You are on page 1of 6

ELEMENTS AND PRINCIPLES OF ART

REGULAR FORM
forms having definite shape. These include
square, triangle, rectangle, circle and
oblong.

SQUARE - Its sides connote monotony and


lack in variation. This is the reason why in
art it is not a good shape especially for
ELEMENTS OF VISUAL ARTS
border or boundary.
Refer to which the artist uses as symbols
CIRCLE - Simplicity, continuity and
(symbolic), pictures (pictorial), and an
monotony.
expression to visualize and communicate
RECTANGLE - It is a good shape for
his variety of feelings and ideas.
decorative and structural design. It
LINE expresses stability, close set, dignity and
contour or outline of an object. It also uprightness.
represents the edges of an object. As an TRIANGLE - It has the expression of
element of art, it is always associated with repose and dignity.
the emotional state of man.
NATURAL FORM
TYPES OF LINES forms found in nature like the shapes of the
leaves, animals, trees, mountains and the
Straight lines – give the feeling of human body.
simplicity, directness and sometimes
monotony. GEOMETRICAL FORMS
Horizontal lines – express calmness, forms with three-dimensions. These include
quietness, peace and repose. prism, pyramids, cones, cylinder, sphere
Vertical lines – express dignity, stability, and cubes.
majesty, uprightness, strength, life and
reverence. FORMS ACCORDING TO SIZES:
Oblique, slant or diagonal lines - indicate
motion or action, support, stability and LARGE FORMS
vulnerability. give the impression of spaciousness and
Broken lines – suggest disorder, violence superiority.
and power.
Light lines – give the feeling of delicacy SMALL FORMS
and refinement. Suggest inferiority and crowding.
Heavy lines – give the feeling of strength
and sturdiness. TEXTURE
Curved lines – suggest grace, feminity,  quality or character of the area or
variation and movement. surface produced by the form. Its
Parallel lines – suggest equality. aesthetic value of texture lies first of all
in the fact that it makes the gradation
IN TERMS OF DRAWING: of color possible.
RECTILINEAR - Pure straight Lines
 Give a surface unevenness which
CURVILINEAR- pure curve lines
causes the color of the surface to be
IRREGULAR LINES- Combination of
broken into gradations of light and
straight and curve lines
shade giving it a charm of its own.

TYPES OF TEXTURE
FORM
Rough or Coarse textures
shape, structure, and area of an object.
suggest strength, endurance and
Like line, it also represents the feelings or
cheapness.
thoughts of the artist. Form in art varies in
Smooth or Fine textures
types, size and effect or meaning.
imply excellently finished, delicateness and
costliness.
VALUE SECONDARY COLORS
amount of light, shade or dark-and-light in These are formed through the combination
an object. Its aesthetic value lies on the of two primary colors.
reason that subjects or objects of art are GREEN (yellow + blue),
seen because of its presence. ORANGE (yellow + red)
VIOLET (blue + red).
THREE PRIMARY VALUES:
The extremes in value are black and white:
the highest value is white and the lowest,
black. Black is the absence of light while
white is its presence. The step half-way or
the middle value is called gray.

COLOR
hues with their various values and TERTIARY COLORS
intensities. visual perception of light being combination of two secondary colors.
reflected from a surface of an artwork. In Violet + Orange = Russet 
the most basic classification, colors can be Orange + Green = Olive 
divided into three groups: Violet + Green = Slate
primary,secondary, and tertiary. Refers to
the quality or kind of light that reflects from
the surface of the object. Colors are seen
because of value or light.

3 PROPERTIES OF COLOR
HUE is the dimension of color that gives
color its identity or name. Color names such QUARTERNARY COLORS
as red, yellow, blue and others indicate the mixture of two tertiary colors.
color characteristic called hue. Russet + Olive = Buff 
Slate + Russet=Plum
VALUE – denotes the lightness and Olive + Slate = Sage
darkness of a color. Colors can be made
darker by making the pigments thicker or
adding black or adding a little of its
complement. Colors can be made lighter by
adding water or oil or white.

INTENSITY OR CHROMA – denotes the


brightness or dullness of a color, its INTERMEDIATE / INTERMEDIARY
strength or weakness, its purity or impurity. mixture of equal amounts of primary and
A color can be made intense by adding secondary colors.
more pigment of the same hue, by placing yellow – orange, red-orange, red-violet,
beside it its complement or opposite or by blue-green, blue - violet and yellow
surrounding it with the same hue but of green.
lower intensity.

CLASSIFICATION OF HUE

PRIMARY COLORS
RED, YELLOW and BLUE. These are
called primary colors because all other
colors are produced by combining any of
the two colors
COMPLEMENTARY / OPPPOSITE BLUE
form a natural balance in the color wheel. Color of the sky and the deep. It gives the
Example of Complementary colors are: impression of vastness and infinity. It is a
red and green, blue and orange and violet symbol of tranquility, calmness, and peace.
and yellow. GRAY
impression of weight, solidity and neutrality.
GREEN
color of vegetation and still water. It is a
symbol of growth, freshness and hope.
ORANGE
symbolizes deliciousness and sweetness.
PINK
Symbolizes love
MANNER OF PRESENTING HUES RED
It typifies fire, blood, danger, festivity,
COLOR WHEEL bravery, war, passion, energy, vitality and
manifests the primary, secondary, warmth.
intermediary as well as the complementary VIOLET
colors. It suggests shadows, mourning, penance,
royalty and power.
WHITE
stands for simplicity, clarity, purity, peace,
cleanliness and innocence.
YELLOW
symbolizes life, joy, sunshine, cheerfulness,
warmth, splendor, royalty and hospitality.
BROWN
suggests humility and confidence.
COLOR TRIANGLE
PERSPECTIVE
Manifests the primary, secondary, tertiary
deals with the effect of distance upon the
quarternary and the intermediary colors as
appearance of objects, by means of which
well. It can also be a substitute to color
the eye judges spatial relationship. It
wheel.
enables us to perceive distance and to see
the position of objects in space.

TYPES OF PERSPECTIVES

LINEAR PERSPECTIVE
representation of an appearance of
distance by means of converging lines. This
has to do with the direction of lines and with
COLOR AND THEIR EFFECTS the size of objects.
“A serious study of the symbolism of colors AERIAL PERSPECTIVE
will show the correct concept of color relative distances of objects by gradations
interpretation. This will also develop the of tone and color.
proper application and use of colors in
everyday life.” SPACE & PLANE
Space is the bounded or boundless
BLACK “container” of collection of objects. In art,
darkest and the dullest of the colors. It is space is regarded as bounded by and
only considered a color when mixed with susceptible to aesthetic and expressive
other color. It suggests despair, gloom, organization.
death and mourning. Plane – is a space limited only to painting
and other related arts, since they are two-
dimensional arts. Generally, they only
occupy a surface.
SCULPTURE
ELEMENTS OF MUSIC
PROCESS OF CREATION
It is art form whose medium is sound and
Many art critiques believe that the reason
silence. The word derives from Greek
why humanities have fewer sculptors than
word ,"mousike" means art of the Muses.
painters is because not all artists could be
pitted in wood or stone. Moreover, being a 8 ELEMENTS OF MUSIC
sculptor needs sustained physical effort to
transform one’s imagination to reality.  DYNAMIC
 FORM
CARVING  HARMONY
a subtractive process; it involves removing  MELODY
unwanted portions of the raw material to
 RHYTHM
reveal the form that the artist has
 TEXTURE
visualized. Wood, stone and ivory are the
materials employed in this process.  TIMBRE
 TONALITY
MODELING
an additive process. It means building the DYNAMIC
form, using highly plastic material such as Dynamics refers to the volume of a piece of
clay or wax. This results in a type of music. Music can be described as loud, or
creative spontaneity. The additive process soft, or There could be gradual changes
permits the artist to rework his material and from loud to soft, or soft to loud, depending
introduce details as he sees fit. on the performer's interpretation of the
music.
CASTING
a complex process. It uses bronze and FORM
other metal for it to materialize. It begins The Form or Structure of a piece refers to
with the production of a negative mold. the order and arrangement of the different
Then the artist covers the original model parts. Music vocabulary such as
with a mold in such a way that a faithful introduction, verse, chorus, bridge, solo, in
negative reproduction is created. and outro are common Music terms that
can be used to describe most rock or pop
FABRICATION music.
employs methods of joining or fastening,
such as nailing, stapling, soldering and HARMONY
welding. In this process, the artist builds his The simple definition of musical harmony is
form piece by piece. He may even combine the sound created when two or more
different materials together pitches are performed at the same time to
form a chord. In modern music, the
harmony often comes from instruments like
the guitar and piano. Other pitched
instruments like the bass contribute and
support the harmony by providing a basis of
support for both the melody and the chordal
accompaniment.

MELODY
Melody is a series of pitches that make a
tune., it is the binding agent that holds all
the elements of music together in a piece of
music. The melody is the part that people
remember and will sing along to when
listening.

RHYTHM
Rhythm in music includes several different
aspects, and some prefer to use the term
duration. A simple definition of this musical
term is to describe how long or short a
sound is.

ELEMENTS OF FICTION

STORY ELEMENTS

PLOT
The sequence of events in any narrative is
referred to as the plot of the story. It usually
has a beginning, middle, and end.

TEXTURE
Number of instruments or voices that
contribute to the overall density of the
music.

TIMBRE
Timbre in music refers to the unique sound
quality of an instrument. Timbre can also be
described using the term tone color. Just
like in a painting and the use of different CONFLICT
color creates different images, the "color" of A Conflict Is The problem or struggle that a
an instrument is like painting sound for our story's character must overcome. A conflict
ears to hear. Every instrument and voice may internal, which is a struggle that takes
have their own unique sound, and it is this place inside a person's mind. It may also be
quality that makes a piece of music unique. external, which takes place against an
outside force.
TONALITY
Tonality in music refers to the overall sound TRAITS
of the music. Is the music mainly Readers understand a character's traits
pleasant sounding (consonant) or based on what a character does, says, or
unpleasant sounding (dissonances the how s/he is described in the story.
music in a major, minor key? Often a lot of
world music has a tonality based on an SETTING
unusual scale like the medieval modes, or The setting is the backdrop against which
Indian raga. the story takes place--it is the "where" and
"when" of a narrative.

CURIOSITY
Characters are the living beings in a story.

ANTAGONIST AND PROTAGONIST


ANTAGONIST – villain or the opponent of
the main character.
PROTAGONIST – hero or the main
character of the story.

You might also like