺎﺸﻰ‬
‫ﺸﺎﺒﺔ ﻓﻲ ﺍﻝﻌﺸـﺭﻴﻨﺎﺕ ﻓﺎﺌﻘـﺔ ﺍﻝﺠﻤـﺎل ﺤﺴﻨﻴﻥ ﻓﻀل ﻴﺠﺭﻯ ﻭﺭﺃﻴﺎ ﻝﻤﺎ ﻗﻁﻊ‬
‫ـﺎﺀ ﻭﺫﺍﺕ ﺸـﻌﺭ ﻓﺎﺘـﺢ ﻗﻠﺒﻲ ﺃﻥ ﺸﺎﺀ ﺍﷲ ﻴﻨﻘﻁﻊ ﻗﻠﺒﻪ‬ ‫ﻭﺍﻷﻏﺭﺍﺀ ﺒﻴﻀـ‬
‫ـﺎل ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ‪ :‬ﻭﺠﺭﺩﻝﻙ ﻓﻴﻥ‬‫ـﺭ ﺠﻤـ‬‫ـﻡ ﻴﻅﻬـ‬‫ـﺎﺏ ﻤﻘﻠـ‬ ‫ﺘﺭﺘﺩﻱ ﺠﻠﺒـ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻤﻊ ﻗﻨﺎﻭﻯ‬ ‫ـﻲ ﻝﻘ ﻁﺔ‬‫ﻗﻭﺍﻤﻬﺎ ( ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻓـ‬
‫ﻤﺘﻭﺴﻁﺔ ﻜﺒـﻴﺭﺓ ‪Medium Long‬‬
‫‪ ( Shot (MLS‬ﻭﺘﺘﻭﺠـــﻪ ﺇﻝـــﻰ‬
‫ﺍﻝﻤﺠﻤﻭﻋﺔ ﻭﺘﺠﻠﺱ ﻤﻌﻬﻡ‬

‫ﺘﺸﻴﺭ ﺇﻝﻰ ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ ﺤﻼﻭﺘﻬﻡ ‪ :‬ﺍﻋﺯ ﺍﻝﺤﺒﺎﻴﺏ ﻴﺎ ﻗﻨﺎﻭﻯ‬ ‫‪51‬‬

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‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺤﻼﻭﺘﻬﻡ ﻭﻫﻰ ﺘﺘﺤﺩﺙ‬

‫ﻫﻨﻭﻤﺔ ‪ :‬ﺍﺨﺭﺴﻲ ﻜﺎﺘﻙ ﻗﻁﻊ‬ ‫ﻤﻊ ﻫﻨﻭﻤﻪ ﻭﻨﺭﻯ ﻭﺠﻪ ﻋﺯﻴﺯﺓ ﺃﺴﻔل‬
‫ﻝﺴﺎﻨﻙ ﺃﻨﺎ ﺍﺒﺹ ﻝﻘﻨﺎﻭﻯ‬ ‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻴﺎﺨﺘﻰ ﺩﻩ ﺒﻴﺩﻭﺏ ﻓﻲ‬
‫ﺩﺒﺎﺩﻴﺒﻙ‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﺩﻩ ﺒﻴﺤﻭﺸﻠﻙ ﺍﻝﻤﻬﺭ ﻴﺎ‬
‫ﻫﻨﻭﻤﺔ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻁﺏ ﻤﺎ ﺘﺘﺠﻭﺯﻴﻪ ﺃﻨﺕ ﻴﺎ‬
‫ﺴﺕ ﻋﺯﻴﺯﺓ ﺩﺍﻨﺘﻭﺍ ﻻﻴﻘﻴﻥ ﻝﺒﻌﺽ‬
‫ﻗﻭﻯ‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﻝﻴﻪ ﻴﺎ ﺍﺨﺘﻰ ﻫﻭ ﺃﻨﺎ‬
‫ﺒﺭﻤﺭﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 52‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻬﻡ ﻭﻫﻡ ﻴﺘﺤﺩﺜﻭﻥ ﻋﻥ ﻋﺯﻴﺯﺓ ‪ :‬ﺃﻨﺕ ﺍﻝﻠﻲ ﻤﺩﻴﺎﻝﻪ ﻭﺵ ﻭ‬
‫ﻤﻌﺸﻤﺎﻩ‬ ‫ﻗﻨﺎﻭﻯ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻋﺸﻡ ﺇﺒﻠﻴﺱ ﻓﻲ ﺍﻝﺠﻨﺔ‬
‫ﻫﻭ ﻨﺎﺴﻰ ﺍﻨﻰ ﻤﺨﻁﻭﺒﺔ ﻷﺒﻭﺴﺭﻴﻊ‬ ‫ﻭﻫﻰ ﺘﻀﺤﻙ‬
‫ﻭﻻ ﺇﻴﻪ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻋﺎﺭﻑ ﺒﺱ ﻤﺨﺒﻭﻁ‬
‫ﻓﻲ ﻋﻘﻠﺔ ﻤﺘﻬﻴﺎﻝﻪ ﺍﻨﻙ ﻫﺘﺴﻴﺒﻰ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﺘﺘﺠﻭﺯﻴﻪ ﻫﻭ‬
‫ﺼﻭﺕ ﺠﺭﺩل‬
‫ﺘﺸﻴﺭ ﺒﻴﺩﻫﺎ ﻋﻼﻤﺔ ﻋﻠﻰ ﻗﻭﻩ ﺃﺒﻭ ﺴﺭﻴﻊ ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ‪ :‬ﺍﻝﻔﺠﺎﻓﻴﺠﻭ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻤﻴﻥ ﻴﺎ ﺒﺕ‬
‫ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ‪ :‬ﺯﻗﺯﻭﻕ ﺠﻪ‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﻴﺎﺴﻰ ﻤﻨﺼﻭﺭ ﻴﺎ‬ ‫ﺘﻨﻅﺭ ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ﻝﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﺨﺒﺭﻫﻡ ﺒﻘﺩﻭﻡ ﺯﻗﺯﻭﻕ ﺼﺒﻰ ﺍﻝﺒﻭﻓﻴﺔ ﺍﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ﺍﻝﻌﻔﺎﺭﻴﺕ ﺒﺘﻭﻋﻙ‬
‫ﺠﻡ ﺍﻫﻡ‬ ‫ﻭﺘﺨﺭﺝ ﺤﻼﻭﺘﻬﻡ ﻭ ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ﻭ‬
‫ﺍﻝﺒﺎﺌﻌﺔ ﻤﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨل‬
‫ﺯﻗﺯﻭﻕ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻤﺴﻙ ﻋﺯﻴﺯﺓ‬
‫ﻓﺘﻘﻑ ﻫﻨﻭﻤﻪ ﻭﺘﺩﻓﻌﻪ ﺒﺭﺠﻠﻬﺎ ﻭﺘﺠﺭﻯ‬
‫ﻋﺯﻴﺯﺓ ﻭﺘﺴﺤﺒﻪ ﻫﻨﻭﻤﺔ ﻭﺘﺨﺭﺝ ﺒﻪ ﻤﻥ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 53‬ﻝﻘﻁﻪ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻼﻤﺒﺎﺸﻰ‬
‫ﺤﺴﻨﻴﻥ ﻭﻫﻭ ﻴﺴﻴﺭ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ‬
‫ﺸﻤﺎﻝﻪ ﺤﺘﻰ ﻴﺨﺭﺝ ﻭ ﺘﺘﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﺸﻤﺎل ‪Pan Left‬‬
‫ﺸﻴﺎل )‪ : (1‬ﺸﻴل ﺇﻴﺩﻙ ﺒﻘﻭﻝﻙ‬ ‫ﻭﺘﻘﻑ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫ﻜﺒﻴﺭﺓ ‪ Medium Long Shot‬ﻋﻨﺩ ﻋﺒﺎﺱ ‪ :‬ﻴﺎ ﺭﺍﺠل ﺭﺍﻋﻰ ﺭﺒﻨﺎ ﺃﻨﺎ‬
‫ﺒﻘﺎﻝﻰ ﻋﺸﺭﺓ ﺃﻴﺎﻡ ﻤﺭﻤﻰ ﻋﻠﻰ‬ ‫ﺍﺜﻨﻴﻥ ﻤﻥ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﺍﻗﻔﻴﻥ ﺃﻤﺎﻡ ﺇﺤﺩﻯ‬
‫ﻗﻁﺎﺭﺍﺕ ﺍﻝﺒﻀﺎﺌﻊ ﺤﻴﺙ ﻴﻤﺴﻙ ﺍﺤﺩﻫﻡ ﺍﻝﺭﺼﻴﻑ ﺍﻝﻜﺤﻴﺎﻥ ﺒﺘﺎﻉ ﺍﺸﻤﻭﻥ‬
‫ﺒﺭﻭﻱ ﺍﻝﻤﺤﻁﺔ‬ ‫ﻤﻌﻤﻠﺘﺵ ﺒﺘﻌﺭﻴﻔﺔ‬ ‫ﺒﺤﺎﻤل ﺍﻝﺼﻨﺎﺩﻴﻕ ﻭﻴﺤﺎﻭل ﺍﻷﺨﺭ ﺃﺨﺫﻩ‬
‫ﺸﻴﺎل )‪ : (1‬ﺃﻤﺎ ﻴﺒﻘﻰ ﻴﺠﻰ ﺩﻭﺭﻙ‬ ‫ﻤﻨﻪ ﻭﻴﺘﺤﺩﺜﻭﻥ‬
‫ﺘﺒﻘﻰ ﺘﺸﺘﻐل ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ ﺩﻩ‬

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‫‪ 54‬ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ‪ Over Shoulder‬ﻋﺒﺎﺱ‪ :‬ﺩﻭﺭﻱ ﻭﺃﺠﻴﺏ ﻤﻨﻴﻥ ﻓﻠﻭﺱ‬
‫ﺃﺒﺭﺘﻡ ﺒﻴﻬﺎ ﺍﻝﺭﻴﺱ ﺒﺘﺎﻋﻜﻡ‬ ‫‪ Shot O S‬ﻤﻥ ﺍﻝﺸﻴﺎل ﺍﻷﻭل ﺇﻝﻰ‬
‫ﺍﻝﺸﻴﺎل ﺍﻷﻭل ‪ :‬ﺘﺒﺭﺘﻤﻠﻰ ﺩﻩ ﺍﻴﻪ‬ ‫ﻋﺒﺎﺱ‬

‫ﻋﺒﺎﺱ‪ :‬ﺍﺓ ﻋﺸﺎﻥ ﻴﺤﻥ ﻋﻠﻴﺎ ﻭ‬
‫ﻴﺸﻐﻠﻨﻲ ﻋﻠﻰ ﺭﺼﻴﻑ ﻋﺩل‬
‫ﺍﻝﺸﻴﺎل ﺍﻷﻭل ‪ :‬ﺃﻨﺕ ﺒﺘﻌﻴﺏ ﻓﻲ‬
‫ﺍﻝﺸﻴﺦ ﺒﺘﺎﻋﻨﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 55‬ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫‪Shot O S‬‬
‫ﻤﻥ ﻋﺒﺎﺱ ﺇﻝﻰ ﺍﻝﺸﻴﺎل ﺍﻷﻭل‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺸﻴﺎل )‪ : (1‬ﺃﺒﻭ ﺠﺎﺒﺭ ﺍﺸﺭﻑ ﻤﻨﻙ‬
‫ﻭﻤﻥ ﺃﺒﻭ ﺴﺭﻴﻊ ﺒﺘﺎﻋﻙ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻬﻤﺎ ﻭﻫﻡ ﻴﺘﺤﺩﺜﻭﻥ ﻭﺩﺍﺨل ﻋﺭﺒﺔ ﻋﺒﺎﺱ ‪ :‬ﺃﻩ ﻗﻭل ﻜﺩﻩ ﻫﻭ ﺩﻩ ﺍﻝﻠﻲ‬
‫ﺍﻝﻘﻁﺎﺭ ﺸﺨﺹ ﺠﺎﻝﺱ ﻋﻠﻰ ﺼﻨﺩﻭﻕ ﻓﺎﺭﺴﻜﻭ ﺃﻭﻋﻰ ﻴﺎ ﻭﺍﺩ ﻋﺎﺭﻑ ﺍﻝﻠﻲ‬
‫ﻭﻴﻜﺘﺏ ﻓﻲ ﺃﻭﺭﺍﻕ ﺒﻴﺩﻩ ﻭﻴﺘﺤﺩﺙ ﻝﻌﺎﻤل ﻫﻴﺘﻌﺭﻀﻠﻰ ﻫﺎﺭﻭﺡ ﻓﻴﻪ ﺍﻝﻠﻭﻤﺎﻥ‬
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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ ) ﻭﻫﻭ ﺭﺠل‬
‫ﻓﻲ ﺍﻝﺜﻼﺜﻴﻨﺎﺕ ﻤﻥ ﻋﻤﺭﺓ ﻀﺨﻡ ﺍﻝﺠﺜﺔ‬
‫ﺘﺒﺩﻭ ﻋﻠﻴﻪ ﻤﻅﺎﻫﺭ ﺍﻝﻘﻭﺓ ﻭﻴﺭﺘﺩﻯ ﻤﻼﺒﺱ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﺘﺸﻜﺭﻴﻥ‬ ‫ﺘﺨﺘﻠﻑ ﻋﻥ ﺒﺎﻗﻲ ﺍﻝﺸﻴﺎﻝﻴﻥ ﺤﺘﻰ ﻓﻲ‬
‫ﻏﻁﺎﺀ ﺍﻝﺭﺃﺱ ( ﻭﻫﻭ ﻴﻀﻊ ﺤﻘﻴﺒﺔ ﻓﻲ‬
‫ﻗﻁﺎﺭ ﻴﺴﻴﺭ ﺜﻡ ﻴﺴﺘﺩﻴﺭ ﻭ ﻴﺘﺠﻪ ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﻗﻭل ﻝﻰ ﻴﺎ ﺨﺎل‬ ‫ﻭﻫﻭ ﻴﻌﺩ ﺍﻝﻨﻘﻭﺩ ﻭﻴﻭﻗﻔﻪ ﺍﻝﻔﻼﺡ )ﺍﻝﺴﺎﺒﻕ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻨﻌﻤﻴﻥ‬ ‫ﺫﻜﺭﻩ ( ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻓﻴﺼﺒﺤﺎﻥ )‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﺍﺴﻡ ﺍﻝﻜﺭﻴﻡ ﺇﻴﻪ‬ ‫‪( M2‬‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺃﺒﻭ ﺴﺭﻴﻊ ﻋﺒﺩ ﺍﻝﺤﻰ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﺒﺎﻝﺠﻭﺩ ﺃﺒﻭ ﺴﺭﻴﻊ ﻗﻭﻝﻲ‬
‫ﻭ ﺤﻴﺎﺓ ﻭﺍﻝﺩﻙ ﻴﺎ ﺸﻴﺦ ﺭﺒﻨﺎ ﻴﻨﻭﺭﻫﻡ‬
‫ﻝﻙ ﻭﻴﺩﻴﻙ ﺍﻝﻌﺎﻓﻴﺔ ﻫﺴﺄﻝﻙ ﺴﺅﺍل‬
‫ﻭﺘﻘﻭل ﻝﻰ ﻋﻠﻰ ﺍﻝﻔﺎﻴﺩﺓ ﻷﺤﺴﻥ‬
‫ﺨﻼﺹ ﻭ ﺍﷲ ﺍﻝﻌﻅﻴﻡ ﺭﻭﺤﻲ ﺒﻘﺕ‬
‫ﺃﻫﻨﻪ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ‪ :‬ﻤﺎ ﺘﻘﻭل ﻴﺎ ﻋﻡ‬ ‫ﻭﺘﺩﺨل ﺯﻭﺠﺔ ﺍﻝﻔﻼﺡ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﺸﻤﻨﻀﺭ ﺍﻝﺯﻗﺎﺯﻴﻕ‬ ‫ﻭﺘﺴﺘﻘﺭ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺸﻤﻨﻀﺭ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﻗﻁﺭ ﺍﻝﺯﻗﺎﺯﻴﻕ ﻫﻴﻘﻭﻡ‬
‫ﺍﻤﺘﻰ‬ ‫ﻴﺸﻴﺭ ﺇﻝﻰ ﺍﻨﻔﻪ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﺎ ﻗﺎﻡ ﺍﻫﻪ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﻗﺎﻡ‬

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‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﺩ ﺸﻭﻴﻪ ﻭﺃﻨﺕ‬

‫ﺘﺤﺼﻠﻪ ﻓﻰ ﺒﻨﻬﺎ‬

‫ﺼﻭﺕ ﻴﺴﺒﻕ ﺍﻝﺼﻭﺭﺓ‬

‫ﻋﺒﺎﺱ ‪ :‬ﺍﻩ ﻴﺎ ﺍﻴﺩﻯ ﺍﻩ ﺍﻴﺩﻯ‬

‫ﻴﻠﺘﻔﺕ ﺃﺒﻭ ﺴﺭﻴﻊ ﺒﻌﺩ ﺴﻤﺎﻉ ﻫﺫﺍ ﺍﻝﺼﻭﺕ‬

‫ﺜﻡ ﻴﺨﺭﺝ ﺴﺭﻴﻌﺎ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺍﻝﻔﻼﺡ ‪ :‬ﺍﺯﺍﻯ ﻴﻘﻭﻡ ﻗﺒل ﻤﺎ ﻨﺭﻜﺏ‬
‫ﺃﻤﺎ ﻗﻁﺭ ﻗﻠﻴل ﺍﻝﺤﻴﺎﺀ‬
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‫ﺼﻭﺕ ﻴﺴﺒﻕ ﺍﻝﺼﻭﺭﺓ‬
‫ﻋﺒﺎﺱ ‪ :‬ﺍﻩ ﻴﺎ ﺍﻴﺩﻯ ﺍﻩ ﺍﻴﺩﻯ‬ ‫ﺜﻡ ﻴﺘﺤﻭل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ‬
‫ﻜﺒﻴﺭﺓ ‪ Medium Long Shot‬ﻤﻊ‬
‫ﺨﺭﻭﺝ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻴﻠﺘﻔﺕ ﺍﻝﻔﻼﺡ ﻓﻴﺼﺒﺢ‬
‫ﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭ ﻴﺴﺘﻤﺭ ﻓﻰ ﺍﻝﻜﻼﻡ ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﺇﻝﻰ ﺯﻭﺠﺘﻪ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﺸﻴﺎل ﻭﻫﻭ ﻴﺤﺎﻭل ﺭﻓﻊ ﺍﻝﺼﻨﺩﻭﻕ‬
‫ﻤﻥ ﻋﻠﻰ ﻴﺩ ﻋﺒﺎﺱ ﻭﻫﻭ ﺠﺎﻝﺱ ﻴﺼﺭﺥ‬
‫ﻭﻭﺠﻪ ﻝﻠﻜﺎﻤﻴﺭﺍ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻨﻼﺤﻅ ﺍﻥ‬
‫ﺍﻝﺸﻴﺎل ﺍﻷﻭل ﻓﻰ ﺍﻝﺨﻼﻑ ﺍﻝﺴﺎﺒﻕ ﻴﻘﻑ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻻ ﻴﻤﺩ ﻴﺩ ﺍﻝﻤﺴﺎﻋﺩﺓ‬
‫ﻭﻴﺩﺨل ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻝﺼﻨﺩﻭﻕ‬ ‫‪58‬‬
‫ﻭﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﺽ ﻝﻴﺤﺎﻭل ﺭﻓﻊ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﺒﻅﻬﺭﻩ ﻭﻴﺴﺎﻋﺩﻩ ﺸﻴﺎﻝﻴﻥ ﻤﻥ‬
‫ﺩﺍﺨل ﺍﻝﻘﻁﺎﺭ ﺤﺘﻰ ﻴﺩﺨﻠﻭﺍ ﺍﻝﺼﻨﺩﻭﻕ‬
‫ﺩﺍﺨل ﺍﻝﻘﻁﺎﺭ ﺜﻡ ﻴﻤﺴﻙ ﺒﻴﺩ ﻋﺒﺎﺱ‬
‫ﻭﻴﺴﻨﺩﻩ ﻭﻴﻘﻔﻭﺍ ﻭ ﻴﺴﻴﺭ ﺍﻝﻘﻁﺎﺭ‬

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‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻠﻘﻁﺎﺭ ﻭﻫﻭ ﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻤﺤﻁﺔ ﻭ ﺍﻝﻨﺎﺱ‬
‫ﺘﺴﻴﺭ ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ‬
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‫ﺸﻴﺎل ‪ :‬ﺠﺕ ﺴﻠﻴﻤﺔ ﻴﺎ ﺃﺒﻭ ﺴﺭﻴﻊ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻫﺎ ﻨﻘﻌﺩ ﻻﻤﺘﻰ‬ ‫‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻭﺍﻗﻑ‬
‫ﻨﺘﻔﺭﺝ ﻋﻠﻰ ﺒﻌﻀﻴﻨﺎ ﻴﺎ ﺭﺠﺎﻝﻪ‬ ‫ﻋﻠﻰ ﺭﺼﻴﻑ ﻭﻴﺩﻩ ﻓﻰ ﻭﺴﻁﻪ ﻭ‪Full‬‬
‫ﺸﻴﺎل ‪ :‬ﺸﻴﺦ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻤﻊ ﺠﺎﺩ‬ ‫‪ rear‬ﺨﻠﻔﻴﺔ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺘﺤﺩﺙ ﻝﺒﻌﺽ‬
‫ﺍﷲ ﺍﻫﻪ‬ ‫ﺍﻝﺸﻴﺎﻝﻴﻥ ﺍﻝﻭﺍﻗﻔﻴﻥ ﻭﻴﺭﺩ ﻋﻠﻴﻪ ﺃﺒﻭ ﺠﺎﺒﺭ‬
‫ﻜﺒﻴﺭ ﺍﻝﺸﻴﺎﻝﻴﻥ ﺍﻝﻭﺍﻗﻑ ﻋﻠﻰ ﺭﺼﻴﻑ‬

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‫ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﻤﺘﺯﻨﺵ ﻋﻠﻰ ﺨﺭﺍﺒﻬﺎ‬ ‫ﻤﻘﺎﺒل ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﺒﺠﺎﻨﺒﻪ ﺠﺎﺩ ﺍﷲ‬
‫ﻴﺎ ﺃﺒﻭ ﺴﺭﻴﻊ‬ ‫ﺍﻝﺸﻴﺎل‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻁﻠﻊ ﻤﻨﻬﺎ ﻭﻫﻰ‬
‫ﺘﻌﻤﺭ‬
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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺭﺠﻠﻴﻥ ‪ Medium .2‬ﺠﺎﺩ ﺍﷲ ‪ :‬ﻋﺎﻭﺯ ﻴﻌﻤل ﻨﻘﺎﺒﺔ ﻭ‬

‫ﻴﻔﺭﻤﻠﻙ ﺃﻨﺕ‬ ‫ﻷﺒﻭ ﺠﺎﺒﺭ‬
‫ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺃﻨﺕ ﻴﺎ ﻭﺍﺩ ﻤﺭﺩﻙ‬
‫ﻭ ﺠﺎﺩ ﺍﷲ ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﻷﺒﻭ ﺠﺎﺒﺭ ﻓﻴﺭﺩ ﻭﺤﺵ ﻜﺩﻩ ﻝﻴﻪ ﻤﺘﻔﻬﻤﻨﻰ ﺍﻨﺕ ﻋﺎﻭﺯ‬
‫ﺍﻴﻪ‬ ‫ﻋﻠﻰ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻋﺎﻭﺯﻴﻥ ﻨﺩﻭﺭ ﻋﻠﻰ‬
‫ﻨﻔﺴﻴﻨﺎ ﺒﻘﻰ‬ ‫‪61‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪ Medium Shot‬ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﺎﺩﺍﻡ ﻤﺤﺩﺵ ﺴﺎل‬

‫)‪ MS‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻭﺍﻗﻑ ﻤﻭﺍﺠﻬﺔ ﻓﻴﻨﺎ ﻋﺎﻭﺯﻴﻥ ﻨﻌﻤل ﻨﻘﺎﺒﺔ ﺘﻠﻤﻨﺎ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺃﻤﺎﻤﻪ ﻭﺘﻀﻤﻥ ﻝﻨﺎ ﻝﻘﻤﺔ ﺍﻝﻌﻴﺵ ﻫﻨﻔﻀل‬
‫ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻴﺠﻠﺱ ﻋﺒﺎﺱ ﻭ ﻜﺩﻩ ﻋﺎﻴﺸﻴﻥ ﺴﺩﺍﺡ ﻤﺩﺍﺡ ﻋﺎﺠﺒﻜﻡ‬
‫ﻴﻌﻨﻰ ﺍﻝﺤﺎل ﺍﻝﻤﺎﻴل ﺩﻩ ﺸﻔﻴﻕ ﺭﺯﻕ‬ ‫ﺒﺠﺎﻨﺒﻪ ﺸﻴﺎل ﻴﻠﻑ ﻝﻪ ﻴﺩﻩ‬
‫ﺍﻝﻠﻲ ﺭﺠﻠﻪ ﺍﻨﻜﺴﺭﺕ ﺍﻝﺠﻤﻌﺔ ﺍﻝﻠﻰ‬
‫ﻓﺎﺘﺕ ﺤﺩ ﺴﺎل ﻓﻴﻪ‬
‫ﺼﺒﺭﻱ ﺸﺎﻫﻴﻥ ﺍﻝﻠﻰ ﺒﻘﺎﻝﻪ ﺸﻬﺭ‬
‫ﺭﺍﻗﺩ ﻓﻰ ﺒﻴﺘﻬﻡ ﺤﺩﺵ ﻗﺎل ﻝﻪ‬
‫ﺴﻼﻤﺘﻙ‬
‫ﻭﻴﻠﺘﻔﺕ ﻭﻴﺼﺒﺢ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻋﺒﺎﺱ ﻋﺒﺎﺱ ﺍﻝﻠﻰ ﺍﻴﺩﻩ ﺍﻨﻜﺴﺭﺕ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ﻫﻴﺎﻜل ﻤﻨﻴﻥ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻨﻘﺎﺒﺔ ﻴﺎ ﺃﺨﻭﻨﺎ ﻫﻰ ﺍﻝﻠﻰ ﺘﺴﻨﺩﻨﺎ‬ ‫‪62‬‬
‫ﻭﻴﻠﺘﻔﺕ ﻤﺭﺓ ﺃﺨﺭﻯ ﻭﻴﺼﺒﺢ ﻤﻭﺍﺠﻬﺔ ﻫﻰ ﺍﻝﻅﻬﺭ ﺍﻝﻠﻰ ﻨﻘﺩﺭ ﻨﻌﻴﺵ ﻋﻠﻴﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﻨﻘﺎﺒﺔ ﻨﻘﺎﺒﺔ ﺍﻴﻪ ﻴﺎ ﻭﺍﺩ‬

‫ﺼﻭﺕ ﺃﺒﻭ ﺠﺎﺒﺭ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬

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‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻷﺒﻭ ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺃﻨﺎ ﺭﺤﺕ ﻓﻴﻥ ﺃﻨﺎ‬
‫ﺍﻝﻨﻘﺎﺒﺔ ﺃﻨﺎ ﻫﻨﺎ ﺍﻝﻜل ﻓﻰ ﺍﻝﻜل‬ ‫ﺠﺎﺒﺭ ﻭ ﺠﺎﺩ ﺍﷲ ﻭﻫﻡ ﺨﻠﻔﻴﺔ ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫‪ Full rear‬ﻭﺃﺒﻭ ﺠﺎﺒﺭ ﻴﺘﺤﺩﺙ ﻷﺒﻭ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﺎﻫﻭ ﻋﺸﺎﻥ ﻜﺩﻩ‬
‫ﺍﻝﺤﺎل ﻤﺎﻴل‬ ‫ﺴﺭﻴﻊ ﻭﻨﺭﻯ ﺍﻝﺸﻴﺎل ﺍﻝﺫﻱ ﻜﺎﻥ ﻴﺘﺸﺎﺠﺭ‬

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‫ﻤﻊ ﻋﺒﺎﺱ ﻭﻫﻭ ﻴﺠﺭﻯ ﻨﺤﻭ ﺃﺒﻭ ﺠﺎﺒﺭ ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺍﻝﻠﻰ ﻋﺎﺠﺒﻪ ﻋﻠﻰ ﻜﺩﻩ‬
‫ﻋﺎﺠﺒﻪ ﻭ ﺍﻝﻠﻰ ﻤﺵ ﻋﺎﺠﺒﻪ ﻴﻭﺭﻴﻨﺎ‬ ‫ﻭﻴﻘﻑ ﺨﻠﻔﻬﻡ ﺒﻴﻨﻤﺎ ﻴﺭﺩ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻋﺭﺽ ﺃﻜﺘﺎﻓﻪ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻻ ﺍﻝﻜﻼﻡ ﺩﻩ ﻜﺎﻥ‬
‫ﺯﻤﺎﻥ ﺃﻴﺎﻡ ﺍﻝﻔﺘﺔ‬
‫‪63‬‬

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‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻭﺠﻪ ﺃﺒﻭ ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﻜﺩﻩ ﻁﻴﺏ ﻴﺎ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﺠﺎﺒﺭ‬
‫ﻴﻜﻭﻥ ﺩﻩ ﻋﻠﻰ ﺤﺭﻤﻪ ﺇﻥ ﻤﺎ ﺠﺒﺕ‬
‫ﻝﻙ ﻓﺼل ﺩﻝﻭﻗﺘﻰ‬ ‫ﺃﺒﻭ ﺠﺎﺒﺭ ﻴﻤﺴﻙ ﺸﻨﺒﻪ ﻭﻴﺘﻭﻋﺩ‬
‫‪64‬‬
‫ﻴﺨﺭﺝ ﺃﺒﻭ ﺠﺎﺒﺭ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻝﻠﻰ ﻓﻰ ﺍﻝﻌﻙ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻷﺒﻭ‬
‫ﺍﻨﻔﻀﻪ‬ ‫ﺴﺭﻴﻊ ﻭﻫﻭ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺼﻭﺕ ﺃﻗﺩﺍﻡ‬ ‫ﻴﺎﻻ ﻴﺎ ﻋﺒﺎﺱ‬ ‫ﻭﻫﻭ ﻴﻠﻭﺡ ﺒﻴﺩﻴﻪ ﻏﻴﺭ ﻤﺒﺎﻝﻲ ﺒﻜﻼﻡ ﺃﺒﻭ‬
‫ﺠﺎﺒﺭ ﻭﻴﺴﻴﺭ ﺇﻝﻰ ﻋﺒﺎﺱ ﻭﻴﺴﻨﺩﻩ ﻫﻭ‬
‫‪65‬‬
‫ﻭﺸﻴﺎل ﺃﺨﺭ ﻭﻴﺨﺭﺠﻭﺍ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

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‫ﻤﺸﻬﺩ )‪(4‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺼﺎﻝﺔ ﺍﻨﺘﻅﺎﺭ ﺍﻝﻤﺤﻁﺔ‬
‫ﻜﺸﻙ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﺒﺎﺌﻊ ﺍﻝﺠﺭﺍﺌﺩ‬

‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺍﻝﺤﻤﺩ ﷲ ﺴﺒﺤﺎﻥ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫ﺍﷲ ﻫﺎﺕ ﻴﺎﺴﻴﺩﻯ ﻴﺄﺨﺫ ﻋﺩﻭﻙ‬ ‫)‪ MS‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﻭﺍﻗﻑ ﻴﺴﺒﺢ‬
‫ﻭﻴﺩﺨل ﺍﺒﻨﻪ ﺍﻝﻜﺸﻙ ﻭﻴﻌﻁﻴﻪ ﻤﺤﻤﻭﺩ ﺍﻻﺒﻥ ‪ :‬ﺍﻤﺎل ﻋﻡ ﻗﻨﺎﻭﻯ ﻓﻴﻥ ﻴﺎﺒﺎ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺍﻫﻭ ﻫﻨﺎ‬ ‫ﺍﻝﻁﻌﺎﻡ‬
‫ﻜﻴﻑ ﻤﺎ ﺃﺼﺒﺤﺕ ﻴﺎ ﺃﺒﻭ ﺴﺭﻴﻊ‬ ‫ﻭﻴﺴﺄﻝﻪ ﻋﻥ ﻗﻨﺎﻭﻯ‬
‫ﻭﻴﺭﺩ ﻋﻠﻴﻪ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻭﻴﺨﺭﺝ ﺍﻝﻭﻝﺩ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻨﺤﻤﺩ ﺍﷲ ﻴﺎ ﻋﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﺭﺒﻨﺎ ﻴﺼﺒﺤﻙ ﺒﺎﻝﺨﻴﺭ‬ ‫ﻤﻥ ﺍﻝﻜﺸﻙ‬
‫ﻁﻠﺒﻪ ‪ :‬ﺍﺴﺘﻐﻔﺭ ﺍﷲ ﺍﻝﻌﻅﻴﻡ ﺩﻩ ﺤﺭ‬ ‫‪66‬‬
‫ﻤﻥ ﺠﻬﻨﻡ‬ ‫ﻴﺩﺨل ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻁﻠﺒﻪ ﺍﻝﺸﻴﺎل ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺼﻭﺕ ﺍﻝﻘﻠﺔ‬ ‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪:‬ﺃﻋﻭﺫ ﺒﺎﷲ ﺭﺒﻨﺎ ﻴﻠﻁﻑ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﻤﺴﻙ ﺃﺒﻭ ﺴﺭﻴﻊ ﺒﺎﻝﻘﻠﺔ‬
‫ﺒﻴﻨﺎ‬ ‫ﺍﻝﻤﻭﻀﻭﻋﺔ ﻋﻠﻰ ﺭﻑ ﺍﻝﻜﺸﻙ ﺍﻝﺨﺎﺭﺠﻲ‬
‫ﻭﻴﺸﺭﺏ ﻤﻨﻬﺎ ﻭﻴﺘﺤﺩﺙ ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺇﻻ ﺍﻴﻪ ﺃﺨﺒﺎﺭ ﺍﻝﻨﻘﺎﺒﺔ‬

‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺭﺒﻙ ﻤﺴﻬﻠﻬﺎ ﻤﻨﺩﻭﺏ‬ ‫ﻁﻠﺒﻪ ﻴﺩﺨل ﻭﻫﻭ ﻴﻨﺸﻑ ﻋﺭﻗﻪ‬
‫ﻤﻜﺘﺏ ﺍﻝﻌﻤل ﻫﻴﻭﺼل ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻋﻠﻰ ﺨﻴﺭﻩ ﺍﷲ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺒﺎﻝﺤﻕ ﺃﻨﺎ ﻨﺴﻴﺕ‬
‫ﺃﺒﺎﺭﻙ ﻝﻙ‬
‫ﻱﻫﻡ ﻋﻠﻰ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻫﻭ ﻤﻥ ﺨﺎﺭﺝ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﷲ ﻴﺒﺎﺭﻙ ﻓﻴﻙ ﻴﺎﻋﻡ‬
‫ﺍﻝﻜﺸﻙ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﻥ ﺩﺍﺨﻠﻪ ﻭﻴﻀﻊ ﻤﺩﺒﻭﻝﻰ ﻋﻘﺒﺎل ﺒﻠﻴﺔ ﻴﺎ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬

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‫ﻴﺩﻩ ﻋﻠﻰ ﻜﺘﻑ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻀﺎﺤﻜﺎ‬

‫ﻤﺎ ﺘﺘﺠﺩﻋﻥ ﺒﻘﻰ ﻴﺎ ﻭﺍﺩ ﻋﺸﺎﻥ‬
‫ﻨﺠﻭﺯﻙ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻋﻠﻰ ﺨﻴﺭﻩ ﺍﷲ‬

‫ﻴﻠﺘﻔﺕ ﺒﺭﻭﻓﻴل ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻐﻤﺯ‬

‫ﺇﻝﻰ ﺍﻝﻁﻔل‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﺼﻭﺭﺓ‬ ‫‪ Long Shot‬ﻝﻠﻁﻔل ﻭﻫﻭ ﺠﺎﻝﺱ ﻋﻠﻰ‬
‫ﺍﻷﺭﺽ ﺒﺠﺎﻨﺏ ﻗﻨﺎﻭﻯ ﺍﻝﺫﻱ ﻨﺭﻯ ﻤﻨﻪ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺘﻌﻴﺵ ﻭ ﺍﷲ ﻴﺎ ﺍﺒﻨﻰ‬
‫ﻋﻤﻠﺕ ﻁﻴﺏ‬ ‫‪ 67‬ﺭﺠﻠﻪ ﻓﻘﻁ ﻭﺒﺎﻗﻰ ﺠﺴﻤﻪ ﺨﻠﻑ ﺍﻝﻜﺸﻙ‬
‫ﻭﻴﺒﺘﺴﻡ ﺍﻝﻁﻔل ﻷﺒﻭ ﺴﺭﻴﻊ ﻭ ﻴﻐﻤﺯ ﻝﻪ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪ Medium Shot‬ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻫﻨﻭﻤﺔ ﺠﺩﻋﻪ ﻭﺒﻨﺕ‬
‫ﺤﻼل‬ ‫)‪ MS‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻁﻠﺒﻪ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ‬
‫ﺍﻝﺫﻱ ﻴﺴﺘﻨﺩ ﻋﻠﻰ ﺤﺭﻑ ﺍﻝﻜﺸﻙ ﻭﻴﺘﺤﺩﺙ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻭﺍﷲ ﻴﺎ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬
‫ﻤﺎ ﻜﺎﻥ ﻓﻰ ﻨﻴﺘﻲ ﺍﻝﺠﻭﺍﺯ ﻝﻜﻥ ﺍﻫﻭ‬ ‫ﻷﺒﻭ ﺴﺭﻴﻊ‬
‫ﺃﻤﺭ ﺍﷲ ﺤﺼل‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪:‬ﺭﺒﻨﺎ ﻴﺘﻤﻡ ﺒﺨﻴﺭ‬
‫ﺒﺱ ﺸﺩ ﺤﻴﻠﻙ ﺍﻨﺕ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻻ ﺸﺩﻴﺩ ﺍﻫﻭ ﺭﻜﻙ ﻝﻭ‬
‫‪ 68‬ﻭﻴﺩﺨل ﺍﻝﻁﻔل ﻤﻥ ﺃﺴﻔل ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﺘﺼﺢ ﻤﻌﺎﻴﺎ ﺤﻜﺎﻴﺔ ﺍﻝﻤﻘﺎﺒﻠﺔ ﺍﻝﻭﺍﺤﺩ‬
‫ﻴﻜﺘﺏ ﻜﺘﺎﺒﻪ ﻭﻫﻭ ﻗﻠﺏ ﺤﺩﻴﺩ‬ ‫ﻴﺘﺤﺩﺙ ﻁﻠﺒﻪ ﻝﻘﻨﺎﻭﻯ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺭﺒﻙ ﻜﺭﻴﻡ‬
‫ﻁﻠﺒﺔ ‪:‬ﻋﻘﺒﺎﻝﻙ ﻴﺎ ﻋﺭﻭﺠﻪ‬

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‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻭﺒﻌﺩﻴﻥ ﻴﺎ ﻁﻠﺒﺔ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﺭﺠل ﻗﻨﺎﻭﻯ ﻭﻫﻰ ﺘﻬﺘﺯ ﻴﺴﺤﺒﻬﺎ ﻁﻠﺒﺔ ‪:‬ﻴﺎ ﻋﻡ ﺍﻫﻭ ﻜﻼﻡ ﺍﻨﺕ ﺒﺎﻝﻙ‬
‫ﺒﺒﻁﺀ ﺒﻴﻨﻤﺎ ﺍﻝﺼﻭﺕ ﻤﺴﺘﻤﺭ‬ ‫‪69‬‬

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‫ﻁﻠﺒﻪ ‪ :‬ﺯﻯ ﺩﻩ ﻫﻴﺘﺠﻭﺯ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻴﺘﺠﻭﺯ ﻗﻭﻯ ﻤﺎ‬ ‫)‪ MS‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻁﻠﺒﻪ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ‬
‫ﻴﺘﺠﻭﺯﺵ ﻝﻴﻪ‬ ‫‪ 70‬ﻜﻤﺎ ﻓﻰ ﺃﻝﻠﻘﻁﺔ ﺍﻝﺴﺎﺒﻘﺔ ﻭﺍﻝﻁﻔل ﻭﺍﻗﻑ‬
‫ﻭﻴﺘﺤﺩﺙ ﻁﻠﺒﻪ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﺒﻴﻨﻤﺎ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻴﻨﻅﺭ ﻝﻘﻨﺎﻭﻯ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻁﻠﺒﻪ ‪ :‬ﺯﻯ ﺩﻩ ﻫﻴﺘﺠﻭﺯ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

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‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻴﺘﺠﻭﺯ ﻗﻭﻯ ﻤﺎ‬ ‫)‪ MS‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻁﻠﺒﻪ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ‬
‫ﻴﺘﺠﻭﺯﺵ ﻝﻴﻪ‬ ‫ﻜﻤﺎ ﻓﻰ ﺃﻝﻠﻘﻁﺔ ﺍﻝﺴﺎﺒﻘﺔ ﻭﺍﻝﻁﻔل ﻭﺍﻗﻑ‬
‫ﻭﻴﺘﺤﺩﺙ ﻁﻠﺒﻪ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﺒﻴﻨﻤﺎ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻴﻨﻅﺭ ﻝﻘﻨﺎﻭﻯ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
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‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﺼﻭﺭﺓ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬

‫ﻴﺭﻓﻊ ﻭﺠﻬﻪ ﻭﻴﻅﻬﺭ ﻤﻥ ﺨﻠﻑ ﺯﺠﺎﺝ‬
‫ﺍﻝﻜﺸﻙ ﻭﻴﻨﻅﺭ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭ ﺍﻝﺼﻭﺕ‬
‫ﻤﺴﺘﻤﺭ ) ﻭﺘﻅﻬﺭ ﻋﻴﻨﻴﻥ ﻗﻨﺎﻭﻯ ﻤﻥ ﺨﻼل ﻁﻠﺒﻪ ‪ :‬ﻏﻴﺭﺵ ﺒﻘﻰ ﻝﻤﺎ ﻴﻼﻗﻰ‬
‫ﻭﺍﺤﺩﺓ ﺨﺭﺝ ﺒﻴﺕ‬ ‫‪71‬‬
‫ﺘﺄﺜﻴﺭ ﺍﻝﺯﺠﺎﺝ ﻜﺒﻴﺭﺓ ﻭ ﺠﺎﺤﻅﺔ ﻭﻏﻴﺭ‬
‫ﻭﺍﻀﺤﺔ ﻭﺘﺯﺩﺍﺩ ﺠﺤﻭﻅﺎ (‬

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‫ﻁﻠﺒﻪ ‪ :‬ﻭﻻ ﻋﺭﺠﺔ ﺯﻴﻪ‬ ‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻁﻠﺒﺔ ﻭﻫﻡ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻅﻬﺭ ﻋﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﺒﺠﺎﻨﺒﻪ ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻗﻨﺎﻭﻯ‬
‫ﻴﻘﻑ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﻭﺠﻬﻪ ﻤﻭﺍﺠﻬﻪ ‪Full‬‬
‫‪ Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺨﻼل‬
‫ﺃﻜﺘﺎﻓﻬﻡ ﻭﻴﻨﻅﺭ ﻝﻬﻡ ﻭﻫﻡ ﻴﺘﺤﺩﺜﻭﻥ ﺜﻡ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺤﺭﺍﻡ ﻋﻠﻴﻙ ﻴﺎ ﻁﻠﺒﻪ‬
‫ﻴﺎ ﺭﺍﺠل ﺨﻑ ﻋﻨﻪ ﺸﻭﻴﻪ‬ ‫ﻴﺴﻴﺭ ﻭﺴﻁﻬﻡ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺨﺭﺝ‬
‫ﻁﻠﺒﻪ ‪ :‬ﻴﺎ ﻋﻡ ﻫﻭ ﺩﺓ ﺒﻴﻬﻤﻪ‬ ‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﻠﺘﻔﺘﻭﺍ ﻓﻴﺼﺒﺢ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻤﻭﺍﺠﻬﺔ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻻ ﻴﻬﻤﻪ ﻗﻭﻯ ﺭﺒﻨﺎ‬
‫ﻴﻌﻠﻡ ﺒﺎﻝﻠﻲ ﻫﻭ ﻓﻴﻪ ﺍﻝﻜﻠﻤﺔ ﺩﻯ‬ ‫‪72‬‬
‫ﺜﻼﺙ ﺃﺭﺒﺎﻉ ﻤﻭﺍﺠﻬﻪ ‪Front 4/3‬‬
‫ﻭﻁﻠﺒﺔ ﺜﻼﺙ ﺃﺭﺒﺎﻉ ﺨﻠﻔﻴﺔ ‪ rear 4/3‬ﺒﺘﻭﺠﻌﻪ ﻗﻭﻯ ﺇﺫﺍ ﻜﺎﻥ ﻝﻴﺎ ﺨﺎﻁﺭ‬
‫ﻭﻴﺒﺩﻭ ﺍﻝﺘﺄﺜﺭ ﻋﻠﻰ ﻭﺠﻪ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ ﻋﻨﺩﻙ ﺒﻼﺵ ﺘﻘﻭﻝﻬﺎ ﻝﻪ ﻴﺎ ﺍﺒﻨﻰ‬
‫ﻜﻼﻡ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪.‬‬

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‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ ﺍﻝﻁﻔل ‪ :‬ﺍﻩ ﺃﺼﻠﻪ ﺒﻴﺯﻋل ﺃﻨﺎ ﻋﺎﺭﻑ‬
‫ﻜﺩﻩ‬ ‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻁﻔل ﻭﻫﻭ ﻴﺘﺤﺩﺙ‬
‫ﺼﻭﺕ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻗﻨﺎﻭﻯ‬ ‫ﻝﻁﻠﺒﻪ ﺜﻡ ﻴﺩﻓﻌﻪ ﻓﻰ ﺒﻁﻨﻪ ﻭﻴﺨﺭﺝ ﻤﻥ‬
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‫ﺃﺴﻔل ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺨﻠﻑ ﻗﻨﺎﻭﻯ‬

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‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻤﺘﻨﺴﺎﺵ ﺘﻨﺎﺩﻯ ﻴﺎ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻁﻠﺒﻪ ﻭﻋﻡ ﺍﺒﻨﻰ ﻋﻠﻰ ﺤﺎﺩﺜﺔ ﺭﺸﻴﺩ ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫ﻤﺩﺒﻭﻝﻰ ﺤﻴﺙ ﻴﻘﻑ ﺩﺍﺨل ﺍﻝﻜﺸﻙ ﻭﻨﺭﻯ‬
‫ﺍﻝﻁﻔل ﻴﺴﻴﺭ ﺨﻠﻑ ﻗﻨﺎﻭﻯ ﺤﺘﻰ ﻨﺼل‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻁﻠﺒﻪ‬ ‫‪ 74‬ﺇﻝﻰ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻁﻠﺒﻪ ‪ :‬ﺍﻴﻭﻩ‬ ‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺴﻴﺭ ﺜﻡ ﻴﻘﻑ ﻭ ﻴﻠﺘﻔﺕ ﻝﻬﻡ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻴﻌﻨﻰ ﻻﺯﻡ ﺘﻜﻭﻥ ﻋﺭﺠﺔ‬ ‫ﻭﻴﺩﻭﺭ ﺍﻝﺤﻭﺍﺭ ﺒﻴﻥ ﻗﻨﺎﻭﻯ ﻭ ﻁﻠﺒﻪ‬
‫ﻁﻠﺒﻪ ‪ :‬ﻤﺎﺠﻤﻊ ﺍﻝﻼ ﻝﻤﺎ ﻭﻓﻕ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻭﺇﺫﺍ ﻜﺎﻨﺕ ﻋﻭﺭﺓ ﻤﺎ‬

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‫ﺘﻨﻔﻌﺵ‬

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‫ﻁﻠﺒﻪ ‪ :‬ﺘﻨﻔﻊ ﻗﻭﻯ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻗﻨﺎﻭﻯ ‪ :‬ﻁﺏ ﻤﺎ ﺘﺠﻭﺯﻨﻰ ﺃﺨﺘﻙ‬ ‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻬﻡ ﻭﺒﺠﺎﻨﺒﻪ ﺍﻝﻁﻔل‬
‫ﺒﻘﻰ‬ ‫ﻭﻫﻡ ﻴﻘﻔﻭﻥ ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻜﻤل‬
‫ﺤﺩﻴﺜﺔ‬
‫)ﻴﻀﺤﻜﻭﻥ (‬ ‫) ﻭﻨﺭﻯ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﻓﺘﺎﺓ ﻭﺍﻗﻔﺔ ﻓﻰ ﻴﻤﻴﻥ‬
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‫ﺍﻝﻜﺎﺩﺭ ﻭﺘﻨﻅﺭ ﺇﻝﻰ ﻜﺎﺒﻴﻨﺔ ﺍﻝﺘﻠﻴﻔﻭﻥ ﺍﻝﺘﻰ‬
‫ﻴﻭﺠﺩ ﺒﺩﺍﺨﻠﻬﺎ ﺭﺠل ﻴﺘﺤﺩﺙ ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺜﻡ ﺘﺴﻴﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﻜﺎﺒﻴﻨﺔ ﺍﻝﺘﻠﻴﻔﻭﻥ (‬

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‫ﻁﻠﺒﻪ ‪ :‬ﺨﺩ ﻴﺎ ﻋﻡ ﻤﺵ ﻗﻠﺕ ﻝﻙ‬ ‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺍﷲ ﻴﺠﺎﺯﻴﻙ ﻴﺎ‬ ‫‪Shot O S‬‬
‫ﻗﻨﺎﻭﻯ‬ ‫ﻤﻥ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﺇﻝﻰ ﻁﻠﺒﻪ‬

‫)ﻴﻀﺤﻜﻭﻥ (‬ ‫‪76‬‬

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‫ﺍﻝﻀﺤﻙ ﻤﺴﺘﻤﺭ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺒﺠﺎﻨﺒﻪ ﺍﻝﻁﻔل ﻭﻴﻀﺤﻙ ﺜﻡ‬
‫ﺘﺘﺤﻭل ﻀﺤﻜﺘﻪ ﺘﺩﺭﻴﺠﻴﺎ ﺇﻝﻰ ﺘﺠﻬﻡ‬
‫ﻭﻨﺭﻯ ﺍﻝﻔﺘﺎﺓ ﻭﺍﻝﺭﺠل ﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﺒﻴﻨﺔ ﻗﻨﺎﻭﻯ ‪ :‬ﺴﻴﺒﻨﻰ ﺩﻝﻭﻗﺘﻰ ﻴﺎ ﺒﻠﻴﺔ‬
‫ﻤﻭﺴﻴﻘﻰ‬
‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﻤﻌﺎﻙ ﻗﺭﻭﺵ ﺘﻠﻴﻔﻭﻥ‬ ‫ﻴﻀﻊ ﻗﻨﺎﻭﻯ ﻴﺩﻩ ﻋﻠﻰ ﺍﻝﻁﻔل ﻭﻴﺘﺤﺩﺙ ﻝﻪ‬
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‫ﻭﻴﺨﺭﺝ ﺍﻝﻁﻔل ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﺘﺴﻴﺭ ﺍﻝﻔﺘﺎﺓ ﺒﺎﺘﺠﺎﻩ ﻗﻨﺎﻭﻯ ﻭﺘﺘﺤﺩﺙ ﻝﻪ‬

‫ﻓﻴﻠﺘﻔﺕ ﺇﻝﻴﻬﺎ‬

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‫ﻝﻘﻁﺔ ﺸﺩﻴﺩﺓ ﺍﻝﻘﺭﺏ ‪Extreme Close‬‬
‫‪ Up‬ﻝﻌﻴﻥ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻬﺎ ﺜﻡ ﺇﻝﻰ‬
‫ﻗﺩﻤﻴﻬﺎ‬ ‫‪78‬‬

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‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻘﺩﻡ ﺍﻝﻔﺘﺎﺓ‬
‫ﻭﻫﻰ ﺘﺴﺤﺒﻬﺎ ﺒﺒﻁﺀ‬
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‫ﻝﻘﻁﺔ ﺸﺩﻴﺩﺓ ﺍﻝﻘﺭﺏ ‪Extreme Close‬‬

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‫‪ Up‬ﻝﻌﻴﻥ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻬﺎ ﺜﻡ ﺇﻝﻰ‬

‫ﻗﺩﻤﻴﻬﺎ‬
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‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻘﻨﺎﻭﻯ ﻭ‬

‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﻤﻴﺭﺴﻴﻪ‬ ‫ﺍﻝﻔﺘﺎﺓ ﻭﻫﻭ ﻴﻌﻁﻴﻬﺎ ﺍﻝﻔﻠﻭﺱ ﺜﻡ ﺘﺸﻜﺭﻩ ﻭ‬
‫ﺘﺘﺠﻬﻪ ﺇﻝﻰ ﻜﺎﺒﻴﻨﺔ ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺒﻴﻨﻤﺎ ﻴﺩﺨل ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﺘﺨﺩﺵ ﻋﻠﻰ ﺨﺎﻁﺭﻙ‬
‫ﻭﻴﺘﺤﺩﺙ ﺇﻝﻰ ﻗﻨﺎﻭﻯ ﻭﻴﺭﺒﺕ ﻋﻠﻰ ﻜﺘﻔﻪ ﻤﻥ ﻁﻠﺒﻪ ﻴﺎ ﻗﻨﺎﻭﻯ ﺃﺒﻘﻰ ﻓﻭﺕ ﺨﻠﻴﻙ‬
‫ﺒﺤﺒﻭﺡ‬ ‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻓﻴﺒﺘﺴﻡ ﻝﻪ‬
‫ﻗﻨﺎﻭﻯ ﻭﻴﻀﻊ ﺒﺎﻗﻲ ﺍﻝﻔﻠﻭﺱ ﻓﻰ ﺠﻴﺒﻪ ﺜﻡ‬
‫ﻴﺴﺘﺩﻴﺭ ﻭﻴﺴﻴﺭ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﺒﻴﻨﺔ‬
‫ﻭﺘﺘﺤﺭﻙ ﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺤﺭﻙ ﺸﺎﺭﻴﻭﻩ‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﺃﻨﺎ ﻤﺎﻗﻠﺘﺵ ﻋﻠﻰ ﺃﺴﻤﻰ‬ ‫‪ dolly in‬ﺤﻴﺙ ﺘﺘﺤﺩﺙ ﺍﻝﻔﺘﺎﺓ ﻓﻰ‬
‫ﺍﻝﺘﻠﻴﻔﻭﻥ ﻭﺘﻘﻔل ﺍﻝﺒﺎﺏ ﻭﻴﻘﻑ ﻗﻨﺎﻭﻯ ﻋﺸﺎﻥ ﺃﺨﺘﻙ ﺍﻝﻠﻰ ﺭﺩﺕ ﻋﻠﻴﺎ ﻻﺯﻡ‬
‫ﺃﺸﻭﻓﻙ ﻻﺯﻡ ﺃﺸﻭﻓﻙ ﺩﻩ ﺍﻨﺕ‬ ‫ﺒﺠﺎﻨﺏ ﺍﻝﻜﺎﺒﻴﻨﺔ ﻭﻴﺴﺘﻤﻊ ﺇﻝﻴﻬﺎ‬
‫ﻫﺎﺘﻐﻴﺏ ‪4‬ﺴﻨﻴﻥ ﻤﻠﻴﺵ ﺩﻋﻭﻩ ﻤﺎﻫﻡ‬
‫ﻭﺨﺩﻴﻨﻙ ﻤﻨﻰ ﻁﻭل ﺍﻝﻠﻴل ﻫﺴﺘﻨﺎﻙ‬ ‫‪81‬‬
‫ﻓﻰ ﺍﻝﻤﺤﻁﺔ‬
‫ﻗﻭل ﻝﻬﻡ ﺍﻯ ﺤﺎﺠﺔ ﻫﺎﺴﺘﻨﺎﻙ‬
‫ﻴﺎﺤﺒﻴﺒﻰ‬

‫ﺼﻭﺕ ﺍﻝﺴﻤﺎﻋﺔ ﻴﻐﻠﻕ‬

‫ﺼﻭﺕ ﻤﺫﻴﻊ ﺍﻝﻤﺤﻁﺔ‬ ‫ﻭﺘﻨﺘﻬﻲ ﻤﻥ ﺍﻝﻤﻜﺎﻝﻤﺔ ﻭﺘﻀﻊ ﺍﻝﺴﻤﺎﻋﺔ ﻭ‬
‫ﻭﺘﺴﺘﺩﻴﺭ ﻭﺘﻨﻅﺭ ﻷﻋﻠﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻤﻊ ﻗﻁﺎﺭ ﺸﺒﻴﻥ ﺍﻝﻜﻭﻡ ﻴﻐﺎﺩﺭ ﺭﺼﻴﻑ ‪2‬‬
‫ﺼﻭﺕ ﻤﺫﻴﻊ ﺍﻝﻤﺤﻁﺔ‬
‫ﻫﻰ ﻭﻗﻨﺎﻭﻯ ﻴﺴﺘﻤﻌﻭﻥ ﺇﻝﻰ ﺼﻭﺕ ﻤﺫﻴﻊ‬
‫ﺍﻝﻤﺤﻁﺔ ﺜﻡ ﻴﺨﺭﺝ ﻗﻨﺎﻭﻯ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(5‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺒﺭﻭﻱ ﺍﻝﻤﺤﻁﺔ‬ ‫ﻤﺘﺎﺒﻌﻪ ﺼﻭﺕ ﻤﺫﻴﻊ ﺍﻝﻤﺤﻁﺔ‬ ‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬
‫ﻓﻰ ﻤﻴﻌﺎﺩﻩ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻤﻨﺼﻭﺭ ﻤﻨﺼﻭﺭ ‪ :‬ﻋﺎﺭﻑ ﻝﻭ ﺸﻔﺕ ﻭﺍﺤﺩﺓ‬

‫ﺼﺎﺤﺏ ﺍﻝﺒﻭﻓﻴﺔ ﻭﺼﺒﻰ ﺍﻝﺒﻭﻓﻴﺔ ﺯﻗﺯﻭﻕ ﻤﻨﻬﻡ ﺒﺘﺒﻴﻊ ﻫﻨﺎ ﻫﺎﻗﻁﻊ ﺭﻗﺒﺘﻙ‬
‫ﺤﻴﺙ ﻴﺘﺤﺩﺙ ﻤﻨﺼﻭﺭ ﻝﺯﻗﺯﻭﻕ ﻭﻴﺼﻔﻌﻪ ﺯﻗﺯﻭﻕ ‪ :‬ﻭﺃﻨﺎ ﻫﺎ ﻋﻤل ﻝﻬﻡ ﺍﻴﻪ‬
‫ﺒﺱ‬ ‫ﺒﺎﻝﻘﻠﻡ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺤﺎﺠﺔ ﺘﻔﻭﺭ ﺍﻝﺩﻡ‬ ‫ﻭﻴﺘﺤﺩﺙ ﺯﻗﺯﻭﻕ‬ ‫‪82‬‬
‫ﺼﻭﺕ ﻋﺠﻼﺕ ﺍﻝﻔﺎﺘﺭﻴﻨﺔ‬
‫ﺜﻡ ﻴﻔﺘﺢ ﺯﻗﺯﻭﻕ ﺯﺠﺎﺠﺔ ﻤﻴﺎﻩ ﻏﺎﺯﻴﺔ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﺯﺍﻯ ﺍﻝﺤﺎل ﻴﺎ ﺯﻗﺯﻭﻕ‬ ‫ﻭﻴﺸﺭﺒﻬﺎ ﻭﻴﺴﺤﺏ ﺍﻝﻔﺎﺘﺭﻴﻨﺔ )ﻋﺭﺒﻪ‬
‫ﺍﻝﻜﺎﻓﻴﺘﺭﻴﺎ (ﺇﻝﻰ ﺍﻝﺨﻠﻑ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺩﺨل ﺃﺒﻭ ﺴﺭﻴﻊ ﻭ ﻁﻠﺒﻪ ﻤﻥ ﻴﻤﻴﻥ ﺯﻗﺯﻭﻕ ‪ :‬ﺍﻝﺤﺎل ﻤﺎﻴﺴﺭﺵ ﻋﺩﻭ ﻭﻻ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﻭﻗﻔﻭﻥ ﻭﻴﺘﺤﺩﺙ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻊ ﺤﺒﻴﺏ ﻫﻭ ﺇﺤﻨﺎ ﻭﺭﺁﻨﺎ ﺒﺘﻭﻉ ﺍﻝﺴﻭﺭ‬
‫ﻭﻫﻨﻜﺴﺏ‬ ‫ﺯﻗﺯﻭﻕ‬
‫ﺼﻭﺕ ﻀﺤﻜﺎﺕ‬

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‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺘﻌﺈﻝﻰ ﻴﺎ ﻁﻠﺒﺔ‬

‫ﺘﻌﺈﻝﻰ ﺼﻭﺕ ﻀﺤﻜﺎﺕ‬

‫ﺜﻡ ﻴﺘﺤﺭﻜﻭﻥ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻁﻠﺒﺔ ﺠﺎﺭﻴﻥ‬

‫ﻋﺭﺒﺔ ﺤﻤل ﺍﻝﺤﻘﺎﺌﺏ ﻭﺯﻗﺯﻭﻕ ﻭﻫﻭ‬
‫ﻴﺴﺤﺏ ﺍﻝﻔﺎﺘﺭﻴﻨﺔ ﻭﻴﺴﺘﻤﺭ ﻓﻰ ﺸﺭﺏ‬
‫ﺍﻝﺤﺎﺠﺔ ﺍﻝﺴﺎﻗﻌﺔ ﺇﻝﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﻅﻬﺭ ﻤﻌﺎﻝﻡ ﺍﻝﻤﺤﻁﺔ ﻭﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ‬
‫ﺇﻝﻰ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(5‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﻗﻀﺒﺎﻥ ﺍﻝﺴﻜﺔ ﺤﺩﻴﺩ‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﺒﺎﺌﻌﺎﺕ ﺍﻝﻤﻴﺎﻩ ﺍﻝﻐﺎﺯﻴﺔ ﻭﻫﻡ ﻴﺠﺭﻭﻥ ﻋﻠﻰ‬
‫ﻗﻀﺒﺎﻥ ﺍﻝﺴﻜﺔ ﺍﻝﺤﺩﻴﺩ ﻭﻓﻰ ﻴﺩﻫﻡ ﺍﻝﺠﺭﺍﺩل‬
‫ﻭﺭﺍﺀ ﺍﻝﻘﻁﺎﺭ ﺍﻝﺫﻱ ﻴﺴﻴﺭ ﺒﺒﻁﺀ‬
‫) ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺜﺒﺘﻪ ﻋﻠﻰ ﺍﻝﻘﻁﺎﺭ( ﻭﺘﺘﺤﺩﺙ‬
‫ﺍﺤﺩﻯ ﺍﻝﻔﺘﻴﺎﺕ ﻝﻠﺴﺎﺌﻕ ﻭﺘﺨﺭﺝ ﺍﺤﺩﻯ‬
‫ﺍﻝﻔﺘﻴﺎﺕ ﻤﻥ ﺃﺴﻔل ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺼﻌﺩ ﺒﺎﺌﻊ ﺍﻝﺴﻤﻴﻁ ‪ :‬ﻴﺎ ﺤﻼﻭﺘﻬﻡ ﻭﺍﻝﻨﺒﻲ‬
‫ﺘﺨﻠﻰ ﺒﺎﻝﻙ ﻤﻥ ﺍﻝﻌﺴﺎﻜﺭ‬ ‫ﺒﺎﺌﻊ ﺍﻝﺴﻤﻴﻁ ﻤﻥ ﺃﺴﻔل ﺍﻝﻜﺎﺩﺭ ﻓﻰ‬
‫ﺍﻝﻤﻘﺩﻤﺔ ﻓﻴﺼﺒﺢ ﺍﻝﺒﺎﺌﻊ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻤﺎ ﺍﻨﺕ ﻋﺎﺭﻑ ﺃﻭل ﻤﺎ‬
‫ﺃﻗﻭﻝﻙ ﺍﻝﻔﺠﺎﻓﻴﺠﻭ‬ ‫‪83‬‬
‫ﻜﺒﻴﺭﺓ ‪ Medium Long Shot‬ﻭﻴﻨﻅﺭ‬
‫ﺒﺎﺌﻊ ﺍﻝﺴﻤﻴﻁ‪ :‬ﺃﺯﻭﻍ ﻫﻭﺍ‬ ‫ﺨﻠﻔﻪ ﻝﻠﺒﺎﺌﻌﻴﻥ ﻭﻴﺘﺤﺩﺙ ﺇﻝﻰ ﺍﻝﻔﺘﺎﺓ ﺍﻝﺘﻰ‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﻴﺎﻻ‬ ‫ﺨﺭﺠﺕ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﺘﻲ ﺘﻅﻬﺭ ﺜﺎﻨﻴﺔ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻴﺎ ﻫﻨﻭﻤﻪ ﻴﺎ ﻫﻨﻭﻤﺔ‬ ‫ﻋﻨﺩﻤﺎ ﺘﻜﻑ ﻋﻥ ﺍﻝﺠﺭﻯ ﻭﺘﺘﺤﺩﺙ ﻝﻪ‬
‫ﻭﻴﺩﺨل ﺒﺎﺌﻊ ﺍﻝﺴﻤﻴﻁ ﺇﻝﻰ ﺍﻝﻘﻁﺎﺭ ﻭﻴﻌﻭﺩ‬
‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻴﻭﺓ‬ ‫ﻭﻫﻡ ﻤﺴﺘﻤﺭﻴﻥ ﻓﻰ ﺍﻝﺠﺭﻯ ﻭﻴﻨﺎﺩﻭﻥ ﻋﻠﻰ‬
‫ﻫﻨﻭﻤﺔ ﺍﻝﺘﻰ ﺘﺭﺩ ﻋﻠﻴﻬﻡ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻫﻨﻭﻤﺔ ‪ :‬ﺴﻨﺔ ﻋﺸﺎﻥ ﺘﺠﻴﺒﻰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﺍﻝﺠﺭﺩل ﻤﻥ ﻋﻨﺩ ﻗﻨﺎﻭﻯ‬ ‫ﻝﻠﻬﻨﻭﻤﺔ ﻭﻫﻰ ﺘﺼﻌﺩ ﻋﻠﻰ ﺴﻭﺭ ﻤﻨﺨﻔﺽ‬
‫ﺤﻼﻭﺘﻬﻡ ﺍﺴﺘﻨﻲ‬ ‫ﻭﺘﺠﻠﺱ ﻋﻠﻴﻪ ﻭﺘﺘﺤﺩﺙ ﻝﻠﻔﺘﺎﺓ ﺍﻝﺼﻐﻴﺭﺓ‬
‫ﺒﺱ ﻏﻼﺒﺔ ﻭﻗﻠﻪ ﺃﺩﺏ ﻭﻁﻭﻝﻪ ﻝﺴﺎﻥ‬
‫ﺠﺘﻙ ﻀﺭﺒﻪ ﻓﻰ ﺒﻁﻨﻙ‬ ‫‪84‬‬
‫ﺍﻝﻔﺘﺎﺓ ﺍﻝﺼﻐﻴﺭﺓ‪ :‬ﻤﻴﻥ ﺍﻝﻠﻰ ﻝﺴﺎﻨﻪ‬
‫ﻁﻭﻴل ﺒﻘﻰ ﻓﻴﻨﺎ‬ ‫ﺘﺼﻌﺩ ﺨﻠﻔﻬﺎ ﻋﻠﻰ ﺍﻝﺴﻭﺭ ﺒﻌﺩ ﻨﺯﻭﻝﻬﺎ‬
‫ﻭﻴﺘﺤﺩﺜﻭﻥ ﻝﺒﻌﺽ ﺜﻡ ﺘﺠﺭﻯ ﻫﻨﻭﻤﻪ ﻨﺤﻭ‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﺘﻠﺘﻔﺕ ﻭﻴﻨﺘﻬﻲ ﺃﻝﻠﻘﻁﺔ‬

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‫ﻭﻫﻰ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻩ ﻴﺎ ﻗﻠﻴﻠﺔ ﺍﻻﺩﺍﺏ ﺍﻫﻭ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﺍﻨﺕ ﺠﺎﻙ ﻗﻁﻌﺔ‬ ‫ﻝﻁﺭﻴﻕ ﺒﺠﺎﻨﺏ ﺍﻝﻘﻁﺎﺭﺍﺕ ﻭﻴﻅﻬﺭ ﻤﻥ‬
‫ﺨﻼﻝﻪ ﺍﻝﻘﻁﺎﺭ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻤﺩﻯ ﺭﺠﻠﻙ ﻴﺎ ﻫﻨﻭﻤﺔ‬
‫ﺍﻝﺠﺭﺩل ﺍﻫﻪ‬ ‫ﻴﺘﺤﺭﻙ ﻭﺤﻼﻭﺘﻬﻡ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﺍﻴﻭﺓ ﺠﺎﻯ ﺍﻝﺒﺎﺭﺩ‬ ‫‪ 85‬ﺒﺠﻭﺍﺭ ﺍﻝﻘﻁﺎﺭ ﻭﺘﻅﻬﺭ ﻫﻨﻭﻤﺔ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺜﻡ ﺘﻠﺘﻔﺕ ﻭﺘﺠﺭﻯ ﻓﻰ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻋﻨﺩ ﺍﻝﻘﻁﺎﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺴﻨﺎﻓﻭﺭ ﺍﻝﻤﺤﻁﺔ ﺤﻴﺙ‬
‫ﻴﺘﺤﺭﻙ ﻝﻭﺡ ﺍﻝﺨﺸﺏ ﻷﺴﻔل‬
‫‪86‬‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﺴﺎﺌﻕ ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ ﻴﻘﻭﺩ ﻭﻴﻨﻅﺭ ﻤﻥ ﺒﺎﺏ‬
‫ﺍﻝﻌﺭﺒﺔ ﻭﻴﻅﻬﺭ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺍﻝﺒﺎﺌﻌﻴﻥ‬
‫ﻴﺠﺭﻭﻥ ﻭﻗﻁﺎﺭ ﺃﺨﺭ ﻴﺘﺤﺭﻙ‬ ‫‪87‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺴﻨﺎﻓﻭﺭ ﺍﻝﻤﺤﻁﺔ ﺤﻴﺙ‬
‫ﻴﺘﺤﺭﻙ ﻝﻭﺡ ﺍﻝﺨﺸﺏ ﻷﻋﻠﻰ‬
‫‪88‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﺴﺎﺌﻕ ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ ﻴﻠﺘﻔﺕ ﻭﻴﻤﺴﻙ‬
‫ﺒﺄﺸﻴﺎﺀ ﻴﺤﺭﻜﻬﺎ ﻭﻴﻅﻬﺭ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ‬
‫ﺍﻝﺒﺎﺌﻌﻴﻥ ﻴﺠﺭﻭﻥ ﻭﻗﻁﺎﺭ ﺃﺨﺭ ﻴﺘﺤﺭﻙ‬
‫‪89‬‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪90‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻘﻁﺎﺭ ﻭﻫﻭ ﻴﺴﻴﺭ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﺸﻤﺎل ﺜﻡ ﻴﻘﻑ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬

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‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺴﺎﺌﻕ ﻗﻁﺎﺭ ﺃﺨﺭ ﻭﻫﻭ‬

‫ﻴﻨﻅﺭ ﻤﻥ ﻤﻥ ﺸﺒﺎﻙ ﺍﻝﻘﻁﺎﺭ ﻭﻴﻀﻊ ﻴﺩﻩ‬
‫ﻋﻠﻰ ﺒﻌﺽ ﻤﻥ ﻤﻌﺩﺍﺕ ﺍﻝﻘﻁﺎﺭ‬
‫‪91‬‬
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‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﻘﻁﺎﺭ‬

‫ﻗﺎﺩﻡ ﻤﻥ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ﻨﺤﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻫﻰ ﺩﺍﺨل ﻗﻁﺎﺭ ﺃﺨﺭ ﻤﻥ ﺨﻼل ﺸﺒﺎﻙ‬
‫ﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ‬
‫‪92‬‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(7‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺩﺍﺨل ﻋﺭﺒﺔ ﺍﺤﺩﻯ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﺒﺎﺏ‬

‫ﺍﻝﻌﺭﺒﺔ ﻤﻥ ﺍﻝﺩﺍﺨل ﻭﻫﻨﻭﻤﺔ ﺘﺼﻌﺩ ﺇﻝﻰ‬
‫ﺩﺍﺨل ﺍﻝﻘﻁﺎﺭ ﻭﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻤﻊ ﺼﻌﻭﺩﻫﺎ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Tilt up‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻴﻭﺓ ﺍﻝﻤﺜﻠﺞ‬ ‫‪ 93‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Ban right‬ﻤﻊ‬
‫ﺃﻨﺎ ﺠﻴﺕ ﺍﻫﻭ ﻫﻨﻭﻤﻪ ﺠﺕ ﺍﻫﻪ‬ ‫ﻫﻨﻭﻤﺔ ﻭﻫﻰ ﺘﺴﻴﺭ ﺒﺎﻝﺠﺭﺩل ﺒﻴﻥ ﺍﻝﻤﻘﺎﻋﺩ‬
‫ﺃﻭﻋﻰ ﺃﺴﻨﺎﻨﻙ ﻴﺎ ﻋﻁﺸﺎﻥ‬ ‫ﻭﺍﻝﻤﺴﺎﻓﺭﻴﻥ ﻭﺘﺼﺒﺢ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻨﺭﻯ ﻤﺴﺎﻓﺭ ﻴﺠﻠﺱ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻴﻠﺘﻔﺕ ﻝﻴﻨﻅﺭ ﺇﻝﻰ ﻫﻨﻭﻤﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺃﻤﺎ ﺒﺎﺭﺩ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫ﺍﻓﺘﺢ ﻝﻙ ﻴﺎ ﺒﻴﻪ‬ ‫)‪ MS‬ﻝﻭﺠﻪ ﻫﻨﻭﻤﺔ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻤﺴﺎﻓﺭ ‪ :‬ﺃﻤﻡ‬ ‫ﻭﻓﻰ ﺍﻝﺨﻠﻑ ﻨﺭﻯ ﺍﻝﻤﺴﺎﻓﺭ ﺜﻡ ﺘﻠﺘﻔﺕ‬
‫ﻫﻨﻭﻤﻪ ﻭﺘﺘﺠﻪ ﻨﺤﻭﻩ ﻭﻫﻰ ﺘﺘﺤﺩﺙ ﻭﺘﻔﺘﺢ ﻫﻨﻭﻤﻪ ‪ :‬ﺃﻤﻡ ﺃﺭﻭﻯ ﻨﻔﺴﻙ ﻴﺎ‬
‫ﻋﻁﺸﺎﻥ‬ ‫ﻝﻪ ﺯﺠﺎﺠﺔ ﻭﻴﺩﺨل ﺍﻝﻜﺎﺩﺭ ﺒﺎﺌﻊ ﺼﻐﻴﺭ‬
‫ﺤﻼﻭﺘﻬﻡ ‪:‬ﺍﻝﻔﺠﺎﻓﻴﺠﻭ ﻴﺎ ﻤﺸﻤﺵ‬ ‫ﺜﻡ ﺘﺼﻌﺩ ﺤﻼﻭﺘﻬﻡ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻓﺠﺎﻓﻴﺠﻭ ﻫﻭ ﺃﺤﻨﺎ ﻝﺤﻘﻨﺎ‬ ‫ﻭﺘﺘﺤﺩﺙ‬
‫ﺃﻋﻭﺫ ﺒﺎﷲ ﻫﻤﺎ ﺭﺍﻜﺒﻬﻡ ﻋﻔﺎﺭﻴﺕ‬
‫ﺩﻭل ﻭﻻ ﺍﻴﻪ‬ ‫ﻓﺘﺠﺭﻯ ﻫﻨﻭﻤﻪ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ‬
‫‪ 94‬ﺍﻝﻨﺎﻓﺫﺓ ﻭﺘﻨﻅﺭ ﻤﻨﻬﺎ ﺜﻡ ﺘﻌﻭﺩ ﻤﺭﺓ ﺃﺨﺭﻯ‬
‫ﺇﻝﻰ ﺍﻝﻤﺴﺎﻓﺭ ﻭ ﺘﺘﺤﺭﻙ ﻤﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻫﻨﻭﻤﻪ ‪ :‬ﺸﺩ ﺤﻴﻠﻙ ﻴﺎ ﺒﻴﻪ ﻭﺤﻴﺎﺓ‬
‫‪ Ban right‬ﺜﻡ ﻓﻰ ‪ Ban left‬ﺤﺘﻰ ﺃﺒﻭﻙ ﺸﺩ ﺤﻴﻠﻙ ﺍﻤﺎل ﻫﺎﺕ ﺃﻜﻤﻠﻙ ﺃﻨﺎ‬
‫ﻴﺎ ﺍﺨﻰ‬ ‫ﺍﻝﻤﺴﺎﻓﺭ‬
‫ﺍﻝﻤﺴﺎﻓﺭ ‪ :‬ﺍﻝﻔﻠﻭﺱ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﺃﻭﻋﻰ ﻜﺩﺓ‬ ‫ﻭﺘﺄﺨﺫ ﻤﻨﻪ ﺍﻝﺯﺠﺎﺠﺔ ﻭﺘﺸﺭﺏ ﻤﻨﻬﺎ ﺜﻡ‬
‫ﻭﺘﺘﺤﺩﺙ ﻝﻪ ﻭﺘﺄﺨﺫ ﺍﻝﺠﺭﺩل ﻭﺘﺨﺭﺝ ﻤﻥ‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ ﻭﻴﻨﺎﺩﻯ ﻋﻠﻴﻬﺎ‬
‫ﺍﻝﻤﺴﺎﻓﺭ ﺜﻡ ﺘﺄﺘﻰ ﺤﻼﻭﺘﻬﻡ ﻤﻥ ﺍﻝﺨﻠﻑ‬
‫ﻭﺘﺩﻓﻊ ﺍﻝﻤﺴﺎﻓﺭ ﺍﻝﺫﻯ ﻭﻗﻑ ﻴﻨﺎﺩﻯ ﻋﻠﻰ‬

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‫ﻫﻨﻭﻤﻪ ﻓﻴﻘﻊ ﻭ ﺘﺠﺭﻯ ﻤﺴﺭﻋﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﻪ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻼﻤﺒﺎﺸﻰ‬

‫‪-‬ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‪-‬‬ ‫ﺤﺴﻨﻴﻥ ﻭﺍﺜﻨﺎﻥ ﻤﻥ ﺍﻝﻌﺴﺎﻜﺭ ﻴﺠﺭﻭﻥ ﻋﻠﻰ‬
‫ﺍﻝﻘﻀﺒﺎﻥ ﻨﺤﻭ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻔﺠﺎﻓﻴﺠﻭ‬ ‫‪95‬‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻫﻨﻭﻤﻪ ‪ :‬ﺃﻭﻋﻰ ﻭﺍﻝﻨﺒﻲ ﺃﻭﻋﻰ ﻴﺎ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫ﺍﺨﻭﻴﺎ‬ ‫)‪ MS‬ﻝﻠﻌﺭﺒﺔ ﻤﻥ ﺍﻝﺩﺍﺨل ﺤﻴﺙ ﺘﺠﺭﻯ‬
‫ﺤﻼﻭﺘﻬﻡ ‪:‬ﺃﻭﻋﻰ ﻜﺩﺓ ﺩﻯ ﻓﻴﻬﺎ ‪3‬‬ ‫ﻫﻨﻭﻤﻪ ﻭﺤﻼﻭﺘﻬﻡ ﻭ ﺍﻝﻁﻔل ﺜﻡ ﺘﺘﺤﺭﻙ‬
‫ﺸﻬﻭﺭ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Ban left‬ﻝﺘﺨﺭﺝ ﻤﻥ ﺍﻝﻌﺭﺒﺔ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺩﻯ ﻓﻴﻬﺎ ﻏﻭﺍﻴﺵ ﻭ ﺍﻝﻨﺒﻲ‬ ‫ﺜﻡ ﺘﺨﺭﺝ ﻫﻨﻭﻤﻪ ﻤﻥ ﺍﻝﻌﺭﺒﺔ ﻭﺘﻨﺯل ﻋﻠﻰ‬
‫‪96‬‬
‫ﺍﻝﺴﻠﻡ ﻭﻨﻼﺤﻅ ﺃﻥ ﻫﻨﺎﻙ ﻁﻔل ﻴﺤﺎﻭل‬
‫ﺍﻝﻨﺯﻭل ﻤﻥ ﺍﻝﺴﻠﻡ ﺍﻷﺨﺭ ﺍﻷﺒﻌﺩ ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(8‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﻗﻀﺒﺎﻥ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫‪ 97‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﻘﻁﺎﺭ ﻴﺴﻴﺭ ﺴﺭﻴﻌﺎ ﻭﻴﺩﺨل ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﺸﻤﺎل‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ ( Long Shot (MLS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬
‫ﺘﺠﺭﻯ ﻨﺤﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺒﺠﻭﺍﺭ ﺍﻝﻘﻁﺎﺭ‬
‫ﺍﻝﻁﻔل ‪:‬ﺍﻯ‬ ‫ﺍﻝﻭﺍﻗﻑ ﻭﻴﻘﻊ ﻁﻔل ﻤﻥ ﺍﻝﺒﺎﻋﺔ ﻭﻴﺼﺭﺥ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺃﻭﻋﻰ ﻴﺎ ﻋﺼﺎﻡ ﻗﻭﻡ‬ ‫ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ‬
‫‪98‬‬
‫ﻭﺘﻠﺘﻔﺕ ﺒﻔﺯﻉ‬
‫ﺘﻨﺎﺩﻯ ﻋﻠﻰ ﺍﻝﻁﻔل‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ ( Long Shot (MLS‬ﻝﻠﻁﻔل ﻭﻫﻭ‬
‫ﻴﺤﺎﻭل ﺠﻤﻊ ﺍﻝﺒﻀﺎﻋﺔ ﺍﻝﺘﻰ ﺴﻘﻁﺕ ﻤﻨﻪ‬
‫ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﺍﻝﺫﻯ ﻴﺴﻴﺭ ﻋﻠﻴﺔ ﺍﻝﻘﻁﺎﺭ ﺼﻭﺕ ﻫﻨﻭﻤﻪ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‪-‬‬
‫ﺍﻝﻘﺎﺩﻡ ﻭﻴﻜﻭﻥ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻗﻭﻡ ﻫﺘﻤﻭﺕ ﻨﻔﺴﻙ ﻗﻭﻡ‬ ‫‪99‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﺼﻭﺕ ﻫﻨﻭﻤﻪ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‪-‬‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﺴﺎﺌﻕ ﻗﻁﺎﺭ ﻭﻫﻭ ﻴﻨﻅﺭ ﻤﻥ‬
‫ﻗﻭﻡ ﻴﺎ ﻋﺼﺎﻡ‬ ‫ﺍﻝﺸﺒﺎﻙ ﺜﻡ ﻴﻁﻠﻕ ﺼﻔﺎﺭﺓ ﺍﻝﻘﻁﺎﺭ ﻝﻴﺤﺫﺭ‬
‫ﺍﻝﻘﻁﺎﺭ ﺍﻝﻘﺎﺩﻡ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Boom‬‬
‫ﻭ ‪ Ban right‬ﺇﻝﻰ ﺨﺎﺭﺝ ﺍﻝﻘﻁﺎﺭ‬
‫‪ 100‬ﻝﻴﻅﻬﺭ ﺍﻝﻘﻁﺎﺭ ﺍﻝﻘﺎﺩﻡ ﻤﻥ ﺍﻻﺘﺠﺎﻩ ﺍﻷﺨﺭ‬
‫ﻤﻊ ﺩﺨﺎﻥ ﻭﺼﻭﺕ ﺼﻔﺎﺭﺓ ﺍﻝﺘﻨﺒﻴﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺼﻭﺕ ﻫﻨﻭﻤﻪ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‪-‬‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ ( Long Shot (MLS‬ﻝﻠﻁﻔل ﻭﻫﻭ‬
‫ﻗﻭﻡ ﻴﺎ ﻋﺼﺎﻡ ﻗﻭﻡ ﻫﺘﻤﻭﺕ‬ ‫ﻤﺴﺘﻤﺭ ﻓﻰ ﻤﺤﺎﻭﻝﺔ ﺠﻤﻊ ﺍﻝﺒﻀﺎﻋﺔ ﺍﻝﺘﻰ‬
‫ﺴﻘﻁﺕ ﻤﻨﻪ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﺍﻝﺫﻯ ﻴﺴﻴﺭ‬
‫‪ 101‬ﻋﻠﻴﺔ ﺍﻝﻘﻁﺎﺭ ﺍﻝﻘﺎﺩﻡ ﻭﻴﻜﻭﻥ ﺨﻠﻔﻴﺔ ‪Full‬‬
‫‪ rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ ( Long Shot (MLS‬ﻝﻠﻁﻔل ﻓﻰ‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻨﺭﻯ ﻫﻨﻭﻤﻪ ﺘﺠﺭﻯ ﻓﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻨﺤﻭﻩ ﻭ ﺍﻝﻘﻁﺎﺭ ﻗﺎﺩﻡ ﺨﻠﻔﻬﺎ‬
‫‪ 102‬ﺜﻡ ﺘﺠﺫﺏ ﻋﺼﺎﻡ ﻨﺤﻭﻫﺎ ﻤﻥ ﺃﻤﺎﻡ ﻋﺠﻼﺕ‬
‫ﺍﻝﻘﻁﺎﺭ ﺍﻝﺫﻯ ﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﻅﻬﺭ ﺍﻝﻔﺯﻉ ﻋﻠﻰ ﻭﺠﻪ ﻋﺼﺎﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ ( Long Shot (MLS‬ﻝﻌﺠل ﺍﻝﻘﻁﺎﺭ‬
‫‪ 103‬ﻭﻫﻭ ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﺸﻤﺎل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻗﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪( Long Shot (MLS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬
‫ﺘﺤﺘﻀﻥ ﻋﺼﺎﻡ)ﺍﻝﻁﻔل(ﻭﻴﻨﻅﺭﻭﻥ ﻝﻠﻘﻁﺎﺭ‬
‫‪ 104‬ﻭﻜﺜﻴﺭ ﻤﻥ ﺍﻷﻭﺭﺍﻕ ﺘﺘﺴﺎﻗﻁ ﻋﻠﻴﻬﻡ‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪ High angle‬ﺜﻡ ﺘﺄﺨﺫﻩ‬
‫ﻭﺘﺨﺭﺝ ﻤﻥ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ ( Long Shot (MLS‬ﻝﻠﻘﻁﺎﺭ ﻭﻫﻭ‬
‫‪ 105‬ﻴﺴﻴﺭ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ‬
‫ﻭﻴﺨﺭﺝ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ ( Long Shot (MLS 106‬ﻝﻠﺭﺼﻴﻑ‬
‫ﻭﻤﺒﻨﻰ ﺍﻝﻤﺤﻁﺔ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﻭﻴﺩﺨل‬

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‫ﺍﻝﻘﻁﺎﺭ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﻴﻤﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻤﻔﺼﻼﺕ ﺍﻝﺘﻰ ﺘﻤﺴﻙ ﻋﺠل‬
‫ﺍﻝﻘﻁﺎﺭ ﻭﻫﻰ ﺘﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ‬
‫ﻭﻴﺘﺼﺎﻋﺩ ﺍﻝﺩﺨﺎﻥ ﻭﻴﺒﻁﺊ ﺍﻝﻘﻁﺎﺭ ﺤﺘﻰ‬
‫ﻴﻘﻑ‬ ‫‪107‬‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(9‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻭﺠﻪ ﻗﻨﺎﻭﻯ‬

‫ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﺃﺴﻔل ﺴﺎﺭﺤﺎ ﺜﻡ ﻴﻨﺘﺒﻪ‬
‫‪ 108‬ﺇﻝﻰ ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺭﻓﻊ‬
‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‪-‬‬ ‫ﺒﺼﺭﺓ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﺼﻭﺕ‬

‫ﺍﻝﺒﻨﺕ ﺩﻯ ﻤﺵ ﻫﺎ ﺘﺭﺠﻊ ﺇﻻ ﻝﻤﺎ‬

‫ﻴﻬﻔﻬﺎ ﺍﻝﻭﺃﺒﻭﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﻪ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬

‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻴﺎ ﻋﻡ ﻋﻁﻠﺘﻨﻲ ﻜﻨﺕ‬ ‫ﻭﺍﻗﻑ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻴﺴﺘﻤﻊ ﻝﺭﺩ ﺃﺒﻭ ﺴﺭﻴﻊ ﻋﻠﻰ ﺍﻝﺴﺎﺌﻕ ﻓﺄﻜﺭﻙ ﻋﺎﻭﺯﻨﻰ ﻓﻰ ﺤﺎﺠﺔ ﻋﺩﻝﻪ‬
‫ﻭﺍﻝﺩﺨﺎﻥ ﻴﺘﺼﺎﻋﺩ ﻴﻔﺼل ﺒﻴﻨﻬﻡ‬ ‫‪109‬‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬

‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺩﻯ ﺫﻯ ﺍﻝﻘﻁﻁ ﺒﺴﺒﻊ‬ ‫‪Medium .Close‬‬
‫ﺃﺭﻭﺍﺡ‬ ‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﺨل ﻤﻥ ﺨﻼل ﺍﻝﺩﺨﺎﻥ‬
‫ﺼﻭﺕ ﺍﺨﺭ‪ :‬ﺸﻴﺎل‬ ‫ﻭﻴﻨﻅﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﺘﺘﺤﻭل‬
‫‪ 110‬ﻨﻅﺭﺘﻪ ﻭﻴﺒﺩﻭ ﻋﻠﻴﻪ ﺍﻻﻀﻁﺭﺍﺏ ﺜﻡ ﻴﻬﻡ‬
‫ﺒﺎﻝﺨﺭﻭﺝ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺼﻭﺕ ﺍﺨﺭ‪ :‬ﺸﻴﺎل‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻴﻭﺓ‬ ‫‪ ( Long Shot (MLS‬ﻷﺒﻭ ﺴﺭﻴﻊ‬
‫ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﻝﻠﺴﺎﺌﻕ ﺜﻡ ﻴﺴﻤﻊ ﺍﺤﺩ‬
‫ﻗﻨﺎﻭﻯ‪ :‬ﻤﻴﻥ ﺩﻯ‬ ‫ﻴﻨﺎﺩﻯ ﻓﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨل‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻝﺒﺕ ﻫﻨﻭﻤﻪ ﻜﺎﻥ‬ ‫ﻗﻨﺎﻭﻯ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻘﻑ ﻤﻜﺎﻥ ﺃﺒﻭ‬
‫ﻫﻴﻬﻔﻬﺎ ﺍﻝﻭﺃﺒﻭﺭ‬ ‫‪ 111‬ﺴﺭﻴﻊ ﺜﻡ ﻴﺘﺤﺩﺙ ﺇﻝﻰ ﺍﻝﺴﺎﺌﻕ ﺜﻡ ﻴﺨﺭﺝ‬
‫ﺼﻭﺕ ﺃﺨﺭ‪ :‬ﺸﻴﺎل‬ ‫ﺴﺭﻴﻌﺎ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻤﺸﻬﺩ )‪(10‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺒﺠﺎﻨﺏ ﻗﻁﺎﺭ ﻭﺍﻗﻑ‬

‫ﻝﻘﻁﻪ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﺒﺎﺌﻌﺎﺕ‬

‫ﺍﻝﻤﻴﺎﻩ ﺍﻝﻐﺎﺯﻴﺔ ﻭﻫﻡ ﺠﺎﻝﺴﻭﻥ ﺒﺠﻭﺍﺭ ﻗﻁﺎﺭ ﻋﺯﻴﺯﺓ ‪ :‬ﻫﻨﻭﻤﻪ ﻭﺍﻝﻨﺒﻲ ﻜﻨﺕ ﺸﻴﻠﻪ‬
‫ﻝﻙ ‪ 3‬ﺼﺎﻍ ﻋﻠﻰ ﺫﻤﺘﻰ‬ ‫ﻭﺍﻗﻑ ﻭﻴﺘﺤﺩﺜﻭﻥ ﻭﻋﻤﺎل ﻴﺼﻌﺩﻭﻥ ﻫﺫﺍ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻝﻴﻪ ﻴﺎ ﺍﺨﺘﻰ‬ ‫ﺍﻝﻘﻁﺎﺭ ﻭﺘﺄﺘﻰ ﻫﻨﻭﻤﻪ ﻤﻥ ﻭﺭﺍﺀ ﺍﻝﻘﻁﺎﺭ‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﻜﻨﺕ ﻫﺎ ﺍﺸﺘﺭﻯ ﻝﻙ‬ ‫ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ ﺘﺤﻤل ﺍﻝﺠﺭﺩل‬
‫ﻋﻴﺵ ﻭﺤﻼﻭﺓ ﻭﺍﺠﺒﻬﻡ ﻝﻙ‬ ‫ﻭﻴﺘﺤﺩﺜﻭﻥ ﻝﻬﺎ ﻭﻫﻰ ﺘﺴﻴﺭ ﻨﺤﻭ ﺨﺭﻁﻭﻡ‬
‫ﺍﻝﺘﺨﺸﻴﺒﺔ‬ ‫ﺍﻝﻤﻴﺎﻩ ﺍﻝﻤﻭﺠﻭﺩ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺨﻠﻑ ﻤﻌﻬﺎ )‪ (Track out‬ﻫﻨﻭﻤﺔ ‪ :‬ﻤﻌﺩﻤﻜﻴﺵ ﺃﺒﺩﺍ ﻤﺭﺩﻭﺩﺓ‬
‫ﻝﻙ ﻓﻰ ﺍﺭﺍﻤﻴﺩﺍﻥ‬ ‫‪ 112‬ﺜﻡ ﺘﻀﻊ ﺍﻝﺠﺭﺩل ﺘﺤﺕ ﺍﻝﻤﻴﺎﻩ ﻭﺘﺭﺩ‬
‫) ﻴﻀﺤﻜﻭﻥ (‬ ‫ﻋﻠﻴﻬﻡ‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﺃﻨﺎ ﻋﺎﺭﻓﺔ ﻫﻤﺎ ﻤﺵ‬
‫ﺒﻴﺴﻴﺒﻭﻨﺎ ﻓﻰ ﺤﺎﻝﻨﺎ ﻝﻴﻪ‬
‫ﺒﺎﺌﻌﺔ ﺍﺨﺭﻯ ‪ :‬ﻤﺎﻫﻭ ﻤﻥ ﻗﻠﺔ ﺍﻝﺒﺨﺕ‬
‫ﻴﺎ ﺍﺨﺘﻰ ﻨﺨﻠﺹ ﻤﻥ ﺍﻝﻔﺠﺎﻓﻴﺠﻭ‬
‫ﻴﻁﻠﻊ ﻝﻨﺎ ﻤﻨﺼﻭﺭ ﺼﺎﺤﺏ ﺍﻝﺒﻭﻓﻴﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ ( Long Shot (MLS‬ﻝﻠﺒﻨﺕ‬
‫ﺍﻝﺼﻐﻴﺭﺓ ﻭﻫﻰ ﺠﺎﻝﺴﺔ ﻋﻠﻰ ﺍﻷﺭﺽ ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ‪ :‬ﻨﺨﻠﺹ ﻤﻥ ﺴﻰ‬
‫ﻤﻨﺼﻭﺭ ﻴﻁﻠﻊ ﻝﻨﺎ ﺯﻗﺯﻭﻕ ﺍﻝﻠﻰ‬ ‫ﻭﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠﻰ ﺨﺩﻫﺎ ﻭ ﺘﺘﺤﺩﺙ ﻝﻬﻡ‬
‫ﺒﻨﻀﺭﺏ ﻓﻰ ﻗﻠﺒﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬ ‫‪113‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ ( Long Shot (MLS‬ﻝﻌﺯﻴﺯﺓ ﻭ‬
‫ﺤﻼﻭﺘﻬﻡ ﻭﺒﺎﺌﻌﺘﺎﻥ ﺍﺨﺭﺘﺎﻥ ﻭﻫﻡ ﺠﺎﻝﺴﻭﻥ‬
‫ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﺘﻀﻊ ﺤﻼﻭﺘﻬﻡ ﻋﻠﻰ‬
‫ﺭﺃﺴﻬﺎ ﻁﺎﻗﻴﺔ ﻤﺼﻨﻭﻋﺔ ﻤﻥ ﺍﻝﺠﺭﺍﺌﺩ ﺒﺎﺌﻌﺔ ﺍﺨﺭﻯ ‪ :‬ﻋﻴﻨﻲ ﻋﻠﻴﻨﺎ ﺍﻝﺒﺨﺕ‬
‫ﻤﺎﻴل ﻭ ﺍﻝﻬﻡ ﻁﺎﻴل‬ ‫‪ 114‬ﺘﺤﻤﻴﻬﺎ ﻤﻥ ﺍﻝﺸﻤﺱ ﻭﺃﻤﺎﻤﻬﻡ ﺍﻝﺠﺭﺍﺩل‬
‫ﻭﻴﻀﻌﻭﻥ ﻴﺩﻫﻡ ﻋﻠﻰ ﺨﺩﻫﻡ ﻭﺘﺘﺤﺩﺙ‬
‫ﺇﺤﺩﺍﻫﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ ( Long Shot (MLS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻫﻨﻭﻤﺔ ‪ :‬ﺨﺒﺭ ﺍﻴﻪ ﻴﺎ ﺒﺕ ﺍﻨﺘﻰ‬
‫ﻭﻫﻰ ﺍﻨﺘﻭﺍ ﻫﺎﺘﻌﺩﺩﻭﺍ ﻭﻻ ﺍﻴﻪ ﺍﻝﻠﻰ‬ ‫ﺘﻠﺘﻔﺕ ﻝﻬﻡ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬

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‫ﻋﺎﻭﺯﻩ ﺘﺄﻜل ﻝﻘﻤﺘﻬﺎ ﻻﺯﻡ ﺘﺭﻭﺡ‬ ‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺤﺩﺙ ﻝﻬﻡ ﻭﻫﻰ‬

‫ﺘﺼﻁﺩﻫﺎ ﻤﻥ ﺤﻨﻙ ﺍﻝﺴﺒﻊ‬ ‫ﺘﺭﻓﻊ ﺍﺤﺩﻯ ﻗﺩﻤﻴﻬﺎ ﻋﻠﻰ ﺍﻝﺒﺭﻤﻴل ﺒﺠﺎﻨﺏ‬
‫ﺨﺭﻁﻭﻡ ﺍﻝﻤﻴﺎﻩ ﺜﻡ ﺘﻤﺴﻙ ﺒﺎﻝﺠﺭﺩل ﻭﺘﻠﺘﻔﺕ ﻋﺯﻴﺯﺓ ‪ :‬ﺍﻨﺕ ﻴﺎ ﺍﺨﺘﻰ ﺘﻌﺒﺎﻨﻪ ﻓﻰ‬
‫ﺍﻴﻪ ﻤﺎ ﺨﻼﺹ ﺒﻘﻰ‬ ‫ﻭ ﺘﻀﻌﻪ ﺍﻝﺠﺭﺩل ﺘﺤﺕ ﺍﻝﻤﻴﺎﻩ ﻤﺭﺓ‬
‫ﺃﺨﺭﻯ‬
‫‪115‬‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ ( Long Shot (MLS‬ﻝﻌﺯﻴﺯﺓ ﻭ ﻋﺯﻴﺯﺓ ‪ :‬ﻫﺯ ﺍﻝﻬﻼل ﻴﺎ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﺤﻼﻭﺘﻬﻡ ﻭﺒﺎﺌﻌﺘﺎﻥ ﺍﺨﺭﺘﺎﻥ ﻭﻫﻡ ﺠﺎﻝﺴﻭﻥ ﺤﻼﻭﺘﻬﻡ ‪ :‬ﺤﻼل ﻋﻠﻴﻙ ﻴﺎ ﻫﻨﻭﻤﻪ‬
‫ﻭﺍﻝﻨﺒﻲ ﺠﺩﻉ ﻴﻔﺘﺢ ﺍﻝﻨﻔﺱ‬ ‫ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﺘﻀﻊ ﺤﻼﻭﺘﻬﻡ ﻋﻠﻰ‬
‫ﺭﺃﺴﻬﺎ ﻁﺎﻗﻴﺔ ﻤﺼﻨﻭﻋﺔ ﻤﻥ ﺍﻝﺠﺭﺍﺌﺩ‬
‫ﺘﺤﻤﻴﻬﺎ ﻤﻥ ﺍﻝﺸﻤﺱ ﻭﺃﻤﺎﻤﻬﻡ ﺍﻝﺠﺭﺍﺩل‬
‫‪116‬‬
‫ﻭﻴﺘﺤﺩﺜﻭﻥ ﻝﻬﻨﻭﻤﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﻪ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﺒﺎﺌﻌﺎﺕ‬

‫ﻫﻨﻭﻤﺔ ‪ :‬ﺒﺱ ﻴﺎ ﺒﺕ ﺍﻨﺘﻰ ﻭﻫﻰ‬ ‫ﺍﻝﻤﻴﺎﻩ ﺍﻝﻐﺎﺯﻴﺔ ﻭﻫﻡ ﺠﺎﻝﺴﻭﻥ ﻭﺘﻘﻑ‬
‫ﺒﻼﺵ ﻜﻼﻡ ﻓﺎﺭﻍ ﻗﺩﺍﻡ ﺍﻝﺒﺕ‬ ‫ﻫﻨﻭﻤﻪ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻅﻬﺭﻫﺎ ﻝﻠﺒﺎﺌﻌﺎﺕ‬
‫ﺍﻝﺼﻐﻴﺭﺓ‬ ‫ﻭﺘﺘﺤﺩﺙ ﻭﺘﻤﺴﻙ ﺒﺎﻝﺯﺠﺎﺠﺎﺕ ﻭﺘﻨﻅﺭ ﺇﻝﻴﻬﺎ‬
‫ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ‪ :‬ﻜﻼﻡ ﻓﺎﺭﻍ‬ ‫ﻭﺘﻀﻌﻬﺎ ﺘﺤﺕ ﺍﻝﺨﺭﻁﻭﻡ‬
‫ﻴﺎﺨﺘﻰ ﻋﻘﺒﺈﻝﻰ‬
‫) ﻴﻀﺤﻜﻭﻥ (‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﺒﻼﺵ ﻜﻼﻡ ﻓﺎﺭﻍ ﻗﻭﻤﻲ‬
‫ﻓﺯﻯ ﻭﺠﻴﺒﻰ ﻝﻰ ﺼﻨﺩﻭﻕ ﺨﻠﻴﻨﻲ‬
‫ﺃﺤﻁ ﻓﻴﻪ ﺍﻝﻬﺩﻤﺘﻴﻥ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﺍﻝﺒﻠﺩ ﺩﻯ ﺃﺤﺴﻥ ﻤﻥ‬
‫ﻏﻴﺭﻫﺎ‬
‫‪117‬‬
‫ﻋﺯﻴﺯﺓ ‪ :‬ﻤﻌﺯﻝﺔ ﻭﻻ ﺍﻴﻪ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻻ ﻴﺎ ﺍﺨﺘﻰ ﻫﺎﺨﻁﻑ‬
‫ﺭﺠﻠﻲ ﻝﺤﺩ ﻓﺎﻗﻭﺱ ﻭﺍﺭﺠﻊ ﻝﻜﻡ ﻤﺩﺍﻡ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫) ﻴﻀﺤﻜﻭﻥ (‬

‫ﺘﻘﻭﻡ ﺤﻼﻭﺘﻬﻡ ﻭﺘﺄﺨﺫ ﺯﺠﺎﺠﺔ ﻤﻥ ﺍﻝﺒﻨﺕ‬

‫ﺍﻝﺼﻐﻴﺭﺓ ﺜﻡ ﺘﺘﺤﺭﻙ ﺒﺎﺘﺠﺎﻩ ﻫﻨﻭﻤﻪ‬
‫ﻭﻴﻘﻭﻤﻭﺍ ﺒﺭﺸﻬﺎ ﺒﺎﻝﻤﺎﺀ ﻤﻥ ﺍﻝﺨﺭﻁﻭﻡ ﺜﻡ‬
‫ﻴﺘﺭﺍﺸﻘﻭﻥ ﺒﺎﻝﻤﻴﺎﻩ ﻭﻫﻡ ﻴﻀﺤﻜﻭﻥ ﺜﻡ‬
‫ﺘﺠﺭﻯ ﻭﺘﺨﺭﺝ ﻤﻥ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(11‬‬

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‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻋﺭﺒﻪ ﺴﻜﻥ ﻝﻬﻨﻭﻤﻪ‬

‫ﻫﻨﻭﻤﺔ ‪ :‬ﻴﺨﺭﺏ ﻋﻘﻭﻝﻜﻡ‬

‫) ﺘﻀﺤﻙ ﻭﺘﺩﻨﺩﻥ (‬ ‫ﻝﻘﻁﻪ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬
‫ﺘﺠﺭﻯ ﻭﺘﺼﻌﺩ ﻋﺭﺒﺘﻬﺎ ﻭﻫﻰ ﻤﺒﻠﻭﻝﺔ‬
‫ﺘﻤﺎﻤﺎ ﻭﺘﺭﻓﻊ ﺠﻠﺒﺎﺒﻬﺎ ﻭﺘﻀﺤﻙ ﻭﺘﺩﻨﺩﻥ‬
‫ﻭﺘﺘﺤﺭﻙ ﺸﻤﺎل ﻭﻤﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Ban‬‬
‫‪ left‬ﻭ ﺘﺼﺒﺢ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﻘﻠﻊ ﺠﻠﺒﺎﺒﻬﺎ ﻭﺘﺒﻘﻰ ﺒﺎﻝﺠﻠﺒﺎﺏ‬
‫ﺍﻝﺩﺍﺨﻠﻲ ﺍﻝﺭﻗﻴﻕ ﺜﻡ ﺘﻔﺘﺢ ﻗﻔﺔ ﻤﻌﻠﻘﺔ‬
‫ﻭﺘﺨﺭﺝ ﻤﻨﻬﺎ ﺠﻠﺒﺎﺏ ﺍﺨﺭ ﻭﺘﺴﺘﺩﻴﺭ ﻨﺤﻭ‬
‫‪118‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭ ﺘﺼﺒﺢ ﻤﻭﺍﺠﻬﻪ ‪Full‬‬
‫‪ Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﻨﻔﺽ‬
‫ﺍﻝﺠﻠﺒﺎﺏ ﺜﻡ ﺘﺴﺘﺩﻴﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﺒﺎﺏ ﺜﻡ‬
‫ﺘﺘﻭﻗﻑ ﻋﻨﺩ ﻤﺭﺁﺓ ﻤﻌﻠﻘﺔ ﻋﻠﻰ ﺍﻝﺤﺎﺌﻁ‬
‫ﻭﺘﻨﻅﺭ ﺇﻝﻰ ﺠﺴﻤﻬﺎ ﻭﺘﺼﺒﺢ ﺒﺭﻭﻓﻴل‬
‫‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻨﻼﺤﻅ ﺃﻥ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺼﻭﺭ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺤﻜﻭﻤﻪ ﻤﻥ‬
‫ﺍﻝﻴﻤﻴﻥ ﻗﻔﺔ ﻭﻤﻥ ﺍﻝﺸﻤﺎل ﺒﺭﻤﻴل ﻭﺘﺘﺤﺭﻙ‬
‫ﺒﺤﺭﻴﺔ ﻤﻊ ﺤﺭﻜﺔ ﻫﻨﻭﻤﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪Medium .Close‬‬
‫ﺼﻭﺕ ﻗﻁﺔ‬ ‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻅﻬﺭ ﺠﺯﺀ ﻤﻥ ﺠﺴﺩﻫﺎ ﻓﻰ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﺒﻭﺴﻰ‬ ‫ﺍﻝﻤﺭﺁﺓ ﻭﻫﻰ ﺘﺴﺘﻤﺘﻊ ﺒﺠﻤﺎﻝﻬﺎ ﺜﻡ ﺘﻨﺘﺒﻪ‬
‫‪ 119‬ﻝﺼﻭﺕ ﻓﺘﻨﻅﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﺇﻝﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺩﺙ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ ( Long Shot (MLS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬
‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻫﻨﻭﻤﺔ ‪ :‬ﻴﺎ ﺍﺨﺘﻰ ﺍﺼﻤﻠﺔ ﺍﻨﺘﻰ‬
‫ﻭﺘﻅﻬﺭ ﻗﻁﺔ ﻋﻠﻰ ﺼﻔﻴﺤﺔ ﻭﺘﺘﻘﺩﻡ ﻫﻨﻭﻤﻪ ﺤﻠﻭﺓ ﺍﻨﺘﻰ ﻜﺘﻜﻭﺘﺔ ﻴﺎ ﻗﻁﺘﻲ ﻴﺎ‬
‫ﺤﻠﻭﺓ‬ ‫ﺇﻝﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﺘﺭﻤﻰ ﺍﻝﺠﻠﺒﺎﺏ‬
‫ﻭﺘﺘﻘﺩﻡ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻘﻁﺔ ﻭﺘﻨﺤﻨﻲ ﺤﺘﻰ‬
‫ﺘﺼﺒﺢ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫) ﺘﺼﺭﺥ (‬ ‫‪120‬‬
‫‪ Medium .Close‬ﻭﺘﻼﻁﻑ ﺍﻝﻘﻁﺔ‬
‫ﻭﺘﺤﺎﻭل ﺃﻥ ﺘﺤﻤﻠﻬﺎ ﻓﺘﻘﻔﺯ ﺍﻝﻘﻁﻪ ﻓﺠﺄﺓ‬
‫ﻭﺘﺼﺭﺥ ﻫﻨﻭﻤﻪ ﻭﺍﻝﻘﻁﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﻠﻘﻁﺔ ﻭﻫﻰ ﺘﻘﻔﺯ ﻋﻠﻰ ﺭﺍﺱ‬
‫ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻤﺨﺘﺒﺊ ﻓﻴﺭﻓﻊ ﺭﺃﺴﻪ ﻭﻴﻨﻅﺭ‬
‫ﻝﻬﻨﻭﻤﻪ‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫) ﻨﻼﺤﻅ ﺼﻌﻭﺩﻩ ﻤﻥ ﺒﻴﻥ ﺍﻝﻘﻔﺔ ﻭ‬
‫ﺍﻝﺒﺭﻤﻴل ﺍﻝﺴﺎﺒﻕ ﺫﻜﺭﻫﻡ ﻓﻰ ﺃﻭل‬ ‫‪121‬‬
‫ﺍﻝﻤﺸﻬﺩ (‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬

‫‪ Medium .Close‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬
‫ﺩﺨل ﻤﻥ ﺃﺴﻔل ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﻘﻑ‬
‫ﻤﻤﺴﻜﺔ ﺒﺠﻠﺒﺎﺒﻬﺎ ﺘﺤﺎﻭل ﺃﻥ ﺘﻐﻁﻰ ﻨﻔﺴﻬﺎ‬
‫‪122‬‬
‫ﺒﻪ ﻭﺘﻨﻅﺭ ﻝﻘﻨﺎﻭﻯ ﻓﻰ ﺩﻫﺸﺔ ﻭ ﻏﻴﻅ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪ Medium .Close‬ﻝﻭﺠﻪ ﻗﻨﺎﻭﻯ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﺍﻴﻪ ﺍﻝﻠﻰ ﺠﺎﺒﻙ ﻫﻨﺎ‬ ‫ﻭﻫﻭ ﺠﺎﻝﺱ ﺒﻴﻥ ﺍﻝﺒﺭﻤﻴل ﻭﺍﻝﻘﻔﺔ‬
‫ﺍﻝﺴﺎﺒﻘﻴﻥ ﻭﻴﻨﻅﺭ ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺘﺤﺩﺙ‬
‫ﺇﻝﻴﻪ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬
‫‪123‬‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬

‫‪ Medium .Close‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻫﻪ‬ ‫ﻭﺍﻗﻔﺔ ﺘﺤﺎﻭل ﺃﻥ ﺘﻐﻁﻰ ﺠﺴﺩﻫﺎ ﺒﺎﻝﺠﻠﺒﺎﺏ‬
‫‪ 124‬ﻭﺘﻨﻅﺭ ﻝﻘﻨﺎﻭﻯ ﺒﻌﻨﻑ ﺃﺴﻔل ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫‪Shot O S‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻬﺽ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪ Tilt‬ﻗﻨﺎﻭﻯ ‪ :‬ﻤﺘﺨﺎﻓﻴﺵ ﺃﻨﺎ ﻋﺎﻭﺯﻙ‬
‫ﺘﺤﺎﺴﺒﻰ ﻤﻥ ﺍﻝﻘﻁﺎﺭﺍﺕ ﺒﺱ ﻜﺩﺓ‬ ‫‪ up‬ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻬﻨﻭﻤﻪ ﻭﻫﻭ ﺸﻤﺎل‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻁﻠﻊ ﺒﺭﺓ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻰ ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ ﺜﻡ‬
‫ﻴﺘﺭﺍﺠﻊ ﻭﺘﻠﻑ ﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Ban‬ﻗﻨﺎﻭﻯ ‪:‬ﺸﻭﻓﻲ ﺃﻨﺎ ﺠﺒﺕ ﻝﻙ ﺍﻝﺠﺭﺩل‬
‫ﻫﻨﻭﻤﻪ ‪:‬ﺒﻘﻭﻝﻙ ﺍﻁﻠﻊ ﺒﺭﺓ‬ ‫‪ right 125‬ﻭﻴﻜﻭﻥ ﻤﺤﻭﺭ ﺍﻝﺩﻭﺭﺍﻥ ﻫﻨﻭﻤﻪ‬
‫ﻓﺘﺘﺤﻭل ﺇﻝﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﻭﻫﻭ ﻗﻨﺎﻭﻯ ‪ :‬ﺒﻘﻭﻝﻙ ﺃﻨﺎ ﺠﺒﺕ ﻝﻙ ﺍﻝﺤﺎﺠﺔ‬
‫ﺒﺘﺎﻋﺘﻙ‬ ‫ﺇﻝﻰ ﻤﺅﺨﺭﺓ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ ﻭﻻﺯﺍل ﺍﻝﻤﺸﻬﺩ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺘﺼﺭﺥ‬ ‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻻ ﻤﺎ ﺘﺯﻋﻘﻴﺵ‬ ‫‪ Shot O S‬ﻭﻴﻌﻁﻴﻬﺎ ﺍﻝﺠﺭﺩل‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻴﺎ ﻨﺎﺱ ﺇﻝﺤﻘﻭﻨﻰ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻜﻠﻤﺔ ﻭﺍﺤﺩﺓ ﺒﺱ ﻜﻠﻤﺔ‬
‫ﻜﻠﻤﺔ ﻭﺍﺤﺩﺓ ﺒﺱ‬

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‫ﻫﻨﻭﻤﻪ ‪ :‬ﺴﻴﺏ ﺍﻴﺩﻯ‬ ‫ﻭﺘﺼﺭﺥ ﻓﻴﻤﺩ ﻴﺩﻩ ﻨﺤﻭﻫﺎ ﻴﺭﺠﻭﻫﺎ‬

‫ﻓﺘﺠﺭﻯ ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﻴﻠﻑ ﺒﻬﺎ ﻓﺘﺼﺒﺢ‬

‫ﻫﻰ ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over‬‬
‫‪ Shoulder Shot O S‬ﻫﻰ‬
‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻫﻭ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻴﻤﺴﻜﻬﺎ ﻓﺘﺼﺭﺥ ﻓﻴﻪ ﺃﻥ ﻴﺘﺭﻜﻬﺎ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫ﻫﻨﻭﻤﻪ‪ :‬ﺒﻘﻭﻝﻙ ﺴﻴﺏ ﺍﻴﺩﻯ‬ ‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻤﺴﻙ ﻴﺩ ﻫﻨﻭﻤﺔ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﺄﺒﻭﺴﻬﺎ ﻴﺎ ﻫﻨﻭﻤﺔ‬ ‫ﻭﻴﺭﻴﺩ ﺃﻥ ﻴﻘﺒﻠﻬﺎ ﻓﺘﺠﺫﺏ ﻫﻨﻭﻤﺔ ﻴﺩﻫﺎ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺴﻴﺏ ﺍﻴﺩﻯ ﻴﺎ ﻤﺠﻨﻭﻥ‬ ‫ﺒﺸﺩﺓ‬

‫ﻓﻴﻨﺘﻔﺽ ﻗﻨﺎﻭﻯ ﻭﻴﺘﺭﻙ ﻴﺩﻫﺎ ﺴﺭﻴﻌﺎ‬

‫ﺒﻌﻨﻑ ﻭﻴﻨﻅﺭ ﻝﻬﺎ ﻓﻰ ﻏﻀﺏ ﺒﻨﻅﺭﺓ‬
‫‪ 126‬ﺸﺒﻬﺔ ﺠﻨﻭﻨﻴﺔ ﻭﻴﺠﺭﻯ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺨﺎﺭﺝ‬
‫ﺍﻝﻌﺭﺒﺔ ﻭﺘﺘﺤﺭﻙ ﻫﻰ ﺇﻝﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﻨﻅﺭ ﻤﻥ ﺍﻝﺸﺒﺎﻙ ﻭﺘﻜﻭﻥ ﺨﻠﻔﻴﺔ ‪Full‬‬
‫‪ rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻨﺭﻯ ﺼﺩﻴﻘﺎﺘﻬﺎ ﺍﻝﺒﺎﺌﻌﺎﺕ‬
‫ﻭﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺨﺎﺭﺝ ﺍﻝﺸﺒﺎﻙ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻤﺸﻬﺩ )‪(12‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺨﺎﺭﺝ ﻋﺭﺒﺔ ﻫﻨﻭﻤﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻌﺯﻴﺯﺓ ﻭﺤﻼﻭﺘﻬﻡ ﻭﺃﺨﺭﻯ ﻭﺍﻗﻔﻴﻥ ﺨﺎﺭﺝ ﻫﻨﻭﻤﻪ ‪ :‬ﻁﺏ ﻭﺸﺭﻑ ﺃﻤﻲ ﻷﻗﻭل‬
‫ﻋﺭﺒﺘﻬﺎ ﻭﻴﻨﻅﺭﻭﻥ ﻝﻬﺎ ﻭﻭﻫﻡ ﺨﻠﻔﻴﺔ ﻷﺒﻭ ﺴﺭﻴﻊ ﻴﺭﺒﻴﻙ ﻴﺎ ﻗﻠﻴل ﺍﻷﺩﺏ ﻴﺎ‬
‫‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﺘﺨﺭﺝ ﻫﻨﻭﻤﺔ ﻤﻥ ﻋﺭﻭﺠﻪ ﺍﻨﺕ ﺸﺎﻴﻔﻴﻥ ﺸﺎﻫﺩﻴﻥ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻭﺭﺍ ﻴﺎ ﻋﻴﺎل ﺒﺎﻝﻁﻭﺏ‬ ‫‪ 127‬ﺍﻝﻌﺭﺒﺔ ﻭﺘﻨﻬﺭ ﻗﻨﺎﻭﻯ ﻭﻫﻰ ﺘﻤﺴﻙ‬
‫ﺍﻻﻭﻻﺩ ‪ :‬ﻴﺎﻻ ﻴﺎ ﺍﺤﻤﺩ‬ ‫ﺒﺎﻝﺠﻠﺒﺎﺏ ﺜﻡ ﺘﺘﺤﺩﺙ ﻝﻬﻡ ﻓﺘﺠﺭﻯ ﺤﻼﻭﺘﻬﻡ‬
‫ﺸﻤﺎل ﻭﻤﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Ban left‬‬
‫ﻭﺘﺘﺤﺩﺙ ﻝﻸﻭﻻﺩ ﺍﻝﺼﻐﺎﺭ ﻭﺘﺤﺭﻀﻬﻡ ﻋﻠﻰ‬
‫ﻀﺭﺒﻪ ﺒﺎﻝﻁﻭﺏ ﻭﻫﻭ ﻴﺠﺭﻯ ﻓﻰ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺍﻷﻁﻔﺎل ﺘﺠﺭﻯ ﺨﻠﻔﻪ ﻭﺘﻀﺭﺒﻪ‬
‫ﺒﺎﻝﻁﻭﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻴﺩﺨل‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺍﻯ‬ ‫ﻓﻴﻪ ﻗﻨﺎﻭﻯ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﺠﺭﻯ‬
‫ﻭﺍﻷﻭﻻﺩ ﺘﺭﻤﻴﻪ ﺒﺎﻝﻁﻭﺏ ﻓﺘﺎﺘﻲ ﻁﻭﺒﻪ‬
‫ﻓﻰ ﺭﺃﺴﻪ ﻓﻴﺘﺄﻝﻡ ﻭﻴﻨﻅﺭ ﺨﻠﻔﺔ ﺜﻡ ﻴﺘﺎﺒﻊ‬
‫‪ 128‬ﺍﻝﺠﺭﻯ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﺒﺎﺘﺠﺎﻩ ﻗﻁﺎﺭﺍﺕ‬
‫ﻭﺍﻗﻔﺔ ﻭﻴﺩﺨل ﻭﻝﺩ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺭﻤﻴﻪ ﺒﺎﻝﻁﻭﺒﺔ ﻭﻴﻜﻭﻥ ﻗﻨﺎﻭﻯ ﻭﺍﻝﻭﻝﺩ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺠﺭﻯ ﺜﻡ ﻴﻘﻑ ﻓﻰ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﺒﺠﺎﻨﺏ ﺍﺤﺩﻯ ﺍﻝﻘﻁﺎﺭﺍﺕ ﺍﻝﻤﺘﻭﻗﻔﺔ‬
‫‪129‬‬
‫ﻭﻴﻠﺘﻔﺕ ﻝﻸﻭﻻﺩ ﻭﻫﻭ ﻴﻤﺴﻙ ﺒﻁﻭﺒﻪ ﻭﻴﻬﻡ‬
‫ﺒﻘﺫﻓﻬﺎ ﺜﻡ ﻴﺘﻭﻗﻑ ﻭﻴﺼﻌﺩ ﺍﻝﻘﻁﺎﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(13‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺩﺍﺨل ﻋﺭﺒﺔ ﺍﺤﺩﻯ ﺍﻝﻘﻁﺎﺭﺍﺕ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﻌﺭﺒﺔ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺘﻪ ﻭﻫﻭ‬ ‫ﺍﻝﻘﻁﺎﺭ ﻤﻥ ﺍﻝﺩﺍﺨل ﻭﻗﻨﺎﻭﻯ ﻴﻁﻠﻊ ﻤﻥ‬
‫ﻴﺠﺭﻯ‬ ‫ﺍﻝﺒﺎﺏ ﻓﻰ ﺍﺨﺭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﺴﻴﺭ‬
‫ﻨﺤﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺒﻴﻥ ﺍﻝﻤﻘﺎﻋﺩ ﺤﺘﻰ ﻴﻜﺎﺩ‬
‫ﻴﺼل ﺇﻝﻰ ﺍﺨﺭ ﻤﻘﻌﺩ ﻭﻴﻘﺫﻑ ﺒﻁﻭﺒﻪ‬
‫ﺍﻷﻭﻻﺩ ‪ :‬ﻴﺎﻻ ﺴﻴﺒﻭﻩ ﺒﻘﻰ‬ ‫ﻓﻴﻘﺫﻑ ﺒﺎﻝﺠﺭﺍﺌﺩ ﻓﻰ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ‪ Ban right‬ﺤﺘﻰ ﻴﺠﻠﺱ‬
‫‪130‬‬
‫ﻓﻰ ﻴﻤﻴﻥ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﺒﺠﺎﻨﺏ ﺍﻝﺸﺒﺎﻙ‬
‫ﻭﻴﻠﺘﻔﺕ ﻝﻴﺸﺎﻫﺩ ﺍﻷﻭﻻﺩ ﻭﻨﺭﻯ ﻤﻥ‬
‫ﺍﻝﺸﺒﺎﻙ ﺍﻷﻁﻔﺎل ﻭﻫﻡ ﻴﺘﺤﺩﺜﻭﻥ ﺜﻡ‬
‫ﻴﺨﺭﺠﻭﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺒﻴﻨﻤﺎ ﻴﻤﺴﻙ‬
‫ﻗﻨﺎﻭﻯ ﺭﺃﺴﻪ ﻭﻴﻨﻅﺭ ﺃﺴﻔل ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻋﻠﻰ ﺍﻝﺠﺭﺍﺌﺩ ﻭ ﺍﻝﻤﺠﻼﺕ ﺍﻝﻤﺘﻨﺎﺜﺭﺓ ﻋﻠﻰ‬
‫ﺍﻷﺭﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺩﺍﻴﺔ‬
‫ﺩﺨﻭل‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

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‫)‪ MS‬ﻝﺒﻌﺽ ﺍﻝﺼﻭﺭ ﺍﻝﻌﺎﺭﻴﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬ ‫‪131‬‬

‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬

‫ﻴﻨﻅﺭ ﻝﻠﺼﻭﺭ ﻭﻴﺩﻩ ﻋﻠﻰ ﺭﺃﺴﻪ ﺜﻡ ﻴﻨﻅﺭ‬
‫ﻝﻴﺩﻩ ﻭﻫﻰ ﻤﻤﺘﻠﺌﺔ ﺒﺎﻝﺩﻤﺎﺀ ﺜﻡ ﻴﻨﻅﺭ ﺇﻝﻰ‬
‫ﺃﺴﻔل ) ﺇﻝﻰ ﺍﻝﺼﻭﺭ( ﺜﺎﻨﻴﺔ ﻭﻴﻨﺤﻨﻲ‬
‫‪132‬‬
‫ﻭﻴﺴﻘﻁ ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(14‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺒﺭﻭﻯ ﺍﻝﻤﺤﻁﺔ‬ ‫ﺠﺯﺀ ﻤﻥ ﺭﺼﻴﻑ ﺍﻝﻤﺤﻁﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻭﺼﻭﺕ ﺍﻗﺩﺍﻡ ﻗﻨﺎﻭﻯ‬ ‫ﻝﻠﺭﺼﻴﻑ ﻭﺍﻝﻘﻁﺎﺭ ﻭﺍﻗﻑ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ‬
‫ﻭﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ ﺴﻠﻡ ﻴﺼﻌﺩ ﻤﻥ ﻋﻠﻴﺔ ﺒﻌﺽ‬
‫ﺍﻷﺸﺨﺎﺹ ﻭﻴﺩﺨل ﻗﻨﺎﻭﻯ ﻤﻥ ﻴﻤﻴﻥ‬
‫‪ 133‬ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﺯل ﺍﻝﺴﻠﻡ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻤﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Ban left‬ﻭﺘﺘﺤﺭﻙ‬
‫ﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt down‬ﻭﻫﻭ ﻴﻨﺯل‬
‫ﺤﺘﻰ ﻴﺩﺨل ﺍﻝﻨﻔﻕ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﺇﻝﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻴﺘﺠﻪ ﺇﻝﻰ ﺍﻝﻜﺸﻙ‬
‫‪ 134‬ﻭﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻭﻴﻤﺴﻙ ﺒﺎﻝﺠﺭﺍﺌﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(15‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺩﺍﺨل ﻜﺸﻙ ﻗﻨﺎﻭﻯ‬
‫ﺼﻭﺕ ﺍﻝﺒﺎﺏ ﻭﻫﻭ ﻴﻔﺘﺢ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻠﻜﺸﻙ ﻤﻥ ﺍﻝﺩﺍﺨل ﻭﻨﺭﻯ ﻗﻨﺎﻭﻯ ﻤﻥ‬
‫ﺼﻭﺕ ﺍﻝﻭﺭﻕ‬ ‫‪ 135‬ﺍﻝﺸﺒﺎﻙ ﻭﻫﻭ ﻴﺘﺠﻪ ﻨﺤﻭ ﺍﻝﻜﺸﻙ ﻭﻴﺩﺨل‬
‫ﻭﻴﻀﻊ ﺍﻝﺠﺭﺍﺌﺩ ﻋﻠﻰ ﻤﻨﻀﺩﺓ ﻭﻴﻔﺘﺤﻬﺎ ﻭ‬
‫ﻴﻤﺴﻙ ﺒﺎﻝﺼﻭﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻤﺴﻙ ﺍﻝﺼﻭﺭﺓ ﻭﻴﻨﻅﺭ ﻓﻴﻬﺎ‬
‫ﺜﻡ ﻴﻨﻅﺭ ﺇﻝﻰ ﺍﻝﺠﺩﺍﺭ ﺜﻡ ﻴﻀﻊ ﺍﻝﺼﻭﺭﺓ‬
‫ﻭﻴﺘﺠﻪ ﺇﻝﻰ ﺍﻝﺒﺎﺏ ) ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ( Ban left‬ﻭﻴﻨﻅﺭ ﺇﻝﻰ‬
‫ﺍﻝﺨﺎﺭﺝ ﺜﻡ ﻴﺩﺨل ﻭﻴﻘﻔل ﺍﻝﺒﺎﺏ ﻭﻴﻌﻭﺩ ﺇﻝﻰ‬

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‫ﻤﻜﺎﻨﻪ ) ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Ban right‬‬

‫ﻤﻌﻪ ( ﻭﻴﻀﻊ ﺩﺒﺎﺒﻴﺱ ﻓﻰ ﻓﻤﻪ ﻭﻴﺄﺨﺫ‬
‫ﺍﻝﺼﻭﺭ ﻭﻴﻌﻠﻘﻬﺎ ﻋﻠﻰ ﺍﻝﺠﺩﺍﺭ ﻭﺘﻘﻊ ﻤﻨﻪ‬
‫ﺼﻭﺭﺓ ﻓﻴﻨﺤﻨﻲ ﻝﻴﺄﺨﺫﻫﺎ ﺜﻡ ﻴﻌﻠﻘﻬﻡ ﻭﺍﺤﺩﺓ‬
‫‪136‬‬
‫ﻤﻥ ﻗﻤﺘﻬﺎ ﻭﺍﻷﺨﺭﻯ ﺒﺎﻝﻌﺭﺽ ﻭ ﺍﻝﺜﺎﻝﺜﺔ‬
‫ﺒﺎﻝﻤﻘﻠﻭﺏ ﺜﻡ ﻴﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺜﻡ‬
‫ﺇﻝﻰ ﺍﻝﺼﻭﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫‪Medium .Close‬‬
‫ﻝﺼﻭﺭﺓ ﻤﻥ ﺍﻝﺼﻭﺭﺓ ﺍﻝﻤﻌﻠﻘﺔ ﻭﻗﻨﺎﻭﻯ‬
‫‪ 137‬ﻴﻤﺩ ﻴﺩﻩ ﻭﻴﺭﺴﻡ ﻋﻠﻰ ﺯﺭﺍﻉ ﺍﻝﻤﺭﺁﺓ ﻓﻰ‬
‫ﺍﻝﺼﻭﺭﺓ ﺠﺭﺩل‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﻝﻠﺼﻭﺭﺓ‬
‫‪138‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪Medium .Close‬‬
‫ﻝﻨﻔﺱ ﺍﻝﺼﻭﺭﺓ ﺍﻝﻤﻌﻠﻘﺔ ﻭﻗﻨﺎﻭﻯ ﻴﻤﺩ ﻴﺩﻩ‬
‫‪139‬‬
‫ﻭﻴﺭﺴﻡ ﺯﺠﺎﺠﺔ ﻤﻴﺎﻩ ﻏﺎﺯﻴﺔ ﺩﺍﺨل ﺍﻝﺠﺭﺩل‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻘﻨﺎﻭﻯ‬
‫‪ ) 140‬ﻨﻔﺱ ﺍﻝﺴﺎﺒﻕ (ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻠﺼﻭﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Medium‬‬
‫‪ Long Shot (MLS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﺒﺭﻭﻓﻴل ‪ Side angle‬ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ‬
‫ﺍﻝﺼﻭﺭ ﺜﻡ ﻴﺘﺭﺍﺠﻊ ﻨﺤﻭ ﺍﻝﻴﻤﻴﻥ ﻓﻰ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﺽ ﻋﻤﻕ ﻴﻤﻴﻥ‬
‫‪ 141‬ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻤﺎﺯﺍل ﻴﻨﻅﺭ ﻝﻠﺼﻭﺭﺓ ﺜﻡ‬
‫ﻴﻨﻬﺽ ﻭﻴﺴﺤﺏ ﺒﻨﻁﻠﻭﻥ ﻤﻌﻠﻕ ﻋﻠﻰ ﺤﺒل‬
‫ﻭﻴﺠﺫﺒﻪ ﺠﺎﻨﺒﺎ‬
‫‪Fade out‬‬

‫ﻤﺸﻬﺩ )‪(16‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺃﻤﺎﻡ ﺍﻝﻤﺤﻁﺔ ﻤﻥ ﺍﻝﺨﺎﺭﺝ‬
‫‪Fade in‬‬

‫‪ 142‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Medium‬‬

‫‪ Long Shot (MLS‬ﻝﺴﺎﻋﺔ ﻤﺤﻁﺔ‬
‫ﻤﺼﺭ ﻭﺘﺸﻴﺭ ﻋﻘﺎﺭﺒﻬﺎ ﻋﻠﻰ ﺍﻝﻌـﺎﺸﺭﺓ‬
‫) ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪( low angle‬‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﻠﻔﺘﺎﺓ‬

‫ﺸﻴﺎل ‪ :‬ﻴﺎ ﻭﻋﺩﻯ ﻴﺎ ﻭﻋﺩﻯ ﻭﻻ‬ ‫ﺍﻝﺘﻰ ﻜﺎﻨﺕ ﺘﺘﺤﺩﺙ ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ ﻭﻫﻰ‬
‫ﺍﻝﻘﻤﺭ ﺍﻝﺭﻭﺴﻲ‬ ‫ﻭﺍﻗﻔﺔ ﺃﻤﺎﻡ ﻤﺒﻨﻰ ﺍﻝﻤﺤﻁﺔ ﻭﺒﻌﺽ‬
‫ﺸﻴﺎل ﺍﺨﺭ ‪ :‬ﺃﺭﻭﻯ ﺍﻝﻌﻁﺸﺎﻥ ﻴﺎ‬ ‫ﺍﻝﺸﻴﺎﻝﻴﻥ ﺠﺎﻝﺴﻴﻥ ﻋﻠﻰ ﺴﻼﻝﻡ ﺍﻝﻤﺒﻨﻰ‬
‫ﺠﻤﻴل ﺃﺘﻔﻀل ﺍﺸﺭﺏ‬ ‫ﻭﻴﻨﻅﺭﻭﻥ ﻝﻬﺎ ﻭﺒﺎﺌﻊ ﻋﺭﻗﺴﻭﺱ ﻭﺍﻗﻑ‬
‫ﻭﺭﺁﻫﺎ ﻭﺭﺁﻫﺎ‬ ‫ﻤﻌﻬﻡ ﺜﻡ ﺘﻨﻅﺭ ﺍﻝﻔﺘﺎﺓ ﻓﻰ ﺍﻝﺴﺎﻋﺔ‬
‫ﺒﺎﺌﻊ ﺍﻝﻌﺭﻗﺴﻭﺱ ‪ :‬ﻋﺭﻗﺴﻭﺱ‬ ‫ﻭﺘﺘﺤﺭﻙ ﺭﺍﻴﺢ ﺠﺎﻯ ﺃﻤﺎﻡ ﺍﻝﺴﻼﻝﻡ ﺒﻴﻨﻤﺎ‬
‫ﻋﺭﻗﺴﻭﺱ‬ ‫ﻴﻌﺎﻜﺴﻬﺎ ﺍﻝﺸﻴﺎﻝﻴﻥ‬
‫) ﺼﻭﺕ ﻀﺤﻜﺎﺕ(‬
‫ﻭﻴﺘﻘﺩﻡ ﻨﺤﻭﻫﺎ ﺒﺎﺌﻊ ﺍﻝﻌﺭﻗﺴﻭﺱ ﻭﻴﻘﻑ‬
‫ﺸﻴﺎل ‪ :‬ﻤﺎ ﺘﺯﻋﻠﻴﺵ ﻴﺎ ﻻﻴﻜﺎ‬ ‫‪ 143‬ﻋﻠﻰ ﻴﻤﻴﻨﻬﺎ ﻭﻴﺘﺤﺩﺙ ﻝﻬﺎ ﻓﺘﺭﻓﺽ‬
‫ﻓﻴﺘﺤﻭل ﺇﻝﻰ ﻴﺴﺎﺭﻫﺎ‬
‫ﻭﻴﺴﺘﻤﺭ ﺼﻭﺕ ﺍﻝﻀﺤﻜﺎﺕ ﻤﻊ‬
‫ﺨﺭﻭﺠﻬﺎ‬ ‫ﻭﺘﺠﺭﻯ ﺍﺘﺠﺎﻩ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺒﻌﻬﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Ban left‬ﻭﺘﺼﻌﺩ ﻫﻰ ﺍﻝﺴﻼﻝﻡ‬
‫ﻭﺘﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ﺍﻝﺫﻯ ﺘﻭﻗﻑ ﻋﻠﻰ‬
‫ﻗﻨﺎﻭﻯ ﺒﻌﺩ ﺃﻥ ﻤﺭﺕ ﻤﻥ ﺠﺎﻨﺒﻪ ﻭﻫﻭ‬
‫ﺠﺎﻝﺱ ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻴﺩﺨﻥ ﺴﻴﺠﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫) ﺃﺼﻭﺍﺕ ﺍﻝﻀﺤﻙ ﻤﺴﺘﻤﺭﺓ(‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﺼﻭﺕ ﺇﻏﻼﻕ ﺍﻝﺒﺎﺏ‬ ‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪ :‬ﺸﻴﺎل‬ ‫ﻝﻠﺸﻴﺎﻝﻴﻥ ﻭﻫﻡ ﺠﺎﻝﺴﻭﻥ ﻋﻠﻰ ﺍﻝﺴﻠﻡ‬
‫ﺸﻴﺎل‬ ‫ﻴﻀﺤﻜﻭﻥ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ‬ ‫ﻴﺘﺤﺭﻜﻭﻥ ﺒﺴﺭﻋﺔ ﺒﻌﺩ ﺴﻤﺎﻉ ﺍﻝﺼﻭﺕ‬
‫ﺒﺎﺘﺠﺎﻩ ﻋﺭﺒﺔ ﻴﺨﺭﺝ ﻤﻨﻬﺎ ﺸﺎﺏ ﻭﻴﻐﻠﻕ‬
‫ﺍﻝﺴﺎﺌﻕ ‪ :‬ﻨﺯﻝﻨﺎ ﺍﻝﺸﻨﻁ ﻴﺎ ﻫﺎﻨﻡ‬ ‫ﺍﻝﺒﺎﺏ ﺨﻠﻔﺔ ﻴﻨﻅﺭ ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ ﻜﻤﻥ‬
‫‪144‬‬
‫ﻴﺒﺤﺙ ﻋﻥ ﺸﺊ ﻭﻴﺘﻘﺩﻡ ﺇﻝﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺘﻘﺩﻡ ﺍﻝﺴﺎﺌﻕ ﺇﻝﻰ ﺍﻝﺒﺎﺏ ﺍﻝﺠﺎﻨﺒﻲ‬
‫ﺍﻻﻤﺎﻤﻰ ﻭﻴﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭ ﻴﺘﺤﺩﺙ ﺇﻝﻰ‬
‫ﺴﻴﺩﺓ ﻓﻰ ﺍﻝﺴﻴﺎﺭﺓ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺭﻭﻯ ﺍﻝﻤﺤﻁﺔ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪Medium .Close‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﺠﺎﻝﺱ ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻴﻨﻅﺭ‬
‫ﺃﻤﺎﻤﻪ ﺜﻡ ﻴﻠﺘﻔﺕ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Ban‬‬
‫‪ left 145‬ﺤﺘﻰ ﺍﻝﻔﺘﺎﺓ ﺍﻝﻭﺍﻗﻔﺔ ﻭﺘﺘﺤﻭل‬
‫ﺃﻝﻠﻘﻁﺔ ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ)‬
‫‪Medium Long Shot(MLS‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ‬
‫ﺘﻨﻅﺭ ﺒﻔﺭﺡ ﻝﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺒﺘﺴﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬ ‫‪146‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Medium‬‬

‫ﺍﻝﺴﺎﺌﻕ ‪ :‬ﺍﺘﻔﻀﻠﻰ ﻴﺎ ﻫﺎﻨﻡ‬ ‫‪ Long Shot (MLS 147‬ﻝﻠﺸﺎﺏ ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺇﻝﻰ ﺍﻝﻔﺘﺎﺓ ﻭﺨﻠﻔﻪ‬
‫ﺍﻝﺴﻴﺩﺓ ﺘﻨﺯل ﻤﻥ ﺍﻝﺴﻴﺎﺭﺓ‬

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‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ‬

‫ﺍﻝﺴﻴﺩﺓ ‪ :‬ﺍﻤﺎل ﻓﻴﻥ ﺸﺒﺎﻙ ﺍﻷﻤﺎﻨﺎﺕ‬ ‫ﺘﻨﻅﺭ ﻝﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺒﺘﺴﻡ‬
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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Medium‬‬

‫ﺸﻴﺎل ‪ :‬ﻤﺎﺘﺨﻔﻴﺵ ﻴﺎ ﺴﺕ ﻫﺎﻨﻡ‬ ‫‪ Long Shot (MLS‬ﻝﻠﺸﺎﺏ ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻫﺎﻨﻭﺩﻯ ﺍﻝﻌﻔﺵ ﻨﻭﺯﻨﻪ ﻭﻨﺠﻴﺏ ﻋﻠﻰ‬
‫ﻁﻭل ﺍﻝﺴﺎﻋﺔ ‪5‬‬ ‫ﺇﻝﻰ ﺍﻝﻔﺘﺎﺓ ﻭﺨﻠﻔﻪ ﺍﻝﺴﻴﺩﺓ ﻭﺍﻝﺴﺎﺌﻕ ﻭ‬
‫ﺍﻝﺸﻴﺎل ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﺸﺎﺏ ﻴﺤﻙ‬
‫‪ 149‬ﺃﻨﻔﻪ ﺒﺤﺭﻜﺔ ﻴﺸﻴﺭ ﺒﻬﺎ ﻝﻬﺎ ﺃﻥ ﺘﻘﺎﺒﻠﻪ ﻓﻰ‬
‫ﺍﻝﺩﺍﺨل‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﻠﻔﺘﺎﺓ‬

‫ﻭﻫﻰ ﻤﺘﻭﻗﻔﺔ ﻋﻠﻰ ﺍﻝﺭﺼﻴﻑ ﻓﻰ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﻭﺘﺸﺎﻭﺭ ﻝﻪ ﺒﻴﻨﻤﺎ ﻴﺠﻠﺱ‬
‫ﻗﻨﺎﻭﻯ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ ﻋﻠﻰ‬
‫ﺃﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻭﻴﻨﻅﺭ ﻝﻬﻡ ﻭﺒﺘﺎﺒﻌﻬﺎ ﻤﻠﺘﻔﺘﺎ‬
‫‪150‬‬
‫ﻭﻫﻰ ﺘﺠﺭﻯ ﻝﺩﺍﺨل ﺍﻝﻤﺤﻁﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(17‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺃﻤﺎﻡ ﺍﻝﻤﺤﻁﺔ ﻤﻥ ﺍﻝﺨﺎﺭﺝ‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﻠﻔﺘﺎﺓ ﺍﻝﺴﻴﺩﺓ ‪ :‬ﺍﻝﻌﻔﺵ ﻻﺯﻡ ﻴﻜﻭﻥ ﻋﻠﻰ‬
‫ﺍﻝﺭﺼﻴﻑ ﺍﻝﺴﺎﻋﺔ ‪5‬‬ ‫ﻭﻫﻰ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺸﻴﺎل ‪ :‬ﺤﺎﻀﺭ ﻴﺎ ﻫﺎﻨﻡ‬ ‫ﻤﻌﻬﺎ ‪ Ban left‬ﻭﺘﻘﻑ ﻓﻰ ﺸﻤﺎل‬
‫‪ 151‬ﺍﻝﻜﺎﺩﺭ ﺨﻠﻑ ﻋﻤﻭﺩ ﺍﻝﺒﺎﺏ ﻭﺘﻨﻅﺭ ﻝﻠﺸﺎﺏ ﻤﺎ ﺍﻭﺼﻜﺵ ﻋﻠﻰ ﺍﻝﻌﻔﺵ ﺒﺘﺎﻉ ﺍﻝﺒﻴﻪ‬
‫ﺍﻝﺼﻐﻴﺭ ﻴﺎ ﺸﻔﻴﻕ ﺍﻓﻨﺩﻯ‬ ‫ﻤﻥ ﺨﻠﻑ ﺍﻝﻌﻤﻭﺩ ﻭﻴﻠﺘﻔﺕ ﻝﻬﺎ ﺍﻝﺸﺎﺏ‬
‫ﺸﻔﻴﻕ ﺍﻓﻨﺩﻯ ‪ :‬ﺤﺎﻀﺭ‬ ‫ﺒﻴﻨﻤﺎ ﺘﺘﺤﺩﺙ ﺍﻝﺴﻴﺩﺓ ﻭ ﺍﻝﺴﺎﺌﻕ ﻝﻠﺸﻴﺎل‬
‫ﻭﻴﺩﺨل ﻗﻨﺎﻭﻯ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ‬
‫ﻝﻠﻔﺘﺎﺓ ﻭﻴﺨﺭﺝ ﻤﻥ ﻤﻘﺩﻤﺔ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Medium‬‬
‫‪ Long Shot (MLS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﻴﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ )ﻝﺠﺯﺀ ﺍﺨﺭ ﻤﻥ‬
‫ﺭﺼﻴﻑ ﺍﻝﻤﺤﻁﺔ ( ﻭﻴﻜﻭﻥ ﺨﻠﻔﻴﺔ ‪Full‬‬
‫‪ rear 152‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﺘﻭﻗﻑ ﻭﻴﺴﺘﺩﻴﺭ‬
‫ﻭﻴﺼﺒﺢ ﺒﺭﻭﻓﻴل ‪ Side angle‬ﻓﻰ‬
‫ﻤﻨﺘﺼﻑ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ‬

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‫ﺍﻝﺴﻴﺩﺓ ‪ :‬ﻤﺘﺘﺎﺨﺭﺵ ﻤﺎﻤﺎ ﻤﺴﺘﻨﻴﻙ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫ﻓﻰ ﺍﻝﺒﻴﺕ‬ ‫)‪ MS‬ﻝﻠﺸﺎﺏ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﺠﺎﻨﺒﻪ ﺜﻡ‬
‫ﺍﻝﺸﺎﺏ ‪ :‬ﻤﺎ ﺃﻨﺎ ﺴﻠﻤﺕ ﻋﻠﻴﻪ‬ ‫ﺘﺘﺤﺩﺙ ﺇﻝﻴﻪ ﺍﻝﺴﻴﺩﺓ ﻓﻴﻠﺘﻔﺕ ﺇﻝﻴﻬﺎ ﻭﻴﻜﻭﻥ‬
‫‪ 153‬ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﺄﺨﺫ ﺍﻝﺴﻴﺩﺓ ‪ :‬ﻫﺎ ﺘﺴﻴﺒﻬﺎ ﻜﺩﺓ ﺍﺨﺭ ﻴﻭﻡ‬
‫ﺍﻝﺸﺎﺏ ‪ :‬ﻋﻨﺩﻱ ﻤﻌﺎﺩ ﻤﻬﻡ‬ ‫ﺇﻴﺼﺎل ﺍﻝﺤﻘﺎﺌﺏ ﻤﻥ ﺍﻝﺸﺒﺎﻙ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻠﺸﺎﺏ ﻭﺍﻝﺴﻴﺩﺓ ﻭﺍﻝﺴﺎﺌﻕ ﻭﻫﻭ ﻴﻭﺩﻋﻬﺎ‬
‫ﺍﻝﺴﻴﺩﺓ ‪ :‬ﻤﺎﻝﻜﺵ ﺤﻕ‬ ‫ﻭﺘﻅﻬﺭ ﺍﻝﻔﺘﺎﺓ ﻓﻰ ﻤﻘﺩﻤﻪ ﺸﻤﺎل ﻤﻘﺩﻤﺔ‬
‫ﺍﻭﺭﻓﻭﺍﺭ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻓﻰ ﻨﻔﺱ ﺍﻝﻤﻜﺎﻥ ﺍﻝﺴﺎﺒﻕ ﺨﻠﻑ‬
‫ﺍﻝﺸﺎﺏ ‪ :‬ﺒﺱ ﺍﻨﺘﻭ ﺘﻴﺠﻭﺍ ﻫﻨﺎ‬ ‫ﻋﻤﻭﺩ ﺍﻝﺒﺎﺏ ﺜﻡ ﻴﺴﻴﺭ ﺒﻅﻬﺭﻩ ﺨﻠﻔﻴﺔ‬
‫ﺍﻝﺴﺎﻋﺔ ‪5‬‬ ‫‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ ﻤﺎﺯﺍل ﻴﻨﻅﺭ‬
‫‪ 154‬ﻝﻠﺴﻴﺩﺓ ﺤﺘﻰ ﺍﻝﻌﻤﻭﺩ ﻭﻴﻤﺴﻙ ﺒﻴﺩ ﺍﻝﻔﺘﺎﺓ‬
‫ﺜﻡ ﻴﻠﺘﻔﺕ ﻓﻴﺼﺒﺢ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺭﻓﻊ‬
‫ﺍﻝﻔﺘﺎﺓ ﻴﺩﻫﺎ ﻭﺘﻘﺒﻠﻬﺎ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Zoom in‬ﻭﻴﻨﻅﺭ ﺍﻝﺸﺎﺏ ﺇﻝﻰ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻝﻠﻨﺎﺱ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬

‫‪Medium .Close‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬ ‫‪155‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻠﺸﺎﺏ ﻭ‬
‫ﺍﻝﻔﺘﺎﺓ ﻭﻫﻰ ﻤﻤﺴﻜﺔ ﺒﻴﺩﻩ ﻭﺘﻌﻁﻴﻪ ﻭﺭﻗﺔ‬
‫‪156‬‬
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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ ﺜﻼﺙ‬
‫ﺃﺭﺒﺎﻉ ﻤﻭﺍﺠﻬﻪ ‪ Front 4/3‬ﻭﻴﻨﻅﺭ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬ ‫‪157‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻠﺸﺎﺏ ﻭ‬
‫ﺍﻝﻔﺘﺎﺓ ﻭﻫﻰ ﻤﻤﺴﻜﺔ ﺒﻴﺩﻩ ﻭﺘﻘﺒﻠﻬﺎ ﻭﺍﻝﺸﺎﺏ‬
‫ﻴﻨﻅﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬ ‫‪158‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺜﻡ ﺇﻝﻰ ﺍﻷﺭﺽ ﺜﻡ ﻴﺭﻓﻊ‬
‫‪ 159‬ﺒﺼﺭﺓ ﻤﺭﺓ ﺃﺨﺭﻯ ﻭﻴﺩﺨﻥ ﺴﻴﺠﺎﺭﺓ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻠﺸﺎﺏ ﻭ ﺍﻝﻔﺘﺎﺓ ﻭﻫﻡ ﻴﺴﻴﺭﻭﻥ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﺸﻤﺎل ﺤﺘﻰ ﻴﺨﺭﺠﻭﻥ‬
‫ﻭﻗﻨﺎﻭﻯ ﻭﺍﻗﻑ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻠﺘﻔﺕ ﻤﻊ ﺨﺭﻭﺠﻬﻡ ﻭﻴﺼﺒﺢ‬
‫ﺜﻼﺙ ﺃﺭﺒﺎﻉ ﻤﻭﺍﺠﻬﻪ ‪ Front 4/3‬ﺜﻡ‬
‫ﻴﻘﻑ ﺒﺭﻫﺔ ﺜﻡ ﻴﺠﺭﻯ ﻨﺤﻭ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬ ‫‪160‬‬
‫‪ Ban left‬ﻓﻴﻘﺎﺒل ﺍﺒﻥ ﺍﻝﺤﺎﺝ ﻤﺩﺒﻭﻝﻰ‬
‫ﻭﻴﺘﻭﻗﻑ ﻤﻌﻪ ﻗﻠﻴﻼ ﺜﻡ ﻴﺠﺭﻯ ﺒﺴﺭﻋﺔ‬
‫ﺇﻝﻰ ﺍﻝﻌﻤﻕ ﻭﻴﺨﺭﺝ ﺍﻝﻁﻔل ﻤﻥ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ‬

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‫ﻤﺸﻬﺩ )‪(18‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﻤﻴﺩﺍﻥ ﺭﻤﺴﻴﺱ‬

‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ ﻜﺒﻴﺭﺓ) ‪Very Long‬‬ ‫‪161‬‬

‫‪ Shot (VLS‬ﻝﻤﻴﺩﺍﻥ ﺭﻤﺴﻴﺱ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

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‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺴﻴﺭ ﻤﻥ ﺸﻤﺎل‬

‫ﺍﻝﺭﺠل ‪ :‬ﻭﻝﻪ ﻫﺎﺕ ﺃﻫﺭﺍﻡ‬ ‫ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﻴﻤﻴﻥ ﻭﺘﺘﺤﺭﻙ ﻤﻌﻪ‬
‫ﺒﻘﻴﺔ ﺍﻝﺸﻠﻥ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺤﺭﻙ ﺸﺎﺭﻴﻭﻩ ‪dolly out‬‬
‫ﻭﻴﻭﻗﻔﻪ ﺭﺠل ﻓﻴﺼﺒﺢ ﻗﻨﺎﻭﻯ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﺍﻝﺭﺠل ﺸﻤﺎل ﻜﺎﺩﺭ ﻭﻴﺘﺤﺩﺙ ﻤﻌﻪ ﻓﻴﻘﻑ‬
‫ﻗﻨﺎﻭﻯ ﻭﻴﻌﻁﻴﻪ ﺠﺭﻴﺩﺓ ﺒﻴﻨﻤﺎ ﺘﻤﺭ ﺴﻴﺩﺓ‬
‫ﻤﻥ ﺨﻠﻔﻬﻡ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﻴﻤﻴﻥ‬
‫‪162‬‬
‫ﻓﻴﻨﻅﺭ ﻝﻬﺎ ﻗﻨﺎﻭﻯ ﺜﻡ ﺇﻝﻰ ﺍﻝﺭﺠل ﺜﻡ‬
‫ﻴﺴﺘﺩﻴﺭ ﻨﺤﻭ ﺨﻠﻑ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻜﺎﻥ‬
‫ﺨﺭﻭﺝ ﺍﻝﺴﻴﺩﺓ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﻠﺴﻴﺩﺓ ﻭﻫﻰ ﻭﺍﻗﻔﺔ ﻭﺘﻨﻅﺭ ﻓﻰ‬
‫‪ 163‬ﺍﻝﺴﺎﻋﺔ ﺜﻡ ﺘﻨﻅﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺸﺩﻴﺩﺓ ﺍﻝﻘﺭﺏ ‪Extreme Close‬‬
‫‪ Up‬ﻝﻌﻴﻥ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫)ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﺴﻴﺩﺓ (‬ ‫‪164‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪Medium .Close‬‬
‫ﻝﺼﺩﺭ ﺍﻝﺴﻴﺩﺓ ﻭﻫﻰ ﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠﻰ‬
‫ﻓﺘﺤﺔ ﺍﻝﻔﺴﺘﺎﻥ ﻭﺘﺸﺩﻫﺎ ﺜﻡ ﺘﺴﻴﺭ ﻨﺤﻭ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ ﺇﻝﻰ ﻝﻘﻁﺔ‬
‫‪ 165‬ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium Long‬‬
‫‪ Shot‬ﻭﺘﻨﻅﺭ ﺒﺎﺘﺠﺎﻩ ﻗﻨﺎﻭﻯ ﻭﺒﺠﺎﻨﺒﻬﺎ‬
‫ﺭﺠل ﺍﺨﺭ ﻴﻨﻅﺭ ﺇﻝﻴﻬﺎ ﺜﻡ ﺘﺩﺨل ﻓﻰ ﺸﺎﺭﻉ‬
‫ﺠﺎﻨﺒﻲ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﻫﻨﻭﻤﻪ ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﻭﺍﻨﻑ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ‪ :‬ﺍﻴﻭﺓ ﺃﻨﺎ ﺠﺎﻴﻪ ﺍﻫﻭﻩ‬
‫ﺍﻝﻜﺎﺩﺭ ﺤﻴﻨﻤﺎ ﻴﺴﻤﻊ ﺼﻭﺕ ﻫﻨﻭﻤﻪ ﺜﻡ‬
‫ﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻅﻬﺭ ﺨﻠﻔﺔ ﺍﻝﺭﺠل ‪ :‬ﻴﺎﺍﺒﻨﻰ ﺍﻝﻔﻠﻭﺱ ﺩﻯ ﺯﻴﺎﺩﺓ‬
‫ﺘﻌﺈﻝﻰ ﺨﺩ‬ ‫‪ 166‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻠﺭﺠل ﺍﻝﺫﻯ‬
‫ﺍﺸﺘﺭﻯ ﺍﻝﺼﺤﻴﻔﺔ ﻭﻫﻭ ﻴﺼﺭﺥ ﻴﻨﺎﺩﻯ‬
‫ﻋﻠﻴﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻴﻪ‬ ‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺴﻴﺭ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺘﺤﻤل ﺍﻝﺠﺭﺩل ﻭﺨﻠﻔﻬﺎ ﻗﻨﺎﻭﻯ ﻴﺠﺭﻯ‬
‫ﻗﻨﺎﻭﻯ ‪:‬ﻋﻠﻰ ﻤﻬﻠﻙ ﺸﻭﻴﻪ ﻤﺎ‬ ‫‪ 167‬ﻨﺤﻭﻫﺎ ﺜﻡ ﺘﻘﻑ ﻭ ﺘﺴﺘﺩﻴﺭ ﻭﻴﺘﺤﺩﺜﻭﻥ‬
‫ﺘﺴﺘﻨﻲ ﻝﻤﺎ ﻨﻤﺸﻰ ﺴﻭﺍ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻴﻭﺓ ﻋﺸﺎﻥ ﻨﻭﺼل ﺍﻝﺴﻨﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺠﺎﻴﺔ‬

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‫ﻗﻨﺎﻭﻯ ‪ :‬ﻁﺏ ﺘﺴﺎﺒﻘﻴﻨﻲ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬

‫ﻴﻨﻅﺭ ﻝﻬﻨﻭﻤﻪ )ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ( ﻭﻴﺘﺤﺩﺙ ﻝﻬﺎ‬
‫‪168‬‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﺎﻋﻡ ﺃﺤﻨﺎ ﻗﺩﻙ ﺩﻩ ﺍﻨﺕ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﺍﻜﺱ‬ ‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻭﺍﻗﻔﺔ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻁﺏ ﻫﺎﺘﻰ ﻋﻨﻙ‬ ‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻋﺸﺕ ﺒﺱ ﺤل ﻋﻨﻰ‬ ‫ﻭﻅﻬﺭﻫﺎ ﻝﻘﻨﺎﻭﻯ ﻭﺘﺘﺤﺩﺙ ﻝﻪ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Low angle‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻨﺤﻭﻫﺎ ﻗﻨﺎﻭﻯ ﻗﻨﺎﻭﻯ ‪ :‬ﻴﺎ ﺭﻴﺕ ﺍﻗﺩﺭ ﻴﺎ ﻫﻨﻭﻤﻪ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻴﻭﻩ ﺍﻴﻭﻩ ﺍﺸﺘﻐﻠﻨﻰ‬ ‫ﻭ ﻴﺘﺤﺩﺜﻭﻥ ﻭﻫﻡ ﻴﺴﻴﺭﻭﻥ ﻭﺘﺘﺤﺭﻙ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﻨﺎ ﻜﻨﺕ ﻋﺎﻭﺯ ﺃﻗﻭﻝﻙ ﺍﻨﻰ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻬﻡ‪Track out‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺃﻨﺎ ﺒﺩﻯ ﺍﻓﻬﻡ ﺒﺱ ﺍﻨﺕ‬
‫ﺍﻁﺭﻨﻰ ﻝﻴﻪ‬
‫ﻗﻨﺎﻭﻯ ‪:‬ﻤﻌﺎﻴﺎ ﻜﻠﻤﺘﻴﻥ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻭﻓﺭﻫﻡ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻜﺎﺘﻤﻴﻥ ﻋﻠﻰ ﻗﻠﺒﻲ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﻴﻰ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺍﺴﻤﻌﻲ ﺒﺱ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻫﺎ ﺴﻤﻊ ﻤﻥ ﻫﻨﺎ ﻭ ﺍﺴﻴﺏ‬
‫ﻤﻥ ﻫﻨﺎ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺯﻯ ﺒﻌﺽ ﺒﺱ ﺃﻗﻭﻝﻬﻡ‬ ‫‪169‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻁﺏ ﻗﻭل‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﻨﺎ ‪.....‬‬ ‫ﺜﻡ ﻴﻘﻑ ﻋﻨﺩ ﺒﺎﺏ ﻤﺒﻨﻰ ﺍﻝﻤﺤﻁﺔ ﻭﻫﻡ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﺎ ﺍﺨﻭﻴﺎ ﻗﻭل ﺒﻘﻰ‬ ‫ﻴﺘﺤﺩﺜﻭﻥ‬
‫ﻭﺨﻠﺼﻨﻲ ﺍﻴﻪ ﺩﻩ‬

‫ﺜﻡ ﺘﺨﺭﺝ ﻫﻨﻭﻤﻪ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻓﻴﻨﻅﺭ‬

‫ﻝﻬﺎ ﻗﻨﺎﻭﻯ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺩﺨل ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ‬ ‫ﻭﺘﻘﻑ ﻋﻨﺩ ﺍﻝﻨﺎﻓﻭﺭﺓ ﺃﻤﺎﻡ ﺘﻤﺜﺎل ﺭﻤﺴﻴﺱ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻴﻪ ﺘﺎﻨﻰ‬ ‫ﻭﺘﻤﺴﻙ ﺒﺎﻝﺠﺭﺩل ﻭﺘﻐﻤﺭﻩ ﻓﻰ ﺍﻝﻤﻴﺎﻩ‬
‫ﺼﻭﺕ ﺍﻝﺠﺭﺩل‬ ‫‪170‬‬
‫ﻭﻴﺩﺨل ﻗﻨﺎﻭﻯ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺩﺙ‬
‫ﻝﻬﺎ ﻓﺘﺭﺩ ﻋﻠﻴﺔ ﻭﻴﺴﻴﺭ ﻨﺤﻭﻫﺎ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺍﻝﺯﺠﺎﺠﺎﺕ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻬﻨﻭﻤﻪ‬
‫ﻭﻗﻨﺎﻭﻯ ﺠﺎﻝﺴﻴﻥ ﻭﻫﻰ ﺘﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ‬

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‫ﻗﻨﺎﻭﻯ ‪ :‬ﻴﻌﺠﺒﻙ ﺩﻩ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﺠﺎﻝﺱ ﺨﻠﻔﻬﺎ ﻭﻴﻨﻅﺭ ﻝﻬﺎ ﺜﻡ‬
‫ﻴﺨﺭﺝ ﻤﻥ ﺠﻴﺒﻪ ﻋﻘﺩ ﻴﻘﺩﻤﻪ ﻝﻬﺎ ﻓﺘﻠﺘﻔﺕ‬
‫ﺇﻝﻴﻪ‬
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‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻬﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ ‪ :‬ﻭﺭﻴﻨﻲ ﻝﻁﺸﺘﻪ ﻤﻨﻴﻥ ﻴﺎ‬

‫ﻤﻨﻴل‬ ‫ﻭﻗﻨﺎﻭﻯ ﺠﺎﻝﺴﻴﻥ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻻﻁﺸﺘﻪ ﺩﻩ ﺍﻴﻪ ﺩﻩ ﻭﺭﺙ‬ ‫ﺠﺎﻝﺱ ﺨﻠﻔﻬﺎ ) ﺨﻠﻑ ﻜﺘﻔﻬﺎ (‬
‫ﻋﻥ ﺍﻤﻰ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻴﺒﻘﻰ ﻓﺎﻝﺼﻭﺍ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻻ ﻭﺤﻴﺎﺓ ﺴﻴﺩﻱ ﻋﺒﺩ‬
‫ﺍﻝﺭﺤﻴﻡ ﺩﻩ ﺩﻫﺏ ﺃﻝﺒﺴﻴﻪ ﺍﻝﺒﺴﻴﻪ ﻴﺎ‬
‫ﻫﻨﻭﻤﺔ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺤﻠﻭ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺍﺩﻩ ﺸﺒﻜﺘﻙ ﻴﺎ ﻫﻨﻭﻤﺔ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻫﻴﺎﻜل ﻤﻥ ﺭﻗﺒﺘﻲ ﺤﺘﺔ‬ ‫ﻭﺘﻤﺴﻙ ﻫﻨﻭﻤﻪ ﺒﺎﻝﻌﻘﺩ ﻭﻴﻨﻅﺭ ﻝﻬﺎ‬
‫ﻗﻨﺎﻭﻯ ‪:‬ﺃﻗﻭل ﻤﺒﺭﻭﻙ‬ ‫ﻭﻴﺘﺤﺩﺜﻭﻥ ﻝﺒﻌﺽ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺒﺱ ﺸﻜﻠﻪ ﺒﻠﺩﻱ‬ ‫ﺜﻡ ﺘﻀﻌﺔ ﻋﻠﻰ ﺭﻗﺒﺘﻬﺎ ﻭﻫﻡ ﻤﺴﺘﻤﺭﻴﻥ ﻓﻰ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺭﺩﻯ ﻋﻠﻴﺎ‬ ‫ﺍﻝﺤﺩﻴﺙ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺒﺘﻘﻭل ﺍﻴﻪ ﻴﺎ ﺠﺩﻉ ﺍﻨﺕ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺒﻘﻭل ﺃﻨﺎ ﺸﺒﻜﺘﻙ ﺒﺎﻝﻌﻘﺩ ﺩﺓ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻜﺩﺓ ﺨﺒﻁ ﻝﺯﻕ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻗﻭﻝﺘﻰ ﺍﻴﻪ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﺎ ﺍﺨﻭﻴﺎ ﻤﺎ ﺘﺭﻭﺡ ﺘﺸﻭﻑ‬
‫ﻝﻙ ﻭﺍﺤﺩﺓ ﺜﺎﻨﻴﺔ‬ ‫‪172‬‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻤﺵ ﻋﺎﻴﺯ ﻭﺍﺤﺩﺓ ﺜﺎﻨﻴﺔ ﺃﻨﺎ‬
‫ﻋﺎﻴﺯﻙ ﺍﻨﺕ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﺸﻤﻌﻨﻰ ﺒﻘﻰ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻤﻌﻠﻘﺔ ﻤﻌﺎﻴﺎ ﻫﻨﺎ‬
‫ﻤﺎﺘﺸﻭﺭﻯ ﻋﻘﻠﻙ ﻭﻁﻭﻋﻴﻨﻲ ﻴﺎ‬
‫ﻫﻨﻭﻤﻪ ﺃﻨﺎ ﺒﻌﺯﻙ ﻗﻭﻯ ﺃﻨﺎ ﺃﺸﻴﻠﻙ ﻓﻰ‬
‫ﻋﻨﻴﺎ ﺍﻻﺜﻨﻴﻥ ﺩﺍﻨﺘﻰ ﺩﺍﻨﺘﻰ ﺍﺤﻠﻰ ﻤﻥ‬
‫ﺍﻝﺼﻭﺭﺓ ﺩﻯ ﺒﺼﻰ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻻ ﺍﻨﺕ ﺍﺤﻠﻰ‬
‫)ﻴﻀﺤﻜﻭﻥ (‬

‫ﻭﻴﺭﻴﻬﺎ ﺍﻝﺼﻭﺭﺓ ﺍﻝﺘﻰ ﻓﻰ ﺍﻝﻤﺠﻠﺔ ﻓﺘﻨﻅﺭ‬

‫ﻝﻬﺎ ﻭ ﺘﺘﺤﺩﺙ ﺜﻡ ﻴﻀﺤﻜﻭﻥ‬

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‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﻴﻀﺤﻙ ﻭﻴﻨﻅﺭ ﻝﻬﻨﻭﻤﻪ ) ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ(‬
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‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬

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‫ﺘﻀﺤﻙ ﻭﺘﻨﻅﺭ ﻝﻘﻨﺎﻭﻯ ) ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ(‬

‫‪174‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻭﺒﻌﺩﻴﻥ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻬﻨﻭﻤﻪ‬
‫ﻭﻗﻨﺎﻭﻯ ﺠﺎﻝﺴﻴﻥ ﻴﻀﺤﻜﺎﻥ ﺜﻡ ﻴﺘﺤﺩﺜﺎﻥ ﻗﻨﺎﻭﻯ ‪ :‬ﻨﻜﺘﺏ ﻜﺘﺎﺒﻨﺎ ﻭﻨﺭﺠﻊ ﺍﻝﺒﻠﺩ‬
‫ﻭﺍﺨﺵ ﻋﻠﻴﻬﻡ ﻭﺍﻨﺘﻰ ﻓﻰ ﺍﻴﺩﻯ‬
‫ﻭﺃﻗﻭل ﻝﻬﻡ ﻤﺭﺍﺘﻰ ﺍﻫﻰ ﻤﺭﺁﺓ ﻗﻨﺎﻭﻯ‬
‫ﺍﻝﻠﻰ‬
‫ﺩﺓ ﺍﻨﺕ ﻫﺎ ﺘﺒﻘﻰ ﺸﻜﺎﻝﻴﺘﻪ ﻓﻰ ﺒﻼﺩﻨﺎ‬
‫ﻴﺎ ﺒﺕ ﺍﻨﺕ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻁﺒﻌﺎ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻭﺒﻌﺩ ﻜﺩﺓ ﻫﺎﺒﻨﻲ ﻝﻙ ﺤﺘﻪ‬
‫ﺒﻴﺕ ﻜﺩﻩ ﻤﺤﻨﺩﻕ ﻋﻠﻰ ﺍﻝﺒﺤﺭ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻭﻻﺯﻡ ﻋﻠﻰ ﺍﻝﺒﺤﺭ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺒﻌﻴﺩ ﻋﻥ ﺍﻝﺯﻴﻁﺔ ﻭ‬
‫ﺍﻝﻘﻁﺎﺭﺍﺕ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﺎ ﺍﺨﻭﻴﺎ ﺃﺤﻨﺎ ﻁﻭل ﻋﻤﺭﻨﺎ‬
‫ﻋﺎﻴﺸﻴﻥ ﻓﻰ ﺍﻝﺯﻴﻁﺔ ﻭ ﻭﺨﺩﻴﻥ‬
‫ﻋﻠﻴﻬﺎ‬
‫ﻗﻨﺎﻭﻯ ‪:‬ﺍﻝﺯﻴﻁﺔ ﺒﺘﻘﻠﺏ ﻜﻴﺎﻨﻲ ﺃﻨﺎ‬ ‫‪175‬‬
‫ﻋﺎﻴﺯ ﺤﺘﻪ ﺭﺍﻴﻘﺔ ﻜﺩﺓ ﺒﻌﻴﺩ ﻋﻥ‬
‫ﺍﻝﻨﺎﺱ ﻓﻰ ﻗﺒﻠﻲ ﻭﻨﺯﺭﻉ ﻝﻨﺎ ﺤﺘﻪ‬
‫ﺍﺭﺽ ﻭﻨﺭﺏ ﻝﻨﺎ ﻋﺠﻠﺘﻴﻥ ﻭﻨﻌﻴﺵ‬
‫ﻓﻰ ﺘﺒﺎﺕ ﻭﻨﺒﺎﺕ ﻭ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻭﻨﺨﻠﻑ ﺼﺒﻴﺎﻥ ﻭ ﺒﻨﺎﺕ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺍﺓ ﻭﻤﺎ ﻨﻘﺴﺎﺵ ﻋﻠﻰ‬
‫ﻋﻴﺎﻝﻨﺎ ﺃﺒﺩﺍ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻫﻭ ﻓﻴﻪ ﺤﺩ ﺒﻴﻘﺴﺊ ﻋﻠﻰ‬
‫ﻋﻴﺎﻝﻪ ﻨﻬﺎﻴﺘﻪ ﻭﺒﻌﺩﻴﻥ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪ Over Shoulder‬ﻫﻨﻭﻤﻪ‪ :‬ﻤﺎ ﺘﻜﻤل ﻭﺒﻌﺩﻴﻥ ﺍﻝﻌﻴﺎل‬
‫ﻴﻜﺒﺭﻭﺍ ﻭﺒﻌﺩﻴﻥ ﻨﺠﻭﺯﻫﻡ ﻭﺒﻌﺩﻴﻥ‬ ‫‪Shot O S‬‬
‫ﻴﺨﻠﻔﻭﺍ ﻝﻨﺎ ﺼﺒﻴﺎﻥ ﻭﺒﻨﺎﺕ‬ ‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻨﻭﻤﻪ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻨﻭﻤﺔ‬ ‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ ﻓﻰ‬
‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻫﻨﻭﻤﻪ ‪ :‬ﺒﻴﺕ ﺍﻴﻪ ﻴﺎﺩﻝﻌﺎﺩﻯ ﺍﻝﻠﻰ ﻫﺎ‬
‫ﺘﺒﻨﻴﻪ ﻋﻠﻰ ﺍﻝﺒﺤﺭ ﻴﺎ ﺍﺨﻭﻴﺎ ﻓﻭﻕ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻝﻨﻔﺴﻙ ﺍﻓﺘﺢ ﻝﻙ ﺒﻴﺒﺴﻰ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﻨﺎ ﻜﻨﺕ ﺒﺘﻜﻠﻡ ﺠﺩ‬ ‫‪176‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺩﺍﺩ )ﺘﻀﺤﻙ ( ﻫﻭ ﻓﻴﻥ‬
‫ﺍﻝﺠﺩ ﺩﻩ ﻋﻤﺎل ﺘﺒﻨﻰ ﻝﻰ ﻓﻰ ﺒﻴﻭﺕ‬
‫ﻭﺘﺭﺒﻰ ﻋﺠﻭل ﻭﺘﺴﺭﺡ ﺒﻴﺎ ﺍﻝﺴﺭﺤﺔ‬
‫ﺩﺓ ﻜﻠﻬﺎ ﻭﺘﻘﻭل ﻝﻰ ﺒﺘﻜﻠﻡ ﺠﺩ ﻫﺎ‬
‫ﺘﺠﻴﺏ ﺩﻩ ﻜﻠﻪ ﻤﻨﻴﻥ ﺍﻨﺕ ﺤﻠﺘﻙ‬
‫ﺍﻝﻠﻀﻰ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬

‫‪Medium .Close‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻬﺎ ﻓﻰ ﺤﺯﻥ ﺜﻡ‬
‫ﻴﻨﻬﺽ ) ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Tilt‬‬
‫‪ ( up‬ﻭﻴﻘﻑ ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﻤﺜﺎل‬
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‫ﺭﻤﺴﻴﺱ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪Low angle‬‬
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‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬

‫ﺘﻀﺤﻙ ﻭﺘﻨﻅﺭ ﻝﻘﻨﺎﻭﻯ‬
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‫ﻗﻨﺎﻭﻯ ‪ :‬ﻭﺍﻴﻪ ﻴﻌﻨﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻴﻪ ﻴﻌﻨﻰ‬ ‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻴﺘﺤﺩﺙ ﻝﻬﺎ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪Low‬‬
‫‪angle‬‬ ‫‪179‬‬

‫ﻫﻨﻭﻤﻪ‪ :‬ﻭﺍﻴﻪ ﻴﻌﻨﻰ ﻴﺎ ﺠﺩﻉ ﺍﻋﻘل‬
‫ﺸﻭﻑ ﺍﻝﺩﻨﻴﺎ ﻤﺎﺸﻴﺔ ﺍﺯﺍﻯ ﺍﻨﺎ‬
‫ﻫﻨﻭﻤﻪ ﺍﻝﻠﻰ ﻗﺩﺍﻤﻙ ﻭﺩﻩ ﺠﺭﺩل‬
‫ﺍﻝﻜﺎﺯﻭﺯﺓ ﺍﻝﻠﻰ ﻗﻁﻊ ﻗﻠﺒﻰ ﻁﻭل‬
‫ﺍﻝﻨﻬﺎﺭ ﻭﺤﻀﺭﺘﻙ ﺴﻰ ﻗﻨﺎﻭﻯ ﺃﺨﺒﺎﺭ‬
‫ﺍﻝﻴﻭﻡ ﺍﻝﻤﺴﺎﺀ ﺍﻝﺠﻤﻬﻭﺭﻴﺔ ﺍﻝﻠﻰ ﺩﺍﻴﺭ‬
‫ﺘﺯﻙ ﺒﻴﻬﻡ ﻁﻭل ﺍﻝﻨﻬﺎﺭ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺒﺱ‬
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‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫‪Shot O S‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻨﻭﻤﻪ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺠﺎﻝﺴﺔ‬
‫ﻋﻠﻰ ﺤﺭﻑ ﺍﻝﻨﺎﻓﻭﺭﺓ ﻭﺘﻨﻅﺭ ﺇﻝﻰ ﻗﻨﺎﻭﻯ‬
‫‪ ) 180‬ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ( ﺍﻝﺫﻯ ﻴﻅﻬﺭ ﻤﻥ ﻴﺩﺓ‬
‫ﻭﻗﺩﻤﻪ ﻭﺘﺘﺤﺩﺙ ﻝﻪ ﻓﻴﺭﺩ ﻋﻠﻴﻬﺎ ﻭﻴﺠﻠﺱ‬
‫ﺒﺠﺎﻨﺒﻬﺎ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻬﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ‪ :‬ﺤﺎﺠﺔ ﺘﻔﻠﻕ ﺸﺤﺎﺘﺔ ﻭ‬

‫ﺍﻻﻁﺔ‬ ‫ﻭﻗﻨﺎﻭﻯ ﻭﻫﻡ ﻴﺘﺤﺩﺜﻭﻥ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﻨﺎ ﺭﺍﺠل ﺸﻐﺎل ﻭ ﻜﺴﻴﺏ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺯﻯ ﻤﻴﻥ ﻓﻰ ﺍﻝﻜﺴﻴﺏ ﻴﺎ‬
‫ﺃﺒﻭ ‪ 15‬ﻗﺭﺵ ﺍﻨﺕ ﺯﻯ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻁﺏ ﺩﻩ ﺃﺒﻭ ﺴﺭﻴﻊ ﺒﻴﻜﺴﺏ ‪30‬‬
‫ﺼﺎﻍ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﻨﺎ ﺒﻘﻭﻝﻙ ﺃﻨﺎ ﺒﺸﺘﻐل‬ ‫‪181‬‬
‫ﺒﻌﺸﺭﺓ ﻤﻥ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺒﻘﻰ ﺍﺴﻤﻊ‬

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‫ﻫﻨﻭﻤﻪ‪ :‬ﺃﺒﻭ ﺴﺭﻴﻊ ﺩﻩ ﺨﻁﻴﺒﻲ‬ ‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬

‫ﻭﻫﻴﺒﻘﻰ ﺠﻭﺯﻱ ﻋﺎﻭﺯ ﺘﺤﻁ ﺭﺍﺴﻙ‬ ‫‪Shot O S‬‬
‫ﺒﺭﺃﺴﻪ ﻴﺎ ﻋﺭﻭﺠﺔ ﺍﻨﺕ‬ ‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻨﻭﻤﻪ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺒﺱ ﻤﺎﺘﺯﻋﻘﻴﺵ‬ ‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ ﻓﻰ‬
‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ) ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪( High angle‬‬

‫ﻫﻨﻭﻤﻪ ‪ :‬ﺠﺭﺍﻝﻙ ﺍﻴﻪ ﻴﺎ ﻗﻨﺎﻭﻯ‬

‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﺎﺘﻰ ﺍﻝﻌﻘﺩ‬ ‫ﻴﻠﺘﻔﺕ ﻗﻨﺎﻭﻯ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻘﻑ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﺨﻴﻴﻪ‬ ‫‪ 182‬ﻭﺘﺘﺤﺭﻙ ﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt up‬ﺜﻡ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﺎﺘﻰ ﺍﻝﻌﻘﺩ‬ ‫ﺘﻘﻑ ﻫﻨﻭﻤﻪ ﻭﻴﺼﺒﺢ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺨﺩ‬ ‫‪ Medium .2‬ﻝﻬﻨﻭﻤﻪ ﻭﻗﻨﺎﻭﻯ ﻭﻫﻡ‬
‫ﻭﺘﺩﺨل ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺃﺴﻔل ﻭﺘﺘﺤﺩﺙ‬
‫ﻴﻠﺘﻔﺕ ﺇﻝﻴﻬﺎ‬

‫ﻴﺼﺭﺥ‬

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‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻗﻨﺎﻭﻯ ‪ :‬ﻫﺎﺘﻰ ﺨﺴﺎﺭﺓ ﻓﻰ ﺠﺘﺘﻙ ﺩﻩ‬
‫ﺍﻨﺕ‬ ‫ﻴﻨﻅﺭ ﻝﻬﺎ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﻫﻨﻭﻤﻪ ﻤﻥ ﺨﺎﺭﺝ‬ ‫‪183‬‬
‫ﺍﻝﻜﺎﺩﺭ ‪ :‬ﻁﺏ ﻤﺎ ﺘﺯﻋﻠﺵ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪ Over Shoulder‬ﻫﻨﻭﻤﻪ‪ :‬ﻤﺘﺯﻋﻠﺵ ﺍﻤﺎل ﻜل ﺸﺊ‬
‫ﻗﺴﻤﺔ ﻭﻨﺼﻴﺏ‬ ‫‪Shot O S‬‬
‫ﺒﻠﻴﺔ ‪ :‬ﻋﻡ ﻗﻨﺎﻭﻯ ﻋﻡ ﻗﻨﺎﻭﻯ‬ ‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻨﻭﻤﻪ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ ﻓﻰ‬
‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻝﻤﺜﻠﺞ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻰ ﺘﺘﺤﺩﺙ ﻝﻪ ﻭﻴﺄﺘﻲ ﻤﻥ‬
‫ﺨﻠﻔﻬﻡ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺍﺒﻥ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﺒﻠﻴﺔ ‪ :‬ﺘﻌﺈﻝﻰ ﻜﻠﻡ ﺃﺒﻭﻴﺎ ﻋﺎﻭﺯﻙ‬
‫ﻀﺭﻭﺭﻱ ﻴﺎ ﻋﻡ ﻗﻨﺎﻭﻯ‬ ‫ﻭﻫﻭ ﻴﻨﺎﺩﻯ ﻋﻠﻰ ﻗﻨﺎﻭﻯ ﻭﻴﺘﺤﺭﻙ ﻗﻨﺎﻭﻯ‬
‫ﻗﻭﺍﻡ‬ ‫ﻝﻜﻰ ﻴﺠﻠﺱ ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻝﻨﺎﻓﻭﺭﺓ ﻓﻰ‬
‫‪184‬‬
‫ﺍﻝﻭﻗﺕ ﺍﻝﺫﻯ ﺘﻠﺘﻔﺕ ﻫﻰ ﻓﻴﻪ ﻝﺘﺄﺨﺫ‬
‫ﺍﻝﺠﺭﺩل ﻭﻴﺩﺨل ﺒﻠﻴﺔ ﻭﻴﺠﻠﺱ ﺒﺠﺎﻨﺒﻪ‬
‫ﻋﻠﻰ ﺍﻝﻨﺎﻓﻭﺭﺓ ﻭﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ ﺇﻝﻰ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻘﻨﺎﻭﻯ ﻭﺒﻠﻴﺔ‬
‫ﻴﺠﻠﺱ ﺒﺠﺎﻨﺒﻪ ﻭ ﻴﺤﺩﺜﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻤﺸﻬﺩ )‪(19‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺃﻤﺎﻡ ﺒﺎﺏ ﺍﻝﻤﺤﻁﺔ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻴﻅﻬﺭ ﻓﻴﻬﺎ ﺠﺎﺩ ﺍﷲ ﻭﻫﻭ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺃﻭﻋﻰ‬ ‫‪ 185‬ﻴﺘﺤﺭﻙ ﻨﺤﻭ ﺴﻴﺎﺭﺓ ﻝﻴﺤﻤل ﺍﻝﺤﻘﺎﺌﺏ‬
‫)ﺘﺘﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ( pan right‬ﻭﻨﺭﻯ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻨﺤﻨﻲ ﻝﻴﺤﻤل ﺍﻝﺤﻘﺎﺌﺏ‬
‫ﻭﻴﺄﺨﺫﻫﻡ ﻭﻴﺴﻴﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺠﺎﺩ ﺍﷲ ‪ :‬ﺃﻴﺔ ﺍﻝﺤﺩﺍﻗﺔ ﺩﻯ ﺍﻨﺕ ﻫﺎ‬
‫ﺘﻘﻁﻊ ﻋﻠﻴﺎ‬ ‫) ﻭﺘﺘﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan left‬ﻭﻫﻡ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻴﺎﻋﻡ ﺴﺒﻭﻨﺎ ﻨﺄﻜل‬ ‫ﻴﺘﺤﺩﺜﻭﻥ ﻭﻴﺩﺨل ﺸﻴﺨﺎﻥ ﻤﻌﻬﻡ ﻓﻰ‬
‫ﻋﻴﺵ‬ ‫ﺍﻝﺤﺩﻴﺙ ﻭﻫﻡ ﺃﺼﺤﺎﺏ ﺍﻝﺤﻘﺎﺌﺏ ﺜﻡ‬
‫ﺍﻝﺸﻴﺦ ﺍﻷﻭل ‪ :‬ﻤﺎﻫﻭ ﺯﻤﻴﻠﻙ‬ ‫ﻴﺘﺤﺩﺙ ﺃﺒﻭ ﺠﺎﺒﺭ ﺍﻝﻤﻭﺠﻭﺩ ﻓﻰ ﻋﻤﻕ‬
‫ﺒﺭﻀﻪ ﻴﺎﺍﺒﻨﻰ ﺴﺒﺤﺎﻥ ﺍﷲ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻤﻊ ﺸﻴﺎل ﺍﺨﺭ ﻓﻴﻠﺘﻔﺕ ﺇﻝﻴﻪ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﺒﻭﺠﻬﺔ ﺜﻡ ﻴﺭﺠﻊ ﻤﺭﺓ ﺃﺨﺭﻯ ﻴﻨﻅﺭ ﺍﻝﺸﻴﺦ ﺍﻝﺜﺎﻨﻲ‪ :‬ﺜﻡ ﻫﻭ ﺍﻝﺫﻯ ﻭﺼل‬
‫ﺍﻷﻭل‬ ‫)ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ( ﻭﻴﺘﺤﺩﺜﻭﻥ ﺜﻡ ﻴﺴﻴﺭ ﺃﺒﻭ ﺴﺭﻴﻊ ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺨﺩ ﻤﻨﻪ ﺍﻝﺸﻴﻠﺔ ﻴﺎ‬
‫ﺠﺎﺩ ﺍﷲ ﺃﻝﻭﺍﺩ ﺩﻩ ﻤﻭﻗﻭﻑ ﻋﻥ‬ ‫ﺒﺎﻝﺤﻘﺎﺌﺏ ﺇﻝﻰ ﺩﺍﺨل ﺍﻝﻤﺤﻁﺔ ﻭﺨﻠﻔﻪ‬
‫ﺍﻝﺸﻐل‬ ‫ﺍﻝﺸﻴﺨﺎﻥ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺒﺄﻤﺭ ﻤﻴﻥ ﻴﺎ ﺃﺒﻭ‬
‫ﺠﺎﺒﺭ‬
‫ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺒﺄﻤﺭﻱ ﺃﻨﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻝﻜﻼﻡ ﺩﺓ ﻜﺎﻥ ﺯﻤﺎﻥ‬
‫ﺍﻝﺸﻴﺦ ﺍﻷﻭل ‪ :‬ﻴﺎ ﻋﺎﻝﻡ ﺍﻝﻘﻁﺎﺭ ﻻ‬
‫ﻴﻨﺘﻅﺭ ﺍﺤﺩ‬
‫ﺍﻝﺸﻴﺦ ﺍﻝﺜﺎﻨﻲ‪ :‬ﻫﺫﻩ ﻤﻬﺯﻝﺔ ﺍﻨﻬﻭﻨﺎ‬
‫ﺒﻘﻰ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺃﺘﻔﻀل ﻴﺎ ﺃﺴﺘﺎﺫ‬
‫ﻤﺘﺯﻋﻠﺵ ﻭﺍﻝﺭﺍﺠل ﻓﻴﻬﻡ ﻴﺘﻌﺭﺽ‬
‫ﻝﻰ‬
‫ﺍﻝﺸﻴﺦ ﺍﻝﺜﺎﻨﻰ ‪:‬ﺍﻴﻭﺓ ﻜﺩﻩ ﺍﻨﺕ ﺠﺩﻉ‬
‫ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺍﻝﻭﺍﺩ ﺩﻩ ﻓﺠﺭ ﻗﻭﻯ‬ ‫‪ 186‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻷﺒﻭ ﺠﺎﺒﺭ ﻭﺸﻴﺎل ﺍﺨﺭ ﻭﻴﺩﺨل ﺠﺎﺩ ﺠﺎﺩ ﺍﷲ ‪ :‬ﻤﺎﻫﻭ ﻤﺴﻨﻭﺩ ﻭﺍﻝﻠﻲ‬
‫ﺍﷲ ﻤﻥ ) ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ( ﻭﻴﻘﻑ ﻤﻜﺎﻥ ﻝﻪ ﻅﻬﺭ ﻤﺎ ﻴﻨﻀﺭﺒﺵ ﻋﻠﻰ ﺒﻁﻨﻪ‬
‫ﺍﻝﺸﻴﺎل ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ ﺍﻝﺸﻴﺎل ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﻤﻴﻥ ﺩﻩ ﺍﻝﻠﻰ ﺴﺎﻨﺩﺓ‬
‫ﺠﺎﺩ ﺍﻝﻠﺔ ‪ :‬ﺍﻻﻓﻨﺩﻯ ﺒﺘﺎﻉ ﻤﻜﺘﺏ‬ ‫ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻌﻤل ﻜﺎﻥ ﻤﻌﺎﻩ ﺍﻝﻨﻬﺎﺭﺩﺓ ﺍﻝﺼﺒﺢ‬
‫ﺨﻠﻴﻙ ﺴﺎﻜﺕ ﻷﺒﻭﺴﺭﻴﻊ ﻝﻤﺎ ﻴﺒﻠﻌﻨﺎ‬
‫ﻓﻰ ﻋﺒﻪ‬
‫ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺍﻋﻤل ﺍﻴﻪ ﺃﻜﺜﺭ ﻤﻥ ﻜﺩﺓ‬
‫ﺠﺎﺩ ﺍﷲ ‪ :‬ﺸﻭﻑ ﻝﻙ ﻁﺭﻴﻘﺔ ﻫﻭ‬
‫ﻋﻤﺎل ﻴﺒﻨﻰ ﻓﻰ ﻨﻘﺎﺒﺔ ﻭﺃﻨﺕ ﻋﻤﺎل‬
‫ﺘﺒﻴﻊ ﻓﻰ ﻜﻼﻡ ﻭﺒﺱ‬
‫ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺍﻋﻤل ﺍﻴﻪ ﻴﺎ ﺠﺎﺩ ﺤﺘﺔ‬
‫ﻭﻝﺩ ﺯﻯ ﺩﻩ ﻫﻴﻔﺭﻜﺸﻨﺎ ﻭ ﻴﻭﻗﻌﻨﺎ ﻓﻰ‬
‫ﺒﻌﺽ‬
‫ﺠﺎﺩ ﺍﻝﻠﺔ ‪ :‬ﺃﻨﺎ ﺍﺤﺘﺭﺕ ﻭﻴﺎﻜﻡ‬

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‫ﻤﺸﻬﺩ )‪(20‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﺍﻝﻤﺤﻁﺔ ﻤﻥ ﺍﻝﺩﺍﺨل‬

‫ﺃﺼﻭﺍﺕ ﻤﻭﺴﻴﻘﻰ‬ ‫‪ 187‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﻭﺨﻁﻭﺍﺕ ﺃﻗﺩﺍﻡ ﺘﺭﻗﺹ ﻭ‬ ‫‪ Long Shot‬ﻝﺒﻌﺽ ﺍﻝﺸﺒﺎﺏ ﻓﻰ ﺭﺤﻠﺔ‬
‫ﺘﺼﻔﻴﻕ ﻭﺘﺴﺘﻤﺭ ﺇﻝﻰ‬ ‫ﻭﻫﻡ ﻴﺭﻗﺼﻭﻥ ﻭﻴﺴﻴﺭﻭﻥ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﻨﻬﺎﻴﺔ ﺍﻝﻤﺸﻬﺩ‬ ‫ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﺸﻤﺎل ﻭﻴﺼﻔﻘﻭﻥ ﻭﺘﻘﻑ ﻓﺘﺎﺓ‬
‫ﻭﺘﺸﻴﺭ ﺇﻝﻰ ﻓﺘﻰ ﻓﻴﺘﻘﺩﻡ ﺇﻝﻴﻬﺎ ﻤﻥ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺤﺘﻀﻨﻬﺎ ﻝﻴﺭﻗﺼﺎ ﺴﻭﻴﺎ ﻭﺒﻌﺩ‬
‫ﺘﺤﺭﻜﻬﻡ ﻨﻼﺤﻅ ﺍﻝﺸﻴﺨﺎﻥ ﻭﺒﻴﻨﻬﻡ ﺃﺒﻭ ﺍﻝﺸﻴﺦ ﺍﻝﺜﺎﻨﻲ‪ :‬ﺍﺴﺘﻐﻔﺭ ﺍﷲ ﻭﺃﺘﻭﺏ‬
‫ﺇﻝﻴﻙ‬ ‫ﺴﺭﻴﻊ ﻴﻨﻅﺭﻭﻥ ﻝﻬﻡ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ zoom in‬ﻋﻠﻴﻬﻡ ﻭﻴﺘﺤﻭل ﺍﻝﻤﺸﻬﺩ ﺇﻝﻰ ﺍﻝﺸﻴﺦ ﺍﻷﻭل ‪ :‬ﻫﺫﻩ ﺒﺩﻋﺔ ﻭﻜل‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﺒﺩﻋﺔ ﻀﻼﻝﻪ ﻭﻜل ﻀﻼﻝﻪ ﻓﻰ ﺍﻝﻨﺎﺭ‬
‫ﻭﻴﺨﺭﺝ ﺍﻝﺸﻴﺦ ﺍﻷﻭل ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺍﻝﺸﻴﺦ ﺍﻝﺜﺎﻨﻲ‪ :‬ﺍﻝﻔﺘﻨﺔ ﻨﺎﺌﻤﺔ ﻝﻌﻥ ﺍﷲ‬
‫ﻤﻥ ﺃﻴﻘﻅﻬﺎ‬
‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ﺍﻝﺸﻴﺦ‬
‫ﺍﻷﻭل ‪ :‬ﺃﺴﺭﻉ ﻴﺎ ﺒﻨﻰ‬
‫ﺍﻝﺸﻴﺦ ﺍﻝﺜﺎﻨﻲ‪ :‬ﻻ ﺤﻭل ﻭﻻ ﻗﻭﺓ‬ ‫ﺒﻴﻨﻤﺎ ﻴﻘﻑ ﺍﻝﺸﻴﺦ ﺍﻝﺜﺎﻨﻲ ﻭﻴﻨﻅﺭ‬
‫ﺍﻝﻼ ﺒﺎﷲ‬

‫ﺜﻡ ﻴﺨﺭﺝ ﺍﻝﺸﻴﺦ ﺍﻝﺜﺎﻨﻲ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻋﻨﺩﻤﺎ ﻴﻨﺎﺩﻯ ﻋﻠﻴﺔ ﻭﺨﻠﻔﻪ ﺃﺒﻭ ﺴﺭﻴﻊ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺼﻭﺕ ﺼﻔﺎﺭﺓ ﻭﺼﻭﺕ‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ ﻜﺒﻴﺭﺓ) ‪Very Long‬‬ ‫‪188‬‬

‫ﺍﻝﻘﻁﺎﺭ‬ ‫‪ Shot (VLS‬ﻝﻠﻤﺤﻁﺔ ﻭﺭﺼﻴﻑ‬
‫ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 189‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻘﻁﺎﺭ ﻴﺴﻴﺭ ﻤﻥ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﻴﻤﻴﻥ ﻭﺒﻌﺽ ﺍﻝﻨﺎﺱ ﻴﻘﻔﻭﻥ‬
‫ﻓﻰ ﺍﻝﺸﺒﺎﻙ ﻭﻴﺩﺨل ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ ﺸﻤﺎل ﺍﻝﺸﻴﺦ ‪ :‬ﻫل ﻝﺩﻴﻙ ﻓﻜﻪ ﻨﺼﻑ‬
‫ﻓﺭﻨﻙ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﺴﻴﺭ ﻤﻊ ﺍﻝﻘﻁﺎﺭ ﻭﻴﺄﺨﺫ‬
‫ﺒﻘﺸﻴﺵ ﻤﻥ ﺍﻝﺸﻴﺨﺎﻥ ﺍﻝﻭﺍﻗﻔﻴﻥ ﻓﻰ ﺸﺒﺎﻙ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﻭﺠﻭﺩ ﻫﺎﺕ ﻴﺎ ﺃﺴﺘﺎﺫ‬
‫ﺍﻝﻘﻁﺎﺭ ﺜﻡ ﻴﺘﺤﺭﻙ ﺍﻝﻘﻁﺎﺭ ﻤﻥ ﺸﻤﺎل ﺇﻝﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺨﺭﺝ ﻤﻥ‬

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‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 190‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪ Long Shot (LS‬ﻝﻘﻁﺎﺭ‬
‫ﻭﻫﻭ ﻴﺴﻴﺭ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﺸﻤﺎل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(21‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﻜﺸﻙ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬

‫‪ Medium . Close .Shot 191‬ﻝﻘﻁﺔ‬

‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻴﺩ ﻗﻨﺎﻭﻱ ﻭﻫﻭ ﻴﻤﺴﻙ‬
‫ﺼﻭﺭﺓ ﺍﻤﺭﺃﺓ ﻤﺭﺘﺩﻴﺔ ﻤﺎﻴﻭﺓ ﻭﻴﻘﺹ‬
‫ﺤﺭﻭﻓﻬﺎ ) ﻴﻔﺭﻏﻬﺎ(‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 192‬ل ‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻘﻨﺎﻭﻱ ﻴﻠﺘﻔﺕ ﺤﻭﻝﻪ‬
‫ﻴﻨﻅﺭ ﻭﺘﻅﻬﺭ ﻴﺩﺓ ﻭﻫﻭ ﻴﻘﺹ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot 193‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻴﺩ ﻗﻨﺎﻭﻱ ﻭﻫﻭ ﻤﺴﺘﻤﺭ‬
‫ﻓﻰ ﺍﻝﻘﺹ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺘﻁﺒﻴﻕ ﺍﻝﻭﺭﻗﺔ‬ ‫‪ Medium . Close .Shot 194‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻘﻨﺎﻭﻱ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ‬
‫ﺍﻝﺼﻭﺭﺓ ﺜﻡ ﻴﻁﻭﻴﻬﺎ ﻭﻴﻨﺘﺒﻪ ﻝﺼﻭﺕ‬
‫ﻓﻴﺨﺒﺌﻬﺎ ﺨﻠﻔﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 195‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻭﺃﺒﻭ ﺴﺭﻴﻊ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﺘﺸﻜﺭﻴﻥ ﻴﺎ ﻋﻡ‬
‫ﻤﺩﺒﻭﻝﻰ‬ ‫ﻴﻘﻔﻭﻥ ﻓىﻌﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺩﺜﻭﻥ‬
‫ﻭﻨﺭﻯ ﻗﻨﺎﻭﻱ ﻓﻰ ﻤﻘﺩﻤﺔ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﺍﻝﺸﻜﺭ ﻝﻠﺔ ﻴﺎ ﺍﺒﻨﻰ‬
‫ﺠﺎﻝﺱ ﻋﻠﻰ ﺍﻷﺭﺽ ﺜﻡ ﻴﺨﺭﺝ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻊ ﺨﺭﻭﺠﻪ ﻴﺘﻘﺩﻡ ﻋﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﻴﺤﻤل ﺼﻨﺩﻭﻕ ﺼﻔﻴﺢ ﻝﻴﺠﻠﺱ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻫﺎ ﺍﻋﻤل ﻝﻙ ﻜﺒﺎﻴﺔ‬
‫ﻋﻠﻴﺔ ﻭﻴﺘﺭﺍﺠﻊ ﻗﻨﺎﻭﻱ ﻭﻫﻭ ﺠﺎﻝﺱ ﺤﺘﻰ ﺸﺎﻱ ﻤﻌﺎﻴﺎ ﻭﺒﻌﺩﻴﻥ ﻨﺸﻭﻑ ﺒﻘﻰ‬
‫ﺤﺎﺩﺜﺔ ﺭﺸﻴﺩ‬ ‫ﺍﻝﺤﺎﺌﻁ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻬﻡ ‪Ban‬‬
‫‪ left‬ﻓﻴﺼﺒﺢ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺼﺒﺢ‬
‫ﻗﻨﺎﻭﻱ ﺒﺭﻭﻓﻴل ‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻴﻌﻭﺩ ﻗﻨﺎﻭﻱ ﺇﻝﻰ ﺍﻝﻘﺹ‬

‫ﻴﺤﺭﻙ ﻗﻨﺎﻭﻱ ﺭﺃﺴﻪ ﻋﻼﻤﺔ ﺍﻝﻤﻭﺍﻓﻘﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫‪ 196‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﺍﺴﻤﻊ‬ ‫)‪ MS‬ﻝﻘﻨﺎﻭﻱ ﻭﻫﻭ ﻤﺴﺘﻤﺭ ﻓﻰ ﺍﻝﻘﺹ‬
‫ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 197‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻌﻡ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﺍﺴﻤﻊ ﻴﺎ ﺍﺒﻨﻰ ﺍﺴﻤﻊ‬ ‫ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﺠﺎﻝﺱ ﻤﻭﺍﺠﻬﺔ ‪Full‬‬
‫ﺠﺜﺔ ﻓﻰ ﺼﻨﺩﻭﻕ ﻝﻤﺭﺍﺴﻠﻨﺎ ﻓﻰ‬ ‫‪ Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻘﺭﺃ ﻭﻴﺼﺒﺢ‬
‫ﺭﺸﻴﺩ ﻋﺜﺭ ﺍﺤﺩ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻓﻰ ﻤﺤﻁﺔ‬ ‫ﻗﻨﺎﻭﻱ ﺠﺎﻝﺱ ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل‬
‫ﺭﺸﻴﺩ ﻋﻠﻰ ﺼﻨﺩﻭﻕ ﺨﺸﺒﻲ ﻤﻠﻁﺦ‬ ‫‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ ﻤﺴﺘﻤﺭ ﻓﻰ‬
‫ﺒﺎﻝﺩﻤﺎﺀ ﻭﻋﻨﺩ ﻓﺘﺤﺔ ﻭﺠﺩﺕ ﺒﺩﺍﺨﻠﺔ‬ ‫ﺍﻝﻘﺹ‬
‫ﺠﺜﺔ ﺍﻤﺭﺃﺓ ﻤﻘﻁﻭﻋﺔ ﺃﻝﺭﺍﺱ‬
‫ﻭﺍﻝﺫﺭﺍﻋﻴﻥ ﻭﻗﺩ ﻗﺭﺭ ﺍﻝﻁﺏ ﺍﻝﺸﺭﻋﻲ‬
‫ﺃﻥ ﺍﻝﻘﺎﺘل ﺍﺴﺘﻌﻤل ﻓﻰ ﺍﺭﺘﻜﺎﺒﻪ‬ ‫ﻴﻨﺘﺒﻪ ﻗﻨﺎﻭﻱ ﻭﻴﺘﻭﻗﻑ ﻋﻥ ﺍﻝﻘﺹ‬
‫ﺍﻝﺠﺭﻴﻤﺔ ﻤﻨﺸﺎﺭﺍ ﺃﻭ ﺴﻜﻴﻨﺎ ﺃﻋﻭﺯ‬
‫ﺒﺎﷲ ﺃﻋﻭﺯ ﺒﺎﷲ‬
‫ﻗﻨﺎﻭﻱ ‪ :‬ﻗﺘﻠﻬﺎ ﺒﺎﻝﻤﻨﺸﺎﺭ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻗﻁﻌﻬﺎ ﺤﺘﺕ‬
‫ﻗﻨﺎﻭﻱ‪ :‬ﻭﺤﻁﻬﺎ ﻓﻰ ﺼﻨﺩﻭﻕ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﺒﺱ ﺍﺴﺘﻌﺠﺏ ﻴﺎ ﺍﺒﻨﻰ‬
‫ﻗﻨﺎﻭﻱ‪ :‬ﻭﻤﺎ ﻤﺴﻜﻭﺵ ﺍﻝﻘﺎﺘل‬ ‫ﻗﻨﺎﻭﻱ ﻴﺴﺎل ﻭﻫﻭ ﻴﺴﺘﻤﺭ ﻓﻰ ﺍﻝﻘﺹ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻭﻻ ﻋﺜﺭ ﻭﻝﻪ ﻋﻠﻰ‬
‫ﻁﺭﻴﻕ ﺠﺭﺓ ﺍﻫﻰ ﺒﻼﻭﻯ ﻭ ﺍﻝﺴﻼﻡ‬

‫ﺍﻝﻠﻰ ﺍﻨﺕ ﺭﺍﻴﺢ ﻋﻠﻰ ﻓﻴﻥ ﻭﺍﻝﺸﺎﻱ ﻴﺎ‬

‫ﺍﺒﻨﻰ‬

‫ﻴﻬﻡ ﻗﻨﺎﻭﻱ ﻭﻴﺘﺤﺭﻙ ﺒﺴﺭﻋﺔ ﻭﻴﻘﻑ‬

‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻓﻴﻨﺎﺩﻯ ﻋﻠﻴﺔ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﺜﻡ ﻴﻨﻅﺭ ﻝﻸﺭﺽ ﻤﻜﺎﻥ‬
‫ﻗﻨﺎﻭﻱ ﺍﻝﻘﺩﻴﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot 198‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﺼﻭﺭﺓ ﻭﻫﻰ ﻋﻠﻰ‬
‫ﺍﻷﺭﺽ ﻭﻗﺩ ﻗﺹ ﻗﻨﺎﻭﻱ ﺭﺃﺱ ﺍﻝﻤﺭﺁﺓ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(22‬‬ ‫‪199‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪ Long Shot (LS‬ﻴﺘﻘﺩﻡ‬

‫ﻓﻴﻪ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ ﺍﻝﻌﻤﻕ ﻨﺤﻭ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ) ﻭﺘﺘﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ( pan left‬ﺜﻡ‬
‫ﻫﻨﻭﻤﻪ ‪:‬ﻫﺎﺕ ﺩﻭل‬ ‫ﻴﺠﻠﺱ ﺃﻤﺎﻡ ﺼﻨﺩﻭﻕ ﻭﻴﻌﺩ ﻨﻘﻭﺩﻩ ﻭﺘﻅﻬﺭ‬
‫ﻴﺩ ﻤﻥ ﺃﻋﻠﻰ ﺍﻝﺼﻨﺩﻭﻕ ﻭﺘﺨﻁﻑ ﺍﻝﻨﻘﻭﺩ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﷲ ﺍﷲ ﺠﺭﻯ ﺍﻴﻪ ﻴﺎ‬
‫ﺒﺕ‬ ‫ﻭﻴﻘﻑ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‪Tilt up‬‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻭﺩﻭل ﻜﻤﺎﻥ‬ ‫ﻭﻴﺘﺤﻭل ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫‪Medium .2‬ﻭﻴﻨﻅﺭ ﻝﻬﻨﻭﻤﻪ ﺍﻝﺠﺎﻝﺴﺔ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻨﺕ ﻫﺎﺘﺤﺠﺭﻯ ﻋﻠﻴﺎ‬

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‫ﻤﻥ ﺩﻝﻭﻗﺘﻰ‬ ‫ﻓﻭﻕ ﺍﻝﺼﻨﺩﻭﻕ‬

‫ﻫﻨﻭﻤﻪ ‪ :‬ﻤﺵ ﻻﺯﻡ ﻨﺤﻭﺵ ﻗﺭﺸﻴﻥ‬ ‫ﺘﺨﻁﻑ ﺒﺎﻗﻲ ﺍﻝﻔﻠﻭﺱ‬
‫ﻋﺸﺎﻥ ﺍﻝﻔﺭﺡ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺘﻘﻭﻤﻲ ﺘﺴﻔﻲ ﺍﻝﻘﺭﺸﻴﻥ‬
‫ﻜﻠﻬﻡ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻤﺎﺍﻨﺎ ﺨﺎﻴﻔﺔ ﻻ ﻴﺭﻭﺤﻪ‬
‫ﻤﻨﻙ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻻ ﻤﺎﺘﺨﺎﻓﻴﺵ ﺃﻨﺎ‬
‫ﻋﺎﺭﻑ ﻗﻴﻤﺔ ﺍﻝﻘﺭﺵ ﺍﻝﻠﻰ ﺒﻌﺭﻕ ﺒﻴﻪ‬
‫ﺍﻝﻠﻰ ﺒﻜﺴﺒﻪ ﺒﺎﻝﺨﻨﺎﻕ ﺨﺩﻱ ﺩﻭل‬
‫ﺩﻝﻭﻗﺘﻰ ﻭﻻ ﺃﻗﻭﻝﻙ ﻜﻔﺎﻴﺔ ﻋﻠﻴﻜﻰ ﻜﺩﺓ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻭﻫﺎ ﺘﺒﻌﺯﻕ ﻜل ﺍﻝﻠﻰ‬ ‫ﻴﺄﺨﺫ ﻤﻨﻬﺎ ﺍﻝﻔﻠﻭﺱ ﺘﺎﻨﻰ‬
‫ﻤﻌﺎﻙ‬
‫ﻭﻴﻌﻁﻴﻬﺎ ﺠﺯﺀ ﺜﻡ ﻴﺴﺤﺏ ﺠﺯﺀ ﻤﻨﻬﺎ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻴﺎ ﺒﺕ ﺤﻕ ﺍﻝﺩﺨﺎﻥ ﻴﺎﻻ‬
‫ﺒﻘﻰ ﺒﺎﻯ ﺒﺎﻯ‬ ‫ﻭﻴﺄﺨﺫﻩ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻻ ﻴﺎ ﺍﺨﻭﻴﺎ ﺍﻝﺩﺨﺎﻥ ﺍﻫﻭ‬
‫ﻫﺎﺕ ﺒﻘﻰ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﺘﻠﻤﻰ ﺒﻘﻰ ﻤﺵ‬
‫ﻋﺎﻭﺯﻙ ﺘﻨﺯﻝﻲ ﺍﻝﺸﻐل‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﺤﺎﻀﺭ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﺓ ﻤﺵ ﻋﺎﻭﺯﻙ‬ ‫ﺘﺨﺭﺝ ﻤﻥ ﺠﻴﺒﻬﺎ ﻋﻠﺒﺔ ﺴﺠﺎﺌﺭ ﻭﺘﻌﻁﻴﻬﺎ‬
‫ﺘﻠﺯﻗﻴﻠﻰ ﻓﻰ ﺍﻝﺭﺍﻴﺤﺔ ﻭ ﺍﻝﺠﺎﻴﺔ‬ ‫ﻝﻪ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻤﺎﻫﻭ ﺍﺼل ‪.....‬‬ ‫ﺘﺨﻁﻑ ﺒﺎﻗﻲ ﺍﻝﻔﻠﻭﺱ ﻭﺘﻨﻁ ﻤﻥ ﻋﻠﻰ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻴﻪ‬ ‫ﺍﻝﺼﻨﺩﻭﻕ ﻭﺘﺠﺭﻯ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻜﻨﺕ ﺠﺎﻴﺔ ﺍﺸﺘﻜﻲ ﻝﻙ ﻤﻥ‬ ‫ﻭﺘﻤﺴﻙ ﺍﻝﺠﺭﺩل‬
‫ﺍﻝﻭﺍﺩ ﻗﻨﺎﻭﻱ‬

‫ﺘﺘﻭﻗﻑ ﻭﺘﻌﻭﺩ ﻝﻪ ﺘﺘﻘﺩﻡ‬

‫ﺘﻘﻑ ﺒﺠﺎﻨﺒﻪ‬

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‫‪ 200‬ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪ Over Shoulder‬ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻨﺕ ﺍﻝﻠﻰ ﺘﺸﺘﻜﻰ ﺩﻩ‬
‫ﺍﻨﺕ ﻁﻭﺏ ﺍﻷﺭﺽ ﺒﻴﺸﺘﻜﻰ ﻤﻨﻙ‬ ‫‪Shot O S‬‬
‫ﻷﺒﻭ ﺴﺭﻴﻊ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ ‪ Full‬ﺴﻭﺍﻕ ﺍﻝﻘﻁﺭ ﻭ ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‬
‫‪ Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻰ ﻭﺍﻗﻔﺔ ﻭﺍﻝﻭﺍﺩ ﺯﻗﺯﻭﻕ ﻜﻠﻬﻡ ﺤﻁﻴﻨﻙ ﻓﻭﻕ‬
‫ﺒﺠﺎﻨﺒﻪ ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﺒﺭﻭﻓﻴل ﺭﺃﺴﻬﻡ ﻭﺯﺍﻋﻘﻴﻥ ﻴﺎ ﺒﺕ ﺍﻋﻘﻠﻲ ﺒﻘﻰ‬
‫ﻭﺍﺘﻠﻤﻰ‬ ‫‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻤﺎﻫﻭ ﺍﺼل ﺍﻝﻭﺍﺩ ﻗﻨﺎﻭﻱ‬
‫ﺯﻭﺩﻫﺎ ﻗﻭﻯ ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪:‬ﻋﺎﻜﺱ ﺍﻝﻘﻁﺔ ﺘﺨﺭﺒﺸﻙ‬

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‫‪ 201‬ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪ Over Shoulder‬ﻫﻨﻭﻤﻪ ‪ :‬ﻭﺍﷲ ﺃﻨﺎ ﻤﻘﺘﺼﺭﺓ ﻋﻨﺔ‬

‫ﺨﺎﻝﺹ‬ ‫‪Shot O S‬‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻗﺼﺭ ﺍﻝﻜﻼﻡ ﺃﻨﺎ ﻫﺎ‬ ‫ﻷﺒﻭ ﺴﺭﻴﻊ ﻓﻰ ﻤﻘﺩﻤﻪ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺒﺭﻭﻓﻴل ‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺸﻌل ﻗﻭﻝﻙ ﻜﻠﻤﺔ ﺤﻁﻴﻬﺎ ﺤﻠﻘﺔ ﻓﻰ ﻭﺩﺍﻨﻙ‬
‫ﺒﻘﻰ ﺍﻝﻭﺍﺩ ﻗﻨﺎﻭﻱ ﺩﺓ ﻤﺨﻪ ﻤﺵ‬ ‫ﺴﻴﺠﺎﺭﺓ ﻭﻫﻰ ﻭﺍﻗﻔﺔ ﺒﺠﺎﻨﺒﻪ ﺸﻤﺎل‬
‫ﺭﺍﺴﻲ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬

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‫‪ 202‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻬﻨﻭﻤﻪ‬
‫ﻭﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺠﻠﺱ ﻓﻰ ﻴﻤﻴﻥ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻋﻨﺩﻩ ﻭﺵ ﺍﺴﺈﻝﻰ ﻋﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﻴﻘﻭل ﻝﻙ ﺍﻝﻜﻠﻤﺔ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ ﻭﺍﻗﻔﺔ ﺒﺠﺎﻨﺒﻪ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻁﻴﺒﺔ ﺘﻁﻭﻴﻪ ﻭﺘﺨﻠﻴﻪ ﺯﻯ ﺍﻝﻌﻴل‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﺼﻐﻴﺭ ﻭﺍﻝﻜﻠﻤﺔ ﺍﻝﺭﻀﻴﺔ ﺘﻘﻠﺏ‬
‫ﻜﻴﺎﻨﻪ ﺘﺨﻠﻰ ﻤﺨﻪ ﻴﺸﺕ ﻭﻴﻌﻤل‬ ‫ﻴﻅﻬﺭ ﻋﻠﻰ ﻭﺠﻪ ﻫﻨﻭﻤﻪ ﺍﻝﺘﻔﻜﻴﺭ‬
‫ﺠﻨﺎﻴﺔ ﺍﺩﻴﻨﻰ ﻓﻬﻤﺘﻙ ﻭﺃﻨﺕ ﺤﺭﺓ‬
‫) ﻴﻀﺤﻙ (‬
‫ﺘﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﺤﺭﻙ ﻴﺩﻩ ﻤﻊ ﺨﺭﻭﺠﻬﺎ ﻜﺄﻨﻪ ﺴﻴﻀﺭﺒﻬﺎ‬

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‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬ ‫‪203‬‬
‫ﻝﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺩﺍﺨل‬

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‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﻤﺸﻬﺩ )‪(23‬‬ ‫‪204‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻋﺭﺒﺔ ﻗﻁﺎﺭ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﺘﻅﻬﺭ ﻤﻥ ﺨﻼل ﻨﺎﻓﺫﺓ ﺍﻝﻘﻁﺎﺭ‬
‫ﻭﻫﻰ ﺘﻤﺴﻙ ﺒﺎﻝﺠﺭﺩل ﻭﻓﺘﺎﺘﺎﻥ ﻴﺸﺩﻭﻨﻬﺎ‬
‫ﻭﺘﺩﺨل ﻴﺩ ﺘﺼﻔﻕ ﻤﻥ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ‬
‫ﺸﻤﺎل ﺜﻡ ﺘﺴﺤﺏ ﺍﻝﻔﺘﺎﺘﺎﻥ ﻫﻨﻭﻤﻪ ﻝﺘﺩﺨل‬
‫ﺍﻝﻘﻁﺎﺭ ﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan right‬‬
‫ﻭﻨﺭﻯ ﺍﻝﺭﺤﻠﺔ ﻭﺘﺩﺨل ﺍﺤﺩﻯ ﺍﻝﻔﺘﺎﺘﻴﻥ‬
‫ﺍﻝﻌﺭﺒﺔ ﻤﻥ ﺍﻝﺸﺒﺎﻙ ﻭﻤﻊ ﺩﺨﻭﻝﻬﺎ ﻨﺠﺩ‬
‫ﺸﺎﺏ ﻴﺘﺤﺭﻙ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺼﻌﺩ‬
‫ﻓﻭﻕ ﺭﻑ ﺤﻤل ﺍﻝﺤﻘﺎﺌﺏ ﻭﻨﺭﻯ ﺍﻝﺸﺒﺎﺏ‬
‫ﻭﻫﻡ ﻴﻌﺯﻓﻭﻥ ﻋﻠﻰ ﺍﻝﺠﻴﺘﺎﺭ ﻭﻴﺼﻔﻘﻭﻥ‬
‫ﻭﻴﺭﻗﺼﻭﻥ ﻭﺘﺩﺨل ﺍﻝﻔﺘﺎﺓ ﺍﻷﺨﺭﻯ ﻫﻰ‬
‫ﻭﻫﻨﻭﻤﻪ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺭﻗﺹ ﺜﻡ‬
‫ﺘﺼﻌﺩ ﻋﻠﻰ ﻜﺭﺴﻲ ﺍﻝﻘﻁﺎﺭ ﻝﺘﺭﻗﺹ‬

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‫‪ 205‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻠﺠﻴﺘﺎﺭ ﻭ ﺍﻻﻭﻜﺭﺩﻴﻭﻥ‬
‫ﻭﺍﻴﺩﻯ ﺘﺼﻔﻕ ﻭﺃﺭﺠل ﺍﻝﻔﺘﺎﺓ ﺍﻝﺴﺎﺒﻘﺔ‬
‫ﻭﻫﻰ ﺘﺭﻗﺹ‬

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‫‪ 206‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻭﺍﻗﻔﺔ ﻓﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻨﻅﺭ ﻝﻬﻡ ﻭﻝﻠﻔﺘﺎﺓ ﺍﻝﺘﻰ‬
‫ﺘﻘﻑ ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﻭﻫﻰ ﺘﺭﻗﺹ‬

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‫‪ 207‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ ﻭﺍﻗﻔﺔ ﻋﻠﻰ‬
‫ﺍﻝﻜﺭﺴﻲ ﻭﺘﺭﻗﺹ ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻫﻨﻭﻤﺔ ﺘﻘﻑ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ‪Full rear‬‬
‫ﺨﻠﻔﻴﺔ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﻨﻅﺭ ﻝﻬﺎ ﻭﺍﻝﺸﺎﺏ ﺍﻝﻨﺎﺌﻡ‬
‫ﻋﻠﻰ ﺤﺎﻤل ﺍﻝﺤﻘﺎﺌﺏ ﻓﻰ ﺃﻋﻠﻰ ﺍﻝﻌﺭﺒﺔ‬
‫ﻭﻴﻨﻅﺭ ﻝﻠﻔﺘﺎﺓ ﻴﻁﺒل ﻋﻠﻰ ﺤﺩﻴﺩ ﺍﻝﺤﺎﻤل‬

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‫‪ 208‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻠﺠﻴﺘﺎﺭ ﻭ ﺍﻻﻭﻜﺭﺩﻴﻭﻥ‬
‫ﻭﺍﻴﺩﻯ ﺘﺼﻔﻕ ﻭﺃﺭﺠل ﺍﻝﻔﺘﺎﺓ ﺍﻝﺴﺎﺒﻘﺔ‬
‫ﻭﻫﻰ ﺘﺭﻗﺹ) ﻜﻤﺎ ﻓﻰ ﺃﻝﻠﻘﻁﺔ ‪205‬‬
‫ﺍﻝﺴﺎﺒﻘﺔ (‬

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‫‪ 209‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻭﺍﻗﻔﺔ ﻓﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻨﻅﺭ ﻝﻬﻡ ﻭﻝﻠﻔﺘﺎﺓ ﺍﻝﺘﻰ‬
‫ﺘﻘﻑ ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﻭﻫﻰ ﺘﺭﻗﺹ) ﻜﻤﺎ ﻓﻰ‬
‫ﺃﻝﻠﻘﻁﺔ ‪ 206‬ﺍﻝﺴﺎﺒﻘﺔ (‬

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‫‪ 210‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻭﺍﻗﻔﺔ ﺘﻨﻅﺭ‬
‫ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ ﺘﺭﻗﺹ ﺜﻡ ﺘﺒﺩﺃ ﺍﻝﺭﻗﺹ ﻤﻌﻬﻡ‬
‫ﻭ ﺘﺘﺤﺭﻙ ﻭﺘﻔﺘﺢ ﻝﻬﻡ ﺯﺠﺎﺠﺎﺕ ﺍﻝﻤﻴﺎﻩ‬
‫ﺍﻝﻐﺎﺯﻴﺔ ﻓﺘﻌﻁﻰ ﻝﻠﻔﺘﺎﺓ ﻭﻤﻥ ﻴﺠﻠﺴﻭﻥ ﻓﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭ ﺘﺘﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan‬‬
‫‪ right‬ﺜﻡ ﺘﺴﺘﻤﺭ ﻓﻰ ﻓﺘﺢ ﺍﻝﺯﺠﺎﺠﺎﺕ ﺜﻡ‬
‫ﺘﻨﻅﺭ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﻐﻤﺯ ﺒﻌﻴﻨﻬﺎ‬

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‫‪ 211‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺼﺒﻰ ﺍﻝﺒﻭﻓﻴﺔ ﻭﻫﻭ‬
‫ﻭﺍﻗﻑ ) ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ( ﻭﻴﻨﻅﺭ ﻝﻬﻨﻭﻤﻪ‬
‫ﻭﺒﺠﺎﻨﺒﻪ ﻁﻔل ﺜﻡ ﻴﺨﺭﺝ ﺍﻝﻁﻔل ﻤﻥ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 212‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺴﻴﺭ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ pan left‬ﻭﺘﻘﻑ ﻭ ﺘﺴﺘﺩﻴﺭ ﻭﺘﺼﺒﺢ‬
‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺘﺒﺘﺴﻡ ﻭﻫﻰ ﺘﻤﺴﻙ ﺯﺠﺎﺠﺔ ﻭﺘﻬﻡ‬
‫ﺒﻔﺘﺤﻬﺎ ﺜﻡ ﺘﻤﺩ ﻴﺩﻫﺎ ﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻊ‬
‫ﻴﺩﻫﺎ ‪ pan right‬ﻭﺘﻔﺘﺢ ﺯﺠﺎﺠﺔ ﻓﻰ‬
‫ﻭﺠﻪ ﺭﺍﻜﺏ ﻭﺍﻗﻑ ﻤﻭﺍﺠﻪ ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 213‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﺯﻗﺯﻭﻕ ‪ 19-18-17:‬ﺍﷲ ﻻ‬ ‫ﻝﺼﺒﻰ ﺍﻝﺒﻭﻓﻴﺔ ﺯﻗﺯﻭﻕ ﻭﻫﻭ ﻴﻨﻅﺭ ﺸﻤﺎل‬
‫ﻴﻜﺴﺒﻙ ‪86-21-20‬‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﻌﺩ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 214‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺯﻗﺯﻭﻕ ﻭﻫﻭ ﺨﻠﻔﻴﺔ‬
‫‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭ ﻴﻀﻊ ﺯﺠﺎﺠﺔ‬
‫ﺍﻝﺤﺎﺠﺔ ﺍﻝﺴﺎﻗﻌﺔ ﻋﻠﻰ ﺍﻝﻔﺎﺘﺭﻴﻨﺔ ﻭﻴﺴﻴﺭ‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﺒﻠﻴﺔ ﺨﻠﻰ ﺒﺎﻝﻙ ﻤﻥ‬ ‫ﺇﻝﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺩﺙ ﻤﻊ ﺒﻠﻴﺔ ﺍﻝﺫﻯ‬
‫ﺍﻝﻌﺭﺒﻴﺔ ﻋﻘﺒﺎل ﻤﺎ ﺍﺠﻰ‬ ‫ﻴﻘﻑ ﻋﻠﻰ ﺼﻨﺩﻭﻕ ﺒﺠﺎﻨﺏ ﺸﺒﺎﻙ ﻋﺭﺒﺔ‬
‫ﺍﻝﻘﻁﺎﺭ ﻭﻴﻨﻅﺭ ﺇﻝﻰ ﺍﻝﺩﺍﺨل ﻭﻴﻜﻠﻤﻪ ﺜﻡ‬
‫ﻴﺘﺠﻪ ﺒﻠﻴﺔ ﺇﻝﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻤﺸﻰ‬
‫ﺯﻗﺯﻭﻕ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan right‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﺍﷲ ﻴﺨﺭﺏ ﺒﻴﺘﻙ‬ ‫‪ 215‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot (LS‬‬
‫ﻝﺯﻗﺯﻭﻕ ﻭﻫﻭ ﻴﻤﺸﻰ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺒﺠﺎﻨﺏ ﻗﻁﺎﺭ ﻭﻤﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﻭﻫﻭ ﻴﻜﻠﻡ‬
‫ﺭﺠل ‪ :‬ﺍﻷﻫﺭﺍﻡ ﻴﺎﻝﻪ‬ ‫ﻨﻔﺴﻪ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺜﻡ‬
‫ﺭﺠل ﺜﺎﻨﻰ ‪ :‬ﻤﺎﻝﻪ ﺩﻩ‬ ‫ﻴﺩﺨل ﻗﻨﺎﻭﻯ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ‬
‫ﻭﻫﻭ ﺘﺎﺀﺓ ﻻ ﻴﺴﻤﻊ ﻴﻨﺎﺩﻴﻪ ﺍﻝﺭﺠل ﻓﻼ‬
‫ﻴﺘﻭﻗﻑ ﻭﻴﺨﺭﺝ ﻤﻥ ﻤﻘﺩﻤﺔ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬ ‫‪216‬‬

‫‪ Long Shot‬ﻝﻠﺸﺒﺎﺏ ﺩﺍﺨل ﻋﺭﺒﺔ‬

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‫ﺍﻝﻘﻁﺎﺭ ﻭﻫﻡ ﻴﺭﻗﺼﻭﻥ ﻭﻴﻌﺯﻓﻭﻥ‬

‫ﻭﻴﺼﻔﻘﻭﻥ ﻭﺘﺩﺨل ﻫﻨﻭﻤﻪ ﺒﻅﻬﺭﻫﺎ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ ﺘﺭﻗﺹ ﻭﺘﻀﺤﻙ ﺜﻡ ﺘﺴﺘﺩﻴﺭ‬
‫ﺇﻝﻰ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﻨﻅﺭ ﻭ ﺘﺘﺠﻬﻡ ﻓﺠﺎﻩ‬
‫ﻭﺘﺘﻭﻗﻑ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪217‬‬

‫‪Medium .Close‬‬
‫ﻝﻭﺠﻪ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻘﻑ ﺨﺎﺭﺝ ﺍﻝﻘﻁﺎﺭ‬
‫ﻭﻴﻨﻅﺭ ﻤﻥ ﺍﻝﻨﺎﻓﺫﺓ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 218‬ﻝﻠﺸﺒﺎﺏ ﺩﺍﺨل ﻋﺭﺒﺔ ﺍﻝﻘﻁﺎﺭ ﻭﻫﻡ‬
‫ﻴﺭﻗﺼﻭﻥ ﻭﻴﻌﺯﻓﻭﻥ ﻭﻴﺼﻔﻘﻭﻥ ﻭﻝﻘﻁﺔ‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder Shot‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻅﻬﺭ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻘﻁﺎﺭ‬
‫ﻭﻫﻭ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻨﻅﺭ‬
‫ﻤﻥ ﺍﻝﻨﺎﻓﺫﺓ ﻭﻫﻨﻭﻤﻪ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭ ﺘﻔﺘﺢ ﺯﺠﺎﺠﺔ ﻤﻴﺎﻩ ﻏﺎﺯﻴﺔ‬
‫ﺒﺘﺭﺩﺩ ﺜﻡ ﺘﺘﻘﺩﻡ ﺇﻝﻰ ﺍﻝﻨﺎﻓﺫﺓ ﻭﻫﻰ ﺘﻤﺩ‬
‫ﻴﺩﻫﺎ ﺒﺎﻝﺯﺠﺎﺠﺔ ﻝﺘﻌﻁﻴﻬﺎ ﻝﻘﻨﺎﻭﻯ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪219‬‬

‫‪Medium .Close‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﺍﻝﺯﺠﺎﺠﺔ ﺃﻤﺎﻤﻪ ﻤﻥ ﺨﻼل‬
‫ﺍﻝﻨﺎﻓﺫﺓ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻴﻬﺎ ﺜﻡ ﻴﺄﺨﺫﻫﺎ ﻭ‬
‫ﻴﺒﺘﺴﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪220‬‬
‫‪Medium .Close‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻨﻅﺭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﺒﺘﺴﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪221‬‬
‫‪Medium .Close‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺸﺭﺏ ﻭﻴﻨﻅﺭ ﻝﻬﻨﻭﻤﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 222‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻨﻅﺭ ﺇﻝﻰ ﻗﻨﺎﻭﻯ ﺜﻡ ﺘﺭﻗﺹ‬
‫ﻭﺘﺘﺤﺭﻙ ﺇﻝﻰ ﺍﻝﻴﻤﻴﻥ ﻭ ﺘﺨﺘﻔﻲ ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺜﻡ ﺘﻌﻭﺩ ﻭﻫﻰ ﺘﺒﺘﺴﻡ ﻭﺘﺭﻗﺹ ﻭﺘﻨﻅﺭ ﺇﻝﻰ‬

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‫ﻗﻨﺎﻭﻯ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 223‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﻫﻨﻭﻤﻪ ﺒﻔﺭﺡ‬
‫ﻭﻴﺒﺩﺍﺀ ﻫﻭ ﺍﻷﺨﺭ ﻓﻰ ﺍﻝﺭﻗﺹ ﻭﻴﺭﻓﻊ‬
‫ﺍﻝﺯﺠﺎﺠﺔ ﻭﻴﺭﻗﺹ ﺒﻬﺎ ﻭﻴﺒﺘﻌﺩ ﻋﻥ‬
‫ﺍﻝﺸﺒﺎﻙ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﺭﻗﺹ‬
‫ﻓﺘﺼﺒﺢ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ‬
‫‪Medium Long Shot‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 224‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺭﻗﺹ ﻭ ﺘﺒﺘﺴﻡ ﻭﺘﻨﻅﺭ‬
‫ﺇﻝﻰ ﻗﻨﺎﻭﻯ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 225‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻤﺎﺯﺍل‬
‫ﻴﺭﻗﺹ ﺒﺎﻝﺯﺠﺎﺠﺔ ﻭﺍﻝﺠﺭﺍﺌﺩ ﺘﺤﺕ ﺯﺭﺍﻋﺔ‬
‫ﻭﺍﻝﻁﻔل ﻭﺍﻗﻑ ﺒﺠﺎﻨﺏ ﺍﻝﻔﺎﺘﺭﻴﻨﺔ ﻭﻴﻨﻅﺭ ﻝﻪ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬ ‫‪226‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻀﺤﻙ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 227‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot (LS‬‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﻭﺒﺘﺘﺭﻗﺹ ﻜﻤﺎﻥ‬ ‫ﻝﺯﻗﺯﻭﻕ ﻭﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻡ ﻴﺩﺨﻠﻭﻥ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺒﺠﺎﻨﺏ ﻗﻁﺎﺭ ﻭﻴﺘﺤﺩﺙ‬
‫ﺯﻗﺯﻭﻕ ) ﺼﺒﻰ ﺍﻝﺒﻭﻓﻴﺔ (ﺜﻡ ﻴﺨﺭﺠﻭﻥ‬
‫ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 228‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺸﺎﺏ ﻭﺍﻗﻑ ﻓﻰ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻓﻰ ﺍﻝﺨﻠﻑ ﻨﺭﻯ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ‬
‫ﺸﺒﺎﻙ ﺍﻝﻘﻁﺎﺭ ﻴﺘﻘﺩﻡ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ‬
‫ﺍﻝﻴﻤﻴﻥ ﺜﻡ ﺘﺩﺨل ﻫﻨﻭﻤﻪ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺩﺍﺨل ﺍﻝﻘﻁﺎﺭ ﻤﻥ ﺨﻠﻑ ﺍﻝﺭﺠل ﻭﺘﺄﺨﺫ ﻤﻨﻪ‬
‫ﺍﻝﻔﻠﻭﺱ ﻭﻫﻰ ﺘﺭﻗﺹ ﺜﻡ ﺘﺘﺤﺭﻙ ﻨﺤﻭ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ ﺘﺭﻗﺹ ﻭﺘﺘﺒﻌﻬﺎ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺇﻨﺯﻝﻰ ﻴﺎ ﺒﺕ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﺤﺘﻰ ﺘﺼل ﻝﻠﺸﺒﺎﻙ‬
‫ﻓﺘﺭﻯ ﺃﺒﻭ ﺴﺭﻴﻊ ﻓﺘﻔﺄﺠﺎ ﻭﻨﺭﻯ ﻗﻨﺎﻭﻯ ﻓﻰ‬
‫ﺍﻝﺨﻠﻑ ﻤﺴﺘﻤﺭ ﻓﻰ ﺍﻝﺭﻗﺹ ﻭﻴﺘﺤﻭل‬
‫ﺍﻝﻤﺸﻬﺩ ﺒﻴﻥ ﻗﻨﺎﻭﻯ ﻭﻫﻨﻭﻤﻪ ﺇﻝﻰ ﻭﻝﻘﻁﺔ‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder Shot‬‬

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‫ﺜﻡ ﺘﺘﺤﻭل ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ‬

‫‪ Medium Long Shot‬ﺜﻡ ﺘﺘﺠﻬﻪ‬
‫ﻫﻨﻭﻤﻪ ﻨﺤﻭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻓﻴﺘﺒﻌﻬﺎ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﻨﺭﺍﻩ ﻤﻥ ﺨﻼل ﺍﻝﺸﺒﺎﻙ ﻭﺘﺘﺒﻌﻬﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﻓﺘﺭﻯ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻓﺘﻌﻭﺩ ﻭﺘﺠﺭﻯ ﻨﺤﻭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺒﻌﻬﺎ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ pan left‬ﺜﻡ ﻴﺨﺭﺠﻭﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 229‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot (LS‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺠﺭﻯ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺘﻨﻅﺭ ﺨﻠﻔﻬﺎ ﻭﻫﻰ ﺘﺤﻤل ﺍﻝﺠﺭﺩل‬
‫ﻭﺘﺴﺒﻘﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ‪ Track‬ﺜﻡ‬
‫ﺘﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﻭﻗﻑ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻋﻠﻰ ﺍﻝﺸﺒﺎﻙ ﺍﻝﺫﻯ ﻴﻅﻬﺭ ﻓﻴﻪ ﺃﺒﻭ ﺴﺭﻴﻊ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺃﻨﺎ ﻫﺎ ﺸﺭﺏ ﻤﻥ ﺩﻤﻙ‬
‫ﺩﺍﺨﻼ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻤﺴﻙ ﻫﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ ‪ :‬ﻭﺍﻝﻨﺒﻲ ﻤﻌﻠﺵ ﻴﺎ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ‬ ‫ﺍﻝﺘﻰ ﺘﺩﺨل ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺒﻌﺩ ﺃﻥ ﺘﻨﺯل‬
‫ﺍﻯ ﺍﻯ ﻭﺍﻝﻨﺒﻲ ﺤﺭﻤﺕ‬ ‫ﻭﻴﺘﺤﺩﺙ ﻝﻬﺎ ﻭﻴﻀﺭﺒﻬﺎ‬

‫ﺜﻡ ﻴﺄﺨﺫﻫﺎ ﻭﻴﺘﺠﻪ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻭﺘﺘﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﻤﻥ ﺩﺍﺨل‬
‫ﺍﻝﻘﻁﺎﺭ ﻤﻥ ﺨﻼل ﺍﻝﻨﻭﺍﻓﺫ ﻭﺍﻝﻤﺴﺎﻓﺭﻴﻥ‬
‫ﺍﻝﺫﻴﻥ ﻴﻨﻅﺭﻭﻥ ﻤﻥ ﺍﻝﺸﺒﺎﺒﻴﻙ ﺤﺘﻰ‬
‫ﻴﺨﺭﺠﻭﺍ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻤﺸﻬﺩ )‪(24‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ ) ﺃﻤﺎﻡ ﻤﺨﺯﻥ(‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺩﺨل‬
‫ﻗﻨﺎﻭﻯ‪ :‬ﻤﺘﺄﺫﻴﻬﺎﺵ ﻭﺍﻝﻨﺒﻲ‬ ‫ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻭﻗﻔﻪ ﻗﻨﺎﻭﻯ ﺍﻝﺫﻯ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺴﻴﺒﻨﻰ ﺩﻝﻭﻗﺘﻰ ﻴﺎ‬ ‫ﻴﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻤﺴﻙ ﻓﻴﻪ‬
‫ﻗﻨﺎﻭﻯ ﻝﺤﺴﻥ ﺩﻤﻰ ﻤﺘﻐﻴﺭ‬ ‫ﻭﻴﺘﺤﺩﺙ ﻝﻪ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺤﺭﻤﺕ ﻭﺍﻝﻨﺒﻲ‬
‫ﻓﻴﺩﻓﻌﻪ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻴﺴﺘﻤﺭ ﻓﻰ ﺍﻝﺴﻴﺭ‬
‫ﺠﺎﺩ ﺍﷲ ‪ :‬ﺍﻝﻭﺍﺩ ﺩﻩ ﻤﻔﺘﺭﻯ ﻗﻭﻯ‬ ‫‪230‬‬
‫ﻭﻓﻰ ﺍﻝﺨﻠﻑ ﻭﻓﻰ ﺍﻝﺨﻠﻑ ﻨﺭﻯ ﺼﺒﻰ‬
‫ﺭﺒﻨﺎ ﻴﻬﺩﻩ‬ ‫ﺍﻝﺒﻭﻓﻴﺔ ﺒﺠﺎﻨﺏ ﺍﻝﻔﺎﺘﺭﻴﻨﺔ ﻭﻫﻭ ﻴﺴﺤﺒﻬﺎ‬
‫ﺇﻝﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﺴﺤﺏ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻫﻨﻭﻤﻪ ﻭﻴﺩﺨل ﻤﺨﺯﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﻘﻔل ﺍﻝﺒﺎﺏ ﺒﻴﻨﻤﺎ ﻴﻨﺤﻨﻲ ﻗﻨﺎﻭﻯ ﻋﻠﻰ‬
‫ﺍﻷﺭﺽ ﻴﺄﺨﺫ ﺸﺊ ﻓﻴﺄﺘﻲ ﺸﻴﺎل‬
‫) ﺠﺎﺩ ﺍﷲ ( ﻭﻴﺘﺤﺩﺙ ﻝﻪ‬

‫ﻓﻴﻨﻅﺭ ﻝﻪ ﻗﻨﺎﻭﻯ ﻭﻴﺴﻴﺭ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻤﺨﺯﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻠﺸﻴﺎل‬
‫ﺠﺎﺩ ﺍﷲ ‪ :‬ﻫﻭ ﺍﻓﺘﻜﺭ ﻨﻔﺴﻪ ﺒﻘﻰ‬ ‫ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﻗﻨﺎﻭﻯ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭ‬
‫ﺍﻴﻪ ﻴﻌﻨﻰ‬ ‫ﻴﺄﺘﻲ ﺸﻴﺎل ﺍﺨﺭ ﻭﻴﻘﻑ ﺨﻠﻔﺔ‬
‫ﺸﻴﺎل ﺍﺨﺭ ‪ :‬ﺨﻼﺹ ﻤﺎ ﺤﺩﺵ ﻤﺎﻝﻲ‬
‫ﻋﻴﻨﺔ‬
‫ﺠﺎﺩ ﺍﻝﻠﺔ ‪ :‬ﻴﺎﻝﻼ ﺒﻴﻨﺎ‬ ‫‪231‬‬
‫ﺜﻡ ﻴﺴﺘﺩﻴﺭﻭﻥ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺴﻴﺭﻭﺍ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻫﺎ ﺸﺭﺏ ﻤﻥ ﺩﻤﻙ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻴﻅﻬﺭ ﻓﻴﻬﺎ ﺒﺎﺏ ﺍﻝﻤﺨﺯﻥ ﻫﻨﻭﻤﻪ‪ :‬ﺤﺭﻤﺕ ﺤﺭﻤﺕ ﻴﺎ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ‬ ‫ﻭﻴﺩﺨل ﻗﻨﺎﻭﻯ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﻴﺭ‬
‫ﻤﻥ ﺃﻤﺎﻡ ﺍﻝﻤﺨﺯﻥ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻊ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺃﻨﺎ ﻤﺵ ﻗﻠﺕ ﻝﻙ ﻤﺎ‬
‫ﺘﻨﺯﻝﻴﺵ ﺍﻝﺸﻐل‬ ‫ﺤﺭﻜﺔ ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﻌﻭﺩ ﻤﺭﻩ‬
‫ﺃﻨﺎ ﻻﺯﻡ ﺃﻤﻭﺘﻙ‬ ‫ﺃﺨﺭﻯ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻤﻊ‬
‫ﺼﻭﺕ ﺍﻝﻀﺭﺏ ﻭﺼﺭﺍﺥ‬
‫‪ 232‬ﺤﺭﻜﺔ ‪ pan left‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻤﻊ ‪zoom‬‬
‫ﻫﻨﻭﻤﻪ‬
‫‪ in‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻨﺤﻭ ﺒﺎﺏ ﺍﻝﻤﺨﺯﻥ ﻤﻊ‬
‫‪ pan right‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻤﻊ ‪zoom in‬‬
‫ﻋﻠﻰ ﻗﻨﺎﻭﻯ ﻭﻴﺩ ﺍﻝﺒﺎﺏ ﻓﻰ ﻤﻨﺘﺼﻑ‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ ﻓﻰ‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﺇﺩﻴﻠﻪ ﺇﺩﻴﻠﻪ ﺇﺩﻴﻠﺔ‬ ‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ‪Full Front‬‬
‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺯﻗﺯﻭﻕ‬
‫ﺼﺒﻰ ﺍﻝﺒﻭﻓﻴﺔ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ ﻓﺭﺡ ﻭﻴﺭﻗﺹ‬

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‫ﻭﻴﺘﻜﻠﻡ ﻓﻴﻠﺘﻔﺕ ﻝﻪ ﻗﻨﺎﻭﻯ ﺨﻠﻔﻴﺔ ‪Full‬‬

‫‪ rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﺼﺒﺢ ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ‬
‫‪Over Shoulder Shot O S‬‬
‫‪ 233‬ﻓﻴﺨﺎﻑ ﻭﻴﺘﻭﻗﻑ ﺯﻗﺯﻭﻕ ﻓﻰ ﻓﺯﻉ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﺼﺒﻰ ﺍﻝﺒﻭﻓﻴﺔ‬
‫) ﻴﻤﻴﻥ ﻜﺎﺩﺭ(‬ ‫‪234‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﺼﺒﻰ ﺍﻝﺒﻭﻓﻴﺔ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻘﻨﺎﻭﻯ‬
‫) ﺸﻤﺎل ﻜﺎﺩﺭ ( ﺒﺨﻭﻑ ﻭﻓﺯﻉ ﻭﻴﺒﻠﻊ‬
‫‪235‬‬
‫ﺭﻴﻘﻪ ﺒﺼﻌﻭﺒﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(25‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﺩﺍﺨل ﻤﺨﺯﻥ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face 236‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﺍﻩ ﻜﻔﺎﻴﺔ ﺒﻘﻰ ﺍﷲ ﻴﺨﻠﻴﻙ‬
‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﺃﺒﻭ ﺴﺭﻴﻊ ﻴﻀﺭﺒﻬﺎ ﺒﺎﻝﻘﻠﻡ‬
‫)ﻭﻻ ﻨﺭﻯ ﺴﻭﻯ ﻴﺩﻩ (ﺜﻡ ﺘﺘﺭﺍﺠﻊ ﻓﻰ‬
‫ﺍﻝﻌﻤﻕ ﻭﻴﻘﻊ ﻤﻨﻬﺎ ﺍﻝﺠﺭﺩل ﻭﺘﺠﻠﺱ ﻋﻠﻰ‬
‫ﺍﻻﺭﺽ ﻭﺘﺘﺤﺩﺙ ﻝﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﻫﻨﻭﻤﻪ‬
‫ﺃﺴﻔل ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺯﺍﻭﻴﺔ‬
‫‪237‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪Low angle‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺠﺎﻝﺴﺔ ﻭ ﺍﻝﺠﻠﺒﺎﺏ‬
‫ﻤﺭﻓﻭﻉ ﻋﻥ ﺴﺎﻗﻴﻬﺎ ﻭﺘﻨﻅﺭ ﻷﺒﻭﺴﺭﻴﻊ‬
‫‪238‬‬
‫) ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ( ﺒﺘﺄﺜﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﻫﻨﻭﻤﻪ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ‪ :‬ﺒﺘﻌﺭﻓﻲ ﺘﻜﺴﺭﻱ ﻜﻼﻤﻲ‬
‫ﺃﺴﻔل ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺯﺍﻭﻴﺔ‬
‫‪239‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪ Low angle‬ﻭﻴﺘﺤﺩﺙ ﻝﻬﺎ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

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‫)‪ MS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺠﺎﻝﺴﺔ ﻭ ﺍﻝﺠﻠﺒﺎﺏ ﻫﻨﻭﻤﻪ‪ :‬ﻤﺎ ﻋﺸﺕ ﻭﻻ ﺒﻘﻴﺕ ﻴﻭﻡ ﻤﺎ‬
‫ﺍﻜﺴﺭ ﻜﻼﻤﻙ‬ ‫ﻤﺭﻓﻭﻉ ﻋﻥ ﺴﺎﻗﻴﻬﺎ ﻭﺘﻨﻅﺭ ﻷﺒﻭﺴﺭﻴﻊ‬
‫) ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ( ﻜﻤﺎ ﻓﻰ ﺍﻝﻤﺸﻬﺩ ﺍﻝﺴﺎﺒﻕ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻨﺕ ﺍﻴﻪ ﺍﻝﻠﻰ ﻨﺯﻝﻙ‬
‫ﺍﻝﺸﻐل ﺜﺎﻨﻲ‬ ‫‪ 240‬ﻭﺘﺯﻴﺢ ﻁﺭﻑ ﺍﻝﺠﻠﺒﺎﺏ ﻋﻥ ﺼﺩﺭﻫﺎ‬
‫ﻭﺘﺘﺤﺩﺙ ﻝﻪ ﻭﻫﻭ ﻴﺭﺩ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻴﻪ ﺍﻝﻠﻰ ﻨﺫﻝﻙ‬ ‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫ﺍﻝﺭﺼﻴﻑ‬ ‫‪ Shot O S‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺠﺎﻝﺴﺔ‬
‫ﺒﺭﻭﻓﻴل ‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻫﻨﻭﻤﻪ‪ :‬ﻜﺎﻥ ﻓﻴﻪ ﺸﻭﻴﻪ ﺒﻭﺍﻗﻲ ﻗﻠﺕ‬
‫ﺃﺒﻌﻬﻡ ﻋﺸﺎﻥ ﻨﺩﺒﺭ ﺍﻝﻘﺭﺸﻴﻥ‬ ‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ ﻭﻨﺭﻯ ﺭﺠل ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻬﻡ ﺒﺎﻝﺠﻠﻭﺱ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻨﻭﻤﻪ ﺘﻨﻅﺭ ﻝﻪ ﻭﻫﻭ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻴﺎﺩﻯ ﺍﻝﻘﺭﺸﻴﻥ ﻗﻠﻨﺎ‬
‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻤﺵ ﻋﺎﻴﺯﻴﻥ ﻓﻠﻭﺱ ﻫﻨﺘﺠﻭﺯ‬
‫ﺒﺒﻼﺵ‬
‫ﺜﻡ ﻴﻠﺘﻔﺕ ﻭﻴﺼﺒﺢ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻓﻰ ﻫﻨﻭﻤﻪ‪ :‬ﻻ ﻴﺎ ﺍﺨﻭﻴﺎ ﻻﺯﻡ ﻨﺭﻭﺡ‬
‫ﻓﺎﻗﻭﺱ ﻭﻨﻜﺘﺏ ﺍﻝﻜﺘﺎﺏ ﻫﻨﺎﻙ ﻋﻨﺩ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺨﺎﻝﺘﻲ ﺍﻨﺕ ﻓﺎﻜﺭﻨﻲ ﻤﻥ ﻏﻴﺭ ﺃﻫل‬ ‫‪241‬‬
‫‪Long Shot‬‬
‫ﻭﻻ ﺭﻤﻴﻪ ﻭﻻ ﺍﻴﻪ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻴﺎ ﺒﺕ ﺃﻨﺎ ﻤﺵ ﻗﺼﺩﻱ‬ ‫ﺜﻡ ﻴﻠﺘﻔﺕ ﻝﻬﺎ ﻭﻴﻘﺘﺭﺏ ﻤﻨﻬﺎ‬
‫ﻜﺩﻩ‬

‫ﻭﻴﻘﺘﺭﺏ ﺃﻜﺜﺭ ﻭﻴﺭﺒﺕ ﻋﻠﻰ ﺭﺠﻠﻬﺎ ﺍﻝﻌﺎﺭﻴﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ل ‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﺍﻤﺎل ﻗﺼﺩﻙ ﺍﻴﻪ‬ ‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻨﻅﺭ‬
‫ﻷﺒﻭﺴﺭﻴﻊ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺩﺙ ﻝﻪ ﻭﻫﻰ‬
‫‪242‬‬
‫ﺘﺒﺘﺴﻡ ﻝﻪ ﻓﻰ ﺇﻏﺭﺍﺀ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻤﻘﺒﺽ ﺒﺎﺏ ﺍﻝﻤﺨﺯﻥ ﻭﻴﺩﺨل‬
‫ﻗﻨﺎﻭﻯ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﻴﺭ ﺇﻝﻰ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﻌﻭﺩ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﻀﺤﻜﺎﺕ‬ ‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪zoom in‬‬
‫ﺜﻡ ﻴﺘﻭﻗﻑ ﻋﻠﻰ ﺃﺫﻨﻪ ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪ Close up 243‬ﺜﻡ ﻴﻠﺘﻔﺕ ﺒﻌﺩ ﺍﻥ ﻴﺴﻤﻊ‬
‫ﺃﺼﻭﺍﺕ ﺍﻝﻀﺤﻙ ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪Close‬‬
‫‪up‬‬
‫ﻭﻭﺠﻪ ﺒﺭﻭﻓﻴل ‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻴﻨﻅﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻤﺴﻙ‬
‫ﺒﺯﺠﺎﺠﺔ ﻭﺘﺭﺵ ﺒﻬﺎ ﻋﻠﻰ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻭﻴﻀﺤﻜﻭﻥ ﺜﻡ ﻴﺠﺭﻯ ﻨﺤﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ‬
‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺠﺭﻯ ﻫﻰ ﻋﻜﺱ ﻓﻰ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺒﺠﺎﻨﺏ ﺃﻗﻔﺎﺹ ﻭﺼﻨﺎﺩﻴﻕ‬
‫ﻓﻰ ﺍﻝﻤﺨﺯﻥ ﺜﻡ ﻴﺨﺘﺒﺊ ﺃﺒﻭ ﺴﺭﻴﻊ ﺨﻠﻑ‬
‫ﺒﻌﺽ ﺍﻝﺼﻨﺎﺩﻴﻕ ﻓﻰ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﻌﻪ ‪ crane up‬ﻓﻴﻅﻬﺭ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺃﺴﻔل ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ‪side‬‬
‫‪ angle‬ﻭﻨﺭﻯ ﻫﻨﻭﻤﻪ ﺘﺄﺘﻰ ﻤﻥ ﺍﻝﻌﻤﻕ‬
‫‪ 244‬ﻭﻫﻰ ﺘﺭﺵ ﺍﻝﺯﺠﺎﺠﺔ ﺒﺎﺘﺠﺎﻩ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺜﻡ ﺘﻠﻘﻰ ﺒﺎﻝﺯﺠﺎﺠﺔ ﺠﻪ ﺍﻝﻴﻤﻴﻥ ﻭﺘﻀﺤﻙ‬
‫ﺤﺘﻰ ﺘﺼل ﺇﻝﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻤﻊ ﺤﺭﻜﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt down‬ﻭﻴﻤﺴﻙ ﺒﻬﺎ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻓﺘﺼﺭﺥ ﻭﺘﺠﺭﻯ ﺇﻝﻰ ﻤﻨﺘﺼﻑ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻓﻴﻤﺴﻜﻬﺎ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻭﻴﻀﻤﻬﺎ ﺜﻡ ﻴﺩﻓﻌﻬﺎ ﻓﺘﺨﺭﺝ ﻤﻥ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻜﺎﺩﺭ ﻓﺎﻀﻲ ﺘﺴﻘﻁ ﻓﻴﻪ ﻫﻨﻭﻤﻪ ﻤﻥ‬
‫ﺃﻋﻠﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻋﻠﻰ ﻗﺵ ﻭﺘﻜﻭﻥ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺜﻡ ﺘﻨﻘﻠﺏ‬
‫ﻋﻠﻰ ﻭﺠﻬﻬﺎ ﻭﺘﺼﺒﺢ ﻤﻭﺍﺠﻬﻪ ‪Full‬‬
‫‪ Front Face 245‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﻨﻅﺭ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺘﻬﻡ ﺒﺎﻝﻨﻬﻭﺽ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻬﻡ ﺒﺎﻝﻨﻬﻭﺽ‬
‫ﻓﻴﺩﺨل ﻗﺩﻡ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺩﻭﺱ ﻋﻠﻰ ﻗﺩﻤﻬﺎ ﻭﻴﻤﻨﻌﻬﺎ ﻤﻥ‬
‫ﺍﻝﻨﻬﻭﺽ ﻓﺘﻬﻡ ﻭﺘﺠﻠﺱ‬ ‫‪246‬‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬

‫‪ Shot O S‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺸﺒﻪ ﺠﺎﻝﺴﺔ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﻪ‬
‫ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﻭﻨﺭﻯ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ‬
‫ﺼﻭﺕ ﺼﻔﺎﺭﺓ ﻗﻁﺎﺭ ﻋﺎﻝﻴﺔ‬ ‫‪247‬‬
‫ﻭﺍﻗﻑ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ ﻭ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Low angle‬‬

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‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(26‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺼﻭﺕ ﺍﻝﻘﻁﺎﺭ‬ ‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ ) ﺃﻤﺎﻡ ﻤﺨﺯﻥ(‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻤﻤﺴﻙ ﺒﺎﻝﺯﺠﺎﺠﺔ‬
‫‪ 248‬ﻤﻊ ﺤﺭﻜﺔ ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺤﺘﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪ Medium .Close‬ﻝﻴﺩ ﻗﻨﺎﻭﻯ‬
‫ﻭﺍﻝﺯﺠﺎﺠﺔ ﺜﻡ ﻴﻠﺘﻔﺕ ﺒﺴﺭﻋﺔ ﻭﻴﺼﺒﺢ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻌﺠﻼﺕ ﻗﻁﺎﺭ ﻭﻫﻰ ﺘﺩﺨل‬
‫‪ 249‬ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﻴﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻗﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﺜﻼﺜﺔ ﺃﺭﺒﺎﻉ ﻤﻭﺍﺠﻬﻪ ‪ Front 3/4‬ﻭ‬
‫ﻤﺴﺘﻨﺩ ﻋﻠﻰ ﻋﻤﻭﺩ ﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ‬
‫‪250‬‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻌﺠل ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ ﻴﺴﻴﺭ‬
‫ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ‬ ‫‪251‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻗﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﺜﻼﺜﺔ ﺃﺭﺒﺎﻉ ﻤﻭﺍﺠﻬﻪ ‪ Front 3/4‬ﻭ‬
‫ﻤﺴﺘﻨﺩ ﻋﻠﻰ ﻋﻤﻭﺩ ﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ‬
‫‪252‬‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺤﺭﻑ ﻋﺠل ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ‬
‫ﺼﻭﺕ ﻋﺠﻼﺕ ﺍﻝﻘﻁﺎﺭ‬ ‫‪ 253‬ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻭﺍﻝﻘﻀﺒﺎﻥ ﻴﻬﺘﺯ‬
‫ﻋﺎﻝﻲ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻗﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﻤﺴﺘﻨﺩ ﻋﻠﻰ ﻋﻤﻭﺩ ﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻤﻊ ‪Zoom out‬‬ ‫‪254‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺤﺭﻑ ﻋﺠل ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ‬

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‫ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻭﺍﻝﻘﻀﺒﺎﻥ ﻴﻬﺘﺯ‬

‫‪255‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻗﻨﺎﻭﻱ ﻭﻫﻭ‬
‫ﻤﺴﺘﻨﺩ ﻋﻠﻰ ﻋﻤﻭﺩ ﻭﻴﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻤﻊ ﺍﺴﺘﻤﺭﺍﺭ‪Zoom out‬‬
‫ﺤﺘﻰ ﻴﺼﺒﺢ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ)‬ ‫‪256‬‬
‫‪Medium Shot (MS‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺤﺭﻑ ﻋﺠل ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ‬
‫‪ 257‬ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻭﺍﻝﻘﻀﺒﺎﻥ ﻴﻬﺘﺯ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻤﻊ‬
‫ﺍﺴﺘﻤﺭﺍﺭ‪ Zoom out‬ﺤﺘﻰ ﻝﻘﻁﺔ‬
‫‪ 258‬ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium Long‬‬
‫‪Shot‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺤﺭﻑ ﻋﺠل ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ‬
‫ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ‬ ‫‪259‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﺍﻗﻑ ﻓﻲ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻤﻊ ﺍﺴﺘﻤﺭﺍﺭ‬
‫‪ Zoom out‬ﺤﺘﻰ‬
‫‪ 260‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻴﻅﻬﺭ ﻤﻌﻪ ﺒﺎﺏ ﺍﻝﻤﺨﺯﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻤﻥ‬
‫ﻋﻠﻰ ﻋﺠل ﺍﻝﻘﻁﺎﺭ ﺤﺘﻰ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺤﺘﻰ‬
‫ﻴﻅﻬﺭ ﻤﺅﺨﺭﻩ ﺍﻝﻘﻁﺎﺭ ﻭﻴﺨﺭﺝ ﺘﻤﺎﻤﺎ ﻤﻥ‬
‫‪261‬‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﺴﻤﻊ ﻴﺎ ﺴﻴﺩ ﺍﻝﺠﺩﻋﺎﻥ ﺃﻨﺎ‬
‫ﻫﺎﺒﻌﺕ ﻝﻙ ﺼﻨﺩﻭﻕ ﻫﺩﻭﻤﻰ ﻤﻊ‬
‫ﻗﻨﺎﻭﻯ ﻋﺸﺎﻥ ﺘﺸﺤﻨﻪ ) ﺘﻀﺤﻙ(‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﺒﺱ ﺃﻭﻋﻰ ﺍﻝﺼﻨﺩﻭﻕ ﻝﺤﺴﻥ ﻴﻨﻜﺴﺭ‬
‫ﺒﺎﺌﻊ ﺍﻝﺠﺭﺍﺌﺩ ‪ :‬ﺤﺎﺩﺜﺔ ﺭﺸﻴﺩ ﺃﻗﺭﺃ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ ﻓﻲ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻓﻰ ﺍﻝﻴﻤﻴﻥ ﺒﺎﺏ ﺍﻝﻤﺨﺯﻥ ﻭﻫﻭ ﻴﻔﺘﺢ‬
‫ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﻫﻨﻭﻤﻪ ﺜﻡ ﻴﺨﺭﺝ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﻫﻨﻭﻤﻪ ﻤﻥ ﺍﻝﻤﺨﺯﻥ ﻭﻴﺨﺭﺠﻭﻥ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

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‫ﺤﺎﺩﺜﺔ ﺭﺸﻴﺩ ﺠﺜﺔ ﻓﻲ ﺼﻨﺩﻭﻕ ﺃﻗﺭﺃ‬

‫ﺤﺎﺩﺜﺔ ﺭﺸﻴﺩ‬

‫ﻭﻤﻊ ﺨﺭﻭﺠﻬﻡ ﻴﺩﺨل ﺒﺎﺌﻊ ﺠﺭﺍﺌﺩ ﻤﻥ‬

‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﺎﺩﻯ ﻋﻠﻰ ﺤﺎﺩﺜﺔ ﺭﺸﻴﺩ‬
‫ﻭﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺩﺨل ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ zoom in‬ﻋﻠﻰ ﻗﻨﺎﻭﻯ ﺤﺘﻰ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium Long‬‬
‫‪ Shot‬ﻭﻫﻭ ﻓﻲ ﻗﻤﺔ ﺍﻝﻐﻀﺏ ﻭﻴﺭﻓﻊ‬
‫‪ 262‬ﻴﺩﻩ ﺒﺎﻝﺯﺠﺎﺠﺔ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻊ ﻴﺩﻩ ﺘﺘﺒﻌﻬﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﻭﻴﻜﺴﺭﻫﺎ ﻓﻲ‬
‫ﺍﻝﺤﺎﺌﻁ ﺒﻌﻨﻑ ﺜﻡ ‪ pan left‬ﺴﺭﻴﻊ‬
‫ﺼﻭﺕ ﺘﻜﺴﻴﺭ ﺍﻝﺯﺠﺎﺝ‬ ‫ﺠﺩﺍ ﻋﻠﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium‬‬
‫‪ Shot (MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺒﻌﻨﻑ ﻭﻏﻀﺏ ﺜﻡ ﻴﻨﻅﺭ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻬﺩﺍ ﻭﻴﻔﻜﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(27‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺍﻝﺸﺎﺭﻉ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪263‬‬
‫‪ Long Shot‬ﻝﺒﻌﺽ ﺍﻝﺴﻜﺎﻜﻴﻥ ﻤﻌﻠﻘﺔ‬
‫ﻋﻠﻰ ﺤﺎﻤل ﺨﺸﺒﻲ ﻭﻴﺩﺨل ﺍﻝﺒﺎﺌﻊ ﻤﻥ‬
‫ﺍﻝﺒﺎﺌﻊ ‪ :‬ﻴﻠﺯﻤﻙ ﺤﺎﺠﺔ ﻴﺎ ﺃﺨﻴﻨﺎ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺩﺙ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﺃﻤﺎﻤﻪ ﺤﺎﻤل ﺍﻝﺴﻜﺎﻜﻴﻥ‬
‫ﺒﺭﻭﻱ ﺍﻝﺸﺎﺭﻉ‬ ‫ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﺴﻜﻴﻨﺔ ﻤﻌﻴﻨﺔ ﺘﻬﺘﺯ ﻓﺘﺩﺨل‬
‫ﻴﺩ ﺍﻝﺒﺎﺌﻊ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﻭﻗﻔﻬﺎ‬
‫ﻭﻴﺘﺤﺩﺙ ﻝﻪ‬
‫ﻓﻴﻬﺯ ﺭﺃﺴﻪ ﻗﻨﺎﻭﻯ ﻋﻼﻤﺔ ﺍﻝﻤﻭﺍﻓﻘﺔ‬
‫ﺍﻝﺒﺎﺌﻊ ‪ :‬ﺩﻯ ﺒـ ‪ 15‬ﻗﺭﺵ‬
‫ﻭﻴﺨﺭﺝ ﺍﻝﻔﻠﻭﺱ ﻤﻥ ﺠﻴﺒﻪ ﻭﻴﻌﻁﻴﻬﺎ‬
‫ﻝﻠﺒﺎﺌﻊ ﻓﻴﺄﺨﺫﻫﺎ ﻭﻴﻌﻁﻴﻪ ﺍﻝﺴﻜﻴﻨﺔ ﻓﻴﺄﺨﺫﻫﺎ‬
‫‪ 264‬ﻗﻨﺎﻭﻯ ﻭﻴﺘﺭﺍﺠﻊ ﻨﺤﻭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺃﺘﻔﻀل‬
‫ﻭﺘﺘﺤﺭﻙ ﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ pan right‬ﺜﻡ ﻴﻘﻑ ﻭﻴﻠﺘﻔﺕ ﻭﻴﺼﺒﺢ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺇﻴﻪ ﺩﻩ ﻴﺎ ﻗﻨﺎﻭﻯ ﺃﻨﺕ‬ ‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺨﻔﻰ‬
‫ﻓﻴﻥ ﻴﺎﻋﻡ ﻭﺃﻨﺎ ﻜﻨﺕ ﻋﺎﻭﺯ ﻤﻨﻙ‬ ‫ﺍﻝﺴﻜﻴﻥ ﺒﻴﻥ ﺍﻝﺠﺭﺍﺌﺩ ﻭﻴﺩﺨل ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﺨﺩﻤﺔ ﻭﺍﻝﻨﺒﻲ‬ ‫ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﺎﺩﻯ ﻝﻘﻨﺎﻭﻯ‬
‫ﻝﻭﺸﻔﺕ ﺤﺩ ﻤﻥ ﺍﻝﺭﺠﺎﻝﺔ ﺒﺘﻭﻋﻨﺎ‬

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‫ﻓﻴﻠﺘﻔﺕ ﻝﻪ ﻗﻨﺎﻭﻯ ﺒﺎﺭﺘﺒﺎﻙ ﻭﻴﺼﺒﺢ ﻝﻘﻁﺔ ﻗﻭﻝﻬﻡ ﺃﻥ ﺍﻝﺭﺍﺠل ﺒﺘﺎﻉ ﻤﻜﺘﺏ ﺍﻝﻌﻤل‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ‪ Over Shoulder Shot‬ﺠﺎﻯ ﺍﻝﺴﺎﻋﺔ‪ 5‬ﻋﺎﻭﺯﻫﻡ ﻜﻠﻬﻡ ﻋﻠﻰ‬
‫ﺭﺼﻴﻑ ﺒﻭﺭﺴﻌﻴﺩ‬ ‫ﻭﺃﺒﻭﺴﺭﻴﻊ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫‪ Face 265‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻲ ﻭﻗﻨﺎﻭﻯ ﺨﻠﻔﻴﺔ ‪Full‬‬
‫‪ rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻲ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺤﻀﻥ ﺍﻝﺠﺭﺍﺌﺩ‬
‫‪267‬‬
‫ﻭﻴﻬﺯ ﺭﺃﺴﻪ ﺒﺎﻝﻤﻭﺍﻓﻘﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪ Medium‬ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺃﻨﺕ ﺸﺎﻴل ﻤﻨﻰ ﻴﺎﻗﻨﺎﻭﻯ‬
‫‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﻫﻨﻭﻤﻪ ﻗﺎﻝﺕ ﻝﻰ ﺍﻨﻙ ﺯﻋﻠﺕ ﻝﻤﺎ‬
‫ﺯﻗﻴﺘﻙ‬ ‫ﻝﻘﻨﺎﻭﻯ‬ ‫‪268‬‬
‫ﻤﻌﻠﺵ ﺤﻘﻕ ﻋﻠﻴﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬

‫‪ Shot‬ﻭﺃﺒﻭﺴﺭﻴﻊ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻲ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﻗﻨﺎﻭﻯ‬
‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻓﻲ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﺜﻡ ﻴﺴﻴﺭ ﻓﻲ‬
‫‪269‬‬
‫ﺍﺘﺠﺎﻩ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan‬‬
‫‪ right‬ﻭﺘﻘﻑ ﻋﻨﺩﻤﺎ ﻴﺨﺭﺝ ﻗﻨﺎﻭﻯ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﻨﻅﺭ ﺇﻝﻰ ﺃﺒﻭﺴﺭﻴﻊ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(28‬‬ ‫‪270‬‬

‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ ) ﺃﻤﺎﻡ ﻤﺨﺯﻥ(‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬

‫‪ Medium .Close‬ﻝﺤﺭﻑ ﺼﻨﺩﻭﻕ‬
‫ﺨﺸﺒﻲ ﻭﻫﻭ ﻴﺘﺤﺭﻙ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪271‬‬
‫‪ Medium .Close‬ﻝﻔﻼﺤﺔ ﺘﺠﻠﺱ‬
‫ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻨﺘﺒﻪ ﻝﺤﺭﻜﺔ ﻓﺘﻨﻅﺭ‬
‫ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻅﻬﺭ ﻋﻠﻰ ﻭﺠﻬﻬﺎ‬
‫ﻋﻼﻤﺎﺕ ﺍﻝﺨﻭﻑ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬ ‫‪272‬‬

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‫ﻝﻠﻔﻼﺤﺔ ﻭﻫﻰ ﺠﺎﻝﺴﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻭﺍﻝﺼﻨﺩﻭﻕ ﻴﻘﻊ ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻴﻅﻬﺭ‬
‫ﻗﻨﺎﻭﻯ ﻤﻥ ﻤﻜﺎﻥ ﺍﻝﺼﻨﺩﻭﻕ ﻭﻴﻘﻑ ﺒﺠﺎﻨﺒﻪ‬
‫ﻭﻴﻨﻅﺭ ﻝﻠﻔﻼﺤﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪273‬‬

‫‪ Medium .Close‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﻝﻠﻔﻼﺤﺔ ) ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ( ﻭﺒﺠﺎﻨﺒﻪ‬
‫ﺍﻝﺼﻨﺩﻭﻕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻔﻼﺤﺔ ‪ :‬ﺃﺒﻭ ﺍﻝﻬﻴﻑ ﺃﺒﻭ ﺍﻝﻬﻴﻑ‬ ‫‪ 274‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻠﻔﻼﺤﺔ ﻭﻫﻰ ﺘﻨﻬﺽ ﻭﺘﺫﻫﺏ ﺇﻝﻰ ﻴﻤﻴﻥ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﺨﺒﺭ ﺍﻴﻪ ﺨﺒﺭ ﺍﻴﻪ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﺘﻨﺎﺩﻯ ﻋﻠﻰ ﺯﻭﺠﻬﺎ ﻭﺘﺘﺒﻌﻪ‬
‫ﺍﻝﻔﻼﺤﺔ ‪ :‬ﺒﺤﻠﻕ ﻝﻰ ﺒﻌﻨﻴﺔ ﺃﻜﺩﻩ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﺤﺘﻰ ﺘﻘﻑ ﻋﻨﺩ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﻴﻪ ﻓﻴﻥ‬ ‫ﺸﺒﺎﻙ ﺍﻝﺘﺫﺍﻜﺭ ﻤﻥ ﺨﻼل ﺍﻝﺤﺩﻴﺩ ﺍﻝﺠﺎﻨﺒﻲ‬
‫ﻝﻪ ﻭﺘﺘﺤﺩﺙ ﺇﻝﻰ ﺯﻭﺠﻬﺎ ) ﻨﻼﺤﻅ ﺍﻨﻪ‬
‫ﺼﻭﺕ ﺼﺭﺍﺥ ﻁﻔل‬ ‫ﺍﻝﻔﻼﺡ ﺍﻝﺴﺎﺒﻕ ﺍﻝﺫﻯ ﺴﺄل ﻋﻥ ﻗﻁﺎﺭ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﺍﺴﻡ ﺍﻝﻜﺭﻴﻡ ﺍﻴﻪ‬ ‫ﺍﻝﺯﻗﺎﺯﻴﻕ (‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻗﻨﺎﻭﻯ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﻤﺎﺘﺕ ﺍﻻﺴﺎﻤﻰ ﻴﺎﺴﻰ‬ ‫ﻓﻴﻨﻔﻌل ﻭﻴﻠﻘﻰ ﺒﺄﺸﻴﺎﺀ ﻤﻥ ﺨﻼل ﺍﻝﺤﺩﻴﺩ‬
‫ﻗﻨﺎﻭﻯ‬ ‫ﺍﻝﻔﺎﺼل ﺘﺠﺎﻩ ﺯﻭﺠﺘﻪ ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﺼﻑ‬
‫ﺍﺘﺠﺎﻩ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻫﻤﻠﻭﻨﻰ ﻫﻤﻠﻭﻨﻰ‬
‫ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺘﻰ ﻴﺼل ﺇﻝﻰ ﻗﻨﺎﻭﻯ‬
‫‪ pan left‬ﺜﻡ ﻴﺘﺤﺩﺙ ﻤﻌﻪ‬

‫ﻭﻴﻀﺭﺒﻪ ﻭﻴﺘﺩﺨل ﺍﻝﻨﺎﺱ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 275‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﺍﻝﻔﻼﺤﺔ ‪ :‬ﻗﺎﻡ ﻤﺒﺤﻠﻕ ﻝﻰ ﺒﻌﻨﻴﺔ ﻜﺩﺓ‬
‫ﻝﻠﻔﻼﺤﺔ ﻭﻫﻰ ﺘﺘﺤﺩﺙ ﻤﻊ ﺴﻴﺩﺓ ﺘﺤﻤل‬
‫ﺍﻝﻌﺴﻜﺭﻯ ‪ :‬ﻴﺎ ﺠﺩﻉ ﺴﻴﺒﻪ‬ ‫ﻁﻔل ﻭﺘﺤﻜﻰ ﻝﻬﺎ ﺘﻡ ﻴﻘﻊ ﺍﻝﺼﻨﺩﻭﻕ‬
‫ﺍﻝﻔﻼﺡ ‪:‬ﻋﻡ ﺒﻴﺒﺤﻠﻕ ﻓﻰ ﻤﺭﺍﺘﻰ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ pan right‬ﻓﻴﻅﻬﺭ ﺍﻝﻌﺴﻜﺭﻯ ‪ :‬ﻴﺎ ﺭﺍﺠل ﻤﻌﻠﺵ ﺭﻭﻕ‬
‫ﺩﻤﻙ ﺃﺼﻠﻪ ﻋﺒﻴﻁ‬ ‫ﺯﻭﺠﻬﺎ ﻭ ﺍﻝﻌﺴﻜﺭﻱ ﻤﻤﺴﻙ ﺒﻪ ﻭﻴﺘﺤﺩﺙ‬
‫ﻝﻪ‬
‫ﺍﻝﻔﻼﺡ ‪ :‬ﻭﺍﺴﻤﻙ ﻗﻨﺎﻭﻯ ﻋﺭﻴﺕ‬
‫ﺍﻝﺼﻌﻴﺩ‬

‫ﺼﻭﺕ ﻀﺤﻜﺎﺕ‬ ‫ﺍﻝﻔﻼﺤﺔ ‪ :‬ﻋﻤﺎل ﻴﺒﺤﻠﻕ ﻝﻰ ﺒﻌﻨﻴﻪ‬

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‫ﺒﻴﻨﻤﺎ ﻴﺄﺨﺫ ﻗﻨﺎﻭﻯ ﺍﻝﺼﻨﺩﻭﻕ ﻭﻴﺴﺤﺒﻪ ﺍﻝﻔﻼﺡ ‪ :‬ﻤﺎﻫﻭ ﻜﻠﻪ ﻤﻥ ﺘﺤﺕ ﺭﺍﺴﻙ‬
‫ﺍﻨﺕ ﻋﺎﺠﺒﻙ ﻜﺩﺓ ﺴﺎﻴﺒﻪ ﻭﺸﻙ‬ ‫ﺇﻝﻰ ﺍﻝﺨﻠﻑ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪ Tilt Up‬ﻭﻴﺴﺘﻤﺭ ﺍﻝﻔﻼﺡ ﻋﺭﻴﺎﻥ ﻝﻴﻪ ﺃﺘﻐﻁﻰ ﻗﺒﺭ ﻴﻠﻡ ﺍﻝﻌﻔﺵ‬
‫ﺜﻡ ﻴﻠﺘﻔﺕ ﺍﻝﻔﻼﺡ ﻝﺯﻭﺠﺘﺔ ﻭﻗﺩ ﻭﻗﻔﺕ‬
‫ﺒﺠﺎﻨﻴﺔ ﻭﻴﺤﺩﺜﻬﺎ ﻭﻴﻀﺤﻙ ﺍﻝﻨﺎﺱ‬

‫ﺜﻡ ﻴﻐﻁﻰ ﻭﺠﻬﻬﺎ ﺒﺎﻝﻁﺭﺤﺔ ﻭﻴﺨﺭﺠﻬﺎ ﻤﻥ‬

‫ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(29‬‬ ‫‪276‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﻤﻜﺎﻥ ﺘﺠﻤﻊ ﻝﻠﺸﻴﺎﻝﻴﻥ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻷﺒﻭﺠﺎﺒﺭ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻤﻥ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺍﻝﻤﻘﺩﻤﺔ ﻤﻥ ﺒﻴﻥ‬
‫ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ﺸﺎﺭﻴﻭﻩ‬
‫ﺃﺒﻭﺠﺎﺒﺭ ‪ :‬ﺃﻨﺎ ﺒﻘﻭل ﻝﻜﻡ ﻜﻠﻤﻪ‬
‫ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﺜﻡ ﻴﺠﻠﺱ ﻓﻰ ﻤﻘﺩﻤﻪ‬
‫ﺤﻜﻤﺔ ﻤﺎﺤﺩﺵ ﻤﻨﻜﻡ ﻴﻁﻠﻊ ﻤﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺨﻠﻔﻪ ﻴﻅﻬﺭ ﺠﺎﺩﺍﷲ ﻭﻴﺭﺩ ﻋﻠﻴﻪ‬
‫ﺨﻠﻔﻲ ﺃﺒﺩﺍ‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﻜﻠﻨﺎ ﺭﺠﻠﻨﻙ ﻴﺎ ﺃﺒﻭ ﺠﺎﺒﺭ‬
‫ﺃﺒﻭﺠﺎﺒﺭ ‪ :‬ﺍﺓ ﻴﻤﻜﻥ ﺤﺩ ﻋﻘﻠﻪ ﻴﻭﺯﻩ‬
‫ﻋﻠﻰ ﻨﻘﺎﺒﺔ ﺃﺒﻭ ﺴﺭﻴﻊ ﻴﺒﻘﻰ ﺫﻨﺒﻪ‬
‫ﻋﻠﻰ ﺠﻨﺒﻪ ﺍﻩ ﺒﺎﻝﻌﺭﺒﻲ ﺍﻝﻔﺼﻴﺢ‬
‫ﻫﺎﻗﻁﻊ ﻋﻴﺸﺔ‬
‫ﻨﺴﻤﻊ ﺼﻭﺕ ﺃﺒﻭ ﺴﺭﻴﻊ ﻓﻴﻠﺘﻔﺕ ﺍﻝﺸﻴﺎﻝﻴﻥ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻷﺭﺯﺍﻕ ﺒﻴﺩ ﺍﷲ ﻴﺎ‬
‫ﻭﺃﺒﻭﺠﺎﺒﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan left‬ﺤﺘﻰ‬
‫ﺃﺒﻭﺠﺎﺒﺭ ﺤﻴﻠﻙ ﺸﻭﻴﻪ‬
‫ﺤﺘﻰ ﻴﻅﻬﺭ ﺃﺒﻭﺴﺭﻴﻊ ﻓﻰ ﺍﺨﺭ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 277‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺭﺠﻠﻴﻥ ‪Medium .2‬‬
‫ﻷﺒﻭ ﺠﺎﺒﺭ ﻭ ﺠﺎﺩ ﺍﷲ ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﺘﺎﺒﻊ ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻝﺤﺴﻥ ﻴﺼﺩﻗﻭﻙ‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﻻ ﻴﺼﺩﻗﻭﺍ ﺍﻝﺒﻜﺵ ﺒﺘﺎﻋﻙ‬
‫ﺍﺤﺩ ﺍﻝﺸﻴﺎﻝﻴﻥ ‪ :‬ﺍﻨﺕ ﻤﻨﻪ ﺍﻤﺘﻰ ﺒﻘﻰ‬
‫ﻝﻙ ﺤﺱ ﻴﺎ ﺃﺒﻭﺴﺭﻴﻊ‬

‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺍﻨﺎ ﺤﺴﻲ ﻋﺈﻝﻰ ﻋﺸﺎﻥ‬
‫ﺍﻝﺤﻕ ﻤﻌﺎﻴﺎ ﻋﺸﺎﻥ ﻋﺎﻭﺯ ﺍﺨﺩﻡ‬
‫ﻭﻻﺩﻜﺎﺭﻯ ﻋﻤﺎﻝﻴﻴﻥ ﻨﻀﺤﻲ ﺒﺼﺤﺘﻨﺎ‬
‫ﻭﻋﺎﻓﻴﺘﻨﺎ ﻻﺠل ﺃﺒﻭﺠﺎﺒﺭ ﻨﻔﺭ ﻭﺍﺤﺩ‬
‫ﻋﻤﺎل ﻴﺘﺤﻜﻡ ﻓﻴﻨﺎ ﻜﻠﻨﺎ ﻝﻴﻪ ﻤﻴﻜﻭﻨﺵ‬
‫ﻜل ﻭﺍﺤﺩ ﻓﻴﻨﺎ ﺤﺭ ﻨﻔﺴﻪ ﻝﻴﻪ‬
‫ﺃﺒﻭﺠﺎﺒﺭ‪ :‬ﻫﺎ ﻫﺎ ﻜﻼﻡ ﺤﻠﻭ ﻗﻭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 278‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻬﻡ ﻭﻴﺘﺤﺩﺙ ﺜﻡ‬
‫ﻴﺴﻴﺭ ﺒﻴﻨﻬﻡ ﻭﻴﺘﺠﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪ pan left‬ﻤﻊ ﺸﺎﺭﻴﻭﻩ‬
‫ﺤﺘﻰ ﻴﺼل ﺇﻝﻰ ﺃﺒﻭﺠﺎﺒﺭ ﺍﻝﺫﻯ ﻴﺘﺤﺩﺙ‬
‫ﻤﻌﻪ‬

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‫ﻴﺎﺃﺒﻭﺴﺭﻴﻊ ﺒﺱ ﻴﺎﺨﺴﺎﺭﺓ ﻴﺎﺨﺴﺎﺭﺓ‬

‫ﻤﺎ ﻴﺠﺒﺵ ﻫﻤﻪ ﻤﺎﻴﻭﻜﻠﺵ ﻋﻴﺵ‬
‫ﻭﺘﺘﺤﻭل ﻤﻊ ﺍﻝﺘﻔﺎﺘﺔ ﺃﺒﻭﺠﺎﺒﺭ ﺇﻝﻰ ﻝﻘﻁﺔ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻴﺎﺍﺒﺎ ﻫﻭ ﺤﺩ ﻋﺎﺭﻑ‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ‪ Over Shoulder Shot‬ﻴﺄﻜل ﻋﻴﺵ ﺠﻨﺒﻙ ﻤﺎﺘﺨﻠﻰ ﺍﻝﻁﺎﺒﻕ‬
‫ﻭﻴﻅﻬﺭ ﺃﺒﻭﺠﺎﺒﺭ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻤﺴﺘﻭﺭ ﻗﺼﺭ ﺍﻝﻜﻼﻡ ﻴﺎﺍﺨﻭﻨﺎ ﺃﻨﺎ ﻝﺤﺩ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻷﺒﻭﺴﺭﻴﻊ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺩﻝﻭﻗﺘﻰ ﻤﻌﺎﻴﺎ ‪ 32‬ﻭﺍﺤﺩ ﻭﻓﺎﻀل ‪18‬‬
‫ﻋﺸﺎﻥ ﻨﻌﻤل ﺍﻝﻨﻘﺎﺒﺔ ﺍﻝﻠﻰ ﻝﻴﻪ‬ ‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻏﺭﺽ ﺃﻫﻼ ﻭﺴﻬﻼ‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﺍﺴﺘﻨﻲ ﻴﺎ ﻭﺍﺩ ﺍﻨﺕ ﻭﻫﻭ‬
‫ﻴﻠﺘﻔﺕ ﺃﺒﻭ ﺴﺭﻴﻊ ﺇﻝﻰ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﺘﻌﻭﺩ ﺍﻨﺕ ﻴﺎ ﻭﺍﺩ ﻴﺎ ﺃﺒﻭﺴﺭﻴﻊ ﻭﺍﺨﺫ ﺍﻝﺩﻨﻴﺎ‬
‫ﺃﻝﻠﻘﻁﺔ ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium‬ﻓﻰ ﻋﺒﻙ ﻭﻻ ﺍﻴﻪ ﻫﻰ ﺤﻜﺎﻴﺔ ﻋﺎﻓﻴﺔ‬
‫‪ Shot‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪ Medium‬ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻴﺎﻋﻡ ﺍﻨﺘﻭﺍ ﺍﻝﻠﻰ ﻤﺘﻌﺎﻓﻴﻥ‬
‫ﻋﻠﻴﻨﺎ‬ ‫‪Long Shot‬‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﺇﺒﺭﺍﻫﻴﻡ‬

‫ﺍﻝﺸﻴﺎﻝﻴﻥ ﻴﻬﻤﻭﺍ ﺒﺎﻝﺤﺭﻜﺔ‬

‫ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 279‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺃﺘﻠﻡ ﻴﺎ ﺠﺎﺩ ﺍﷲ ﻭﺍﻗﺼﺭ‬
‫ﺍﻝﺸﺭ‬ ‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻭﺍﻗﻑ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﻨﻅﺭ ﺇﻝﻰ ﺠﺎﺩ ﺍﷲ ﻭﻴﺘﺤﺩﺙ ﻝﻪ ﻭﻨﺴﻤﻊ ﻤﻨﺼﻭﺭ ‪ :‬ﺍﻴﻪ ﻓﻰ ﺍﻴﻪ ﻤﺎﻝﻙ ﻴﺎ‬
‫ﺠﺎﺩﺍﷲ‬ ‫ﺼﻭﺕ ﻤﻨﺼﻭﺭ ﺼﺎﺤﺏ ﺍﻝﺒﻭﻓﻴﺔ ﺍﻝﺫﻯ‬
‫ﻴﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺩﺙ ﻭﺘﺘﺤﺭﻙ ﺃﺒﻭﺠﺎﺒﺭ ‪ :‬ﺍﺒﻥ ﺍﻤﺒﺎﺭﺡ ﻴﺎﺴﻴﺩﻯ‬
‫ﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Zoom in‬ﻝﻴﻅﻬﺭ ﺃﺒﻭ ﻋﺎﻴﺯ ﻴﺘﻤﺭﻴﺱ ﻋﻠﻴﻨﺎ ﻭﻴﻌﻤل ﻨﻘﺎﺒﺔ‬
‫ﺠﺎﺒﺭ ﻭﻤﻨﺼﻭﺭ ﻭﺒﻌﺽ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﺃﺒﻭ ﻤﻨﺼﻭﺭ ‪ :‬ﻨﻘﺎﺒﻪ ﻭﺩﻩ ﻜﻼﻡ ﻴﺎ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﺍﻨﺕ ﻋﺎﻴﺯ ﺘﻌﻤل ﻓﺭﻜﻴﺸﺔ‬ ‫ﺴﺭﻴﻊ ﻓﻰ ﺍﻝﻜﺎﺩﺭ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻴﺎﻋﻡ ﺴﻴﺒﻨﺎ ﻓﻰ ﺤﺎﻝﻨﺎ‬
‫ﻜﻔﺎﻴﺔ ﻋﻠﻴﻙ ﺍﻨﺕ ﺍﻝﺒﻭﻓﻴﺔ ﺍﻝﻠﻰ‬
‫ﻤﻜﻭﺵ ﻋﻠﻴﻬﻡ‬
‫ﻤﻨﺼﻭﺭ ‪ :‬ﺃﻨﺎ ﻗﻠﺒﻰ ﻋﻠﻴﻜﻡ ﻝﻭﺴﻴﺒﺘﻡ‬
‫ﺃﺒﻭﺠﺎﺒﺭ ﻤﺵ ﻫﺎ ﺘﻌﺭﻓﻭﺍ ﺘﻜﺴﺒﻭﺍ‬
‫ﻭﻻ ﻤﻠﻴﻡ ﻫﺎ ﺘﺒﻘﻭﺍ ﺫﻯ ﺒﺘﻭﻉ‬
‫ﺍﻝﻜﺎﺯﻭﺯﺓ ﺍﻝﻠﻰ ﻋﻤﺎﻝﻴﻴﻥ ﻴﺘﻨﺘﻁﻭﺍ ﻓﻰ‬
‫ﺍﻝﻘﻁﺭ‬
‫ﺃﺒﻭﺴﺭﻴﻊ‪ :‬ﻭﺸﺭﻑ ﺍﻤﻰ ﻷﻋﻤﻠﻬﻡ‬
‫ﻨﻘﺎﺒﺔ ﻫﻤﺎ ﻜﻤﺎﻥ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/71.htm‬‬ ‫‪9/22/2011‬‬
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‫‪ 280‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻤﻨﺼﻭﺭ ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﻤﻊ ﺃﺒﻭﺴﺭﻴﻊ‬
‫ﻭﺤﻭﻝﻬﻡ ﺒﻌﺽ ﺍﻝﺸﻴﺎﻝﻴﻥ ﺜﻡ‬
‫ﻴﻤﺴﻙ ﺃﺒﻭ ﺴﺭﻴﻊ ﺒﻤﻨﺼﻭﺭ ﻭﻴﻤﺴﻙ‬
‫ﺒﺠﺎﺩ ﺍﷲ ﻤﻌﻪ ﻭﻴﺩﻓﻌﻬﻡ ﺜﻡ ﻴﻤﺴﻜﻬﻡ ﻤﺭﺓ ﻤﻨﺼﻭﺭ ‪ :‬ﺘﺴﺘﺠﺭﻯ ﻭﺍﷲ ﺃﺭﻤﻴﻙ‬
‫ﻓﻰ ﺍﻝﺴﺠﻥ‬ ‫ﺃﺨﺭﻯ ﻭﻴﺘﺤﺩﺙ ﻝﻬﻡ ﻭﻴﻠﻔﻬﻡ ﻓﻰ ﺍﺘﺠﺎﻩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻴﺼﺒﺢ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻭﺍﺠﻬﻪ ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺍﻝﺴﺠﻥ ﺩﺓ ﻴﻠﻤﻙ ﻭﻴﻠﻡ‬
‫ﺍﻝﻠﻰ ﺯﻴﻙ‬ ‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻤﻨﺼﻭﺭ‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﺍﺴﻴﺏ ﻴﺎ ﻭﺍﺩ‬ ‫ﻭﺠﺎﺩﺍﷲ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻴﺎﻋﻡ ﺃﻭﻋﻰ ﺍﻨﺕ ﻭﻫﻭ‬
‫ﻤﺎﻫﻭ ﺍﻨﺘﻭﺍ ﺍﻻﺜﻨﻴﻥ ﺴﺒﺏ ﺍﻝﻤﺼﺎﺌﺏ‬
‫ﻜﻠﻬﺎ ﻭﺍﺤﺩ ﺒﻴﺎﻜل ﺤﻕ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭ‬
‫ﺜﻡ ﻴﺩﻓﻌﻬﻡ ﻓﻰ ﻋﻤﻕ ﺍﻝﻴﻤﻴﻥ ﻭﻴﺨﺭﺠﻭﺍ ﺍﻝﺜﺎﻨﻲ ﺒﻴﻘﻁﻊ ﺭﺯﻕ ﺍﻝﺒﻴﺎﻋﻴﻥ ﺴﻴﺒﻭﻨﺎ‬
‫ﻨﺄﻜل ﻋﻴﺵ ﺭﺍﻗﺏ ﺭﺒﻨﺎ ﺍﻨﺕ ﻭﻫﻭ‬ ‫ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻤﻌﺎﺩ ﺍﻝﻨﻬﺎﺭﺩﺓ ﺍﻝﺴﺎﻋﺔ ‪ 5‬ﺍﻝﻠﻰ‬ ‫ﻴﺘﻭﻗﻑ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫ﻋﺎﻴﺯ ﻴﺠﻰ ﻋﻠﻰ ﺍﻝﻌﻴﻥ ﻭ ﺍﻝﺭﺃﺱ‬ ‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺍﻝﻠﻲ ﻤﺵ ﻋﺎﻴﺯ ﻫﻭ ﺤﺭ‬

‫ﻭﻴﺘﻘﺩﻡ ﺇﻝﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬

‫‪Track Out‬‬

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‫‪ 281‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﺒﻌﺽ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﻫﻡ ﻴﻨﻅﺭﻭﻥ ﻷﺒﻭﺴﺭﻴﻊ‬
‫)ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ( ﻓﻰ ﺼﻤﺕ‬

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‫‪ 282‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺭﺠﻠﻴﻥ ﻗﺭﻴﺒﺔ ‪2‬‬
‫‪ Medium .Close‬ﻝﺠﺎﺩ ﺍﷲ ﻭﺒﺠﺎﻨﺒﻪ‬
‫ﺸﻴﺎل ﺍﺨﺭ ﻴﻨﻅﺭﻭﻥ ﺇﻝﻴﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺸﻴﺎل ‪ :‬ﺃﺒﻭﺴﺭﻴﻊ ﺨﺩﻨﻲ ﻤﻌﺎﻙ‬ ‫‪ 283‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻷﺒﻭﺠﺎﺒﺭ ﻭﺒﺠﺎﻨﺒﻪ ﺒﻌﺽ ﺍﻝﺸﻴﺎﻝﻴﻥ‬
‫ﻭﻴﻨﻅﺭﻭﻥ ﻷﺒﻭﺴﺭﻴﻊ ﺜﻡ ﻴﻨﺎﺩﻯ ﺸﻴﺎل‬
‫ﻋﻠﻰ ﺃﺒﻭﺴﺭﻴﻊ ﻭﻴﺴﻴﺭ ﻨﺤﻭﻩ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬ ‫‪284‬‬
‫ﻝﺸﻴﺎﻝﻴﻥ ﻴﻨﻅﺭﻭﻥ ﻝﺒﻌﻀﻬﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻤﺭﺤﺒﺎ ﺒﻙ ﺍﻫﻼ ﺍﻫﻼ‬ ‫‪285‬‬
‫ﺸﻴﺎل ﺍﺨﺭ ‪ :‬ﻜﻠﻨﺎ ﺭﺠﻠﺘﻙ ﻴﺎ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ‬
‫ﺃﺒﻭﺴﺭﻴﻊ‬ ‫ﻭﻫﻭ ﻴﻠﺘﻔﺕ ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺼﺒﺢ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺍﻫﻭ ﻜﺩﻩ‬ ‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻨﺭﻯ‬
‫ﺍﻝﺸﻴﺎل ﻴﺠﺭﻯ ﻓﻰ ﺍﺘﺠﺎﻩ ﻭﻴﺤﺘﻀﻨﻪ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﻴﺠﺭﻯ ﻋﺩﺩ ﻜﺒﻴﺭ ﻤﻥ ﺍﻝﺸﻴﺎﻝﻴﻥ‬
‫ﻋﻠﻴﺔ ﻭﻴﻠﺘﻔﺕ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/71.htm‬‬ ‫‪9/22/2011‬‬
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‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ‬
‫ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪Long Shot‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 286‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻷﺒﻭﺠﺎﺒﺭ ﻭﻫﻭ ﻴﻨﻅﺭ ﻓﻰ ﻏﻀﺏ ) ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ( ﻭﺒﺠﺎﻨﺒﻪ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻝﺸﻴﺎﻝﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 287‬ﻗﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺭﺠﻠﻴﻥ ‪Medium .2‬‬
‫ﻝﺠﺎﺩ ﺍﷲ ﻭﺒﺠﺎﻨﺒﻪ ﺸﻴﺎل ﺍﺨﺭ ﻭﻫﻭ ﻴﻨﻅﺭ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺒﻐﻀﺏ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻗﻨﺎﻭﻯ ﻭﺍﻝﻨﺒﻲ ﻫﻨﻭﻤﻪ‬ ‫‪ 288‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﻫﺎﺘﺩﻴﻙ ﺼﻨﺩﻭﻕ ﺫﻯ ﺩﺓ ﻓﻴﻪ ﻫﺩﻭﻡ‬ ‫‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺩﺨل ﻤﻥ‬
‫ﺍﻝﻔﺭﺡ ﺘﺒﻘﻰ ﺘﻭﺼﻠﻪ ﻝﻰ ﻝﻐﺎﻴﺔ‬ ‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ ﺒﺎﻗﻲ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﻫﻡ‬
‫ﻤﺨﺯﻥ ﺍﻝﺸﺤﻥ ﻷﺤﺴﻥ ﻤﺸﻐﻭل‬ ‫ﻴﻀﺤﻜﻭﻥ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Track‬‬
‫ﺸﻭﻴﻪ ﻓﻰ ﺤﻜﺎﻴﺔ ﺍﻝﻨﻘﺎﺒﺔ ﺩﻯ‬ ‫‪ Out‬ﻭﺘﺴﺒﻘﻬﻡ ﺤﺘﻰ ﻴﺩﺨل ﻗﻨﺎﻭﻯ ﻤﻥ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﺩﻓﻊ ﺍﻝﺼﻨﺩﻭﻕ ﻓﻴﻘﻑ‬
‫ﺍﷲ ﻤﺎ ﺘﺸﻭﻑ ﻝﻙ ﻋﺭﺒﻴﺔ ﺘﺸﻴﻠﻪ‬ ‫ﻭﻴﺘﻭﻗﻑ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻴﻌﻭﺩ ﻝﻪ ﻭﻴﺘﺤﺩﺙ‬
‫ﻓﻴﻬﺎ ﻴﺎﻝﻼ‬ ‫ﻤﻌﻪ‬

‫‪Dissolve‬‬
‫ﻤﺸﻬﺩ )‪(30‬‬ ‫‪289‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺨﺎﺭﺝ ﻤﺨﺯﻥ ﺍﻝﻤﺤﻁﺔ‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﻓﻊ ﻋﺭﺒﻪ ﻋﻠﻴﻬﺎ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﻤﻥ ﻋﻤﻕ ﺇﻝﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 290‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﻓﻊ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺩﺨل ﺍﻝﺒﻨﺕ‬
‫ﺍﻝﺼﻐﻴﺭﺓ ﻤﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ‬
‫ﺘﺩﻓﻊ ﻋﺭﺒﻪ ﻋﻠﻴﻬﺎ ﺼﻨﺩﻭﻕ ﺨﺸﺒﻰ ﺍﺼﻐﺭ‬
‫ﻤﻥ ﺼﻨﺩﻭﻕ ﻗﻨﺎﻭﻯ ﻭﺘﻘﻑ ﺃﻤﺎﻡ ﻗﻨﺎﻭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪ Medium .Close‬ﻝﻠﺒﻨﺕ ﻭﻫﻰ‬
‫ﺘﺘﺤﺩﺙ ﻭﺘﻨﻅﺭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻝﻘﻨﺎﻭﻯ ﺍﻝﺫﻯ‬
‫ﺍﻝﺒﻨﺕ ‪ :‬ﺘﺒﺎﺩل‬ ‫ﻴﺭﺩ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻻ‬ ‫‪291‬‬
‫ﺍﻝﺒﻨﺕ ‪ :‬ﻭﺍﻝﻨﺒﻲ ﻋﺸﺎﻥ ﻫﻨﻭﻤﻪ‬
‫ﻋﺎﻴﺯﻩ ﺼﻨﺩﻭﻕ ﻜﺒﻴﺭ ﺘﺒﻌﺕ ﻓﻴﻪ‬
‫ﻫﺩﻭﻡ ﺍﻝﻔﺭﺡ ﻓﻘﻭﺱ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻗﻠﻨﺎ ﻻ‬

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‫ﺍﻝﺒﻨﺕ ‪ :‬ﺇﻻﻫﻰ ﻴﻬﺩﻴﻙ ﻴﺎ ﺃﺒﻨﻰ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﻓﻊ ﺍﻝﺒﻨﺕ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻤﺘﻐﻭﺭﻯ ﻤﻥ ﻗﺩﺍﻤﻰ ﺒﻘﻰ‬
‫ﺒﺎﻝﺼﻨﺩﻭﻕ ﻭﻴﺸﺨﻁ ﻓﻴﻬﺎ ﻓﺘﺄﺨﺫ ﺍﻝﺒﻨﺕ‬
‫ﺍﻝﺒﻨﺕ ‪ :‬ﺇﻝﻬﻰ ﺘﻔﻁﺱ ﻭﻴﺸﺤﻨﻭﻙ‬
‫ﺼﻨﺩﻭﻗﻬﺎ ﻭﺘﺭﺠﻊ ﺒﻪ ﺤﺘﻰ ﺘﺨﺭﺝ ﻤﻥ‬
‫ﺼﻭﺕ ﺍﻝﻌﺭﺒﺔ‬ ‫ﻓﻴﻪ ﻴﺎﻗﻨﺎﻭﻯ ﻴﺎ ﺍﺒﻥ ﺃﻡ ﻗﻨﺎﻭﻯ‬ ‫‪292‬‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﺘﻤﺭ ﻗﻨﺎﻭﻯ ﻓﻰ ﺴﻴﺭﻩ‬
‫ﺤﺘﻰ ﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬
‫ﻝﺠﺯﺀ ﻓﻰ ﺍﻝﻤﺤﻁﺔ ﻭﺘﻅﻬﺭ ﺒﻭﺍﺒﺔ ﺍﺤﺩ‬
‫ﺍﻝﻤﺨﺎﺯﻥ ﻭﻗﻨﺎﻭﻯ ﻴﺘﺤﺭﻙ ﻓﻰ ﺍﻝﻌﻤﻕ‬
‫‪293‬‬
‫ﺒﺼﻨﺩﻭﻕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﺨل ﻤﻥ‬
‫ﺨﻠﻑ ﻤﺠﻤﻭﻋﻪ ﻤﻥ ﺍﻝﺼﻨﺎﺩﻴﻕ ﻓﻰ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﺤﺏ ﺍﻝﺼﻨﺩﻭﻕ ﺇﻝﻰ ﺍﻝﻴﻤﻴﻥ‬
‫‪294‬‬
‫ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﻤﻊ ‪Zoom‬‬
‫‪ in‬ﺒﻁﺊ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪ Long Shot ( LS‬ﻝﺒﺎﺏ‬
‫ﺍﺤﺩﻯ ﺍﻝﻤﺨﺎﺯﻥ ﻭﺒﻨﺕ ﺘﺠﺭﻯ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face 295‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(31‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺩﺍﺨل ﺍﺤﺩﻯ ﺍﻝﻤﺨﺎﺯﻥ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ ﺃﻤﺎﻡ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﻤﻔﺘﻭﺡ ﻭﻴﺨﺭﺝ ﻤﻥ ﺠﻴﺒﻪ ﺍﻝﻌﻘﺩ‬
‫‪296‬‬
‫ﻭﻴﻀﻌﻪ ﻋﻠﻰ ﻗﻔل ﺍﻝﺼﻨﺩﻭﻕ ﻭﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﻭﻴﺘﺤﻭل ﺍﻝﻤﺸﻬﺩ‬
‫ﺇﻝﻰ ﻝﻘﻁﻪ ﻋﺎﻤﺔ‪Long Shot‬‬
‫ﻭﻴﺘﺠﻪ ﻓﻴﻪ ﻗﻨﺎﻭﻯ ﺇﻝﻰ ﺒﺎﺏ ﺍﻝﻤﺨﺯﻥ‬
‫ﻭﻴﺨﺭﺝ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(32‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬ ‫‪297‬‬

‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬

‫ﺘﺠﺭﻯ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ﺭﺼﻴﻑ‬

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‫ﺍﻝﻘﻁﺎﺭﺍﺕ ﻭﺘﻨﺯل ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺭﺠل ﻭﺍﻗﻑ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻤﺎﺸﻔﺘﺵ ﻫﻨﻭﻤﻪ‬ ‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ ﻭﻗﻨﺎﻭﻯ ﻴﺄﺘﻲ ﻤﻥ‬
‫‪298‬‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﺤﺘﻰ ﻴﺼل ﺇﻝﻴﻪ ﺍﻝﺒﻨﺕ ‪ :‬ﻫﻨﻭﻤﻪ ﻝﺴﻪ ﻤﺎﺸﻴﺔ ﺩﻝﻭﻗﺘﻰ‬
‫ﺍﻫﻪ‬ ‫ﻭﻴﺘﺤﺩﺙ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻠﻘﻁﺎﺭ ﻤﻥ ﺃﺴﻔل‬
‫ﻭﻫﻨﻭﻤﻪ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺘﺤﺕ ﻤﻨﺼﻭﺭ ‪ :‬ﻤﺎﻫﻭ ﺸﻭﻑ ﻝﻙ ﻁﺭﻴﻘﺔ‬
‫ﺍﻝﻘﻁﺎﺭ ﺍﻝﻭﺍﻗﻑ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺸﺎﺭﻴﻭﻩ ﺍﻗﺒﺽ ﻋﻠﻴﻬﺎ ﺍﺭﻤﻴﻬﺎ ﻓﻰ ﺍﻝﺤﺒﺱ‬
‫ﺜﻡ ﺘﺠﻠﺱ ﻫﻨﻭﻤﻪ ﺘﺤﺕ ﺍﻝﻘﻁﺎﺭ ﻭﺘﺴﺘﻤﻊ ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‪ :‬ﻤﺎﻫﻭ ﺃﻨﺎ ﻤﺎ‬
‫ﺍﻗﺩﺭﺵ‬ ‫ﻝﻨﺎﺱ ﻴﺘﺤﺩﺜﻭﻥ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﻨﺼﺭ ﺩﻴﻨﻙ ﻴﺎ ﻋﻡ‬
‫ﺤﺴﻨﻴﻥ ﻁﺏ ﻴﺎ ﻤﻨﺼﻭﺭ ﻴﺎ ﺘﺨﻴﻥ ﻴﺎ‬
‫ﻓﺸﻠﻪ ﺍﻥ ﻤﺎ ﻁﻠﻌﺕ ﻋﻴﻨﻙ ﻤﺒﻘﺎﺵ‬
‫ﺍﻨﺎ‬ ‫ﺜﻡ ﺘﺴﺘﻤﺭ ﻓﻰ ﺍﻝﺴﻴﺭ ﺘﺤﺕ ﺍﻝﻘﻁﺎﺭ‬
‫‪ 299‬ﻭﺘﺤﺩﺙ ﻨﻔﺴﻬﺎ ﻭﺘﺘﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺘﻰ ﺍﻝﻔﺠﺎﻓﻴﺠﻭ ﻋﻤﻠﻪ ﺤﻠﻘﺔ ﻗﻤﺎﺵ ﻓﺘﺢ‬
‫ﻋﻴﻨﻙ ﺘﺄﻜل ﻤﻠﺒﻥ ﻴﺎﻻ ﺍﻤﺎل‬ ‫ﺘﺼل ﺇﻝﻰ ﺍﻝﺒﺎﺌﻌﺎﺕ ﺍﻷﺨﺭﻴﺎﺕ ﻭﻫﻡ‬
‫ﺠﺎﻝﺴﻭﻥ ﺘﺤﺕ ﺍﻝﻘﻁﺎﺭ ﺒﺎﻝﺠﺭﺍﺩل‬
‫ﺒﺭﻭﻯ ﻷﺼﻭﺍﺕ ﺍﻝﺒﺎﺌﻌﺎﺕ‬
‫ﻓﻰ ﺘﺩﺍﺨل‬

‫ﺜﻡ ﺘﺄﺨﺫ ﻫﻨﻭﻤﻪ ﺍﻝﺠﺭﺩل ﻭﺘﻀﻌﻪ ﻋﻠﻰ‬

‫ﺍﻝﺭﺼﻴﻑ ﻝﺘﺼﻌﺩ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(33‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻋﺭﺒﻪ ﻗﻁﺎﺭ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﺍﻝﺼﺤﺎﻓﺔ ﻴﺎ ﻓﻴﻔﻰ‬
‫‪ Long Shot‬ﻝﻔﺘﺎﺓ ﺘﺠﺭﻯ ﻤﻭﺍﺠﻬﻪ‬
‫ﺭﺌﻴﺴﺔ ﺍﻝﺠﻤﻌﻴﺔ ‪ :‬ﺍﺩﻴﻨﻰ ﺍﻝﺭﻭﺝ‬ ‫‪300‬‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺇﻝﻰ‬
‫ﻗﻭﺍﻡ ﺍﻝﺭﻭﺝ ﻗﻭﺍﻡ‬
‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺩﺍﺨل ﻤﻤﺭ ﺍﻝﻘﻁﺎﺭ ﺜﻡ ﺘﺩﺨل‬
‫ﻜﺒﻴﻨﺔ ﻭﺘﺘﺤﺩﺙ ﻝﻤﻥ ﻓﻴﻬﺎ ﺜﻡ ﺘﻔﺘﺢ ﺍﻝﺯﺠﺎﺝ‬
‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﺇﺒﻌﺩﻯ ﻴﺎ ﺒﻨﺕ ﺍﷲ‬
‫ﻓﻨﺭﻯ ﺼﺤﻔﻴﻴﻥ ﻭﻫﻨﻭﻤﻪ ﻭﺘﺩﻓﻊ ﻫﻨﻭﻤﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(34‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺨﺎﺭﺝ ﺍﻝﻘﻁﺎﺭ‬
‫ﺇﺤﺩﻯ ﺍﻝﻔﺘﻴﺎﺕ ‪ :‬ﺘﻌﻴﺵ ﺘﻌﻴﺵ‬
‫‪301‬‬
‫ﺼﻭﺕ ﺍﻝﺠﺭﺩل‬ ‫ﺘﻌﻴﺵ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﺼﻭﺕ ﻫﺘﺎﻑ‬ ‫ﻭﺘﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻓﻨﺭﻯ ﺴﻴﺩﺓ‬

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‫ﻤﻤﺴﻜﺔ ﺒﻜﺘﺎﺏ ﻤﻜﺘﻭﺏ ﻋﻠﻴﻪ ﺃﻨﺎ ﺤﺭﺓ‬

‫ﻭﺘﻔﺘﺢ ﻫﻨﻭﻤﻪ ﺯﺠﺎﺠﺔ ﻭﺘﺭﻓﻌﻬﺎ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻔﺘﺎﺓ ﺍﻝﻤﻤﺴﻜﺔ ﺒﺎﻝﻜﺘﺎﺏ ﻭﺸﺎﺏ ﻭ‬
‫ﺍﻝﺸﺎﺏ ‪ :‬ﻫﺎﺘﻰ ‪ 4‬ﻓﻰ ﺼﺤﺔ ﺍﻝﺭﻴﺴﺔ‬
‫ﻓﺘﺎﺓ ﺃﺨﺭﻯ ﻭﻴﺘﺤﺩﺙ ﻝﻬﻨﻭﻤﻪ‬ ‫‪302‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻔﺘﺢ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻭﺍﺤﺩ ‪,‬‬ ‫ﺍﻝﺯﺠﺎﺠﺎﺕ ﻭﺘﻨﻅﺭ ﺇﻝﻰ ﺃﻋﻠﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﺜﻨﻴﻥ ‪,‬ﺜﻼﺜﺔ ‪,‬ﺃﺭﺒﻌﻪ ‪ ,‬ﺨﻤﺴﺔ‬ ‫ﺜﻡ ﺘﻘﻭﻡ ﻭﻤﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt up‬ﻓﻨﺭﻯ‬
‫) ﺘﻀﺤﻙ (‬ ‫ﺍﻝﻔﺘﺎﺘﺎﻥ ﻭﺍﻝﺸﺎﺏ ﻭﺘﻨﺯل ﻫﻨﻭﻤﻪ ﻤﻥ‬
‫ﺍﻝﺼﺤﻔﻰ‪ :‬ﺍﻩ ﺴﺅﺍل ﻜﻭﻴﺱ‬ ‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺴﺘﻤﺭ ﻓﻰ ﺍﻝﻌﺩ ﺘﺭﻯ‬
‫‪ 303‬ﻫﻨﻭﻤﻪ ﺯﻗﺯﻭﻕ ﻭﻫﻰ ﺘﻌﻁﻰ ﺍﻝﺯﺠﺎﺠﺔ‬
‫ﺍﻝﺨﺎﻤﺴﺔ ﻭﺘﻀﺤﻙ ﻓﻴﺠﺭﻯ ﺇﻝﻰ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan right‬‬
‫ﻭﺘﻘﻑ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺜﺒﺎﺕ ﻴﺩﺨل ﻓﻴﻪ ﻤﻥ‬
‫ﺍﻝﻌﻤﻕ ﻗﻨﺎﻭﻯ ﺍﻝﺫﻯ ﻴﺒﺤﺙ ﻋﻥ ﻫﻨﻭﻤﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ‬
‫ﺍﻝﺼﺤﻔﻰ‪ :‬ﻤﻥ ﻓﻀﻠﻜﻡ ﺸﻭﻴﺔ ﺍﻴﻪ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﻪ‬
‫ﺭﺃﻴﻙ‬
‫‪ 304‬ﺍﻝﻜﺎﺩﺭ ﻭﻴﻅﻬﺭ ﺨﻠﻔﺔ ﺍﻝﻤﺅﺘﻤﺭ ﺍﻝﺼﺤﻔﻰ‬
‫ﻭﺼﺤﻔﻲ ﻴﺘﺤﺩﺙ ﻝﺭﺌﻴﺴﺔ ﺍﻝﺠﻤﻌﻴﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ‪ Long Shot‬ﻝﻠﻔﻼﺡ‬
‫) ﺍﻝﺴﺎﺒﻕ ( ﻭﺯﻭﺠﺘﻪ ﻭﻫﻡ ﻴﺴﻴﺭﻭﻥ ﻤﻥ‬
‫ﺸﻤﺎل ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ ﺘﺤﻤل ﻗﻔﺔ‬
‫ﻭﺤﺼﻴﺭﺓ ﻭﺘﺴﻴﺭ ﺨﻠﻔﺔ ﻭﻨﺴﻤﻊ ﺼﻭﺕ‬
‫ﺍﻝﺼﺤﻔﻰ ‪ :‬ﻓﻰ ﺭﻀﻭﺥ ﺍﻝﻤﺭﺁﺓ‬ ‫ﺍﻝﺼﺤﻔﻰ‬ ‫‪305‬‬
‫ﺍﻝﺭﻴﻔﻴﺔ ﻝﺯﻭﺠﻬﺎ ﺇﻝﻰ ﻫﺫﺍ ﺍﻝﺤﺩ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺴﺘﺩﻴﺭ ﻓﻰ‬
‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺼﺒﺢ ﻤﻭﺍﺠﻬﻪ ‪Full‬‬
‫‪ Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺩﺨل ﺍﻝﻔﻼﺡ ﺍﻝﺭﺌﻴﺴﺔ ‪ :‬ﺭﺃﻯ ﺇﻥ ﻫﺫﺍ ﺍﺴﺘﻌﺒﺎﺩ‬
‫ﺍﺴﺘﺒﺩﺍﺩ‬ ‫‪306‬‬
‫ﻭﺯﻭﺠﺘﻪ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺭﺌﻴﺴﺔ‬
‫ﺍﻝﺠﻤﻌﻴﺔ ﺘﻘﻑ ﻓﻰ ﺍﻝﻨﺎﻓﺫﺓ ﻭﺘﺘﺤﺩﺙ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﻝﻬﻨﻭﻤﻪ ﻭﺍﻗﻔﺔ ﻓﻰ‬ ‫‪Long Shot‬‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﺼﺤﻔﻲ ﻭﺍﻗﻑ ﻓﻰ ﻤﻘﺩﻤﻪ‬
‫ﺍﻝﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

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‫ﻭﺭﺌﻴﺴﺔ ﺍﻝﺠﻤﻌﻴﺔ ﻤﻭﺍﺠﻬﻪ ‪ Full Front‬ﺍﻝﺭﺌﻴﺴﺔ ‪ :‬ﺘﺤﻜﻡ ﻫﻤﺠﻲ ﻻ ﻤﺜﻴل ﻝﻪ‬

‫ﻓﻰ ﺍﻝﺘﺎﺭﻴﺦ‬ ‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ‬
‫ﺼﺤﻔﻰ‪ :‬ﻋﻅﻴﻡ ﻋﻅﻴﻡ‬ ‫ﻭﺘﺘﺤﺩﺙ ﻭﺘﻨﻅﺭ ﺒﻐﻀﺏ ﺇﻝﻰ ﺍﻝﻔﻼﺡ ﺍﻝﺫﻯ‬
‫‪307‬‬
‫ﻴﺩﺨل ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬ ‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ ﺨﻠﻑ ﺍﻝﺴﻭﺭ‬
‫ﺜﻡ ﻴﻨﺯل ﻤﻥ ﺘﺤﺘﻪ ﻝﻴﻌﺒﺭﻩ‬
‫ﺼﺤﻔﻰ‪ :‬ﺘﺴﻤﺤﻲ ﺒﻘﻰ ﺴﻴﺎﺩﺘﻙ‬ ‫‪308‬‬
‫ﺘﺘﻜﺭﻤﻲ ﻭﺘﺘﻌﻁﻔﻲ ﻋﻠﻴﻨﺎ ﺒﺼﻭﺭﺓ‬
‫ﻝﻠﻐﻼﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻜﺎﺩﺭ ﻓﺎﻀﻲ ﺘﺴﻘﻁ ﻓﻴﻪ ﺍﻝﺴﻜﻴﻨﺔ‬
‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬ ‫ﻤﻥ ﻗﻨﺎﻭﻯ ﻓﻴﻤﺩ ﻴﺩﻩ ﻝﻴﺄﺨﺫﻫﺎ ﺒﺴﺭﻋﺔ‬
‫ﻭﻴﺩﺨل ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻀﻌﻬﺎ ﻓﻰ ﺍﻝﺭﺌﻴﺴﺔ ‪ :‬ﻤﻔﻴﺵ ﻤﺎﻨﻊ ﻭﻝﻜﻨﻰ ﻤﻥ‬
‫ﺼﻭﺕ ﺍﻝﺠﺭﺍﺌﺩ‬ ‫‪309‬‬
‫ﺃﻋﺩﺍﺀ ﺤﺏ ﺍﻝﻅﻬﻭﺭ‬ ‫ﺍﻝﺠﺭﺍﺌﺩ ﻭﻴﻨﻅﺭ ﺤﻭﻝﻪ ﻭﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺍﻝﺯﺠﺎﺠﺎﺕ ﻓﻰ‬ ‫‪ 310‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﺍﻝﺠﺭﺩل‬ ‫ﻝﺠﺭﺩل ﻫﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻔﺘﺢ ﺍﻝﺯﺠﺎﺠﺔ ﺜﻡ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt up‬ﻋﻠﻴﻬﺎ ﻭﻫﻰ ﺘﻨﺎﺩﻯ‬
‫ﻗﻨﺎﻭﻯ ﻓﻴﺠﻠﺱ ﺒﺠﺎﻨﺒﻬﺎ ﻭﺘﺘﺤﺩﺙ ﻝﻪ ﻭﻴﺭﺩ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻗﻨﺎﻭﻯ ﻗﻨﺎﻭﻯ ﻋﺎﺭﻑ ﺃﻨﺎ‬ ‫ﻋﻠﻴﻬﺎ‬
‫ﺒﻌﺕ ﺒﻜﺎﻡ ﻝﺤﺩ ﺩﻝﻭﻗﺘﻰ ‪ 30‬ﺼﺎﻍ‬
‫ﻗﻨﺎﻭﻯ ‪:‬ﻤﻌﺎﻜﻰ ﻓﻠﻭﺱ ﻜﺘﻴﺭ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﺍﻴﻭﺓ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺘﺸﺘﺭﻯ ﺍﻝﻌﻘﺩ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻝﻌﻘﺩ ﻁﺒﻌﺎ ﺒﺱ ﺃﻭﻋﻰ‬
‫ﺘﻐﻠﻴﻪ ﻋﻠﻴﺎ ﺃﻨﺎ ﻫﻨﻭﻤﻪ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﻨﺎ ﻫﺎﺩﻴﻪ ﻝﻙ ﻫﺩﻴﺔ ﻫﺩﻴﻪ‬
‫ﻤﻥ ﻗﻨﺎﻭﻯ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻭﺃﻨﺎ ﻗﺒﻠﺕ ﺍﻝﻬﺩﻴﺔ‬ ‫) ﺘﻀﺤﻙ ﻫﻨﻭﻤﻪ (‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺒﺱ ﺃﻨﺎ ﺸﺎﻴﻠﻪ ﻓﻰ ﺍﻝﻤﺨﺯﻥ‬
‫ﺘﻌﺈﻝﻰ ﻨﺭﻭﺡ ﻨﺠﻴﺒﻪ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻫﺎﺘﺸﺘﻐل ﻋﻠﻴﺎ ﺃﻨﺎ ﻴﺎ ﻭﺍﺩ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺒﺱ ﺘﻌﺈﻝﻰ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻫﻪ ﺒﻁل ﺸﻘﺎﻭﺓ ﺒﻘﻰ‬

‫ﺘﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 311‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬
‫ﻝﻌﻴﻨﻲ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﺭﺌﻴﺴﺔ ‪ :‬ﻭﻗﺩ ﺍﻋﺫﺭ ﻤﻥ ﺍﻨﺫﺭ‬
‫ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﺍﻝﺭﺌﻴﺴﺔ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻗﺒل ﺃﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 312‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻝﻘﺩﻡ ﺼﻭﺕ ﺍﻝﺭﺌﻴﺴﺔ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬

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‫ﺃﻋﻠﻨﻬﺎ ﺤﺭﺏ‬ ‫ﻓﺘﺎﺓ ﻭﺍﻗﻔﺔ ﺘﺤﺭﻙ ﺭﺠﻠﻬﺎ‬

‫ﺒﺭﻭﻯ ﺘﺩﺍﺨل ﺼﻭﺕ‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﻤﺘﻠﺒﺴﺔ ﺒﺎﻝﺠﺭﻴﻤﺔ ﻭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺭﺌﻴﺴﺔ ﻤﻊ ﺍﺼﻭﺍﺘﻬﻡ‬
‫ﺍﻝﺠﺭﺩل ﻓﻰ ﺃﻴﺩﻫﺎ‬

‫‪ 313‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬

‫ﻝﻌﻴﻨﻲ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﺍﻝﺭﺌﻴﺴﺔ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﺇﻴﻪ ﻋﺎﻭﺯﻴﻥ ﻤﻨﻰ ﺍﻴﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬ ‫‪314‬‬

‫‪ Long Shot‬ﻝﻼﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻤﻤﻌﻴﺵ ﺠﺭﺩل‬ ‫ﻭﺯﻗﺯﻭﻕ ﻭﻫﻡ ﻴﺘﺤﺩﺜﻭﻥ ﻝﺤﻼﻭﺘﻬﻡ‬
‫ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‪ :‬ﻓﻴﻥ ﺍﻝﺒﺕ ﻫﻨﻭﻤﻪ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻓﻰ ﺠﻴﺒﻲ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻫﻨﻭﻤﻪ ‪ :‬ﻗﻨﺎﻭﻯ ﻭﺍﻝﻨﺒﻲ ﺘﺄﺨﺫ‬ ‫‪ 315‬ﻗﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻘﻨﺎﻭﻯ‬

‫ﺍﻝﺠﺭﺩل‬ ‫ﻭﻫﻭ ﺠﺎﻝﺱ ﻭﻫﻨﻭﻤﻪ ﺘﺠﻠﺱ ﺒﺠﺎﻨﺒﻪ‬
‫ﻭﺘﺘﺤﺩﺙ‬
‫ﺩﻩ ﻻﺤﺴﺎﻥ ﻝﻭ ﻤﺴﻜﻭﻨﻲ ﺒﻴﻪ‬
‫ﻴﻭﺩﻭﻨﻰ ﻓﻰ ﺩﺍﻫﻴﺔ‬ ‫ﻭﺘﺘﺤﻭل ﺇﻝﻰ ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over‬‬
‫‪ Shoulder Shot‬ﻭﻫﻨﻭﻤﻪ ﺨﻠﻔﻴﺔ ﻗﻨﺎﻭﻯ ‪:‬ﻫﺎﺴﺘﻨﺎﻜﻰ ﺒﻴﻪ ﻓﻰ ﺍﻝﻤﺨﺯﻥ‬
‫‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﻤﻴﻥ ﻭﻗﻨﺎﻭﻯ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 316‬ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬

‫‪ Shot‬ﻭﻗﻨﺎﻭﻯ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻤﺎ ﺒﻼﺵ ﺍﻝﻤﺨﺯﻥ ﺩﻩ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻋﺸﺎﻥ ﺍﺩﻴﻜﻰ ﺍﻝﻌﻘﺩ‬ ‫ﻭﻫﻨﻭﻤﻪ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﻌﻨﻰ ﻻﺯﻡ ﻁﺏ ﻴﺎﻻ ﺒﻘﻰ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻤﺎل ﺍﷲ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪317‬‬
‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫‪ Shot‬ﻝﻘﻨﺎﻭﻯ‬

‫ﻭﻴﻨﻬﺽ ﻗﻨﺎﻭﻯ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Tilt up‬‬

‫ﻫﻨﻭﻤﻪ‪ :‬ﻴﺎﻻﻩ‬ ‫ﻭﻴﺘﺤﻭل ﺍﻝﻤﺸﻬﺩ ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﺎﺘﺠﻴﻠﻰ ﺍﻝﻤﺨﺯﻥ ﻫﻰ‬ ‫ﻜﺒﻴﺭﺓ ‪Medium Long Shot‬‬

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‫ﻫﻨﻭﻤﻪ ‪ :‬ﻁﻴﺏ ﻁﻴﺏ ﺒﺱ ﻴﺎﻻ‬ ‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬

‫‪ pan right‬ﻭﻫﻭ ﻴﺨﺭﺝ ﻤﻥ ﺒﻴﻥ‬
‫ﺍﻝﻔﺘﻴﺎﺕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺯﻗﺯﻭﻕ ‪:‬ﺍﻫﻪ‬ ‫‪ 318‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻼﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ﻫﻨﻭﻤﻪ‪ :‬ﺃﻭﻋﻰ ﺠﺘﻙ ﺒﻠﻪ ﻤﺎﺴﻙ ﺍﻝﺒﺕ‬
‫ﻭﺯﻗﺯﻭﻕ ﻭﺤﻼﻭﺘﻬﻡ ﻭﺒﻌﺽ ﺍﻷﺸﺨﺎﺹ ﻝﻴﻪ ﻴﺎ ﺍﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ﻫﻰ ﻓﻰ‬
‫ﺃﻴﺩﻫﺎ ﺤﺎﺠﺔ‬ ‫ﻭﺘﺩﺨل ﻫﻨﻭﻤﻪ ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻓﻴﻤﺴﻙ ﺒﻬﺎ ﺯﻗﺯﻭﻕ ﻭﻴﺘﺤﺩﺜﻭﻥ ﻭﺘﻤﺴﻙ ﺍﻻﻤﺒﺎﺸىﺤﺴﻨﻴﻥ‪ :‬ﺍﻤﺎل ﻁﺎﻝﻌﻴﻥ ﻫﻨﺎ‬
‫ﺘﻌﻤﻠﻭﺍ ﺍﻴﻪ‬ ‫ﺒﻴﺩ ﺤﻼﻭﺘﻬﻡ ﻭﺘﺭﻓﻌﻬﺎ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺠﺎﻴﻴﻥ ﻨﻭﺠﺏ ﺍﻝﺴﺕ‬
‫ﺍﻝﺭﻴﺴﺔ‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﻜﺩﺏ ﺃﻨﺎ ﺍﻝﺠﺭﺩل ﺸﺎﻴﻔﻪ‬
‫ﻓﻰ ﺃﻴﺩﻫﺎ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻨﺕ ﺘﺘﻨﻴل‬

‫ﺍﻻﻤﺒﺎﺸىﺤﺴﻨﻴﻥ‪ :‬ﺠﺎﻴﻴﻥ ﺘﺯﻋﺠﻭﺍ‬ ‫ﺘﻀﺭﺏ ﺯﻗﺯﻭﻕ ﺒﻴﺩﻫﺎ ﻋﻠﻰ ﺭﺃﺴﻪ‬

‫ﺍﻝﺴﻠﻁﺎﺕ‬ ‫ﻭﺘﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﻭﺴﻁ‬
‫ﺍﻝﺯﺤﻤﺔ‬
‫ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ﻴﻀﺭﺏ ﺯﻗﺯﻭﻕ‬
‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

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‫‪319‬‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻭﺩﻴﺘﻲ ﺠﺭﺩﺍﻙ ﻓﻴﻥ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﺤﻼﻭﺘﻬﻡ ﻭﻫﻡ ﻫﻨﻭﻤﺔ ‪ :‬ﻓﻭﺘﻪ ﻝﻠﻭﺍﺩ ﻗﻨﺎﻭﻯ ﻓﻰ‬
‫ﻴﺩﺨﻠﻭﻥ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﻴﺭﻭﻥ ﺍﻝﺯﺤﻤﺔ ﺨﺩﻩ ﻭﺭﺍﺡ ﻋﻠﻰ ﺍﻝﻤﺨﺯﻥ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻤﺨﺯﻥ‬ ‫ﺒﺠﺎﻨﺏ ﻗﻁﺎﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻭﻴﺘﺤﺩﺜﻭﻥ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻭﺍﻝﻨﺒﻲ ﺘﺭﻭﺤﻲ‬ ‫ﻭﺘﺴﻴﺭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻬﻡ ﻋﻠﻰ ﺸﺎﺭﻴﻭﻩ‬
‫ﺘﺠﻴﺒﻴﻬﻭﻝﻰ ﻤﻨﻪ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻭﻤﺎ ﺘﺭﻭﺤﻴﺵ ﺍﻨﺘﻰ ﻝﻴﻪ‬
‫ﻋﻠﻰ ﺭﺠﻠﻴﻙ ﻨﻘﺵ ﺍﻝﺤﻨﺔ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻴﺎ ﺒﺕ ﻻ ﺍﺼل ﺒﺎﻝﻌﺭﺒﻲ‬
‫ﻜﺩﻩ ﺍﻝﻭﺍﺩ ﻗﻨﺎﻭﻯ ﺒﻲ ﺒﺼﺒﺹ ﻝﻰ‬
‫ﻭﺒﻴﻌﻤﻠﻰ ﻏﺭﺍﻤﻴﺎﺕ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻴﺎﺨﺭﺍﺒﻰ ﻭﻋﺎﻭﺯﻩ‬
‫ﺘﺒﻌﺘﻴﻨﻰ ﺃﻨﺎ ﻝﻪ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻭﺍﻝﻨﺒﻲ ﻋﺸﺎﻥ ﺨﺎﻁﺭﻱ‬
‫ﻴﺎﻝﻼ ﺭﻭﺤﻲ ﻫﺎﺘﻴﻪ ﻴﺎﻻ‬
‫ﺍﺴﻤﻌﻲ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻫﺎﻩ‬ ‫ﺘﺘﻭﻗﻑ ﺤﻼﻭﺘﻬﻡ‬
‫ﻫﻨﻭﻤﺔ ‪ :‬ﻫﺎﺴﺘﻨﺎﻜﻰ ﻓﻰ ﺍﻝﻔﻴﻼ‬
‫ﺒﺘﺎﻋﺘﻰ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻗﺎل ﻓﻴﻼ ﻗﺎل‬ ‫ﺘﻀﺤﻙ‬

‫ﺘﻠﺘﻔﺕ‬

‫ﻴﺘﺤﻭل ﺍﻝﻤﺸﻬﺩ ﺇﻝﻰ ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long‬‬

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‫‪ Shot ( LS‬ﺘﺨﺭﺝ ﻫﻨﻭﻤﻪ ﻓﻴﻪ ﻤﻥ‬

‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺒﻴﻨﻤﺎ ﺘﻌﺒﺭ ﺤﻼﻭﺘﻬﻡ‬
‫ﺍﻝﻘﻀﺒﺎﻥ ﻓﻰ ﺍﺘﺠﺎﻩ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(35‬‬ ‫‪320‬‬

‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﺍﻝﻤﺨﺯﻥ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﻠﺠﺭﺩل ﻭﻗﻨﺎﻭﻯ ﻤﻤﺴﻙ ﺒﻪ ﻭﻻ‬
‫ﻴﻅﻬﺭ ﺇﻻ ﺃﻗﺩﺍﻤﻪ ﻭﻴﺴﻴﺭ ﻭﻴﻀﻌﻪ ﺒﺠﺎﻨﺏ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﻓﻰ ﺍﻝﻤﺨﺯﻥ ﻭﻴﺨﺭﺝ ﺍﻝﺴﻜﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(36‬‬ ‫‪321‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺨﺎﺭﺝ ﺍﻝﻤﺨﺯﻥ ﻋﻠﻰ ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬

‫ﻝﻘﻁﺎﺭ ﺨﺎﺭﺝ ﻤﻥ ﻤﺨﺯﻥ ﺍﻝﻘﻁﺎﺭﺍﺕ‬
‫ﺒﺭﻭﻯ ﺍﻝﻤﺤﻁﺔ ﻭﺍﺼﻭﺍﺕ‬
‫ﻭﺍﻝﺒﺎﺌﻌﺔ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻘﻁﺎﺭ‬
‫ﺍﻝﻘﻁﺎﺭﺍﺕ‬
‫ﻴﺴﻴﺭ ﻓﺘﻌﺒﺭ ﺍﻝﺒﺎﺌﻌﺔ ﺍﻝﻘﻀﺒﺎﻥ ﻗﺒل ﺃﻥ‬
‫ﻴﻤﺴﻬﺎ ﻭﺘﺘﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan left‬ﺜﻡ‬
‫ﻴﺴﻴﺭ ﺍﻝﻘﻁﺎﺭ ﻭﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﻅﻬﺭ ﻫﻰ ﻓﻰ ﺍﻝﻌﻤﻕ ﻤﻥ ﺨﻼل ﺍﻝﻌﺠل‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(37‬‬ ‫‪322‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺍﻝﻤﺨﺯﻥ‬

‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪ Long Shot ( LS‬ﻝﺒﺎﺏ‬

‫ﺍﻝﻤﺨﺯﻥ ﻭ ﺤﻼﻭﺘﻬﻡ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻓﻰ ﺍﻝﻌﻤﻕ ﻭﺘﺩﺨل ﻤﻥ ﺒﺎﺏ‬
‫ﺍﻝﻤﺨﺯﻥ ﻭﺘﺘﻭﻗﻑ ﻋﻨﺩ ﺍﻝﺒﺎﺏ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 323‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺤﻼﻭﺘﻬﻡ ﻭﻫﻰ ﻭﺍﻗﻔﺔ‬
‫ﻋﻨﺩ ﺍﻝﺒﺎﺏ ﻭﺘﻨﻅﺭ ﺤﻭﻝﻬﺎ‬

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‫‪324‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻗﻨﺎﻭﻯ ﻗﻨﺎﻭﻯ‬
‫‪ Long Shot‬ﻝﻠﻤﺨﺯﻥ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺘﺴﺘﻌﺭﺽ ﺍﻝﻤﻜﺎﻥ ‪ pan right‬ﻭﻨﺴﻤﻊ‬
‫ﺼﻭﺕ ﺤﻼﻭﺘﻬﻡ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ‬

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‫ﺘﻨﺎﺩﻯ ﻋﻠﻰ ﻗﻨﺎﻭﻯ‬

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‫‪ 325‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪ Long Shot ( LS‬ﻝﺒﺎﺏ‬

‫ﺍﻝﻤﺨﺯﻥ ﻭ ﺤﻼﻭﺘﻬﻡ ﻭﺍﻗﻔﺔ ﻋﻨﺩ ﺒﺎﺏ‬
‫ﺍﻝﻤﺨﺯﻥ ﺜﻡ ﺘﺘﻘﺩﻡ ﻭﺘﺩﺨل ﻤﻥ ﺍﻝﻤﺨﺯﻥ‬
‫ﻭﻫﻰ ﺘﻨﺎﺩﻯ ﻋﻠﻰ ﻗﻨﺎﻭﻯ ﻭﺘﺴﻴﺭ ﺒﺎﺘﺠﺎﻩ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 326‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ ﺘﺴﻴﺭ ﺒﺭﻭﻓﻴل ‪side‬‬
‫‪ angle‬ﻭﺘﺒﺤﺙ ﻋﻥ ﺸﺊ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻋﻠﻰ ﺸﺎﺭﻴﻭﻩ ﻴﻤﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬ ‫‪327‬‬
‫ﻝﻠﻜﻠﺏ ﻭﺍﻗﻑ ﺩﺍﺨل ﺍﻝﻤﺨﺯﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 328‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ ﺘﺴﻴﺭ ﻤﻥ ﺸﻤﺎل ﺇﻝﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻫﻰ ﺘﺴﻴﺭ ﻓﻰ ﺨﻭﻑ ﺜﻡ ﺘﺼﻁﺩﻡ ﺒﻠﻭﺡ‬
‫ﺨﺸﺒﻲ ﻓﺘﻤﺭ ﻤﻥ ﺃﺴﻔﻠﻪ ﻭﺘﺴﺘﻤﺭ ﻓﻰ‬
‫ﺍﻝﺴﻴﺭ ﻓﻰ ﺍﻝﻌﻤﻕ ﻭﻴﺘﺤﻭل ﺍﻝﻤﺸﻬﺩ ﺇﻝﻰ‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ ‪Long Shot‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪329‬‬
‫‪ Medium .Close‬ﻝﻠﺠﺭﺩل ﻭﻗﻨﺎﻭﻯ‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﻗﻨﺎﻭﻯ ﻴﺎ ﻗﻨﺎﻭﻯ‬
‫ﻴﺩﻓﻌﻪ ﺒﺭﺠﻠﻪ ﻝﻼﻤﺎﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪330‬‬
‫‪ Medium .Close‬ﻝﺤﻼﻭﺘﻬﻡ ﻭﻫﻰ‬
‫ﺘﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺒﺘﺴﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪331‬‬
‫‪ Medium .Close‬ﻝﻠﺠﺭﺩل‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪332‬‬
‫‪ Medium .Close‬ﻝﺤﻼﻭﺘﻬﻡ ﻭﻫﻰ‬
‫ﺘﻨﻅﺭ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺒﺘﺴﻡ ﻭﺘﺘﻘﺩﻡ‬
‫ﺇﻝﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﺼﻭﺕ ﺼﺭﺍﺥ‬ ‫‪ 333‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺘﺘﻘﺩﻡ ﺒﺎﺘﺠﺎﻩ ﺍﻝﺠﺭﺩل ﻝﺘﺄﺨﺫﻩ ﻓﻴﺄﺘﻰ ﻗﻨﺎﻭﻯ‬
‫ﻤﻥ ﺨﻠﻔﻬﺎ ﻭﻴﺩﻓﻌﻬﺎ ﺩﺍﺨل ﺍﻝﺼﻨﺩﻭﻕ‬
‫ﻓﺘﺴﻘﻁ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻀﺭﺒﻬﺎ ﺒﺎﻝﺴﻜﻴﻥ‬
‫ﺒﻌﻨﻑ ﻗﻨﺎﻭﻯ‬

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‫ﺼﻭﺕ ﺍﻝﻜﻠﺏ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻠﻜﻠﺏ‬ ‫‪334‬‬

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‫‪ 335‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ ﻤﻤﺩﺩﺓ ﺠﺴﻤﻬﺎ ﺨﺎﺭﺝ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﻭﺭﺃﺴﻬﺎ ﻤﺨﺘﻔﻴﺔ ﻭﻫﻭ ﻴﺩﻓﻌﻬﺎ‬
‫ﺇﻝﻰ ﺩﺍﺨل ﺍﻝﺼﻨﺩﻭﻕ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Tilt up‬ﻋﻠﻰ ﺃﻋﻠﻰ ﺍﻝﺼﻨﺩﻭﻕ ﻭﻫﻭ‬
‫ﻴﻘﻔل ﺜﻡ ﺘﻤﺘﺩ ﻴﺩ ﻗﻨﺎﻭﻯ ﻝﺘﻘﻔل ﺍﻝﻘﻔل‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(38‬‬ ‫‪336‬‬

‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺴﺎﺤﺔ ﻓﻰ ﻤﺤﻁﺔ ﻤﺼﺭ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﺴﺎﻋﺔ ﻤﺤﻁﺔ ﻤﺼﺭ ﻭ ﺘﺸﻴﺭ‬
‫ﺍﻝﻌﻘﺎﺭﺏ ﻋﻠﻰ ﺍﻝﺴﺎﻋﺔ ﺍﻝﺨﺎﻤﺴﺔ ﻭﺍﻝﺜﻠﺙ‬

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‫‪ 337‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺸﻬل ﺸﻭﻴﺔ ﻴﺎ ﻁﻠﺒﻪ‬ ‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﻭ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ ﻋﻤﻕ ﺍﻝﺸﻤﺎل ﻴﺠﻠﺱ‬
‫ﻤﻨﺩﻭﺏ ﺍﻝﻨﻘﺎﺒﺔ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻭﺍﻗﻑ‬
‫ﺒﺠﺎﻨﺒﻪ ﻭﺤﻭﻝﻬﻡ ﺒﻌﺽ ﺍﻝﺸﻴﺎﻝﻴﻥ ﺜﻡ ﻴﻠﺘﻔﺕ ﻤﻨﺩﻭﺏ ﻤﻜﺘﺏ ﺍﻝﻌﻤل ‪ :‬ﺩﻝﻭﻗﺘﻰ ﻴﺎ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ﻤﻊ ﺃﻭل ﻜﻼﻡ ﻤﻨﺩﻭﺏ ﻤﻜﺘﺏ ﺃﺨﻭﺍﻨﺎ ﺍﻻﺠﺘﻤﺎﻉ ﺩﻩ ﺘﻤﻬﻴﺩﻱ ﻫﺎﻨﻘﻴﺩ‬
‫ﺍﻝﻌﻤل ﻭﻴﺼﺒﺢ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﺍﻷﺴﻤﺎﺀ ﺃﻭﻻ ﻭﻨﺸﻭﻑ ﺇﺫﺍ ﻜﺎﻥ ﺍﻝﻌﺩﺩ‬
‫ﻗﺎﻨﻭﻨﻲ ﻭﺃﻻ ﻻ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻗﺎﻨﻭﻨﻲ ﺒﺄﺫﻥ ﺍﷲ‬
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‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺒﺭﻜﺘﻙ ﺘﺤﺼل ﻴﺎﻋﻡ‬ ‫‪ 338‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﻤﺩﺒﻭﻝﻰ ﻴﺎﻻ ﻴﺎ ﺭﺠﺎﻝﻪ‬ ‫‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ‬
‫ﺼﻭﺕ ﺸﻴﺎل ﻤﻥ ﺨﺎﺭﺝ‬ ‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ‬
‫ﺍﻝﻜﺎﺩﺭ ‪ :‬ﻭﺍﷲ ﻋﻔﺎﺭﻡ ﻋﻠﻴﻙ ﻴﺎ‬ ‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭ ﻴﺘﺤﺩﺙ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪low‬‬
‫ﺃﺒﻭﺴﺭﻴﻊ‬ ‫‪ angle‬ﻭﺨﻠﻔﻪ ﺜﻼﺙ ﺸﻴﺎﻝﻴﻥ ﻴﺘﺤﺭﻜﻭﻥ‬
‫ﻭﻴﺨﺭﺠﻭﺍ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻊ ﺨﺭﻭﺠﻬﻡ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﺩﻴﻨﻰ ﻋﻤﻠﺕ ﺍﻝﻠﻰ ﻋﻠﻴﺎ‬
‫ﻭﺠﺒﺘﻠﻜﻡ ﺍﻝﺤﻜﻭﻤﺔ ﻝﺤﺩ ﻋﻨﺩﻜﻡ‬ ‫ﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ)‬
‫‪ Medium Shot (MS‬ﻷﺒﻭﺴﺭﻴﻊ‬

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‫ﺼﻭﺕ ﺸﻴﺎل ‪ :‬ﻤﺎ ﺘﻴﺠﻰ ﺘﻘﻴﺩ ﺍﺴﻤﻙ‬ ‫‪ 339‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﻴﺎ ﺠﺎﺩ ﺍﷲ ﻭﻻ ﻤﺴﺘﻨﻲ ﺩﻭﺭﻙ ﺒﺭﺩﻩ‬ ‫‪ Long Shot‬ﻷﺒﻭﺠﺎﺒﺭ ﻭﺠﺎﺩ ﺍﷲ ﻭﻫﻡ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻝﻁﻴﺏ ﺃﺤﺴﻥ ﻴﺎ ﺃﺒﻭ‬ ‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺠﺎﺒﺭ‬ ‫ﻭﻫﻡ ﻴﺴﻴﺭﻭﻥ ﺇﻝﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﺴﻁ‬
‫ﺠﺎﺩ ﺍﷲ ‪ :‬ﻤﻌﻠﺵ ﻤﺴﻴﺭﻙ ﺘﻘﻊ ﻴﺎ‬ ‫ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﻴﺘﺤﺩﺙ ﺸﻴﺎل ﻝﻬﻡ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ﺃﻨﺎ ﺍﻝﻠﻰ ﻫﺎﻭ ﻀﺏ ﻝﻙ‬
‫ﺘﻭﻀﻴﺒﺔ ﻜﻭﻴﺴﺔ ﺨﺎﺯﻭﻕ ﻤﻐﺭﻯ‬
‫ﻴﻁﻠﻊ ﻤﻥ ﻋﻨﻴﻙ‬ ‫ﻭﻴﺩﺨل ﻗﻨﺎﻭﻯ ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻓﻴﺩﻓﻌﻪ ﺠﺎﺩ ﺍﷲ ﻭﻴﺴﻴﺭ ﻗﻨﺎﻭﻯ ﺇﻝﻰ ﺍﻝﻌﻤﻕ‬

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‫‪ 340‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪ Long Shot ( LS‬ﻝﻌﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﻭﻤﻨﺩﻭﺏ ﻤﻜﺘﺏ ﺍﻝﻌﻤل ﻭﺍﻝﺸﻴﺎﻝﻴﻥ ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻤﺎﻝﻙ ﻴﺎ ﻗﻨﺎﻭﻯ ﺍﻨﺕ‬
‫ﻋﻴﺎﻥ‬ ‫ﻭﻗﻨﺎﻭﻯ ﻴﺴﻴﺭ ﻤﻥ ﺒﻴﻨﻬﻡ ﺇﻝﻰ ﻤﻘﺩﻤﻪ‬
‫ﻗﻨﺎﻭﻯ‪ :‬ﺍﻝﺼﻨﺩﻭﻕ‬ ‫ﺍﻝﻜﺎﺩﺭ ﺤﻴﺙ ﻴﻘﻑ ﺃﺒﻭ ﺴﺭﻴﻊ ﻓﻰ ﻤﻘﺩﻤﻪ‬
‫ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻥ ﻭﻴﺘﺤﺩﺜﻭﻥ ﻭﻴﻅﻬﺭ ﻗﻨﺎﻭﻯ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻓﻴﻥ ﺍﻝﺼﻨﺩﻭﻕ ﺩﻝﻭﻗﺘﻰ‬
‫ﻗﻨﺎﻭﻯ‪ :‬ﻓﻰ ﺍﻝﻤﺨﺯﻥ‬ ‫ﻤﺘﻬﺎﻝﻙ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻁﺏ ﻜﻤﺎﻥ ﺨﻤﺴﻪ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻤﺎ ﺘﺭﻭﺡ ﺍﻨﺕ ﻴﺎ‬
‫ﻴﺘﻘﺩﻡ ﻝﻬﻡ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻭﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ ﺃﺒﻭﺴﺭﻴﻊ ﺘﺸﻭﻑ ﺸﻐﻠﻙ ﻭﺍﻝﺒﺭﻜﺔ ﻓﻰ‬
‫ﺍﻝﺭﺠﺎﻝﺔ‬ ‫ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻭﻴﺸﺎﺭﻙ ﻓﻰ ﺍﻝﺤﺩﻴﺙ ﺜﻡ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻭﻓﻰ ﻨﻔﺴﻙ ﻴﺎ ﻋﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﻤﺘﺸﻜﺭ ﻴﺎ ﻗﻨﺎﻭﻯ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪:‬ﺃﻭﺼل ﻴﺎﻗﻨﺎﻭﻯ ﻴﺎ ﺍﺒﻨﻰ‬
‫ﻝﺤﺩ ﺍﻝﻜﺸﻙ ﻷﺤﺴﻥ ﻤﺎﻓﻴﺵ ﺤﺩ‬
‫ﻴﺘﺤﺭﻙ ﺃﺒﻭ ﺴﺭﻴﻊ ﻝﻴﺨﺭﺝ ﻤﻥ ﻋﻤﻕ ﻗﻨﺎﻭﻯ‪ :‬ﺍﻴﻪ ﺠﺭﻯ ﺍﻴﻪ ﻜﺸﻙ ﻜﺸﻙ‬
‫ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﻭﻴﺘﺤﻭل ﻤﻊ ﺨﺭﻭﺠﻪ ﺍﻝﻜﺎﺩﺭ ﻤﺎ ﻴﻨﺩﻋﻕ ﺍﻝﻜﺸﻙ ﻋﻠﻰ ﺍﻝﻠﻰ ﻓﻴﻪ‬
‫ﺇﻝﻰ ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬
‫ﻴﺨﺭﺝ ﻗﻨﺎﻭﻯ ﺨﻠﻑ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ‬
‫ﻴﺼﺭﺥ‬

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‫‪ 341‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬
‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺴﻴﺭ ﺒﺎﺘﺠﺎﻩ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺨﻠﻔﻪ ﻗﻨﺎﻭﻯ‬

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‫‪ 342‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﺠﺎﻝﺱ ﺃﺴﻔل‬

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‫ﻗﻁﺎﺭ ﻤﺘﻭﻗﻑ ﻭﻴﻨﻅﺭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 343‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬
‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺤﻤل ﺍﻝﺼﻨﺩﻭﻕ ﺜﻡ ﻴﺄﺘﻲ‬
‫ﺭﺠل ﺒﻌﺭﺒﻪ ﻭ ﻴﻀﻊ ﻋﻠﻴﻬﺎ ﺍﻝﺼﻨﺩﻭﻕ‬

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‫‪ 344‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺩﻓﻊ‬
‫ﺍﻝﻌﺭﺒﺔ ﻭﻴﺘﺤﺭﻙ ﺒﻬﺎ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪Tilt‬‬
‫‪ down‬ﻋﻠﻰ ﺍﻝﻌﺠل ﻭﺘﺴﻴﺭ ﻤﻊ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﻭﺘﺼﺒﺢ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ)‬
‫‪ Medium Shot (MS‬ﻝﻠﻌﺠل‬

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‫‪ 345‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﺨل ﺃﺴﻔل‬
‫ﻗﻁﺎﺭ ﻤﺘﻭﻗﻑ ﻭﻴﻨﻅﺭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫‪346‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﺼﻨﺩﻭﻕ ﻋﻠﻰ ﺍﻝﻌﺭﺒﺔ ﻭﻴﻅﻬﺭ‬
‫ﺍﻝﻌﺠل ﻭﻫﻭ ﻴﺴﻴﺭ‬

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‫‪ 347‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻤﺎﺯﺍل‬
‫ﻴﺘﺎﺒﻊ ﺃﺒﻭﺴﺭﻴﻊ‬

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‫‪ 348‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺩﻓﻊ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﻓﻴﻘﻊ ﻤﻨﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 349‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻔﺯﻉ ﻭ‬
‫ﻴﺠﺭﻯ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﻭل ﺍﻝﻤﺸﻬﺩ‬
‫ﺇﻝﻰ ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬
‫ﻭﻴﺼﻌﺩ ﻓﻴﻪ ﻗﻨﺎﻭﻯ ﺍﺤﺩﻯ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 350‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪ Medium Shot‬ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺘﺸﻜﺭ ﻴﺎ ﺠﺎﺩ ﺍﷲ ﻴﺩ‬
‫ﻤﺎ ﻨﻌﺩﻤﻬﺎ‬ ‫)‪ MS‬ﻝﺠﺎﺩﺍﷲ ﻭﻫﻭ ﻴﺤﻤل ﺍﻝﺼﻨﺩﻭﻕ ﻤﻊ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ﻭﻴﻀﻌﻪ ﻋﻠﻰ ﺍﻝﻌﺭﺒﺔ ) ﻭﺘﺘﺤﺭﻙ ﺠﺎﺩﺍﷲ ‪ :‬ﺘﻌﻴﺵ ﻭﺍﷲ ﻴﺎ ﺃﺒﻭﺴﺭﻴﻊ‬
‫ﺍﻨﺕ ﻗﻠﺘﻬﺎ ﻜﻠﻤﺔ ﺤﻜﻤﺔ ﺍﻝﻁﻴﺏ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‪( pan right‬‬
‫ﺃﺤﺴﻥ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻭﻤﺎ ﻓﻴﺵ ﻗﻴﺩ ﺘﺼﻔﻕ‬

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‫ﻝﻭﺤﺩﻫﺎ ﻴﺎ ﺠﺎﺩ ﺍﷲ‬

‫ﺠﺎﺩﺍﷲ ‪ :‬ﻤﻌﻠﻭﻡ ﻭﺃﻨﺎ ﻭﺯﻨﺘﻬﺎ ﻓﻰ‬
‫ﺩﻤﺎﻏﻲ ﻭﻗﻠﺕ ﺃﺤﻁ ﺍﻴﺩﻯ ﻓﻰ ﺃﻴﺩﻙ‬
‫ﺃﺤﺴﻥ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﺭﺤﺏ ﺒﻙ ﻭﺍﻝﺨﻴﺭﺓ‬
‫ﻓﻰ ﺃﻝﻠﻤﻪ ﻴﺎ ﺠﺎﺩ ﺍﷲ‬ ‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt down‬ﻤﻊ ﻴﺩ‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﻭﺩﻩ ﻓﻴﻪ ﺍﻴﻪ ﺩﻩ‬ ‫ﺠﺎﺩﺍﷲ ﻭﻫﻭ ﻴﺭﺒﺕ ﻋﻠﻰ ﺍﻝﺼﻨﺩﻭﻕ ﻭﻗﺩﻤﻪ‬
‫ﺘﻅﻬﺭ ﺘﺤﺕ ﺍﻝﺼﻨﺩﻭﻕ ﻭﺘﺘﺴﺎﻗﻁ ﺍﻝﺩﻤﺎﺀ ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺩﻩ ﺼﻨﺩﻭﻕ ﻫﻨﻭﻤﻪ ﺍﻝﻠﻰ‬
‫ﻓﻴﻪ ﻫﺩﻭﻡ ﺍﻝﻔﺭﺡ‬ ‫ﻋﻠﻰ ﺤﺫﺍﺌﻪ‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﻜﺩﻩ ﻤﺒﺭﻭﻙ ﻴﺄﻝﻑ ﻨﻬﺎﺭ‬
‫ﺍﺒﻴﺽ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻋﻘﺒﺎﻝﻙ ﻴﺎ ﺃﻤﻴﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺃﻗﺩﺍﻡ‬ ‫‪ 351‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺠﺭﻯ ﺩﺍﺨل ﺍﻝﻌﺭﺒﺔ‬
‫ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻤﻥ‬
‫ﺍﻝﺸﺒﺎﻙ ﻋﻠﻰ ﺃﺒﻭ ﺴﺭﻴﻊ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 352‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Long Shot ( LS‬‬
‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﺠﺎﺩﺍﷲ ﻭﻫﻡ ﻴﺴﻴﺭﻭﻥ ﻭﻴﺩﻓﻊ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ﺍﻝﺼﻨﺩﻭﻕ ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(39‬‬ ‫‪353‬‬

‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﻋﺭﺒﻪ ﻗﻁﺎﺭ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺠﺭﻯ ﺩﺍﺨل‬
‫ﺍﻝﻌﺭﺒﺔ ﻭﻴﺘﺤﻭل ﺇﻝﻰ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long‬‬
‫‪Shot ( LS‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(40‬‬ ‫‪354‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﺯﻜﻰ ﺍﻓﻨﺩﻯ ‪ :‬ﻴﺎﻝﻼ ﻴﺎ ﺠﻤﺎﻋﺔ ﺒﻘﻰ‬ ‫‪ Long Shot‬ﻝﺯﻜﻰ ﺍﻓﻨﺩﻯ ) ﻤﻼﺤﻅ‬
‫ﺸﻁﺒﻭﺍ‬ ‫ﺍﻝﻤﺤﻁﺔ (ﻭﻫﻭ ﻭﺍﻗﻑ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺩﻗﻴﻘﺔ ﻭﺍﺤﺩﺓ ﻴﺎ ﺯﻜﻰ‬ ‫ﻭﻴﺘﺤﺩﺙ ﻝﻠﻌﻤﺎل ﻭﻴﺠﺭﻯ ﺃﺒﻭﺴﺭﻴﻊ‬
‫ﺍﻓﻨﺩﻯ‬ ‫ﻭﺠﺎﺩﺍﷲ ﺒﺎﻝﺼﻨﺩﻭﻕ‬
‫ﺯﻜﻰ ﺍﻓﻨﺩﻯ ‪ :‬ﺨﻼﺹ ﻴﺎ ﺃﺒﻭﺴﺭﻴﻊ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻤﻌﻠﺵ ﻴﺎ ﺯﻜﻰ ﺍﻓﻨﺩﻯ‬
‫ﺩﻩ ﺼﻨﺩﻭﻕ ﻫﻨﻭﻤﻪ‬
‫ﺯﻜﻰ ﺍﻓﻨﺩﻯ ‪ :‬ﻁﺏ ﻋﺸﺎﻥ ﺨﺎﻁﺭ‬
‫ﻫﻨﻭﻤﻪ ﺤﻁﺔ ﻓﻰ ﺍﻝﻌﺭﺒﻴﺔ‬ ‫ﻭﻴﻀﻌﻭﻩ ﻓﻰ ﺍﻝﻘﻁﺎﺭ‬

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‫ﻫﻨﺎﻙ ﻤﻴﻥ ﺍﻝﻠﻰ ﻫﻴﺴﺘﻠﻤﺔ‬

‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻭﺍﷲ ﻤﺎ ﺠﺕ ﻋﻠﻰ ﺒﺈﻝﻰ‬ ‫ﻴﺘﻘﺩﻡ ﺯﻜﻰ ﺍﻓﻨﺩﻯ ﻝﻬﻡ‬
‫ﺍﻝﺤﻜﺎﻴﺔ ﺩﻯ‬
‫ﺯﻜﻰ ﺍﻓﻨﺩﻯ ‪ :‬ﺍﻨﺕ ﻤﺵ ﻤﺴﺎﻓﺭ‬
‫ﻓﻘﻭﺱ ﺒﺭﻀﺔ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺒﺄﺫﻥ ﺍﷲ‬

‫ﺯﻜﻰ ﺍﻓﻨﺩﻯ ‪ :‬ﺨﻼﺹ ﻴﺒﻘﻰ ﻤﺭﺴل‬
‫ﺇﻝﻰ ﺃﺒﻭﺴﺭﻴﻊ ﺒﺭﻀﺔ ﺃﺒﻘﻰ ﺍﺴﺘﻠﻤﻪ‬
‫ﻫﻨﺎﻙ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻗﻭل ﻝﻰ ﻴﺎ ﺯﻜﻰ ﺍﻓﻨﺩﻯ‬
‫ﺍﻝﻘﻁﺭ ﻫﻴﻘﻭﻡ ﺍﻝﺴﺎﻋﺔ ﻜﺎﻡ‬
‫ﺯﻜﻰ ﺍﻓﻨﺩﻯ ‪ :‬ﺍﻝﺴﺎﻋﺔ ‪6‬‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻜﺘﺭ ﺍﻝﻑ ﺨﻴﺭﻙ‬
‫ﻤﺘﺸﻜﺭﻴﻥ ﻴﺎ ﺯﻜﻰ ﺍﻓﻨﺩﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 355‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ‬
‫ﻴﺴﺘﻤﻊ ﻋﻠﻰ ﻤﺩﺨل ﺍﻝﻤﺨﺯﻥ ﻭﻫﻭ ﻴﻨﻅﺭ‬
‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻴﺘﺭﺍﺠﻊ ﺤﺘﻰ ﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ ﻤﻊ ﺘﺭﺍﺠﻌﻪ ﺇﻝﻰ ﻝﻘﻁﻪ‬
‫ﻋﺎﻤﺔ ‪Long Shot‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 356‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﺨل ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﻴﺭ ﺒﺠﺎﻨﺏ ﻗﻁﺎﺭ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ﺸﺎﺭﻴﻭﻩ ﺸﻤﺎل‬
‫ﻭﻨﺭﻯ ﺍﻝﻔﺘﺎﺓ ﺍﻝﺘﻰ ﻜﺎﻨﺕ ﺘﺘﺤﺩﺙ ﻓﻰ‬
‫ﺍﻝﺘﻠﻴﻔﻭﻥ ﻭﺍﻗﻔﻪ ﻭﻴﺨﺭﺝ ﻫﻭ ﻤﻥ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﻭﻗﻑ ﺍﻝﻜﺎﺩﺭ ﻋﻠﻰ ﺍﻝﺸﺎﺏ‬
‫ﺍﻝﺴﺎﺒﻕ )ﺍﻝﺫﻯ ﻜﺎﻨﺕ ﺘﻜﻠﻤﻪ ﺍﻝﻔﺘﺎﺓ ( ﻓﻰ‬
‫ﺍﻝﺸﺒﺎﻙ ﻴﻭﺩﻉ ﺃﻫﻠﻪ ﻭﻴﺘﺤﺭﻙ ﺍﻝﻘﻁﺎﺭ ﺘﺠﺎﻩ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 357‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﺸﺎﺏ ﻭﻫﻭ ﻴﻨﻅﺭ ﻤﻥ ﺍﻝﺸﺒﺎﻙ‬
‫ﻷﻫﻠﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﻨﻅﺭﺍ ﺇﻝﻰ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﻐﻴﺭ ﻤﻼﻤﺢ ﻭﺠﻪ ﻝﺘﺼﺒﺢ ﺃﻜﺜﺭ‬
‫ﺭﻗﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 358‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ ﺘﺸﺎﻭﺭ ﻝﻪ ﻭﺘﺒﻜﻰ‬
‫ﻭﻨﺭﻯ ﺃﻫﻠﻪ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺤﻴﺙ ﻴﺘﻘﺩﻡ ﺃﺨﻭﺓ‬
‫ﻭﺍﺨﺘﻪ ﻓﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ‬
‫‪ Medium Long Shot‬ﻭﻴﺨﺭﺠﻭﺍ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 359‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﺸﺎﺏ ﻭﻫﻭ ﻴﻭﺩﻉ ﺃﺨﻭﺘﻪ ﺍﻝﺫﻴﻥ‬
‫ﻴﺩﺨﻠﻭﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺸﺎﻭﺭ ﻝﻠﻔﺘﺎﺓ‬

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‫ﻭ ﺍﻝﻘﻁﺎﺭ ﻴﺒﺘﻌﺩ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 360‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻔﺘﺎﺓ ﻭﻫﻰ ﺘﺸﺎﻭﺭ ﻝﻪ ﻤﻭﺩﻋﻪ ﻭ‬
‫ﺘﺴﺘﻤﺭ ﻓﻰ ﺍﻝﺒﻜﺎﺀ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 361‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻘﻁﺎﺭﺍﻥ ﻴﺴﻴﺭﺍﻥ ﺒﺠﺎﻨﺏ ﺒﻌﻀﻬﻡ ﻓﻰ‬
‫ﻨﻔﺱ ﺍﻻﺘﺠﺎﻩ ﻭﺍﺤﺩ ﻴﺩﺨل ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﺜﺎﻨﻲ ﻴﺩﺨل ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(41‬‬ ‫‪362‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺩﺍﺨل‬

‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬

‫)‪ VLS‬ﻝﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺩﺍﺨل‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ـﻁﺔ ‪ Medium .2‬ﻝﻌـﻡ‬ ‫‪ 363‬ﻝﻘﻁـﺔ ﻤﺘﻭﺴـ‬
‫ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﻭﺍﻗﻑ ﺩﺍﺨل ﺍﻝﻜﺸﻙ ﻭﻴﺩﺨل ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻗﻨﺎﻭﻯ ﻴﺎ ﻗﻨﺎﻭﻯ ﻴﺎ‬
‫ﺍﺒﻨﻰ‬ ‫ﻗﻨﺎﻭﻯ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﺎﺩﻯ ﻋﻠﻴﻪ ﻋﻡ‬
‫ﺍﻨﺕ ﻜﻨﺕ ﻓﻴﻥ ﺍﻴﻪ ﺍﻝﻠﻰ ﺠﺭﺍﻝﻙ‬ ‫ﻤﺩﺒﻭﻝﻰ ﻓﻴﺘﻭﻗﻑ ﻭﻴﻠﺘﻔﺕ ﺜﻡ ﻴﻌﻭﺩ ﺇﻝﻴﻪ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪364‬‬

‫ﻗﻨﺎﻭﻯ ‪ :‬ﻭﻻ ﺤﺎﺠﺔ ﻝﻴﻪ‬ ‫‪ Medium .Close‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺍﻤﺎل ﻜﻨﺕ ﻓﻴﻥ‬ ‫ﻴﺘﺤﺩﺙ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻴﺭﺩ ﻋﻠﻴﻪ ﻤﻥ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺍﻨﺎ ﺃ ﺃ ﺼﻨﺩﻭﻕ ﺍﻝﻬﺩﻭﻡ‬ ‫ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻬﺩﻭﻡ‬ ‫ﻴﺘﻜﻠﻡ ﺒﺘﺭﺩﺩ ﻓﻰ ﺤﺎﻝﻪ ﻤﺵ ﻁﺒﻴﻌﻴﺔ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺼﻨﺩﻭﻕ ﺍﻴﻪ ﻴﺎ ﺍﺒﻨﻰ‬
‫ﺒﺱ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺒﻌﺘﻬﻡ ﻓﻰ ﺍﻝﻘﻁﺭ ﺒﻌﺕ‬
‫ﻫﻨﻭﻤﻪ ﻓﻰ ﺍﻝﻘﻁﺭ ﻓﻴﻪ ﻫﻨﻭﻤﻪ‬ ‫ﺜﻡ ﻴﻨﻅﺭ ﻗﻨﺎﻭﻯ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻋﻨﺩﻤﺎ‬
‫ﻴﻅﻬﺭ ﺍﻨﻌﻜﺎﺱ ﻀﻭﺀ ﻜﺸﺎﻑ ﻋﻠﻰ ﻭﺠﻪ‬
‫ﻗﻨﺎﻭﻯ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 365‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻜﺸﺎﻑ ﻤﻨﻭﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 366‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺜﻼﺙ ﻜﺸﺎﻓﺎﺕ ﻤﻀﺎﺀﺓ‬
‫ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 367‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺜﻼﺙ ﻜﺸﺎﻓﺎﺕ ﻤﻀﺎﺀﺓ‬
‫ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬ ‫‪368‬‬
‫‪ Long Shot‬ﻝﻜﺸﺎﻓﻴﻥ ﻤﻀﺎﺀﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪369‬‬
‫‪ Medium .Close‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻜﻤل ﻗﻨﺎﻭﻯ ‪ :‬ﺃﺤﻨﺎ ﻫﺎ ﻨﺘﺠﻭﺯ ﺨﻼﺹ‬
‫ﺤﺩﻴﺜﺔ ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻭ ﻴﺘﻜﻠﻡ ﻓﻰ ﺤﺎﻝﻪ‬
‫ﻤﺵ ﻁﺒﻴﻌﻴﺔ ﻭﻴﻠﺘﻔﺕ ﻭﻴﺼﺒﺢ ﻤﻭﺍﺠﻬﻪ‬
‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪370‬‬
‫ﺼﻭﺕ ﻗﻨﺎﻭﻯ ﻤﻥ ﺨﺎﺭﺝ‬ ‫‪ Medium .Close‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ‬
‫ﺍﻝﻜﺎﺩﺭ ‪ :‬ﺃﺤﻨﺎ ﺃﺘﺠﻭﺯﻨﺎ‬ ‫ﻴﻨﻅﺭ ﻝﻪ ﺒﺩﻫﺸﺔ ﺘﻨﻘﻠﺏ ﺇﻝﻰ ﺤﺯﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪371‬‬
‫‪ Medium .Close‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ‬
‫ﻷﻋﻠﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺨﺭﺝ ﻤﻥ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan left‬ﻤﻊ‬
‫ﺨﺭﻭﺠﻪ ﻭﺘﺜﺒﺕ ﻋﻨﺩ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﺍﻝﺫﻯ‬
‫ﻴﻨﻅﺭ ﻝﻪ ﺒﺩﻫﺸﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 372‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻤﻘﺩﻤﻪ‬
‫ﺍﻝﻜﺎﺩﺭ ) ﻴﻤﻴﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ( ﻭﻴﺴﻴﺭ ﺨﻠﻔﻴﺔ‬
‫‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺴﺎﻗﻁ ﻤﻨﻪ‬
‫ﺍﻝﺠﺭﺍﺌﺩ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﻋﻤﻕ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺯﻗﺯﻭﻕ ﻴﺎﺍﺒﻨﻰ ﻤﺎ‬ ‫‪ 373‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺸﻔﺘﺵ ﻫﻨﻭﻤﻪ‬ ‫‪ Long Shot‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﻴﻨﻅﺭ‬
‫) ﻝﻘﻨﺎﻭﻯ ( ﺯﻗﺯﻭﻕ ‪ :‬ﻻ ﻤﺎﺸﻔﺘﻬﺎﺵ ﺍﻝﻬﻲ ﻤﺎ‬ ‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺘﺸﻭﻑ ﻭﺤﺵ‬ ‫ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﻜﺸﻜﺔ ﻭﻴﺘﺤﺩﺙ ﺇﻝﻰ‬
‫ﺯﻗﺯﻭﻕ ﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪ pan right‬ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻁﺏ ﻭﺤﻴﺎﺘﻙ ﻴﺎ ﺍﺒﻨﻰ‬
‫ﺩﻭﺭﻝﻰ ﻋﻠﻰ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻫﺎﺘﻬﻭﻝﻰ‬
‫ﻗﻭﺍﻡ‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﺒﺱ ﺭﻜﻙ ﻋﻠﻰ ﺍﻝﺠﺭﺩل‬
‫ﻋﺎﺭﻑ ﺃﻨﺎ ﻝﻭ ﻋﺘﺭﺕ ﻓﻰ ﺍﻝﺠﺭﺩل‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺠﺭﺩل‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﺍﻤﺎل ﺠﺴﻡ ﺍﻝﺠﺭﻴﻤﺔ‬

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‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺭﺒﻨﺎ ﻴﻔﻭﺕ ﺍﻝﻴﻭﻡ ﺩﺓ‬

‫ﻋﻠﻰ ﺨﻴﺭ‬
‫ﺜﻡ ﻴﻌﻭﺩ ﺇﻝﻰ ﻜﺸﻜﺔ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪ pan‬ﺃﻋﻭﺯ ﺒﺎﷲ ﻤﻥ ﺍﻝﺸﻴﻁﺎﻥ ﺍﻝﺭﺠﻴﻡ ﻗل‬
‫ﺃﻋﻭﺯ ﺒﺭﺏ ﺍﻝﻨﺎﺱ ﻤﻠﻙ ﺍﻝﻨﺎﺱ ﺍﻝﻪ‬ ‫‪left‬‬
‫ﺍﻝﻨﺎﺱ ﻤﻥ ﺸﺭ ﺍﻝﻭﺴﻭﺍﺱ ﺍﻝﺨﻨﺎﺱ‬ ‫ﻭﻴﻘﺭﺍ ﻗﺭﺍﻥ‬
‫ﺍﻝﺫﻯ ﻴﻭﺴﻭﺱ ﻓﻰ ﺼﺩﻭﺭ ﺍﻝﻨﺎﺱ‬
‫ﻤﻥ ﺍﻝﺠﻨﺔ ﻭ ﺍﻝﻨﺎﺱ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺩﺍﺨﻠﻰ ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻓﻴﻪ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪374‬‬
‫‪ Medium .Close‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﺤﺎﺠﺔ ﻏﺭﻴﺒﺔ ﺤﺼﻠﺕ ﻴﺎ ﺘﺭﻯ ﺍﻝﻭﺍﺩ‬
‫ﻗﻨﺎﻭﻯ ﻜﺎﻥ ﻋﺎﻭﺯ ﺃﺒﻭ ﺴﺭﻴﻊ ﻝﻴﻪ‬ ‫ﻴﻨﻅﺭ ﺒﺨﻭﻑ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(42‬‬ ‫‪375‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻋﺭﺒﻪ ﻗﻁﺎﺭ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪ Medium Shot‬ﺘﺎﺒﻊ ﺼﻭﺕ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﻥ ﺨﺎﺭﺝ‬

‫ﺍﻝﻜﺎﺩﺭ ‪:‬ﻭﻴﺎ ﺘﺭﻯ ﺇﻴﻪ ﺤﻜﺎﻴﺔ‬ ‫)‪ MS‬ﻤﻊ ﺤﺭﻜﺔ ‪ pan right‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﺼﻨﺩﻭﻕ‬ ‫ﻋﻠﻰ ﺍﻝﺼﻨﺩﻭﻕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 376‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺭﺠل ﻴﺠﺭﻯ ﻨﺤﻭ ﺍﻝﻘﻁﺎﺭ‬
‫ﻭﻴﺩﺨل ﻋﺭﺒﻪ ﺍﻝﺒﻀﺎﺌﻊ ﻭﻴﺼﻌﺩ ﻭ ﻴﺴﻴﺭ‬
‫ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan‬‬
‫ﺤﻼﻭﺘﻬﻡ ‪ :‬ﺍﻫﻪ ﺍﻤﻡ‬ ‫‪ left‬ﺜﻡ ﻴﺠﻠﺱ ﻝﻴﺄﻜل ﻭﻴﺘﺤﻭل ﺇﻝﻰ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ‪ Medium Shot‬ﻭﺘﺩﺨل‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Zoom in‬ﻋﻠﻴﻪ ﻭﻨﺴﻤﻊ‬
‫ﺼﻭﺕ ﺤﻼﻭﺘﻬﻡ ﻓﻰ ﺍﻝﺼﻨﺩﻭﻕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 377‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﺭﺠﻠﻴـﻥ ﺍﻝﺭﺠل ﺍﻻﻭل ‪ :‬ﺃﻤﺎل ﻗﻁﺭ ﺍﻝﺒﻀﺎﻋﺔ‬
‫ﺩﻩ ﻫﺎ ﻴﻁﻠﻊ ﺍﻝﺴﺎﻋﺔ ﻜﺎﻡ‬ ‫ﻴﺘﺤﺩﺜﺎﻥ ﻋﻥ ﺍﻝﻘﻁﺎﺭ‬
‫ﺍﻝﺭﺠل ﺍﻝﺜﺎﻨﻰ ‪ :‬ﺍﻩ ﺍﻝﺴﺎﻋﺔ ‪6‬‬
‫ﺒﺎﻝﻀﺒﻁ ﻴﻌﻨﻰ ﻓﺎﻀل ‪ 5‬ﺩﻗﺎﺌﻕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 378‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﺭﺠل ﺍﻝﺫﻯ ﺩﺨل ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ‬
‫ﻴﻘﻭﻡ ﻭﻴﺘﻭﺠﻪ ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ pan left‬ﻤﻊ ﺍﺴﺘﻤﺭﺍﺭ ﺍل ‪Zoom in‬‬
‫ﺜﻡ ﻴﻌﻭﺩ ﻤﺭﻩ ﺃﺨﺭﻯ ﺇﻝﻰ ﺍﻝﺼﻨﺩﻭﻕ ﻭﻤﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﺜﻡ ﻴﺴﻘﻁ ﻓﻰ‬
‫ﺍﻝﻜﺎﺩﺭ ﻝﻤﺴﺘﻭﻯ ﺍﻝﺼﻨﺩﻭﻕ ﻭﻴﺨﺘﻔﻲ ﺜﻡ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Tilt down‬ﻋﻠﻰ ﻴﺩ ﺘﺤﺎﻭل ﺍﻝﺨﺭﻭﺝ‬
‫ﻤﻥ ﺍﻝﺼﻨﺩﻭﻕ ﻓﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬

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‫‪Medium .Close‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪379‬‬
‫‪ Medium .Close‬ﻝﻭﺠﻪ ﺍﻝﺭﺠل ﻭﻫﻭ‬
‫ﺒﺠﺎﻨﺏ ﺤﺭﻑ ﺍﻝﺼﻨﺩﻭﻕ ﻭﻴﻨﻅﺭ ﺒﻔﺯﻉ‬
‫) ﺸﻤﺎل ﻜﺎﺩﺭ (‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪380‬‬
‫‪ Medium .Close‬ﻝﻴﺩﻫﺎ ﻭﻫﻰ ﺘﺨﺭﺝ‬
‫ﻤﻥ ﺍﻝﺼﻨﺩﻭﻕ ﻏﺎﺭﻗﺔ ﻓﻰ ﺍﻝﺩﻤﺎﺀ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺼﻨﺩﻭﻕ‬ ‫‪ 381‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﺭﺠل ﻭﻫﻭ ﻴﻔﺘﺢ ﺍﻝﺼﻨﺩﻭﻕ‬
‫ﻭﻴﻨﻅﺭ ﺒﺩﺍﺨﻠﻪ ﻭﺘﻅﻬﺭ ﺭﺠﻠﻴﻥ ﺤﻼﻭﺘﻬﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪382‬‬
‫‪ Medium .Close‬ﻝﻭﺠﻪ ﺤﻼﻭﺘﻬﻡ‬
‫ﻭﻫﻭ ﻏﺎﺭﻕ ﻓﻰ ﺍﻝﺩﻤﺎﺀ ﻭﺘﺒﻜﻰ ﻭﺘﺘﺄﻝﻡ‬

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‫ﺼﻭﺕ ﺍﻏﻼﻕ ﺍﻝﺼﻨﺩﻭﻕ‬ ‫‪ 383‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﺭﺠل ﻭﻫﻭ ﻴﻐﻠﻕ ﺍﻝﺼﻨﺩﻭﻕ ﺒﻌﺩ‬
‫ﺍﻥ ﺭﺃﻯ ﻤﺎ ﻓﻴﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(43‬‬ ‫‪384‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺭﺼﻴﻑ ﺍﻝﻤﺨﺎﺯﻥ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ‬
‫ﻭﻫﻡ ﻴﺴﻴﺭﻭﻥ ﻭﺃﻤﺎﻤﻬﻡ ﺼﻨﺩﻭﻕ ﺘﺩﻓﻌﻪ ﻫﻨﻭﻤﻪ ‪ :‬ﺃﺠﺭﻯ ﻗﻭﻝﻲ ﻷﺒﻭﺴﺭﻴﻊ‬
‫ﺍﻝﺒﻨﺕ ﻋﻠﻰ ﻋﺭﺒﻪ ﻭﺘﺘﺒﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ﻴﺸﺤﻥ ﺍﻝﺼﻨﺩﻭﻕ ﺩﻩ ﺤﺎﻻ ﺍﻝﻘﻁﺭ‬
‫ﻓﺎﻀل ﻝﻪ ‪ 5‬ﺩﻗﺎﻴﻕ ﻭﻴﻘﻭﻡ‬ ‫ﺸﺎﺭﻴﻭﻩ ﻭﻴﺘﺤﺩﺜﻭﻥ‬
‫ﺍﻝﺒﻨﺕ ‪ :‬ﻭﺁﻨﺕ ﺒﺴﻼﻤﺘﻙ ﺭﺍﺤﺔ ﻓﻴﻥ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﺭﺍﻴﺤﻪ ﺃﺠﻴﺏ ﺍﻝﺠﺭﺩل ﻤﻥ‬
‫ﻋﻨﺩ ﻗﻨﺎﻭﻯ‬
‫ﺍﻝﺒﻨﺕ ‪ :‬ﻁﺏ ﺃﻭﻋﻰ ﻤﻨﺼﻭﺭ ﻭ‬
‫ﺯﻗﺯﻭﻕ ﻴﻌﻼﻗﻭﻜﻰ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﺎ ﺴﻡ‬

‫ﻭﺘﺨﺭﺝ ﺍﻝﺒﻨﺕ ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻭﻫﻨﻭﻤﻪ ﺘﺘﺠﻪ ﻨﺤﻭ ﺴﻭﺭ ﺤﺩﻴﺩﻱ ﻭﺘﻌﺒﺭﻩ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫ﻤﺸﻬﺩ )‪(44‬‬ ‫‪385‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﺘﻨﻬﻴﺩﻩ ﻗﻨﺎﻭﻯ‬ ‫ﺩﺍﺨل ﻜﺸﻙ ﻗﻨﺎﻭﻯ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻗﻨﺎﻭﻯ ﻴﺩﺨل ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل‬
‫ﺼﻭﺕ ﺍﻝﻘﻁﺔ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﻋﻠﻰ ﻤﻨﻀﺩﺓ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Low angle‬ﺜﻡ ﻴﺴﻤﻊ ﺼﻭﺕ ﺍﻝﻘﻁﺔ‬
‫ﻓﻴﻨﻅﺭ ﺇﻝﻰ ﺍﻝﻴﻤﻴﻥ ﻋﻠﻰ ﺍﻷﺭﺽ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺍﻝﻘﻁﺔ‬ ‫‪ 386‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻘﻁﺔ ﻭﻫﻰ ﻋﻠﻰ ﺍﻷﺭﺽ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻨﻭﻤﻪ ﺍﻨﺕ ﻁﻠﻌﺕ ﻝﻰ ﻁﺏ‬ ‫‪ 387‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺘﻌﺈﻝﻰ ﺘﻌﺈﻝﻰ ﺸﻭﻓﻲ ﺍﻨﺎ ﺤﻀﺭﺕ ﻝﻜﻰ‬ ‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﺤﻨﻲ‬
‫ﺍﻝﺠﻬﺎﺯ ﻜﻠﻪ ﺒﺹ ﺍﻝﺴﺭﻴﺭ ﺩﻩ ﻨﺤﺎﺱ‬ ‫ﻝﻴﻤﺴﻙ ﺍﻝﻘﻁﺔ ﻭﻴﺭﻓﻌﻬﺎ ﺇﻝﻴﻪ ﻭﻴﺘﺤﺩﺙ‬
‫ﻭﺍﻝﺩﻭﻻﺏ ﺏ ‪ 3‬ﻤﺭﺃﻴﺎﺕ ﺨﻼﺹ ﻴﺎ‬ ‫ﻤﻌﻬﺎ ﻭﻴﺴﻴﺭ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻫﻨﻭﻤﻪ ﺃﺤﻨﺎ ﺃﺘﺠﻬﺯﻨﺎ ﻭﻨﺭﺠﻊ ﺍﻝﺒﻠﺩ‬ ‫ﻤﻌﻪ ‪ pan right‬ﻭﻴﺴﺘﻌﺭﺽ ﺃﺜﺎﺙ‬
‫ﺒﻘﻰ ﻋﺸﺎﻥ ﺍﺨﺵ ﻋﻠﻴﻬﻡ ﻭﺃﻗﻭل ﻝﻬﻡ‬ ‫ﻭﻫﻤﻲ ﺜﻡ ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻤﺭﺍﺘﻰ ﺍﻫﻪ ﻭﺃﺒﻨﻰ ﻝﻙ ﺤﺘﻪ ﺒﻴﺕ‬
‫ﻭﺘﺩﺨل ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Zoom in‬ﻋﻠﻴﻪ ﻭﻫﻭ ﺼﻐﻴﺭ ﻜﺩﻩ ﻋﻠﻰ ﺍﻝﺒﺤﺭ ﻓﺎﻜﺭﻩ‬
‫ﻭﻨﺭﺒﻰ ﺍﻝﻌﻴﺎل ﻓﻴﻪ‬ ‫ﻴﺤﺘﻀﻥ ﺍﻝﻘﻁﺔ ﻴﺴﻴﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan left‬ﺜﻡ ﻴﺠﻠﺱ‬
‫ﻝﻴﺄﻜل ﻭﻴﺘﺤﻭل ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫‪ Medium Shot‬ﻭﺘﺩﺨل ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Zoom in‬ﻋﻠﻴﻪ ﻭﻨﺴﻤﻊ ﺼﻭﺕ‬
‫ﺤﻼﻭﺘﻬﻡ ﻓﻰ ﺍﻝﺼﻨﺩﻭﻕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﻗﻨﺎﻭﻯ ﻤﻥ ﺨﺎﺭﺝ‬ ‫‪ 388‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻭﺠﻪ ﺍﻝﻘﻁﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ‪ :‬ﺒﺱ ﺒﻌﻴﺩ ﻋﻥ ﺍﻝﻨﺎﺱ ﺒﻌﻴﺩ‬ ‫ﻭﻗﻨﺎﻭﻯ ﻤﺎﺯﺍل ﻴﺘﻜﻠﻡ‬
‫ﻋﻥ ﺍﻝﺩﻭﺸﺔ ﻴﺎ ﻫﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻫﻨﻭﻤﻪ‬ ‫‪ 389‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻀﻐﻁ ﻋﻠﻰ ﺍﻝﻘﻁﺔ‬
‫ﻭﻴﺘﻜﻠﻡ‬

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‫‪ 390‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﺍﻝﻘﻁﺔ ﺘﻘﻔﺯ ﻤﻥ ﻴﺩﻩ‬

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‫ﺼﻭﺕ ﺍﻝﻘﻁﺔ‬ ‫‪ 391‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻘﻁﺔ ﻭﻫﻰ ﻋﻠﻰ ﺍﻷﺭﺽ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪392‬‬

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‫‪ Medium .Close‬ﻝﻭﺠﻪ ﻗﻨﺎﻭﻯ ﻤﻊ‬

‫‪ Zoom in‬ﺤﺘﻰ ﻴﺼﺒﺢ ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪ Close up‬ﻝﻭﺠﻪ ﻗﻨﺎﻭﻯ‬

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‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻨﻭﻤﻪ‬ ‫‪ 393‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﺎﺩﻯ ﻋﻠﻰ ﺍﻝﻘﻁﺔ ﻋﻠﻰ‬
‫ﺇﻨﻬﺎ ﻫﻨﻭﻤﻪ‬

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‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻨﻭﻤﻪ‬ ‫‪ 394‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﺍﻝﻘﻁﺔ ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﻗﻨﺎﻭﻯ ﻴﻨﺎﺩﻯ‬

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‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻨﻭﻤﻪ‬ ‫‪ 395‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﺎﺩﻯ ﻋﻠﻰ ﻫﻨﻭﻤﻪ‬

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‫‪ 396‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﺍﻝﻘﻁﺔ ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﻗﻨﺎﻭﻯ ﻴﻨﺎﺩﻯ‬
‫ﻋﻠﻰ ﻫﻨﻭﻤﻪ‬

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‫‪ 397‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪ Medium‬ﻗﻨﺎﻭﻯ ‪ :‬ﻓﺎﻜﺭﺍﻨﻰ ﻋﺒﻴﻁ ﻫﻪ ﻓﺎﻜﺭﺍﻨﻰ‬
‫ﻤﺠﻨﻭﻥ‬ ‫‪ Long Shot‬ﻤﻊ ‪ Tilt up‬ﻤﻊ ﻗﻨﺎﻭﻯ‬
‫ﻭﻫﻭ ﻴﻘﻑ ﻭﻴﻤﺴﻙ ﺒﻌﺼﺎ ﻴﻀﺭﺏ ﺒﻬﺎ‬
‫ﺍﻝﻘﻁﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 398‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻗﻨﺎﻭﻯ ﻴﻀﺭﺏ‬
‫ﺒﺎﻝﻌﺼﺎ‬

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‫ﺼﻭﺕ ﺍﻝﻘﻁﺔ‬ ‫ﻗﻨﺎﻭﻯ ‪ :‬ﺍﻝﻤﺭﺓ ﺩﻯ ﻤﺵ ﻫﺎ ﺘﻨﻔﺩﻯ‬ ‫‪ 399‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻤﻥ ﺍﻴﺩﻯ‬ ‫ﻝﻌﻴﻥ ﺍﻝﻘﻁﺔ ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﻗﻨﺎﻭﻯ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫‪ 400‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫)‪ MS‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺴﻴﺭ ﻨﺤﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻝﻴﻀﺭﺏ ﺍﻝﻘﻁﺔ ﺒﺎﻝﻌﺼﺎ‬

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‫‪ 401‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻘﻁﺔ ﻭﻫﻰ ﺘﺠﺭﻯ ﻭﺘﺨﺭﺝ ﻤﻥ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 402‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﻗﻨﺎﻭﻯ‬

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‫‪ 403‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﺍﻝﻘﻁﺔ‬

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‫‪ 404‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻠﻘﻁﺔ ﻭﻫﻰ ﺘﺠﺭﻯ ﻭﺘﺨﺭﺝ ﻤﻥ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 405‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﻗﻨﺎﻭﻯ ﻭﺍﻨﻔﻪ‬

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‫ﺼﻭﺕ ﺴﻘﻭﻁ ﺍﻝﺠﺭﺩل‬ ‫‪ 406‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﻭﺼﻭﺕ ﺨﺒﻁ‬ ‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﺨل ﻤﻥ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﻨﺎ ﻫﺎﻭﺭﻴﻜﻰ ﺃﻨﺎ ﻫﺄﺩﺒﻙ‬ ‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﺘﻨﺩ ﻋﻠﻰ ﺍﻝﺤﺎﺌﻁ ﺜﻡ‬
‫ﻴﺘﺠﻪ ﻨﺤﻭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ‬
‫‪ pan left‬ﻭﻴﻀﺭﺏ ﺒﺎﻝﻌﺼﺎ ﺒﻁﺭﻴﻘﺔ‬
‫ﻫﺴﺘﻴﺭﻴﺔ ﺠﺩﺭﺍﻥ ﺍﻝﻜﺸﻙ ﻭﺍﻷﺸﻴﺎﺀ ﺍﻝﺘﻰ‬
‫ﺘﻭﺠﺩ ﺒﺩﺍﺨل ﺍﻝﻜﺸﻙ ﺜﻡ ﻴﺄﺨﺫ ﺍﻝﺴﻜﻴﻥ‬
‫ﻭﻴﺘﺠﻪ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ‬
‫‪ pan right‬ﻭﻴﻘﻁﻊ ﺍﻝﺼﻭﺭ ﺍﻝﻤﻌﻠﻘﺔ‬
‫ﻭﻴﺘﻘﺩﻡ ﺇﻝﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﻭل ﺇﻝﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪Medium Shot‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 407‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻭﺠﻪ ﺍﻝﻘﻁﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 408‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪Medium Shot‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻘﻁﻊ ﺍﻝﺼﻭﺭ ﺒﺎﻝﺴﻜﻴﻥ‬

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‫ﺼﻭﺕ ﺍﻗﺩﺍﻤﻬﺎ‬ ‫ﻤﺸﻬﺩ )‪(45‬‬ ‫‪409‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺴﻠﻡ ﺍﻝﻨﻔﻕ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻭﺘﺩﺨل ﻫﻨﻭﻤﻪ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺘﻨﺯل ﺍﻝﺴﻠﻡ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻫﻰ ﺘﺴﻘﻁ ﻤﻥ ﺃﺴﻔل ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(46‬‬ ‫‪410‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻤﺤﻁﺔ ﻤﺼﺭ ﻤﻥ ﺍﻝﺩﺍﺨل‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺃﻨﺎ ﻴﺎ ﺍﺒﻨﻰ ﺍﻝﻔﺎﺭ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﺒﻴﻠﻌﺏ ﻓﻰ ﻋﺒﻲ ﺍﻝﻭﺍﺩ ﻗﻨﺎﻭﻯ ﺤﺎﻝﺘﻪ‬
‫ﻤﺘﺴﺭﺵ ﻤﺎ ﺘﻘﻭل ﻋﻨﺩﻩ ﻭﺵ‬ ‫ﻭﻫﻡ ﻴﺘﺤﺩﺜﻭﻥ ﺜﻡ ﺘﺩﺨل ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺃﻨﺎ ﺒﺭﺩﻩ ﻤﺎﻋﺠﺒﻨﻴﺵ‬ ‫ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﺴﺎﻋﺔ ﻤﺎ ﻗﺎل ﻝﻰ ﺨﺩ ﺍﺸﺤﻥ‬
‫ﺼﻨﺩﻭﻕ ﻫﻨﻭﻤﻪ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪:‬ﺼﻨﺩﻭﻕ ﻫﻨﻭﻤﻪ‬
‫ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ‪ :‬ﻴﺎﻻ ﻴﺎ ﺃﺒﻭﺴﺭﻴﻊ‬
‫ﺍﻝﺼﻨﺩﻭﻕ ﺍﻫﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺍﻝﺒﻨﺕ ‪ :‬ﻴﺎﻻ ﻗﻭﺍﻡ ﻝﺤﺴﻥ ﺍﻝﻘﻁﺭ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪411‬‬

‫ﻗﺭﺏ ﻴﻘﻭﻡ‬ ‫‪ Medium .Close‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺒﺎﺘﺠﺎﻩ ﺍﻝﺒﻨﺕ ﻭﻨﺴﻤﻊ‬
‫ﺼﻭﺕ ﺍﻝﺒﻨﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬

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‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻫﻨﻭﻤﻪ ﻓﻴﻥ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪412‬‬
‫ﺍﻝﺒﻨﺕ ‪ :‬ﺒﺘﺩﻭﺭ ﻋﻠﻰ ﺍﻝﺠﺭﺩل‬ ‫‪ Medium .Close‬ﻝﻠﺒﻨﺕ ﻭﻫﻰ ﻭﺍﻗﻔﻪ‬
‫ﺒﺘﺎﻋﻬﺎ‬ ‫ﺘﻤﺴﻙ ﺒﺎﻝﺼﻨﺩﻭﻕ ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ ﺘﺭﺩ ﻋﻠﻴﻪ‬

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‫‪ 413‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻨﻅﺭ‬
‫ﻝﻠﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ﻭﺘﻜﻭﻥ ﻫﻰ‬
‫ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ‪ :‬ﺭﺍﻴﺢ ﻓﻴﻥ‬ ‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺃﺒﻭﺴﺭﻴﻊ ﻤﻭﺍﺠﻬﺔ ‪Full‬‬
‫‪ Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻬﻡ ﺒﺎﻝﺨﺭﻭﺝ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻨﺒﻪ ﻴﺎ ﺒﻨﺘﻲ ﻴﺎﻻ‬ ‫ﻓﻴﻠﺘﻔﺕ ﻝﻬﺎ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻨﺩﻫﻴﻠﻰ ﻫﻨﻭﻤﻪ ﻗﻭﺍﻤﻙ‬ ‫ﺸﻤﺎل‬
‫ﻴﺩﺨل ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﻥ ﺃﺴﻔل ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ ‪ :‬ﻗﻭﻝﻭﻝﻰ ﺒﻘﻰ ﻫﻭ‬
‫ﺃﻨﺎ ﺍﻴﻪ‬

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‫ﺍﻝﺒﻨﺕ ﺍﻝﺼﻐﻴﺭﺓ‪ :‬ﻫﻭ ﺍﻨﺎ ﺍﻴﻪ‬ ‫‪ 414‬ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫ﻤﺭﺴﺎل ﻨﺒﻪ ﺭﻭﺤﻲ ﻨﺒﻪ ﺘﻌﺈﻝﻰ‬ ‫)‪ VLS‬ﻝﻠﻤﺤﻁﺔ ﺃﻤﺎﻡ ﻜﺸﻙ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻴﺎ ﺒﻨﺕ ﺍﺴﻤﻌﻲ ﺍﻝﻜﻼﻡ‬ ‫ﻭﺍﻝﺒﻨﺕ ﺘﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻋﻡ‬
‫ﻋﻠﺸﺎﻥ ﺨﺎﻁﺭﻱ ﺭﻭﺤﻲ ﺍﻨﺩﻫﻲ‬

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‫ﻫﻨﻭﻤﻪ‬ ‫ﻤﺩﺒﻭﻝﻰ ﻴﻘﻑ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪high angle‬‬

‫ﻭﺘﻅﻬﺭ ﻓﻰ ﺃﻋﻠﻰ ﻴﻤﻴﻥ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ‬
‫ﺴﺎﻋﺔ ﺘﺸﻴﺭ ﻋﻘﺎﺭﺒﻬﺎ ﻋﻠﻰ ﺍﻝﺴﺎﻋﺔ‬
‫ﺍﻝﺴﺎﺩﺴﺔ ﺍﻻ ﺨﻤﺱ ﺩﻗﺎﺌﻕ‬
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‫ﻤﺸﻬﺩ )‪(47‬‬ ‫‪415‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺼﻭﺕ ﺼﻔﺎﺭﺓ ﻗﻁﺎﺭ‬ ‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺨﻴﺎل ﻋﻠﻰ ﺍﻻﺭﺽ‬
‫ﻴﺘﺤﺭﻙ ﺒﺴﺭﻋﺔ ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‪Tilt‬‬
‫‪ up‬ﻭﻴﻅﻬﺭ ﺃﺒﻭ ﺴﺭﻴﻊ ﺼﺎﺤﺏ ﺍﻝﺨﻴﺎل‬
‫ﻤﻊ ﺩﺨﻭﻝﻪ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﻌﻪ ‪ pan left‬ﻭﺘﻘﻑ ﻋﻨﺩ ﺃﺒﻭ ﺠﺎﺒﺭ ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﺨﻼﺹ ﺃﺒﻭ ﺴﺭﻴﻊ ﺒﻘﻰ‬
‫ﺒﻴﻬﻤﻙ ﻗﻭﻯ‬ ‫ﻭﺠﺎﺩ ﺍﷲ ﻭﻴﺨﺭﺝ ﻫﻡ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﺨﻠﻴﻙ ﺤﺩﻕ ﺍﻤﺎل‬ ‫ﻭﻴﺠﻠﺱ ﺠﺎﺩ ﺍﷲ ﻋﻠﻰ ﺍﻝﺘﺭﺍﺒﻴﺯﺓ ﺍﻤﺎ‬
‫ﺃﺒﻭ ﺠﺎﺒﺭ ‪ :‬ﻁﺏ ﻤﺎ ﺘﻨﻭﺭﻨﺎ‬ ‫ﺃﺒﻭﺠﺎﺒﺭ ﻭﻴﻀﻊ ﻴﺩﺓ ﻋﻠﻰ ﺤﺫﺍﺌﻪ‬
‫ﺠﺎﺩﺍﷲ ‪ :‬ﺴﻴﺒﻨﻰ ﺍﺸﺘﻐل ﻤﺴﻴﺭﺓ‬
‫ﻴﻘﻊ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 416‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium Shot‬ﻝﻘﺩﻡ ﺠﺎﺩﺍﷲ ‪ :‬ﺍﻴﻪ ﺩﻩ ﺩﻡ ﻤﻥ ﺼﻨﺩﻭﻕ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ‬ ‫ﺠﺎﺩ ﺍﷲ ﻭﻫﻭ ﻴﻀﻊ ﻴﺩﺓ ﻋﻠﻴﻬﺎ ﻭﻴﻜﺘﺸﻑ‬
‫ﺍﻝﺩﻡ‬

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‫ﺼﻭﺕ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ ﺨﺎﺭﺝ‬ ‫‪ 417‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺍﻝﻜﺎﺩﺭ ‪ :‬ﻤﻴﻥ ﺍﻝﻠﻰ ﻋﻤل ﻜﺩﺓ‬ ‫‪ Long Shot‬ﻷﺒﻭ ﺠﺎﺒﺭ ﻭﺠﺎﺩ ﺍﷲ‬
‫ﻤﺵ ﻗﻨﺎﻭﻯ ﻗﻨﺎﻭﻯ‬ ‫ﻭﻫﻡ ﺠﺎﻝﺴﻭﻥ ﻭﻨﺴﻤﻊ ﺼﻭﺕ ﺃﺒﻭﺴﺭﻴﻊ‬
‫ﻓﻴﻘﻭﻡ ﺠﺎﺩ ﺍﷲ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan left‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻁﻠﺒﻭﺍ ﻝﻬﺎ ﺍﻹﺴﻌﺎﻑ‬ ‫‪ 418‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺤﺎﻻ‬ ‫‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﺒﻌﺽ‬
‫ﺸﻴﺎل ‪ :‬ﻁﻴﺏ ﺤﺎﻀﺭ‬ ‫ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﻫﻡ ﺠﺎﻝﺴﻭﻥ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻭﺒﻴﻨﻬﻡ ﺤﻼﻭﺘﻬﻡ ﻭﻴﺘﺤﺩﺙ ﺃﺒﻭ ﺴﺭﻴﻊ‬
‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ‬
‫ﺸﻴﺎل ﻭﻴﺨﺭﺝ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ‬
‫ﺍﻝﻘﻁﺎﺭ ﻭﻴﺭﻜﺏ ﻓﻴﻪ ﺸﻴﺎل ﻭﺘﺒﻘﻰ‬
‫ﺤﻼﻭﺘﻬﻡ ﻤﻤﺩﺩﺓ ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻤﻌﻬﺎ‬
‫ﺍﺜﻨﻴﻥ ﻤﻥ ﺍﻝﺸﻴﺎﻝﻴﻥ‬

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‫ﺼﻭﺕ ﺃﻗﺩﺍﻡ‬ ‫‪ 419‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺨﺭﺝ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪pan‬‬
‫‪ right‬ﻭﺘﻘﻑ ﻋﻨﺩ ﺃﺒﻭ ﺠﺎﺒﺭ ﻭﺠﺎﺩ ﺍﷲ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(48‬‬ ‫‪420‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺨﺎﺭﺝ ﻜﺸﻙ ﻗﻨﺎﻭﻯ‬

‫ﺼﻭﺕ ﺍﻝﻘﻁﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪Medium Shot‬‬
‫ﻫﻨﻭﻤﻪ ‪:‬ﺒﺴﺒﻭﺴﺔ ﻴﺎ ﺤﻠﻭﺓ‬ ‫ﻝﻠﻘﻁﺔ ﻭﻫﻰ ﺘﻘﻔﺯ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﻴﺎﺴﻰ ﻤﻨﺼﻭﺭ ﻴﺎ‬ ‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺍ‪ Tilt up‬ﻤﻊ ‪pan‬‬
‫ﺍﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‬ ‫‪ right‬ﻓﺘﺼﺒﺢ ﺃﻝﻠﻘﻁﺔ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ‬
‫ﻜﺒﻴﺭﺓ ‪ Medium Long Shot‬ﻓﻨﺭﻯ ﺃﻱ ﺃﻱ ﺍﻝﺠﺭﺩل ﺍﻫﻭ ﺍﻝﺠﺭﺩل ﺍﻫﻭ‬
‫ﻫﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺴﻴﺭ ﻨﺤﻭ ﺍﻝﻘﻁﺔ ﻭﻴﺩﺨل‬
‫ﺯﻗﺯﻭﻕ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻀﻊ ﺍﻝﺠﺭﺩل‬
‫ﺒﺠﺎﻨﺏ ﻫﻨﻭﻤﻪ ﻭﻴﻤﺴﻜﻬﺎ ﻭﻴﻨﺎﺩﻯ ﻋﻠﻰ‬
‫ﺍﻻﻤﺒﺎﺸﻰ ﻓﺘﻀﺭﺒﻪ ﻭﻴﺄﺘﻲ ﺍﻻﻤﺒﺎﺸﻰ‬
‫ﺤﺴﻨﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 421‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪Medium Shot‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻬﻡ ﻤﻥ ﺨﻼل ﺯﺠﺎﺝ‬
‫ﺍﻝﻨﺎﻓﺫﺓ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺤﻴﺙ ﻨﺭﻯ ﺼﻭﺭﺘﻬﻡ‬
‫ﻤﻌﻜﻭﺴﺔ ﻋﻠﻰ ﺍﻝﺯﺠﺎﺝ ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 422‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪Medium Shot‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺴﺘﺩﻴﺭ ﻭﻴﻨﻅﺭ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ‬
‫ﺩﻫﺸﺔ ﻭﻴﺘﺤﺭﻙ ﺇﻝﻰ ﺍﻝﺸﻤﺎل ﻭﻤﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‪ pan left‬ﻭﻴﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻴﻨﻅﺭ‬
‫ﻝﻬﻡ ﻭﻴﻅﻬﺭﻭﻥ ﻤﻥ ﺨﻼل ﺍﻝﺒﺎﺏ ﻓﻰ‬
‫ﺍﻝﺨﻠﻔﻴﺔ ﻭﻴﺘﺤﻭل ﺍﻝﻤﺸﻬﺩ ﺇﻝﻰ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium Long‬‬
‫‪Shot‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 423‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪ Medium‬ﻫﻨﻭﻤﻪ ‪:‬ﻭﺍﷲ ﺍﻝﻌﻅﻴﻡ ﻴﺎ ﻋﻡ ﺤﺴﻨﻴﻥ‬
‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﺼﺎﺤﺏ ﺍﻝﺒﻭﻓﻴﺔ ﻤﻅﻠﻭﻤﺔ ﺩﻯ ﺍﻝﺠﺭﺩل ﺩﺓ ﻫﻭ ﺍﻝﻠﻰ‬
‫ﺭﻤﺎﺓ ﻗﺩﺍﻤﻰ‬ ‫ﻭﺯﻗﺯﻭﻕ ﻭ ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ﻴﻤﺴﻜﻭﺍ‬
‫ﺒﻬﺎ ﻭﻴﺤﻤﻠﻭﻨﻬﺎ ﻭﻴﺴﻴﺭﻭﺍ ﺒﻬﺎ ﻓﻰ ﻋﻤﻕ ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ‪:‬ﺃﻨﺎ ﺍﻝﺠﺭﺩل‬
‫ﺸﺎﻴﻔﻪ ﺒﻌﻴﻨﻲ ﻗﺩﺍﻤﻰ ﻗﺩﺍﻡ ﻋﻠﻰ‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﺤﻀﺭﺓ ﺍﻝﻀﺎﺒﻁ‬
‫ﺯﻗﺯﻭﻕ ‪ :‬ﻴﺎﻻ‬
‫ﻫﻨﻭﻤﻪ ‪:‬ﻴﺎ ﻗﻨﺎﻭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 424‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻋﻠﻰ‬
‫ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ ﻴﻨﻅﺭ ﻝﻬﻡ ﻭ ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Zoom in‬ﻋﻠﻴﻪ ﺤﺘﻰ ﻴﺼﺒﺢ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪Medium .Close‬‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 425‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺠﺭﻯ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻝﻜﺸﻙ ﻗﻨﺎﻭﻯ ﻭﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan‬‬
‫‪ right‬ﻭﻴﺒﺤﺙ ﻋﻥ ﻗﻨﺎﻭﻯ ﻭﻋﻨﺩﻤﺎ ﻻ‬
‫ﻴﺠﺩﻩ ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(49‬‬ ‫‪426‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻨﻔﻕ ﺍﻝﻤﺸﺎﺓ ﺩﺍﺨل ﺍﻝﻤﺤﻁﺔ‬

‫ﺼﻭﺕ ﺃﻗﺩﺍﻤﻬﻡ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻬﺒﻁ ﺍﻝﺴﻠﻡ ﻭﻴﺩﺨل ﺃﺒﻭ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻫﻪ‬ ‫ﺴﺭﻴﻊ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﺯل ﺨﻠﻔﻪ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ‪ :‬ﺃﻝﺴﻜﻴﻨﻪ ﺍﻫﻰ‬ ‫ﻭﻴﻘﻌﺎ ﻋﻠﻰ ﺍﻝﺴﻼﻝﻡ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Tilt down‬ﻤﻌﻬﻡ ﺜﻡ ﻴﻨﻬﺽ ﻗﻨﺎﻭﻯ‬
‫ﻭﻴﺠﺭﻯ ﺍﺘﺠﺎﻩ ﻋﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﻭﻫﻭ ﻴﺠﺭﻯ‬
‫ﻭﺨﻠﻔﻪ ﺃﺒﻭﺴﺭﻴﻊ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 427‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺠﺭﻯ ﻭﺨﻠﻔﻪ ﺃﺒﻭﺴﺭﻴﻊ‬
‫ﺸﻴﺎل ‪:‬ﺍﻫﻭ ﺃﺒﻭﺴﺭﻴﻊ ﺍﻫﻭ‬ ‫ﻭﻴﻤﺴﻜﻪ ﻭﻴﻀﺭﺒﻪ ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﻅﻬﺭ ﺠﺎﺩ ﺍﷲ ﻭﻤﻌﻪ ﺒﻌﺽ ﺠﺎﺩ ﺍﷲ‪ :‬ﺴﻴﺏ ﺍﻝﻭﺍﺩ ﺒﻼﺵ ﺍﻓﺘﺭﻯ‬
‫ﺍﻝﺸﻴﺎﻝﻴﻥ ﻴﻨﺯﻝﻭﻥ ﺍﻝﺴﻠﻡ ﻭﻴﺴﻴﺭﻭﻥ‬
‫ﻨﺤﻭﻫﻡ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ pan right‬ﻭﻴﻤﺴﻜﻭﻥ ﺃﺒﻭﺴﺭﻴﻊ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺠﺎﺩ ﺍﷲ ‪:‬ﻋﺎﻭﺯ ﺘﻠﺒﺴﻪ ﺘﻬﻤﻪ ﻭﻝﻜﻥ‬ ‫‪ 428‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬
‫‪ Close. 2‬ﻝﺠﺎﺩ ﺍﷲ ﻭﻴﻘﻑ ﺨﻠﻔﺔ ﻗﻨﺎﻭﻯ ﻋﺎﺭﻓﻴﻥ ﺍﻨﻙ ﺍﻨﺕ ﺍﻝﻠﻰ ﺤﺎﻁﺕ‬
‫ﺤﻼﻭﺘﻬﻡ ﻓﻰ ﺼﻨﺩﻭﻕ‬ ‫ﻴﻘﻑ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺨﻠﻑ ﻜﺘﻑ ﺠﺎﺩ‬
‫ﺍﷲ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 429‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ ﻭﺠﺎﺩ ﺍﷲ‬
‫ﻭﻗﻨﺎﻭﻯ ﺍﻝﺫﻯ ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺠﺭﻯ ﺨﻠﻔﻪ ﺃﺒﻭﺴﺭﻴﻊ ﻓﻴﻌﺭﻗﻠﺔ ﺠﺎﺩ ﺍﷲ‬
‫ﻭﻴﻘﻊ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 430‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻋﻠﻰ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻭﺍﻗﻊ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻭﻴﻨﻅﺭ ﺒﻐﻀﺏ ﻭﻴﻘﻭﻡ ﻭﻴﻜﻭﻥ ﻤﻭﺍﺠﻬﺔ‬
‫‪Full Front Face‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 431‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻷﺒﻭ‬

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‫ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻀﺭﺏ ﺠﺎﺩ ﺍﷲ ﻭﻴﺴﻴﺭ ﻨﺤﻭ‬

‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 432‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻷﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﻫﻭ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻭ ﻴﻀﺭﺏ ﺠﺎﺩ ﺍﷲ ﻓﻴﺩﻓﻌﻪ ﺠﺎﺩ ﺍﷲ‬
‫ﻓﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 433‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺩﺨل ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻘﻊ ﻭﻴﻤﺴﻜﻪ ﺸﻴﺎﻝﻴﻥ‬
‫ﻭﻴﺩﺨل ﺠﺎﺩ ﺍﷲ ﻝﻴﻀﺭﺒﻪ ﻓﻴﺩﻓﻌﻪ ﺒﻘﺩﻤﻪ‬
‫ﻓﻴﺩﻓﻌﻪ ﺠﺎﺩ ﺍﷲ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 434‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻷﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻀﺭﺏ ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﻴﻘﻌﻭﺍ‬
‫ﻭﻫﻭ ﻤﻌﻬﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 435‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺠﺭﻯ‬
‫ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻭﺍﺠﻬﺔ ‪Full Front‬‬
‫‪ Face‬ﻭﻴﺎﺘﻰ ﺠﺎﺩ ﺍﷲ ﺒﺤﺒل ﻭﻴﻠﻘﻲ ﺒﻪ‬
‫ﻋﻠﻴﻪ ﻤﻥ ﺍﻝﺨﻠﻑ ) ﻋﻠﻰ ﻋﻴﻨﻴﺔ (‬
‫ﻭﻴﻤﺴﻙ ﺒﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(50‬‬ ‫‪436‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﺩﺍﺨل ﻜﺒﻴﻨﻪ ﺘﻠﻴﻔﻭﻥ‬

‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﻴﻭﻩ ﺃﺒﻭ ﺴﺭﻴﻊ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬

‫‪ Medium .Close‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﺨﻠﻔﻴﺔ‬
‫‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺘﺤﺩﺙ ﻓﻰ‬
‫ﺍﻝﺘﻠﻴﻔﻭﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(51‬‬ ‫‪437‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻲ‬
‫ﻤﻜﺘﺏ ﺸﺭﻁﺔ ﺍﻝﻤﺤﻁﺔ‬

‫ﺼﻭﺕ ﻭﻀﻊ ﺍﻝﺴﻤﺎﻋﺔ‬ ‫ﺍﻝﻀﺎﺒﻁ ‪ :‬ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻴﻥ ﺍﻨﺕ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪Medium Shot‬‬
‫ﻤﻴﻥ ﺍﻨﺕ ﻴﺎﻝﻠﻰ ﺒﺘﺘﻜﻠﻡ‬ ‫ﻝﻠﻀﺎﺒﻁ ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ ﻭ‬
‫ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ﻭﺍﻗﻑ ﺨﻠﻔﻪ ﺜﻡ ﻴﻀﻊ ﺍﺠﻤﻊ ﺍﻝﻘﻭﻯ ﻭﺴﻴﺏ ﺩﻭل ﺩﻝﻭﻗﺘﻰ‬
‫ﺍﻝﻀﺎﺒﻁ ﺍﻝﺴﻤﺎﻋﺔ‬
‫ﻭﻴﻠﺘﻔﺕ ﻝﻼﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‬

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‫ﻭ ﻴﻨﻬﺽ ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻭﺨﻠﻔﻪ ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(52‬‬ ‫‪438‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺭﺼﻴﻑ ﺍﻝﻤﺨﺎﺯﻥ‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻷﺒﻭ‬

‫ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺠﺭﻯ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan left‬ﻭﺨﻠﻔﻪ ﺒﻌﺽ‬
‫ﺍﻝﺸﻴﺎﻝﻴﻥ ﻭﻴﻘﻊ ﻭﻴﻤﺴﻜﻭﻥ ﺒﻪ ﻭﻴﻭﻗﻔﻭﻩ‬
‫ﻋﻨﺩ ﻋﻤﻭﺩ ﻭﻴﻀﺭﺒﻭﻨﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 439‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﺠﺎﺩ ﺍﷲ ﻭﻫﻭ ﻴﺠﺭﻯ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﻌﻪ ‪ Pan left‬ﻭﻴﺼﺒﺢ ﺨﻠﻔﻴﺔ ‪Full‬‬
‫‪ rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻀﺭﺏ ﺃﺒﻭﺴﺭﻴﻊ‬
‫ﺍﻝﻤﺜﺒﺕ ﻓﻰ ﺍﻝﻌﻤﻭﺩ ﻤﻭﺍﺠﻬﺔ‪Full‬‬
‫‪Front Face‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(53‬‬ ‫‪440‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻜﺎﺒﻴﻨﺔ ﺍﻝﺘﻠﻴﻔﻭﻥ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪Medium Shot‬‬

‫ﻝﻘﻨﺎﻭﻯ ﺩﺍﺨل ﺍﻝﻜﺒﻴﻨﺔ ﺒﺭﻭﻓﻴل ‪side‬‬
‫‪ angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‪:‬ﺴﻴﺒﻬﺎ ﻴﺎ ﺴﻰ‬
‫ﻤﻨﺼﻭﺭ ﺩﻝﻭﻗﺘﻰ‬ ‫ﺍﻝﻴﻤﻴﻥ ﻤﻥ ﺨﻼل ﺍﻝﺯﺠﺎﺝ ﻴﺴﻴﺭ ﺍﻝﻀﺎﺒﻁ‬
‫ﻭﻴﺩﺨل ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺒﺎﺏ ﻫﻨﻭﻤﻪ‪ :‬ﺃﻭﻋﻰ ﻴﺎﻻ ﻴﺎ ﺍﺨﻭﻴﺎ ﻴﺎﻻ‬
‫ﺤﺠﺭﺓ ﺍﻝﻀﺎﺒﻁ ﻭﻴﺘﺤﺩﺙ ﻝﻤﻨﺼﻭﺭ ﺜﻡ‬
‫ﺼﻭﺕ ﺩﻕ ﻋﻠﻰ ﺍﻝﺯﺠﺎﺝ‬ ‫ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﻨﺼﻭﺭ ﻭﺯﻗﺯﻭﻕ ﻤﻥ ﺒﺎﺏ ﺍﻝﺤﺠﺭﺓ‬
‫ﻭﺨﻠﻔﻬﻡ ﻫﻨﻭﻤﻪ ﻭﺘﺩﻓﻌﻬﻡ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ﺜﻡ‬
‫ﺘﻘﻑ ﻭﺘﺴﺘﻨﺩ ﻋﻠﻰ ﻜﺎﺒﻴﻨﺔ ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﻭﺘﺼﺒﺢ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺭﻯ ﻗﻨﺎﻭﻯ‬
‫ﻓﺘﺩﻕ ﻋﻠﻰ ﺯﺠﺎﺝ ﺍﻝﻜﺎﺒﻴﻨﺔ ﺤﺘﻰ ﻴﻼﺤﻅﻬﺎ‬
‫ﻭﻴﻠﺘﻔﺕ ﻝﻬﺎ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪441‬‬
‫ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﺍﻁﻠﻊ ﺩﻭﺨﺘﻨﻲ ﻋﻠﻰ ﺍﻝﺠﺭﺩل‬ ‫‪ Shot O S‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬
‫ﻤﻥ ﺍﻝﺼﺒﺢ ﻭﺩﻴﺘﻪ ﻓﻴﻥ‬ ‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ‬
‫ﺘﻌﺈﻝﻰ ﻫﺎﺘﻬﻭﻝﻰ ﻴﺎﻻ ﻨﺭﻜﺏ ﻗﻁﺭ‬ ‫ﻴﻤﻴﻥ ﻭﻨﺭﻯ ﻗﻨﺎﻭﻯ ﺩﺍﺨل ﺍﻝﻜﺎﺒﻴﻨﺔ‬
‫ﺍﻝﻤﻨﺎﻭﺭﺓ‬ ‫ﻤﻭﺍﺠﻬﻪ ‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

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‫ﻭﺘﺘﺤﺩﺙ ﻝﻪ ﻓﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﺒﻴﻨﺔ‬

‫ﻭﺘﺨﺭﺝ ﻫﻰ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﻭل‬

‫ﺃﻝﻠﻘﻁﺔ ﺇﻝﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺘﻘﺩﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(54‬‬ ‫‪442‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻴﺎﻻ ﺒﻘﻰ‬ ‫ﻭﺘﻘﻑ ﻭﺘﻠﺘﻔﺕ ﻭﺘﻨﺎﺩﻯ ﻋﻠﻰ ﻗﻨﺎﻭﻯ ﺜﻡ‬
‫ﺘﺴﻴﺭ ﺇﻝﻰ ﺍﻝﻌﻤﻕ ﻭﻴﺩﺨل ﻗﻨﺎﻭﻯ ﺨﻠﻔﻬﺎ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﻴﺭﻭﺍ ﻋﻠﻰ ﺭﺼﻴﻑ‬
‫ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﺒﺭﻭﻯ ﺃﺼﻭﺍﺕ ﻤﺘﺩﺍﺨﻠﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﻫﻨﻭﻤﻪ ﻫﺎﺘﺭﻭﺡ‬ ‫‪ 443‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﻨﺎﺱ‬
‫ﻤﺘﺠﻤﻌﻴﻥ ﺤﻭل ﺸﻰ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪High‬‬
‫‪ angle‬ﻭﻨﺎﺱ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﻨﻀﻡ ﺇﻝﻰ ﺍﻝﻨﺎﺱ ﺍﻝﻤﻠﺘﻔﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 444‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻷﺒﻭ ﺃﺒﻭﺴﺭﻴﻊ‪ :‬ﻴﺎ ﻓﻨﺩﻡ ﻤﺵ ﻭﻗﺘﻪ ﺍﻝﺒﺕ‬
‫ﻫﺎﺘﺘﻘﺘل‬ ‫ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺴﻴﺭﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺴﻁ‬
‫ﺍﻝﻨﺎﺱ ﻭﺍﻝﺒﻭﻝﻴﺱ ﻤﻤﺴﻙ ﺒﻪ ﻭﻴﺼﺭﺥ ﺠﺎﺩ ﺍﷲ‪ :‬ﺒﻼﺵ ﺍﻝﺤﺭﻜﺎﺕ ﺩﻯ ﻴﺎ‬
‫ﻓﻴﻬﻡ ﻭﻴﺩﺨل ﻝﻪ ﺠﺎﺩ ﺍﷲ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺍﺨﻰ ﻴﻌﻨﻰ ﻗﻠﺒﻙ ﻋﻠﻴﻬﺎ ﻗﻭﻯ‬
‫ﻓﻴﻘﻑ ﻓﻰ ﻭﺠﻪ ﺜﻡ ﻴﺘﺤﺩﺙ ﺍﻝﻀﺎﺒﻁ ﻝﻬﻡ ﺃﺒﻭﺴﺭﻴﻊ‪ :‬ﻴﺎ ﻨﺎﺱ ﺍﻓﻬﻤﻭﻨﺎ ﺒﻘﻰ‬
‫ﺍﻝﻀﺎﺒﻁ‪ :‬ﺒﺱ ﺍﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‬ ‫ﻭﻴﺤﺠﺯ ﺒﻴﻨﻬﻡ‬
‫ﺍﻻﻤﺒﺎﺸﻰ ﺤﺴﻨﻴﻥ‪:‬ﺃﻓﻨﺩﻡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪445‬‬
‫‪ Medium .Close‬ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﻨﺎﺩﻯ ﻋﻠﻰ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺤﻀﺭﺓ ﺍﻝﻀﺎﺒﻁ‬ ‫‪ 446‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﺍﻝﻀﺎﺒﻁ‪ :‬ﺍﻴﻭﻩ‬ ‫ﻝﻠﻨﺎﺱ ﺍﻝﻤﺘﺠﻤﻌﻴﻥ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻴﺸﻕ‬
‫ﻁﺭﻴﻘﺔ ﻤﻥ ﺒﻴﻥ ﺍﻝﺯﺤﺎﻡ ﻭﻴﺘﻘﺩﻡ ﻤﻥ ﻋﻤﻕ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﺍﻝﻭﺍﺩ ﻗﻨﺎﻭﻯ ﺍﺘﺠﻨﻥ‬
‫ﻋﻘﻠﻪ ﺭﺍﺡ ﻀﺭﺏ ﺍﻝﺒﺕ ﺤﻼﻭﺘﻬﻡ‬ ‫ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﻤﻘﺩﻤﺘﻪ ) ﺍﻝﻜﺎﻤﻴﺭﺍ ‪High‬‬
‫ﺒﺎﻝﺴﻜﻴﻨﺔ‬ ‫‪ ( angle‬ﻭﺘﺘﺤﺭﻙ ﻤﻌﻪ‬

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‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Dolly back‬ﺜﻡ ﻴﺘﻭﻗﻑ ﻋﻨﺩ ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺴﻤﻌﺘﻭﺍ ﺍﻝﻜﻼﻡ ﺍﻨﺎ‬
‫ﻤﺵ ﻗﻠﺕ ﻝﻜﻡ‬ ‫ﺍﻝﻀﺎﺒﻁ‬
‫ﺍﻝﻀﺎﺒﻁ‪ :‬ﻗﻨﺎﻭﻯ ﻤﻴﻥ ﺍﻝﻭﺍﺩ ﺒﺘﺎﻉ‬
‫ﺍﻝﺠﺭﺍﺌﺩ‬ ‫ﺜﻡ ﻴﺘﺤﺭﻙ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﺍﻝﻨﺎﺱ ﻨﺤﻭ ﺍﻝﻌﻤﻕ‬
‫ﺍﻝﻨﺎﺱ‪ :‬ﺍﻴﻭﺓ ﻫﻭ‬
‫ﺍﻝﻀﺎﺒﻁ‪ :‬ﻫﻭ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪:‬ﺍﻴﻭﻩ ﻤﺴﻜﻴﻥ ﻋﻘﻠﻪ‬
‫ﺃﺘﻠﺤﺱ ﺍﻁﻠﺒﻭﻝﺔ ﻤﺴﺘﺸﻔﻰ‬
‫ﺍﻝﻤﺠﺎﺯﻴﺏ ﺩﻩ ﻤﺴﻜﻴﻥ ﺨﺎﻝﺹ‬
‫ﺯﻗﺯﻭﻕ‪ :‬ﺩﻯ ﻗﻨﺎﻭﻯ ﺨﺩ ﺍﻝﺒﺕ‬
‫ﻫﻨﻭﻤﻪ ﻭﺭﺍﺡ ﺍﻝﻤﻨﺎﻭﺭﺓ‬
‫ﺃﺒﻭ ﺴﺭﻴﻊ ‪ :‬ﺍﻝﻤﻨﺎﻭﺭﺓ‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ‪ :‬ﻴﺎ ﺭﺏ ﺴﺘﺭﻙ ﻴﺎ ﺭﺏ‬
‫ﺃﻝﺤﻘﻭﻩ ﻴﺎ ﺭﺠﺎﻝﻪ ﻗﺒل ﻤﺎ ﻴﺨﻠﺹ‬
‫ﻋﻠﻴﻬﺎ‬
‫ﺯﻗﺯﻭﻕ ‪:‬ﻗﻨﺎﻭﻯ ﻫﻴﻘﺘل ﺍﻝﺒﺕ ﻫﻨﻭﻤﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 447‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻷﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﺨﻠﻔﻪ ﺍﻝﻨﺎﺱ ﻴﺠﺭﻭﻥ ﺒﺎﺘﺠﺎﻩ‬
‫ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﻘﻑ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﻥ‬
‫ﻭﺴﻁﻬﻡ ﻭﻴﺼﺒﺢ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 448‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻤﻼﺤﻅ ﺍﻝﻤﺤﻁﺔ ﻭﻫﻭ‬
‫ﻤﻤﺴﻙ ﺒﻔﺎﻨﻭﺱ ﻴﺸﺎﻭﺭ ﺒﻪ ﻝﻠﻘﻁﺎﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(55‬‬ ‫‪449‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺼﻭﺕ ﻗﻁﺎﺭ‬ ‫ﺭﺼﻴﻑ ﺍﻝﻘﻁﺎﺭﺍﺕ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬

‫ﻫﻨﻭﻤﻪ‪ :‬ﺍﻩ ﺃﻋﻭﺯ ﺒﺎﷲ ﺍﻴﻭﻩ ﻜﺩﻩ‬ ‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺠﺎﻝﺴﺔ ﻋﻠﻰ ﺒﺎﺏ ﺍﻝﻘﻁﺎﺭ‬
‫ﺍﻝﺩﻨﻴﺎ ﻁﺭﺕ ﺸﻭﻴﻪ ﻴﺎ ﺴﺎﺘﺭ‬ ‫ﻭﻫﻭ ﻴﺴﻴﺭ ﻭﻫﻰ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺤﺩﺙ ﺜﻡ ﺘﻠﺘﻔﺕ ﻭﺘﺠﻠﺱ ﻋﻠﻰ‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﺼﺒﺢ ﺒﺭﻭﻓﻴل ‪side angle‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬

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‫‪ 450‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻋﻠﻰ‬
‫ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ‬

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‫‪451‬‬

‫ﻫﻨﻭﻤﻪ‪ :‬ﻤﺎﻝﻙ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬

‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺠﺎﻝﺴﺔ ﻋﻠﻰ ﺒﺎﺏ ﺍﻝﻘﻁﺎﺭ‬
‫ﺒﺭﻭﻓﻴل ‪ side angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﻠﺘﻔﺕ‬

‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﻗﻨﺎﻭﻯ ‪ :‬ﺍﻨﺕ ﻤﺎﺴﺎﻓﺭﺘﻴﺵ ﻝﻴﻪ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﻭﻫﺎ ﺃﺴﺎﻓﺭ ﺃﺭﻭﺡ ﻓﻴﻥ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻁﺏ ﺒﻜﺭﺓ ﺒﻘﻰ ﻨﺭﺠﻊ ﺍﻝﺒﻠﺩ‬
‫ﻫﻨﻭﻤﻪ ‪ ) :‬ﻭﻫﻰ ﺘﻐﻨﻰ ( ﻭﺍﺤﻨﺎ‬
‫ﺒﻜﺭﺓ ﻫﺎﻨﺘﺠﻭﺯ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻭﻨﺒﻌﺩ ﻋﻥ ﺍﻝﺯﻴﻁﺔ ﺩﻯ‬
‫ﻜﻠﻬﺎ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻋﺎﺭﻑ ﺍﻝﻤﺤﻁﺔ‬
‫ﺤﺎﺘﻭﺤﺸﻨﻰ ﻗﻭﻯ‬
‫ﺒﺱ ﺃﺤﺴﻥ‬
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‫‪ 452‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻋﻠﻰ‬
‫ﻗﻨﺎﻭﻯ ﻭﻫﻭ ﻭﺍﻗﻑ ﻭﻴﺘﺤﺩﺙ ﺇﻝﻰ ﻫﻨﻭﻤﻪ‬
‫ﺜﻡ ﺘﺭﺩ ﻋﻠﻴﻪ‬
‫ﺜﻡ ﻴﺘﺤﺭﻙ ﺇﻝﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﻌﻪ ‪ pan right‬ﻭﻴﺘﺤﺩﺜﻭﻥ‬
‫ﺜﻡ ﺘﻘﻑ ﻋﻠﻰ ﺤﺭﻑ ﺍﻝﺒﺎﺏ ﻭﺘﻤﺴﻙ ﺒﺎﻝﻴﺩ‬
‫ﻭﺘﺘﺄﺭﺠﺢ ﻭﺘﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻭﺘﻌﻭﺩ ﺜﺎﻨﻴﺔ ﻭﻴﻀﺤﻜﻭﻥ‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬ ‫‪453‬‬
‫‪ Close.‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻀﺤﻙ‬

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‫‪ 454‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻭﺍﻗﻔﻪ ﻋﻠﻰ ﺴﻠﻡ ﺒﺎﺏ‬
‫ﺍﻝﻘﻁﺎﺭ ﻭﺘﻤﺴﻙ ﺒﺎﻝﻴﺩ ﻭﺘﺘﺄﺭﺠﺢ ﻓﻰ ﺨﻠﻔﻴﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ ﻴﺠﻠﺱ ﻗﻨﺎﻭﻯ‬
‫ﺨﻠﻔﻴﺔ ‪Full rear‬‬

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‫ﻗﻨﺎﻭﻯ ‪ :‬ﻓﺭﺤﺎﻨﺔ ﻴﺎ ﻫﻨﻭﻤﻪ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬ ‫‪455‬‬
‫‪ Close.‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻀﺤﻙ‬

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‫ﻫﻨﻭﻤﻪ ‪ :‬ﻋﻘﺒﺎﻝﻙ ﺍﻨﺕ ﻜﻤﺎﻥ ﻝﻤﺎ‬ ‫‪ 456‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻭﺍﻗﻔﻪ ﻋﻠﻰ ﺴﻠﻡ ﺒﺎﺏ ﺘﻼﻗﻰ ﺒﻨﺕ ﺍﻝﺤﻼل ﺇﻝﻰ ﺘﺭﻴﺢ ﻗﻠﺒﻙ‬
‫ﺍﻝﻘﻁﺎﺭ ﻭﺘﻤﺴﻙ ﺒﺎﻝﻴﺩ ﻭﺘﺘﺄﺭﺠﺢ ﻓﻰ ﺨﻠﻔﻴﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ ﻴﺠﻠﺱ ﻗﻨﺎﻭﻯ‬
‫ﻭﻴﻨﻅﺭ ﻝﻬﺎ ﻭﻫﻭ ﺨﻠﻔﻴﺔ‪Full rear‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬ ‫‪457‬‬

‫‪ Close.‬ﻝﻘﻨﺎﻭﻯ ﻓﻰ ﻭﺠﻭﻡ‬

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‫‪ 458‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻌﻴﻥ ﻗﻨﺎﻭﻯ‬

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‫ﻫﻨﻭﻤﻪ ‪ :‬ﻋﺎﺭﻑ ﺃﻨﺎ ﻝﻤﻴﺕ ﻜل‬ ‫‪ 459‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﺍﻝﻌﺯﺍل ﺒﺘﺎﻋﻰ ﻓﺎﻀل ﺍﻝﺠﺭﺩل‬ ‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﻭﺍﻗﻔﻪ ﻋﻠﻰ ﺴﻠﻡ ﺒﺎﺏ‬
‫ﺃﺒﻭﺴﺭﻴﻊ ﻗﺎﻝﻲ ﺍﻨﻪ ﺭﺍﺡ‬ ‫ﺍﻝﻘﻁﺎﺭ ﻭﺘﻤﺴﻙ ﺒﺎﻝﻴﺩ ﻭﺘﺘﺄﺭﺠﺢ ﻓﻰ ﺨﻠﻔﻴﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ ﻴﺠﻠﺱ ﻗﻨﺎﻭﻯ‬
‫ﻭﻴﻨﻅﺭ ﻝﻬﺎ ﻭﻫﻭ ﺨﻠﻔﻴﺔ‪Full rear‬‬

‫ﻗﻨﺎﻭﻯ ‪ :‬ﺃﺒﻭ ﺴﺭﻴﻊ ﻗﺘل ﺤﻼﻭﺘﻬﻡ‬
‫ﻫﻨﻭﻤﻪ‪ :‬ﺍﻴﻪ ﺒﺘﻘﻭل ﺍﻴﻪ ﺍﻨﺕ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻋﺎﻭﺯ ﻴﻠﻬﻑ ﺍﻝﻘﺭﺸﻴﻥ ﺍﻝﻠﻰ‬
‫ﺤﻭﺸﺘﻴﻬﻡ‬
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‫‪ 460‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬
‫‪ Close.‬ﻝﻘﻨﺎﻭﻯ ﻴﻘﺎﻁﻌﻬﺎ ﻭ ﻴﺘﺤﺩﺙ‬
‫ﺒﺴﺭﻋﺔ‬

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‫ﻫﻨﻭﻤﻪ‪ :‬ﺍﻨﺕ ﻴﺎ ﻭﺍﺩ ﺃﺘﺠﻨﻴﺕ‬ ‫‪ 461‬ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬

‫‪ Shot‬ﻭﻗﻨﺎﻭﻯ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻗﻨﺎﻭﻯ ‪ :‬ﻝﻜﻥ ﺃﻨﺎ ﻤﺵ ﻫﺎﺨﻠﻴﻪ ﻴﻘﺭﺏ‬
‫ﻝﻙ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺸﻤﺎل‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺍﻴﻪ ﺩﻩ ﺒﻴﺤﺒﻨﻰ ﻭ‬ ‫ﻭﻫﻨﻭﻤﻪ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻫﻴﺘﺠﻭﺯﻨﻰ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﻘﻑ ﻗﻨﺎﻭﻯ‬
‫ﻗﻨﺎﻭﻯ ‪ :‬ﻻ ﺩﻩ ﺃﻨﺎ ﺍﻗﺘﻠﻪ ﺃﺤﺴﻥ‬ ‫ﻭﻻ ﻴﻅﻬﺭ ﺍﻻ ﺍﺭﺠﻠﻪ ﻭﻴﺩﻩ‬
‫ﻭﺃﻗﺘﻠﻙ ﺍﻨﺕ‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﻫﻴﻪ ﺒﻘﻰ ﻜﺩﻩ ﺍﻨﺕ ﺒﺘﻐﻴﺭ‬
‫ﻋﻠﻴﺎ ﻴﺎ ﻗﻨﺎﻭﻯ ﻫﻪ ﻫﻪ‬ ‫ﺜﻡ ﻴﺘﺤﺭﻙ ﻨﺤﻭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺩﺙ‬
‫ﻭﻴﺨﺭﺝ ﺍﻝﺴﻜﻴﻥ ﻭﻴﻠﻭﺡ ﺒﻬﺎ‬
‫ﻓﺘﻤﺴﻙ ﻴﺩﻩ ﺘﻼﻁﻔﻪ ﻭﺘﻘﻑ ﻭﻤﻌﻬﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt up‬ﺜﻡ ﺘﻘﻑ ﻭﺘﻠﺘﻔﺕ ﺒﻪ ﺜﻡ‬
‫ﺘﺩﻓﻌﻪ ﻋﻠﻰ ﺍﻷﺭﺽ‬

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‫ﺼﻭﺕ ﻗﻁﺎﺭ‬ ‫ﻤﺸﻬﺩ )‪(56‬‬ ‫‪462‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﻗﻀﺒﺎﻥ ﺍﻝﻘﻁﺎﺭ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻤﻼﺤﻅ ﺍﻝﻤﺤﻁﺔ ﻭﻫﻭ‬
‫ﻴﻬﺒﻁ ﻤﻥ ﻗﻁﺎﺭ ﻭ ﻴﺴﻴﺭ ﻨﺤﻭ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪pan right‬‬
‫ﻭﻫﻭ ﻤﻤﺴﻙ ﺒﻔﺎﻨﻭﺱ ﻴﺸﺎﻭﺭ ﺒﻪ ﻝﻠﻘﻁﺎﺭ‬

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‫ﺼﻭﺕ ﻤﺫﻴﻊ ﺍﻝﻤﺤﻁﺔ ‪:‬‬ ‫ﻤﺸﻬﺩ )‪(57‬‬ ‫‪463‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺍﺒﺘﻌﺩﻭﺍ ﻋﻥ ﻤﻨﻁﻘﺔ ﺍﻝﻤﻨﺎﻭﺭﺓ‬ ‫ﻋﺭﺒﺔ ﺍﻝﻘﻁﺎﺭ‬

‫ﺼﻭﺕ ﺒﻜﺎﺀ ﻭﺃﻨﻔﺎﺱ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬

‫ﻫﻨﻭﻤﻪ‬ ‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺘﺠﺭﻯ ﻓﻰ ﻤﻤﺭ ﺍﻝﻌﺭﺒﺔ ﻭﻴﺠﺭﻯ ﺨﻠﻔﺎ‬
‫ﻗﻨﺎﻭﻯ ﺍﻝﺫﻯ ﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺃﻴﻀﺎ‬
‫ﻭﻫﻭ ﻴﺤﻤل ﺍﻝﺴﻜﻴﻥ ﻭﻴﻠﻭﺡ ﺒﻬﺎ‬

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‫ﺼﻭﺕ ﺒﻜﺎﺀ ﻭﺃﻨﻔﺎﺱ‬ ‫ﻤﺠﺭﻡ ﻴﺤﻤل ﺴﻜﻴﻥ ﻋﻠﻰ ﺭﺠﺎل‬ ‫‪ 464‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﻫﻨﻭﻤﻪ‬ ‫ﺍﻷﻤﻥ‬ ‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺘﺠﺭﻯ ﻓﻰ ﻤﻤﺭ ﺍﻝﻌﺭﺒﺔ ﻭﺘﺤﺎﻭل ﻓﺘﺢ ﺒﺎﺏ‬
‫ﻜﺎﺒﻴﻨﺔ‬

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‫ﺼﻭﺕ ﺒﻜﺎﺀ ﻭﺃﻨﻔﺎﺱ‬ ‫ﻓﻰ ﺍﻝﻤﻨﻁﻘﺔ ﺍﻻﺘﺠﺎﻩ ﺇﻝﻰ ﻤﻨﻁﻘﻪ‬ ‫‪ 465‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻫﻨﻭﻤﻪ‬ ‫ﺍﻝﻤﻨﺎﻭﺭﺓ‬ ‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺤﺎﻭل ﻓﺘﺢ ﺍﻝﺒﺎﺏ ﺜﻡ ﺘﻔﺘﺤﺔ‬
‫ﻭﻫﻰ ﺘﺘﻠﻔﺕ ﺤﻭﻝﻬﺎ ﺒﻔﺯﻉ ﻭﺘﺩﺨل ﻭﺘﻐﻠﻕ‬
‫ﺍﻝﺒﺎﺏ‬

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‫ﻓﻰ ﺍﻝﻤﻨﻁﻘﺔ ﺍﻻﺘﺠﺎﻩ ﺇﻝﻰ ﻤﻨﻁﻘﻪ‬ ‫‪ 466‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot ( LS‬‬
‫ﺍﻝﻤﻨﺎﻭﺭﺓ‬ ‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﻤﺸﻰ ﻴﻔﺘﺵ ﺒﻴﻥ ﺍﻝﻜﺒﺎﺌﻥ ﻓﻰ ﻤﻤﺭ‬
‫ﺍﻝﻌﺭﺒﺔ‬

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‫‪ 467‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻴﻬﻡ ﺒﻤﻐﺎﺩﺭﺓ‬
‫ﺍﻝﻘﻁﺎﺭ ﻓﻴﺭﻯ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﺍﻝﻌﺴﻜﺭﻱ‬
‫ﻴﺠﺭﻭﻥ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻘﻁﺎﺭ ﻓﻴﻠﺘﻔﺕ ﻓﻴﺨﺘﺒﺊ‬
‫ﻓﻰ ﻅﻠﻤﻪ ﺸﺒﺎﻙ ﻭﻤﻌﻪ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan‬‬
‫‪ right‬ﻭﻴﺘﺤﻭل ﺍﻝﻤﺸﻬﺩ ﺇﻝﻰ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium .Close‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻋﻠﻴﻪ ﺘﺄﺜﻴﺭﺍﺕ ﺇﻀﺎﺀﺓ ﻤﻥ‬
‫ﺍﻝﺸﺒﺎﻙ‬

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‫ﺃﺒﻭﺴﺭﻴﻊ ‪ :‬ﺍﺴﺒﻘﻭﻨﻲ ﻭﺤﺼﺎﻝﻭﻨﻰ‬ ‫‪ 468‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻤﻥ ﺍﻝﻨﺎﺤﻴﺔ ﺍﻝﺜﺎﻨﻴﺔ‬ ‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺼﻌﺩ ﺒﻅﻬﺭﻩ ﺇﻝﻰ ﺍﻝﻌﺭﺒﺔ‬
‫ﻫﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ‬ ‫ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ ﻝﻠﻜﺎﻤﻴﺭﺍ ‪Full Front‬‬
‫‪ Face‬ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪ Tilt up‬ﺜﻡ‬
‫ﻴﻠﺘﻔﺕ ﻭﻴﺨﺭﺝ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺩﺍﺨل ﺍﻝﻌﺭﺒﺔ‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Zoom in‬ﻭﻴﻅﻬﺭ ﺨﻴﺎل‬
‫ﻗﻨﺎﻭﻯ ﻤﻊ ﺨﺭﻭﺠﻪ ﻴﺘﺤﺭﻙ ﻤﻥ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ‬

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‫ﺃﺒﻭﺴﺭﻴﻊ‪ :‬ﻫﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ‬ ‫‪ 469‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻫﻨﻭﻤﻪ ‪ :‬ﺃﺒﻭﺴﺭﻴﻊ ﺃﺒﻭﺴﺭﻴﻊ‬ ‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺤﺎﻭل ﻓﺘﺢ ﺍﻝﻨﺎﻓﺫﺓ ﺜﻡ‬
‫ﺃﺒﻭﺴﺭﻴﻊ‬ ‫ﺘﺴﻤﻊ ﺼﻭﺕ ﺃﺒﻭ ﺴﺭﻴﻊ ﻓﺘﺘﺠﻪ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﺒﺎﺏ ﻭﻫﻰ ﺘﺼﺭﺥ ﻭﻤﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan‬‬
‫‪left‬ﺤﺘﻰ ﺍﻝﺒﺎﺏ ﻭﺘﺤﺎﻭل ﻓﺘﺤﻪ‬

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‫ﺍﻫﻨﻭﻤﻪ ‪ :‬ﺍﺓ‬ ‫‪ 470‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﺤﺎﻭل ﻓﺘﺢ ﺍﻝﺒﺎﺏ ﺒﻜل‬
‫ﻗﻭﺘﻬﺎ ﺜﻡ ﺘﻔﺘﺤﻪ ﻓﻴﻅﻬﺭ ﻗﻨﺎﻭﻯ ﻭﻴﺩﻓﻌﻬﺎ‬
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‫‪ 471‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ‬
‫ﺘﺼﺭﺥ ﻭﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠﻰ ﻋﻨﻘﻬﺎ ﺒﻔﺯﻉ‬

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‫ﻝﻠﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬ ‫‪472‬‬
‫ﻝﻘﻨﺎﻭﻯ ﻭﻴﺩﻓﻌﻬﺎ ﺒﻴﺩﻩ ﻓﻴﺨﺭﺠﻬﺎ ﻤﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﺒﻌﻨﻑ‬

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‫‪ 473‬ﻝﻠﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻴﺩﻓﻌﻬﺎ ﻓﻴﻪ ﻭﻴﺩﺨل ﺍﻝﻜﺎﺩﺭ ﺒﻌﺩﻫﺎ ﻭﻴﻀﻊ‬
‫ﻴﺩﻩ ﻋﻠﻰ ﻓﻤﻬﺎ ﻝﻴﻤﻨﻌﻬﺎ ﻤﻥ ﺍﻝﺼﺭﺍﺥ‬
‫ﻭﻫﻭ ﻴﺤﻤل ﺍﻝﺴﻜﻴﻥ ﻭﻴﻬﺠﻡ ﻋﻠﻴﻬﺎ‬
‫ﻭﻴﺨﺭﺠﺎﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺜﺒﺕ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ﺨﺎﺭﺝ ﺍﻝﻨﺎﻓﺫﺓ ﻭﻴﺘﺤﻭل‬
‫ﺍﻝﻤﺸﻬﺩ ﺇﻝﻰ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long Shot‬‬
‫) ‪ LS‬ﻓﻨﺠﺩ ﺍﻝﻀﺎﺒﻁ ﻭﺃﺒﻭﺴﺭﻴﻊ‬
‫ﻭﺍﻝﻌﺴﺎﻜﺭ ﻴﺠﺭﻭﻥ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﺜﻡ ﻴﻌﻭﺩﻭﻥ‬
‫ﻤﻭﺍﺠﻬﻪ ﻝﻠﻜﺎﻤﻴﺭﺍ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺨﺭﺠﻭﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 474‬ﻝﻠﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻘﺎﻭﻡ ﻗﻨﺎﻭﻯ ﻭﻴﺘﺤﺭﻜﺎﻥ‬
‫ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﻴﻤﻴﻨﻪ ﺜﻡ ﺘﻌﻀﻪ‬
‫ﻓﻴﺼﺭﺥ ﻭﺘﺨﺭﺝ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫ﻤﺸﻬﺩ )‪(58‬‬ ‫‪475‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﻗﻀﺒﺎﻥ ﺍﻝﺴﻜﺔ ﺍﻝﺤﺩﻴﺩ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻫﻰ ﺘﻘﻔﺯ ﻤﻥ‬
‫ﻤﺅﺨﺭﺓ ﺍﻝﻘﻁﺎﺭ ﻭﻴﻘﻔﺯ ﺨﻠﻔﻬﺎ ﻗﻨﺎﻭﻯ‬
‫ﻭﻴﻬﺠﻡ ﻋﻠﻴﻬﺎ ﻭﻴﺴﻘﻁﻭﻥ ﻋﻠﻰ ﺍﻝﻘﻀﻴﺏ‬
‫ﻭﻴﺘﺩﺤﺭﺠﻭﻥ ﻋﻠﻰ ﺍﻝﻘﻀﻴﺏ ﻭﻓﻰ ﻴﺩﻩ‬

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‫ﺍﻝﺴﻜﻴﻥ‬

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‫‪ 476‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻝﻬﻤﺎ‬
‫ﻭﻫﻤﺎ ﻴﺘﺩﺤﺭﺠﺎﻥ ﻋﻠﻰ ﺍﻝﻘﻀﻴﺏ ﺤﺘﻰ‬
‫ﻴﺨﺭﺠﻭﺍ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ‬
‫ﺍﻝﻘﻀﺒﺎﻥ ﻝﻴﻐﻠﻕ‬

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‫‪ 477‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻗﻨﺎﻭﻯ ﺠﺎﻝﺱ ﻤﻤﺴﻙ ﺒﻬﺎ ﻋﻠﻰ‬
‫ﻗﻀﺒﺎﻥ ﺍﻝﻘﻁﺎﺭ ﻭﺘﻅﻬﺭ ﺍﻝﺴﻜﻴﻥ‬

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‫‪ 478‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬ﻝﺴﺎﺌﻕ‬
‫ﺍﻝﻘﻁﺎﺭ ﻭﻤﺴﺎﻋﺩﺓ ﻭﻫﻭ ﻴﻨﻅﺭ ﻤﻥ ﺍﻝﺸﺒﺎﻙ‬

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‫‪ 479‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻝﻌﺭﺒﻪ‬
‫ﻗﻁﺎﺭ ﻭﺍﻗﻔﺔ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪Low angle‬‬

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‫‪ 480‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻋﻠﻰ‬
‫ﻤﻔﺼﻼﺕ ﺍﻝﻘﻁﺎﺭ ﻭﻫﻰ ﺘﺒﺩﺍﺀ ﺒﺎﻝﺩﻓﻊ‬

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‫‪ 481‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻋﻠﻰ‬
‫ﻋﺭﺒﻪ ﺍﻝﻘﻁﺎﺭ ﺍﻝﺘﻰ ﺨﺭﺠﺕ ﻤﻨﻬﺎ ﻫﻨﻭﻤﻪ‬
‫ﻭﻫﻰ ﺘﺘﺤﺭﻙ ﻨﺤﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ‬

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‫‪ 482‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﻬﻨﻭﻤﻪ ﻭﻗﻨﺎﻭﻯ ﺠﺎﻝﺱ ﻤﻤﺴﻙ ﺒﻬﺎ ﻋﻠﻰ‬
‫ﻗﻀﺒﺎﻥ ﺍﻝﻘﻁﺎﺭ ﻭﻫﻡ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺍﻝﻘﻁﺎﺭ ﻴﺘﻘﺩﻡ ﻨﺎﺤﻴﺘﻬﻡ‬

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‫‪ 483‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ‬
‫ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﺨﻠﻔﺔ ﺍﻝﻨﺎﺱ ﻭﻤﻼﺤﻅ‬
‫ﺍﻝﻤﺤﻁﺔ ﻭﻴﻠﺘﻔﺕ ﻭﻴﺒﺎﻥ ﻋﻠﻴﻪ ﺍﻝﺫﻋﺭ‬

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‫‪ 484‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ‬
‫ﻭﻗﻨﺎﻭﻯ ﻭﻫﻡ ﻤﺴﺘﻠﻘﻴﻥ ﻋﻠﻰ ﻗﻀﺒﺎﻥ‬
‫ﺍﻝﻘﻁﺎﺭ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 485‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ ﺃﺒﻭﺴﺭﻴﻊ‪ :‬ﻭﻗﻑ ﻴﺎﻋﻡ ﻭﻗﻑ ﻴﺎﻋﻡ‬
‫ﺍﻝﻘﻁﺭ ﻫﺎ ﻴﻔﺭﻤﻬﻡ ﻭﻗﻑ ﻴﺎﻋﻡ‬ ‫ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻠﺘﻔﺕ ﻝﻠﻤﻼﺤﻅ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻭﻴﺼﺭﺥ ﻓﻴﻪ‬

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‫ﻭﺍﻝﻤﻼﺤﻅ ﻴﺸﺎﻭﺭ ﺒﺎﻝﻔﺎﻨﻭﺱ‬

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‫‪ 486‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ‬
‫ﻭﻗﻨﺎﻭﻯ ﻭﻫﻡ ﻤﺴﺘﻠﻘﻴﻥ ﻋﻠﻰ ﻗﻀﺒﺎﻥ‬
‫ﺍﻝﻘﻁﺎﺭ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻘﻁﺎﺭ ﻴﺘﻘﺩﻡ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻨﺤﻭﻫﻡ‬

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‫‪ 487‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬ﻝﺴﺎﺌﻕ‬
‫ﺍﻝﻘﻁﺎﺭ ﻭﻤﺴﺎﻋﺩﺓ ﻭﻫﻡ ﻴﺤﺭﻜﻭﻥ ﺃﺩﻭﺍﺕ‬
‫ﻓﻰ ﻜﺎﺒﻴﻨﺔ ﺍﻝﻘﻴﺎﺩﺓ‬

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‫‪ 488‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬ﻝﻌﺠل‬
‫ﺍﻝﻘﻁﺎﺭ ﻭﻫﻭ ﻴﺴﻴﺭ ﻭﺍﻝﺩﺨﺎﻥ ﻴﺘﺼﺎﻋﺩ‬

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‫ﺃﺒﻭﺴﺭﻴﻊ‪:‬ﻭﻗﻑ ﺨﻼﺹ‬ ‫‪ 489‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ Long Shot‬ﻝﻠﻘﻁﺎﺭ ﻭﻫﻭ ﻴﺘﻭﻗﻑ ﻓﻰ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻅﻬﺭ ﻓﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻨﺎﻭﻯ ﻴﺭﻓﻊ ﺭﺃﺴﻪ ﻭﻫﻭ ﻫﻨﻭﻤﻪ‬
‫ﻤﺴﺘﻠﻘﻴﺔ ﻋﻠﻰ ﻭﺠﻬﻬﺎ ﻋﻠﻰ ﺍﻝﻘﻀﻴﺏ‬
‫ﻭﺘﺼﻠﺕ ﻋﻠﻴﻪ ﺇﻀﺎﺀﺓ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 490‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬
‫‪ Close.‬ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫‪ Full Front Face‬ﻭﻤﻨﺘﺼﻑ ﻭﺠﻬﻪ‬
‫ﻤﻐﻁﻰ ﺒﺎﻝﺩﻤﺎﺀ ﻭﻴﻀﺎﺀ ﻤﻥ ﺤﻭﻝﻪ‬
‫ﻜﺸﺎﻓﺎﺕ ﻭﻴﺼﺒﺢ ﻭﺠﻬﻪ ﻤﺤﺎﻁ ﺒﺩﺨﺎﻥ‬
‫ﺍﺒﻴﺽ‬

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‫‪ 491‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻷﺒﻭ ﺴﺭﻴﻊ‬
‫ﻭﻫﻭ ﻴﺩﺨل ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ‬
‫ﺒﻴﻥ ﺍﻝﻌﺴﺎﻜﺭ ﻭﺍﻝﻨﺎﺱ ﻭﻴﺘﺤﺭﻙ ﻭﺘﺘﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ﺸﺎﺭﻴﻭﻩ ﻭﻴﺨﺭﺝ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 492‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬
‫‪ Close.‬ﻴﺩﺨل ﻓﻴﻪ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫‪ Full Front Face‬ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬

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‫‪ 493‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﺭﺠﺎل‬

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‫ﻤﺴﺘﺸﻔﻰ ﺍﻝﻤﺠﺎﻨﻴﻥ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ‬

‫ﻴﺘﻘﺩﻤﻭﻥ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺤﺘﻰ ﺍﻝﻀﺎﺒﻁ‬
‫ﺍﻝﻤﺘﻭﻗﻑ ﻴﻤﻴﻥ ﻭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ‬
‫ﺍﻝﺸﻤﺎل ﻜﺸﺎﻑ ﻨﻭﺭ ﺜﻡ ﻴﻁﻔﺊ ﻭﻴﺘﺤﺩﺙ‬
‫ﺍﻝﺩﻜﺘﻭﺭ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﻊ ﺍﻝﻀﺎﺒﻁ ﺜﻡ‬
‫ﻴﺩﺨل ﺃﺒﻭﺴﺭﻴﻊ ﻤﻨﺩﻓﻊ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﻭﻗﻔﻭﻩ‬

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‫‪ 494‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ‬
‫ﻭﻫﻨﻭﻤﻪ ﻭﻫﻡ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻓﻰ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪ High angle‬ﻭﺍﻝﻨﺎﺱ‬
‫ﺘﺤﻭﻁ ﺒﺎﻝﻜﺎﺩﺭ ﻤﻥ ﻜل ﺠﺎﻨﺏ‬

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‫ﻗﻨﺎﻭﻯ‪ :‬ﻝﻭﺤﺩ ﻗﺭﺏ ﻝﻨﺎ‬ ‫‪ 495‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻝﺭﺍﺱ‬
‫ﻫﺎ ﻗﺘﻠﻬﺎ‬ ‫ﻫﻨﻭﻤﻪ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ ﻭﺍﻝﺴﻜﻴﻥ ﻋﻠﻰ‬
‫ﺭﻗﺒﺘﻬﺎ ﻭﺼﻭﺕ ﻗﻨﺎﻭﻯ ﻴﻬﺩﺩ‬

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‫ﻗﻨﺎﻭﻯ‪ :‬ﻤﺎﺘﺴﻴﺒﻭﻨﺎ ﻝﻭﺤﺩﻨﺎ ﺒﻘﻰ‬ ‫‪ 496‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﻝﺼﺩﻴﻘﺎﺕ ﻫﻨﻭﻤﻪ ﺍﻝﺒﺎﺌﻌﺎﺕ ﻭﻫﻡ ﻴﺩﺨﻠﻭﻥ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺘﺤﺕ ﻗﻁﺎﺭ ﻤﺘﻭﻗﻑ‬
‫ﻭﻴﺠﻠﺴﻭﻥ‬
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‫‪ 497‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﺍﻝﺩﻜﺘﻭﺭ‪ :‬ﺴﻴﺒﻭﺍ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻴﺭﻭﺡ‬
‫ﻝﻪ ﻭﺃﻨﺎ ﻓﻬﻤﺘﻪ ﻫﺎ ﻴﺘﻌﺎﻤل ﻤﻌﺎﻩ‬ ‫ﻝﻠﺩﻜﺘﻭﺭ ﻭﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻭﺃﺒﻭﺴﺭﻴﻊ‬
‫ﺍﺯﺍﻯ ﺭﻭﺡ ﻝﻪ‬ ‫ﻭﺍﻝﺩﻜﺘﻭﺭ ﻴﺘﺤﺩﺙ‬
‫ﺜﻡ ﻴﺭﺒﺕ ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻋﻠﻰ ﻜﺘﻑ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

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‫‪ 498‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪ Medium‬ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻗﻨﺎﻭﻯ ﺭﺩ ﻋﻠﻴﺎ ﺩﻩ ﺍﻨﺎ‬
‫ﺃﺒﻭﻙ ﻤﺩﺒﻭﻝﻰ‬ ‫‪ Long Shot‬ﻝﻬﻨﻭﻤﻪ ﻭﻗﻨﺎﻭﻯ ﻭﻫﻡ ﻓﻰ‬
‫ﻨﻔﺱ ﺍﻝﻭﻀﻊ ﺍﻝﺴﺎﺒﻕ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ‬
‫ﻭﻴﻜﻭﻨﻭﺍ ﻓﻰ ﻋﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨل‬
‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺘﻘﺩﻡ ﺇﻝﻴﻬﻡ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪High angle‬‬

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‫‪ 499‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﺍﻨﺕ ﺯﻋﻼﻥ ﻝﻴﻪ ﺩﻩ ﺍﻨﺎ‬
‫ﻭﻫﻭ ﻓﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﻭ ﻴﺘﻘﺩﻡ ﻫﻭ ﻫﺎﺠﻭﺯﻙ ﻫﻨﻭﻤﻪ ﻭﺍﻝﻤﻬﺭ ﺠﺎﻴﺒﺔ ﻝﻙ‬
‫ﻤﻌﺎﻴﺎ ﻓﻰ ﺠﻴﺒﻰ ﺍﻫﻪ‬ ‫ﻤﻭﺍﺠﻬﻪ ﻝﻠﻜﺎﻤﻴﺭﺍ ‪Full Front Face‬‬

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‫‪ 500‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻫﺎ ﻜﺘﺏ ﻝﻙ ﻋﻠﻴﻬﺎ‬
‫ﻭﻫﻭ ﻭﺍﻗﻑ ﻭﺨﻠﻔﻪ ﺍﻝﺒﻭﻝﻴﺱ ﻭﻴﺘﺤﺭﻙ ﺍﻝﻠﻴﻠﺔ ﺩﻯ ﺒﺱ ﺃﻭﻋﻰ ﻴﺎ ﺍﺒﻨﻰ ﻤﻥ‬
‫ﺨﻠﻔﻬﻡ ﺃﺒﻭ ﺴﺭﻴﻊ ﺇﻝﻰ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺴﻜﻪ ﺍﻝﻘﻁﺭ ﻗﻨﺎﻭﻯ ﻗﻨﺎﻭﻯ ﻴﺎ ﺍﺒﻨﻰ‬
‫ﺍﻝﻠﻴﻠﺔ ﺩﺨﻠﺘﻙ ﻋﻠﻰ ﻫﻨﻭﻤﻪ‬ ‫ﻭﻴﻨﺯل ﺘﺤﺕ ﻋﺭﺒﻪ ﺍﻝﻘﻁﺎﺭ ﺒﻴﻨﻤﺎ ﻋﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﻤﺴﺘﻤﺭ ﻓﻰ ﺍﻝﺤﺩﻴﺙ ﻭﻴﺘﺤﺭﻙ ﺃﺒﻭ‬

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‫ﺴﺭﻴﻊ ﻨﺤﻭ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ‬

‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪pan right‬‬

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‫ﺒﺩﺍﻴﺔ‬ ‫ﺼﻭﺕ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻭﺃﻨﺎ ﺒﻨﻔﺴﻲ‬ ‫‪ 501‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫‪ Close.‬ﻝﻘﻨﺎﻭﻯ ﻴﻨﻅﺭ ﺜﻼﺙ ﺃﺭﺒﺎﻉ ﻫﺎﻜﻭﻥ ﻤﻥ ﺍﻝﺸﻬﻭﺩ ﻭﻫﺎﻋﻤل ﻝﻙ ﻓﺢ‬
‫ﻤﻭﺍﺠﻬﻪ ‪ Front 4/3‬ﻭﻴﻨﻅﺭ ﺸﻤﺎل ﻜﺒﻴﺭ ﻗﻭﻯ ﻓﺭﺤﻙ ﻴﺎ ﻗﻨﺎﻭﻯ ﻓﺭﺤﻙ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻤﻨﺘﺼﻑ ﻭﺠﻬﻪ ﻤﻐﻁﻰ ﺒﺎﻝﺩﻤﺎﺀ‬

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‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻤﺎ ﻨﺘﺎﺵ ﻤﺼﺩﻕ‬ ‫‪ 502‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫‪ Close.‬ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﻴﻨﻅﺭ ﺜﻼﺙ‬
‫ﺃﺭﺒﺎﻉ ﻤﻭﺍﺠﻬﻪ ‪ Front 4/3‬ﻭﻴﻨﻅﺭ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻨﺘﺼﻑ ﻭﺠﻬﻪ ﻤﻐﻁﻰ‬
‫ﺒﺎﻝﺩﻤﺎﺀ‬

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‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 503‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﺴﻴﺒﻬﺎ ﻴﺎ ﻗﻨﺎﻭﻯ ﺨﻠﻴﻬﺎ‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻤﺴﺘﺭﻴﺤﺔ‬ ‫ﻷﺒﻭﺴﺭﻴﻊ ﻭﻫﻭ ﻴﺯﺤﻑ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ‬
‫ﺍﺘﺠﺎﻩ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

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‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 504‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻝﻘﺩﻡ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻗﻭﻡ ﺍﻨﺕ ﻤﻌﺎﻴﺎ ﻗﻭﻡ‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﻴﺴﻴﺭ ﻋﻠﻰ ﺍﻝﻘﻀﺒﺎﻥ‬

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‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻗﻭﻡ ﺍﻝﺒﺱ ﺠﻼﺒﻴﺔ‬ ‫‪ 505‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫‪ Long Shot‬ﻴﻅﻬﺭ ﻗﻨﺎﻭﻯ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻔﺭﺡ ﻓﺭﺤﻙ ﻴﺎ ﻗﻨﺎﻭﻯ ﻓﺭﺤﻙ ﺩﺍﻨﺎ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ ﻋﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻴﻅﻬﺭ ﺃﺒﻭ ﻫﺎ ﻋﻤﻠﻙ ﺃﺤﺴﻥ ﻓﺭﺡ ﺒﻤﺯﻴﻜﺎ ﺒﺎﻝﻨﻭﺭ‬
‫ﻭﺍﻝﺯﻓﺔ ﻗﻭﻡ ﻴﺎ ﻋﺭﻴﺱ‬ ‫ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻘﺘﺭﺏ ﺜﻡ ﻴﺩﺨل ﺠﺯﺀ ﻤﻥ‬
‫ﺠﻠﺒﺎﺒﻪ ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻗﻭﻡ ﻁﺎﻭﻋﻨﻲ ﺩﺍﻨﺎ‬ ‫‪ 506‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ Medium .2‬ﻝﻘﻨﺎﻭﻯ‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻤﺎﺒﺤﺒﺵ ﻝﻜﺵ ﺍﻻ ﺍﻝﺨﻴﺭ ﻴﺎ ﺍﺒﻨﻰ‬

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‫ﻓﻰ ﻤﻘﺩﻤﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﺃﺒﻭ ﺴﺭﻴﻊ ﻓﻰ‬

‫ﻋﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻻﺜﻨﻴﻥ ﻤﻭﺍﺠﻬﻪ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ‪Full Front Face‬‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 507‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻝﻌﻡ ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻴﺎﻻ ﺩﺨل ﺃﻴﺩﻴﻙ ﺠﻭﻩ‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻷﻜﻤﺎﻡ ﺩﻯ‬ ‫ﻤﺩﺒﻭﻝﻰ ﻭﻫﻭ ﻤﻤﺴﻙ ﺒﺎﻝﻘﻤﻴﺹ ﻭﻴﻤﺩ ﻴﺩﻩ‬
‫ﺒﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 508‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫‪ Long Shot‬ﻴﻅﻬﺭ ﻗﻨﺎﻭﻯ ﻓﻰ ﻤﻨﺘﺼﻑ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﺍﻝﺫﻯ‬
‫ﻴﻅﻬﺭ ﺠﺯﺀ ﻤﻥ ﺠﻠﺒﺎﺒﻪ ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻓﻰ ﻋﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻴﻅﻬﺭ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻘﺘﺭﺏ ﻨﺎﺤﻴﺘﻬﻡ‬

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‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 509‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻭﺠﻭﻩ ﺼﺩﻴﻘﺎﺕ ﻫﻨﻭﻤﻪ ﻭﻫﻡ ﻴﺘﺎﺒﻌﻭﻥ ﻤﺎ‬
‫ﻴﺤﺩﺙ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 510‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫‪ Long Shot‬ﻴﻅﻬﺭ ﻗﻨﺎﻭﻯ ﻓﻰ ﻤﻨﺘﺼﻑ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﺍﻝﺫﻯ‬
‫ﻴﻅﻬﺭ ﺠﺯﺀ ﻤﻥ ﺠﻠﺒﺎﺒﻪ ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻓﻰ ﻋﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻴﻅﻬﺭ ﺃﺒﻭ‬
‫ﺴﺭﻴﻊ ﻭﻫﻭ ﻴﻘﺘﺭﺏ ﻨﺎﺤﻴﺘﻬﻡ ﺜﻡ ﻴﺘﻘﺩﻡ‬
‫ﻭﻴﻤﺴﻙ ﺍﻝﺴﻜﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 511‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪ Medium Shot‬ﻝﻴﺩﻴﻥ‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫) ﻗﻨﺎﻭﻯ ﻭﺃﺒﻭ ﺴﺭﻴﻊ ( ﻭﻫﻡ ﻴﻤﺴﻜﻭﻥ‬
‫ﺍﻝﺴﻜﻴﻥ ﻴﺩ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩ ﻤﻥ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﺘﺘﺭﻙ ﻴﺩ ﻗﻨﺎﻭﻯ ﺍﻝﺴﻜﻴﻥ‬
‫ﻭﺘﺨﺭﺝ ﻴﺩ ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺒﺎﻝﺴﻜﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬

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‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫ﻋﻡ ﻤﺩﺒﻭﻝﻰ‪ :‬ﻴﺎﻻ ﺩﺨل ﺃﻴﺩﻴﻙ ﺠﻭﻩ‬ ‫‪ 512‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫‪ Long Shot‬ﻴﻅﻬﺭ ﻗﻨﺎﻭﻯ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻷﻜﻤﺎﻡ ﺍﻴﻭﻩ ﺍﻫﻭ ﻜﺩﺓ ﻜﻭﻴﺱ ﺍﻝﻜﻡ‬
‫ﺍﻝﺜﺎﻨﻲ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﻨﻅﺭ ﻝﻌﻡ ﻤﺩﺒﻭﻝﻰ ﺍﻝﺫﻯ‬
‫ﻴﺘﻘﺩﻡ ﻤﻥ ﻤﻘﺩﻤﻪ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﻴﻤﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﺒﺠﺎﻨﺏ ﻗﻨﺎﻭﻯ ﻭﻴﻠﺒﺴﻪ ﺍﻴﻭﻩ ﻗﻭﻡ ﻗﻭﻡ ﻴﺎ ﻋﺭﻴﺱ ﻴﺎ ﻗﻨﺎﻭﻯ‬
‫ﺍﻝﻘﻤﻴﺹ ﻭﻨﻼﺤﻅ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺨﺭﻭﺝ‬
‫ﻴﺎ ﺍﺒﻨﻰ ﻴﺎ ﻋﺭﻴﺱ‬ ‫ﺃﺒﻭ ﺴﺭﻴﻊ ﻤﻊ ﻫﻨﻭﻤﻪ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺘﻘﺩﻡ ﻤﻤﺭﻀﻴﻥ ﻤﻥ ﺨﻠﻑ ﻗﻨﺎﻭﻯ‬
‫ﻗﻨﺎﻭﻯ‪ :‬ﻻ ﻻ‬ ‫ﻝﻴﻠﺒﺴﻭﻩ ﺍﻝﻘﻤﻴﺹ ﺜﻡ ﻴﻘﻔﻭﺍ ﻭﻴﻠﺘﻑ ﻋﻡ‬
‫ﻤﺩﺒﻭﻝﻰ ﺤﻭﻝﻪ ﻴﻜﻠﻤﻪ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﻌﻪ ‪Tilt up‬‬

‫ﺜﻡ ﻴﺭﺒﻁﻭﺍ ﺍﻝﺤﺯﺍﻡ ﺤﻭل ﺫﺭﺍﻋﻴﻪ ﻤﻥ‬

‫ﺍﻝﺨﻠﻑ ﻓﻴﺼﺭﺥ ﻗﻨﺎﻭﻯ ﻭﻫﻡ ﻴﺤﻤﻠﻭﻩ‬
‫ﻭﻴﺘﺤﺭﻜﻭﺍ ﻓﻰ ﺍﻝﻌﻤﻕ‬

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‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫ﻗﻨﺎﻭﻯ‪ :‬ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻤﺎﺘﺴﺒﻨﻴﺵ ﻤﺎ‬ ‫‪ 513‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ‪Medium Shot‬‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﺘﺴﺒﻨﻴﺵ‬ ‫ﻝﻘﻨﺎﻭﻯ ﻭﻫﻭ ﻤﺤﻤﻭل ﻤﻥ ﺍﻝﻤﻤﺭﻀﻴﻥ‬
‫ﻭﻴﻠﺘﻔﺕ ﺒﻭﺠﻪ ﻭﻴﺼﺭﺥ ﻭﻴﺨﺭﺠﻭﺍ ﺒﻪ‬
‫ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﺩﺨل ﻋﻡ ﻤﺩﺒﻭﻝﻰ‬
‫ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﺤﺭﻜﻬﺎ ﻴﻤﻴﻥ‬
‫ﻭﻴﺴﺎﺭ ﻋﻼﻤﺔ ﺍﻝﺤﺯﻥ ﻭﻴﻜﻭﻥ ﻤﻭﺍﺠﻬﻪ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ‪Full Front Face‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 514‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻘﻨﺎﻭﻯ ﻗﻨﺎﻭﻯ‪ :‬ﻋﻡ ﻤﺩﺒﻭﻝﻰ ﻫﻨﻭﻤﻪ ﻫﻨﻭﻤﻪ‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﻫﻭ ﻤﺤﻤﻭل ﻤﻥ ﺍﻝﻤﻤﺭﻀﻴﻥ ﻭﻴﻠﺘﻔﺕ‬
‫ﺃﻨﺎ ﻫﺎ ﻭﺭﻴﻜﻡ ﺃﻨﺎ ﺠﻴﺕ ﺍﻫﻪ‬ ‫ﺒﻭﺠﻪ ﻭﻴﺼﺭﺥ ﻭﻫﻡ ﻴﺨﺭﺠﻭﻥ ﺒﻪ ﺇﻝﻰ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺒﻴﻥ ﺍﻝﻨﺎﺱ ﺍﻝﻤﺘﺠﻤﻌﺔ ﺤﻭﻝﻪ‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪High angle‬‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 515‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻘﻁﺎﺭ‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻴﺘﺤﺭﻙ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﻅﻬﺭ ﺒﻌﺩ ﺨﺭﻭﺠﻪ ﺃﺒﻭ ﺴﺭﻴﻊ ﻭﻫﻭ‬
‫ﻴﺤﻤل ﻫﻨﻭﻤﻪ ﻭﻴﺘﺤﺭﻙ ﺇﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺍﻝﻨﺎﺱ ﺘﺒﺩﺍﺀ ﻓﻰ ﺍﻝﺘﻔﺭﻕ ﻓﻰ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﺴﺘﻤﺭﺍﺭ‬ ‫‪ 516‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪Medium‬‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫‪ Close.‬ﻝﻬﻨﻭﻤﻪ ﻭﺃﺒﻭ ﺴﺭﻴﻊ ﻴﺤﻤﻠﻬﺎ‬

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‫ﻭﻫﻰ ﺘﺒﻜﻰ ﻭﺘﻨﻅﺭ ﻋﻠﻰ ﻗﻨﺎﻭﻯ ﺸﻤﺎل‬

‫ﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺤﺭﻙ ‪ Zoom in‬ﻋﻠﻰ‬
‫ﻭﺠﻬﻬﺎ ﻭﻫﻰ ﺘﺒﻜﻰ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 517‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ Long Shot‬ﻝﻠﻔﺘﺎﺓ ﺍﻝﺘﻰ‬

‫ﻜﺎﻨﺕ ﺘﺘﺤﺩﺙ ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ ﻭﻫﻰ ﺘﺴﺘﻨﺩ‬
‫ﺇﻝﻰ ﻋﻤﻭﺩ ﻓﻰ ﻤﻘﺩﻤﻪ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺍﻝﺨﻠﻑ ﺃﺒﻭ ﺴﺭﻴﻊ ﻴﺤﻤل ﻫﻨﻭﻤﻪ ﻭﻫﻭ‬
‫ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺴﻴﺭ‬
‫ﺒﻬﺎ ﺇﻝﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻨﻬﺎﻴﺔ‬
‫ﺍﻝﻨﻬﺎﻴﺔ‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬
‫‪Fade out‬‬

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